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One of the most fascinating aspects of The Beatles’ career is how, with George Martin’s guidance, they advanced the art of recording, as they went from twin track to four track to eight track tape. Today, we examine how The Beatles progressed f
You may know her as the muse who inspired Donovan's "Jennifer Juniper"; maybe you know her as Pattie Boyd's sister who went to Rishikesh with The Beatles. She may be known to some as the one-time flat-mate of Magic Alex or the two-time wife of
Given Beatles author and historian Erin Weber's recently announced sabbatical from Beatling these days, I wanted to share with SATB listeners the Q&A we held last year for Fab4ConJam, where she fielded questions on the Beatles' literary canon.
You may know her as the award-winning veteran rock journalist (Creem, Kerrang!, Mojo, and so forth) who also penned the best-selling biography of Leonard Cohen: I'm Your Man: The Life of Leonard Cohen (2011), as well as Debbie Harry's memoir, F
Sparked by the air of social upheaval in 1968, John's song "Revolution" spawned three very different recordings: Revolution 1, Revolution 9, and Revolution (the single version). Today, in the first of a two part episode, we look at how Revoluti
Building off George Martin’s half-speed, wind up piano technique, The Beatles and their producer used varispeed — variable speed recording — to alter the sound of instruments, vocals, and even entire rhythm tracks of songs. These alterations ch
The Beatles’ first four singles seem to be fairly straightforward live studio recordings, but George Martin expended a good bit of effort to polish these songs up for release. Today, we listen through the session tapes for The Beatles’ third si
In the second half of our brief overview of how George Martin and The Beatles used multitrack recording, we’ll hear how they pushed four-track recording to its breaking point, and we’ll learn how they managed the complex arrangements on Sgt Pep
George Martin’s score for “Eleanor Rigby” builds on the classical string quartet form that the producer introduced The Beatles to on the song “Yesterday.” In this episode, we examine the writing and recording of the score with cellist Karen Ray
George Martin’s memorable piano solo for “In My Life” was one of his favorite contributions to any Beatles recording. In this episode, we examine the special technique Martin used to capture this solo on tape, as well as how he used this same t
One, two, three, fawh! On this episode of Beatles Therapy I analyze I Saw Her Standing There.
In examining the making of the third version of Revolution (after Revolution 1 and Revolution 9), we talk to musician and composer Casey McAllister to consider the origins of the recording’s intro; author and producer Jerry Hammack fills us in
With Apple’s announcement that Peter Jackson will be reworking the Let It Be footage, we go back to the actual sessions to examine this period from George Martin’s perspective. Martin and The Beatles advanced the use of the recording studio in
“When I’m Sixty-Four” is Paul McCartney’s nostalgic throwback to British music hall, and a tribute to his father, Jim McCartney. Today, we examine George Martin’s iconic clarinet score for the song, and consider how much Paul had a hand in writ
As the first insider Beatles tell-all (not counting Francie Schwartz's Body Count - because why would I) - 1983's The Love You Make, a collaboration between Brian Epstein's protege Peter Brown and today's guest, shocked fans with what was perce
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