Sam Adams, writer and senior editor for Slate, was in the midst of his cinephile awakening in 1992, when he was taking in new indies and other risky delights at the SoNo Cinema. Join us as we walk through the vérité discomforts of “Husbands and Wives,” the radical queer art of “Edward II,” the biting-the-hand-that-feeds-you brilliance of “The Player,” and more.

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