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S3/E1 | The Orchard

S3/E1 | The Orchard

Released Wednesday, 19th October 2022
 3 people rated this episode
S3/E1 | The Orchard

S3/E1 | The Orchard

S3/E1 | The Orchard

S3/E1 | The Orchard

Wednesday, 19th October 2022
 3 people rated this episode
Rate Episode

Episode Transcript

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0:00

Yeah, Thirteen

0:04

Days of Halloween, Devil's Night,

0:06

a production of I Heart three D audio, Blumhouse

0:09

Television and Grimm and Mild from Aaron

0:11

Mackey. Headphones recommended.

0:14

Listener discretion advised. Zero

0:52

errow errow

0:58

vertical m errow

1:06

errow, come here boy errow

1:22

huh hello,

1:28

leeve me in

1:32

line med

1:40

W B R G. And the good people are Bradberry

1:42

will take on every encouragement to compel

1:45

you, to plead with and bent to

1:47

pray for you. It need be to keep

1:49

yourselves, your families, and especially

1:51

your little ones indoors tonight, off

1:54

the streets and away from the darks.

1:56

The sheriff has instituted a mandatory

1:59

curfew and need children out after dark

2:01

or subject to apprehension. Police

2:03

are out on the town working over time at full

2:06

capacity, but that may not be enough.

2:08

In the meantime, do not need your house.

2:10

Do not answer the door. If you hear

2:12

a bump in the knight, do not go

2:15

invest again. Okay,

2:20

boys said sits time to head

2:23

back to town. Whatever you got bagged

2:25

up, line up and let's have a look.

2:28

Terry, you got my ladder, throw

2:31

it in first. What have you

2:33

got? Nice?

2:36

Good and fool we'll call it

2:38

five pounds. That's fifty

2:41

cents. You

2:45

I don't remember seeing you before.

2:48

You right here with us. What's

2:50

your name? Boy, Tony? You

2:52

gotta speak up now. I'm a little HoTT Yeah,

2:56

you're a little light. That's ten

2:59

pounds easy. We're gonna call

3:01

it a quarter. A quarter. Almost

3:03

broke my arm looking that mess around, generous

3:05

boy, Either take the money and getting

3:07

a truck, or you're going home empty handed

3:11

as your boy sheeps keeping and

3:14

you? Who are you? Tony

3:18

to Tony's oh

3:20

brother? Okay, let's

3:22

keep moving here. Hopefully you did a little better

3:25

in your partner knees.

3:29

What were you two doing out there? Uh?

3:33

Nothing, just picking apples off

3:35

the ground. Half of these

3:37

are rotten. It's not my fault. Your

3:39

trees are ship. You're getting a dime.

3:43

That's not fair loose talk from either of

3:45

you. Can keep your rotting apples and walk

3:47

them home. Uh man,

3:54

you got your bag of apples? Actually,

3:57

I too, too bad Swell

4:01

that's the entrepreneurial spirit.

4:04

Yeah, it's a good

4:06

haul on any day. But son,

4:09

I heard about your family. No shame

4:11

in it. Good hard working

4:13

folks all over town are facing

4:15

the same eviction.

4:19

Greedy damn banks is all criminal

4:21

if you ask me, now,

4:23

I understand why you've been out here

4:26

every day this month. And well,

4:29

anyhow, here's a little extra

4:32

for your trouths. Wow,

4:35

really are you sure?

4:39

Of course? So maybe that'll

4:41

be enough to keep those bloodsuckers at

4:43

bay for now? Anyway?

4:46

Keep that safe now, kiddo, and

4:49

look after that dog. Come

4:52

on arrow, okay,

4:55

opie, what do you got for? Not?

4:59

Fucking guy must be going seen on

5:01

him?

5:04

Hey, give me a cigarette? Would

5:09

you make? Oh?

5:12

You know about the same as you?

5:15

About the same? How's that supposed to

5:17

mean? He's full of it? I saw

5:19

the old man slip him a sawbuck. You

5:23

hold it out on us? Alright?

5:27

So where's our cut? What?

5:29

Yeah? How's about a little red dishes? What

5:32

do you call it? Oh? Maybe a little

5:35

redistribution of wealth? That's

5:37

the one. Why

5:39

would I do that? Why

5:42

you get this guy Tony asking us?

5:45

Why? Why? Why?

5:47

Why? Why? Indeed?

5:49

Well, how's about because there's a bit of unfair

5:52

treatment going around this operation that

5:54

right now. I don't want to point

5:56

fingers, but maybe certain people, maybe

5:59

those the man has a certain fondness

6:02

for, are getting sent to better patches.

6:05

This shitty old orchard. Oh that's

6:07

just terrible. That's not true.

6:10

The orchard's fine. I work here

6:12

every day after school, and I've been

6:14

here since this morning. Fine

6:17

e stick this in your mouth. Tell me what

6:19

you think. Of course, they're rotten. I

6:21

saw you picking them off the ground. You

6:23

have to get up in the trees or under the ladder.

6:26

Look, kid, we're giving

6:28

you options. Option one,

6:30

share a little bit with your fellow laborers

6:32

whose work is not being called into question

6:35

here. That would be the easiest

6:37

and the most ethical option

6:40

too. You can go over there and address

6:42

this gross pay disparity with your buddy

6:44

the farmer. Let him know we've

6:46

been mischaracterized. He'll

6:49

never do that. And option three,

6:52

you and your dirty muck get back out there and

6:54

pick us some fresh apples. Get

6:56

your ladder, get under your tree

6:59

and make the thing right. Are

7:01

you hitting me? You know what

7:04

night it is? Did you hear the

7:06

radio? It'll be dorky in an

7:08

hour. I need to get home. What

7:13

are you scared? He is? He's

7:16

so scared. That is

7:18

the boogeyman gonna get you? Is a

7:20

which gonna come along and scoop you up? A

7:24

ghost? What a baby, What

7:26

a little bitch? Listen

7:28

kidding? Have you ever heard

7:30

of the man in the mask? No?

7:35

What? Really? Sure

7:38

you have? Really,

7:40

he's not a man, but he

7:42

looks like one. A tall man

7:45

wanders the street every Halloween,

7:47

searching for someone small and defenseless,

7:51

someone alone. He'll

7:53

try to convince you that he's harmless. I'll

7:56

tell you that he's your friend. But

7:58

if you look right at him,

8:00

you'll notice that there's something off

8:02

about something missing.

8:07

What his

8:09

face? He has no face,

8:12

and so he hides behind a mask. And

8:16

I'm not saying you are, but if

8:18

you were smart, you know that the

8:20

moment you see this man you should

8:22

run. The thing is,

8:25

it'll already be too late. If

8:28

you see him once, you're guaranteed

8:30

to see him again and again

8:34

and again in

8:36

places you never expected, hiding

8:38

in plain sight. Figure

8:40

on the street, a new kidding

8:43

class, a face on your screen,

8:46

a shadow in your closet. You'll

8:48

try to convince your friends, your family

8:51

that this person is not who he says he is, that

8:54

he's out to dbt you, fellow,

8:56

laugh it off, say you're crazy.

9:00

And then one day you look

9:02

in the mirror and see

9:04

that mask staring back at you then

9:08

and only then you'll know he's

9:11

not following you anymore, because

9:14

now you

9:16

are the man in the mask. That's

9:21

that's not real. Maybe

9:24

maybe not, but I bet

9:26

you watch your back. Hey,

9:29

hey, kid, calm down, ye don't

9:32

cry. You don't have to be afraid

9:34

of him, because

9:36

I guarantee you that the

9:38

scariest thing you'll see all night is

9:41

standing in the back of this truck with you. Right

9:43

now,

9:46

it's time to do what's right. Let's see

9:48

what's in your pocket there? All

9:50

right? Shuttle down back there, we're

9:52

off. Hold on because we're

9:54

already late, and I gotta get your kids home before

9:57

this god forsaken place goes preserved.

9:59

What what is it?

10:01

Boy? Dog throwing

10:05

heat? Arrow? I would

10:07

run away, bitch. Where

10:10

is that? Arrow? Act? What

10:12

are you doing? Get back in the truck. My

10:14

dog I called it by my dog. Oh

10:17

my god, he's gonna get left beyond. He's

10:19

gonna spend the night out here here. Get back

10:21

in the truck. It's not safe out here. Arrow.

10:24

Where'd you go at? Arrow? Act?

10:27

What an idiot? By

10:30

the dog, And get back to the road.

10:46

Arrow Arrow

10:52

here, Roy, come here,

10:54

errow arrow?

11:01

Arrow? Come on, boy, errow.

11:04

It's okay, boy, you know you're

11:07

out there. Come

11:09

back now, Rome on

11:11

back and we maybe can still make it

11:13

home before which

11:16

waste the road. Zero

11:33

arrow errow

11:39

vertical errow

11:47

errow. Come here, boy errow,

11:59

hm m hm huh

12:05

Hello, Hello,

12:10

I see you there, erro

12:15

Come mr.

12:18

He's friendly. I swear you

12:21

probably just spooked him. In fact,

12:24

you spooked to spool errow

12:27

errol saw get over

12:30

here. I'm

12:32

sorry about that, sir, Um

12:35

real sorry. I

12:37

didn't expect to see anyone

12:39

out here this late, especially

12:42

tonight. But um,

12:46

you wouldn't happen to know the way back

12:49

to the road, would

12:51

you, sir?

12:58

Sir mhm row.

13:05

It's just a scarecrow. Oh

13:09

harrow, this wee you chased

13:12

all the way out here. Look

13:15

boy, it's nothing. These

13:17

clothes are full of straw. It

13:21

doesn't even have lads. It's

13:23

just resting on a post in

13:26

this it's just a mask.

13:35

Well well well look

13:38

what we have here. Look who it

13:40

is. Isn't that a coincidence?

13:43

You find your little doggie and we

13:45

find you. I

13:48

oh, did we scare you?

13:53

The scarecrow? Oh the grow

13:55

scared you poor little guy?

13:58

What a baby? It

14:01

it? Moved this

14:06

fucking thing. You know what.

14:08

Let us take care of that for you. Oh

14:18

but now you realize

14:20

yaw's double, yeah, double,

14:24

and it's time to pay up. I

14:28

don't know you anything. That's

14:30

it. Get him

14:34

Arrow, We've asked nicely, grab

14:37

him.

14:42

This could have been so easy, kid, so

14:44

easy. You could have just paid back the money

14:47

you owe. Toe said. It would have been all over

14:50

like that. I

14:53

I need it, my

14:55

family needs it. Funds

14:57

do tomorrow. I think gonna

15:00

victis If we can't pay please,

15:04

Well, isn't that sweet like

15:07

candy? It's hard all

15:09

over kids. Besides,

15:12

it is never really yours in the first place. Hell

15:15

hold him still, Hell, hell

15:20

not? I

15:30

your be

15:33

afraid. Thirteen

15:56

Days of Halloween Devil's Night,

15:59

starring Order Rockwood and Clancy

16:01

Brown. Episode one, The

16:03

Orchard, written by Alexander Williams,

16:06

featuring the voices of Joseph Whipp, Travis

16:09

Burnett, and Genta Zombi Lasak,

16:11

directed by Alexander Williams,

16:14

Script supervision by Nicholas Takoski,

16:17

Casting by Sunday Bowling c s A

16:19

and Meg Mormon c s A. Production

16:21

coordinator, Wayna Calderon. Production

16:24

assistants Zoe Shay and Amber

16:26

Ferris. Animal recording by

16:28

Ben James, closing theme by

16:30

Rose Azerti Loyalty Freak

16:33

Music dot Com. Recorded

16:35

at d G Entertainment in Los Angeles,

16:38

California. Engineered by Gary Forbes

16:40

and Jody Abbott. Executive

16:42

producers Aaron Manky, Noah

16:44

Finberg, Chris Dicky, Matt

16:46

Frederick and Alexander Williams.

16:49

Supervising producers Trevor Young

16:51

and Josh Thaine. Producers

16:53

Jesse Funk and rima Il Kali.

16:57

Thirteen Days of Halloween was created by Matt

16:59

Frederick Alexander Williams and

17:01

is a production of iHeart three D Audio,

17:03

Blumhouse Television and Grim and Mild

17:06

from Aaron Mackey. Learn more about

17:08

the show at Grimm and Mild dot com

17:10

slash thirteen Days and find

17:12

more podcasts from I heart Radio by visiting

17:15

the i heart Radio app, Apple Podcasts,

17:17

or wherever you listen to your favorite shows.

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