Episode Transcript
Transcripts are displayed as originally observed. Some content, including advertisements may have changed.
Use Ctrl + F to search
0:00
M Thirteen
0:04
Days of Halloween Penance, a
0:07
co production of iHeart three D Audio
0:09
Blumhouse Television and Grim and Mild
0:11
from Aaron Yankey Headphones recommended.
0:14
Listener discretion advised.
0:26
Tell me, tell
0:28
me it's real. Then I'm
0:30
not hallucinating?
0:33
Is it?
0:34
Could it really be?
0:40
I made it? I'm out.
0:44
But outwear lily
0:52
fresh water wall,
0:56
no pretty, damn salty.
0:58
Ugh, I got filthy
1:01
crawling through that damn drain pipe.
1:06
Time to put distance between me in this fucking
1:08
prison. Things
1:15
I will remember to pack for
1:18
my next daring escape.
1:21
Shoes, water,
1:26
preferably chilled, bunk,
1:30
spray.
1:31
Deep one thousand, five and sixty.
1:34
You know, a map.
1:36
Or maybe a satellite phone
1:39
with GPS.
1:41
Hell, why not a helicopter?
1:44
And what did you pack?
1:45
A daisy scout, A
1:48
heavy ass book and pillowcase
1:50
full of trinkets. Perfect
1:53
if we find some kind of
1:55
satanic bomb shelter in need of decorating.
1:58
Not so much in the way of survival.
1:59
Here, but
2:04
damn if that's not the prettiest
2:06
sunrise I ever saw. Every
2:14
stream has to lead somewhere. I
2:17
hope that this one leads out of side of this goddamn
2:19
prison. You know
2:21
from the outside, you would never know what
2:23
happens on the inside. Well, that stone
2:26
makes it look like.
2:26
An old fort or castle.
2:30
Huh.
2:31
I'm sure they're looking for me. I
2:34
wonder if they got her.
2:37
Okay, okay, you stop talking to yourself,
2:40
starting right.
2:42
Ah, motherfucker, Lily,
2:48
Lily, Lily,
2:50
is that you.
2:53
Jack war.
2:57
Easy girl, easy girl.
3:00
We're just two strangers
3:02
crossing paths.
3:04
I'm just at it this way.
3:07
I'm good right here.
3:08
Oh hurry you
3:11
you take your time.
3:14
How can you drink that stuff?
3:19
You don't happen to know the way out
3:21
of here? Do you or a
3:23
good hotel in the area?
3:26
Shut up?
3:26
Say hurry?
3:33
Oh Jesus, Mary and Joseph.
3:38
Wait where in the world do they
3:40
have jaguars? Don't
3:45
get me.
3:45
Wrong, I'm happy to see the outside
3:47
again, practically thrilled that
3:50
this fucking brush is so thick
3:52
it's like a jungle. I bet
3:54
just for good measure, they've clear cut the rainforest
3:57
to build this cursed gargantuan
3:59
free in Castlefort walk
4:05
all damn day, and still I can't get away
4:07
from it. I wonder what part
4:09
I'm looking at right now? Could
4:11
that be the muscle?
4:13
Now?
4:13
Maybe the infirmary. I
4:15
wonder where the panopticon is in all this. No,
4:19
there it is.
4:21
Well, if you can see them, they can see you. Add
4:25
to the packing list.
4:27
You're a escape partner. I
4:29
guess you didn't make it out. You're
4:31
still in there. Somewhere is
4:34
that.
4:36
Shit? Shit?
4:39
Shit the
4:51
ocean. I knew it would
4:53
be the ocean. Nothing
4:57
on the horizon, but now,
5:00
well you can really.
5:01
See the pen.
5:03
Okay, maybe
5:06
this is a peninsula.
5:08
Yeah, yeah, I just gotta.
5:10
Follow it around and then find
5:12
a road inland.
5:15
Just keep going until
5:18
that tower. Is
5:20
that a sight?
5:28
How is it exactly the same size?
5:32
And why does it get so hot? What
5:34
are we on the equator?
5:37
All of the shit looks exactly the same, because
5:40
of course it does. It's the Pendleton
5:43
Prison on Pendleton Isle.
5:46
No peninsula.
5:52
There you see that X again. You
5:54
know you've made a circle, which won't happen
5:57
because you are staying positive.
6:00
Just gotta keep moving. Tower
6:09
exactly the same size, body
6:13
failing.
6:18
X in sand.
6:20
Conclusion, This is a fucking
6:22
island.
6:24
There is no way off. I
6:26
will die here unless
6:30
they catch me first. Just
6:38
a few minutes out of the sun, not
6:41
to sleep, just to rest, just.
6:46
A few minutes.
6:49
And we will try
6:52
again. Huh,
7:08
who's there? Really?
7:12
Is that?
7:14
Is that smoke? Fire?
7:20
Fire?
7:21
Fire?
7:27
No?
7:27
No, no, no, no, no no
7:31
no no no.
7:33
Please don't one, I
7:35
mean no harm.
7:36
Then what are you doing here?
7:38
Just passing through?
7:40
Are you a guard?
7:42
No?
7:43
An inmate?
7:44
No?
7:45
Then?
7:45
Who are you?
7:47
Days?
7:48
And you sorry?
7:50
Do you have water? Say?
7:53
I wish it's all contaminated?
7:55
M wackish? You
7:58
might have to track up to the headwater.
8:01
Is that far for you?
8:03
Thetturney may be difficult? Or
8:06
you could wait to live any season.
8:08
I'm not sure I'll make it that long. Do
8:11
you live here for
8:14
now?
8:15
And you came from inside
8:18
the pen the citadel on the
8:20
hill?
8:21
Has it always been there?
8:23
Always? No, but
8:26
a long time?
8:27
Do you know where we are?
8:30
On the island?
8:32
Of course, an island.
8:36
I'm just gonna rest for a minute, But
8:39
then you're moving on, right.
8:43
I just have to figure out where
8:45
to go. What's
8:47
wrong with your foot?
8:49
It was lost long ago and
8:52
replaced with black bone and
8:54
smoking mirror?
8:57
This this is a dream.
9:01
Yes, but what do you see is
9:03
only how I appear to you now. Earlier
9:06
I was a jaguar by the water tomorrow,
9:10
Oh, nose.
9:12
But if this is a dream, why am
9:14
I under the same tree, the same distance
9:16
from that goddamn prison?
9:18
Why can I dream what I want?
9:20
What do you want?
9:22
Off this island?
9:25
Why didn't I realize it was an island? It's
9:28
always a fucking island.
9:30
Look out there at.
9:30
Me on the horizon, where
9:34
right there?
9:37
What I don't look
9:39
out.
9:40
Through the east towards the moon
9:43
and follow the horizon back the other
9:45
way.
9:47
There is something there? But is
9:49
it really there outside the dream?
9:51
Or are you?
9:52
Are you showing me what I want to see?
9:54
Dream and reality are closely as you think,
9:57
and nightmare too. But
9:59
yes, yes it's there, it's
10:02
far, but sitting still it's
10:05
what you want.
10:05
Answer.
10:07
I don't know how i'd ever get out there. M.
10:10
Then maybe it's the right inclination but
10:13
the wrong directions.
10:15
What do you mean?
10:17
People tend to look outward when
10:19
they should look inward?
10:22
Really, M I
10:25
escaped with someone else, but
10:27
I lost her or she lost
10:30
me.
10:31
I don't see anyone else here.
10:33
She might still be inside.
10:34
That may be so, But in the
10:37
end I can only help you.
10:42
No, Christ,
10:51
Well, I'll be damned. It
10:54
is a ship just up past the breakers.
11:01
But I can't swim that. But
11:04
I could build a
11:06
raft.
11:08
Okay, yeah, a raft out of what gilligan sticks
11:10
and vines and your own intuition. If
11:13
it's really an island, the pendleton has
11:15
to have its own dock. I just need to follow the shore
11:17
again and look for it.
11:20
But then what.
11:21
Steal a boat?
11:23
No? No, the guy with the smoking foots
11:25
right. This is the only way
11:31
you can do this, Martinez.
11:33
You have to.
11:36
Why did it have to be water?
11:39
Lily?
11:41
Last chats.
11:46
One?
11:48
Two?
12:01
Yike, that's so cold, you,
12:24
darling, are like a cat.
12:27
Hates water, but a natural swimmer.
12:33
They must have dropped anchor red
12:38
and white? Is that a dive flag?
12:44
Hello?
12:45
Anyone on board?
12:48
Don't shoot me? Hello?
12:52
Anybody looks
12:55
like you were diving for something.
13:03
Anyone in there?
13:04
Help me?
13:07
Jesus?
13:07
Your leg?
13:08
Is it still there?
13:09
Is?
13:10
What's still there?
13:11
The island?
13:12
We're just offshore. I swim up.
13:15
We can't be here.
13:17
Oh you've lost a lot of blood. I'm
13:21
gonna try and bandage you up. Where's
13:24
the rest of.
13:24
The crew down in
13:26
the hold?
13:27
What happened?
13:29
We found an old Spanish galleon off the reef,
13:31
remarkably intact, undisturbed
13:34
like that fort up there. No
13:37
one ever comes out here. No maps
13:40
speak of it. We pulled up four
13:42
crates of gold, of gold.
13:45
Did they do this to you the other crew
13:47
members?
13:47
No, we pulled up a fifth crate.
13:50
How were we to know what it was?
13:53
We should get them. Let me help you out.
13:55
No, we have to get out of here. There's
13:57
a dinghy on the roof. There's a crank
13:59
system.
14:00
What's a dinghy?
14:01
God help me. It's a lifeboat,
14:04
a little boat? Oh
14:06
god?
14:07
What was that?
14:08
Oh God? Here it comes here?
14:10
Who comes?
14:11
There wasn't anything left of him in there, just
14:14
an old scalloped armor green
14:16
from the sea. And that morion
14:19
helm.
14:19
What the hell does that mean?
14:21
That crested? Because he's doing her a helmet
14:23
with nothing underneath. Take
14:29
her stance?
14:30
See what lunder Lund?
14:44
No?
14:45
No, let go show,
14:48
stop, get off. Stop
15:05
My lad.
15:07
Christal worship
15:11
with air and he will spare
15:13
you as his sadness.
15:18
At so little And
15:33
I gave warn you.
15:36
What is that thing?
15:38
Another Hookno ass on cocked
15:40
in the island's currents. It is the
15:42
wraith of a conqueror, a butcher
15:45
and warlord. Everything inside
15:47
the armor has rotted away. To less
15:50
than nothing, a collapsing
15:52
void. And these people
15:55
he's making them his saints,
15:58
twisting them into the martyr of his religion.
16:01
You cannot save them. This one
16:03
he has made into Saint Sebastian, pierced
16:06
with knives and tools instead of
16:08
arrows. This one there's
16:11
half flayed into Bartholomew. And
16:13
here a cephalafe nasky
16:16
and a sodium. Why
16:19
because in death is in life?
16:21
He refuses to look inward.
16:24
He lashes out at the world. He
16:26
bloodies it. He cobbles his victims
16:28
into the likenesses of the noble dead, as
16:31
if to absorb himself, all
16:34
while his soul crumbles beyond
16:36
nothingness within.
16:37
Wake me up.
16:38
I have to fight.
16:39
He is too strong for you and too
16:41
fast on mass.
16:45
What you trick
16:47
him into self reflection? How
16:50
the visor of his helm is exposed. Thrust
16:53
your head into the void, become
16:56
his inner voice.
16:59
You mean, put on his helmet?
17:09
Stop?
17:10
What is why anything? But have Rinchess
17:14
go Hey,
17:26
what are you doing?
17:27
Hey?
17:28
You?
17:30
What are you doing?
17:31
Yeah?
17:31
I'm talking to you.
17:33
It's not Jilvin anymore. You want
17:35
me, You're gonna have to come
17:38
here.
17:41
Don't resist.
17:43
He will make you your cat.
17:52
Answer, God,
18:01
forsake you,
18:03
you are powerless.
18:07
Drop her, free them
18:11
and go to hell.
18:28
Cursed. This
18:30
place is literally cursed.
18:33
The lifeboat.
18:37
Come on, come on, come on, come
18:39
on, Jackpot,
18:50
you better start to come
18:54
on please.
18:57
Please yes,
19:00
yes, yeah, oh
19:12
yeah yea.
19:21
O yah
19:25
ooh Gessa.
19:28
Thirteen Days of Halloween Pennance
19:31
starring Natalie Morales, Episode
19:33
twelve Exploration written
19:36
by Robert Lamb and Alexander Williams.
19:38
Editing and sound design by Trevor
19:40
Young and Chandler Mays, featuring
19:42
the voices of Miguel Perez, Wayne
19:44
Bastrup, Alex Bowling, Steve
19:47
B. Greene, Chris Ji Alex and
19:49
Raphael Corkil. Directed
19:51
by Alexander Williams. Executive
19:53
producers Aaron Mankey, Noah Feinberg,
19:56
Chris Dickey, Matt Frederick and Alexander
19:59
Williams. Super Revising producers
20:01
Trevor Young and Josh Thain. Producers
20:03
Jesse funk, Rima Ilkali, Noami
20:06
Griffin, Chandler Mays and Casby
20:08
Bias. Script editing by Lauren
20:10
Vogelbaum, story consultants Ben
20:12
Bolan and Matthew Riddle. Casting
20:15
by Sunday Bowling, CSA and Meg
20:17
Mormon CSA Production coordinator
20:19
Wayna Calderon production assistants
20:22
Jenna Johnson and went Ona Low. Theme
20:24
music by Rose Azerti with vocals
20:27
by Anna Hummler, recorded at
20:29
This Is Sound Design Studios in
20:31
Burbank, California. Engineered
20:33
by Ross aeronaut special thanks
20:36
to Romelia Osorio, Nathan Rule,
20:38
Glen Nishida, and Rob Mosca. Thirteen
20:41
Days of Halloween was created by Matt
20:43
Frederick and Alexander Williams and
20:45
is a production of iHeart Podcasts, Blumhouse
20:48
Television, and Grimm and Mild from Aaron
20:50
Makey. Learn more about the show
20:52
at Grimandmild dot com slash
20:55
thirteen Days and find more podcasts
20:57
from iHeartRadio by visiting the iHeartRadio
20:59
app, Apple Podcasts, or wherever you
21:01
listen to your favorite shows. Happy
21:04
Halloween.
Podchaser is the ultimate destination for podcast data, search, and discovery. Learn More