Episode Transcript
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Welcome to the country's most exclusive boarding
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school, Bishop Gray, where rules mean
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nothing and money means everything. Academy
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is a new scripted podcast that follows
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Ava Richards, played by HBO's industry Myhala
0:11
Harold, a brilliant scholarship student who has
0:13
to quickly adapt to her newfound eat-or-be-eaten
0:16
world. Her ambitions take hold and her
0:18
values bend in hopes of becoming the
0:20
first scholarship student to make the list,
0:22
Bishop Gray's all-coveted academic top ten, curated
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by the headmaster himself. Becoming
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a chosen one means she's on a path to
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big things. After realizing there's no
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way she'll make the list on her own,
0:34
she accepts an invitation to an underground society
0:36
that promises her one of the ten coveted
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spots. If she bends to their
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will for her own success, she could have everything
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she's ever dreamed of, but at what cost? Ava
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must navigate a game of high-stakes chess and
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risk throwing it all away for love. If
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she makes the right moves, she could be set
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for life, but one misstep could cost her everything.
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Academy takes you into the world of a cutthroat private
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school where power, money, and sex collide in a game
1:00
of life and death. Prime members,
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today. Birds of Empire is
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behind you. Listener discretion is
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advised as this content is intended
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for adult audiences only. For
1:33
more details, see the episode description. QCode
1:36
presents Birds of Empire season 2,
1:39
created by Jason Liu. In
1:43
the Crow Age, the
1:45
bone-breaking warriors of the People of
1:47
the Rock would cover
1:50
their faces in blood and rust
1:52
before battle. This
1:54
was when the priests led their
1:56
charges, swung blades, and
1:58
made pacts with the people. many heavens. When
2:02
the gods of old moved within
2:04
their spines and fingers and guided
2:06
their axes to the
2:08
necks and spines of their enemies,
2:11
feared and ferocious. The rust was believed
2:16
to be the blood of iron and
2:19
therefore a source of great power. The
2:22
rams believed that to consume it and to
2:25
mark their bodies with it would
2:27
turn their skin to heart and armor,
2:30
their hearts to stone. Through
2:33
the song age, the green age,
2:35
their machines grew and their gods
2:38
dwinded, retreating to
2:40
the caves and chests of the few. And then
2:42
there was Barlin, child of
2:45
unknowing seeker of a way to the light. It's
2:48
rare to recall the first step in a journey,
2:53
to really know that it's begun as
2:56
to already be in
2:58
remembrance. The boy with no arms walked
3:00
upright into the
3:02
dawn age. Other later would guess
3:04
at which was his first thought,
3:06
but many more
3:08
would marvel at his last. Why
3:11
won't you believe me, Aaron?
3:13
You're my husband. I believe what the surgeon said.
3:15
What? That I'm mad? That these voices and
3:18
visions are the work
3:20
of a cracked mind? You shouldn't have heard that. You
3:22
shouldn't have heard that because it's lies.
3:24
I hear cries. I hear the cries of the
3:26
gods. I'm sorry. I'm sorry. I'm
3:37
clearly what I hear. Is it spoken
3:39
to me by you or my sister
3:41
or Barlin? I see the things
3:44
I see as if laid upon the landscape.
3:46
You're sick, Helena. I am
3:48
not sick. I am where I've
3:51
ever been. And I hear some too, both
3:53
voices. One a woman, one a man. Perhaps
3:56
it's something that was passed from your father. Do not speak his
3:59
name. My love, please.
4:02
I want to hope. I want to
4:04
believe you and see what you see.
4:07
And hear what you hear, what
4:09
it says. You point
4:11
to a corner and it's empty. There is
4:14
never silence. There's always and ever
4:16
movement, noise, both of them, shh,
4:19
burning in my ears. I'll summon the surgeons
4:21
again tomorrow. I want a
4:23
priest. I want one of my people. It's against
4:25
the binding. Fuck the binding, Aaron. Please,
4:28
my lamb. The weak children.
4:31
He should be awake. It's
4:34
like everyone else around me is asleep. Not
4:37
me, mother. I'm awake. Marlon, go back
4:39
to your chambers. No. Come
4:41
here, my mama. Papa, what's happening?
4:43
Come here, Laura. Your
4:45
mother and I were playing a game. Don't lie
4:48
to them, Aaron. Mama was
4:50
having visions of things that may come
4:52
and have come. Sweet, are sweets coming? Sweet
4:55
days. I will not live to his
4:57
mother. What do you mean? Gods, you're
5:00
frightening them. They should be scared. If
5:02
what he says is true, if all
5:04
the old whispering is more than old
5:06
whispering... Enough, my love. Children, back
5:08
to bed. No. Never
5:10
to bed. That's when he
5:12
comes. That's when the king comes.
5:15
Mother. You're hurting me. Elena,
5:17
let go of them. Mama,
5:20
just... The perfect
5:22
king comes at night. He
5:25
marries himself in the shadow. Everybody
5:27
comes for our children. Elena,
5:30
let go. Just calm the
5:32
shadow. I will kill them before
5:34
you can take them. You'll
5:37
never take them from me. Elena! The
5:40
sun will keep rising. So
5:52
she feared the serpent king. The one
5:54
from the lowland story.
5:57
I didn't feel like she was scared of a stor-
6:00
It felt like it was real to her,
6:02
but... Father would tell us anything
6:04
she said in that state was... simply
6:07
her madness. Who's to say
6:09
what's real? Indeed.
6:13
What did the old Lowland tell about the Serpent King?
6:17
Well, my mind
6:19
and memories and the great story
6:21
it once was, but... I
6:24
remember he had an ember tongue, and
6:27
would use it to fall entire tribes.
6:30
And if you weren't obedient, you'd
6:32
be sent out into the unknown, where
6:34
he and his servants would drain
6:36
the life from your body. Perhaps
6:40
she was simply mad, demented
6:42
beyond reason. My
6:45
father likes to say that sometimes the answer
6:47
is the answer. An asshole. A wise
6:49
one, but an asshole. Your
6:53
words have festered. There.
6:56
The palace ahead. Are you
6:59
sure you still long to venture along with the
7:01
cripple of Stonemount? I go where he goes. Onward,
7:07
then. So, forgive
7:10
me, young master, but... I don't
7:13
think I understand the, uh, plan here.
7:15
I... I want to find
7:17
my auntie Anaya. Of
7:20
late, it feels as though she's trying
7:23
or wanting to tell me something.
7:25
I can see her fighting with the voices in her
7:27
head. I see. And
7:30
then, I hope to find my mother. Whatever
7:33
that may mean. I aim to
7:36
honor her order. Follow
7:38
me. Will your auntie speak
7:40
freely? We'll find
7:42
out. I'll, to her
7:44
quarters, you keep a watch out for any of
7:46
my father's men you recognize. You can count on
7:49
me, boy. I know I can. He's
7:57
hiding something! Anaya, please!
8:00
Please slow your steps. I haven't the time,
8:02
nephew. Is there Uncle Risson? Still
8:05
no word. And Aaron, your
8:07
father denied my worry. Sifles, my
8:09
queries, will... No more! Quiet,
8:12
father. I... ...be
8:15
not... Let me... Listen. After
8:18
the council's out of session... I'll... I'll... Right
8:21
now, nephew. Right now, in this very moment...
8:23
You mean interrupt the stone council as it's
8:25
business? We have to believe
8:27
it's the only business at hand. What else would
8:30
they mean to me? Shame, huh? Of
8:32
course. Your
8:34
father cares only about the standing.
8:37
He's a young man, young and people-friendly. Don't
8:39
overhand him. So what? I'm
8:42
not going to give you a second indication. He
8:45
will give us some... So, Lord, they are loyal
8:47
to rest, not his brother.
8:57
Madame Anaya. Aside, young man. By
8:59
order of the council, no man is to disrupt going
9:01
on. Luckily, I am no
9:03
man. Now, part your spears before I part
9:06
you from your station. We are under order.
9:08
You are under orders now, from me. You
9:11
have my word that nothing shall fall on you. I
9:14
will answer to my father on your behalf.
9:16
Part your spears. Already your
9:18
speech to my husband, your captain.
9:21
As you wish, Lady Anaya. And
9:28
what choice do we have? The
9:30
bears, by nature of their homeland, are
9:32
the ones most well-built to last the
9:34
dryness. We can choose not to allow
9:36
them to gouge us for the most
9:39
basic of human needs, Father. This dryness
9:41
will pass. The rains
9:43
will come, and through it all
9:45
we will maintain good standing with the
9:47
other land tribes. Even
9:49
the wolves. Ridiculous. Why
9:51
don't we ask Queen Nara how she
9:54
sees our standing? Where
9:56
is my husband? Anaya.
10:00
What is the meaning of this interruption? Vahlem!
10:03
What did I tell you of meddling in Fusil Bizly? You
10:05
know something? Something about Raphson and where
10:07
he is? I tried to suffer for the-
10:09
Guards! Remove my son and unblood
10:12
sister before she scuttles a whole day's
10:14
work with her bleeding. Bleeding? You
10:16
want a seat bleeding? Auntie, please! This
10:18
is neither the time nor
10:21
place for family squabbles. Forgive
10:24
my Auntie. Lately she's been
10:26
unwell. Yes! Nephew!
10:29
Lately I have been up through the night. Wrath
10:31
with visions of a great slaughter!
10:34
She deserves an answer. Vahlem, what has
10:36
gotten into you? Another outburst
10:38
I'll have you locked away in the stone-deep.
10:41
Guards, remove them. Where is Uncle
10:43
Resden, father? You do owe
10:45
her this. Vahlem, now you're
10:47
encouraging our poor Auntie to interrupt
10:50
real men's business just so you
10:52
can be near it again? Guards, escort
10:54
the trespassers out of the cavern. I
10:57
will answer all of your inquiries when
11:00
you've calmed down. We sent a messenger,
11:02
Auntie, to bring word from the bears.
11:05
I'm sure that Uncle Resden has long
11:07
overstayed his welcome in Green Palm, regaling
11:10
those dirt eaters with tales of our
11:12
greatness and boring them more and more
11:14
with each hour. Yeah, sure. Something
11:18
is not right. Someone
11:21
is hiding something. You
11:23
take your ridiculous lowland premonitions and
11:25
get out of my sight, woman.
11:28
Guards, if she
11:30
remains here one moment longer, I'll have
11:32
you demoted to stable cleaners. You are
11:34
a liar! Aaron, I know it's since
11:37
the day our father suddenly survived me. You
11:39
speak one more word and I'll have you hung
11:41
for treason. Hang me then, mighty leader. You've
11:43
already taken my system. You
11:45
know my husband is missing one. Or
11:48
do I have? Come on, Auntie. We'll try another way.
11:51
Who's off? No need for my father's pageantry. It's
11:53
sad to see him. People in it are crazy.
11:55
All lined up together like these kids in a
11:58
bag. members
12:00
forgive me and my sweet auntie we long
12:02
for the safe return of our dear husband
12:04
the people should have the captain of the
12:06
guard that's all I thought I
12:08
told you would you mind your place many
12:10
things I'm beginning to wonder wonder of the
12:13
truth counsels
12:15
please do go on we
12:17
cherish your wisdom and grace forgive the
12:19
interruption my auntie Naya has the greatest love
12:21
for my uncle something I
12:24
believe we can all in my house brother this
12:27
is no business of your power business
12:30
is one of the same brother one
12:33
day you'll see hey
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listeners it's Jason Liu creator of Birds
12:42
of Empire I really hope you've been
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enjoying the show so far and thank
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you to our sponsors Hello Fresh this
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season of the show definitely kept me
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busy building this big old world for
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one meal kit. He's
15:03
hiding something.
15:06
What would he be hiding? I can't say,
15:09
but I feel, I feel
15:12
something. The way that the women in
15:14
our family always have. Your mother more
15:16
than any of us before
15:19
the binding. What is this
15:21
binding? Much has been kept from you, young
15:23
nephew. And perhaps it's best
15:25
to be in the shade than the harsh heat of
15:27
the sun. I have lived too long
15:29
in the dark. Tell me, please. I
15:32
am old enough to know some truths. I believe you. The
15:35
visions, the voices. I believe
15:37
you. I long to know who she was.
15:40
Some things must stay beneath the water. The water?
15:42
To speak of the binding could be to damn you
15:44
to death. I don't fear it. I fear
15:47
not knowing who I am, from where I
15:49
came. You come from a line of kings,
15:52
rulers of the open plains and
15:54
guardians of our gods. Sweet boy,
15:56
your mother was the greatest of
15:58
us all. Had she been? been born a
16:00
man. Tell me, I remember so
16:02
little the only flashes of strife, her visions
16:04
and her madness. She was not mad. This
16:07
above all you must know. She
16:09
was gifted with the
16:11
things from an ancient flood line. She
16:14
was a tragic peace and an ancient
16:17
game between Lowland and Highland, between
16:19
the old ways and the wastes now. After
16:23
being went to your father, she was unhappy,
16:28
deeply so. Soon
16:30
the Nash raced. We
16:33
had been paired with brothers and
16:35
sold off like livestock into a family
16:38
of snakes. But you loved
16:40
Uncle Reston. Aye,
16:42
boy, I was lucky. Me
16:48
and I were like spirits charged from
16:50
the bodies of the ancient dead, come
16:53
to fetch each other in his life. In
16:56
spite of everything, our
16:59
hearts grew together like
17:02
ivy up the granite. My
17:06
brooding king, face
17:08
of the old gods, warrior.
17:13
He protected me from the life in the high peak.
17:17
He would take me back to the
17:19
Lowland's undercover of costume on the festival
17:21
days. His kindness, no,
17:24
no bounds, and I'm grateful for all the
17:26
days we've had. But
17:30
your mother, she
17:32
wanted more than to be bound by some ancient
17:36
bargain to a horrid man so
17:38
in love with his voice, his hands. I
17:42
never knew. She ran many
17:45
times. She disappeared
17:47
into the tangle of the green expanse
17:49
to escape him. Mingling
17:52
with bears and tribeless travelers
17:55
even told me she came upon a
17:57
wolf warrior, bathing in the dawn.
18:00
waters of Owl Head Lake. None
18:03
could resist her. Few
18:05
tried. One
18:08
thing, and one thing alone
18:10
made her plant her feet. Stop
18:12
running. What? You.
18:18
When first she held you, her
18:21
eyes became rivers. Deep
18:24
and cool. The
18:27
calm came over her. Was
18:30
she not... disappointed?
18:35
Far from it. My arms. That
18:37
you were, my boy. She
18:40
loved you just as you
18:42
were. Ever she
18:44
will. The night Jasmine reminds
18:46
me of the sweetness of her neck. It's
18:50
one thing I remember clearly. When
18:53
we were girls, we'd
18:55
play upon the field and stare up at the
18:57
peak, wondering what the
19:00
royals were like. We
19:02
would play at how they spoke,
19:04
moved and dreamt. But
19:08
you always shoot such disdain for Lowlanders,
19:10
spoke of them as if they were
19:12
beneath us. I was well practiced, learning
19:16
to inflect the straight spined
19:18
knobbery in my voice. And
19:22
there was a part of me that believed it. The
19:26
finery, the machines, the robes, and
19:29
servants and things. All
19:32
of the masks took up with the truth. How
19:34
do I am where I long to be? Back
19:38
with our people. I
19:41
know that mask, but
19:44
masks are meant to be removed, are they
19:46
not? Auntie,
19:52
are you all right? I
19:55
don't know. I'm sorry. It's
19:57
wrong. Oh, wrong.
20:01
You must go, nephew! Why? I've said too
20:03
much. Forget what I've said, for your
20:05
own good. Forget that I am past the age of unknowing,
20:07
Auntie. That's why I'm here. Seeking
20:10
the truth. The truth about her.
20:12
Some truth. Carrie Boggs that wound
20:14
all who hold them. Okay. You
20:17
must away, your father's met approach. Like they
20:20
don't move to quiet me until Ruston returns, and
20:22
then... Who knows
20:24
my fate after that showing in the castle. Oh,
20:27
my impulses. Ruston tells
20:30
me they will one day be my end, and perhaps
20:32
that day is here. I am
20:34
no longer afraid of my father. You should be. Was
20:36
she? Mother? I
20:38
can say no more. Where did
20:40
you get that? Open the door! You
20:43
must away. Sometimes
20:49
I use it when I wish to be unfollowed by the
20:51
palace. Auntie, I need to know what happened to my mother.
20:53
I have to find her. She was taken by the fever.
20:56
The madness. And this. I
20:58
can see you don't believe her. I
21:00
need the truth, Auntie. Whoa! My
21:04
mother came to me in a
21:06
vision and bid me to follow her. To
21:09
find her. A fish? Yes.
21:11
Yes, in the great hallow. Now
21:13
please, I beg you to help me. For
21:16
her. I can't help you. But
21:19
from the land. Go on
21:22
home and enjoy your night. We
21:24
will not be easy to find if you even live a life.
21:27
You've been before him. When
21:29
did you ask the great walled Christ? I follow
21:31
you. I ask him for it. I
21:34
ask him for it. I know. There's
21:36
a storm which I'll... Open
21:41
the door! Open the
21:43
door! Oh! We
21:50
were blind! I'm told
21:52
to see you. Open
21:57
the door! I
22:00
can't slow down. Not now. Yes,
22:02
yes. My face hurts me. Your throat
22:04
hurts me. It's just hurling yourself, Gert. Where is it you're going?
22:08
Hi. That'll certainly get you tossed in the key.
22:10
I've never seen her like that, Danny. I'm sorry. I'm
22:12
sorry. I'm sorry. I'm
22:14
sorry. I'm sorry. I'm sorry. I'm
22:17
sorry. I'm sorry. I'm sorry. I'm
22:20
sorry. I'm sorry. I'm sorry. I'm
22:22
sorry. I'm
22:25
sorry. I'm sorry. I'm sorry. I'm
22:27
sorry. I'm sorry. I'm sorry.
22:30
I'm sorry. I'm sorry. Danny, you're like
22:32
that. The witch, she spoke to me after in the end. She
22:34
told me. I feel like like a hornet's nest, but
22:36
we need to hurry away
22:38
to find the witch, the Torian the elder. Oh,
22:41
one, one damn minute, boy.
22:45
What in ancient gods are
22:47
you all about? What
22:50
happened in there. My auntie. She
22:53
made me find a man named Torian the
22:55
Elder and to ask him about the
22:57
stone witch of Arden Lake. Arden
23:00
Lake is meant to be cursed. It's
23:02
waters filled with the spirits of the dam.
23:05
Maybe, maybe that's where she
23:07
died. I have
23:09
to find this man though. This Torian.
23:12
My father's men are fanning
23:14
us. We have to go.
23:17
There's a path by the mines that leads
23:19
into the heart of the lowlands. That's all
23:21
right. If they drag me back, I'm certain my
23:23
father will lock me away. And who knows
23:25
what fate he'll have for you. Likely one
23:28
full of torment. Come, the
23:30
night falls. But that will
23:32
be treacherous. Indeed it will, young master.
23:36
I'll bear the torch. You
23:45
think keeping me in a cell is
23:47
going to keep me quiet, Arryn?
23:49
I never imagined anyone could keep you
23:52
quiet, Anya. But after today,
23:54
I can no longer
23:56
afford to let anyone hear your ramblings.
23:59
She would be so a... ashamed of what you've
24:01
become. You do not speak for
24:03
her. I am a great man.
24:06
I gave her a great life, and
24:08
she repaid me with madness and shameless.
24:10
The shame was only yours. She
24:13
gave your life meaning. Two beautiful
24:15
children, one bent by
24:17
the glass and one sowed by grease. You
24:19
do not speak of the gods. I used
24:21
to be so ashamed of where we
24:24
came from. But now, my
24:26
only shame is where we ended
24:28
among the enemies of our people,
24:30
traitors to our bloodlines. Willa is my
24:32
son. Away, far away
24:35
from you, off
24:37
to find the truth of who he is, who
24:40
she was. What did you tell him? Enough.
24:44
You will not tear at the fabric of
24:46
my greatness. She was the fabric of
24:48
your greatness, and you threw it
24:50
away, you arrogant fucking man. Anaya.
24:52
When Reston returns, he'll hear of
24:54
this. All of this, and
24:56
you'll answer for it. My brother is a
24:59
fool who believes too much in the myths
25:01
and ceremonies of your people. His
25:03
mind is polluted. His mind is
25:05
beautiful. And while his
25:07
hands may not be filled with the knowing
25:10
that yours possessed, his love
25:13
admired the power you
25:15
will never possess. Which we'll
25:17
see if a knight here in the Stonekeep
25:20
cools that tongue. Aaron,
25:24
do you still have the dream? The
25:27
ones where you're standing before a lake
25:29
of fire and an
25:31
elk gores you
25:33
through the chest. Shut your
25:36
fucking mouth. I
25:38
don't care who you are, who anyone
25:40
is. I will order you
25:42
opened upon the rack of souls for my
25:45
brother and everyone to see. The
25:49
elk are coming, Aaron.
25:52
The elk are
25:54
gone forever. The.
26:05
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26:45
the things in my past, giving me
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27:48
I thought you said you knew and were known among
27:51
the lowland. I am. I didn't
27:53
say anyone likes me. No one
27:55
we've asked has any idea who Torian is or
27:57
heard of the witch. They just keep
27:59
getting cursed and... I
28:01
may have exaggerated a bit. Exaggerated?
28:05
It's only that, well, once
28:08
I was someone here, and that's
28:11
who I wanted you to
28:13
believe I still was. But this
28:16
isn't a game of puzzle, Hephaest. I needed your
28:18
help, and you said you could give it, and
28:20
now, what, it was all
28:22
lies? Not lies. If you
28:24
needed help stealing a goat, or swindling
28:26
a gambling house, or finding keypales, then
28:28
I would be your man, but finding
28:31
some mysterious elder of the ancient
28:33
lore, who might be married to
28:36
a witch, or king of a
28:38
curse link, that's more than I've ever
28:40
been asked to do, boy. So... So
28:42
what? What are we gonna do now? Like
28:45
to live as a beggar in the lowlands ever
28:47
dodging my father's men? They're our worst, fate. Just
28:50
leave me. You're hungry. We've
28:52
been at this all day, with nothing to
28:54
fill our stomach. I know a woman who
28:56
makes meat pies that would ignite the- I
28:58
don't want a meat pie, Hephaestus. You
29:01
wouldn't find this man, and find my mother.
29:03
Wonder what? You'll not eat a bite until
29:06
you do? Listen to what...
29:08
No. Look there. My
29:11
father's men. Oh, they're
29:14
everywhere. I... Wow,
29:16
they found us. I told you to
29:19
use the false name I gave you when
29:21
introducing your- Flavius! What kind of name is
29:23
Flavius? Not yours. That was
29:25
the point! The head's down! How
29:28
did we even get spotted? There are
29:30
so many. Let the swarm
29:32
of beasts- Where do we go? There
29:34
isn't any way. We need to stretch
29:36
it. What if I slay one? What?
29:38
Too much? There! The pentawall would- Good
29:40
idea. Yes, swallow among the boars. No.
29:43
We'd let them lose to create a bit of
29:45
chaos. Then we'd throw it away. Yes! Boar
29:48
chaos! The best type! Come! Now we
29:50
open the gate. There. Ah!
29:55
Ah! The locks. I know these
29:57
locks. My father used to give them to Lora
29:59
when he was a child. Well, tell me
30:01
how to open it. Eric, did
30:03
you look for a pin beneath the bolt? Here.
30:07
Yes, you can push it in gently as
30:10
you rotate the bolt. Yes,
30:13
yes. Do you have it? Calm
30:15
yourself, I'll move it. There.
30:18
As you release the pin, rotate the bolt
30:21
back three times in the other direction. I
30:23
got it. I
30:26
got it. I got it now. Just
30:29
try to do pieces of it. Ha
30:31
ha! He got it. How
30:34
was it? Just standing there. Not
30:36
moving. Not for long. Ha!
30:41
Go! Go! Go! Quickly,
30:46
while they're docking, the touch. Well
30:49
done. Ha ha! Here,
30:59
boy. In this brain store. I
31:05
think we've lost them. You did it
31:08
again, boy. Thanks to you,
31:10
my arms and hands. Perhaps your
31:12
father will look elsewhere now. Perhaps.
31:17
What was that? Wait. It's coming
31:19
from... Wait! Don't move,
31:21
I'll come this way. Wait, wait, wait. He's done
31:23
nothing. It's me. My father wants me.
31:25
I'll go. I don't swear guilty to your father.
31:27
Nor I. Why are you asking
31:30
about Tori and the Elder? My auntie paid
31:32
me fines him to ask him about... About
31:34
what? The stone... the stone witch of Arden.
31:36
You ask after things that are best left
31:38
alone. Please. The Elder is a
31:41
powerful, dangerous man. But most of all, a
31:43
secretive one who isn't above killing to keep
31:45
his name being spilled about the lowlands by
31:47
a mid-stone air. If you know who
31:50
I am, then you know I am far from an
31:52
heir to anything my father built. I'm
31:54
more of an exile. I'm
31:57
here because... It
31:59
sounds mad, but... My mother came
32:01
to me in a vision and bade me to
32:03
find her. A vision? She was, uh, Griswold. Does
32:06
that mean anything? Your name, Griswold, is
32:08
the only reason you're still alive right
32:10
now. Varlyn, leave! Why? Why?
32:13
What did my mother's family do? Who
32:15
was she, please? Just tell me and I'll leave you
32:18
be. You'll leave me be because if you don't, you'll
32:20
be in pieces small enough for the wild dogs that
32:22
scrap the roads for rot. Oh,
32:28
forgive us, Sire. We meant
32:30
no harm to you or the great,
32:33
uh, Elder. We'll go our
32:35
way. You should listen to the old
32:37
man. Let me speak to him. If
32:39
he deems me a threat or some agent
32:41
of my father's doom, then you can open me
32:43
up there. I know my aim, and
32:46
it's not to do any harm to him or you.
32:48
I am not afraid. Go back to the palace
32:51
where the walls keep you from knowing any rough,
32:53
keen parts of life. Fine. If
32:56
that's what you want, I'll do it. I'll
32:58
return to my father and tell him
33:00
there's a rumor of a dangerous secretive
33:02
brigand named Torian the Elder. Hold your
33:04
tongue, boy. Perhaps I'll tell him
33:06
that this man is plotting against him. Perhaps
33:09
my father will become angry, paranoid.
33:11
Perhaps he'll turn the lowlands inside
33:13
out looking for this curious
33:15
man who bristles at the very mention of his own
33:17
name. You don't know the depth of the water that
33:19
you swim in, boy. Take
33:21
me to him. Threaten me an audience now
33:23
or later when he's chained with the stone's
33:26
keep. Treat me as a
33:28
prisoner, an enemy, I don't care. I just
33:30
need to know what happened to my mother. Put
33:33
these on to bind your ass, and know you
33:36
may never see the light again. But what?
33:38
Torian is a man with whims as quick
33:41
as his blade. If
33:43
I should die in the dark searching for the light, so
33:46
be it. So be it. Wait!
33:58
Wait! Ru-
34:00
Run! Run!
34:02
Wait! Wait,
34:04
Run! I
34:08
was like, no one, Timo! How are you
34:10
so fast all of a sudden? I've
34:12
always been fast. Maybe you got slower, could
34:14
be. Hornet's fast! Oh,
34:16
hey! Perfect! Run!
34:22
Hey! The water's just
34:24
up here. Come! Run!
34:27
I lost sight of you. Wait! Run!
34:32
Brother? I'm
34:35
here. I'm here. What is this place?
34:40
I don't recognize it. Where's
34:43
the water? The stream? I can
34:45
hear it. Do you remember that day when
34:47
we were boys? We came upon a snake's
34:50
nest, behind the temple of Evergreen. Blue eggs?
34:54
Yeah, I do. You picked one up
34:56
and went to give it to me, and then...
34:58
And then... What
35:00
happened then? I
35:02
can't remember. It's fading like the
35:04
light of day's end. Sending,
35:06
I think. Did
35:09
the snake return? Yes. Was
35:12
it bitten? Remember. Run.
35:16
Remember. Run.
35:22
Run. Where's
35:26
that sound? Is
35:28
someone screaming? Run!
35:32
Why are we running? What?
35:34
You can't follow me, Jimo. The water's
35:37
just so beautiful! Look at that. No.
35:41
I want to swim. Let's swim, Rude. Who's
35:44
screaming? You, Jimo.
35:49
Help. Wake.
35:52
Help. Help!
35:57
Somebody help us! He's hurt. There was
35:59
an attack! There was an
36:01
attack! Help us
36:03
God, please! Help! Grandmother! Grandmother!
36:10
The The The
36:15
The The Birds
36:20
of Empires stars Jorge Diaz as
36:22
Marlon Midstone and Jacques
36:24
Colomond as Timo Greenwater. Gwendolyn
36:27
Briley Strand as the Keeper James
36:29
Mathis III as Aaron Midstone Jake
36:32
Hart as the Fester Helsy
36:35
Scott as Anada Sage
36:37
Ranson as Serengard Ben
36:40
Grow as Laura Midstone Siddique
36:43
Saunderson as the Stranger Akaya
36:46
Shaw as Groom with
36:48
additional performances from Ashari Bain
36:51
Josh Rubens Written
36:54
and Directed by Jason Liu Executives
36:57
produced by Jason Liu, Rob
36:59
Herding, David Henning and Shin
37:01
Yin Hieu Co-executive
37:03
producers Jorge Diaz and Jacques
37:06
Colomond producers Kyle
37:08
Smithers and Lawrence Vanelli Co-producer
37:11
Nick Shanks Original
37:14
score and composition by Darren Johnson
37:16
and Matthew Carsoni Music
37:18
Editor and additional music Ben Milchiv
37:22
Audio Engineering by Gabe Burch,
37:24
Ben Milchiv and Sarah Ma
37:28
Assistant Engineer Alex Chalk Edited
37:31
by Neely Offering Additional
37:34
Editor Will Tindy Supervising
37:37
Sound Effects Editor and Sound
37:39
Designer Randy Torres Mixed
37:41
by Ben Milchiv Additional
37:44
Mixer Sarah Ma Casting
37:46
Director Kristi Fierrilli Script
37:49
Supervisor Jay C. Himes Production
37:51
Coordinator Brian Colter Production
37:54
Assistant Alex Buda Production
37:57
Legal Christina Bulbruch and Lindsay
37:59
Kiel Production Accounting,
38:01
Tim Chin-Liu. Special
38:04
thanks to Mara Schuster-Lefkowitz, Ashton
38:06
Harrell, and Augustus Stout. This
38:09
podcast was recorded under a SAG-AFTRA
38:11
collective bargaining agreement. Birds of Empire
38:13
is a Q-Code production. Sound recording
38:15
copyright 2023 by Q-Code Media Inc.
38:29
Birds of Empire is presented
38:31
by HelloFresh. Use code
38:33
BIRDSFREE for free breakfast
38:35
for life at hellofresh.com/birdsfree. One
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breakfast item per box while subscription is
38:40
active. Hi, just
38:42
checking in and seeing if you
38:44
might want to step away from the noise of the world
38:46
for just a moment and connect back
38:48
to you. If so,
38:50
join me on my podcast, Letting
38:52
It Settle with Michael Galean, where
38:54
we'll explore mindfulness, self-love, and personal
38:57
growth as I share practical insights
38:59
and tools to hopefully help inspire
39:01
you to start to take charge
39:03
of your mental and emotional well-being.
39:05
Search for Letting It Settle with
39:07
Michael Galean on Spotify, Apple Podcasts,
39:10
or wherever you're listening now. Hi,
39:12
I'm Bobbi Miller, and I host the podcast
39:14
The Afternoon Special, where you can expect a
39:16
ton of media and pop culture analysis and
39:18
history, but also a ton of fun. I
39:21
volunteer as tribute to go down the rabbit
39:23
hole so you don't have to. All
39:25
you have to do is sit back, tune in, and
39:27
you'll maintain that status of the friend who knows just
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a little bit too much about pop culture. Search
39:32
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