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S4/E12 | Exploration

S4/E12 | Exploration

Released Monday, 30th October 2023
 1 person rated this episode
S4/E12 | Exploration

S4/E12 | Exploration

S4/E12 | Exploration

S4/E12 | Exploration

Monday, 30th October 2023
 1 person rated this episode
Rate Episode

Episode Transcript

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0:00

M Thirteen

0:04

Days of Halloween Penance, a

0:07

co production of iHeart three D Audio

0:09

Blumhouse Television and Grim and Mild

0:11

from Aaron Yankey Headphones recommended.

0:14

Listener discretion advised.

0:26

Tell me, tell

0:28

me it's real. Then I'm

0:30

not hallucinating?

0:33

Is it?

0:34

Could it really be?

0:40

I made it? I'm out.

0:44

But outwear lily

0:52

fresh water wall,

0:56

no pretty, damn salty.

0:58

Ugh, I got filthy

1:01

crawling through that damn drain pipe.

1:06

Time to put distance between me in this fucking

1:08

prison. Things

1:15

I will remember to pack for

1:18

my next daring escape.

1:21

Shoes, water,

1:26

preferably chilled, bunk,

1:30

spray.

1:31

Deep one thousand, five and sixty.

1:34

You know, a map.

1:36

Or maybe a satellite phone

1:39

with GPS.

1:41

Hell, why not a helicopter?

1:44

And what did you pack?

1:45

A daisy scout, A

1:48

heavy ass book and pillowcase

1:50

full of trinkets. Perfect

1:53

if we find some kind of

1:55

satanic bomb shelter in need of decorating.

1:58

Not so much in the way of survival.

1:59

Here, but

2:04

damn if that's not the prettiest

2:06

sunrise I ever saw. Every

2:14

stream has to lead somewhere. I

2:17

hope that this one leads out of side of this goddamn

2:19

prison. You know

2:21

from the outside, you would never know what

2:23

happens on the inside. Well, that stone

2:26

makes it look like.

2:26

An old fort or castle.

2:30

Huh.

2:31

I'm sure they're looking for me. I

2:34

wonder if they got her.

2:37

Okay, okay, you stop talking to yourself,

2:40

starting right.

2:42

Ah, motherfucker, Lily,

2:48

Lily, Lily,

2:50

is that you.

2:53

Jack war.

2:57

Easy girl, easy girl.

3:00

We're just two strangers

3:02

crossing paths.

3:04

I'm just at it this way.

3:07

I'm good right here.

3:08

Oh hurry you

3:11

you take your time.

3:14

How can you drink that stuff?

3:19

You don't happen to know the way out

3:21

of here? Do you or a

3:23

good hotel in the area?

3:26

Shut up?

3:26

Say hurry?

3:33

Oh Jesus, Mary and Joseph.

3:38

Wait where in the world do they

3:40

have jaguars? Don't

3:45

get me.

3:45

Wrong, I'm happy to see the outside

3:47

again, practically thrilled that

3:50

this fucking brush is so thick

3:52

it's like a jungle. I bet

3:54

just for good measure, they've clear cut the rainforest

3:57

to build this cursed gargantuan

3:59

free in Castlefort walk

4:05

all damn day, and still I can't get away

4:07

from it. I wonder what part

4:09

I'm looking at right now? Could

4:11

that be the muscle?

4:13

Now?

4:13

Maybe the infirmary. I

4:15

wonder where the panopticon is in all this. No,

4:19

there it is.

4:21

Well, if you can see them, they can see you. Add

4:25

to the packing list.

4:27

You're a escape partner. I

4:29

guess you didn't make it out. You're

4:31

still in there. Somewhere is

4:34

that.

4:36

Shit? Shit?

4:39

Shit the

4:51

ocean. I knew it would

4:53

be the ocean. Nothing

4:57

on the horizon, but now,

5:00

well you can really.

5:01

See the pen.

5:03

Okay, maybe

5:06

this is a peninsula.

5:08

Yeah, yeah, I just gotta.

5:10

Follow it around and then find

5:12

a road inland.

5:15

Just keep going until

5:18

that tower. Is

5:20

that a sight?

5:28

How is it exactly the same size?

5:32

And why does it get so hot? What

5:34

are we on the equator?

5:37

All of the shit looks exactly the same, because

5:40

of course it does. It's the Pendleton

5:43

Prison on Pendleton Isle.

5:46

No peninsula.

5:52

There you see that X again. You

5:54

know you've made a circle, which won't happen

5:57

because you are staying positive.

6:00

Just gotta keep moving. Tower

6:09

exactly the same size, body

6:13

failing.

6:18

X in sand.

6:20

Conclusion, This is a fucking

6:22

island.

6:24

There is no way off. I

6:26

will die here unless

6:30

they catch me first. Just

6:38

a few minutes out of the sun, not

6:41

to sleep, just to rest, just.

6:46

A few minutes.

6:49

And we will try

6:52

again. Huh,

7:08

who's there? Really?

7:12

Is that?

7:14

Is that smoke? Fire?

7:20

Fire?

7:21

Fire?

7:27

No?

7:27

No, no, no, no, no no

7:31

no no no.

7:33

Please don't one, I

7:35

mean no harm.

7:36

Then what are you doing here?

7:38

Just passing through?

7:40

Are you a guard?

7:42

No?

7:43

An inmate?

7:44

No?

7:45

Then?

7:45

Who are you?

7:47

Days?

7:48

And you sorry?

7:50

Do you have water? Say?

7:53

I wish it's all contaminated?

7:55

M wackish? You

7:58

might have to track up to the headwater.

8:01

Is that far for you?

8:03

Thetturney may be difficult? Or

8:06

you could wait to live any season.

8:08

I'm not sure I'll make it that long. Do

8:11

you live here for

8:14

now?

8:15

And you came from inside

8:18

the pen the citadel on the

8:20

hill?

8:21

Has it always been there?

8:23

Always? No, but

8:26

a long time?

8:27

Do you know where we are?

8:30

On the island?

8:32

Of course, an island.

8:36

I'm just gonna rest for a minute, But

8:39

then you're moving on, right.

8:43

I just have to figure out where

8:45

to go. What's

8:47

wrong with your foot?

8:49

It was lost long ago and

8:52

replaced with black bone and

8:54

smoking mirror?

8:57

This this is a dream.

9:01

Yes, but what do you see is

9:03

only how I appear to you now. Earlier

9:06

I was a jaguar by the water tomorrow,

9:10

Oh, nose.

9:12

But if this is a dream, why am

9:14

I under the same tree, the same distance

9:16

from that goddamn prison?

9:18

Why can I dream what I want?

9:20

What do you want?

9:22

Off this island?

9:25

Why didn't I realize it was an island? It's

9:28

always a fucking island.

9:30

Look out there at.

9:30

Me on the horizon, where

9:34

right there?

9:37

What I don't look

9:39

out.

9:40

Through the east towards the moon

9:43

and follow the horizon back the other

9:45

way.

9:47

There is something there? But is

9:49

it really there outside the dream?

9:51

Or are you?

9:52

Are you showing me what I want to see?

9:54

Dream and reality are closely as you think,

9:57

and nightmare too. But

9:59

yes, yes it's there, it's

10:02

far, but sitting still it's

10:05

what you want.

10:05

Answer.

10:07

I don't know how i'd ever get out there. M.

10:10

Then maybe it's the right inclination but

10:13

the wrong directions.

10:15

What do you mean?

10:17

People tend to look outward when

10:19

they should look inward?

10:22

Really, M I

10:25

escaped with someone else, but

10:27

I lost her or she lost

10:30

me.

10:31

I don't see anyone else here.

10:33

She might still be inside.

10:34

That may be so, But in the

10:37

end I can only help you.

10:42

No, Christ,

10:51

Well, I'll be damned. It

10:54

is a ship just up past the breakers.

11:01

But I can't swim that. But

11:04

I could build a

11:06

raft.

11:08

Okay, yeah, a raft out of what gilligan sticks

11:10

and vines and your own intuition. If

11:13

it's really an island, the pendleton has

11:15

to have its own dock. I just need to follow the shore

11:17

again and look for it.

11:20

But then what.

11:21

Steal a boat?

11:23

No? No, the guy with the smoking foots

11:25

right. This is the only way

11:31

you can do this, Martinez.

11:33

You have to.

11:36

Why did it have to be water?

11:39

Lily?

11:41

Last chats.

11:46

One?

11:48

Two?

12:01

Yike, that's so cold, you,

12:24

darling, are like a cat.

12:27

Hates water, but a natural swimmer.

12:33

They must have dropped anchor red

12:38

and white? Is that a dive flag?

12:44

Hello?

12:45

Anyone on board?

12:48

Don't shoot me? Hello?

12:52

Anybody looks

12:55

like you were diving for something.

13:03

Anyone in there?

13:04

Help me?

13:07

Jesus?

13:07

Your leg?

13:08

Is it still there?

13:09

Is?

13:10

What's still there?

13:11

The island?

13:12

We're just offshore. I swim up.

13:15

We can't be here.

13:17

Oh you've lost a lot of blood. I'm

13:21

gonna try and bandage you up. Where's

13:24

the rest of.

13:24

The crew down in

13:26

the hold?

13:27

What happened?

13:29

We found an old Spanish galleon off the reef,

13:31

remarkably intact, undisturbed

13:34

like that fort up there. No

13:37

one ever comes out here. No maps

13:40

speak of it. We pulled up four

13:42

crates of gold, of gold.

13:45

Did they do this to you the other crew

13:47

members?

13:47

No, we pulled up a fifth crate.

13:50

How were we to know what it was?

13:53

We should get them. Let me help you out.

13:55

No, we have to get out of here. There's

13:57

a dinghy on the roof. There's a crank

13:59

system.

14:00

What's a dinghy?

14:01

God help me. It's a lifeboat,

14:04

a little boat? Oh

14:06

god?

14:07

What was that?

14:08

Oh God? Here it comes here?

14:10

Who comes?

14:11

There wasn't anything left of him in there, just

14:14

an old scalloped armor green

14:16

from the sea. And that morion

14:19

helm.

14:19

What the hell does that mean?

14:21

That crested? Because he's doing her a helmet

14:23

with nothing underneath. Take

14:29

her stance?

14:30

See what lunder Lund?

14:44

No?

14:45

No, let go show,

14:48

stop, get off. Stop

15:05

My lad.

15:07

Christal worship

15:11

with air and he will spare

15:13

you as his sadness.

15:18

At so little And

15:33

I gave warn you.

15:36

What is that thing?

15:38

Another Hookno ass on cocked

15:40

in the island's currents. It is the

15:42

wraith of a conqueror, a butcher

15:45

and warlord. Everything inside

15:47

the armor has rotted away. To less

15:50

than nothing, a collapsing

15:52

void. And these people

15:55

he's making them his saints,

15:58

twisting them into the martyr of his religion.

16:01

You cannot save them. This one

16:03

he has made into Saint Sebastian, pierced

16:06

with knives and tools instead of

16:08

arrows. This one there's

16:11

half flayed into Bartholomew. And

16:13

here a cephalafe nasky

16:16

and a sodium. Why

16:19

because in death is in life?

16:21

He refuses to look inward.

16:24

He lashes out at the world. He

16:26

bloodies it. He cobbles his victims

16:28

into the likenesses of the noble dead, as

16:31

if to absorb himself, all

16:34

while his soul crumbles beyond

16:36

nothingness within.

16:37

Wake me up.

16:38

I have to fight.

16:39

He is too strong for you and too

16:41

fast on mass.

16:45

What you trick

16:47

him into self reflection? How

16:50

the visor of his helm is exposed. Thrust

16:53

your head into the void, become

16:56

his inner voice.

16:59

You mean, put on his helmet?

17:09

Stop?

17:10

What is why anything? But have Rinchess

17:14

go Hey,

17:26

what are you doing?

17:27

Hey?

17:28

You?

17:30

What are you doing?

17:31

Yeah?

17:31

I'm talking to you.

17:33

It's not Jilvin anymore. You want

17:35

me, You're gonna have to come

17:38

here.

17:41

Don't resist.

17:43

He will make you your cat.

17:52

Answer, God,

18:01

forsake you,

18:03

you are powerless.

18:07

Drop her, free them

18:11

and go to hell.

18:28

Cursed. This

18:30

place is literally cursed.

18:33

The lifeboat.

18:37

Come on, come on, come on, come

18:39

on, Jackpot,

18:50

you better start to come

18:54

on please.

18:57

Please yes,

19:00

yes, yeah, oh

19:12

yeah yea.

19:21

O yah

19:25

ooh Gessa.

19:28

Thirteen Days of Halloween Pennance

19:31

starring Natalie Morales, Episode

19:33

twelve Exploration written

19:36

by Robert Lamb and Alexander Williams.

19:38

Editing and sound design by Trevor

19:40

Young and Chandler Mays, featuring

19:42

the voices of Miguel Perez, Wayne

19:44

Bastrup, Alex Bowling, Steve

19:47

B. Greene, Chris Ji Alex and

19:49

Raphael Corkil. Directed

19:51

by Alexander Williams. Executive

19:53

producers Aaron Mankey, Noah Feinberg,

19:56

Chris Dickey, Matt Frederick and Alexander

19:59

Williams. Super Revising producers

20:01

Trevor Young and Josh Thain. Producers

20:03

Jesse funk, Rima Ilkali, Noami

20:06

Griffin, Chandler Mays and Casby

20:08

Bias. Script editing by Lauren

20:10

Vogelbaum, story consultants Ben

20:12

Bolan and Matthew Riddle. Casting

20:15

by Sunday Bowling, CSA and Meg

20:17

Mormon CSA Production coordinator

20:19

Wayna Calderon production assistants

20:22

Jenna Johnson and went Ona Low. Theme

20:24

music by Rose Azerti with vocals

20:27

by Anna Hummler, recorded at

20:29

This Is Sound Design Studios in

20:31

Burbank, California. Engineered

20:33

by Ross aeronaut special thanks

20:36

to Romelia Osorio, Nathan Rule,

20:38

Glen Nishida, and Rob Mosca. Thirteen

20:41

Days of Halloween was created by Matt

20:43

Frederick and Alexander Williams and

20:45

is a production of iHeart Podcasts, Blumhouse

20:48

Television, and Grimm and Mild from Aaron

20:50

Makey. Learn more about the show

20:52

at Grimandmild dot com slash

20:55

thirteen Days and find more podcasts

20:57

from iHeartRadio by visiting the iHeartRadio

20:59

app, Apple Podcasts, or wherever you

21:01

listen to your favorite shows. Happy

21:04

Halloween.

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