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Part 2: Life, Interrupted with Suleika Jaouad

Part 2: Life, Interrupted with Suleika Jaouad

Released Monday, 22nd April 2024
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Part 2: Life, Interrupted with Suleika Jaouad

Part 2: Life, Interrupted with Suleika Jaouad

Part 2: Life, Interrupted with Suleika Jaouad

Part 2: Life, Interrupted with Suleika Jaouad

Monday, 22nd April 2024
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0:14

Pushkin. Hey

0:20

everyone, this is part two of

0:22

my conversation with writer Suleka Jawad.

0:25

If you haven't listened to part one, I recommend

0:28

going to the Slight Change of Plans feed and

0:30

starting there.

0:41

There's this expectation

0:44

placed on I think cancer survivors,

0:46

specifically of gratitude

0:50

for being alive.

0:53

But I realized that for me,

0:56

it wasn't enough to just be

0:58

alive. It was to live

1:01

a good life, a meaningful life,

1:04

and I needed to figure out how to do that.

1:06

When Suleka Jawad successfully completed

1:09

cancer treatment in her mid twenties, she

1:11

was surprised by how difficult it was to readjust

1:14

to life outside the hospital. She

1:16

found comfort in connecting with people who

1:18

were also navigating challenging transitions.

1:21

If I could turn back the clock. Of course,

1:23

I wish I

1:26

hadn't gotten sick, But it was

1:28

also true that I

1:30

had met some of the most

1:33

extraordinary human beings through

1:35

this unfortunate experience, that

1:38

I had learned so many things

1:40

through it, that I had grown, that

1:43

I had uncovered new parts of myself.

1:45

I hadn't even known what's error. And

1:47

I think, you know, part

1:50

of the work for me has been stepping

1:52

outside of my own story of suffering.

2:00

On today's episode, how connecting

2:02

with others can teach us how to live again.

2:06

I'm Maya Shunker, and this is a slight

2:08

change of plan, a show about who we

2:10

are and who we become in the face

2:12

of a big change.

2:25

In the first part of my conversation with Suleka,

2:27

she told me how she turned to writing when she

2:29

was diagnosed with an aggressive form of leukemia.

2:33

In her New York Times column, Life Interrupted,

2:36

she shared stories about the darker less

2:38

talked about parts of having cancer. These

2:41

stories really struck a chord with people.

2:44

Total strangers from all over the world

2:46

wrote her letters, thanking her and

2:48

sharing their own experiences. These

2:51

letters were a lifeline for Suleka,

2:54

and she returned to them years later when

2:56

she was adjusting to life in remission.

2:59

So, you know, in that first year when I finished

3:01

treatment, I was afraid. I

3:04

was afraid of everything. I was afraid

3:07

of relapsing, I was

3:10

afraid of the outside world. I was afraid

3:12

of taking risks, and

3:15

I felt like I was living

3:17

in a cage of my own making. And

3:20

so I decided to

3:24

start confronting some of those fears,

3:27

and I began to

3:29

think about rites of passage, these

3:32

rituals that we create to mark

3:35

a transition, to mark that distance

3:38

between no longer and not yet. We have

3:40

funerals and wakes, we have weddings

3:43

and baby showers, but when it

3:45

comes to something like surviving

3:48

a life threatening illness, there isn't

3:50

really a ritual or a rite of passage.

3:53

And I was going to have to create one for

3:55

myself. In the early years

3:57

when I was writing the column, I've gotten

3:59

into the habit of printing out different

4:02

letters that meant a lot to me so

4:04

that I could reread them and revisit them.

4:06

And I had this old wooden trunk filled

4:08

with life, and I began, in

4:11

reading these letters to think about

4:14

maybe reaching out and going

4:16

to visit some of them. And so what

4:18

began as this hair brained

4:20

idea turned, you

4:23

know, three months later, into me

4:26

leaving home and my friends borrowed

4:28

car, I sublet my apartment, and

4:32

embarking and what ended up being

4:34

a fifteen thousand mile, three

4:37

month cross country road trip

4:39

to meet some of the strangers who

4:42

had written me letters, and

4:45

I met all kinds of people. I

4:47

met a teenage girl

4:49

who, like me, was

4:51

emerging from years of treatment.

4:54

I met a family of survivalist

4:57

ranchers whom I stayed with in Montana.

5:00

I met a mother who was

5:03

grieving the loss

5:05

of her son, and

5:08

the experience of sitting

5:11

across a table and

5:14

telling the unvarnished truth of how

5:16

you're really doing, and hearing

5:19

from people who'd been where

5:22

I'd been, even if the circumstances

5:24

were really different, and learning

5:26

from them, and taking that time

5:29

to be alone in a car with my thoughts,

5:31

which, after having been experimented

5:34

upon for many years, felt

5:36

like my own bizarre clinical

5:39

trial and exposure therapy.

5:42

So one of the people you visited was a man named

5:44

Quentin Jones, who was convicted

5:47

of murder at age twenty one and

5:49

had been in prison for half his life. He'd

5:52

written you a letter about the extreme isolation

5:55

of being on death row and sent it to you while

5:57

you were in the hospital. What was it

5:59

like to finally meet him?

6:01

So I had never been to

6:03

a prison, he hadn't had a visit

6:06

or years and years,

6:09

and we couldn't have been more different. We grew

6:11

up in wildly different

6:14

worlds, and I

6:16

remember feeling nervous as I

6:19

walked in and walked through various

6:21

metal detectors, and sitting

6:23

in that room there was a piece of plexiglass between

6:26

us and picking up the phone,

6:29

and one of the very first questions

6:31

he asked me was what

6:34

did you do during all that time

6:36

you spent in isolation in the hospital. And

6:39

I said to him that I'd gotten

6:41

really, really good at scrabble, and to

6:43

my surprise, he said me too,

6:46

and explained that he

6:48

and his neighboring prisoners would

6:50

make board games out of paper and

6:53

call out their plays through the bars. And

6:55

it was, you know, this

6:57

moment of connection, this

7:01

moment of like reaching through

7:04

the plexiglass, and

7:06

I think, you know, for me

7:09

a reminder again of

7:11

that idea of survival being its own

7:14

kind of creative act, but also

7:16

how profoundly, you

7:19

know, resilient and tenacious

7:21

the human spirit can be,

7:23

because here was this man who

7:25

is never going to get out of prison, who

7:28

is never going to get

7:30

to go on a road trip, and

7:33

yet he was finding

7:36

his own ways of reimagining

7:40

that confinement into

7:42

something connective and

7:45

beautiful and playful.

7:48

So after one hundred days on the road, you

7:50

returned home, and in the

7:52

decade that followed you wrote a memoir

7:55

might I say my favorite memoir Suleka

7:58

called Between Two Kingdoms, And

8:01

in the book you talked about a number of the people you

8:03

met on the road, including Quentin. When

8:05

it was finally published in twenty twenty one, Quentin

8:09

shout with some news.

8:10

Yeah. So my

8:12

very first week of book tour, I

8:15

got a letter from Quentin, who

8:17

I'd stayed in touch with all those years. We'd

8:19

become pen pals, which is this very

8:21

favorite thing in the world to write letters

8:24

to people, saying that he'd

8:26

gotten a date, meaning

8:28

an execution date. And

8:32

my heart sank when I read

8:34

those words. Of course, he knew,

8:37

I knew, we all knew that it was a possibility,

8:40

but at that point he'd been on death

8:42

row for over twenty years,

8:45

and I knew immediately

8:48

in that moment that

8:51

the idea of a book tour suddenly

8:54

felt meaningless unless

8:56

it was to try to amplify his

8:58

story. And so I spent those first couple

9:01

events talking about my book,

9:03

yes, but also talking about

9:05

Quentin, because to me, he

9:08

is one

9:10

of the most powerful examples

9:12

that I've personally encountered of

9:14

our capacity for change. He had

9:16

spent those twenty

9:18

plus years on death row, reckoning

9:21

with what he'd done, seeking

9:24

forgiveness from the people

9:27

he'd hurt, And while you

9:30

know, he believed that he deserved

9:32

to spend the rest

9:34

of his life behind bars, I

9:36

felt so strongly that

9:39

he didn't serve to die because the

9:41

man he'd entered prison as

9:45

was no longer the same man that

9:47

I had gotten to know over the course of

9:49

those ten years, you know, as

9:51

someone who had fought

9:55

so hard to be alive and

9:57

ultimately knew that

10:00

my survival was left to chance.

10:03

It felt unacceptable

10:06

to me that someone

10:09

die when there

10:12

was a choice to be made about whether

10:14

or not he could live. So

10:17

a couple days later, after

10:20

talking about him and

10:22

what was happening now, I received

10:24

an email from someone who had been

10:26

at one of those virtual book tour events,

10:29

who was a partner of a

10:32

very large, very fancy law

10:34

firm, offering to

10:36

represent him pro bo now.

10:38

And for the next couple of months

10:42

we mounted a

10:45

big grassroots advocacy

10:47

effort to try to

10:50

get his death sentence converted

10:52

to a life sentence, and,

10:57

to our great heartbreak,

11:00

the day before his execution date,

11:03

we learned that he hadn't been granted

11:05

clemency, and when

11:07

you're preparing to to the

11:10

execution chamber, you get

11:13

a four hour phone call or however

11:16

many hours on the phone until

11:18

you have to go in. And Quinn

11:21

called me and we spent that entire

11:23

afternoon talking and

11:26

I was devastated.

11:28

I felt like I had let him down, and

11:32

I worse

11:34

than that, you know, felt like maybe

11:36

I had given him false hope,

11:38

which maybe is worse than

11:42

confronting death with your eyes

11:44

wide open. And his response

11:48

really stunned me. And he said that,

11:51

you know, even though it wasn't the outcome

11:54

that we'd expected, it

11:57

was the best thing that

11:59

had happened to him,

12:01

because in those months leading up to that execution

12:04

date, I had started

12:06

a letter writing campaign and inviting people

12:09

to send him letters, which were his very favorite

12:11

thing. And he said

12:13

that for the first

12:15

time in his life he felt

12:18

loved, that he had never

12:20

experienced love before, and

12:24

that to leave

12:27

knowing that he had been loved,

12:29

knowing that his story

12:33

had been known, was the greatest

12:35

gift of all. And we

12:37

talked right up until that last

12:39

minute when he was escorted into

12:42

the execution chamber, and

12:44

the very last words he

12:46

said to me were keep

12:49

doing the good work, Keep

12:52

throwing a pebble into

12:54

the lake and allowing the

12:56

pebble to ripple out.

13:02

Wow, how

13:07

did you process the after math

13:09

of Quentin's death.

13:11

I felt this deep sense

13:14

of exhaustion in the weeks

13:16

to come, and at first I attributed

13:19

it to the many sleepless

13:21

nights we'd spent on the phone

13:24

with lawmakers and activists

13:27

and lawyers, and then I attributed

13:29

it to grief. But

13:32

within a couple of months, as

13:35

I was writing about that fatigue

13:37

in my journal, I realized

13:39

I was using euerily similar

13:42

language to the language

13:44

I'd used a decade before and

13:47

the months leading up to my diagnosis,

13:50

and I had had lowering

13:53

blood counts throughout the pandemic, and

13:56

at first those low blood counts

13:58

had been attributed to

14:01

COVID, then they were attributed

14:03

to lyme disease, And

14:07

as they continued to drop

14:09

and drop and drop, I

14:11

felt this awful sense

14:14

of knowing. And I remember

14:17

saying to one of my oncology

14:20

nurses, I think my leukemia

14:22

is back, and she said that can't be true.

14:25

The statistical odds of it coming

14:27

back this far out are less

14:30

than five percent. But I

14:32

pushed for that biopsy because

14:34

then not knowing was worse than

14:37

the knowing, and I learned

14:40

that, against the odds, it

14:42

was in fact back.

14:47

We'll be back in a moment with a slight change

14:50

of plans.

15:04

What was it like.

15:06

To receive this news the second time around?

15:09

Relapse was my biggest

15:12

fear. It was this fear that

15:15

I had nursed in the early years

15:17

and that had slowly, little by little

15:19

shrunk, but it was always a specter, and

15:22

so to be confronted

15:26

with that worse fear for it to

15:29

come to pass was

15:31

devastating and weirdly

15:35

easier because now

15:37

the thing i'd heard,

15:40

most of, the thing I thought

15:42

I couldn't possibly go

15:44

through again, had happened, and

15:47

I knew I was going to do everything

15:49

in my power to get through it anyway. I

15:52

had this sense of deja vous,

15:54

and I think, even

15:56

though my prognosis

15:59

is a lot worse, I had

16:01

the privilege of having

16:04

been through this before, and

16:06

having written a book

16:09

pursing through this experience, and

16:12

having spent a lot of time reflecting

16:15

on how I'd want to do it differently,

16:18

And so that's what

16:21

I did.

16:22

And how did you approach it differently?

16:25

I went into

16:27

the hospital without expectation,

16:30

without that suitcase full

16:32

of books. I went into

16:35

it open to everything,

16:37

wanting to be open to everything,

16:40

wanting not to have

16:42

tough skin, but to have tender

16:45

skin. I wanted to feel at all. I

16:47

wanted to feel the terror

16:49

and the clarity and the

16:52

moments of heightened beauty that

16:54

come when you wrote the end might

16:56

be near, and so you

16:58

know, I entered into that hospital

17:02

certainly afraid of

17:05

what was to come, but more than that,

17:07

full of love, full

17:11

of a sense of openness.

17:15

You've been dealt such

17:18

a rough hand in life, and I

17:21

wonder how you avoid feeling consumed

17:23

by resentment, or

17:26

how it is that you try to justify all

17:28

the suffering, the needless suffering that you've

17:30

endured, And if you have anything

17:33

to share on that front. Yeah,

17:35

I just don't feel like the suffering

17:37

serves any higher purpose, and so I

17:40

often feel at a loss when I

17:42

have to witness people suffering like that.

17:45

Yeah, I also don't

17:47

think suffering in and of itself

17:51

serves a higher purpose. But

17:53

I do think that suffering

17:57

brings you down to your most primal

18:01

self. It heightens

18:04

all of the worst things and all

18:06

of the most important

18:09

things. And I think that's useful information.

18:12

And I think, you know, part

18:15

of the work for me has been stepping

18:18

outside of my own story of suffering.

18:21

And when I do that,

18:24

when I can, you

18:26

know, step beyond myself

18:28

and listen to someone else's

18:30

story, really listen to it,

18:34

I feel and learn

18:36

again and again that we're

18:38

more alike than we are different.

18:41

How did this latest round of treatment

18:44

go? What's your health like today?

18:47

So I made it through my

18:50

transplant, obviously, yeah,

18:52

I'm here talking to you, but

18:55

unlike the first time around, there's

18:58

no you know, cure insight

19:01

for me. I will be in

19:04

treatment, some form of treatment

19:06

for the rest of my life, however

19:09

long or short that may be. And

19:12

so I've you know,

19:15

had to make it

19:18

by work. It's sort of my endless

19:21

work to swim in that ocean

19:23

of uncertainty. And I'm you

19:26

know, and a more heightened in between

19:28

place than maybe ever

19:31

before. And I remember, you

19:34

know, my oncologist, when you first gave me

19:36

this news that I was going to be in treatment, and definitely

19:38

saying to me, you have to

19:40

live every day as if it's your last, which

19:43

is the kind of thing that we say in

19:45

situations like these, and we mean

19:47

well that every time you would say

19:49

I felt this sense of doom

19:52

fall over me, this anxiety that

19:54

I had to you know, race against time

19:57

and you know, seize

19:59

every day and all the other things

20:03

that come with having

20:05

mortality hang in the balance and

20:08

so dead now, I've

20:11

had to shift to

20:15

a different headspace. And the way

20:18

that I've found my seat legs

20:20

within that uncertainty is

20:23

not in the grand gestures.

20:25

It's not in you know,

20:27

ringing as much as I can out of life.

20:30

It's trying to

20:34

live every day as if it's my first

20:37

to wake up with the sense

20:39

of wonder and playfulness

20:43

and curiosity that a newborn

20:46

baby might. And so every

20:48

day I wake up afraid. But I

20:50

have to find that

20:52

tiny little thing that

20:54

makes me curious, that tiny

20:56

little joy that

20:59

makes me smile. And

21:01

when I do that, it's like exercising

21:03

a muscle. And so that's what

21:05

I'm doing, and that's more than

21:08

enough.

21:47

Hey, thanks so much for listening to

21:49

hear more from Suleka. I highly recommend

21:51

checking out her memoir Between Two Kingdoms.

21:54

I also recommend watching the Netflix documentary

21:57

American Symphony, which captures

21:59

her love story with her husband, musician

22:02

Jhon fatiste, and next

22:04

week, join me for my conversation with vulnerability

22:06

researcher Brenee Brown talk

22:09

about the identities that are most central to her,

22:11

for being a recovering perfectionist to being

22:14

a big sister, and how those identities

22:16

have evolved over time. And

22:18

as always, we'd be so grateful if

22:20

you can follow this show wherever you listen to

22:22

podcasts, whether it's leaving a review

22:25

or sharing an episode with a friend, it

22:27

helps us keep making this show for you, Thanks

22:30

so much. A

22:40

Slight Change of Plans is created, written,

22:43

and executive produced by me Maya Schunker.

22:46

The Slight Change family includes our showrunner

22:48

Tyler Green, our senior editor

22:50

Kate Parkinson Morgan, our senior

22:53

producer Trisha Bbida, and our

22:55

engineer Eric o'huang. Luis

22:57

Scara wrote our delightful theme song and

23:00

Ginger Smith helped arrange the vocals. A

23:02

Slight Change of Plans is a production of Pushkin

23:05

Industries, so a big thanks to everyone

23:07

there, and of course a very

23:09

special thanks to Jimmy Lee. You

23:12

can follow A Slight Change of Plans on Instagram

23:14

at doctor Maya Schunker. See

23:16

you next week,

Rate

From The Podcast

A Slight Change of Plans

You can follow the show at @DrMayaShankar on Instagram.Apple Podcasts’ Best Show of the Year 2021 Editor's Note: Maya Shankar blends compassionate storytelling with the science of human behavior to help us understand who we are and who we become in the face of a big change. Maya is no stranger to change. “My whole childhood revolved around the violin, but that changed in a moment when I injured my hand playing a single note,” says Shankar, who was studying under Itzhak Perlman at the Juilliard School at the time. “I was forced to try and figure out who I was, and who I could be, without the violin." Maya soon discovered a new path in the field of cognitive science, where she earned her PhD as a Rhodes Scholar studying how and why we change. Her insights into human behavior ultimately led her to create A Slight Change of Plans—Apple Podcasts’ Best Show of the Year in 2021. You’ll hear intimate conversations with people like Tiffany Haddish, Kacey Musgraves, and Riz Ahmed, as well as real-life inspirations, like John Elder Robison, who undergoes experimental brain stimulation to deepen his emotional intelligence, Daryl Davis, a Black jazz musician who inspires hundreds of KKK members to leave the Klan, and Shankar herself, who had her own “slight change of plans” earlier this year. The show also explores the science of change with experts like Adam Grant and Angela Duckworth. "What I love most about this show is that the content is evergreen," says Shankar. "You can listen to episodes in any order and at any time."

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