20:00

doing my study, you know?

20:04

And I had a teacher who was

20:06

like, Nina, I'm sorry to break this

20:08

to you, but you're just

20:10

never going to work in this industry unless

20:13

you get rid of your accent. I

20:16

was told that and I was like, oh my

20:19

God, okay, what can I do? And

20:22

so when I graduated, I invested

20:25

in like accent training.

20:28

So I did like hours upon

20:30

hours with RP, like received

20:32

pronunciation accent training and a

20:35

general American accent training, and

20:37

then eventually sort of just got rid

20:40

of my European accent. And now it's

20:42

so funny because sometimes I feel like

20:44

I have to even like put back

20:46

on the European accent

20:48

when I'm doing roles because that is

20:50

mostly what I do now. Like my

20:53

whole career is based on basically being

20:55

a foreigner. And I don't mind that.

20:57

It's great. Like, you know, I

21:00

love that. But yeah, that teacher

21:02

was so wrong. I cannot tell you.

21:04

I feel like first off,

21:06

any teacher that says that, like that tries

21:08

to bring people down, you know,

21:10

how many times I mean,

21:12

I've heard the story hundreds of times, right? I

21:14

know. I know. It's so cliche.

21:17

Oh, it is cliche. You're not going to amount to

21:19

anything or, you know, this, that, the other. Yeah, but

21:21

this is what they tell you. They actually do tell

21:23

you this. I don't know. In drama schools, they have

21:25

this technique or whatever, which

21:27

is to like break the person down

21:30

before they rebuild them up again, before

21:32

they send them out into the, you

21:34

know, industry, into the world of being

21:36

an actor or a performer or whatever.

21:39

And I'm not sure whether that is to like

21:42

prepare you for all of the closed

21:44

doors and all of the no thank

21:46

yous that you will receive throughout your

21:48

career. Maybe that is

21:50

it to like give you thicker skin. Yeah,

21:53

they're really wrong sometimes. I

21:57

get it. I mean, I feel like

21:59

if you're, if you're. going into the industry such

22:01

as acting and voice acting like you

22:04

have to have thick skin I mean like I mean you

22:06

have to know that you have to have thick skin, right?

22:08

There's no way you're just gonna you know think you're gonna

22:10

get every roll and nail everything. So yeah, I think she

22:12

was just being rude It

22:14

was a he actually. Oh You

22:17

know what? Mansplaining

22:20

Oh Mansplaining a

22:22

situation to a woman of course No,

22:26

it's all making sense. Yeah exactly.

22:28

Yeah No, I think it

22:30

was just jealous. Oh, absolutely. He's like

22:33

I wish I could be getting all these

22:35

Eastern European roles exactly Sucks

22:38

to suck man. He can he can keep he

22:40

can keep on teaching. Thank you. It makes

22:42

me feel so much better Thank you. Absolutely. You're

22:44

welcome. You're welcome. So voice

22:46

from voice acting Final Fantasy 16 and

22:49

voice acting video games to On-screen

22:51

work apparently you've done obviously. I mean you

22:53

were in Peaky Blinders one of my favorite

22:55

shows. Yeah All right. Okay. Have you watched

22:57

the whole thing? Come on now, of course,

22:59

and I'm happy that they're oh, absolutely I've watched it

23:02

twice and I'm happy they're bringing it back for a

23:04

movie At least

23:06

I think they are I

23:08

was not invited for that movie. Damn it You

23:11

know, it's tough tough tough world out there

23:15

Tough world. Damn it. Gosh.

23:17

So I love that I love interviewing and

23:19

speaking with actors that have done both sides

23:21

of the coin Do

23:24

you prefer on-screen acting

23:26

or being in a booth? Oh You

23:30

know what? I can't answer

23:32

that it really depends actually sometimes it

23:35

depends on the day Sometimes

23:37

I'm like, you know what? I just

23:39

want to roll out of bed

23:42

in my pajamas get into the booth and

23:44

just Scream like that

23:46

that is my dream day and

23:49

then other times I'm like I

23:51

kind of want to be in front of the camera. I want to

23:53

do this and I want to act with someone else It's

23:56

you know, it's like two completely

23:58

different disciplines Of course there's

24:00

like crossovers in terms of

24:02

like speaking the truth

24:05

of the character and imagining yourself

24:07

in a situation. You still have

24:09

to do that on screen even

24:11

though you're, you know, in a

24:13

big set surrounded by, you know,

24:15

actors who are with you and

24:17

costumes and stuff that makes it

24:19

easier for you to get into

24:21

the present situation of your character.

24:24

But it's still like

24:27

two completely different acting

24:30

techniques being a voiceover actor and

24:33

then an on-screen actor. You've done

24:35

some on-screen stuff as well, right?

24:37

Yeah, I had some stuff in, I've

24:39

filmed commercials before and I

24:41

think my very first movie that I did

24:44

was Free Guy with Ryan Reynolds. Oh

24:46

my god, amazing! So how do

24:48

you find it? Like how

24:50

do you... Horrifying. Really? You

24:53

both equally horrifying. I think

24:56

that what scares me

24:58

the most with on-screen

25:00

acting is you are

25:03

just, if you're not doing well, like

25:05

let's just say, first off, let's just say you suck, okay? I'm

25:08

sitting there feeling like I'm wasting, you

25:10

know, you're wasting the director's time, all

25:12

the actors that are in your scenes

25:14

time, the sound guy's time, you know

25:16

what I mean? Like if you're just

25:18

not nailing it, it could take hours

25:20

to get this one scene they need

25:22

and it's like that pressure,

25:24

that's what I'm thinking of. Right, but

25:27

surely that's never happened to you? Well,

25:29

no it hasn't, but it feels like it

25:31

sometimes when the director's just like, hey man,

25:33

we want this and it's like, I swear

25:36

I'm giving it to you. Yeah,

25:38

yeah, yeah. That's so, you know what is so

25:40

interesting you say that. It's like the, what

25:44

is the word for it? When,

25:46

imposter syndrome, when you feel like you're

25:48

like, oh, I don't deserve to be

25:51

here. Because obviously like as

25:53

an actor, both on screen

25:55

and like as a voiceover artist,

25:57

you're competing with hundreds of

25:59

people. who probably, you

26:01

know, a lot of them are probably better than

26:03

you, but still you got it, right? So you're

26:06

like, oh, I don't deserve to be here. But,

26:08

you know, the funny thing is, I

26:11

recently had an experience where I

26:14

was sat in the edit of

26:16

a film that I starred in. And

26:19

so I was also a producer of

26:21

the film. And so I

26:23

kind of like put myself into the edit. I was like, I'm going to

26:26

be in the edit. I want to watch it. And

26:28

I was like, I'm going to be part of like,

26:30

you know, the creating of this. Yeah. And we

26:32

were watching through some cuts. And

26:35

I remember watching a scene. I was like, why

26:38

did you? And asking the director, like, why

26:40

did you use that take? I'm

26:42

pretty sure I had a much better take than

26:44

this because I specifically remember the

26:46

scene. And I remember walking out

26:48

of that scene being like, wow, I

26:51

nailed that, you know, but

26:54

they but the director had not used that

26:56

scene. And I was like, why? I

26:58

want to see that take. Like, can we can we

27:00

bring that take back in? And

27:03

so the editor did that

27:06

and I watched it back and it was

27:08

awful. And it

27:10

was like literally like

27:12

the worst. And in

27:15

my head, I was like, oh, my God, I just

27:17

remember it as the actor

27:19

on set thinking, wow, I

27:22

absolutely nailed that. But

27:25

then translate that scene translated

27:27

onto the screen just did

27:29

not like play as

27:31

well as the take that the director

27:34

had used, which, you

27:36

know, I remember that I didn't feel

27:38

as connected during the take that the

27:40

director ended up using. Yeah.

27:43

But still, it worked much better. So

27:46

I think what I learned from

27:48

that was actually you don't

27:51

actually know sometimes as the actor.

27:54

What is going to

27:56

play out best and like a

27:58

performance that you give that you. beautiful.

54:00

Austria is beautiful. Oh my, I would live

54:02

there. I would like, that's a place where

54:04

like, you know, like I would retire. Give

54:06

me a fiber optic line for internet

54:08

and just... But Austria, Austria

54:11

is like nothing like Norway or

54:13

Poland. Like, so this is

54:15

so funny. Everyone's like, I really want

54:17

to go to Norway and I always

54:19

tell them, I'm like, don't go to

54:22

Oslo. Just do not go to Oslo.

54:24

That is not the representative of Norway.

54:26

If you want to go to Norway,

54:28

go to like the countryside, go to

54:30

the mountains, go and see the nature.

54:32

Like some of the most spectacular,

54:35

amazing hikes that I've done in

54:37

my life have been in Norway

54:39

on the west coast. Like,

54:42

but people don't think of going there.

54:44

They're like, oh let's go to Oslo.

54:46

Let's go to the capital. Same with

54:48

Poland. We, when I grew up, we

54:51

had a house in like the northeast

54:53

of Poland bordering Lithuania and Belarus and

54:56

this area is called,

54:58

it's called Białestok, but we were

55:01

right next to Białowieża, which is

55:03

basically, it was on like,

55:05

what's it called? The UNESCO's like Seven

55:08

Wonders of the World, which it,

55:11

the forest there has got the

55:13

biggest, chunkiest trees in the

55:15

whole world. And you walk into this

55:17

forest and you see this huge tree that's

55:19

the size of a house and it's just

55:22

like, amazing. I think I've seen that

55:25

online. Yeah, yeah, Białowieża.

55:27

It's amazing and it, again, like

55:29

most people go to Warsaw because

55:31

it's the capital, but actually people

55:33

should go to Białowieża. Like,

55:35

that is far more interesting and

55:38

just beautiful, you know, and I'd

55:41

say more representative of the country. They've

55:44

got amazing beer called Żobr, which

55:46

is from there. Yeah, so if

55:48

anyone's planning to go to Poland,

55:50

go to like the Northeast or

55:52

even like go to Gdańsk, which

55:55

is lovely. Gdańsk, yeah, it's like,

55:58

it's it's... when

1:00:00

it comes to industry talk and

1:00:02

talking about my career, etc. But

1:00:05

then, for instance, when I

1:00:07

speak in Polish, I usually speak

1:00:10

Polish with my family. So

1:00:12

I kind of become the

1:00:15

10-year-old me again when I'm speaking

1:00:17

Polish with my family. And it's

1:00:20

a completely different way of

1:00:22

expressing yourself that

1:00:25

I'm not

1:00:27

even sure if I would be able to do that in English.

1:00:31

And then same in Norwegian. The

1:00:34

Norwegian language has far fewer

1:00:36

words than English. So

1:00:38

sometimes I'm actually at a

1:00:40

lack of words in Norwegian

1:00:42

when I'm trying to express

1:00:44

myself or explain something. I'm

1:00:47

like, oh gosh, in English I

1:00:49

would have used four different words to explain

1:00:51

something. In

1:00:56

Norway, we only have one word to explain

1:00:59

this. And so

1:01:01

you do become different. So

1:01:03

I say that I've got three

1:01:05

personalities, minimum. So

1:01:08

multilingual and multiple

1:01:10

personality. I'm

1:01:13

so happy I asked that question. That is

1:01:15

such a good question, actually. Let's go.

1:01:18

We have to remember to ask every

1:01:20

multilingual person now. You should, yeah.

1:01:23

Because I'm curious what other multilingual

1:01:25

people think, actually. Maybe some people

1:01:27

are really good at merging all

1:01:30

of their personalities. But I'm not.

1:01:32

I'm quite different. We're

1:01:34

going A.F.K. with Linda. What's

1:01:39

he gonna say? Yahoo!

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1:02:51

I'm Nick. I'm getting married today. I'm also

1:02:53

a firefighter and first responder. When you move

1:02:55

over and slow down, you're making sure I

1:02:57

can make it to my ceremony to start

1:03:00

the next chapter of my life. When you

1:03:02

see flashing lights, remember, they're not just roadside

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workers. Thank you for moving over and slowing

1:03:06

down. All

1:03:11

right. All right, Nina. Let's do the final two

1:03:14

segments. We got this

1:03:16

or that. Follow up

1:03:22

with some other questions. These

1:03:25

can be as short or as long as you want

1:03:27

to answer. All right. Here we go.

1:03:29

Voice acting, stage acting, or screen

1:03:31

acting? All

1:03:34

of them. Okay. That's fine. I

1:03:37

think this might be the same

1:03:39

answer then. Norway, Poland, or the

1:03:41

UK? You

1:03:44

know what I'm going to say UK because right now I'm

1:03:46

like, I found my roots here.

1:03:48

I feel like, you know, we, yeah,

1:03:50

I've just moved into this

1:03:52

new place and I'm feeling like I'm

1:03:55

really nesting into my home. So I'm

1:03:58

going to say UK. But that

1:04:01

does make my heart bleed a little bit.

1:04:04

Ah, you'll be fine. Don't worry about it. Don't

1:04:06

worry about it. All that matters is that you think that. And

1:04:11

that's just great. And you're there. You're there where you want

1:04:13

to be. So, improvisation

1:04:15

or rehearsing? Oh, I

1:04:17

like rehearsing. I would probably agree

1:04:20

to that. I do like

1:04:22

improv, but there's something about rehearsing that

1:04:24

you kind of unlock new

1:04:27

things about yourself as a

1:04:29

performer. Yeah, rehearsing. Okay.

1:04:32

Huge sold-out crowd or

1:04:35

small intimate venue? For

1:04:37

me, huge sold-out crowd. I

1:04:40

feel... Weirdly, I

1:04:42

feel much more comfortable in front

1:04:45

of a huge crowd than like

1:04:47

an intimate venue. I

1:04:49

don't know what it is. Yeah, I can see that. It's kind

1:04:51

of weird, but yeah. I can see that. Yeah.

1:04:54

Yeah. Okay. Crying scene

1:04:56

or a stunt scene? Oh!

1:05:00

Hmm. I'd say

1:05:02

a stunt scene because I always get

1:05:04

the freaking crying scenes.

1:05:07

I always cry in every single thing. I'm

1:05:10

like, okay, I'm bored of crying now.

1:05:12

Like, yeah. Get me in... What's

1:05:15

that stunt movie with Ryan Gosling?

1:05:18

One Shot. Um... I don't think it's...

1:05:21

Is it One Shot? Maybe not One Shot. I can't

1:05:23

remember. I thought it was... Anyway, I want to be

1:05:25

in that. Isn't it like stunt double?

1:05:27

Yeah, maybe stunt double. I want to be

1:05:29

in that movie. Like, I want to jump

1:05:32

off of cliffs and stuff. Yeah, stunt. The

1:05:34

Fall Guy. The Fall Guy, yes. Got it. Yeah.

1:05:38

Cool. All right. All

1:05:40

right. scenes

1:05:42

actually. No, no, no, no. I'd do them all

1:05:44

myself. Really? Sure.

1:05:48

The producers would just be like, oh my

1:05:50

God. Yeah, yeah. Snap your

1:05:52

wrist and then delay for three

1:05:56

months. Yeah. Okay. Introvert

1:05:58

or extrovert? Introvert. That

1:06:00

was simple. That was amazing. You know what? I'm

1:06:02

actually going to do this then. Date night out

1:06:04

or date night in? Oh,

1:06:08

it fluctuates. But I'd say at the

1:06:11

moment, date night out just

1:06:14

because I've been like in the house a lot. All

1:06:17

right. You're very go

1:06:19

with the flow kind of person, right? Whatever you're

1:06:21

feeling is what you're going with. Yeah. And

1:06:24

it changes all the time. So whenever,

1:06:26

yeah, it changes all the time, actually. This is

1:06:28

how I feel now. Like I'd

1:06:30

like to go out now. Love

1:06:32

that. I'm pretty much the exact same way. Yeah. How

1:06:36

it should be. It is. It is.

1:06:39

It absolutely is. All right. What would you

1:06:41

do if you forgot your whole monologue while

1:06:43

on stage? Improvise.

1:06:47

You just improv it? Just make

1:06:49

some shit up. Just

1:06:52

become a completely different actor. They're like, wait a

1:06:54

minute. This isn't even your character. What's happening? Yeah.

1:06:57

Actually, oh, gosh, what would I

1:06:59

do? I'm such an over prepared

1:07:01

that I got it would never

1:07:03

happen. Touchwood. I've never been in that

1:07:05

situation, but now I feel like I've jinxed it. So it's probably

1:07:07

going to happen now. You

1:07:10

have full control over this because all you have to do

1:07:13

is just be prepared. So yeah. But

1:07:15

do you know, sometimes you can just get

1:07:17

blackouts, right? Like

1:07:19

you're over prepared and then you just

1:07:22

forget it. Your mind just goes blank.

1:07:25

Oh, my God. I don't know. I'm not to

1:07:27

fear. Yeah, I did actually

1:07:29

faint on stage once. Was

1:07:31

it from anxiety or just? It

1:07:34

was a mix of anxiety, but also like

1:07:37

I could I was you

1:07:39

didn't have any food. You're on your fourth cup of

1:07:41

coffee. Literally. Yeah, I was I

1:07:43

was so like malnourished. And then we did

1:07:45

this like jumping thing and I had to

1:07:48

jump from the ground like

1:07:50

up. And just the efforts made

1:07:52

me faint. Yeah. On

1:07:55

stage. So yeah, that was not fun.

1:07:58

That was not fun. Yeah, let's not do

1:08:00

that. again. Yeah, I

1:08:03

can't imagine, especially being in such an uncomfortable...

1:08:06

Yeah, like just the audience.

1:08:08

And yeah, the actors, your fellow actors being

1:08:11

like, are

1:08:14

you okay? Like this isn't part of the scene. Wake up. Line.

1:08:23

Oh, never again. Good to

1:08:25

like drink enough and eat some before

1:08:27

you go on stage. That's like, yeah,

1:08:29

you got to do that. Oh, all

1:08:33

right. What language do you dream in?

1:08:37

Or does that also change? You know

1:08:39

what? Some people dream in languages.

1:08:41

Some people dream in pictures.

1:08:44

I dream in pictures. You

1:08:46

dream in pictures? Yeah.

1:08:49

I don't dream in language. No one speaks to me

1:08:51

in my dream. That's horrifying.

1:08:53

Is it? Yes. I just see.

1:08:59

So do you know, since you only dream in

1:09:01

pictures, do you like know that you're dreaming more

1:09:03

often then? Because no one's talking? Or

1:09:06

have you not like subconsciously made that connection? I

1:09:09

have a weird thing. I remember

1:09:11

every single dream that I

1:09:14

have. Yeah, I usually do too, unless

1:09:16

I'm like, usually. But

1:09:18

you dream in English. Like,

1:09:21

do people speak to you in your dreams? Mm hmm.

1:09:24

Interesting. I think all

1:09:28

of my dreams are like, do you

1:09:30

know Salvador Dali, the painter? No,

1:09:32

I will Google him right now. Yeah. So if

1:09:35

you Google his pictures, that is

1:09:37

what my dreams look like. It's

1:09:39

just like, oh, that's so

1:09:42

weird. Yeah. The melted clocks.

1:09:44

Yeah. Like weird kind of

1:09:46

like, it's horrifying. I'm

1:09:48

looking at half his pictures.

1:09:51

There's terrifying long legs and

1:09:53

demented figures. Yeah. Yeah. This

1:09:55

is this is like, what

1:09:57

my dreams look like. That's how I dream.

1:10:00

And there's like, I can't remember. There's

1:10:02

no sound. No, there's just like pictures.

1:10:04

No sound either. Yeah. You might be,

1:10:06

you might be, what is it called? Like

1:10:09

you're dream hopping or something. I don't know.

1:10:11

You're like traveling to different universes or something.

1:10:14

And like, I actually think I do sometimes.

1:10:17

I think I believe in that. I believe in that.

1:10:19

There's like a theory where like your soul leaves your

1:10:21

body a little bit. Yeah. Like when you're when you're

1:10:24

dreaming and then that's what happens is you're you just

1:10:26

drift away and you know, it's going to end up

1:10:28

in different places. Second you wake up, it gets snapped

1:10:30

back. That's so interesting because that's

1:10:32

genuinely how I feel. I'm going to I'm

1:10:34

going to have to read up on this

1:10:37

because I've always been fascinated by by dreams.

1:10:40

Yes. But I should probably analyze

1:10:42

my dreams more because they're kind of weird.

1:10:44

And I'm like, why am I dreaming this?

1:10:46

Like what what's my subconscious trying to tell

1:10:48

me here? There's a whole book on that.

1:10:50

You got this. It's like, what

1:10:52

are you what are your dreams trying

1:10:54

to tell you? Yeah. Jung is not

1:10:56

like Jung. He's like written all about

1:10:58

this, like psychoanalysis of dreams and stuff.

1:11:00

Yeah. I'm going to study that. Oh,

1:11:03

yeah. All right, you

1:11:05

know, we're down to our final two questions that

1:11:07

we ask all of our guests here. So

1:11:10

no pressure. If you had

1:11:12

no pressure, if you had to delete all

1:11:14

but three applications from your phone, which ones

1:11:16

would you keep? And they

1:11:18

have to be like downloaded ones. So not

1:11:20

like notes or anything like that. That's such

1:11:22

a nice question. I

1:11:24

know. Oh, what

1:11:27

can you not what you just go to your

1:11:29

phone? What are your fingers immediately gravitate towards? I

1:11:32

mean my email. Oh,

1:11:35

come on. Not

1:11:38

the right person to ask this question. I

1:11:40

know. Jesus. You

1:11:42

have a workout app or something like

1:11:44

a health app that you do. You

1:11:47

even have applications on your phone. I've

1:11:49

got flow. Oh,

1:11:51

yeah. My wife's got flow. You've

1:11:53

got to get that down. Okay, so

1:11:56

flows on. That's important to know your

1:11:58

cycle and everything to like. I

1:16:00

knew it. Yeah, I do. You

1:16:02

don't want to know how I knew that? I knew

1:16:04

that because your first app that you would keep was

1:16:09

Flow and not something

1:16:11

like Twitter or TikTok

1:16:13

or YouTube. It

1:16:16

was a flow. So that

1:16:18

was just like, yes, absolutely. I knew

1:16:20

it. Yeah, no, I do love my

1:16:22

books. And yeah, I do like reading

1:16:24

a book before going to sleep. That's

1:16:26

the best. Which is good. That should

1:16:28

be putting you right into deep sleep

1:16:31

then. Because there's a list

1:16:33

of things that you should check off

1:16:35

before going to sleep. It's like no

1:16:37

coffee or caffeine eight hours before sleep,

1:16:39

no food three hours before sleep, and

1:16:41

then in a perfect world, no screen

1:16:43

time for the last hour. And then

1:16:45

that should put you and your brain

1:16:47

into pass out mode. You know what?

1:16:49

I do that. I genuinely

1:16:52

do that. But still, I

1:16:54

don't get that much deep sleep. So I

1:16:56

need to. I'm just kind

1:16:58

of interested now. Are you a side sleeper? Do you

1:17:00

sleep on your stomach? Do you sleep on your back?

1:17:02

It depends what I'm doing to my hair. Oh,

1:17:05

OK. I

1:17:08

sleep with these heatless curlers. Wow.

1:17:11

Yeah, because then the next day

1:17:13

I have amazing hair. So when

1:17:15

I sleep with heatless curlers, I

1:17:17

sleep on my back because

1:17:20

it's kind of uncomfortable sleeping on

1:17:22

the side. But then normally I

1:17:24

sleep on my side. No,

1:17:27

actually, I always wake up on my back. Yeah,

1:17:30

I can't sleep on my back.

1:17:32

It's almost impossible. For some reason, I am

1:17:36

more awake when I'm on my back. And the second

1:17:38

I roll over to my side, it's

1:17:40

almost like my brain's like, OK, now we can

1:17:42

go to sleep. It's very strange. Maybe

1:17:45

that's what I need to do. I sleep

1:17:47

differently on different sides, like if I'm facing

1:17:49

the left or I'm facing the right. Yeah,

1:17:52

literally, it feels like I'm getting,

1:17:55

hang on, when I'm sleeping on my

1:17:58

right side, I feel like I'm