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0:34

right, now everybody can be funny

0:36

now. Everybody's allowed. Well, why start

0:38

now, you know? So I've seen

0:40

this beast that is behind you

0:42

as your wallpaper lives before, and

0:45

not knowing what it was, it's like, oh, yeah,

0:47

that's like the proper like 360 generation

0:51

of like HD

0:53

JRPG animal. Oh, yeah.

0:56

That was really popular. That was

0:58

really popular. Thousand percent Nathan. Yeah.

1:02

You talk amongst yourselves. I need to go get my loth cat. Okay.

1:05

Okay. Well. Let's

1:38

move over to Gable. Yeah.

1:40

Gable, you're across from this

1:43

fellow with the reference desk.

1:46

Yes. You are right

1:48

now, all of the world's

1:50

information is at your fingertips. Yeah. The

1:53

only thing that it comes down to is

1:55

which questions you ask. Yeah. And

1:57

How much you can pay. Like

2:00

that out that giving our. Earth is Trump

2:02

says secrets was not worth

2:04

anything. Not fair. Yeah,

2:07

well, I mean a former

2:10

member of the Guru crew

2:12

and like. The. Purportedly

2:14

v to enjoying there's only did

2:16

the it's rumors to them Rumors?

2:19

Yeah no. My question

2:21

for the crew would be to

2:23

things Firstly, is there anything. You

2:25

think you would have wanted. Me to

2:28

ask face on like what cat

2:30

any it's what john it needs

2:32

and to add up to what

2:35

level do we think the captain

2:37

was. Okay with cable talking

2:39

about do of Moreau like.

2:42

Eventually the kept to be at the back the We're Back.

2:44

So a up to where are we

2:46

Would you want me to stop? I

2:50

mean the dramatic irony of Auriemma not

2:52

knowing how much effects that be divulged

2:54

is definitely a thing that is. the.

2:57

Earth Fun. But

2:59

this is sadly enough that I think we would have. Discussed it

3:01

beforehand flow haha you from up to

3:03

here I kiss with the kind of

3:06

we did a bunch of checking bathroom.

3:09

And I think. That. Is doable

3:11

without mentioning the who read directly

3:13

array of whom I guess it's

3:16

kind of lake talking in people

3:18

who are were around the of

3:20

guru a. Certain. Time period.

3:22

Zalewski about those are other than

3:24

Isis that makes sense. Yes or

3:26

it them. at his of to

3:29

and keep in mind and any

3:31

questions. The in the viewer characters would want

3:33

answered yes checking on what's going on with the

3:35

Tempest. some other also feels like a son was

3:37

checking. That's right, we're

3:40

back at it. This

3:43

is so kind and. Pardon me, It's

3:45

in a while since I talk to reference. Deaths.

3:48

Ah, are clear somewhat

3:50

interested in I'm. The

3:53

young sir it as a it's

3:56

a sin piracy. and it's

3:58

interests i mean a huge fear The

4:01

youngster is very, very scared of

4:03

pirates, particularly the Tempest Armada, because

4:06

of ghost stories

4:08

told at his bedside. Just

4:11

to have a curiosity to relieve his troubled

4:15

mind, what's the last known

4:17

location of the Tempest Armada? Do you want to make

4:19

sure to avoid it? Of course.

4:24

Now there are

4:26

many ways to answer that question. The

4:29

most generalized, of course, is that

4:32

the Tempest Armada has been relatively

4:34

quiet as of late. The

4:38

skies have been fairly

4:40

empty and even sailing

4:43

for commercial and privateer

4:45

vessels across the whole

4:47

sphere. But

4:51

there are more specific answers if

4:53

you are willing to pay.

4:56

Of course, I've got the money. In

4:58

which case, I will need you to make

5:00

a wealth check. I'm very

5:02

wealthy. I'm

5:07

just trying to check to see

5:09

that my sheet actually

5:11

matches what I know about our wealth, which

5:14

it may not. Well, the thing

5:17

is, the wealth stat is a

5:19

reflection of what you can personally

5:21

authorize or pull together in the

5:24

moment. There can be a lot

5:26

of extenuating circumstances around that. You

5:30

might need to spend in from other

5:33

stats. They could be like, well, you

5:35

don't have your wealth stat. Okay. Yeah,

5:38

I'll pull out of reputation then.

5:40

Your reputation or your charisma, that

5:42

is you then going to the

5:44

crew and being like, I know

5:46

that this was a resource expenditure,

5:48

but it was important to get

5:50

this information. I feel like we had

5:53

this discussion the last time of like, I'll

5:55

keep up with it. We probably did. And we

5:57

probably will forever. You know why? Because we're in

5:59

our 30s. Now none of us

6:01

remember anything. now. I barely

6:03

remember my child sex. Oh

6:06

Jesus is ah. I

6:08

believe it. Like. I've.

6:11

Been calling from. Continually

6:14

over the course, this conversation. So

6:16

I think it's to these six.

6:18

Do. And Co Ltd.

6:20

Six years and we've heard me. road

6:22

up. Yeah, A for to

6:25

to. Or. Well well.

6:27

With. A I do We

6:29

not have a program that you simple.

6:32

But. Gives us the results directly.

6:35

Corps now old. Core mastery

6:37

I'd like. To they would

6:39

be Ah, the did d Six

6:41

core dice. Other. Core.

6:44

And Trent Koren, drink coffee, attack a

6:46

chest or cat litter, and know any

6:48

to learn to use the star right?

6:50

That. Summary is one success.

6:52

I was the star added.

6:54

Them Yeah, it's not an

6:56

overwhelming amount. The. Tempest

6:59

Armada rumors happened there.

7:01

There are no specifics

7:04

on this, but the

7:06

Tempest or Mother has

7:08

shifted it's focus from

7:10

routine raids to very

7:12

specifically acquiring materials and

7:15

moving them across to

7:17

ah, many of the

7:19

remote stronghold step the

7:21

Armada once held or

7:23

raided from. There.

7:26

Is either been a quieting down

7:28

were retreat? The. Suspicion

7:30

is that they are

7:33

building something. But.

7:35

Exactly what and to

7:37

what purpose is unclear

7:39

at least. Those

7:41

to control the armada a do

7:44

not know. Read feathers

7:46

themselves. Are

7:49

unconvinced to least read further. Command is

7:51

unconvinced that this is building towards something.

7:53

There are many who are already claiming

7:56

victory. And test egg. I

7:58

feel like that else. I won't know for

8:01

sure. I don't know what will. He is the

8:03

answer mind. I would assume

8:05

in young service position is

8:07

around the immediate area would

8:09

probably it's rest well knowing

8:12

that there has been no

8:14

pirate activity in this area

8:16

for months. upon my. Oh,

8:19

I'm reaching the end of my

8:21

conclusions and my queries am. Sad

8:25

of curiosity. And I hope

8:27

that this is. The

8:29

a freebie as he will. Get.

8:32

To give me a as

8:34

the reference desk you have

8:36

a code of secrecy unless

8:38

one. Were to be compensated for

8:41

the commensurate commiserates mouth correct code

8:43

of secrecy of us ones you.

8:45

Can't tell anybody unless they

8:47

pay a lot. See, just

8:49

keep to yourself. Your yes? Unless

8:52

there's specific inquiry made, that's

8:54

a certain questions were asked.

8:56

We we have no reason

8:58

to advertise or customers business.

9:01

It would certainly hurts our

9:03

ability to operate in the

9:05

circus. We do absolutely. Absolutely.

9:08

I. Am interested

9:10

in sharing some. Bits.

9:12

Of information that. Could. Be I

9:15

would say price and insist

9:17

that is up. Now your

9:19

your determination. As to whether that is

9:21

the case, but. If you

9:23

would like to offer information onto

9:26

the market place, be warned that

9:28

if it is sensitive and prices

9:30

information, there is a chance that

9:33

we have clients already seeking that

9:35

information as soon as it enters

9:38

into our network. it would become

9:40

available to them for an appropriate

9:42

price. Gets

9:45

assists. My. Clary,

9:47

my clinic running him.

9:50

In regards to the Masquerade. Ah,

9:53

i see has my information as

9:56

i say it i believe

9:58

to be priceless I

10:00

would love to negotiate with you. If

10:03

you too find this information to

10:05

be quite priceless, I would

10:08

require not only details

10:10

of how to enter upon this

10:15

party. I would

10:17

need assistance accessing it, material

10:19

assistance that I think you

10:21

could provide. I

10:26

could, as a reference

10:28

desk representative, again, depending upon

10:30

the information, we have

10:33

a wide informational network. We

10:36

do not in-house

10:39

keep invitations to sensitive

10:41

events, but certainly the

10:44

reference desk is connected to

10:46

people who are connected, and

10:48

if a piece of information was

10:51

deemed valuable enough to the network,

10:53

I think considerations would be made.

10:56

It would tip the balance of

10:58

this conversation into us owing you.

11:02

That is, of course, dependent

11:04

on what the information you

11:06

plan to offer is. Well,

11:09

that's the question of the day, isn't it? And

11:12

I'm going to do a little magic. A

11:15

little magic. I

11:19

would imagine we're in a room with a lot

11:21

of open windows, right? Yeah, sure. Gable's

11:23

going to do a little magic to shut all

11:25

the curtains. Oh, I like

11:27

that. Yeah. I

11:31

think there is the – because this

11:33

is like a room full of rows

11:36

of desks and those green bankers lamps,

11:39

and we'll just say

11:41

there are these tall

11:43

windows that have this

11:45

intricate glass work on

11:47

them. And the lighting

11:49

for most of this conversation has been fairly

11:51

bright, and as you

11:53

do this magic – and unless

11:56

you were casting a specific spell, Liz, I

11:58

think if you spent just like The point

12:00

of magic? Like and could easily be.

12:03

A dim the lights, the drums.

12:05

It's just. it's so subtle that

12:07

he almost doesn't know. Noticed that

12:09

it's like dark in the room

12:11

and kill It becomes shadowy. Ah,

12:16

Gave. A leans over. I'd

12:19

like to tell your story that the beginning of.

12:22

The world's. Oh.

12:28

Yeah, you know what I gave all

12:30

our lives? I'm ruling that that is

12:33

absolutely equivalent exchange. The

12:36

I think the way that you

12:38

tell this to like it does

12:40

come down to the way that

12:42

you tell the story says because

12:44

she needs to believe some of

12:46

the things that you say. Yeah

12:48

but bike totally totally easy. Out

12:51

of sheer curiosity from Indian's

12:53

perspective to know what information

12:56

is out there? Are you

12:58

telling the. Origins.

13:00

Of the World or are you

13:03

telling the story of the star

13:05

for I'm telling him about me

13:07

just. All of my business

13:09

up and tell. All

13:12

of your business is this is

13:14

less. Innocence like. Who

13:16

I am a. How

13:19

I ended up here: Ah

13:21

like how I am a fall and

13:23

I used to be This and. Here's

13:25

my relationship to the slang

13:28

dots. And it's a depending

13:30

if he is city about

13:32

it. I can also. Talk

13:34

about what I think. The

13:37

Morning Star is up to right now, but

13:39

that's something that I don't super. Now I'm

13:41

not getting only. With information that I had

13:43

about myself. My I Love This is

13:46

a cut to black moment. I do feel

13:48

like if we were in a prestige television

13:50

show, that's exactly how would break down. But

13:52

be aware that at some point in the

13:54

future I will call upon you as a

13:57

player to return to the moment where you

13:59

are in. The reference desk and.

14:02

Elaborate on how Gable reveals that they

14:04

are a fallen to this mortal being

14:06

who is now in a dark room.

14:08

That's gonna be an important image that

14:10

we would want to show but I

14:12

do. I love everything about this and

14:14

yes as as the Gm the things

14:16

that will be able to come to

14:18

you out of this with without needing

14:21

a role because you have put up

14:23

all got ah we did against this

14:25

Ah. Wheat. You you

14:27

are going to be able

14:29

to get a lead on.

14:31

You will know exactly where

14:33

the event is. I think

14:35

we can reveal to you

14:37

with one hundred percent certainty

14:39

that this event will be

14:41

attended by the current sitting

14:43

President of the Red Feather

14:45

Syndicate. People

14:48

who have access to invitations

14:50

who will not be using

14:52

them those names are revealed

14:55

been available to. The Hoover

14:57

Record. Our fans will work out

14:59

how we want to capitalize on

15:01

that late and been using since

15:03

I think. We cut

15:05

back to the a hoover and

15:07

we cut to car of us

15:10

on the of Guru I think

15:12

and Tyler and I'm going to

15:14

ask your permission for this. I

15:17

think john it while he's on

15:19

this quest. Ah, chasing after Har

15:21

R E L R E L,

15:24

our dear friend realizes I'm not

15:26

going to get back in time

15:28

to infiltrate the factory so I

15:31

think you can fire off a

15:33

feather because you do. Have the

15:35

ability to text. So

15:38

what what message does John it

15:40

right carla us letting him know

15:42

that he needs to find somebody

15:44

else to infiltrate with him. I

15:46

think that there's like things tend

15:48

to go a little sideways in

15:51

the world of the a who

15:53

grew and like like planning and

15:55

execution of a plan and so

15:57

I think john it before maybe

15:59

he like left. Kind. Of.

16:02

Knew. That it was like ice

16:04

things my not go the way

16:06

I I'd like thought. Basically.

16:09

He's just toxic. Carlos is like

16:11

if you get anything from me

16:13

take that as a sign that

16:15

like we're now, we're now improvising,

16:18

we're now tweaking the plan and

16:20

like I'm I'm out of the

16:22

picture. I d like the balls

16:24

in your court. So Carlos truly

16:26

just gets like a feather. Like

16:29

as in my brain like the

16:31

feather delivery system is almost like

16:33

a little volatiles like the last

16:35

blows through V I was aware

16:37

of the A D H L

16:40

liable for ludicrous idea that but

16:42

it's songs and the explosion is

16:44

like parts of the feather that

16:46

aren't written on like come forth,

16:48

oh them. so set, so cool

16:50

and V it's like it hits

16:52

the walk out that the feather

16:54

for it explodes and the only

16:56

thing that's left is just like

16:58

one little. Oil quadrant of feather

17:01

that has Carlos his name's just the

17:03

most hastily scribbled. Ah it's It's truly

17:05

just like as John it is following

17:07

bagel out of the marks. He just

17:10

like scribbles it out and as soon

17:12

as he he like gets out of

17:14

the bard to the outside world exists

17:17

like throws it behind him and I

17:19

now wait up late up and just

17:21

tosses. It does sound like this is

17:24

a mood to spend, assess, assess, assess.

17:26

yeah I guess it's. It's.

17:29

It's like it's the the

17:31

cringe or modi is like

17:33

I've heard. yeah. It's

17:36

Carlos. Cringe a high mean you

17:39

know college is on a lunch

17:41

break and is sitting at a

17:43

little wooden table near see the

17:46

furnace. What kind of food

17:48

this guy was like to eat? Oh

17:50

I'm I mean it's it's definitely. Ah,

17:52

it's it's like it. It's one of

17:54

the everything sandwiches. well I the fillings

17:56

are unusable. capital you. Have.

18:01

And it definitely drinking like,

18:03

you know, third t orange

18:05

juice of a flaw that's

18:07

definitely had some kind of

18:09

acid in at some point.

18:12

You know downloaded episodes Martin to is

18:15

like a pro label that says poisoned

18:17

do not in just one. And

18:21

takes this is they they take a swig

18:23

from it and or that the phone into

18:25

the wouldn't a bullet and they're They're they're

18:27

the. Parts of the feather

18:29

get everywhere and the glance at

18:32

it through their very shiny mirror

18:34

reflective goggles. Ah, I

18:36

suppose this means it's go

18:38

time then. So

18:42

the question that I have for you. Both.

18:45

Carlos and Nathan. Who.

18:48

Among the crew members is

18:50

Carlos going to go to

18:52

to join them on this

18:54

infiltration mission. I wanted.

18:56

Friend involves some of the new

18:59

characters with added to the crave.

19:01

Oh so let's have a common

19:04

do it. Oh okay.i like it.

19:06

I'd go I'd doctor and a

19:08

I drew a blast furnaces Yes

19:11

yeah glad the lake like rice

19:13

I'm trying. Yes. This

19:16

is very good opening to a television

19:18

show. This is like some kind of

19:21

buddy cop show for sure. home cause

19:23

normally so armor mafia to the I.

19:28

Am com and ah apparently they

19:30

didn't have his. is the change

19:32

of plans. Know you don't zoc

19:34

in my drawer unless you've got

19:37

something to ask me and indeed

19:39

how would you lie together news

19:41

some of your elder criminals day

19:43

through but it is the in.

19:47

Espionage, You know things have

19:49

been pretty slow around here.

19:51

I feel like I've pulled

19:53

out all the splinters I

19:55

can for for now so

19:57

see like slips a sign.

20:00

To the doctor is out

20:02

and goes. with my

20:04

costume. And

20:06

I think we're like smash

20:08

cause to the two of

20:11

them in these industrial like

20:13

factory outfits, silly posing like

20:15

Charlie's Angels like these things

20:18

now just so awful the

20:20

pubs and clubs but he

20:22

does not exist. Phillies ah

20:25

formless ah but we still

20:27

making that look good since

20:29

yeah I think they like

20:32

head up to the factory

20:34

entrance there. Is. A nervous

20:37

minute where they they brace

20:39

for the fact like what

20:41

will somebody might stop us

20:43

or check our credentials but

20:45

clearly it is not at

20:47

this point you arriving when

20:49

people would arrive like the

20:51

you who grew does have

20:53

like an understanding that this

20:56

is a technocratic work system

20:58

there to people arriving and

21:00

departing at certain periods. Yes,

21:03

Or tyler. I can. I just

21:05

as if it happened too late to

21:07

understand Ten John at have in like

21:09

strapped that scheduling as are like the

21:12

word scheduled Carlos I think so I

21:14

feel like that makes sense to me.

21:16

A you know you'll have you'll have

21:19

the the schedules like who's coming in,

21:21

who's coming out and when they're doing

21:23

that and. Yeah, so

21:25

you you like They know when they can

21:28

enter the building, when there's going to be

21:30

a lot of people moving and in a

21:32

lot of people moving out. And

21:35

a kind of blend in

21:37

with the crowd. What you

21:39

see on the factory floor

21:42

is really wild like ah

21:44

people are all moving in

21:46

concert. There is like a

21:49

steady official line. It does

21:51

not appear to at this

21:53

point at least be a

21:56

hurried pace but it is

21:58

a very smooth and familiar

22:00

the pace and as you

22:03

see people like changing shifts

22:05

like they are very seamlessly

22:07

replacing each other. Ah making

22:10

it so that the whole

22:12

process flows forward. There is

22:14

a say there appear to

22:17

be like rows and rows

22:19

of gigantic out with wagons

22:21

full of what was like

22:24

these berries us There is

22:26

some kind of Barry Press

22:28

ah that moves. Fluids down

22:31

a line with into like

22:33

distilleries things are being boiled

22:35

the way I There's like

22:37

a chemical separation process and

22:39

at every point there is

22:41

someone monitoring a different part

22:43

of that process. Things are

22:45

being bottled up and moved

22:47

over to other machines and

22:49

what not. Like there's a

22:51

lot of back and forth

22:53

process or to the point

22:55

where towards the end of

22:57

the line there is a.

22:59

Powdered. Guy that ends

23:02

up being like the actual

23:04

pigment as that is resulted

23:06

from this process and there

23:08

is this brown liquid that

23:10

needs to be like condensed

23:12

off on it's own through

23:14

every part of the exactly

23:17

and it every part of

23:19

this process. in the middle

23:21

people are being very very

23:23

careful with the liquid like

23:25

not a drop is being

23:27

spilled and you can feel

23:29

the. Tension. Even though this is

23:32

a million things, it's not the

23:34

sort of thing where somebody as

23:36

board at the job man as

23:38

they're going through. it's everybody's pretty

23:40

focused on this. Heroes

24:00

it's James, your Game Master, and welcome

24:02

to the mid-roll! Heroes

24:04

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24:47

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24:51

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24:53

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24:56

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24:58

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25:00

System Mastery doing a couple panels based

25:02

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25:05

26th from 4pm to

25:07

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25:10

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25:18

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25:22

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25:25

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25:27

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25:30

S402B, we have the

25:32

Ultimate RPG World Building Panel where

25:34

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25:36

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25:38

Well, I don't know that it's magical. We're

25:41

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25:43

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headed back to booth 163 for another signing.

25:54

I hope to see you there, heroes. As

25:56

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a quick word from our sponsor. And

26:21

with all that out of the way, let's get back

26:23

in the sky! So,

26:37

in stage whisper to Carmen, I do

26:39

believe there are two things in our

26:41

mission list to do. We

26:44

need to go and find the part

26:46

where the dye is still in liquid

26:48

red form, but not made safe yet.

26:51

And then we also, I do

26:53

believe, need to find a way to add in a

26:56

fault that we can trigger later. So

26:59

the full verfactory can stop working when

27:01

we need it to. Interesting,

27:04

interesting. Okay, well, I

27:06

do think both of those are

27:08

going to be in mid-process. And

27:11

this is a question to you,

27:13

Mr. Chemical, or I guess it's

27:15

Mixter Chemical Expert. Oh, absolutely. What

27:19

is the most useful liquid

27:22

poison or whatever to you?

27:25

Do you need it to be at this like

27:27

syrupy stage? Do you want it to be at

27:29

this more liquidy stage? Unfortunately,

27:31

the captain is not a chemist at

27:34

heart. He just said that

27:36

it needed to be wine red and

27:38

still a liquid. So I suppose in

27:42

the early refining after the initial

27:44

materials are squished into the fluid

27:47

dye, that should do. Honey,

27:49

say less if there's one thing I know it's

27:51

wine. And

27:53

Carmen, like, moves

27:56

over to the line. I think there

27:58

is part after... like

28:01

the first round of refinement, I

28:03

think this blood

28:05

red juice from these

28:08

quote unquote berries gets

28:11

a little bit darker and

28:13

it clarifies. And I think

28:15

that is the best stuff

28:17

to take. I

28:20

think it is siphoned

28:22

off into clear jars.

28:24

I think the glass

28:26

from them is extremely

28:28

thick these are not

28:31

flat bottomed jars. They are kind

28:33

of how would I describe the

28:35

shape? There is

28:38

kind of like a conical shape at

28:40

the bottom but also like a conical

28:42

like a Roman wine vases right? Yes.

28:44

There's a amphoras that's the word an

28:47

amphora. And I'm sure

28:49

our audience goes oh why didn't

28:51

he say amphora earlier? Everybody knows

28:53

that. The

28:55

only thing about like year six

28:58

history clips. We all remember. We

29:00

all remember. Yeah, yeah, yeah, yeah.

29:02

Ah, I see. I see it.

29:04

I Google it. I see. I

29:06

think like there is a cart

29:08

full of these. They are

29:10

all like there

29:12

are corks and whatnot that are

29:14

put. Each one is labeled and

29:17

dated with like a time stamp

29:20

of when it was extracted from the

29:22

machine. So there

29:24

is a big batch of these

29:26

things clearly stored

29:28

off in these different

29:31

areas awaiting the next portion

29:33

of the refinement process. So

29:37

that's a target. Now

29:39

the question is really how

29:41

much do you think we can get away with taking?

29:44

Well, those bottles look heavy.

29:46

Yeah, they do. But fortunately,

29:49

when it comes to volatile

29:51

chemicals, I do have a

29:54

few ways of storing it up my sleeve

29:56

and on cue reaches

29:58

up their sleeve. and pulls

30:01

out like test tubes. Literally. Oh, okay. Yeah.

30:03

There's so many up there. Look at them,

30:05

very practical person. It's good that you have

30:07

these. You know, they, they, they, they're just

30:09

always walking around with tubes.

30:14

Are we all? I

30:17

keep that thing on me. They're

30:21

like slightly silvered.

30:28

There seems to be some kind of treatment to the glass

30:30

where it's not thick, but there is something about it that

30:32

would stop it maybe dissolving

30:35

immediately. But they

30:37

maybe are. They're

30:40

not so great against impact, however. So

30:42

please don't fall on them, should you,

30:44

Trent? Well, that also means

30:46

that whatever conflicts we get

30:49

into can't get physical. Well,

30:51

I trust the sore bones to handle

30:55

any conflicts with the grace

30:58

of the client, Dr. Privilege.

31:01

Yeah. I'll be the muscle for sure. Okay.

31:04

So we need to get you in position

31:06

to siphon off some of it. I guess

31:09

the last question is sabotage. What

31:14

do we think about this operation?

31:16

What does it take to disrupt the operation?

31:20

I picture, I'll float and then

31:22

you can add in the additional complications

31:24

as required. It feels like

31:27

there is some kind of automated machine

31:29

or pump that as part of the

31:31

process. And to keep it

31:33

working, they're like lubricating it.

31:35

They're like using oil or something to kind

31:37

of make sure that the parts keep moving.

31:40

And just adding an acid

31:44

or a corrosive agent or something that's going

31:46

to make it start rusting but slowly. It's

31:48

not immediate. So at

31:50

some point down the line, if

31:52

it's not kind of this tainted

31:55

to whatever lubricant they're using added,

31:57

it will eventually start eating away.

32:00

at the machine rather than lubricating it. Okay,

32:04

so basically your sabotage plan

32:06

is on a timer. This

32:09

factory will stop as soon

32:11

as whatever

32:15

sabotaging agent you put in is put into

32:17

the machine, there is an exact amount of

32:19

time it will take before that

32:22

pump breaks down and they have

32:24

to cease operations to replace the

32:26

parts that were damaged in the

32:29

pump. Ideally, we don't want to

32:31

be here when it breaks, right?

32:35

The two of you certainly don't want to be there

32:37

when it breaks. The question

32:40

I guess is like,

32:42

this is when do

32:44

you want the sabotage to go

32:46

off ideally or what is this

32:48

sabotage going off going to buy

32:51

you because if it's

32:53

guaranteed to happen, Carlos

32:56

will be able to predict like,

32:58

okay, looking at this machine, knowing

33:01

how corrosive whatever element I

33:04

put into it is, we've got

33:06

10 hours or whatever before it

33:08

goes down. Because we've

33:10

been given a vision of the

33:12

future of when the big poison

33:15

clouds kind of settled across

33:17

the settlement and everybody perishes.

33:21

How far away is that? Do we know? You

33:23

don't know at this point. Okay, fabulous. That's the

33:25

question. I'm going to say 12 hours then, baby.

33:28

Let's go and give it a go. Okay.

33:32

12 hours is ideally when the factory will shut

33:34

down based on what you were doing. I

33:37

see two roles needing to

33:39

happen here. And

33:42

let me pull up the Ahuru death chart. Yeah,

33:45

Carlos does not necessarily have stats,

33:47

but we can know what

33:49

the way through. They are a crew member,

33:51

so everybody who is a crew member has

33:55

roles technically through the Ahuru death

33:57

chart because we're dealing with two

33:59

NPCs. those NPCs are

34:01

committed to the task and

34:04

they will be at

34:06

risk the most if

34:08

the task does not go exactly correct.

34:11

So, the two roles

34:13

are the role for

34:15

siphoning some of this

34:18

poison and not

34:20

being noticed. And the other role

34:22

is I think it depends on

34:25

how your sabotage works. I think

34:27

I will give

34:29

you a bedeviling check if you

34:31

want to take a sabotaging agent

34:34

and essentially slip it inside whatever

34:36

oil can they use to maintain

34:38

the machine. That is very subtle.

34:40

You could just very quickly drop

34:44

that in, but there are a lot of

34:46

things that can go wrong vis-a-vis the timing.

34:49

There is a more

34:51

direct application that will

34:54

be more

34:56

controlled in its results, but

34:59

that would require you to actually like touch

35:01

the machine, drop something in the machine. It

35:03

would be more obvious.

35:07

So, actually I think it

35:09

will be a hard check to put it in

35:11

the oil can with

35:14

the caveat of there will be some

35:16

volatility thrown into that or

35:18

a bedeviling check with no volatility.

35:21

So, bedeviling is going to be harder

35:23

to pass that is three dice

35:25

against you as opposed to two. I

35:29

did envision like adding it as an

35:31

agent into oil cans rather than directly

35:33

poking at the machine. And

35:35

I agree that there's fun in it

35:38

not being precisely 12 hours. There's

35:40

fun in that. Okay. Excellent.

35:44

I think because you've got two characters committed

35:47

to the task, you've

35:51

got one D8 and one

35:53

D6. So, one untrained

35:55

and one skilled. And

36:01

what do I do? So if I,

36:05

what would be normally spending a point to like upgrade

36:07

a die from like a six to an eight? What

36:11

was the equivalent of that? Is that like hitting

36:13

an additional segment on the Ahuru death chart? Is

36:15

that the equivalent, like a one to one? So

36:19

one upgrade that you can do

36:21

is you can overcommit

36:25

a character to a task, basically increase

36:27

the threat range that they would have

36:29

that would give you a 2d8. Then

36:34

you would have, if there are

36:36

any failures rolled, any net

36:38

failures, there will be

36:40

damage that

36:43

gets rolled and there'll be a 60% chance

36:45

that some crew member somewhere is

36:47

going to be affected. But uh-huh,

36:49

uh-huh. Okay. I really want

36:52

this unrefined fungus juice. So I'm going

36:54

to overcommit for 2d8 instead of 1d6

36:56

in the day. Okay.

36:59

Okay. So this is the siphoning

37:02

role. Yes, this is siphoning part. Okay. I'm

37:04

going to roll for that. And

37:06

all right. I have

37:09

a two opportunity, no successes. I

37:13

have two failures and

37:17

a complication. You

37:19

basically have two failures and an opportunity

37:21

here. First

37:23

things first, we are going to roll on the

37:26

chart. Hey, good news.

37:28

The first one is 79. So

37:32

that is no hits. Okay.

37:37

I went into this with all the confidence

37:39

and immediately, immediately we've done it. The

37:42

second roll is 19. Who

37:46

on the death chart is 19? Granny

37:51

soft spot. Oh

37:53

no. Oh,

37:56

Granny soft spot has no

37:58

hit points. There she

38:00

goes again. What Granny

38:02

Softspot, I think, on the

38:05

Ahuru, it is a late

38:08

lunch that Granny Softspot is doing.

38:11

I think she, I'm not going to

38:13

say she's surrounded by the orphans because

38:15

that would be horrifying and dramatic. Yeah.

38:19

She is playing Illimat. She is

38:21

playing Illimat with like a group

38:24

of people. I want to know

38:26

who is at the Illimat table

38:28

with Granny Softspot that she sits

38:30

down for her lunchtime card game.

38:33

I've been looking at this chart, I'm like,

38:35

when was the last time we saw Marco,

38:38

who is basically Luigi? Oh yeah. Marco?

38:42

Oh, yeah. So

38:46

it's Marco, it's Bowser. We

38:50

didn't mention him before, but Sonic is there.

38:52

Oh yeah. Absolutely. Knuckles, Shadow.

38:54

I completely invited Sonic onto the Ahuru.

38:56

Damn, I missed that one. Like

39:00

we could tell Sonic what to do. True,

39:02

true, true. Yeah,

39:06

so Granny is sitting

39:08

down for Illimat with

39:11

these video game characters

39:13

and she is looking

39:16

around the table and

39:19

feels good. You know,

39:21

like there was

39:23

this crisis that

39:26

she had in Acheron, or

39:29

not Acheron, it was back

39:31

on in Haven where she

39:33

was like really pushing herself

39:35

to help lead this effort of

39:38

making sure that there'd be enough

39:40

Pete aboard the ship to leave

39:43

that island. Granny

40:00

Soft Spot would be hired onto the crew, but

40:02

every crew member serves their

40:05

purpose. And

40:07

whatever led Granny Soft Spot

40:10

to leave whatever life

40:12

she had behind and go

40:15

into high skies piracy,

40:18

here she has found a

40:20

family. She looks

40:22

across the table at Bowser,

40:25

at Sonic, and sees

40:28

people who she's come to think of

40:30

as her children in a

40:32

way. And

40:35

there is just this moment

40:37

of gentle peace on her face

40:41

and she collapses. The

40:44

crew who is playing with her surrounds

40:46

her. There are

40:49

shouts of concern as

40:51

people pick her up. We

40:54

cut to the doctor's office

40:56

where, indeed, the

40:59

doctor is out. And

41:02

it's not clear even if Carmen

41:04

had been at her post at

41:06

that time if she would have

41:08

been able to save Granny or

41:10

not. But now

41:13

we'll never know. And

41:15

that is what the operation

41:18

risked. I

41:20

think what happens,

41:23

Carlos, you have this

41:25

great siphoning system

41:27

all rigged up to

41:30

be able to subtly stand by

41:32

these things. However, you

41:34

are inspecting the seal on

41:36

these bottles and finding that

41:40

there is essentially a serial number processed

41:42

to the seal, that as soon as

41:44

the seal is broken, they

41:47

are going to know that it was tampered

41:50

with. There is no way to tamper with

41:52

one of these bottles without them

41:54

knowing at some point in the

41:56

future that tampering took place. And

42:00

like you are also trying to do this

42:02

on an open factory floor. Uh,

42:04

so it's challenging. The

42:07

whole thing is challenging. You walk

42:09

up, you sort of see the

42:11

process and I think based

42:13

on the damage that took place,

42:15

uh, you are going to be

42:18

able to back off and, uh,

42:21

reconsider your approach now,

42:23

knowing these facts. God

42:26

damn it. It's fine. It's

42:29

fine. All

42:31

right. At the very least, if

42:33

we can, um, get

42:36

the operations sabotage and people are

42:38

no longer here, we can retrieve

42:40

it at a later time. I

42:43

hate to do this to you, Nathan. That

42:45

role was just for collecting the poison. The

42:47

sabotage operation has not taken place yet. We

42:50

have no hope for that. There were two

42:52

roles. No, we were, that's these mumblings. They're

42:54

mumbling to themselves like, Oh, we can bank

42:56

on this. Hey, if the thing breaks, we

42:58

can come back. Even if we can't get

43:01

this now. So, all right, we're moving on

43:03

to plan B then. Um,

43:06

and, uh, yeah, I think

43:08

there is a degree this

43:10

time round of, uh, it

43:12

being, uh, a

43:14

running interference situation. There's, there's one

43:16

thing to have the apparatus on

43:18

hand and kind of body block

43:20

what you're doing on this line.

43:22

But since, uh, uh,

43:24

the, the, the process of trying to

43:27

sneak the, the, the painted material into

43:29

the oil cans might need somebody to

43:31

look the other way. Um,

43:34

there is a bit of a two person

43:36

con man job going on where, uh, Carmen's

43:38

kind of a diverting and attention away to

43:40

make this happen. All

43:43

right. Um, let's, let's roll

43:45

it then. Hmm. Now

43:49

asking the rest of the table, do we

43:51

want to over commit this one too or

43:53

not? I just killed a person on the

43:55

whim of a flick of the wrist and

43:57

I don't know if I could put another

43:59

one. I was like, commit a little bit,

44:01

commit a little bit. Do

44:05

it, do it. A

44:09

tiny John it Kessler with

44:11

devil wings on his

44:14

shoulder. I have the commits to the bit, do it. Alright,

44:17

clearing that previous roll. Rolling

44:21

2d8. Okay,

44:24

this is better. We

44:26

got two successes and one opportunity.

44:29

Holy cow. I got

44:32

one failure and

44:35

four complications. Oh my god.

44:39

So a success with three complications.

44:41

A success with three complications. I

44:47

think that the complications

44:49

are just going to be the,

44:53

and this is something that Carlos can't know. The

44:56

oil that they are using

44:58

is not a standard industrial

45:01

lubricant. It

45:03

is something specialized to this system.

45:05

So the way that it is going

45:08

to react with the corrosive agent is

45:10

actually going to make this machine

45:13

break down much faster than

45:15

it normally would. So you

45:18

are able to perform the subtlety part

45:21

of the operation without a hitch. You

45:24

basically go up, make the

45:26

drop, Carmen asks a question

45:28

to someone, pulls them away,

45:31

and they turn right back to the can after

45:33

you have made the drop. You watch the maintenance

45:35

go down. You know that agent

45:37

made its way into the machine. The

45:40

only question now is do

45:43

you cut your losses or

45:45

are you still working to

45:47

try and figure out a different

45:49

way to steal? Or

45:51

are you going to risk breaking

45:53

a seal and have it be

45:56

more obvious that there was

45:58

tampering? shot over

46:00

of that kind of like calling it

46:03

like a Carmen calling somebody away for

46:05

a moment and Carlos running a hand

46:07

over the gloved hand like over one

46:10

of the top of these lubricant oil

46:12

barrels and there's a shift of the

46:14

glove backwards and we see the elaborate

46:16

like really pointy purple manicure that they

46:19

have on them now as it like

46:21

flips with with one finger just flips

46:23

open like the kind

46:25

of like top of the jerry can

46:28

and it just gets the the painted

46:30

material in the quick as you like

46:32

I think what I love about this

46:34

most is I have always been picturing

46:36

Carlos as like kind of a portly

46:39

framed figure but what I'm

46:41

discovering is that's mostly tubes. Carlos

46:44

externalized like his like circulatory system like

46:47

years ago and then he was like

46:58

years ago and it's just tubes

47:00

outside of Carlos's body underneath their

47:03

clothing. There could be anything under

47:05

there even though you're like what

47:07

does that mean? What

47:09

does that mean? What is your gender

47:11

Carlos? Mystery box. Yeah

47:17

with that movement, subtle movement done

47:19

little picture in picture and Carlos

47:22

like moves away and

47:24

there's like a reconvening. There is a

47:26

I like the idea that this is

47:28

the kind of company that has like

47:30

micro breaks that are super not helpful.

47:32

You don't get to properly sit and

47:34

have like even a 15 minute. It

47:37

is a five minute snack bar

47:40

situation before you're back to the

47:43

back at it and in that kind of

47:45

miniature break they

47:48

Carlos reconvenes with Carmen. We're

47:51

going to have to cut our losses. We're

47:54

not going to go for the toxin?

47:56

No not yet. I

48:00

would have loved to have looped

48:02

back, but under current circumstances there

48:04

maybe isn't enough chaos. What? Okay.

48:08

Oh, I see. So we wait

48:10

until the factory goes

48:12

down and during that chaos that's

48:15

when we strike. That's how I

48:17

feel about it. Otherwise,

48:20

the other circumstance, the other option is

48:22

if we had enough workers on our

48:24

side so that they could tie the

48:26

blind eye of the proceedings, but I

48:28

don't think we're there just yet. Well,

48:31

you know, that can be a captain's

48:33

council level issue. I say you and

48:35

I would grab a drink before we head

48:37

back to the ship. Our one-giver's done.

48:40

And we looked great while doing it, but

48:43

we padded. Yes.

48:47

They exit and there is

48:49

like a synth track

48:51

sting as the credits roll

48:53

on that particular episode of

48:55

their buddy crop drama. There's

48:59

a convertible car that they're riding

49:01

in at one point. Who even

49:03

knew that cars were available in

49:05

this setting? Yeah. Right. Well,

49:08

it's a car, but also the

49:10

car is a skyship, so it's

49:12

like just driving through the sky. It's

49:16

confusing imagery. It's confusing imagery and the

49:18

car never appears in the show itself.

49:20

Yeah. Yeah. Certainly executives told

49:22

the showrunners like, hey, this is going

49:24

to confuse a lot of people. And

49:26

they're like, it's fine. It's a metaphor.

49:29

There is a toy of it. So it

49:31

did manage to come around full circle. Well,

49:34

it is in the animated series

49:37

based off the adult television show.

49:40

That's 100%. Nice.

50:18

To my love, I

50:20

address this to my dearest heart, but

50:23

I also mean it for all my

50:25

love. I am writing

50:27

in the hope that someday I will have

50:29

the words between us to speak this to

50:31

you. I am from

50:34

some place much warmer. I

50:36

think you know this. For a

50:39

long time, I tried not to

50:41

speak the name as it fell

50:43

heavy in my throat. Now

50:45

I do not say it so it does not

50:47

see me and call me back. One

50:49

of the strange things that troubled me

50:52

most when I arrived was seeing how

50:54

the sun has changed her face. In

50:57

my home, it would coat

50:59

the earth and trees, kissing

51:02

every part of the world with

51:04

heat and life. Here,

51:07

she moves so stiffly,

51:10

filling the sky with light, but

51:12

none of her warmth blesses what

51:14

she touches. It

51:16

is no wonder the grasses here stretch so

51:18

tall. They are yearning

51:20

for a true embrace that never

51:23

comes. I

51:25

was delivered here from a cell. Just

51:28

a year ago, I could only

51:30

call the smallest sliver of light

51:32

my own, and I felt

51:34

her heat in that dark place. The

51:37

kind of heat that chokes you when you breathe

51:40

in, I have just

51:42

the barest understanding of why

51:44

I was put there. The

51:47

feathers did not bother to explain when

51:49

they took me, and I

51:51

never had the strength that would allow

51:53

me to demand an explanation. They

51:56

ripped me from the arms of another

51:59

lover and delivered me to

52:01

darkness. I am troubled

52:03

by the fact that the only

52:05

way I can picture her face now

52:07

is in tears. My

52:10

tongue is also foreign to you.

52:12

I did not

52:14

speak your language when they sent me to

52:16

their prison, and I did not learn it

52:18

when they traded me here. All

52:21

I understood when I signed their

52:23

papers was that I would see

52:25

the sun again, and that was

52:28

enough. The

52:30

labors they need me to

52:32

perform here are not complex

52:34

enough to require words to

52:36

explain. Once I learned their

52:38

routine, they lost all interest in

52:41

me, and I was free to

52:43

wallow under the strange and cold

52:45

sun of this place. Of

52:48

course, there were others who tried

52:51

to welcome me in. You, I am sure.

52:56

So many babbling soft

52:58

and friendly nonsense words

53:00

gesturing me near. It

53:03

was easy then to truly

53:05

devote myself to the business

53:08

of misery. To

53:10

fortify whatever barriers existed in

53:13

language with my own bitterness.

53:17

I do not think I could

53:19

have met you then.

53:21

No, it was

53:23

not until I started to feel the

53:25

touch of scarlet that I tried

53:27

to speak. For months

53:29

I worked, I ate, I retired

53:32

to my bed. I

53:34

understood some of what others suffered.

53:37

I saw their wraps, gloves.

53:40

At meals I saw the bright red of

53:42

their lips and tongues, as

53:45

if they had painted themselves. In

53:48

common spaces, I even saw the way

53:50

people marked their skin. I believed

53:54

it to be a disease, but

53:57

somehow my loneliness was protecting

53:59

me. me, insulating me from

54:01

the plague that moved around

54:03

this place. I

54:06

always imagined it to be painful.

54:09

I mean exclusively painful.

54:13

A burn or a sting. Maybe

54:16

an itch. Seeing

54:18

others made me wince and filled

54:20

me with chills of dread. When

54:24

it truly started for me, I did

54:26

not recognize it. I

54:28

thought at first my clothes had

54:31

been improperly washed or that the

54:33

temperature of the water was abnormally

54:35

cold. I

54:37

fought the sinking realization

54:39

until I saw my

54:41

tongue turning red, that

54:43

same painted, bright hue.

54:47

I understood that this was the

54:49

reason the sensations had become so

54:51

acute. My every

54:54

small thing that brushed my

54:56

skin was a fulmination. I

55:00

knew so little then. I

55:03

saw and felt myself changing

55:05

without understanding what was truly

55:07

at risk. No

55:09

information, no rumors, just

55:13

my own dark imaginings. The

55:16

thing that truly drove me to

55:18

you was a pebble. A

55:22

small thing caught in my shoe.

55:25

I stepped on it in just the

55:27

right way to fill me with

55:30

agony. It was

55:32

a brief but profound pain.

55:36

I broke down. It

55:38

was too much suffering to bear on

55:41

my own. I

55:43

went to that tavern that so many

55:45

had tried to coax me towards in

55:48

the past. Even if

55:50

I could not or would not speak, I

55:53

would not be alone with this. I

55:57

must admit, I was not

55:59

prepared for this. the world inside.

56:02

It was shock enough to

56:04

bathe in the hum of

56:06

conversation, a thing that I

56:08

had avoided for months, but

56:11

I had never seen so

56:13

many be so close, so

56:16

openly, mouths full

56:19

of ale, laughter,

56:22

and kissing. Hence,

56:26

Rome. I

56:29

was in a strange place,

56:31

overwhelmed by a strange circumstance.

56:34

I felt so very far

56:36

from everything I knew. I

56:40

began to weep, silently

56:43

as I could, alone as

56:45

I was damned. Of

56:48

course, you know what

56:50

happened next, dear. You found me.

57:15

In the universe of Starwall Odyssey,

57:17

space is made out of the

57:19

collective imaginations of all the thinking

57:22

beings who live on various planets.

57:24

These worlds are connected to each

57:26

other through imagination. Common themes and

57:28

ideas are strings between universes, and

57:30

to get between them, people fly

57:33

wooden ships that look like animals, which

57:35

are powered by emotions. Also,

57:37

people communicate with each other by contemplating

57:39

orb. The only way you can take

57:41

pictures is getting stared at by a

57:43

big psychic bug, and people have already

57:45

declared victory in a war over the

57:48

very concept of evil. But I'm getting

57:50

ahead of myself. Starwall Odyssey follows the

57:52

adventures of the hapless inhabitants of the

57:54

Lucky Finn Tenement Building, who suddenly find

57:56

that their apartment is actually a spaceship,

57:58

and that their life is a space

58:00

ship. lost in a sea of boundless

58:02

imagination. It's an actual play

58:04

starring me, James D'Amato, Mel D'Amato,

58:06

Ally Grower, and Drew Merzieski as

58:09

we playtest the No King System,

58:11

which will hopefully one day be

58:13

the Sky Jacks role-playing systems. It

58:16

toes the line between weird and wonderful slice

58:18

of life and high-flying space

58:20

fantasy. You can sample the first

58:22

five episodes by searching for Starwall

58:24

Odyssey on your favorite podcast app,

58:26

or get the whole thing by

58:28

heading to patreon.com/one-shotpodcast and signing up

58:30

for five dollars a month or

58:32

more. Johnett

58:36

Kessler was played by Tyler Davis,

58:38

who can be found on Twitter

58:40

and Instagram at Tyler A. Dave.

58:42

Gable was played by Liz Anderson,

58:45

who can be found on Twitter

58:47

at Liz Anderson underscore underscore underscore,

58:49

or on her podcast Paired. Captain

58:52

Oramar Vale was played by Nathan

58:54

Blaines, who can be

58:56

found on Twitter at PhantomArts

58:58

ENT or streaming at twitch.tv

59:00

slash The Neon Caster. I

59:03

am James D'Amato, your host and game

59:05

master. You can find me on

59:08

Twitter at oneshotrpg or

59:10

on my podcast, One Shot. The

59:12

original music featured in this podcast

59:14

was written, composed, and performed by

59:16

Arnie Parrot. You can

59:18

find him over on Twitter at

59:21

Arnie Parrot or on his website

59:23

ATPtoons. This episode was edited

59:25

by Allie Grauer, who can be found

59:27

on Twitter at Dreams to Become or

59:30

on her podcast Skyjax Currier's

59:32

Call. Our logo was designed

59:34

by Fiona Shea, who can be

59:36

found on Twitter at Lunarum. The World

59:39

of Sphere was inspired in part by

59:41

the music of the Decemberists and Illimat,

59:43

produced by Together Studios. The show was

59:45

made in part by using a modified

59:48

version of the Genesis role-playing system, designed

59:50

by Sam Stewart and a team of

59:52

talented professionals. There are no

59:54

kings. Take flight. We're

1:00:07

leaving behind who know we

1:00:09

can never deny the call

1:00:11

of the

1:00:14

sky.