Episode Transcript
Transcripts are displayed as originally observed. Some content, including advertisements may have changed.
Use Ctrl + F to search
0:00
That is when
0:02
Ava Bell decides Cyclops can go
0:04
fuck himself. She's
0:07
like, okay, check
0:09
please. Everybody kind of reaches that point at
0:11
the stage of the story where like, what
0:13
are you doing? This is not a Cyclops
0:15
was right moment. She's like, check please, I'm
0:18
out. Thanks, it's been real. X-Men,
0:20
X-Men. In the
0:23
21st century, people and mutants
0:25
led by Magneto aim to destroy the world.
0:32
Only hope is X-Men.
0:38
Welcome to Cerebro, the X-Men podcast, where
0:40
a homo and his friends dig deep
0:42
into the history of Homo Superior.
0:44
I'm your host, Connor Goldsmith.
0:47
And with me today is returning
0:49
guest, Karen Charm, AKA
0:51
Karen X-Men fan, a wonderful
0:54
artist who many on the
0:56
X-Men fandom internet will have
0:59
seen, but who I hope
1:01
will be doing lots
1:03
of original creator-owned stuff soon. I'd love
1:06
to read more of that from you.
1:09
Is there anything in the hopper,
1:11
Karen? Oh yeah, always and likewise.
1:14
And also it's very good to be back.
1:16
Nice to chat with you on the air.
1:19
We've hung out a bunch since the last time
1:21
you were on the show, but I was just
1:23
expressing my shock that you've only done the one
1:26
episode because I feel like you're like a Cerebro
1:28
fixture. Well, I've done the shirt. Yes,
1:30
you did the shirt, the flat skin
1:32
ally shirt. You did the logo for
1:35
my upcoming podcast, Single Female Lawyer, that
1:37
will actually happen later this year. A
1:40
lot of things had to come into alignment in
1:42
my personal life before I could start a second
1:44
podcast. I kind of jumped the gun on announcing
1:46
that, I think, but it is finally
1:48
coming. You have
1:51
been doing a really cool series
1:53
of illustrations, like character illustrations
1:55
in the order of the episodes. Which have
1:58
been so cool to see. I
2:00
had a moment where I was feeling
2:02
like I hadn't been doing enough X-Men
2:04
fan art because you know
2:06
the pandemic was nice for getting a lot of fun
2:09
things done as you started a podcast
2:11
and other people did other things but
2:13
when work
2:17
Obligations started to reassert themselves
2:19
kind of found less and
2:21
less time. That was not ideal No, yeah,
2:23
I mean you'll note that this was a
2:25
weekly show and now it is not because
2:29
Became impossible Particularly
2:31
with the length so that the episodes now
2:33
run on average. It just didn't seem It
2:37
was no longer plausible when I had to
2:39
you know return to being a productive member
2:41
of society and work for it and all
2:43
Of that so, you know, I mean, what
2:45
are you gonna do? But everybody loves it
2:47
so much the episode links, but anyway
2:49
Yeah, it was just like I'm just gonna draw
2:51
the X-Men but where do you start? I was
2:54
like well Cerebro has an order so I've
2:56
bang through the first 50 plus the extras And
2:58
I've actually I took a little break to focus
3:00
on because I had a lot of work Stuff
3:03
over the holidays in the winter and
3:05
then I've actually just started on
3:08
site season to 51
3:11
up. Yeah, you showed me the candy one
3:13
and I was like so much better hurts
3:15
my heart I feel like my magic is
3:17
one of the best I've done. I'll have
3:19
to share that with you. Yeah send that
3:21
to me I'm sure it's great and I
3:24
would like to get I Talked
3:26
to someone about this ages ago and I should
3:28
hit him up again It's been literally like two
3:31
years But I would like to get like a
3:33
more comprehensive website going for the podcast at some
3:35
point and it would be fun to feature your
3:39
Illustrations Luis Flores is illustrations
3:42
Fun fan art for the show So it
3:44
would be great to put those out there
3:46
in a more now that I don't have
3:48
Twitter and I can't like share them Like
3:50
look at this. It's like Instagram stories. Unfortunately,
3:53
they disappear. So it's less. I
3:55
can't really like enshrine things Funny
3:58
I was sharing them on Twitter and blue sky the
4:00
two places where you are not just
4:02
gonna like do you know this yeah
4:05
well you know I gotta use Instagram
4:07
more I basically decided that blue sky
4:09
would be like quitting heroin and getting
4:11
really into opium like it just seemed
4:14
like not if
4:16
I was gonna do it because I decided
4:18
that Twitter was unhealthy for me I needed
4:20
to not sign up for like the monopoly
4:23
junior form for sure of Twitter
4:26
which no insult to anybody on blue sky having a
4:28
great time but it's you know it's a smaller community
4:30
and it was it just felt it
4:33
felt like even more scrutiny somehow I was like
4:35
I don't need to start this all over again
4:37
you know I registered my name and then was
4:39
like alright fare be well yeah and it be
4:42
gone with you it does feel a bit like
4:44
as someone who's still there and enjoying it like
4:46
the party has moved on and you're still there
4:48
and it's kind of like oh more more people
4:50
are leaving kind of like the the rise unfollowed
4:53
the kurukon era but you know what are you
4:55
gonna do yeah there's that I actually
4:58
recently caught up on
5:00
like several months of X-Men comics because
5:02
I had given myself
5:04
a little break I got into
5:07
into this in the episode I did with
5:09
Annalise Bisso a little bit great one by
5:11
the way love Annalise thank you I mean
5:13
I always love talking Annalise she's so great
5:15
and so smart I really think she's
5:18
like a prodigy like she doesn't usually talk
5:20
about how young she is because I was
5:22
shot it but when she mentioned I know
5:24
people are worried about but she started there
5:26
as an intern in college and you know
5:28
now she's editing really major books at 29
5:30
because she's just that fucking good I really
5:33
think she's like a true funtakins yeah
5:36
I was remembering I think the last time
5:38
I actually talked to you in person was
5:40
last year's flame con and we had just
5:42
found out that Tom was gonna
5:45
do X-Men over like now
5:48
a year later it's is coming
5:51
to pass but at the time that's gonna
5:53
be different yeah we were like what does
5:55
that mean like he loves Annalise that
5:58
was the first thing we said Yes,
6:00
I think you you were like, what do you think
6:02
Tom Reaver's Exyn will look like? I'm like, I really
6:04
don't know but I'll tell you what if
6:07
it means Annalise Biss is coming back to eggs Yeah,
6:09
so I've been in kind of an emotional
6:11
place with it, which feels so stupid But
6:15
I felt stupid because it's like, you know, there's
6:17
actual things going on like it's an election year
6:20
There's truly horrendous news out of the Middle East
6:22
every single day like other things that are taking
6:24
up a lot of Stress
6:27
bandwidth already I would say so like when
6:29
I'm stressed about comic books that feels stupid
6:31
to me Talk
6:35
about being upset about what's happening
6:38
X-men with your therapist and being like, yeah You're
6:40
like, why do you think that upsets you
6:42
so much? I was like, well, let me unpack
6:44
it I guess you're like, I'm just worried. I'm
6:46
just worried about the new era of X-men.
6:48
It's like why what does this mean about the
6:51
world? Right. It's nothing. I don't
6:53
know. What are you talking about, right? what
6:56
I found is that you know, I
6:58
had been reading week to week to week to week to week and
7:02
Reading this final act has
7:04
been tougher Just because we
7:07
knew that it was the end of this thing
7:09
that we really loved I mean the Krakowin age
7:11
and what Hickman and all of his collaborators did
7:13
brought me back to comics It's why I started
7:15
this show It felt so fresh
7:18
and new and fascinating and I loved every
7:20
second of it even when you know Everybody's
7:22
like do you loved every single issue? But
7:25
like I've read a
7:27
lot of X-men comics and let me tell you pound for pound The
7:30
last five years of X-men comics is
7:32
some of the best years of X-men
7:34
comics we've ever gotten Yeah, because boy
7:36
howdy if you look at the several
7:38
thousand issues Exist
7:40
on the whole I wouldn't say they're all
7:42
winners, right? I'd say like on a scale
7:45
of like fun to not fun. Most are
7:47
pretty fun Right very few are not fun.
7:49
Some are really not fun, but very very
7:51
few are like life-changing Yeah, very very few
7:54
are like high art in the way that
7:56
I felt that this was and in
7:58
the way that some of the Claremont stuff is for
8:00
me and in the way that the Morrison
8:02
stuff often is for me. And Mike Carey,
8:04
God love him, trying his damnedest in one
8:07
of the worst status quotes you could possibly be
8:09
handed for this franchise. I feel
8:11
like and I've said many times that
8:13
this is the third great era of the
8:16
X-Men. You have the Claremont, Simonson, Nissenti
8:18
period and then you have the Morrison period
8:20
and then it was this. And I'm hopeful
8:22
that it's just a third in many
8:24
great X-Men areas to come. I think the
8:26
creative teams lined up for these new books
8:29
are really really cool. But
8:31
I was depressed. I was depressed about this
8:33
thing ending because I loved it so much.
8:35
So I was like I think in February
8:37
I was like I'm gonna give myself a
8:39
second and then at the beginning of
8:41
this month I caught up. And
8:44
I gotta say I really
8:48
really enjoyed catching up. I think
8:50
this stuff has been really really
8:52
solid. Several of the writers
8:54
have made it clear that they thought they were
8:56
gonna have about six more months initially when they
8:59
were planning it out. I thought it was funny
9:01
when Emma and Polaris both at different points turned
9:03
to the reader essentially and said I understand this
9:05
feels a little rushed but we're improvising because the
9:08
timelines moved up. You know if you can't get
9:10
that that's how comics works I can't help you.
9:13
In particular the stuff
9:15
Al didn't resurrection of Magneto and
9:17
the stuff that Kieran has
9:19
done in Rise and
9:22
knock me over with a feather everything
9:24
Jerry did in Iron Man which is like
9:26
not a book I've ever like ached to
9:28
read every month but I really really loved
9:30
this run of it. Who
9:32
knew that I'd be like Tony Stark oh
9:34
yeah Mutinal I love that guy. That was
9:36
never really in the cards for me but
9:39
I'm happy that we're here. We
9:41
are here today to talk
9:43
about Ava Bell, Tempest,
9:45
not to be confused with Tempo,
9:48
Heather Tucker who has the exact
9:50
same powers so that's very confusing
9:52
or with Temper, Edio Conquo's new
9:54
codename in the From the Ashes
9:57
era or Tempest,
9:59
Angel. Salvatore's codename when she had the same
10:02
power as his EDO conquo during New Warriors
10:04
Vol. 4 because of that technology. Or
10:06
even Tempest, who I think
10:08
works for Immortus or something. Oh
10:11
well, who's checking for Immortus
10:13
now that Ken can't show up in the
10:15
MCU ever again, not to be rude to
10:17
Immortus. But I- He's surprised
10:19
he dies for a while. Look
10:23
at me with the collaborative overlap I've been reading. You're
10:26
learning, right? I'll try not to step all over you. No, no,
10:28
no, no, no, please. I
10:30
need to be stepped on, otherwise it becomes
10:33
just hours of me talking, good talking, good
10:35
talking. Isolate that producer. I'm
10:37
the producer, so I will isolate it. I know, that's
10:39
a joke. No, I know, but I'm just saying. I'm
10:42
well aware because I do edit it myself
10:44
and I'm like, oh fuck, shut
10:46
up, dude. But
10:49
more to the point, I was just talking about this
10:51
with Ken and Kline actually. I was like, these codemes
10:53
are a little confusing because there's a lot of similar
10:55
codemes. But they are all black
10:57
women except for Tempest, who is a
10:59
white Australian woman, which is about
11:02
as far from a black person as you
11:04
can probably get. Kaiten's Aboriginal Australian, so she
11:06
thought that was funny. It's
11:10
a very different vibe. She's specifically from
11:12
the Gold Coast, which
11:15
I learned from the reality show
11:17
Byron Bayes on Netflix last
11:19
year is where all
11:21
the trashy girls are from specifically. All
11:24
the girls in Byron hate the girls
11:26
from the Gullsy because the girls from
11:28
the Gullsy are slags. It's
11:30
sort of the vibe that I got. Yeah, it's kind
11:32
of the vibe you get from the comic too. Yeah,
11:35
right. Which everybody is always like, why the miniskirt?
11:38
And I'm like, she's from the Gullsy.
11:40
Even the most self-possessed girl from the
11:42
Gullsy is going to have a miniskirt.
11:45
It's the vibe I got from Byron
11:47
Bayes because the fashion designer Gurley's could
11:49
not stop talking shit about the Gullsy.
11:52
I was pleased when you asked to talk about
11:54
this character a while back because I
11:56
haven't covered the Bendis era as much
11:58
on this show. in
12:00
part because it's not
12:03
an era I particularly liked. I've
12:05
reread a lot of it for different characters
12:07
and I've come to appreciate it more now.
12:10
But I remember at the time, I'm a big Brian
12:12
Michael Bendis fan. I was a huge fan of Powers,
12:15
his creator-owned book. I
12:18
followed that religiously. It got a little weird
12:20
eventually, but I followed it religiously for like
12:22
35 issues, 40 issues, whatever it was. He
12:24
revitalized the Avengers brand so enormously. And
12:28
while I'm not crazy about The Decimation, House of
12:30
M is a great comic book, right? So I've
12:33
always been open to a Bendis
12:35
experience. I was never into
12:37
Ultimate, which I think is where most people really
12:39
– like the Ultimate Spider-Man stuff is like obviously
12:42
his biggest hit
12:44
probably. But I was never into the Ultimate
12:46
universe, so that wasn't really my touch point.
12:49
I found him to be a curious fit on
12:51
X-Men, sort of from the jump. I
12:53
think in part it was that I just didn't
12:55
vibe with the way he wrote Emma. Not necessarily
12:57
what she does, because I think the things she
13:00
does make total sense. It
13:02
was like a voice thing because Bendis
13:04
characters have that very specific pattern. Emma
13:06
has pattern, but like I've said, I
13:08
think Jerry Duggan is one of the
13:10
best to ever write Emma. And part
13:12
of it is because he
13:14
does the pattern. Jerry's got a history
13:16
of TV writing. He knows how to
13:18
do that, but it always sounds like
13:20
her. Whereas I
13:22
didn't always feel like Emma sounded like herself.
13:24
And because I was a big Emma
13:27
fan and a big Scott in Emma
13:29
fan, I found this era dispiriting in
13:31
its way. I also just have never
13:33
cared that much about the 60s X-Men.
13:36
So the time travel teens were not
13:38
that exciting to me. And then they
13:40
hung around for like a long time,
13:42
which is years and years and years
13:45
and years. When
13:47
people were first like, what is this? It's clearly
13:50
like a six month arc and then it'll
13:52
be an interesting bit of whatever. And then
13:54
they were around for like six years and
13:56
it was kind of... They were around after
13:58
Bendis left. It was pretty shocking. Honestly, I
14:00
know I mean that's when I when I Came
14:03
in like you came back with Hox
14:05
pox I came in a little bit earlier in
14:07
the golden blue like time
14:10
displaced kids era. Yeah Yeah,
14:12
that was kind of when I tapped back out
14:15
was like in humans versus X-men And
14:17
then I tried with red
14:19
gold blue and they just weren't quite hitting for me
14:21
I did like a lot of stuff in blue. Yeah,
14:24
although rereading the poison axe arc for
14:26
the hepsuba episode was potentially
14:32
Some kind of hate crime against gay
14:34
people. Yeah some nice pictures Yeah,
14:37
I mean quite get the poisons. I don't
14:39
think Alice really used them at all for
14:41
the venom which is well
14:44
I've just never been like a big venom
14:46
guy I love maximum carnage because I
14:48
was a child in the 90s and
14:51
so I have to love maximum carnage
14:53
It's also Mary Jane chain smoking era,
14:55
which is important to me and shriek.
14:57
It features shriek Which
15:00
is always a pro column check
15:02
in my book but
15:04
otherwise I like spider-man but
15:06
it's never been like my thing and then
15:08
venom as Patrick Sullivan
15:10
put it in last episode on Trish Tilby
15:13
was very older brother comics and I'm the
15:15
older brother But I was gay so there
15:17
was no older brother. Give me venom comics
15:20
I liked when venom would be naked sometimes because
15:22
he would get blasted with a sonic blast. Yeah,
15:24
that was good those are great those are great
15:26
panels and I Liked
15:30
when there would be like a lady
15:32
symbiote. So like scream It
15:35
was cool. Yeah, my earliest memories of
15:37
like any of that symbiote nonsense with
15:39
the carnage stuff was like the ladies
15:41
when they're Remember,
15:44
but yeah, they weren't called anything in the
15:46
fucking comic And so they had to be
15:48
named in handbooks because in the comic they
15:50
were just the ones with the tits who
15:52
don't get names Scream is the yellow and
15:55
red one and then agony is the purple
15:57
one, right? And now Liz Allen is like,
15:59
right That's so killing it. I
16:01
mean that's the character. I would
16:04
love to take for a spin She's
16:06
Gwyneth Paltrow with a symbiote. That's all
16:08
really I want to read the ultimate
16:10
universe is fire star Bizarre right daughter
16:13
of the blob that was one of
16:15
the weirdest ultimate Oh God interpretation No,
16:18
it's fine. We're here. We're gonna do it. What can
16:20
we do? So Bendis
16:22
is a writer. I really like
16:24
there's stuff in this era that
16:26
I really do enjoy It just
16:28
overall had several foci that I
16:30
was not crazy about I
16:32
had really not enjoyed Avengers vs. X-Men so
16:35
it was spinning right out of that as
16:38
Someone who personally took the
16:40
position that Cyclops and Emma were right Yeah,
16:42
and then felt that they were kind of
16:44
railroaded into being wrong by the Phoenix five
16:47
storyline strange it's
16:49
I mean it's It's
16:51
weird now. It's weird now, but
16:53
now it's been like 15 years
16:56
So, you know, we have to laugh, right?
16:59
But it was spinning right out of that and
17:02
Emma was in that horrible black costume
17:04
with the lady mastermind titty top and
17:07
didn't have her telepathy and she and Scott
17:09
had broken up and she was Wasn't
17:11
talking like herself and I was like this is annoying and I
17:13
kind of just like I came in and out
17:15
of it The new characters
17:18
Bendis added Hijack and
17:20
triage just never quite clicked.
17:22
I think there's something there with triage You
17:24
could do more with that character, but he
17:26
just didn't get the page time really and
17:28
hijack I don't even remember what he does
17:31
the other three tempest gold
17:33
balls and more morph
17:36
to is the weird one I Felt
17:39
like the vibe was just let's make them more from
17:41
the cartoon But then it wasn't
17:43
really that it I don't know because
17:45
morph is a weird one Particularly looking
17:48
at X-Men 97 now because that character
17:50
has never existed in the comics really
17:52
right? Yeah, like changeling existed and then
17:55
Because of the success of the cartoon
17:58
a away morph and exiles morph exist
18:00
interested, but like the morph who
18:02
was a member of the X-Men is not a
18:04
616 character. Yeah,
18:06
and Benjamin Deeds
18:09
feels so like the
18:11
name of morph feels so incidental
18:13
to that, to me. I
18:15
mean, the AOA white people, I know
18:17
that there were like, you know, weirdos
18:19
who complained about the redesign for X-Men
18:21
97, but that's the more famous version
18:23
of morph. Yeah. For anyone
18:25
who didn't just watch the cartoon, like, you
18:28
know, that AOA character was super popular, he
18:30
and Blink were the big breakouts of
18:32
that. So it made
18:35
sense to do that. And yes, Benjamin Deeds
18:37
just kind of looks like changeling, but in
18:39
the like high school AU
18:41
anime, you know? But
18:44
you know, good for him. Christina Strain did some fun
18:47
stuff with him in her Gen X. Yeah, he's like,
18:49
yeah, he's kind of nothing in this except for that,
18:51
like one good issue with Emma.
18:54
Right. But then like, yeah, it's really
18:56
the Generation X series that was good. Yes. So
18:59
I think it really was just Eva
19:01
and Fabio that hit. And
19:03
that's the risk always of creating
19:05
new characters. And it's unfortunately something
19:08
that no doubt, in
19:10
part, by editorial request happens with every new
19:12
era of X-Men, right? Because part of what
19:14
you want to do is generate
19:17
new IP. But also
19:19
because the X-Men as a franchise
19:21
has often been focused on a
19:23
school or on young people
19:26
because mutation is such
19:28
a puberty metaphor a lot of the time,
19:31
it makes sense to ground
19:33
your book with here are some new
19:35
characters. And particularly in Bendis's case, you
19:37
sort of had to because
19:40
the aftermath of Avengers versus X-Men was,
19:42
oh, hey, mutants are happening again. So
19:44
you had to have some like people
19:47
are activating who hadn't because of the
19:49
decimation. So you have to do that
19:51
with a couple new characters to make
19:54
that status quo work. I
19:56
think that the problem and I've talked about this
19:58
on the show before. That those characters
20:01
free quickly get lost due to
20:03
the sliding time scale in a
20:05
sea of characters who are eternally
20:07
the same age. Yeah, you know
20:09
I feel good about the fact
20:11
that Kitty Pryde now feels like
20:13
roughly thirty. Finally, it's been a
20:15
long and winding road. Having
20:18
okay let's say she's twenty five twenty six
20:20
because I don't want the floating space tallest
20:22
is novelist email me know when his thirties
20:25
but like you know she's going through or
20:27
sad or return and becoming a barista in
20:29
Chicago is like a very thirty coating over.
20:32
That's very thirty coated and so I like
20:34
that. And I think the new mutants also
20:36
feel a little older now. Jan.
20:38
Acts some of them like Monday aged
20:41
up and others didn't seasons you believe.
20:43
hopefully with a vampire for a while
20:45
with help. smooth all about over. But
20:47
then you have that generation under the
20:49
Academy acceleration and now that be resurrected
20:52
all the ones who run the bus,
20:54
there's like eighty of them. Those
20:56
characters are all like sixteen
20:58
to twenty one, right? So
21:00
when you add in new
21:02
characters on top of that,
21:04
it's a big ask because
21:06
you're asking readers to invest
21:09
in these new characters when
21:11
X Men fans are extremely
21:13
passionate about their personal blur
21:15
both right and so every
21:17
time there's a new student
21:19
characters your favorite academy acts,
21:21
yearbook you cameo queen, Is
21:23
not going to be in the story
21:25
but also it's a list for later
21:28
writers because unless you make the characters
21:30
stick, they're going to be exclusive to
21:32
your era rate. Even characters you would
21:34
think would stick like this acted be
21:36
good. Angel Salvador drop off completely after
21:38
Morrison is crazy to me, but they
21:41
do. That. Just happens
21:43
sometimes. In this
21:45
case I thought hit men.
21:48
Did. Band is a real solid. Bender
21:50
said this in Old Owls Hundred percent. on
21:53
battle of the adam by
21:55
making fabio in asia up
21:57
part of the core cohen
21:59
premise Yeah, we would have never seen
22:01
them again. We would have never seen these characters
22:03
again. Bendis said that he was really
22:06
touched by that and that the egg thing was
22:08
crazy, but that's comics, like, you know, that's part
22:10
of the cool thing is like, you never know
22:12
where someone else is going to take it. But
22:15
it was also just cool to see
22:17
his characters get used because this happens
22:19
a lot. Like this new
22:21
era, E-Viewing is introducing three new
22:23
mutants as student characters
22:26
for Emma and Kitty, which again, like
22:28
in a new era, you're doing a
22:30
book that has that vibe. It makes
22:32
sense to have new characters. And Gail
22:34
has promised like a whole bunch of
22:36
new... Has she? Characters that we have
22:38
not seen yet. Yeah. I
22:40
haven't been reading a ton of interviews just because
22:42
I kind of want to go in like... I
22:44
said I was going to do that, but I
22:46
ended up subscribing to the the hat sub-st... Oh,
22:49
well, I do. I mean, I read Tom
22:52
Preeper's newsletter every single week because what
22:54
am I, a crazy person? I just
22:56
can't help myself. Well, it's also the
22:58
most fascinating, comprehensive accounting of the comics
23:00
in the tree that you're ever going
23:02
to be able to read this public.
23:05
I mean, it really... He just kind of lays it
23:07
all out for you as much as he can. And
23:09
I find that really fascinating to read. But,
23:12
you know, I mean, like I'm not reading like Q and
23:14
A's and things with the writers because I want to just
23:16
like go into the books and be like, what is this
23:18
book? Like I know who the rosters are. I know what
23:20
the premises are, but I don't want to get like too
23:22
in the weeds. Yeah, I'm also trying to limit it, but
23:24
it is kind of like... I
23:26
think if I can walk away
23:28
with less parasocial relationships with like
23:30
the specific people, it might be
23:33
for money. All the better. Yeah,
23:35
I think in general, fandom would
23:37
do well to detach a little
23:39
bit. Yeah. If you really like
23:41
someone, sure. But the way that
23:43
people get obsessed and start making
23:45
like theories can get very strange.
23:48
Yeah, yeah, yeah. I did notice
23:50
that apart from those three, I
23:52
think the only other new character
23:54
is the tank character in X-Force.
23:56
Who may be not a
23:58
new character, right? Right. But in
24:00
terms of the marvel.com solicit does not
24:03
have a link to past appearances. Yeah.
24:05
I think that that is a good
24:07
balance. I personally wouldn't introduce many more
24:09
characters than that. Probably some new villains
24:12
because we could use some new villains.
24:14
We just killed off a bunch of
24:16
them. Yeah, totally. But especially
24:18
with the whole point of Krakoa on some
24:21
level was we just brought back all 500
24:24
X-Men characters, including all 300
24:26
that Chris Claremont created. There's
24:28
so many to use that
24:30
I would rather read about
24:32
those characters. I am
24:34
interested to see what Ewing does
24:36
because I like that those characters
24:38
seem to be visible mutants. They
24:40
have sort of a modern feel.
24:42
I'm intrigued to see what
24:44
that book will look like. I
24:46
really like those costume designs. Those carbon-carnaras.
24:49
Very cool. I also just think E-Viewing is
24:51
brilliant. I would read E-Viewing right just about
24:53
anything. What a get. What a get.
24:55
It's a get. Something about those
24:57
Ewing's. No relation, but I
25:00
just do find them very good. I
25:02
remember someone told me that they had
25:04
thought initially that E-Viewing and Al Ewing
25:06
were married because of the Louise and
25:09
Walt Simonson kind of factor. I was
25:11
like, oh, they're not, but can you
25:13
imagine that dinner party? That
25:15
would be all I would want to do, would
25:17
be hang out with that couple. I'm not peer pressuring.
25:20
Al is happily married. I don't actually know
25:22
what Eve's personal life is like because I
25:24
don't actually know her. But Dr. E-Viewing, if
25:27
you're listening, would love to have you on
25:29
Cerebro. In any case, I
25:31
think that Bendis similarly was modest with
25:33
his ambitions in terms of creating new
25:35
characters. It was really just the five
25:37
characters. Tempest, Goldball, is
25:40
more of hijack triage. And
25:42
like we said, only two of them
25:44
really get a ton of story.
25:47
Ava is, I would
25:49
say, apart from like Teenage Gene
25:52
and Revolutionary Cyclops, the signature character
25:54
of the Bendis run. Yeah. Like
25:57
when someone says to me, Bendis
25:59
X. I think of two things.
26:01
I think of the teen-o-five time-traveling and
26:03
I think of Tempest. This
26:05
is the character who has the most
26:08
memorable stories, I would say, that don't
26:10
involve the time travel kits. Yeah,
26:13
absolutely. She's definitely the viewpoint
26:15
character and it's like going back over it.
26:17
I was like, oh, yeah, of course it's
26:19
like right there from the beginning. All New
26:21
X-Men opens with Beast and then
26:24
like setting up his whole thing and
26:26
then the very next, like the third
26:28
page of the comic is Eva's introduction.
26:30
This girl's traumatic mutant origin story. Yeah.
26:32
Yeah. So those two are like
26:34
the bookends of the whole thing. She's the
26:36
kitty or the jubilee and the problem I
26:38
think she runs into is twofold. One is that
26:40
I think Bendis made her way too powerful
26:42
and we'll get into that because I do
26:44
think that that has been a difficulty
26:46
for the character. Totally. The other thing
26:49
is teen Jean is also the kitty
26:51
pride of this era and is
26:54
Jean Grey who had been dead at that
26:56
point for a long time and the Jarbs
26:58
were like all a flutter to have her
27:00
back even in chibi moon form. It
27:03
was a big deal and I think that as
27:05
a result Eva
27:07
loses her focus. It's interesting. I
27:09
was just on Geeks Blained with
27:11
Erika Zana for his X-May
27:14
that he does every year and we talked about E is for
27:16
Extinction. If you guys don't listen
27:18
to Geeks Blained, please check out that episode we just
27:20
did on E is for Extinction. I'm really happy with
27:22
it. I love that storyline and it's
27:25
very very topical right now, so I encourage
27:28
you to check that out.
27:30
It's on the Patreon if you subscribe to
27:32
the Patreon, but otherwise it is on the
27:34
Geeks Blained feed. Speaking of the Patreon, the
27:37
XM97 recap series is coming to you soon now
27:39
that the show is over. I wanted it to
27:42
finish out so that I could holistically analyze the
27:44
text. You know, that's what I like to do
27:46
if I can at all help it. The
27:48
Discord moderators and I are gonna be doing
27:51
that. Individual people have picked different episodes. A
27:53
few of them are gonna double up on
27:55
some episodes. It's gonna be fun. We're gonna
27:57
just like chitchat. Yeah, you watch the finale.
28:00
No, I haven't yet because I was busy
28:02
reading every appearance of Ava Bell for this
28:04
recording. That's what I thought. But
28:07
I will watch, I'm flying to
28:09
LA tomorrow. So I've saved the
28:12
two episodes and the Vanderpump Rules
28:14
Reunion on my phone
28:16
for that. Excellent. And I
28:18
want to announce also another thing I'm going to be doing
28:20
on the Patreon that I'm really excited about. This
28:23
year, I say this year and it's
28:25
already almost half over which is crazy. The
28:28
worst thing. I am hoping
28:30
to expand the Patreon a lot this
28:32
year. I know people
28:34
have been asking for the return of the Claremont
28:36
Read-Along and that is returning. I was just recording
28:38
a new one and I am excited to edit
28:40
that and get that up. But
28:43
one of the new projects that I am launching
28:45
on the Patreon this year is something that doesn't
28:49
have a title yet, we're still
28:51
workshopping, but Dr. Holly Raymond and
28:53
I are going to look back
28:56
at all 110 characters
28:58
that I have covered on this
29:00
show and analyze their
29:03
Krakowin arc holistically. Now
29:05
that it's complete. If the character
29:07
appeared on Krakow, obviously we'll have to skip like
29:09
Val Cooper or whatever. But you know what, we
29:11
might talk about like why the character didn't show
29:13
up maybe or like what we think or you
29:15
know. Oh my god. What
29:17
a million dollar idea. This is so exciting.
29:19
Pretty excited about it. Holly's excited about
29:21
it. We're doing like a big reread from
29:24
the beginning of Krakowin and it's incredible to
29:26
have a five year corpus like this,
29:28
like a full body of comics. It's like
29:30
hundreds and hundreds of comics at this point.
29:33
So we're excited to revisit.
29:35
I think each episode is going to take
29:37
two characters and sort of like, and
29:39
it's not going to be in the order we did them on the
29:41
show because I want to like pair things thematically
29:43
maybe. But yeah, we're really
29:45
excited about that. Please do sign
29:47
up for the Patreon if you haven't
29:50
and you can afford five dollars a
29:52
month. I appreciate you and well your
29:54
dollars because mama's got to
29:56
eat. But you know, it's I'm
29:59
hoping to. focus more and
30:01
more and more on this arm
30:03
of my career and the patron is how
30:06
I can do that so I appreciate the
30:08
support. Get on it everyone. A character who
30:10
did not have a huge Krakoan arc is
30:13
Ava Bell but I
30:15
did like her symbolic role
30:18
in it and I think it
30:20
is a natural outgrowth of her
30:22
role in Bendis so
30:25
I'd like to first, only
30:29
37 minutes into recording, ask you what it is
30:31
you like so much about Ava Bell, talk a
30:33
little bit about that. Then
30:35
I think we'll pause for the character file
30:37
and then we'll just go through the arc
30:40
because she doesn't have a ton but she
30:42
has a couple stories that are really really
30:44
good. It's really good. Yeah. Like
30:47
real good stuff. Those annuals
30:49
I hadn't read since they came out
30:51
and they're really good.
30:53
She really is the heart of
30:55
the Bendis for me and kind
30:59
of you're what you're saying about the time
31:01
of the year it's already half over that
31:03
is exactly why I love Ava Bell. I'm
31:06
a Taurus. I'm very you know methodical.
31:08
I like to take my time on
31:10
things and I get very stressed out
31:12
when I have to rush and deadlines
31:14
are awful. The passage of time is
31:16
terrible so it's kind of you know
31:19
the early game of being like what
31:21
would my superpower be. It wasn't too
31:23
long before I was like I would
31:25
love to have the ability to just
31:27
like stop or slow down time like
31:29
freeze it for everybody else and I can
31:31
continue on with myself like
31:33
finishing up my things like drawing whatever
31:36
so when I ended
31:39
up kind of coming back to X-Men I
31:42
guess it was I think it was 2018 or 2017 so I originally
31:48
found out about this like I'd stopped
31:50
reading after Morrison I talked
31:52
about this in the husk episode you can go
31:55
check it out but you can it's been like two
31:57
years you can I know talking The
32:01
amount I repeat myself on this show and people
32:04
still listen to it for three, four, five hours.
32:06
So don't even worry about it. I listen to
32:08
every episode I know. Queen
32:10
for that. So, I appreciate you. So
32:14
I stopped breathing comics. I
32:16
went through a whole thing where I
32:18
sort of like dropped out of superhero
32:21
comics altogether. I was like delved
32:23
into the world of like indie small press and
32:26
that's kind of been my world since
32:28
then. That was like my career
32:30
as a cartoonist and like now
32:33
thankfully it's become my day job as
32:36
a colorist for graphic novels. I
32:38
would kind of like you know check in on
32:40
what was happening with my old exes the X-Men.
32:43
My buddy Darrell Ayo told me
32:45
about J.N. Miles when it
32:48
was launching. So shout out Darrell. I can't
32:50
believe Farrell is in a book. I
32:52
thought of Darrell. I hope for more than one issue.
32:54
Well, let's cross our fingers, right? Yes, no, I did.
32:56
When it was like who will die? I was like
32:58
well if one of them is going to die in
33:00
the first issue it's Farrell, God love her. But
33:03
I hope not. Worrying is praying for something
33:05
you don't want. So let's not. And
33:08
you know what? She was on
33:11
the cover of the number two best-selling Marvel
33:13
comic of all time, Ex-Force number one. So
33:16
there's some cache. You can never take that away from
33:18
her. You can't. So
33:20
I you know listening to the show early
33:22
on they would do sort of reviews
33:25
of the contemporary comics that were coming
33:27
out. And that
33:29
happened to be when Battle of
33:31
the Atom, the event was happening. And
33:34
I was like hmm time
33:36
travel you say alternate futures.
33:39
And while you may be too gay
33:42
to understand time travel I'm too non-binary
33:44
to not be fascinated by alternate realities
33:46
and I get that future what if.
33:49
So that makes total sense
33:51
to me. You know it's interesting. I
33:53
actually really do like time travel characters.
33:55
It's purely the understanding it. And
33:58
I will say I'm very proud. of me because
34:01
I understood everything that happened
34:03
in Rise of the Powers of X so
34:05
far and the Dead Excellent book. I am
34:07
very impressed. I was like, look at me.
34:10
It's because Rachel is now the gay
34:12
mistress of the time stream. So
34:14
I'll get back to that later too. Access
34:18
for us. Yes. To time travel.
34:20
Finally. I mean, Cable's pretty bisexual,
34:22
but like, you know, he keeps it to himself.
34:24
Oh yeah. And I'll tell myself
34:26
that I was having a hard time understanding. I
34:28
think you benefited maybe from reading it all at
34:31
once and catching up like you did. Probably
34:33
yeah. Because when I just like went
34:36
back through forever before recording this, I
34:38
was like, oh, okay. This
34:40
I like, I'm following along now. Part of
34:42
it is the release schedule got a little,
34:45
I think because the timeline got
34:47
contracted on these books, as we've been told
34:49
by a couple of different writers now. The
34:52
one that was really crazy was it was
34:54
like Wolverine was coming out at the
34:56
beginning of Sabretooth war. And the story was like,
34:58
this takes place after X-Force 50, which
35:00
wasn't going to come out for like another month.
35:02
Right. Which still hasn't. Well,
35:05
it has when you're listening to it. No, it
35:07
has. Yeah. But Wolverine's not
35:09
yet is what I'm saying. So like, right,
35:11
right. Which can we just shout out Ben Percy,
35:14
friend of the pod for a hundred issues plus,
35:16
because there were a couple of that one shots
35:18
in there. A hundred issues in 2024 is fucking
35:20
crazy. That's
35:22
wild. It's very impressive. And also
35:25
the only person in the Krakowin
35:27
era to use Ava Bell's powers
35:29
in a like useful way. Yeah,
35:32
no, I thought did happen. So we'll
35:34
talk about that later. But I think
35:36
Vida Ayala did something at one point
35:39
when Gabby was arguing with the five
35:41
or whatever. But there might not have been
35:43
powers used. I just remember her having a line
35:45
and I was like, good for you. Right. Yeah.
35:48
Vida definitely gave Ava something to do, but I don't
35:50
remember if her spirits or not. But so there were
35:53
a couple of moments where it was like the issue
35:55
of Dead X-Men, the taste place after this issue of
35:57
Rise came out before it or what, you know, and
35:59
that. happen
36:01
simultaneously but they don't all come out
36:03
the same week. So I could see
36:05
that being a little confusing reading week
36:07
to week but since I read the
36:09
last couple months in one big nosh
36:11
much like Celine in the Crocia or
36:14
much like Nathaniel Essex as it turns
36:16
out all this time I did
36:20
find it easier to follow probably that I would
36:22
have but the thing is now it'll be in
36:24
trades forever like that's how people will read it
36:26
now and that's the thing that matters the most
36:28
really at the end of the day is how
36:30
these things read in collected form.
36:34
Sometimes I think about how insane it would be
36:36
to read Claremont month to month like back in
36:38
the 80s. I
36:40
can't imagine that like I was
36:42
binging it at 11 or whatever like I
36:44
can't imagine having to wait. Imagine
36:48
being so excited for mutant war. I
36:52
know. Too painful. So
36:55
basically yeah listening to Jay Miles
36:57
that put Battle Adam on my
36:59
radar I didn't quite go
37:01
back to the comics until later
37:04
we were talking about like the IVX era
37:06
which we shat not speak about. I
37:08
guess we have to kind of today. We will a little bit
37:11
but briefly actually she misses IVX she
37:13
comes back for Rosenberg briefly for like
37:15
a little county but that's it really.
37:17
Yeah she dips out. She dips out.
37:20
For good reason she gets pretty fed up
37:22
with these guys and I would too. It's
37:25
so good. It's so good. But
37:27
I remember when the apocalypse
37:29
movie was coming out I was like
37:31
ooh I love apocalypse it'd be fun
37:33
like to see what comics there are
37:35
and it was like that crossover with
37:37
the and I was just like not
37:40
I did not partake. I did
37:43
jump back in when X-Men Red came out
37:45
and I was like oh this is fun famously
37:48
to me I find it very funny I was
37:50
very cranky when they were like we're going to
37:52
wipe this all away and Hickman's going to come
37:54
in and it's like who's this guy whatever. But
37:57
anyway. classic
38:00
X-Men fan problems, who is this? I
38:02
know. God. So
38:04
anyway, before then, I was
38:07
doing like a little like mini self-imposed
38:09
residency like dog watching or house watching
38:11
for a friend and I was like,
38:13
you know what, I think that's a
38:15
good time to check out that Bendis
38:17
era because I'm a like massive
38:20
massive Chris Pachalo fan and I
38:22
was just like, this looks so
38:24
good and Jay Miles piqued my
38:26
interest. So I just like, that
38:29
was really what like got
38:31
me super hooked again. It's just like I read all that
38:34
stuff and I was like, oh, this is so good. And
38:36
I last shown to Ava one because
38:39
she had the time stopping powers and I
38:41
was like, oh, my dream. This
38:43
is so rare. And then like her
38:45
role in it was so great. She's really like
38:47
the heart of the whole thing. I guess one
38:50
thing I should notice that when she was created,
38:52
tempo was dead. Right. So
38:55
it was not confusing at the time because that
38:57
character was no longer among the living. She was
38:59
the one big casualty of the age of X
39:02
crossover because they made a point of like, if
39:04
you die in age of X, you die for
39:06
real. And it was tempo who died. I talked
39:08
to Mike Carey about that in
39:10
the Joanna Cargill episode ages ago. He's
39:13
such a sweetie and he said he had a plan
39:15
to bring her back, but then it never quite panned
39:18
out and he couldn't find place for it. And
39:20
he was like, I'll just leave that to another
39:22
writer. And thankfully, eventually, Krakow brought back everyone we
39:24
would want to bring back for
39:27
the most part. Let's say I have a few
39:29
more on my wish list, but you know, baby
39:31
steps. It is a cool power. It's
39:33
Dio from JoJo's Bizarre Adventure. Right.
39:36
It's like just the idea that you can go
39:38
like snap, freeze it. Yeah. It's
39:40
exciting. It's a cool power. It's
39:42
a scary power because when you think about it from
39:44
the perspective of the people who
39:47
would be experiencing it, it's so crazy.
39:50
There's a reason why some of
39:52
the more effective like superpower things
39:54
in live action have been with
39:56
super speed and stuff like that
39:58
because you could just. and slow
40:00
down all the other actors and that's cool.
40:03
As it initially starts out, she
40:06
just has the power to stop
40:08
or slow time in a localized
40:10
area like Tempo. Then over time,
40:12
she develops the power at first,
40:15
uncontrollably to literally travel through time,
40:17
which on Krakowa, Tempo also developed.
40:19
So, a little overlap-y sometimes. I
40:24
think that what helps Tempo not
40:26
fall into some of the same traps
40:28
as Tempo is that Tempo, much
40:30
like Rachel and Cable and Bishop,
40:33
seems to have more limitations on
40:35
the time travel. She went
40:37
all the way back two billion years in the past,
40:39
but I think that was because of the boost fruits
40:41
or whatever. It wasn't, she's not normally
40:43
able to do that. And that's
40:45
really the secret to making it work. You just
40:47
have limitations. You just have to put limitations on
40:49
it, right? Yeah, and so that's the issue is
40:52
a time manipulator, is a
40:54
character, it's just hard to have around.
40:57
And in today's issue, when in particular,
41:00
Ava Bell and Elixir were put on a bus
41:03
to the White Hot Room, I was like, yeah,
41:05
that makes sense because I'm sorry to their fans.
41:07
I'm not saying, I mean, actually I don't like
41:09
Elixir, but I'm not saying they're bad characters. Don't
41:11
like that guy. I just don't. But
41:14
the problem with them is that they
41:16
are so powerful and in such a specific
41:18
story breaking way that it is hard to
41:20
have them in a story if they're not
41:22
the focus of the story because they could
41:25
just break the story. It's
41:27
not quite like Jean or
41:29
Storm or characters like that,
41:32
Magneto, where they can do
41:34
anything. It's a case where them
41:36
being there means that the
41:38
plot can just not happen,
41:40
right? There's a reason Elixir
41:42
was constantly getting conked on the head and
41:44
knocked out before major events because you can't
41:47
have the character who can heal anybody from
41:49
anything in the scene if you want there
41:51
to be stakes. Similarly,
41:53
Ava had to dip out past
41:55
a certain point because once
41:58
she's shown that she can see. Mostly
42:00
author or a the timeline which is
42:02
something that time travel was never previously
42:04
able to do. An excellent comics before
42:06
this character. Then it becomes the question
42:09
of like will wait, why doesn't she
42:11
just sits near guess he like graduate
42:13
that have that kind of story and
42:15
then susan like gods territory will It's
42:17
the same problem Nicotine has off and
42:19
had where it's like once you are
42:22
the phoenix what do we deal with
42:24
you And that's another thing that I
42:26
thought was really brilliant about the end
42:28
of Forever is saying. The Phoenix
42:30
is in a rebirth cycle now. allows
42:32
Gene to have the Phoenix without it.
42:35
I mean, she's already an Omega level
42:37
telepath room. If you're going to give
42:39
her vast cosmic power, it can't be
42:42
completely limitless. Less caustic power gets kind
42:44
of a hat on their right leg
42:46
at a certain point. I mean, claremont.
42:48
Sad that Dark Phoenix happened because it
42:51
became harder and harder to come up
42:53
with situations that Gene couldn't just solve.
42:55
The of the plan was to take
42:57
away the powers that wasn't a killer.
43:00
But it ended up in Oak going outweigh
43:02
any think with Gm what they're gonna do
43:04
is like take her to the larger comes
43:06
back Girls were sugar ray like spill out
43:08
and like yeah if you're not going to
43:10
have her be the spectre and just like
43:12
be a god which is where I would
43:14
say oh I always said that's where I
43:17
would have taken after Morris and like have
43:19
her to show up as like an eternity
43:21
style being sometimes by it rain if you're
43:23
not doing that, if you wanted to be
43:25
an active superhero than absolutely You go the
43:27
Carol Roots and you take her out space.
43:29
Frankly. Marvel could use a little
43:32
more infrastructure in that area
43:34
of they're setting I think.
43:36
I'll try to do it birds, which
43:39
is when let him out. It an
43:41
incredible job. I just think Aramco always
43:43
felt temporary as the status quo. Unfortunately
43:45
I think some of the characters will
43:47
stick around, but I can't see. I
43:50
mean I know what's mars up to of it's
43:52
not a Rocco I think you should just keep
43:54
it by it if it does feel like something
43:57
that's like confusing for new readers which is the
43:59
problem with but. stuff like that. I
44:01
do think that X-Men Red is gonna go
44:03
down in history as one of the best
44:05
X-Men titles of all time. Oh, yeah. Yeah.
44:07
The sword to X-Men Red to resurrection of
44:09
Magneto series, if you were gonna collect it.
44:11
That's impeccable comics. I really,
44:14
I mean, I think everybody who was like, who
44:16
are these aliens? It's gonna sound as stupid as
44:18
the people who hated Grant Morrison. Like, it's gonna
44:20
be... It's gonna be one of those things where
44:22
we go, wow, remember that? And I tell people
44:24
it was polarizing. People go, what? That
44:26
doesn't make any sense. And
44:29
really, yeah, it's just like the the through
44:31
line of like 10
44:33
of swords, so perfect, ushering into
44:36
the sword. It's so good. Valuing era,
44:38
it's like... It's so good. One of
44:40
the best things to come out of
44:42
this era, for sure. Absolutely, unquestionably. And
44:44
I think it's the best Magneto story
44:46
ever told. Possibly
44:48
the best storm story ever told, now that
44:51
we've read through resurrection. I was waiting for
44:53
it to finish out before I like offered
44:55
a verdict, and I do like to let
44:57
things marinate for a while, but it's amazing.
44:59
It's certainly the best story she's had since
45:01
Claremont, hands down. Yeah, Luciana
45:03
Vecchio is just like... What
45:06
an incredible... You know,
45:08
he's a talented artist, but that I've never seen
45:11
him draw anything like that book. Yeah,
45:13
it's like, was so... I was
45:15
like, man, this is like... Someone's
45:19
found his Omega level power suddenly. Like,
45:21
I was like... Exactly. When that V-Hag...
45:24
Wriggled out of her... Moray
45:27
Yield, Coral Reef cave or
45:29
whatever, I was like, goddamn Luciano, go off.
45:32
I also was so gagged when
45:34
alluing that fucking nerd pulled out
45:36
not only the goblin force... Yes.
45:39
But also the first fallen... Oh my god.
45:42
From the Jamie Braddock arc
45:44
of Claremont reload. Wait, what
45:46
was this one again? My one note, if you're
45:48
listening, is that the adversary is a chaos being,
45:51
so I don't think he's the same as these
45:53
beings of Segnation, but you know what, Storm said
45:55
that. She's like, sounds like you're making this up,
45:57
Shadow King. So, you know, there's enough wiggle room.
45:59
Plausible tonight. But overall I am over
46:01
the moon that and this is not I don't
46:03
want to sound like I'm taking credit I'm just
46:06
pleased that I feel like I put the puzzle
46:08
together But my like unified theory of Jean and
46:10
the Phoenix and the Shadow King that I've laid
46:12
out on this show Over the last
46:14
three years now seems to be basically canonical which
46:16
I feel really good about I just feel I
46:18
feel smart I'm like, oh I figured out what
46:20
Al Ewing was doing that makes me feel like
46:23
a really intelligent person See
46:26
that's why I like the last two Matrix
46:28
movies I mean, I know there's a fourth one,
46:30
but I was like I kind of
46:32
like I only ever thought about you
46:35
I loved Monica Belucci
46:37
in that red latex corset
46:40
That was the first thing I ever saw her in and
46:42
it led me to all of her insane European movies So
46:44
that was a win for gay rights at the end of
46:46
the day No,
46:49
actually the Matrix thing really
46:51
I read an article that like basically figured
46:53
it out and then the movies played out
46:56
According to like their theory so I was
46:58
like, oh I feel smart But I actually
47:00
feel really smart about being a little kid
47:03
and figuring out that Xavier was onslaught because
47:05
he had the orange telepathy
47:08
bubbles and Because
47:11
they did like any orange for him in the
47:13
90s. Yes, he hasn't done that No, it's more
47:15
like they do more blue for him now like
47:18
Emma. I feel like in more recent Yeah,
47:20
which I like it's up to the letter.
47:22
I feel like orange is such a specific
47:24
color That was kind of
47:26
cool thinking about it. Yeah, speaking of colorist decisions
47:29
I just have to say one of my favorite
47:31
things about rise of the powers of ten is
47:33
that they remembered or someone made The note that
47:35
Xavier is a blonde and the
47:37
beard I was like,
47:40
there we go. There's that blonde beard from
47:42
when he was convalescing in Amelia votes Hospital
47:45
Where were we see we keep going back and
47:47
forth in time and that's I think form
47:49
and content for this episode. I Actually
47:53
think now is a good time to pause
47:55
for this reaper character file on a the
47:57
bell I'll take you through her full character
47:59
history in publication order. This is
48:01
always fun with a time traveler but
48:03
at least she has been in fewer
48:06
stories than Cable or Bishop or Rachel
48:08
from her first appearance by Brian Michael
48:10
Bendis and Chris Botchalo up through her
48:12
most recent appearance and probably last
48:14
appearance for a while in today's
48:16
X-Men Forever number four. Then
48:19
we'll be back for more with Karen Charm.
48:21
We will go through Ava's arc in Bendis,
48:24
talk a little bit about the five, and
48:26
answer some questions from listeners like you so
48:28
stay tuned. We'll be right back. Ava
48:32
Bell aka Tempest is one of the
48:35
signature characters of the Brian Michael Bendis
48:37
period of X-Men. Created by Bendis and
48:39
Chris Botchalo, time manipulator and eventual time
48:42
traveler Ava is the first student recruited
48:44
by Cyclops and his nascent Revolution, a
48:46
rogue faction of X-Men operating his outlaws
48:49
following the events of Avengers vs. X-Men.
48:52
Ava doesn't stick around for the whole Bendis era and
48:54
after some time away from the spotlight the character
48:56
found new purpose in the Krakoan age
48:58
as part of the five, the mutant
49:00
circuit responsible for enabling resurrection. Ava
49:03
makes her debut in 2013's all-new X-Men
49:05
number one as a normal teenager from the
49:07
Gold Coast of Australia. A fun night out
49:09
with friends is interrupted by her controlling older
49:11
brother who picks a fight with a boy
49:14
Ava likes. Desperate to stop things from escalating
49:16
Ava instinctively reaches out and freezes time in
49:18
the entire area for the next 20 hours.
49:20
She is a mutant, one of the
49:23
first to manifest powers after Avengers vs.
49:25
X-Men in which the Scarlet Witch had
49:27
mutant Messiah Hope Summers interfaced with the
49:29
Phoenix to partially reverse the decimation, not
49:31
restoring those who had been depowered but
49:33
once more allowing new mutants to activate. Allergic
49:36
to Ava's manifestation Cyclops and his team touched
49:38
down and Emma Frost is able to help
49:41
Ava break the time bubble. Ava isn't sure if she
49:43
wants to go with these strangers who say she's one
49:45
of them now but the arrival of local authorities with
49:47
guns drawn compels her to take them up on their
49:49
offer to escape. She finds herself
49:51
at the new Charles Xavier school Cyclops's
49:53
ragtag operation working out of a former
49:56
weapon axe facility. Despite her misgivings about
49:58
Scott Summers and his revolution Ava
50:00
takes the code named Tempest and begins helping
50:02
Cyclops and his team locate and rescue her
50:04
new classmates. After some time with
50:07
the X-Men, Ava asks Cyclops to let her
50:09
reach out to her mother in Australia, to
50:11
confirm that she's alive and safe. Reluctantly he
50:13
agrees, and the group teleports to Ava's family
50:15
home, where the Avengers intercept them to arrest
50:17
Scott and Emma. Seeing no
50:19
other option, Ava uses her powers to
50:21
freeze the Avengers, including Captain America, her
50:24
lifelong hero, who has deeply disappointed her.
50:27
As the uncanny X-Men series continues to follow
50:29
Cyclops and his team, misadventures compel Scott and
50:31
Emma to start training their new students more
50:33
formally in battle. In issue 10,
50:35
Ava's sparring with magic when her time
50:37
bubble does something new and alarming. It
50:40
makes magic disappear. Illyana returns
50:42
a moment later, apparently having been sent
50:44
forward in time. Seven issues
50:46
later, during a training exercise in Tabula Rasa,
50:48
don't worry about it, Ava herself disappears when
50:50
she uses one of her bubbles. A
50:53
few moments later, she returns, just like
50:55
Illyana did during the sparring session, but
50:57
this time, things are different. Ava
50:59
is different, having visibly aged. She acts cagey
51:02
with her classmates, and demands it's the last
51:04
of the separate cuckoos, who has peeked into
51:06
her mind, keep her secrets for now. A
51:10
pair of annuals the following month, one for
51:12
all new X-Men and one for uncanny X-Men,
51:14
detail Ava's journey between those apparently fleeting moments,
51:16
in the character's most prominent spotlight. We learn
51:18
that Ava's evolving power had grown to include
51:20
uncontrollable time travel, triggered whenever her life was
51:22
threatened, and jumping her to a random point
51:24
in the time stream. After a series of
51:26
jumps, she wound up in the year 2099,
51:30
where the future X-Men brought her to the
51:32
sorcerer supreme of the galaxy, Illyana Rasputina. This
51:34
version of magic was unable to help Ava
51:36
return to her own time, but offered to
51:38
take Ava on as a student, so she
51:40
could master the ability herself. Ava
51:42
agreed, and spent seven years as magic's pupil
51:44
in the future. Along the way, she fell
51:47
in love with a mutant man named Danny,
51:49
got married, and gave birth to a daughter
51:51
they named Doll. Content with her new family,
51:53
Ava felt no desire to return home any
51:55
longer, but magic insisted someday it would be
51:57
necessary. Eventually, magic was attacked in
51:59
her headquarters. by a demon and Ava was
52:01
too late to save her. Dying, magic told
52:03
Ava she must return to the past to
52:05
ensure Hank McCoy, the Beast, was prosecuted for
52:07
his crimes against the time stream. Before
52:10
Ava could react to this, she was shocked by the arrival
52:12
of Danny and Dahl, just as the demon broke free from
52:14
one of her bubbles. Now in mortal
52:16
danger, Ava once more found her power
52:18
activating uncontrollably and was jumped into a
52:20
prehistoric era. There she was saved
52:22
from dinosaurs by Morgan Le Fay, who'd been trapped
52:24
back in time herself by the Dark Avengers during
52:27
dark rain. Ava was intent
52:29
on returning home, but Morgan explained the timeline
52:31
had been altered by her jump, and Ava's
52:33
family in the future likely no longer existed.
52:35
Appusing to believe her, Ava attacked Morgan, and
52:37
in the process was jumped once again by
52:39
her innate defenses. This time, her
52:41
sheer determination to see her husband and daughter finally allowed
52:44
her to control the jump, and she steered herself all
52:46
the way home to 2099. There
52:49
she found strangers living in her home, and a
52:51
sorcerer supreme Tony Stark, where Eliana ought to have
52:53
been. Morgan's assumption had
52:55
proven correct. Ava's personal timeline was disrupted
52:57
when she jumped, and the unavoidable butterfly
53:00
effects on her way back had apparently
53:02
wiped Danny and therefore Dahl from existence.
53:05
Racked with guilt and grief, but now in full control
53:07
of her powers, Ava jumped back in time to
53:09
the moment she first laughed. In the
53:11
present, Cyclops is disquieted by the now
53:13
older Ava's insubordinate attitude. When
53:15
she refuses to explain herself, the separate cuckoos spill
53:17
the beans to Scott, who tells Ava she could
53:19
have come to him for help coping with her
53:21
situation. This invasion of her privacy does
53:24
not make her feel particularly trusting of the cuckoos
53:26
or Cyclops, but there isn't much time to hash
53:28
out these new dynamics before the reading of Professor
53:30
Xavier's will. Despite the schism between
53:32
Cyclops and Wolverine's factions of X-Men, all
53:34
parties attend the execution of the will,
53:36
where they learn several shocking things about
53:38
the late Professor Charles Xavier. One
53:41
of them is that Xavier has been secretly hiding and
53:43
suppressing the powers of a beautiful
53:45
unknown Omega-level mutant, a reality manipulator
53:47
named Matthew Malloy. Convinced his
53:49
destructive powers could not be loosed on the world,
53:51
Xavier placed mental blocks in Matthew's brain when he
53:54
was a child, much as he had once done
53:56
with Jean Grey. Over the years Xavier had checked
53:58
in on Matthew periodically to ensure he'd yet to
54:00
manifest his abilities, but now with Xavier's death,
54:02
the failsafes are down. By the time the
54:04
ex-men traveled in North Carolina to intercept Matthew,
54:06
he's already destroyed an entire town and is
54:09
in open conflict with SHIELD agents. To the
54:11
shock and dismay of his team, Cyclops, rather
54:13
than trying to de-escalate the situation, attempts
54:15
to recruit Matthew as his newest student. Ava,
54:18
set up, leaps back in time to consult
54:20
Professor Xavier, a man she's never met. When
54:23
she brings him to the present, they see that Matthew was
54:25
already killed Cyclops and most of the other ex-men. Looking
54:28
further back, Ava and Charles conspire to prevent
54:30
Matthew's parents from ever meeting, causing him to
54:32
retroactively cease to exist, just as Ava had
54:34
accidentally done to her own husband and child
54:37
in the future. Leaving Xavier
54:39
behind to wipe his own memories of this
54:41
sordid adventure, Ava returns to the present to
54:43
confront Cyclops. Threatening Scott with deletion
54:45
from the time stream if he continues down the
54:47
wrong path, Ava resigns from her role with the
54:50
team and leaves the title. She
54:52
returns two years later for 2016's Uncanny
54:54
X-Men 600, the trial of Hank McCoy,
54:56
one of Bendis' last stories over his
54:58
departure from the franchise. After
55:00
Hank's been forced to defend himself, Ava visits him
55:03
privately, explaining that in every future timeline
55:05
she has visited, and there are many,
55:07
she has been told Hank McCoy must
55:09
answer for his crimes. She hopes
55:11
he will now avoid letting those futures come to pass.
55:14
After two brief cameos during the 2019 franchise-wide
55:16
event X-Men Disassembled, Ava makes her return
55:18
to regular publication following the 2019 soft
55:21
reboot House of X and Powers of X by
55:23
writer Jonathan Hickman. In House of X,
55:25
Ava is revealed to be one of the Five.
55:27
A hand-picked group of mutants are able to combine
55:29
their powers in a circuit to resurrect other mutants
55:31
from the dead. While the Five
55:34
and their gift are at the heart of the
55:36
new sovereign mutant nation of Krakowa, and are the
55:38
engine by which the country is able to thrive
55:40
and grow, they are not especially prominent as individual
55:42
characters during the Krakowan era of comics. Though
55:44
they initially follow the orders of the
55:46
Quiet Council, over time the Five grow
55:48
dissatisfied with Xavier's hypocrisy and the demands
55:50
made by his Black Ops group X-Force,
55:52
and begin pushing back as a union
55:54
represented by Hope Summers. Significantly, it
55:56
is the protestation of the Five that lifts
55:58
the Quiet Council's policy against the resurrection
56:00
of clones, allowing for the resurrection of
56:02
Madeline Pryor and a recently murdered Gabby
56:05
Kinney. As the first Krakoan age
56:07
draws to a close in 2024, spoiler
56:10
alert for this month's comics, Eva and
56:12
her comrades among the five have been
56:14
leaders for Krakoan refugees following the Orcus
56:16
attack on the third Hellfire Gala. After
56:19
Hope makes a pivotal sacrifice to revitalize the
56:21
Phoenix Force, the rest of the five elect
56:23
to remain behind in the white-hot room with
56:25
those mutants who are unsuited to the battlefield.
56:28
Unreachable outside time and space, Tempest and
56:30
her friends will help guide thousands of
56:32
exiled Krakoans in building the next frontier
56:34
in mutant culture, safe from
56:36
a world that hates and fears them. X-Men,
56:39
X-Men! And we're back!
56:41
Karen, how are you doing? I'm doing
56:43
so great. I love to talk about
56:45
X-Men and with you. It's
56:48
funny, I was trying to catch up
56:50
on the Patrick Sullivan episode before this and I
56:52
was like, am I just going to spend all
56:54
day with Connor? Many such cases. Right,
56:58
it's true. I
57:00
was listening to the battle in
57:02
prior episodes hit when I was moving last
57:04
year. So it was like... That was good
57:06
timing. I'm glad that we could do that
57:08
for you. Psychically, I
57:10
knew a little bit. You know, I'm a
57:13
pythons are intuitive. So I just released on
57:15
it on a key moment. No, I always
57:17
love when I drop one and someone in
57:19
the discord is like, oh my God, I
57:22
have a six hour flight tomorrow. Thank God
57:24
or whatever. You know, I'm like, huh? You're
57:26
welcome, sir. What I'm here for. Time
57:29
passes subjectively when you're having
57:32
fun. Whatever. And Ava
57:34
Bell unfortunately does not have very
57:36
much fun. So it's
57:38
lucky for her that she can speed time up or slow it
57:40
down except when she can't. The
57:43
moments when she can't are when
57:46
her story is probably most memorable.
57:49
Yeah. Because she's not an important
57:51
character, i.e. she was
57:54
character that Bandus had created, she's
57:56
able to play
57:58
with the. ways
58:00
it could really impact a person to
58:02
time jump like this in
58:04
a way that I think characters like Bishop
58:07
or Cable or Rachel who have to be
58:09
more present in a book like apart from
58:11
the mother is Connie arc But that was
58:13
to write Rachel out in the 90s, right?
58:15
Yeah. Mm-hmm Now it's been
58:17
integrated really beautifully back into the
58:20
character and I loved in
58:22
today's issue It's
58:24
just so smart if you have this triad
58:27
of like Jean Hope and Rachel with the
58:29
Phoenix Yeah to say
58:31
okay Hope is the
58:33
maiden Jean is the mother and
58:35
then Rachel is the crone mother
58:37
is Connie who keeps the knowledge
58:39
But she's young and hot so you
58:42
don't even have to agatha her because
58:44
the old version died So you don't
58:46
even have to worry about finding an
58:48
excuse to make her 28
58:51
yeah, and as we saw with
58:53
cable, that's the beauty of time travel. Yeah Speaking
58:56
of cable shout out to Fabian Nieci asa for
58:58
bringing back the black womb. Oh my
59:01
god, you were living I just know
59:03
you she has a full salad ain't now.
59:05
So Fabian if you're listening Time
59:08
for the black womb cast finally. We'll
59:10
see I should reach out to save
59:13
I feel like the way to do that episode would be like
59:16
Fabian laughs at my caring about the black
59:18
womb for like 30 minutes and then it's
59:20
just me and like somebody you know But
59:23
like start with like an intro that's just
59:25
Fabian me asking Fabian questions about the gambit
59:27
solo and say it's like I wrote That
59:29
35 years ago. I don't fucking remember and
59:31
I'm like, oh, okay. Well, sorry It's like
59:33
how he answers any questions. It's like so
59:36
did you like have a lot of thought about that? Not
59:38
really doing the job doing my job like
59:41
all right All
59:43
right. Love that king for that. Honestly,
59:45
like the honesty is is refreshing
59:48
But yeah, no and then courier came
59:51
back trans icon courier I was not
59:53
expecting that one at all and affirmatively
59:55
now is like oh, it's Jacqueline now
59:57
long story, but like living
1:00:00
my best truth now. Those are
1:00:02
fun. And oh, and Irene Meriwether back from the
1:00:04
dead because Fabian doesn't give a shit. Fabian was
1:00:06
like cable 50 with time travel, move on. And
1:00:08
I'm like, great. Love that for her.
1:00:10
Love that for us. She and Trish
1:00:12
Tilby should start a podcast.
1:00:15
They should it would be so good. Yeah, they
1:00:18
should like go out on their own
1:00:20
like solid out O'Brien style and just
1:00:22
start like producing independent news. Yeah. Ah,
1:00:24
please. Free idea model of
1:00:26
your listener. But so
1:00:29
so Ava, we should get into
1:00:31
like her actual story, right? So
1:00:33
she first appears in all new
1:00:35
X-Men number one, which kicks off
1:00:37
this new era, the Bendis era
1:00:39
that spinning out of
1:00:41
Avengers vs. X-Men Utopia has
1:00:43
fallen. Scott and
1:00:46
Emma and Iljana and Eric
1:00:48
are on the run because
1:00:51
they are fugitives from SHIELD and the
1:00:54
Avengers and all of these people. And
1:00:57
they end up starting Cyclops's revolution
1:00:59
where they're going to go find
1:01:01
young mutants and try to train
1:01:03
them to be more radical. Scott
1:01:07
has decided that Charles's whole POV
1:01:09
was a fucking stupid and oh,
1:01:11
by the way, he was right.
1:01:14
If there's anything that the third
1:01:16
act of Krakowa should show us,
1:01:19
it's that Xavierism indication is so
1:01:21
last year, it becomes kind of
1:01:24
a fun throwback to Charles
1:01:26
and Emma competing for students
1:01:28
in the 80s because
1:01:30
you also have Kitty pride in
1:01:33
all new X-Men. That
1:01:35
book is uncanny. And then in all
1:01:37
new X-Men, you have Kitty pride taking
1:01:39
on this teacher role and also trying
1:01:41
to do her thing. But she's mostly
1:01:43
distracted with the teenage versions
1:01:46
of the original five X-Men who
1:01:48
have been pulled forward from the
1:01:50
ambiguous sliding timescale 60s by Hank
1:01:52
McCoy to shame Scott in
1:01:55
a remarkably petty bit of tampering
1:01:57
with the time stream that.
1:02:00
Well, potentially is what causes the
1:02:02
incursions in secret wars, although it's never
1:02:04
a hundred percent rare It's a lot
1:02:06
of that if that's actually true But
1:02:08
certainly ava bell encounters many
1:02:10
timelines where people say that Hank McCoy doing
1:02:12
that really broke shit in a bad way
1:02:16
So that book is the big
1:02:18
thing that's going on Uncanny
1:02:20
is sort of the secondary book
1:02:23
in a lot of ways Eventually those things
1:02:25
kind of start to shift and
1:02:27
change the teen X-Men and Kitty
1:02:29
end up abandoning The school
1:02:32
and going with Scott and Emma, but that doesn't happen
1:02:34
for quite a while. Almost as if Cyclops is
1:02:36
right almost as if I mean the funniest thing
1:02:38
about this is like Bendis certainly writes it as
1:02:40
though he is But yeah,
1:02:43
you can feel the editorial Instruction
1:02:45
that he's not and that's why death of
1:02:47
X is so crazy Because when the inhumans
1:02:49
of his X-Men thing pops up and there's
1:02:52
the time job They try and do it
1:02:54
all over again the horrible thing Cyclops did
1:02:56
he's like worse than Hitler and then like,
1:02:58
you know We see what he did and
1:03:00
it was like fine mostly But
1:03:03
you know classic X-Men
1:03:06
experience to be told that you
1:03:08
just got a little too big for your
1:03:10
britches in like asking for Respect
1:03:12
and rights and stuff Time
1:03:15
to be hated and feared again the depression again.
1:03:17
Well, you know what? Here's the thing You can't
1:03:19
kill it now much like revolutionary
1:03:21
Cyclops or much like Magneto in the 90s
1:03:23
when editorial was like Magneto's evil again Yeah
1:03:26
readers just didn't the stories that hit. Yeah,
1:03:28
like readers Just don't if the
1:03:30
readers don't respond to it then what comes back is
1:03:32
the stuff that readers respond to Once
1:03:35
you've said the thing you can't unsay it I
1:03:38
thought that Tom Breibert made a really good
1:03:40
point about Charles and his newsletter recently Someone
1:03:42
asked like why isn't Charles in your relaunch? It
1:03:44
feels like they're always trying to get rid of
1:03:46
Charles Like they are always trying to get rid
1:03:48
of Charles because that character
1:03:51
is retrograde Like does not really work
1:03:53
anymore. Yeah, the readership mostly sides with
1:03:55
Magneto at this point in their debate
1:03:57
and so many
1:04:00
different writers have tried to deconstruct
1:04:02
Charles, that it's now really hard
1:04:04
to write a story about a
1:04:06
Charles we want to root for,
1:04:09
right? So it makes more
1:04:11
sense at a certain point to sunset him. I
1:04:13
mean, I think they should, but I've been saying
1:04:15
that for years and years. To
1:04:17
me, what Jerry and Kieran have
1:04:19
done in particular in the last
1:04:21
six months, or almost years
1:04:24
since the Gala issue, I think
1:04:27
that it is like the final
1:04:29
statement on Xavierism in a really,
1:04:31
really strong, smart way. And then Al
1:04:34
really reiterated that Magneto's perspective,
1:04:36
while it hasn't always led
1:04:38
Magneto to the right choices,
1:04:41
makes more sense.
1:04:45
Particularly now. Just masterful. Yeah.
1:04:48
But yeah, in these comics, it's kind of like
1:04:50
the... This story is kind of about that, because
1:04:52
this is one of the many times they've tried
1:04:54
to get rid of Charles. When
1:04:56
Scott was Dark Phoenix in Avengers vs. X-Men, this
1:04:59
is where that all starts. And I'm sorry, anyone
1:05:01
who's not telepathic should not be able to use
1:05:03
the Phoenix power at all, but it's whatever. They
1:05:05
did it, and now we're stuck with the Tournament
1:05:07
of the Phoenix or whatever, and stories like that.
1:05:10
Hopefully that's now over. It seems like
1:05:12
it's over. But when Cyclops somehow was
1:05:15
using the Phoenix, he went crazy and
1:05:17
killed Charles. So
1:05:21
Charles is dead. That
1:05:23
is one of the crimes
1:05:25
that these fugitive X-Men are
1:05:27
being sought in connection with.
1:05:30
It also means that this era
1:05:32
becomes, to a large extent, about
1:05:35
what will the legacy of Xavier
1:05:37
be? What does it
1:05:39
mean that Xavier died? After
1:05:42
Deadly Genesis pretty much assassinated
1:05:44
that character entirely, Mike
1:05:46
Carey put in a lot of work over
1:05:48
several years to make him a good
1:05:51
guy again, and then this big death
1:05:53
happened, it's this tragic thing, and
1:05:55
then we get to the very weird plot
1:05:57
with his will, which Ava Bell factors into.
1:06:00
to hugely. So
1:06:03
before we get there, let's start from the
1:06:05
beginning, right? In All New X-Men number one,
1:06:08
Ava is, I would say
1:06:10
like 17-ish. She's said to
1:06:12
be a teenager, but it's not 100%
1:06:14
clear how old she is. She's definitely
1:06:16
like more of an adult than
1:06:18
a Jubilee or Kitty when
1:06:21
she first appeared type character. Yeah,
1:06:23
yeah, yeah. She is
1:06:25
out on the town with one
1:06:28
of her girlfriends. She starts talking
1:06:30
to a boy that she thinks
1:06:32
is cute. It's all
1:06:34
going great. But then suddenly
1:06:36
her brother, Steven, who doesn't
1:06:38
call into his sister talking
1:06:41
to boys, shows up
1:06:43
and causes a scene. They
1:06:45
start fighting him in the
1:06:47
sky. Your info
1:06:49
about the Gold Coast
1:06:52
related sort of made this a lot more
1:06:54
sense. I was like, oh yeah, yeah. My
1:06:56
sister is not going to be no Goldie
1:06:58
Slag, so she can't be talking to that
1:07:00
guy. So like that, I think is kind
1:07:02
of the vibe here. She's
1:07:04
wearing like an off the shoulder dress. She
1:07:07
looks sexy. If you think she's like 17,
1:07:09
then it's very much like her brother is
1:07:11
like 23, 24 and is
1:07:13
like, get your hands off my sister. Not
1:07:15
wearing a shirt. Yeah, yeah, it's
1:07:17
a lot. There's also like, it's
1:07:19
a little bit Stefan and Germaine
1:07:22
Sardish coded where it's like, my guy,
1:07:24
she's your sister, not your girlfriend. Like
1:07:26
relax a little bit. That
1:07:29
overprotective, like vaguely emotionally incestuous brother
1:07:31
thing is a trope in stories
1:07:33
about teen girls for a reason,
1:07:35
because the idea that you belong
1:07:37
to your male family members and they get to
1:07:39
decide what you do is unfortunately a big part
1:07:42
of every culture on earth. I
1:07:44
mean, apart from the rare matriarchal cultures
1:07:47
that are not as culturally prominent globally.
1:07:49
So, you know, it's, it's, it feels
1:07:51
real. It goes to
1:07:53
a place of violence pretty quickly, but they
1:07:55
are Australian. No offense to my Australian listeners.
1:07:58
I just, Karen's laughing. I just feel like
1:08:00
If I was gonna pick one country that
1:08:02
was likely to have a bath I happen
1:08:04
it might be Some fellas
1:08:06
in the Gulli blokes. Do
1:08:08
they say blokes in Australia? No Mate,
1:08:11
so it's like a thing but I don't
1:08:13
know no, it's it's hard to separate the
1:08:15
stereotype Well, right And also like their slang
1:08:18
is different from British slang because they've been
1:08:20
on that island for so long that it's
1:08:22
like become its own Yeah Thing
1:08:24
so I don't actually know but you know
1:08:26
like a bunch of bikies could ride up
1:08:28
and get into a bath I heard of
1:08:30
what it feels like But so
1:08:33
Eva's like freaking out cuz she's like, oh my god,
1:08:35
like I just thought he was cute I talked to
1:08:37
him like don't start like a whole thing and
1:08:39
suddenly her mutant power catalyzes and
1:08:41
she freezes time all around
1:08:43
her This lasts for 20
1:08:45
hours She's
1:08:47
frozen. Also is the thing which
1:08:50
is interesting because so iconic. Yeah.
1:08:52
Well, it's unusual Mutant
1:08:55
power and of the only time that happens the
1:08:57
same with it affects the people around you And
1:08:59
I think maybe it's a hint to how powerful
1:09:01
she really is, right? But
1:09:03
also to the struggle that she's going to have to
1:09:05
control the power which is the core Tension
1:09:08
on some level to the character Scott
1:09:11
and Emma and Magneto show
1:09:14
up I think the
1:09:16
cuckoos are tracking like new mutant signatures
1:09:18
at this point for them This is
1:09:20
their Catholic schoolgirl outfit era, which I've always
1:09:23
found a bit my favorite curious I guess
1:09:25
that started on utopia didn't it? It's like
1:09:27
a Greg lands Mm-hmm. Yeah,
1:09:29
I think is it tied to
1:09:31
the Wolverine and the
1:09:33
X-Men because they have the the
1:09:36
like Private school uniform but
1:09:38
they were kind of wearing that already on
1:09:40
utopia when the when fraction was doing it
1:09:43
I don't actually remember when that happened go
1:09:45
back to the separate cuckoos episode because I
1:09:47
bet we talked about it I can't recall
1:09:50
Anyway, they are able to shake
1:09:52
Ava loose from the time freeze and
1:09:55
explain like you're a mutant You should
1:09:57
come with us. We can train
1:09:59
you this, that, and the other thing, it's
1:10:02
not something she's eager to do, but
1:10:05
the like Australian National Guard shows up
1:10:07
or whatever. I don't know what they're
1:10:09
called, but like it's, it's
1:10:11
not great. Guns are drawn. Yeah, it's like not a
1:10:13
great situation. She's like, all right, I'm coming, I'm coming,
1:10:15
I'm coming, I guess. She
1:10:17
is the first student Scott
1:10:20
recruits for his new school,
1:10:23
which he is calling the Xavier School, as opposed
1:10:26
to Wolverine's New Gray School for higher
1:10:28
learning. She's so mad. It does, because
1:10:30
you killed him. It's like, guys, are
1:10:32
you new? Like, you just called
1:10:34
your school the Jean Gray School. Do you know
1:10:36
how many people Jean Gray killed when she was Dark
1:10:38
Phoenix? Six billion, famously.
1:10:41
The naming off. So like, if we really
1:10:43
want to go there, there's six billion broccoli
1:10:45
people who have an issue with your choice
1:10:47
of school name. Oh, wait, there
1:10:49
aren't because they're all dead because Jean killed
1:10:52
them. So like, you know, a little bit
1:10:54
throwing stones in your glass house named after
1:10:56
the Dark Phoenix yourself. And if we can
1:10:58
forgive Jean for eating all those broccoli people,
1:11:01
surely we can forgive Scott for killing Charles,
1:11:03
who frankly could have stayed dead and would
1:11:05
have worked out, I think, for a lot
1:11:07
of people. The problem with Charles
1:11:10
is you just can't keep him dead because he's
1:11:12
a Lee Kirby character and he was in
1:11:14
that 90s cartoon and anybody who was in
1:11:16
that 90s cartoon is simply unkillable. It's in
1:11:18
the logo. Yeah, it's a problem. It's a
1:11:20
problem. I hope we haven't seen
1:11:22
the end end of this area yet, but
1:11:24
I am hoping that he and his horrible
1:11:26
robot wife, like, ascend to digital hell or
1:11:29
something and we can like be free
1:11:31
of them for a time, at least. Time
1:11:34
seemed to be pointing to him being inmate
1:11:37
X of the new
1:11:39
era, but that's a misdirect probably.
1:11:41
I think Sink is inmate X.
1:11:43
That's my guess. Because
1:11:46
we don't know what happens to him and
1:11:48
he could like die in a heroic sacrifice or
1:11:50
whatever, but he is sort of the face of
1:11:52
the Krakowan age in a lot of ways, Sink.
1:11:54
And so I think him being inmate X would
1:11:56
be like a bold choice. It would
1:11:58
be sort of like that. The real
1:12:00
response to Krakow is we're locking this guy up. You
1:12:02
know what I mean? I could see that Anyway,
1:12:06
sorry time traveling again. We are time traveling,
1:12:08
but it's fine. I think that the three
1:12:10
characters We haven't seen solicited for anything yet
1:12:12
who are like notables that it's odd We
1:12:14
haven't seen yet are sink
1:12:16
Polaris and Iceman Mmm, and
1:12:19
I don't think that Lorna or Bobby would have the
1:12:21
same oomph as like the
1:12:23
prisoner, right? So my guess
1:12:25
is that they'll just show up at a
1:12:27
later date in like a wave 2 book
1:12:29
or different books or whatever But
1:12:31
think feels like a character who's conspicuously absent
1:12:34
Which is why it feels like and didn't
1:12:36
Brevoort do an X on Monday where he
1:12:38
was like I can't talk about sink when
1:12:40
asked directly So yeah, he's like I can
1:12:43
say nothing about sink, but he did say
1:12:45
like Iceman will be yeah We'll be in
1:12:47
a comic right and like, you know, so
1:12:50
that's my guess on that I just think
1:12:52
Charles is the obvious one
1:12:54
and it feels too obvious, but who
1:12:56
knows Sometimes the most
1:12:58
obvious thing ends up being the best story. I'm
1:13:00
not right in the comic Yeah, some
1:13:02
writers do the guessing thing like oh my god,
1:13:05
what could it be? And it's not a writer
1:13:07
some people are just like We're
1:13:09
doing the thing right? No, and it totally
1:13:11
depends on how that story shakes out, but
1:13:14
that's my current theory and It's
1:13:16
a good one. I hadn't thought about that in about two
1:13:18
months. We can find out if I'm right or wrong but
1:13:23
so Eva is The
1:13:26
first student like we said so that puts
1:13:28
her in the role of again the Kitty
1:13:30
pride the Jubilee or Actually to go to
1:13:33
the immediate antecedent before this era in terms
1:13:35
of like we're recruiting a class of students
1:13:37
When dancer like she's the first one we
1:13:39
get and then she's sort of by default
1:13:42
the POV character The way that wind dancer
1:13:44
is in that we're in deep Philippus run
1:13:47
And I think that that we're in deep
1:13:49
Philippus run of new mutants that eventually becomes
1:13:51
Academy X is kind of a model for
1:13:53
This a little bit because similarly this book
1:13:55
involves them recruiting these students
1:13:57
sort of one by one as opposed to
1:14:00
just like it seems I mean now this is
1:14:02
this could I could be totally wrong maybe it'll
1:14:04
take three issues but it seems like E-viewing's book
1:14:06
is going to introduce all three of these characters
1:14:08
in like issue one the way that Gen X
1:14:11
Gen X did it with Phalanx Covenant sort of but you
1:14:13
get what I mean like there's different ways of doing it
1:14:15
and there's two different ways of
1:14:17
doing it and this chooses the sort of
1:14:19
one by one Pokemon route
1:14:21
which makes sense because these are
1:14:23
newly activated mutants in a time
1:14:26
when we didn't think that was ever gonna
1:14:28
happen again right so it's like the classic
1:14:30
original model of what the X-Men do exactly
1:14:33
and if you're gonna have Cyclops do it like
1:14:36
Charles but in a way that freaks everybody out
1:14:38
that it makes sense to have him do it
1:14:40
like Charles and like the first issue of X-Men
1:14:42
in 1963 have
1:14:44
it be a very powerful young woman who
1:14:46
he recruits in the way that Charles recruited
1:14:49
Jean before Claremont retcons
1:14:51
that he recruited Jean when she was like 10
1:14:53
but you know in the original story she's new
1:14:56
she quickly becomes a little concerned
1:14:59
about well that Cyclops
1:15:01
is nascent revolution like when
1:15:03
she realizes like oh I'm actually kind
1:15:05
of being held hostage by like international
1:15:08
terrorists who want to indoctrinate me into
1:15:10
one of them I don't know how
1:15:12
I feel about that
1:15:15
entirely she
1:15:17
does quickly start to develop more
1:15:19
control over her power and
1:15:22
can therefore help them to escape from
1:15:25
situations there are a
1:15:27
new line of sentinels that are
1:15:29
particularly scary and she's you
1:15:31
know she helps them get speedier escapes
1:15:34
which is nice but
1:15:36
she's conflicted in part she's conflicted because
1:15:38
we find out that as a child
1:15:40
she idolized Captain America this is like
1:15:42
one of my favorite bits
1:15:45
yeah it's really good it's an issue
1:15:47
three I think of uncanny I just
1:15:49
like I think that is
1:15:51
kind of like one of my sweet
1:15:53
spot characters these like goody
1:15:56
two shoes sort of like
1:15:58
characters But
1:16:00
they're like not their eyes are
1:16:02
open. They're kind of like wait a minute
1:16:04
What's going on and they said there's kind
1:16:07
of like a path of disillusionment It's
1:16:09
very Kamala Khan right like in
1:16:12
your excitement about Carol And I
1:16:14
think that that is often a
1:16:16
good way to introduce it a
1:16:18
teen Character or
1:16:21
a newbie is to have
1:16:23
them be a fan I mean Tim Drake is
1:16:25
a classic one where it's like I want to
1:16:27
be Robin and I'm going to be Robin by
1:16:30
God This is
1:16:32
someone who wanted to be like Captain
1:16:34
America Come
1:16:39
on it does get to be part of
1:16:41
Carol's orbit Tim Drake does get to be
1:16:43
Robin This is different
1:16:46
when she's talking about Captain America She says everybody
1:16:48
loves him because he's an awesome superhero does awesome
1:16:50
things and he really loves the ninja and
1:16:53
everybody loves the Avengers But I love him because I
1:16:55
try to imagine myself being frozen in a book of
1:16:57
ice for so long that all my family and Friends
1:16:59
died of old age and then someone woke me up.
1:17:01
I don't think I would handle it. Well foreshadowing almost
1:17:03
I think I would freak out and I think the
1:17:05
fact that Captain America doesn't freak out. It's pretty amazing
1:17:08
I wish we had a superhero that awesome that
1:17:10
represented Australia That's
1:17:12
an interesting bit too because Hickman
1:17:14
will later create Manifold in his
1:17:17
Avengers run as sort of like
1:17:19
a captain in Australia in
1:17:21
his episode I talked to Kite and
1:17:23
Klein about how the problem with that
1:17:25
not out of story But in story
1:17:27
for manifold is that Australia would never
1:17:29
recognize an Aboriginal person as like
1:17:32
a national hero in that way Yeah,
1:17:34
but Ava had sort of private aspirations
1:17:36
young white girl Yeah, like I mean,
1:17:38
you know But she didn't know she
1:17:40
was ever gonna get superpowers and yes
1:17:42
Of course the thing that she most
1:17:44
admires about Captain America is that he's
1:17:46
a man out of time Who
1:17:49
adjusted well who lost everybody he
1:17:51
loved because of time travel but
1:17:53
managed to make it work and
1:17:55
be a superhero and
1:17:57
that's such a specific thing to love
1:18:00
about him that of course it
1:18:02
is foreshadowing for the horrific
1:18:05
suffering that she will undergo due to
1:18:07
time travel. I really
1:18:10
like that bit too and it
1:18:12
has dividends really quickly because the
1:18:14
Avengers show up in that first
1:18:16
arc to arrest Scott and Emma.
1:18:19
Yeah and like you were just saying
1:18:21
where like Kamala gets
1:18:23
to be Ms. Marvel this
1:18:25
is like oh I would love to
1:18:28
be like Captain America to
1:18:30
Captain America is arresting me. He is arresting
1:18:32
you right yeah exactly. So it
1:18:34
scales up your eyes about the fact that the
1:18:36
Avengers are and like Avengers fans don't get mad
1:18:38
at me but are often an arm
1:18:41
of the state right. I mean that's part
1:18:43
of why I really like how Captain America
1:18:45
has been written through the fall of x
1:18:47
stuff because I think that one of the
1:18:50
key things about Steve Rogers is that when
1:18:52
the state loses god damn mind Steve Rogers
1:18:54
typically is like well uh fuck you then
1:18:56
I'm not doing that. This
1:18:58
is a case where because Avengers vs. X-Men
1:19:00
was so crazy and because
1:19:04
they all watched Scott
1:19:06
kill Charles this
1:19:09
is an order he's comfortable following
1:19:11
right. Yeah totally. What's
1:19:14
interesting is the reason that the Avengers
1:19:16
get their location in the first place
1:19:18
is because Ava begs them to
1:19:21
let her go to the galsy to
1:19:24
tell her mother that she's okay because
1:19:26
she's been missing ever since this incident
1:19:28
at the bar. Yeah they're basically going
1:19:30
around picking up all these new mutants
1:19:32
and they're they're set
1:19:35
up in an old weapon x
1:19:37
base which is that's where
1:19:39
the Xavier school is that's like you
1:19:42
know upsetting an old torture
1:19:44
chamber and they're all like have we been
1:19:46
kidnapped like what's going on are we ever
1:19:48
gonna see our family again like what are
1:19:51
there classes here at the school what's
1:19:53
going on where do we eat what's
1:19:55
happening and uh yeah she's like
1:19:57
can I like at least tell my mom? I'm
1:20:00
alive and okay and they're...
1:20:02
And they're eventually like, yes,
1:20:04
that's reasonable. So Eliana
1:20:07
teleports them to Australia, they go to
1:20:09
the Goldie to meet with Eva's mom,
1:20:11
and on the way, they
1:20:13
are spotted by SHIELD operatives
1:20:15
and the Avengers get called
1:20:17
in. As the
1:20:20
situation escalates, Eva feels
1:20:22
like she has no choice but to
1:20:24
create a time bubble and freeze the
1:20:26
Avengers. She makes an
1:20:29
affirmative decision to protect Scott and Emma.
1:20:31
Yeah. It's tough. It's a tough scene
1:20:34
because it's like you're face to face with your
1:20:36
hero. He's maybe not the hero
1:20:38
you thought he was, but more to the
1:20:40
point, you're not someone who can be his
1:20:42
sidekick, you know? Because you've now made a
1:20:44
choice to strike him. Not the first time
1:20:46
she'll come to that relay. Absolutely. They've got
1:20:48
to do her story, but you know, that's
1:20:50
what makes it so interesting. A
1:20:53
repeated beat for her, a motif,
1:20:55
is her frequent realization
1:20:57
that in particular the
1:20:59
men that she has
1:21:02
chosen to idolize are
1:21:04
disappointments and are not
1:21:06
people she actually respects. She
1:21:08
has a nice moment with her mom here, who
1:21:11
like, she's kind of like, what very
1:21:13
much like, well, have you tried to not be
1:21:15
a mutant? Sort of thing, and
1:21:17
she's just like, mom, don't be racist. Don't
1:21:19
sell my stuff. I'm leaving. But then her
1:21:21
mom is like, that Cyclops
1:21:23
had some interesting points. Yeah. The
1:21:26
Avengers are very aggressive. They are. This
1:21:29
is, again, why like we keep being told
1:21:31
that Cyclops is a loose
1:21:33
cannon now, and he's gone out of control, but
1:21:35
I'm just kind of like, get these
1:21:38
cops out of my face. This is sort
1:21:40
of how I feel about this arc. I
1:21:42
don't respect this. But
1:21:44
Ava's freaked out. So she talks
1:21:46
to the other students who
1:21:49
they've collected at this point. I think hijacks there.
1:21:52
It's at this point, it's gold balls
1:21:54
and morph and triage. Are
1:21:56
we the baddies? It's basically like she has that
1:21:58
moment. Yeah. They're all
1:22:00
like, I mean, we're kind of worried about that
1:22:02
too, but we're not 100% sure who's
1:22:05
right and who's wrong in this situation And we're I
1:22:07
guess just gonna rise out what they're
1:22:09
worried about is like Cyclops keeps talking about
1:22:11
revolution and they're like, okay But like have
1:22:13
we been drafted? Like what does that mean? Yeah, you
1:22:16
know, we just discovered we had powers like
1:22:18
a week ago I'm not trying to be
1:22:20
drafted into a war The
1:22:23
next big moment that she has
1:22:25
is in issue 10 of in Canyex
1:22:27
men she and Iljana
1:22:29
are having a training session and
1:22:33
She makes a bubble to
1:22:35
freeze Iljana and Iljana
1:22:38
disappears And it was like
1:22:40
what the fuck just happened and then Iljana
1:22:43
Reappears a couple seconds later
1:22:45
because the bubble actually sent Iljana
1:22:47
forward in time a few seconds
1:22:49
and everyone's like oh It's
1:22:52
really cool at first cuz she'd like just she
1:22:55
freezes a part of Iljana First
1:22:57
which is like cuz you really
1:23:00
should just big like blue bubbles.
1:23:02
Yeah, she's making big strides quickly
1:23:05
And of course, it's Iljana cuz like
1:23:07
I had read that stuff when I
1:23:09
first read this I don't know.
1:23:11
I'm sure I put it together. It's
1:23:13
like yeah, Bendis is doing in Iljana.
1:23:16
Yes coming up. Yes He's about to
1:23:18
do exactly that. So it
1:23:20
makes sense that it's them. Mm-hmm who
1:23:22
have this interaction This
1:23:25
comes to a head seven issues
1:23:27
later They are on
1:23:29
a training exercise in tabula Rasa. Don't
1:23:31
worry about it. I talked about it
1:23:34
briefly in the Hupst But
1:23:37
you don't have to worry about tabula Rasa. It's
1:23:39
um, no, it's kind of like the vault like
1:23:41
the children of the vault Like it's a it's
1:23:43
an escalated time. It's one of those it's
1:23:46
like, you know a Hickman zone Did Hickman create
1:23:48
tabula Rasa? I think he did right? The
1:23:51
remainder. Oh, it might have been remember. Yeah, you're right, but
1:23:53
that's they both love that shit But
1:23:59
like basically like a hundred million
1:24:01
years has passed in Tabula Ras and so like
1:24:03
there's all these monsters you can fight and Ava
1:24:06
is defending herself with a time
1:24:09
bubble, but it doesn't freeze those
1:24:11
space around her It just makes her disappear and
1:24:14
everyone's like where the fuck did Ava go? Yeah, she
1:24:17
reappears like Iljana did during the sparring session Just
1:24:19
a few moments later, but this
1:24:21
time is different Everyone
1:24:23
notices that she looks older
1:24:26
like seven years older than she was a
1:24:28
few seconds ago Celeste
1:24:30
one of the cuckoos like jumps into her
1:24:32
head. Yeah likely place for a cuckoo
1:24:35
to be and And
1:24:38
reads her mind and Ava
1:24:40
is like you can't tell
1:24:42
them what happened to me I'm not ready to
1:24:44
tell them what happened that leads
1:24:47
into Probably her
1:24:49
best story which
1:24:51
starts the following month in two annuals
1:24:53
the uncanny x-men annual and the all-new
1:24:56
x-men annual You should just read them
1:24:58
together It's a big
1:25:00
tempest story. This is the one that I
1:25:02
think of always when this and Matthew Molloy
1:25:04
are like Yeah, you've been tempest stories, right?
1:25:06
Yeah, so this one is It's
1:25:09
fucking rough. It's just like really fucking
1:25:11
rough. It is sort of Unrelentingly
1:25:15
brutal to this character, but not in
1:25:17
a way that feels gratuitous Just in
1:25:19
a way that like, you know It's
1:25:21
just like somebody who is caught in
1:25:23
the throes of them not quite having
1:25:25
a handle on their powers It's very
1:25:27
rogue or Threnody. It's one of those
1:25:29
characters It's like oh your power is
1:25:31
expanded and you cannot handle it right
1:25:33
now And in this
1:25:35
case when the power is something
1:25:37
as volatile as time travel, it's
1:25:40
not ideal We first see
1:25:42
her she lands in the middle of
1:25:44
like a war between killraven and some
1:25:46
aliens Which I think is really a
1:25:49
killraven moment is always a treat.
1:25:51
Yeah, I know so little about killraven
1:25:53
so do I the Trading
1:25:56
card right? I'm just tickled because I forgot
1:25:58
that he was in this. I
1:26:01
was looking it up and it's really interesting. Apparently
1:26:03
I think that the time this is supposed
1:26:05
to be set is like 2018, 2020. Right
1:26:09
I know because it's an old comic. Yeah
1:26:12
it's very like when
1:26:14
was Blade Runner set like when it hit? 2023
1:26:16
I think? Right exactly. We
1:26:18
were all like well. But actually no 2023
1:26:20
was there's a scene at some point I
1:26:23
think it's in these where they show Ava's
1:26:26
driver's license and it expired last
1:26:28
May, May 2023. God.
1:26:31
Well also the eugenics wars in
1:26:33
Star Trek are in the 90s. Okay.
1:26:36
Because it was the 60s when they invented it. It's
1:26:39
always funny when we caught that. Just fun with
1:26:41
time. That's the theme. Yeah someday in the year
1:26:44
2525 this man is still alive they'll find that
1:26:46
song. Funny. But
1:26:49
yeah so she's like oh Cyclops is
1:26:51
doing another weird training simulation but then
1:26:54
it's very much not
1:26:56
that. Right. Cyclops until
1:26:58
now they've gone through they have a danger
1:27:00
room in their. In the
1:27:02
weapon act phase. Yeah. Yeah.
1:27:05
So they have the danger room which
1:27:07
creates scenarios. They have Tabula Rasa which
1:27:09
is like a totally weird place and
1:27:11
now we're in Killraven
1:27:13
time and it's like who knows.
1:27:16
Yeah so it's not unreasonable for
1:27:18
her to think that this is
1:27:20
like the latest wacky lesson at
1:27:22
Wacky Uncle Scott's Wacky Academy but
1:27:25
it's not that. And when she
1:27:27
realizes that it's the real deal
1:27:29
instinctively like drops another bubble and
1:27:31
warps again. This time
1:27:33
she goes way far into the past. She
1:27:36
winds up in the wild west.
1:27:38
She meets the rawhide kid. Oh
1:27:40
yeah. The way her power
1:27:42
is now out of control whenever she
1:27:44
is threatened lethally she instinctively
1:27:47
jumps. It's any situation where
1:27:49
she's in mortal danger. And
1:27:51
the rawhide kid which I could not
1:27:53
believe that we saw this guy ever
1:27:55
again after the slap
1:27:58
leather Marvel. Yeah this is. Pretty
1:28:01
long after that.
1:28:03
It had been a minute, but I still remember being
1:28:05
like, Laurentine could. I thought Marvel was going to bury
1:28:07
that character the rest of the time. I
1:28:10
love Ava Belge ally throughout this. She has
1:28:12
a really cute relationship with Benjamin. Yeah. And
1:28:15
I was, I had this thought when she
1:28:17
was interacting with Iceman when he, the young
1:28:19
Iceman, when he joins the team and he's
1:28:21
like chatting with her and it's like, wow,
1:28:23
she's such a friend, a friend
1:28:25
of Dorothy, but then she
1:28:27
just like leaves him to while she's
1:28:29
talking to himself. It's very cute scene.
1:28:32
I would do it too, you know.
1:28:34
He's annoying. We have things to do. Anyway,
1:28:36
it's a cute scene with the rawhide kid. He
1:28:38
like figures it out and he like pretend to like- And he holds
1:28:40
a gun to her head so that she'll jump. This
1:28:43
time she lands in 2099. Ever
1:28:46
heard of it? A pretty famous
1:28:48
year for the Marvel Universe. I
1:28:51
don't think this is the Marvel 2099 reality
1:28:53
though. It's
1:28:56
like a, it's a different timeline. It's just that
1:28:58
you get the same- Like next
1:29:00
to it. Yeah. It's adjacent, right? Here
1:29:04
she is found by
1:29:06
the future X-Men and they say
1:29:08
that they will take her to
1:29:10
the Sorcerer Supreme, which turns out
1:29:12
in this timeline to be an
1:29:14
older Illyana Rasputina. Who's
1:29:17
the Sorcerer Supreme of the galaxy? The
1:29:19
entire galaxy. Which is cool. It's
1:29:22
cool but also yikes. How'd you
1:29:27
do that? That's, well,
1:29:30
there's a backstory there that's probably a
1:29:32
little bit disconcerting. Illyana
1:29:35
has used magic to live
1:29:37
longer than she otherwise would
1:29:39
have, and she
1:29:42
unfortunately can no longer travel
1:29:44
in time herself because otherwise
1:29:46
that would resolve this problem
1:29:48
pretty handily. Because
1:29:51
she can't do that and they have
1:29:53
no way to stabilize Eva's power, so
1:29:55
holding a gun to her head could
1:29:57
jump her literally anywhere, like he does.
1:30:00
of the universe, like there's no guarantee
1:30:02
that she'd land somewhere safe, she
1:30:04
just sticks around and she lives
1:30:07
there in this reality for seven
1:30:09
years. Which as you
1:30:11
point out is exactly the length of time
1:30:13
that Illyana was in limbo. So
1:30:15
it's a different- Pretty on the nose, but it's
1:30:17
a cool beat. Well, what I like about it is
1:30:20
that it's not hell, right?
1:30:22
Yeah, it's nice. Illyana
1:30:25
was in hell. Illyana
1:30:28
actually adjusts pretty well
1:30:30
to this new circumstance. She falls
1:30:32
in love with this guy named
1:30:34
Danny. They get married, they have
1:30:36
a child. I love
1:30:39
that she- I think it's cool that she,
1:30:41
you know, he's like a non-passing mutant and
1:30:43
like I think things are a bit different
1:30:45
in the year of 2099. It
1:30:48
seems like things have gotten better, yeah. Yeah.
1:30:51
So again, it's like quite different
1:30:53
to the main Marvel 2099. It's
1:30:56
not really like a dystopian future. It
1:30:58
seems like things have improved from mutants.
1:31:00
Just seems rainy. Yeah, it's very rainy,
1:31:02
but like it's- that's Blade Runner, right?
1:31:04
It looks like Blade Runner. Yeah.
1:31:08
But she's happy. By the time
1:31:10
we get through the time jump there, she
1:31:12
doesn't want to go home anymore. She's
1:31:15
like, this is my home now. I have a
1:31:17
husband I love, we have a daughter, I'm not
1:31:20
trying to go anywhere. Lilliana
1:31:23
says that eventually she will
1:31:25
have to go home. Yeah.
1:31:27
And this was the first mention
1:31:30
of the trial of Henry McCoy.
1:31:32
Mm-hmm. That will return.
1:31:34
You have to go home eventually, Lilliana
1:31:36
says, everybody does. Which again, the fact
1:31:38
that it's magic is loaded.
1:31:41
You told me not to even try. I think he's
1:31:43
my home now. I have a child. I
1:31:46
love you, I'm not trying to upset you.
1:31:48
You just told me to leave my husband
1:31:50
and child. The energies of the universe
1:31:52
flow like a twig down the course of a mighty
1:31:54
river. Yet you've said that everything
1:31:56
has its place in time and nothing us
1:31:58
mortals do will ever. be able to
1:32:01
change that. And Eva's just like,
1:32:03
we'll fuck you then. So they
1:32:05
end that conversation at cross
1:32:08
purposes, but not long afterward,
1:32:11
unfortunately, Magix, Lair,
1:32:13
I guess it's her sanctum sanctorum, a la
1:32:16
Doctor Strange, right? Is attacked
1:32:18
by a demon. Eva comes
1:32:20
to help, she locks the demon in
1:32:22
one of her freeze bubbles, but
1:32:25
Iljana has already been mortally
1:32:27
wounded, she's dying. As
1:32:30
she is dying, she says to Eva, you
1:32:32
have to go back, because
1:32:34
if you don't go back, Hank
1:32:36
McCoy will not stand trial for
1:32:39
his various crimes against the time
1:32:41
stream. I can't leave my
1:32:43
family, but that's when Danny and Dahl,
1:32:45
their daughter, also enter the room and
1:32:48
the demon breaks out of the
1:32:50
bubble. And
1:32:52
uncontrollably, because now not only
1:32:54
is she in
1:32:56
mortal danger, but so are the people
1:32:58
she loves, she immediately
1:33:01
jumps in time. She ends
1:33:04
up in like the Jurassic era,
1:33:06
like she ends up among the dinosaurs.
1:33:09
It is sad that she didn't run
1:33:11
into the Empyrean time gliding down there.
1:33:14
I actually, that's another one where it's like Fabian simply
1:33:16
doesn't care, but when the Empyrean showed up in cable,
1:33:18
that's another one where I was like, Fabian, I love
1:33:20
him. I love that he's just like, I never got
1:33:22
to tie up these characters, so I'm gonna tie them
1:33:24
all up in this War issue mini series, and then
1:33:26
you could use them if you want. Well,
1:33:29
not Empyrean, it seems, but my first
1:33:31
thought, shout out to Holly Raymond, because
1:33:33
we always talk about time gliding and
1:33:35
how time gliding is something that only
1:33:37
certain people can do, but how did
1:33:39
the Empyrean time glide back to our
1:33:41
time to be turned into a
1:33:44
battery by Amanda Mueller, the Black Womb? That's
1:33:46
a story that I'd love to read. He's
1:33:48
good at it. He's good at time gliding,
1:33:50
and she's very good at turning people into
1:33:52
human batteries, so it was kind of just
1:33:54
synchronous in that way. I
1:33:56
love that she gets killed off in that, but
1:33:58
cable even says, it's probably. probably not the real
1:34:01
her. Like don't even, like don't overthink it.
1:34:03
Like you killed her! He's like it's probably
1:34:05
a clone. Don't even sweat it. She's sinister's
1:34:07
lab tech. Like this is what they do.
1:34:09
But so she lands in
1:34:11
Dinosaur Times and ends
1:34:14
up rescued from Dinosaurs by Morgan
1:34:16
Le Fay who had also been
1:34:18
sent back in time by the
1:34:20
Dark Avengers during Dark Rain. Oh
1:34:22
is that what happened? I looked
1:34:24
it up because I was like
1:34:26
what? Why is Morgan Le Fay
1:34:28
in Dinosaur Times? And
1:34:31
that's why. But when you read it, it's safe
1:34:33
to assume she's probably been there for a while.
1:34:35
I'm sure there's a good reason. She's clearly been
1:34:37
there for a while and she's not thrilled about
1:34:39
it. Ava says she's like because Morgana's trying to
1:34:41
like put the work on her and she's just
1:34:43
like does she not know that there are books
1:34:46
written about her? I know who this bitch is!
1:34:48
Like and I you don't have to be a
1:34:50
superhero to know that you don't make a deal
1:34:52
with Morgan Le Fay. Like I went to high
1:34:54
school. I've read The Washer Future King. But
1:35:00
Morgan uses her dark sorcery to
1:35:02
read Ava's mind, to determine Ava's
1:35:04
time travel powers. And
1:35:07
she's like oh score
1:35:09
you can get us out
1:35:11
of here. Because I've been stuck in Dinosaur Times for months
1:35:14
now and I fucking hate it. Ava's
1:35:16
like oh I want to go back to
1:35:18
my family. My husband and my daughter are
1:35:20
waiting for me. And Morgan says
1:35:22
to her they don't
1:35:24
exist anymore. Ava
1:35:27
refuses to believe that. Morgan's like
1:35:29
your timeline has now shifted. There's
1:35:32
no and like this so here's here's
1:35:34
the thing that I guess we have
1:35:36
to underline is the way that Bendis
1:35:38
wrote time travel with this character is
1:35:40
completely different from how Marvel time travel
1:35:43
used to work. Inconsistent. Even
1:35:45
with her. Even with her. But in
1:35:47
general up until this
1:35:49
story I think time travel
1:35:52
in Marvel always created a
1:35:54
new branching timeline. You could not actually alter
1:35:56
the past. This is the point of Days
1:35:58
of Future Past. when Kate Pride
1:36:01
goes back and averts the assassination of
1:36:03
Senator Kelly, we later learn it didn't
1:36:05
actually change her timeline. She goes back
1:36:08
and it's still the dystopian hell. It
1:36:10
has just made sure that now that
1:36:12
timeline has diverted into being Earth 811
1:36:15
instead of being Earth 616. Later
1:36:17
it turns out it diverted a long time ago because
1:36:20
of the circumstances of Rachel's birth, but that doesn't actually
1:36:22
matter. Because it's wreckons and wreckons and
1:36:24
wreckons. But that is how time
1:36:27
travel generally worked in
1:36:29
every story, everything with Cable and
1:36:32
the Asconi, everything that Bishop does
1:36:34
is not to preserve his own
1:36:36
timeline, it's to prevent his timeline
1:36:38
from coming to pass for us.
1:36:42
This is very different. When Ava
1:36:44
travels in time, she actually changes
1:36:46
the past. This
1:36:49
is now how time travel
1:36:51
works in Marvel generally. But
1:36:53
that's a shift that starts here. Is
1:36:55
it still? Yes. Think
1:36:58
about any Cable story that happens from
1:37:00
Bendis onward. All of the stuff with
1:37:03
Teen Cable coming back alters his own
1:37:05
timeline. Everything with Cable on Prokoa is
1:37:07
about how the future is always in
1:37:09
flux, he leaves notes for himself
1:37:12
and things like that. The hand
1:37:14
wave is that Secret Wars changed
1:37:16
the rules. Right, exactly. That's how I
1:37:18
kind of like... That's how I did,
1:37:20
but I had forgotten that Tempest changes
1:37:22
it before Secret Wars. This
1:37:25
level of power that Bendis gives
1:37:27
her is I think part of what
1:37:29
starts to create an issue for the
1:37:31
character. Because it means that she could
1:37:34
edit any storyline.
1:37:36
Now there are consequences for doing
1:37:39
that obviously. This is something that
1:37:41
Tempo explored after her power expanded
1:37:43
to time travel on Prokoa. And
1:37:46
retroactively she was able to do some
1:37:48
time travel always, it seems, Tempo. But
1:37:51
she talks about how Sumo,
1:37:54
the MLF member, had
1:37:56
a redemption arc and became a great hero. But because
1:37:58
of a time travel thing that she... had to
1:38:00
do, he died and no one
1:38:02
remembers any of that except her. That
1:38:04
was a great story. Yeah. So
1:38:07
that's the, it's also Cable's tragedy,
1:38:09
right? Like is that Cable has
1:38:11
always known how Krakow would end,
1:38:14
but not precisely because you can't
1:38:16
actually and notably
1:38:18
that's why Cable is often his own mini-series for
1:38:20
Fall of X forced to deal with
1:38:22
a different thing, a different horrible future that he's
1:38:25
trying to prevent to come to pass while he
1:38:27
trusts family and friends to deal with the main
1:38:29
horrible future they're trying to prevent from coming to
1:38:31
pass. I think it
1:38:33
makes for higher stakes storytelling. So
1:38:36
I think that as a change,
1:38:38
it's better, but I do think that it
1:38:41
makes it harder to use these characters because
1:38:43
with Rachel, for example, back in
1:38:45
the day, when Rachel altered the past, it
1:38:47
always created a branching timeline. So she didn't
1:38:49
do it very often because there wasn't much
1:38:51
point in doing it because
1:38:53
it didn't affect the present. It just
1:38:55
created a new reality. Yeah. I kind
1:38:57
of feel like my take is basically
1:39:00
like I think this should be
1:39:02
like a major feat that she was
1:39:04
able to do and then kind of
1:39:06
not replicate like take away the time
1:39:08
travel bit. Like it's more interesting, like
1:39:10
the more smaller pieces.
1:39:13
Make it a thing where she can
1:39:15
do it occasionally in like a dire
1:39:17
circumstance, but... Right. It'd be
1:39:19
a great story if it's like, Eva, we need you to
1:39:22
time travel. It's like, I can't, I don't do that anymore.
1:39:24
I literally can't do it. And then in the moment where
1:39:26
it's like, Mo, she's like, all right, I can do it.
1:39:28
Gotta do it. Right. And
1:39:30
that's more interesting to me. I think that, like we said, you've
1:39:33
got to place restrictions on these things.
1:39:35
Like the way that the Asghani stuff
1:39:37
has shaken out under Teenie Howard and
1:39:39
Kieran Gillan now, it's clear
1:39:41
that Rachel, while she can alter
1:39:43
the past, also feels a responsibility
1:39:45
to maintain the timeline that her
1:39:48
future self thinks is going to
1:39:50
create the best result. Right? Mm
1:39:53
hmm. It's not just like, let's just
1:39:55
go willy nilly with it. It's like a great power,
1:39:57
great responsibility thing. And Eva comes to understand
1:39:59
that. that pretty quickly because of
1:40:02
this. When Morgana
1:40:04
says, you've altered the timeline, they
1:40:06
probably don't exist anymore. Ava
1:40:09
freaks out, they get into a fight,
1:40:11
and it once again triggers
1:40:13
Ava's automatic jump response. There's
1:40:16
also a cool bit where she's like freezing
1:40:18
Morgana's magic in time. Very cool. Like,
1:40:20
that's interesting. Very cool, right? Like, what
1:40:23
does that mean? And they told these
1:40:25
two annuals are by Andrea Sorrentino, who
1:40:27
did like Old Man Logan. And
1:40:30
it's like so, it's really like a
1:40:32
feast. Yeah, really beautiful to look at.
1:40:35
There's a reason these are like the core,
1:40:38
not just like Ava Bell issues, but
1:40:40
like some of the best of
1:40:42
the Benders. Yeah, outside of the O5 time
1:40:45
traveler stuff, this is the, that's
1:40:47
the thing that's inconsistent at the Benders time
1:40:49
travel too, right? Is initially it
1:40:52
seems like the teens time traveling
1:40:54
created a new timeline. Right. Then
1:40:57
by the end of the era, after Benders
1:40:59
has left, they retcon that out. It turns
1:41:01
out that that was not true, and
1:41:04
that they all have to go back at exactly the
1:41:06
moment they left and all of that to repair the
1:41:08
timeline. Yeah, because when, yeah, but then
1:41:10
when they, yeah, this is the headache
1:41:12
stuff. When one of them dies, they kind of
1:41:15
like start to blink out and then like triage.
1:41:18
Basically, this is why I'm too gay
1:41:20
to understand time travel. Forget about it.
1:41:22
It's tricky. It is a little bit
1:41:24
odd that he has his main POV
1:41:26
new character be a time travel character
1:41:28
at the same time that the O5
1:41:31
are time traveling, and then that isn't
1:41:33
really. Well, I think that's like. I
1:41:36
think it's so that you could send
1:41:38
them back. It's like the back door,
1:41:40
right? For like restoring. Totally, but it's
1:41:42
also like setting it up, setting Ava
1:41:44
up as the opposite of Hank. Yes.
1:41:47
Because like Hank is the irresponsible, bad time traveler,
1:41:49
and Ava learns how to like, okay, this is
1:41:51
like the way you got to
1:41:53
do it. But then it isn't Ava
1:41:55
who ends up sending them back. So
1:41:57
it doesn't quite, the square doesn't really.
1:42:00
circle, as it were. Plans
1:42:03
never get followed through in
1:42:05
Marvel Comics. Well, particularly, I
1:42:08
mean, the Bendis era, famously
1:42:11
he left kind of in the middle because
1:42:13
he ran into conflict with
1:42:16
editorial, it seems. He's kept it vague,
1:42:18
but, you know. Undisclosed reasons, yeah. Yeah,
1:42:20
which like, that's how this works a
1:42:22
lot of the time. So this time,
1:42:25
though, after she jumps away from Le
1:42:27
Fay, she finds that
1:42:29
because she's so desperate to
1:42:31
see her family, again, she's
1:42:33
able to start controlling where she's
1:42:35
going. This is a really cool
1:42:38
sequence. Oh, yeah. The world
1:42:40
is just kind of shattering around her. She's really
1:42:42
like going for it. And
1:42:44
she pushes and pushes and pushes and pushes as she
1:42:46
finally lands in 2099. And she recognizes the
1:42:49
building. She's like, I'm home. Runs
1:42:52
to her place to find Danny
1:42:54
and Dahl. And there are complete
1:42:56
strangers living in her home. Goes
1:42:58
to the Sanctum Sanctorum. And
1:43:00
Illyana is not there. The Sursus Supreme
1:43:03
is Tony Stark. And as
1:43:05
Morgan predicted, it seems
1:43:07
that Danny never existed, which
1:43:09
means that Dahl never existed.
1:43:11
And whatever movement through the
1:43:13
timeline butterfly effect stuff has
1:43:15
happened since she left. The
1:43:17
timeline's been altered irrevocably. And
1:43:22
everybody goes home. Tony, magic Tony
1:43:24
of this like future timeline, he
1:43:26
shows her that everything
1:43:28
she does has a ripple butterfly
1:43:30
effect that creates new branching potential
1:43:33
futures, but also closes other ones
1:43:35
off. And that she
1:43:37
needs to be really careful about how
1:43:39
she uses her power. She is like,
1:43:43
yeah, I kind of got that. It's
1:43:46
kind of like, thank you for explaining to me that I
1:43:48
need to be responsible with the use of this power. My
1:43:51
husband and daughter never
1:43:54
existed. Yeah, I've already
1:43:56
kind of got the memo on that. Now
1:43:58
I have something to relate to. about. Wonderful.
1:44:01
Yeah and I usually hate these stories
1:44:03
I've talked about that like I really don't
1:44:06
like stories where someone has a child that
1:44:08
then never existed because I think it creates
1:44:11
a grief in the character that
1:44:13
you can't really ever
1:44:15
exercise on page and
1:44:18
that expands to like you know sirens baby
1:44:20
being absorbed things like that like I just
1:44:22
never think it's an especially productive place for
1:44:24
an ongoing character but I
1:44:28
think that with this character who's
1:44:30
new this is her big trauma
1:44:32
and there is time and attention
1:44:34
paid to it here I think it
1:44:37
really works it's
1:44:39
built into the story because like obviously
1:44:41
in the time jump something very traumatic
1:44:43
happened and right she doesn't want to
1:44:45
talk about it and also the interesting
1:44:47
thing when she comes back she
1:44:51
like immediately hugs I think
1:44:53
it's Benjamin and then Christopher
1:44:56
triage is like oh you're like all ripped
1:44:58
up and stuff do you want me to
1:45:00
heal me and she's like no get away
1:45:03
like instinctive get away and we see here
1:45:06
that Morgan basically says that I used
1:45:08
my healing magic to like learn all
1:45:10
about you yes so it's
1:45:12
kind of like don't touch me I can't
1:45:14
let everybody know this is like to yeah
1:45:16
she doesn't want anybody to know about what
1:45:18
happened to her or about the
1:45:20
fact that she now feels that she
1:45:23
killed her husband and child by not being able
1:45:25
to control her power the last
1:45:27
thing she does before she sends herself back
1:45:29
in time is apologize to them because it's
1:45:31
her fault in her view yeah and it's
1:45:33
of course not her fault but that is
1:45:36
how survivors guilt works right
1:45:38
in a situation like this she's
1:45:41
also still pretty young like yeah she's
1:45:43
like 25 at most right yeah so
1:45:46
you know everything was my fault when
1:45:48
I was 25 tell me about
1:45:50
it sister most of it still is but
1:45:55
she is older and she's
1:45:57
also a lot more jaded now oh
1:45:59
yeah she's not the bright eyed young
1:46:02
thing that they picked up in the
1:46:04
Goldie. Scott notices it pretty quickly
1:46:06
because she keeps, whereas previously she went to
1:46:08
her friends and was like, I think Cyclops
1:46:10
is kind of losing it. Like now she's
1:46:12
like, you've lost your goddamn mind. We're not
1:46:14
like, why would we do that? You know,
1:46:16
and like is talking back to him in
1:46:19
war route meetings or whatever. And he's like,
1:46:21
um, that's weird. And
1:46:23
Celeste, the cuckoo tries to convince her to
1:46:25
tell everybody what happened because like everybody will
1:46:27
understand what you're going through if you just
1:46:29
explain it. And she's like, I'm really not
1:46:31
ready. But the cuckoos,
1:46:34
because all the cuckoos know, they
1:46:36
know better. Of course. Yeah.
1:46:39
Well, also they share a mind. Yeah. Celeste
1:46:41
can't really hide it from the hive amongst the
1:46:43
three of themselves. They decide this is
1:46:45
not a tenable situation and Scott
1:46:47
needs to know. So they
1:46:49
tell Scott about it without telling Eva
1:46:51
that they're going to spill to Scott,
1:46:53
which is a big betrayal from someone
1:46:56
she considered a friend. Scott,
1:46:58
when he brings it up, tries to
1:47:01
stress to her the cuckoos
1:47:03
are worried about her and they're trying to
1:47:05
help. They think she needs help. And she's
1:47:07
like, you need help. Yeah. Which
1:47:10
I like. She doesn't
1:47:12
say it, but you could tell that she just like,
1:47:14
I need help. Are you fucking kidding me? Yeah. Throughout
1:47:17
this whole era, like the new students
1:47:19
are kind of like a nice peanut
1:47:21
gallery for like the adults, like totally
1:47:23
losing it and squabbling. And they're just
1:47:25
like kind of in the background, like,
1:47:27
what? Like, do you think
1:47:29
they have any idea how to
1:47:31
do this? And up to this
1:47:34
point, they like, and it becomes like pretty
1:47:36
explicit with her, like, fellow
1:47:39
classmates calling it out. But like with
1:47:41
Captain America, when she was a kid,
1:47:43
she's like, obviously got just
1:47:45
like intrigued by Cyclops to
1:47:47
like, like crush level. It's like
1:47:50
she looks up to him, respects him. It's like
1:47:52
he's a hot guy. It makes sense.
1:47:54
But then like, as she goes through this whole thing,
1:47:56
it's like, he's like trash
1:47:58
basically. I don't need to do that. She has
1:48:00
a line that's like, I never understood what
1:48:04
annoyed people so much about you, but
1:48:06
I think I finally understand. I get
1:48:08
it now. Yeah.
1:48:11
Because it really is rich that
1:48:13
this guy who is like a
1:48:15
complete basket case with his own
1:48:17
grief guilt is trying to tell
1:48:20
her that she needs to reach
1:48:23
out. She's like, actually, I don't
1:48:25
need to do anything you tell
1:48:27
me. Yeah, there's a moment where he's like, you
1:48:29
know, you can tell me anything. And she's like,
1:48:31
I'm not sure that's true. If you hadn't come
1:48:34
to rescue me when you did, who knows what
1:48:36
shape I would be in, which is like, there
1:48:38
are two ways to read that. And she probably
1:48:40
means both. That's probably more negative.
1:48:42
And I was like, before
1:48:44
this episode, just like to step back,
1:48:47
I was like, should I do the
1:48:49
Australian accent? And I feel like I've
1:48:51
heard it enough where it's like, yeah,
1:48:53
I could totally do it. And I
1:48:55
try it myself. It's like, oh, that's
1:48:57
awful horrible. I can't I can't embarrass
1:48:59
myself like that at all. Connor's doing
1:49:01
a great job for everybody. So I'm
1:49:03
I'm I'm trying. My
1:49:05
New Zealand is better. But
1:49:08
I try my best with the Australian. That
1:49:11
leads into the Last Will and
1:49:13
Testament of Professor Axe arc, which
1:49:15
we mentioned earlier. Totally strange. Luckily,
1:49:18
this episode doesn't need to touch
1:49:20
on his child with mystique, which
1:49:22
is the most insane part of
1:49:24
this plot and has hopefully been
1:49:26
like a race to the time stream, but not
1:49:29
enormously. I think that's the implication.
1:49:31
The child he had with mystique
1:49:33
when she was posing as Moira
1:49:35
McTaggart. Oh, right. That
1:49:37
was one of the crazy stuff. Yeah,
1:49:40
the Battle of the Adam X-Men. Yeah,
1:49:42
that was nasty. But
1:49:44
funny, this scene is kind of lifted
1:49:46
for the animated show. Ninety
1:49:48
seven, which is like, yeah,
1:49:51
they did it with Magneto, which makes
1:49:53
it look like it makes more sense.
1:49:55
They did a combo for ninety seven
1:49:57
of this scene and then also. the,
1:50:00
and I just did this for the
1:50:02
Trish Tillie episode, the scene at Warren's
1:50:04
Will reading in
1:50:07
X Factor when it's like he
1:50:09
left everything to hodge? Oh yeah,
1:50:11
right. Kind of
1:50:14
a fun mashup of the aughts in
1:50:16
the 80s like everything else in
1:50:18
X-Men 97, which is a funny, as
1:50:21
I said, 90 stories, mostly
1:50:23
not great. They
1:50:25
make them better. It's like, yeah. Well,
1:50:27
yeah, it's like you just like the
1:50:29
original 90s. Who could have been telling
1:50:31
stories not from the 90s with the
1:50:33
cast from the 90s. Now we can
1:50:36
remember Operation Zero Tolerance in like the
1:50:38
best possible way. In a nice way,
1:50:40
right? It's like, oh, wow, someone made
1:50:42
it good. Anyway, the big thing that
1:50:44
they learn apart from all of the
1:50:46
intrigue with Mystique from Xavier's Will is
1:50:49
that there is a mutant
1:50:51
called Matthew Malloy who is
1:50:54
an omega level mutant
1:50:56
with unbelievably vast destructive
1:50:58
power. Like this is,
1:51:00
I hesitate to
1:51:02
speak his name because it's now been
1:51:04
a long saga, but it's kind of
1:51:06
Franklin Richards vibes, right? Where it's like,
1:51:09
this is the omega level mutant who
1:51:11
can do anything or Proteus. It's very
1:51:13
like Proteus, Legion, that kind of thing.
1:51:15
This is an existential threat to all
1:51:17
reality. And unlike Franklin who
1:51:20
creates, Matthew is
1:51:22
like a destroyer, like it's a destructive
1:51:24
energy. Xavier, just like he
1:51:26
did with Jean when she was a kid, has
1:51:29
put blockers in Matthew's
1:51:31
brain since
1:51:34
he was a child and was first detected
1:51:36
by Cerebro to ensure that
1:51:38
his powers don't manifest. But now
1:51:40
that he is dead, those blockers
1:51:42
have ceased to exist. Speaking
1:51:45
of Franklin, he does the same tactic he did
1:51:47
with him in the onslaught with like, hey, I'm
1:51:50
a little kid named Charlie hanging out with you.
1:51:52
Everything is cool. Let's play with it. He loves
1:51:54
that one. He loves that one. He loves
1:51:56
to pose as a child to trick a
1:51:58
child. Hello, fellow kid. It's
1:52:00
me, certainly not an astral
1:52:03
projection of a PhD with a
1:52:05
God-conflex. But
1:52:07
so, he basically is
1:52:10
like, this is something I never told anyone
1:52:12
because it's just such a dangerous situation. But
1:52:14
I've gone to check on this guy throughout
1:52:16
his life to make sure the blockers are
1:52:19
still in place. I need you to go
1:52:21
check. So, the X-Men go check. And
1:52:24
it's like all the X-Men. It's like because they've
1:52:26
been fighting amongst themselves, but they're all kind of
1:52:28
united in this storyline with this situation. They
1:52:30
go down to North Carolina where
1:52:33
I think Matthew lives. And
1:52:36
he has already blown
1:52:38
up an entire town like Stanford in
1:52:40
Civil War style. Not so
1:52:42
good. He's in a firefight
1:52:45
with S.H.I.E.L.D. It's going really,
1:52:47
really bad. And then
1:52:49
Scott, instead of
1:52:51
trying to stop
1:52:53
what's happening, tries to recruit
1:52:55
Matthew as the latest cadet
1:52:58
in his revolution. That
1:53:02
is when Ava Bell decides
1:53:05
Cyclops can go fuck himself. She's
1:53:07
like, okay, check please.
1:53:10
Everybody kind of reaches that point at this
1:53:12
stage of the story where like, what are
1:53:14
you doing? This is not a Cyclops with
1:53:16
right moment. She's like, check please. I'm out.
1:53:19
Thanks. It's been real. I'm getting
1:53:21
out of here. But Ava has the power to do
1:53:23
something about it. And she does. She
1:53:25
does. So, she immediately now jumps back
1:53:27
in time because now she can fully,
1:53:29
after the trauma that she experienced in
1:53:31
the future, she now has complete control
1:53:33
over her time travel power. Which,
1:53:36
again, is why I think
1:53:38
she became a steadily untenable
1:53:40
character that other writers weren't sure what
1:53:42
to do with because now, what
1:53:45
do you do with her? And
1:53:47
then, you know, her cable and Rachel and
1:53:49
Bishop have very specific missions. And
1:53:52
they try not to alter things outside of that scope. Ava's
1:53:55
more of a wild card, especially when she's quit
1:53:57
the X-Men, which she does after the story because
1:53:59
she's so disgusted. to the sky. It
1:54:01
becomes a bit of a problem. I worry
1:54:03
that Tempo is going to fall into this
1:54:05
now that she has this power, but I'm
1:54:08
hopeful that we can just kind of
1:54:11
hand wave that she's not quite as
1:54:13
unlimited a time traveler as this character.
1:54:15
I wonder who else, I don't
1:54:17
know, I guess we'd have to see if anybody would want to
1:54:19
take that on. Like it worked for
1:54:21
Steve's story, but also, I don't
1:54:24
know, but also it's like with scope creep. It's
1:54:26
like once you take someone there,
1:54:28
yeah. Once you've said Tempo
1:54:30
can travel in time, it's hard to
1:54:32
take it back without it being perceived
1:54:34
as depowering, in specific in
1:54:36
this case a Black woman, which is
1:54:38
like a thing that has a long
1:54:40
history in the two comics. So it's
1:54:43
messy, but I do think the fact
1:54:45
that she was using the power enhancing
1:54:47
fruit from Krakowa is an easy out.
1:54:49
Yeah. We can say she could time travel, we'll
1:54:52
do that, but like she can't jump thousands
1:54:54
of years in time, let's say, because I think
1:54:56
that that just creates a lot of issues.
1:55:01
Even Cable doesn't really do that. He kind of
1:55:03
sticks to the 20th and 21st
1:55:05
centuries most of the time, they're exceptions.
1:55:08
Or like remember when the X-club went
1:55:10
back in time? Yeah, but Gambit did
1:55:13
it in his solo series, that's when
1:55:15
he met Amanda Mueller, but
1:55:18
he had to be careful about not butsing
1:55:20
with anything because if he butts too much,
1:55:23
that was actually an early case
1:55:25
where the time travel didn't create
1:55:28
a branch of time, or actually
1:55:30
it did, but our timeline was
1:55:32
the branch. It's like Soma,
1:55:34
like we won the coin flip. Gambit
1:55:37
knows he can go back in time and do
1:55:39
that stuff because he finds pictures of himself in
1:55:42
the past, like, oh, I was already there, and
1:55:44
this is the timeline that exists, so I'm not
1:55:46
going to fucking it up. This is just what
1:55:48
I saw. I've already done it. But
1:55:51
anyway, Ava jumps back in time.
1:55:53
She first goes back to,
1:55:57
again, a reverse tank kind of move. The
1:55:59
60s. She
1:56:02
tells him that this failsafe he's setting
1:56:04
up with Matthew and Maloy is not
1:56:06
going to work, but she also tells
1:56:08
him pretty much everything about
1:56:10
her current situation, including that he's dead
1:56:12
and Scott is kind of losing it.
1:56:14
He's like, please do not tell me.
1:56:16
It's like, listen, mate. Mate,
1:56:18
you got to know what's going to happen,
1:56:21
all right? Because I need you to understand
1:56:23
how serious this is. To
1:56:25
show him how serious it is, she jumps with
1:56:27
him back to the present and they see
1:56:30
that while she was gone very
1:56:32
briefly, Matthew has killed almost all the
1:56:34
X men, including
1:56:36
Scott. Cyclops, Magneto,
1:56:39
they're all dust and bones. It's a
1:56:41
bad scene. So he's like, all
1:56:43
right, all right, all right, all right, all right. We
1:56:45
got to handle this. And they jump back again. This
1:56:47
time they jump further back and
1:56:49
Charles uses his telepathy
1:56:52
to prevent Matthew's parents
1:56:54
from ever meeting each
1:56:56
other. He does a
1:56:58
sliding doors and they don't have
1:57:00
their meet cute and they never get together and
1:57:02
never have a child. What's
1:57:05
sick about this, right, is
1:57:07
that Ava's solution is to
1:57:09
do to Matthew what
1:57:12
she accidentally did to her own
1:57:14
child. It's the
1:57:16
only option she sees, but she knows
1:57:18
she can do it. She does.
1:57:21
Yeah. The great exchange between the
1:57:23
two of them. Xavier is like, you
1:57:25
are either the greatest or worst mutant
1:57:27
in history, which, you know, the five.
1:57:30
But also she's like right back at
1:57:32
you, Professor. Right back at you, Professor.
1:57:35
Please go back to where you came from so I can
1:57:37
make myself forget all of this. You can do that. I
1:57:39
have done it before, I think. If
1:57:42
I find that you didn't, I'll bring back one
1:57:44
of the step sisters, Eugene, Greg or somebody to
1:57:46
do it for you. I promise you,
1:57:49
I don't want to know any
1:57:51
of what I know now. Yeah, he
1:57:53
drops a little ominous note as she
1:57:55
leaves. There will be a
1:57:57
cost even more than what you've already suffered.
1:58:00
And even more than what you've
1:58:02
already suffered and maybe that's what we've
1:58:04
just been reading. I don't know That's
1:58:06
the thing right and also when she
1:58:08
comes back from time she hugs Fabio.
1:58:11
She's like Fabio I'm so sorry, and
1:58:13
I love to read that now. It's
1:58:15
like uh Talk about
1:58:17
their time together as the five Maybe
1:58:20
yeah, because when she goes back she
1:58:22
basically like traverses the entire span of
1:58:24
like Marvel history Kind of observes the
1:58:26
butterfly right? Yeah, right. I kind of
1:58:29
feel like she got to see the
1:58:31
whole she probably knows how they end
1:58:33
up But
1:58:36
she does bear that in mind Charles
1:58:38
is like a baleful warning that
1:58:41
this kind of tampering Will
1:58:43
only bring destruction if she continues to do
1:58:46
it She jumps back
1:58:48
to the present and finds it
1:58:50
works Matthew Molloy does not exist
1:58:53
and all of the X in her alive and
1:58:55
she Explains to Cyclops that he just
1:58:58
fucked up big time If
1:59:01
you tried and failed to bring the mutant over to
1:59:03
your nervous breakdown I mean mutant
1:59:05
revolution let's meet you and out of control
1:59:08
your hubris was the death of you in
1:59:10
countless others What did you do? It
1:59:13
doesn't matter what I did. But medit is what
1:59:15
I'm going to do now now I
1:59:18
will be watching you and Man,
1:59:20
if you don't screw your head all the way on
1:59:22
straight I am going to go back in time and
1:59:25
make sure your parents never meet I Can
1:59:27
do it too? Just
1:59:30
dropping bars on everybody. It's really
1:59:32
good He's
1:59:35
pretty shook by that and she's
1:59:37
like by the way, I quit your
1:59:39
fucking school. Goodbye I am dropping out
1:59:42
and she disappears into the
1:59:45
distance like fuck you. I'm out here because
1:59:47
also fuck Charles I hate all of you
1:59:49
guys like oh we're here at the
1:59:51
Xavier school trying to like Redeem you because
1:59:53
you killed your surrogate father and now we
1:59:56
have to honor his dream fuck his dream.
1:59:58
He sucked too It's
2:00:00
assholes all the way down and I'm out.
2:00:03
I like how this kind of, um, it
2:00:05
struck me as mirroring sort of like the
2:00:07
cuckoos and Emma a bit. Like obviously they
2:00:09
come back around to her as
2:00:11
the story goes on, but just kind of
2:00:13
like, yeah, no, this is like bullshit.
2:00:17
Over it. We don't need to. We're
2:00:19
over it. Yeah. That is her last
2:00:21
appearance for quite a while, almost two years
2:00:23
or like a year and a half. Well,
2:00:25
she comes, wait, is it that long? Yeah,
2:00:28
it is. For the
2:00:30
trial of Hank McCoy, which is January 2016.
2:00:34
Oh my God. And all new
2:00:36
X-Men 31 is October 2014. Wow.
2:00:40
So she's gone for a minute, but
2:00:42
she does come back for uncanny 600 legacy
2:00:44
600 issue, which is
2:00:48
kind of fun because now we're about to have legacy 700, right? Yeah.
2:00:52
So that's a demarcation of time. I'm
2:00:54
actually curious to see the legacy numbering
2:00:56
like math. Cause the problem with X-Men
2:00:59
is it's so fucked up, the
2:01:01
legacy numbering because of the adjective
2:01:03
list relaunch in 91 and the
2:01:06
fact that the original adjective list
2:01:08
becomes uncanny X-Men around like, I
2:01:10
think 142 or something. It's
2:01:12
in days of future past. Yeah.
2:01:14
So I wouldn't be surprised if
2:01:16
like crisis has this all like,
2:01:18
Oh, I guarantee that editorial and
2:01:20
yeah, he probably does too. But
2:01:23
also the thing is like, it might not be exactly 700, but
2:01:25
just let it ride. It's
2:01:28
what it needs to be. Just let it
2:01:31
ride. It needs to be a big round
2:01:33
number and it's ending on this huge number.
2:01:35
Exactly. But so uncanny
2:01:37
600 is the trial of Hank McCoy
2:01:39
where he is held to account for
2:01:41
his irresponsibility and tampering with the timeline.
2:01:44
That is when Ava makes her return
2:01:46
after all the arguments have been made
2:01:49
to give a bit of advice to
2:01:51
Hank. She says that
2:01:53
in every future that she has visited,
2:01:56
she has been told that he has to answer
2:01:58
for his crimes. And
2:02:01
she really hopes he's learned a lesson because
2:02:04
it's every single timeline.
2:02:08
Now, at the time, the
2:02:10
suggestion is it's the time travel
2:02:12
thing that is what she's talking
2:02:14
about. But now with the benefit
2:02:16
of hindsight, there are a lot more crimes
2:02:19
that she could also be talking about. But
2:02:21
the fact is she's saying in
2:02:23
every timeline, I'm told
2:02:26
that you committed egregious
2:02:28
crime. She's at least
2:02:30
open-ended because she's like, yeah, this would
2:02:32
seem to be what's happening. But
2:02:35
if it isn't, if it wasn't, it
2:02:37
is. If it wasn't this, then you
2:02:39
need to think about what I'm telling
2:02:41
you right now before you do anything
2:02:43
else. Just know that you are a
2:02:45
famous criminal in the
2:02:47
future. And, listener, he did not. He
2:02:50
did not! He absolutely
2:02:52
did not. Eventually he decided
2:02:54
that was good, and he would just take that
2:02:56
on himself for the sake of mutant kind, and
2:02:59
the rest is history. I am
2:03:01
intrigued to see what McKay
2:03:03
does with Rebooted Beast, just because I
2:03:06
think the point at which he's been
2:03:08
brought back is really interesting. It's such
2:03:10
a specific – it's before
2:03:13
X-Factor, before 80s X-Factor. So,
2:03:15
like, that's much different.
2:03:18
Yeah. Yeah, I hope that
2:03:20
gets worked in. I kind of feel like
2:03:22
the most realistic
2:03:24
outcome is just like – He could
2:03:26
just default back to Cartoon 90's Hank,
2:03:28
but the fact that he has never
2:03:30
met Trish Tilby, for example, is something
2:03:32
that I think is interesting, right? Like,
2:03:34
there's stuff like that. Then that's juicy.
2:03:36
That's juicy, especially since she was just
2:03:38
in the cartoon. Like, that's a story
2:03:40
you could do. Yeah. She
2:03:43
still lived with Wonder Man? Who knows? They just
2:03:45
moved back in together. It says so in X-Force
2:03:47
50. Right. It's
2:03:49
like, well – But now he's going to be in Alaska, so –
2:03:52
Evil Hank's atomized. Reboot Hank just moved
2:03:54
in with Wonder Man, and I'm like,
2:03:56
good for them. Love wins. I
2:04:00
will say, and I think Ben very cleverly
2:04:02
did not show us the body, I
2:04:05
think it'll be a shame if
2:04:07
Evil Prime Hank is actually like,
2:04:10
dead dead. Because I think one of
2:04:12
the most brilliant things that Krakowa has
2:04:14
done is give us a dark beast
2:04:16
who is a character we actually care
2:04:18
about instead of just like, a ghoulish
2:04:21
Dr. Mengele from Age of Apocalypse. Like
2:04:23
this is our beast gone
2:04:25
bad, which I think is more interesting.
2:04:28
So, you know, we'll see. That's one of
2:04:30
those things where it'll take another writer having
2:04:32
a story they want to do, and then
2:04:34
I'm sure, you know, Celine ate Evil Captain
2:04:36
America, and then as it turns out, she
2:04:38
can just spit him back out. So, you
2:04:40
know, people come up with their
2:04:43
explanations. That
2:04:45
is the last she
2:04:47
is seen for a minute.
2:04:50
She has Iron Man 600. Oh
2:04:53
my God. Now's my moment to air
2:04:55
my grievances with Iron Man 600. Because
2:04:58
this is Bendis' last issue at Marvel before
2:05:00
he leaves for DC. Right.
2:05:02
So, that
2:05:04
came out pretty soon after
2:05:06
I had read all
2:05:08
this stuff for the first time and caught Ava Bell fever.
2:05:11
And I saw on the internet that Ava
2:05:13
Bell was going to appear in Iron Man
2:05:16
600. And I was so excited. It's like,
2:05:18
oh my girl, more stories because it seemed like she
2:05:20
was just gone forever. And
2:05:22
this comic was like eight or
2:05:24
ten dollars. I can't remember. And I was like, oh,
2:05:26
that's kind of a lot to spend in general, but
2:05:29
in an Iron Man comic. But I was like, I
2:05:31
really want to see Ava again.
2:05:34
So I plunked down the money. And
2:05:36
then guess what? Ava's scenes
2:05:39
are a reprint of her thing
2:05:41
in the annual where she's meeting Sorcerer
2:05:44
Supreme Iron Man from the future. There's
2:05:46
no new content at all. It's
2:05:48
odd. And I'm
2:05:50
bitter about it to this day. But
2:05:53
I guess it's like, because I read
2:05:55
the other stuff and it was all like Leonardo da Vinci was in
2:05:57
it. I Didn't know anything about it.
2:06:00
The Shield series, and all that stuff
2:06:02
the Hickman had done, or stuff like
2:06:04
i don't know what's happening in Iron
2:06:06
Man, but right for me. Yeah, it's
2:06:08
just it's a very odd this. It's.
2:06:11
A very odd moment. Again,
2:06:13
I guess a testament to how much
2:06:15
he likes the character and that issue
2:06:17
which is really good so you know
2:06:20
valid. So. That his last
2:06:22
word on her. And then she
2:06:24
is not seen again until the
2:06:26
following year, when she appears in
2:06:29
two issues of Matthew Rosenbergs run
2:06:31
on Uncanny Acts Man issues nine
2:06:33
and ten. This is not like
2:06:35
a Big Appearances has no lines
2:06:38
when she does her to me.
2:06:40
My X Men like Global, call
2:06:42
all the warriors in to fight
2:06:44
the Legion. Neat Gray, a hybrid.
2:06:47
Beat. Do not worry about any of this.
2:06:49
This is the lead up to Age of Acts
2:06:51
Man He sees one of the ones who answers
2:06:53
the call. so we see her system from the
2:06:56
Bearman rounded and doesn't use your powers. those will
2:06:58
see her yeah which serve their was odd in
2:07:00
this case because she really could have saved the
2:07:02
day this time and that's kind of the issue
2:07:05
right? Is that like if she is there to
2:07:07
give to explain why she's not just fixing it.
2:07:09
That. Is that on that she gets sucked
2:07:11
into age of x? Ma'am I guess I don't
2:07:14
remember if she was in it at all I
2:07:16
can remember. I can't remember. I know she was.
2:07:18
In it. Will. Nice. like a major guy. Was
2:07:20
from a cameo somewhere I know I can't recall. Then
2:07:23
she appears in. House
2:07:26
of Acts of the Safari Boot
2:07:28
Vibrator Jonathan Hickman in As Twenty
2:07:30
Nine scene where she is established
2:07:32
to be a key part of
2:07:34
the Mutants circuit called The Five,
2:07:37
The Engine of Cracow and Resurrection.
2:07:39
It is either his ability
2:07:41
to create localized bubbles in
2:07:43
which she controls time that
2:07:45
allows for mutant dna to
2:07:47
be processed through fabio eggs
2:07:49
and then rapid aids to
2:07:51
the point that the person
2:07:53
was when they.or the point
2:07:55
that they would like to
2:07:57
be here which is. part
2:08:00
of Krakoa that's not addressed as much
2:08:02
but that helps handwave the problem of
2:08:04
like, why is Doug Ramsey the
2:08:07
same age as the other New Mutants or
2:08:09
like, Arsenk and Monet like six years apart
2:08:11
now? It's like, don't fucking worry about it.
2:08:13
It does not matter. But also
2:08:16
explains how characters like Destiny and Somnus
2:08:18
got their groove back when they were
2:08:20
old as balls when they
2:08:23
died. The gifts that Jonathan Hickman
2:08:25
and Pepe Larraz gave us with
2:08:27
House of X. Unbelievable
2:08:29
stuff. Start coming out, Husk
2:08:32
was on the covers, in the issues was
2:08:34
like, oh my god, I get to the
2:08:36
five issue. They strut
2:08:38
out. I was like, what
2:08:41
a mic drop. It did seem like it was going
2:08:43
to be a big Husk era. I mean, you know,
2:08:45
it's fine. I think what happened there is
2:08:48
just that because of the head of X
2:08:50
semi editorial role that he took on, I
2:08:53
think Hickman had less time to write. I think
2:08:55
if he had gotten to write additional
2:08:57
books, he would
2:08:59
have used it. Yeah, he was going to write a
2:09:02
Generation X book, but they were just like, not
2:09:04
in this economy. He said that he
2:09:07
wanted there to be a Generation X book, but
2:09:09
that nobody else was like jumping to write
2:09:11
that because there was already New Mutants. He wanted
2:09:13
to have a Gen X, a
2:09:15
New Mutants book, a Gen X book and an
2:09:17
Academy X book. He like pitched that in the
2:09:19
room and like, A, it was like, that's a
2:09:22
lot of books competing with themselves. Yeah. But also,
2:09:24
no one was like, super
2:09:27
like, ooh, me, like I've got to do that. And
2:09:29
so he was like, I'm not going to draft someone
2:09:31
to write Gen X just because I like Gen X
2:09:33
and I don't have time to do it. Totally. I
2:09:36
would have loved it, but
2:09:38
some dreams cannot be. The one he
2:09:40
really wanted to do was like the Star Jammer's and
2:09:42
Imperial Guard. And he didn't get to
2:09:44
do that one either. I was going to be
2:09:46
the Sunspot and Cannonball book. But you
2:09:49
know, these things happen and it is what it is.
2:09:51
I think that Eva's
2:09:54
role in the five is interesting
2:09:56
for her as a character because
2:09:58
it involves no time. I'm travel.
2:10:01
Is staying stationary and just
2:10:03
using the battles in a
2:10:05
productive away. But it also
2:10:07
enables her to symbolically become
2:10:09
a mother to every meat
2:10:11
and child that they bring
2:10:13
back. The of a tragedy
2:10:15
is that she can't bring
2:10:17
back her own child. She
2:10:19
has a magneto lying or
2:10:21
sitting in that way that
2:10:23
is ever explored of. but
2:10:25
it's an interesting thing to
2:10:27
think about. The five
2:10:29
the as we sort of address
2:10:32
at the top are all characters
2:10:34
who either in the case of
2:10:36
Gold Bar/egg just would have disappeared
2:10:39
forever or who are somewhat story
2:10:41
inconvenience because of the nature of
2:10:43
their powers. Proteus
2:10:45
and. Elixir and Campus in
2:10:48
particular are just real story breakers if
2:10:50
they're hanging around, Because now if they
2:10:52
don't save the day than every fan
2:10:54
of like School. Why didn't Tampa's is
2:10:57
travel in time? It's because that's not. The
2:10:59
story and it would have been dumb,
2:11:01
but you can't say like the there's
2:11:03
becomes a problem where the internal logic
2:11:05
of the story and the external logic
2:11:07
of the story don't think up and
2:11:09
you have to think about that a
2:11:11
lot when you're writing superhero stories with
2:11:14
an ensemble cast. So I think that
2:11:16
this was a clever way to tie
2:11:18
them up like they're doing something incredibly
2:11:20
important. but it means that they're busy.
2:11:22
Which means that they can't just show
2:11:24
up to solve whatever problem that I
2:11:26
think was a smart way of of
2:11:28
doing. That. With Hope summers
2:11:30
it was sort. Of owning a
2:11:33
Td. Been there because Care and and
2:11:35
I are doing a Hope episode probably
2:11:37
in July. Russell bigger an exact timing
2:11:39
but I want the era to like.
2:11:41
And. And Will Do Like Sort
2:11:43
of Capstone by Hope is a character
2:11:46
who never particularly worked. She.
2:11:48
was like a relic of the
2:11:50
decimation era who's plot beats never
2:11:53
panned out in my opinion kiran
2:11:55
was really the only writer who
2:11:57
did particularly entry interesting stuff with
2:12:00
her. And that's not
2:12:02
to say that other people didn't try and
2:12:04
the cable stuff is good, but she's a
2:12:06
McGuffin in that. It's not really as much
2:12:08
like about her. Once she's like an adult,
2:12:10
quote, when she's like 18 or
2:12:12
whatever, she kind of falls off. And
2:12:14
the problem with her is that once Jean is
2:12:16
back and Rachel is back,
2:12:20
what is the point of hope? Today,
2:12:23
I think Kieran Gillan showed
2:12:25
us the point of hope and that was
2:12:27
good. And again, this. But Hickman is the
2:12:29
one who starts it because when you say
2:12:32
she's the mutant Messiah, not because of
2:12:34
anything that happened in Avengers versus X then,
2:12:36
not because of anything that happened in Generation
2:12:38
Hope, not because of any of that shit,
2:12:41
she's the mutant Messiah because you need her
2:12:43
for the resurrection circuit to work. It
2:12:46
fixes just about everything, really, that
2:12:48
was a problem with that character.
2:12:51
And once Kieran returned to the franchise,
2:12:54
he clearly said, okay, I'm gonna
2:12:57
do something with hope because much
2:12:59
like Sinister, I would
2:13:01
say those are the two X-Men characters I
2:13:03
most associate with Kieran, are Sinister and
2:13:06
Hope Summers. I would now also say
2:13:08
Destiny, but that was new in this
2:13:10
era. He
2:13:13
was sort of the steward of that character
2:13:15
in the utopian age. And
2:13:18
it's fitting that he concluded
2:13:20
her story. I
2:13:23
personally don't think she should ever be seen
2:13:25
again. I don't wanna spoil exactly what happens
2:13:27
to the issue for anybody who didn't read
2:13:29
it because it literally came out today as
2:13:31
we're recording this. But I
2:13:33
think that it fixed just
2:13:36
about every bit of huh about
2:13:40
that character, while also
2:13:42
repositioning Gene and Rachel in
2:13:44
a really smart way and
2:13:47
fixing a lot of the problems with
2:13:49
the Phoenix that we've had since Avengers
2:13:52
versus X-Men and just kind of making
2:13:54
it all work. As
2:13:58
a result of that, we... It's
2:14:01
kind of hard not to spoil this at all, but Krakow
2:14:04
is over guys, you know Krakow is over. People
2:14:07
have read it. So like, you know.
2:14:09
You know more than we do at
2:14:11
this point. Hope does some Messiah shit
2:14:13
as she calls it and makes a
2:14:15
choice to sacrifice herself to allow the
2:14:17
Phoenix to be reborn. The
2:14:20
refugees from Krakow after the
2:14:22
Hellfire Gala have been
2:14:24
cast into the White Hot Room by
2:14:27
Mother Righteous. She's part of her nefarious
2:14:29
plan. That's a character I can do
2:14:31
without, to be perfectly honest, god lover. I
2:14:34
just, I need a break at least from.
2:14:36
Yeah I agree with you there and I
2:14:38
also agree about Hope. Sorry to the fans,
2:14:41
but you know we all lost someone. I
2:14:44
think if you're a Hope fan you should be really
2:14:46
happy with this story. Yeah it's great. It ties it
2:14:48
all up. It's like a nice bow. To
2:14:51
me this is like one of the best
2:14:53
comic book deaths I've ever read, I think.
2:14:56
I mean I just read it today so again
2:14:58
I like to let things like marinate a little
2:15:00
bit before I make declarative statements like that. But I
2:15:02
can't think of a death in a comic book that
2:15:04
I thought was this good in like a very long
2:15:07
time. And in part it's
2:15:09
because it feels like it will stick because she's
2:15:11
not a classic character and
2:15:14
she's a very confusing character and it's
2:15:16
also the perfect combination of her entire story.
2:15:19
So it's like why would you fuck with it?
2:15:21
Of course I'm sure someday someone will. But
2:15:24
for now I'm quite happy with it. The
2:15:26
thing is that given all of the upheaval
2:15:29
that has occurred with the Phoenix, the White
2:15:31
Hot Room is now in an unstable state.
2:15:34
The refugees who are there are now
2:15:37
stuck there. But it's not
2:15:40
sad. It's
2:15:42
actually really beautiful I
2:15:45
think. The idea
2:15:47
that Krakoa is out there and
2:15:49
nobody we care about who's going to be in an
2:15:51
X-Men story is still there. But these
2:15:54
anonymous people who we don't really
2:15:56
know are there with the Five.
2:15:58
Right? And
2:16:00
jumbo carnation is a jumbo carnation. I
2:16:03
like that for two reasons one is if
2:16:05
the point is This is
2:16:07
now a piece of Krakow in
2:16:10
society preserved outside of time and space
2:16:12
where no one can ever kill it
2:16:14
And they will build their own mutant
2:16:16
culture in the heart
2:16:18
of heaven Yeah, yeah as above so
2:16:20
below versus the way that Araco and
2:16:23
Ammonth played out, right? if
2:16:25
that's going to happen and they're going to
2:16:27
build mutant culture for real in a place
2:16:30
where the Editorial return
2:16:32
to the status quo that always happens the big
2:16:34
two comics can't touch it and it
2:16:36
can be the dream of Krakow Yeah, then
2:16:38
jumbo carnation is someone you want to
2:16:40
be there. He represents that that mutant
2:16:42
drive towards mutant art I mean, that's
2:16:45
what he was in the Morrison. Yeah
2:16:47
story. That is really beautiful Yeah,
2:16:49
I also like that. He is thereby Kept
2:16:54
preserved as well because
2:16:56
if there was ever a character that some
2:16:59
writer 10 years from
2:17:01
now was gonna like Yeah,
2:17:03
shoot in the head for like an edgy sweeps
2:17:05
week hate crime story. It's jumbo carnation So
2:17:07
like frankly he can go design fashions in
2:17:10
peace at the heart of the macron crystal
2:17:12
I love that for him. But yeah,
2:17:14
otherwise the characters that we see Rock
2:17:17
slide, but I think that's an art error. Don't worry
2:17:19
about it guys If anybody wants to use rock slide,
2:17:22
I bet I bet that character is just gonna show
2:17:24
up unexplained that you could just not worry But it's
2:17:26
like Quentin choir being in judgment day Like sometimes a
2:17:28
group shot just has some randoms in it who shouldn't
2:17:30
be there for the most part It's
2:17:32
sort of anonymous characters the new character Kafka who we
2:17:34
met a few times on Krakowa Which that's a
2:17:37
funny codename because now they're in this very
2:17:39
Kafka situation and he takes charge but
2:17:42
also Ava elixir Fabio
2:17:44
and Proteus are The
2:17:47
ones who are there who are going to help guide
2:17:50
this civilization. I Think
2:17:53
it's nice I just I you know I
2:17:56
get if you're a fan of one of those characters like a
2:17:58
big fan of one of those characters like get why you You'd
2:18:00
be bombs here. By.
2:18:02
It. It. Feels like.
2:18:06
The I mean they were the heart
2:18:08
of Cracow are right like that engine
2:18:10
is what operated at and so yeah
2:18:12
young lawyer for them to be there
2:18:15
with the Phoenix who is hope in
2:18:17
the White Hot Room as the society
2:18:19
of all there is cool. Him and
2:18:21
I personally would be good with not
2:18:23
seeing any of those characters again until
2:18:25
the second Cracow. An age in twenty
2:18:27
thirty Five or whatever you know what
2:18:30
I mean There. And I
2:18:32
like her you put it it called
2:18:34
the Mine for to work out you
2:18:36
did with Low Key in the Defenders
2:18:39
beyond those of such a beautiful issue
2:18:41
rivers like look I'm like realize that
2:18:43
my identity and like I can't be
2:18:46
put back because that's what like of
2:18:48
the marvel Cosmos does and they just
2:18:50
like the about the whole timeline and
2:18:52
sort of like by. There.
2:18:55
Is something. I.
2:18:58
I I had a really emotional reaction
2:19:00
to this issue this morning. I you
2:19:03
know there's something. Particularly.
2:19:05
In this moment deny I don't like
2:19:07
to get too. Serious
2:19:09
parties in his podcasts. That's not what people
2:19:11
tune into. The should have listened, Buy it
2:19:13
in this moment. In. Jewish
2:19:15
History. Where.
2:19:20
I. Don't even know how to has described
2:19:22
how bizarre Passover was this year. Now
2:19:24
me Klein did it better than I
2:19:26
can look up Naomi Klein's as say
2:19:28
we did an exodus from Zionism that
2:19:30
suppose in the Guardian because I think
2:19:32
it's incredible. I mean I'm a big
2:19:34
Naomi Klein fan but it was really
2:19:36
get his ah thanks. To.
2:19:41
Do. The Book Of Exodus. With.
2:19:43
Access. To. Do Passover?
2:19:46
Yeah. And then to
2:19:48
turn Couric, our. Ensue.
2:19:52
Next year in Jerusalem. Blue
2:19:54
yeah the idea as if
2:19:56
people are not familiar with
2:19:58
the said this is. It's complicated
2:20:00
because again, like what's literally happening in
2:20:02
Jerusalem and the vicinity right now is
2:20:05
horrifying. So, you know, and I don't want to
2:20:07
get too deep into that because I've said my
2:20:09
piece, I've signed open
2:20:12
letters and stuff. Like I'm I've
2:20:14
said my piece to the extent that
2:20:16
I feel anybody needs to hear my opinion on this issue. The
2:20:19
phrase next year in Jerusalem is not really
2:20:22
about Jerusalem, the physical location.
2:20:24
It's the idea that someday
2:20:27
we will all be together
2:20:29
in a promised land.
2:20:32
You know, you're at the Seder and you say, and I
2:20:35
will see you next year in Jerusalem. But nobody
2:20:38
saw it when when that became a tradition
2:20:40
that they ever would get to. Yeah.
2:20:42
That you'd ever actually get there. And,
2:20:46
you know, Moses never sees the promised land
2:20:48
like that's the thing.
2:20:51
So the idea
2:20:53
that now hope is
2:20:56
the thing with feathers that
2:20:59
abided. It's
2:21:03
cool. It's just cool that
2:21:05
Exodus, the character redefines the Exodus
2:21:07
story for mutants. And now we
2:21:10
can say next year on Krakowa
2:21:13
and we don't necessarily believe
2:21:15
that next year the powers
2:21:17
that be at the floating space palace or
2:21:21
editorial or whoever makes these decisions. These
2:21:23
are, you know, high level decisions about
2:21:25
where a brand and an IP goes.
2:21:29
Whether or not we believe that the second
2:21:31
Krakowa needs will come anytime soon. The
2:21:34
idea of Krakowa is now the
2:21:36
thing and the fact that
2:21:38
within the story, it is real still.
2:21:41
And these people are still there. And
2:21:44
we have to make this
2:21:46
world hospitable because someday
2:21:49
we will be reunited with them. And
2:21:51
in saving one person, you save the whole world,
2:21:54
which is the bit from the Talmud
2:21:56
that Al Ewing used
2:21:58
so beautifully in. resurrection of
2:22:01
Magneto. So I really
2:22:03
loved this issue. I really love this ending,
2:22:06
if Krakowa must
2:22:09
end, and sending
2:22:11
the five off as sort of
2:22:13
the Prophet who ascend
2:22:15
to be with the divine makes
2:22:18
a lot of sense. But you know
2:22:20
my condolences to the stans
2:22:23
of those characters. Because you know we probably won't see them
2:22:25
for a while. I really
2:22:27
love that Proteus gets to be okay in particular.
2:22:31
Yeah. And he gets to be one
2:22:33
with the cosmic mother, which is all
2:22:35
he ever wanted. Mm-hmm. Yeah.
2:22:38
It's nice. Yeah, it's
2:22:40
nice. It's really nice. I was
2:22:44
thinking, I just want to like touch
2:22:46
back. You know we love these
2:22:48
comics but we are in this world
2:22:52
and I applaud
2:22:54
you and everybody who
2:22:57
does the important thing of touching
2:22:59
back and look around
2:23:02
us. We can't stand
2:23:04
for these horrible things to happen
2:23:06
to human beings. Absolutely not. Thank
2:23:08
you. I appreciate that but
2:23:11
it's hard not to feel
2:23:13
like you're not doing enough.
2:23:15
So that's another conversation
2:23:17
that we can have off air. Do
2:23:20
you have anything else you'd like to say about Ava before
2:23:22
we get into the questions? Yeah, thank
2:23:24
you. I just want to
2:23:27
touch on a couple things and just
2:23:30
be a bit more effusive about cool
2:23:32
moments of this character. I'm trying to think.
2:23:35
I think it's very funny that she has
2:23:37
like a Fox X-Men like hair change. Like
2:23:39
when her power manifests, she gets her white
2:23:41
streak. Oh yeah and the blue hair. Like
2:23:43
she does get a visible mutation as well.
2:23:45
It's a good look but when her hair
2:23:47
gets a little bit longer. It does make
2:23:49
her look like rogue unfortunately.
2:23:52
Yeah and there's a couple scenes
2:23:54
like in Krakowa where if you're
2:23:56
not reading It as an Australian accent.
2:23:58
It's like this is person's. Think it's
2:24:00
rogue right? but yeah, know what
2:24:03
dignity of scrape Love her. I
2:24:05
would love to see the outfit
2:24:07
chains are. There might be questions
2:24:09
about this of if we can
2:24:11
assess, assess assess the fact that.
2:24:15
He. Can take the girl added at all the but
2:24:17
you can take the goal the out of the
2:24:19
girls is very narrowly at it every time lion.
2:24:23
I love when she gets low little shawl
2:24:25
in the future than it's a nice addition.
2:24:27
I like the solitary I was is a
2:24:30
oh yeah there's a really nice. A.
2:24:32
Plus X issue that Gerry Duggan
2:24:34
actually rights where she has like
2:24:36
a little spy a moment for
2:24:39
Cyclops were see in her eye
2:24:41
Doctor Strange and he can have
2:24:43
Lakes. He is
2:24:45
basically able to sidestep her time freezing
2:24:47
powers as like actually are not stopping
2:24:49
time you just like. Really slowing
2:24:52
it down and I'm actually just
2:24:54
like speeding. A backup and I'm
2:24:56
second magical. Yeah, yeah. Like
2:24:58
what do you do a smile know to turn
2:25:00
The best was like array. Of
2:25:03
be careful. says.
2:25:05
And I seen in know that
2:25:08
my carried graphic novel no More
2:25:10
Humans Very young, interesting. also notable
2:25:12
for Salvador La just trying cooler
2:25:15
from drag above into of a
2:25:17
crowd. Seen the is never shy
2:25:19
about his Anna May it's it's
2:25:22
yeah he's He's a special artist
2:25:24
and he makes spasm slices and.
2:25:27
Gotta hand to them you
2:25:29
know? and yeah seller to feed
2:25:32
our for so many things
2:25:34
that also forgiving. Eva A
2:25:36
nice moment was last Club in
2:25:38
the New Britain story. I liked
2:25:40
that you know at the five
2:25:43
kind of keys than when it's
2:25:45
in the series and hope eventually
2:25:47
came to that of stand In
2:25:49
once they unionized these array of
2:25:51
through house but I think if
2:25:53
any of them. got individual
2:25:56
moments it was sort of either got a
2:25:58
couple an elixir got a couple and that
2:26:00
makes sense because they're there Fabio yeah I
2:26:02
did it really did kind of Fabio didn't
2:26:04
get a ton is what I'm saying like
2:26:07
I think Fabio and Proteus got less but
2:26:09
that makes sense because they're not as yeah
2:26:12
I got was that obviously
2:26:14
hope was one
2:26:16
of Gillen's favorite but then like of
2:26:18
the five I my sense of it
2:26:20
was that Fabio got a lot more
2:26:22
shine like especially in Judgment Day he's
2:26:24
kind of like yeah yeah you can't
2:26:26
get away without talking about
2:26:30
Eternals with me but the
2:26:32
Ken the problem is like Ava could
2:26:34
just fix Judgment Day I know and
2:26:37
the solution is like forget
2:26:39
she exists which like you of course understand
2:26:41
but it's send her to the White Hot
2:26:43
Room I'm sorry this character is a bit
2:26:45
of a problem but I like her you
2:26:47
know if you did
2:26:49
bring her back I think that the
2:26:51
I think you just have to put
2:26:53
a much harder limit on her time
2:26:55
traveling yeah exactly the time travel is
2:26:57
off the board unless absolutely necessary and
2:27:00
like a big climactic moment right yeah
2:27:02
if you even just go like you
2:27:04
said to a place the same way
2:27:06
that Rachel and cable usually do it
2:27:08
where it's just like we can't do
2:27:10
that unless it's absolutely necessary because
2:27:13
it could disrupt the time stream and just like kind
2:27:15
of go with it yeah that way I've
2:27:17
always been super doctor who resistant throughout
2:27:19
my whole life but I actually like
2:27:22
it's very important to my partner the
2:27:24
Eccleston and Tenet years and like this
2:27:27
year I was I experienced
2:27:30
that and I really got
2:27:32
the sense of the companions
2:27:34
as being very kind of like the
2:27:37
five adjacent and like before we kind
2:27:39
of saw how it shook out I
2:27:42
was just like oh wow imagine Donna
2:27:46
and Rose specifically shout
2:27:48
out to all the people who love
2:27:50
Doctor Who I am a new
2:27:52
dilettante in your world but
2:27:56
how you have you
2:27:58
access to this most amazing thing
2:28:00
like you like go
2:28:02
through time and space and you like
2:28:05
are the backbone of this amazing society
2:28:07
and then it ends and you are
2:28:09
forced to like go on with
2:28:12
your life like it used to be like how are
2:28:14
you supposed to handle that and I thought there would
2:28:17
be a lot of like pathos to mine there but
2:28:19
it turns out I guess I kind
2:28:21
of did what they did with Rose
2:28:23
to begin with just sort of like
2:28:25
plopper in an alternate dimension and
2:28:28
never see her again unless again its story
2:28:31
interesting I think you
2:28:34
said Connor that you are not a Doctor Who
2:28:36
person so I am NOT
2:28:38
because I well I was so I
2:28:40
watched the first series of Matt Smith
2:28:43
and then I tried to watch the
2:28:45
next one quite honestly for
2:28:47
River Song which is like very on
2:28:50
brand but then her plot got so
2:28:52
bad that I dropped it I could
2:28:54
never get into David Tennant
2:28:56
I found him kind of
2:28:59
unbearable I like him
2:29:01
in other roles a lot like I agree
2:29:03
with you Jones I found his Doctor Who
2:29:05
stuff to be very like scene chewy in
2:29:07
a way that I didn't love totally agree
2:29:09
with I get that that's why people love
2:29:11
it and it's just was not my cup
2:29:14
of tea as it were they do feel
2:29:16
like with Donna I feel
2:29:18
like their dynamic works it makes it
2:29:20
palatable but not my yeah not my
2:29:23
favorite that's a character I wish I
2:29:26
could spend more time with but I just find
2:29:28
him annoying so I haven't yeah and then I
2:29:30
tried to go back to Eccleston but it looked
2:29:32
so cheap that I just couldn't yeah yeah it
2:29:34
was still like very it was like season one
2:29:36
Buffy kind of budgeting love
2:29:39
the trans skin monster lady Cassandra
2:29:42
the trans icon I
2:29:44
support her she's also very
2:29:46
Amanda Mueller coded yes yeah
2:29:48
very much so you know
2:29:50
Yeah, that little rant was for
2:29:52
all the Hoovians out there. Amanda
2:29:54
Mueller Extremely sis character If you
2:29:56
were going to invent a. It
2:30:00
would be that Skyn beast from
2:30:03
from Doctor Who. Anyway, I yes
2:30:05
their logo who the and tiny
2:30:07
why me moment for all y'all
2:30:09
know I mean I. I just
2:30:11
think this character was really good
2:30:14
for bend is the story and
2:30:16
the story that Yummy was telling
2:30:18
and I. Love.
2:30:20
Those annual like I think that those
2:30:22
to that that stories really great and
2:30:24
them Matthew Malloy story is like of
2:30:26
all of the things that they try
2:30:28
to convince me that Cyclops was wrong
2:30:30
about that's the one where I am
2:30:32
I the only one where you're like
2:30:34
yet that may values are ya know
2:30:37
and is a about who's looks at
2:30:39
the reader and it's like this is
2:30:41
the say this is the was yeah
2:30:43
he's losing it now cause the attitude
2:30:45
of all the other characters who oppose
2:30:47
not made for one aggressive a awkward
2:30:49
wasn't you seeing. That were not have like
2:30:51
oh I guess it's this Logan you have
2:30:53
killed so many people. Maybe get a fucking
2:30:56
crap. Is kind of how I. Feel.
2:30:58
About of a you did wet work for
2:31:00
the government you're calling Scott of Assets like.
2:31:02
truly get a grip. But anyway, I'm. That
2:31:05
brings us to our questions. Ah,
2:31:07
as cycle handful of you wrote
2:31:09
in with questions about a rebel,
2:31:11
Thanks for doing that! Oh yea,
2:31:13
Anthony Broderick. Grades Dearest. Connor and
2:31:15
welcome back Illustrious. Guess Karen charm.
2:31:17
Let me first say I'm thrilled that Karen
2:31:20
back because they actually love the Pace Guthrie
2:31:22
episode. I was captivated by their fan enthusiasm
2:31:24
and sense of humor. I've always loved Turns
2:31:26
artwork, including that absolutely gorgeous commission of racial
2:31:29
and Ileana opposing and staring intimately to each
2:31:31
other for the solidifying my sit candidate. Those
2:31:33
who would make a beautiful couple of trouble
2:31:36
with Tate's I disagree. I think they are
2:31:38
waits for similar. I just don't. I don't
2:31:40
see it, but I'm Katie. Ever get their
2:31:42
shit together? See. And Liana could
2:31:44
go on really fun double dates with Rachel
2:31:47
and Bessie which would be very lesbian coated.
2:31:49
Doubleday. Eating with your our the super
2:31:51
great we are now with the point where
2:31:54
the emphasis ours. We've. Made him. Thank.
2:31:56
You teeny? we've certainly. And with Rachel
2:31:58
finally. after all this. I was
2:32:00
just talking to Holly Raymond earlier today about
2:32:02
how like bringing back the Iskani
2:32:05
thing at the same time Then
2:32:08
Rachel was finally allowed to be gay looking
2:32:10
back. It almost feels like you had like
2:32:13
you had to be It's
2:32:15
like remember when Rachel's whole endgame
2:32:17
was like lesbian Benny Jezzer it
2:32:20
in the dystopian future Like yeah,
2:32:22
that was major So
2:32:25
let's revisit while she kisses a
2:32:27
supermodel I'm into that totally
2:32:29
personally and I totally see a role
2:32:31
for Eva in that you know the
2:32:34
Iskani sisterhood needs to Manage
2:32:36
the time she and Tanya trask
2:32:38
should Link up
2:32:40
that'd be a mess Love
2:32:42
Madame Cinque what's not to love?
2:32:45
That's a bizarre character Anyway
2:32:49
to the topic at hand let me just say that personally
2:32:52
the Bendis Revolution era was not my cup of tea
2:32:54
But Eva Bell was a big standout not just from
2:32:56
that run, but also from the whole student group of
2:32:58
that time I'm not sure it was her
2:33:00
cool rogue ass character design her visual powers
2:33:02
or her spunky and charming characterization But I
2:33:05
always enjoyed seeing her relatively minor appearances in
2:33:07
comics all the way up through House of
2:33:09
X powers of 10 where Hickman Jump-started her
2:33:11
status one of the most important mutants ever
2:33:13
my question kind of relates back to your
2:33:15
Calvin Rankin episode And the discussion about how
2:33:17
he compares to other power mimics like hope
2:33:19
or rogue What makes Eva's
2:33:22
time powers stand out from other time
2:33:24
manipulators like Heather Tucker and sway? Besides
2:33:26
the time bubble visuals and some
2:33:29
slightly inconsistent power upgrades over time
2:33:32
You guys verified in the mimic episode that hope
2:33:34
is above power Mimic or is like mimic and
2:33:36
sink because of her Omega mutant and Messiah
2:33:38
status And that's why she has an instrumental
2:33:40
role in the five over them But what
2:33:42
do you think tempest who isn't an Omega
2:33:44
level mutant has that puts her above tempo
2:33:47
and sway? Do you think it was
2:33:49
just because Hickman liked the character more that he chose her
2:33:51
definitely not complaining as I'm thrilled that Ava's been more significant
2:33:53
here than she has been in the last decade Just
2:33:55
curious what your thoughts are always a
2:33:58
pleasure forever grateful for your amazing content Also,
2:34:00
no pressure, but I'm keeping my fingers
2:34:02
crossed that you have a slew of
2:34:04
Queermont Dane characters like Marco Yoshida, Alitas
2:34:07
Forrester, and Stevie Hunter on the planned
2:34:09
upcoming episode queue. Sincerely, always Emma Frost
2:34:11
and Madeleine Pryor's personal homosexual Instagram assistant,
2:34:14
Anthony Edward. I'm glad they have
2:34:16
you to do that for them because social media is a
2:34:18
real bear. I don't
2:34:21
like to confirm any like upcoming
2:34:23
episodes, but like, do
2:34:25
I intend to do episodes of Marco Yoshida,
2:34:27
Lee Forrester, and Stevie Hunter? You bet your
2:34:29
ass. So just like, I guess they win,
2:34:31
but they're in my spreadsheet. I'll
2:34:34
tell you that for free. I did draw
2:34:36
them all on the flat skin ally t-shirt.
2:34:38
You sure did. Great t-shirt. It's a repo
2:34:40
shop. Manoli Weatherell I'm saving for when I
2:34:42
can get in contact with the real Manoli
2:34:44
Weatherell because I feel like Manoli Weatherell, feet
2:34:46
Manoli Weatherell is really the only way to
2:34:48
do that episode. So Manoli. He really kind
2:34:50
of ticks me off that he broke up.
2:34:52
If you're listening. Yeah. I mean,
2:34:54
unless she's like, that was weird and it's why we broke
2:34:56
up in which case, you know, nevermind,
2:34:59
but if she's enthused, I'd love
2:35:01
to chat. So back to
2:35:03
your question. There's a very obvious reason why
2:35:05
Eva was used instead of tempo or sway
2:35:08
and that's the tempo and sway we're dead.
2:35:10
So someone had to bring them back. It
2:35:13
was the five and they couldn't be part of
2:35:15
it because they weren't there. It's honestly that simple.
2:35:18
Sway in particular was part of
2:35:20
Hickman's Vulcan plot that like
2:35:22
a lot of his shiar stuff didn't quite shake
2:35:24
out before he left. But the
2:35:27
point was that sway and Petra
2:35:29
were illusions and that they weren't
2:35:31
really there. They were constructs that
2:35:33
Vulcan had created in his own
2:35:35
mind because they died before the
2:35:37
upgrade of Cerebro. That there's a
2:35:39
very clear demarcation of like who
2:35:42
died too early. Harry
2:35:45
Leland and Tommy are like
2:35:47
the earliest ones we see come back before
2:35:50
trial of Magneto and
2:35:52
Lordis can't. And so that sets a
2:35:55
very specific window of time. Tempo
2:35:57
was not part of the five, I think.
2:36:00
Perjury in a the fact that
2:36:02
she was dead, but also that
2:36:04
Gerry Duggan wanted to potentially do
2:36:06
stuff with her in Marauders. He
2:36:08
put her name forward for the
2:36:11
first X Men vote that first
2:36:13
year. That. Character is
2:36:15
now a lot more popular than she
2:36:17
has ever been because the fan this
2:36:19
particularly like Black Sand organizing around that
2:36:22
first X Men votes to support her
2:36:24
was major and I think got the
2:36:26
character a lot of attention. the she's
2:36:28
never had before like I haven't done
2:36:30
an episode on her but I'm excited
2:36:32
to. I'm sort of waiting for her
2:36:35
to turn up somewhere it is so
2:36:37
that we see like where she's going
2:36:39
after Crypto up. but I love that
2:36:41
character. Also, before Orlando's
2:36:44
marauders, Heather Tucker could
2:36:46
not time travel. See.
2:36:48
Just sped up time or slowed it down.
2:36:51
Adjusted the tempo as it were. That's
2:36:53
a new evolution of her parents Retroactively
2:36:55
said the she's always been able to
2:36:57
do it. She just doesn't do it
2:37:00
that much because it's dramatic turn alter
2:37:02
the time I to be the only
2:37:04
person he remembers altering the timeline but
2:37:06
that's a more practical answer as to
2:37:08
why she's not part of the five
2:37:10
I think. Also, it was just Hickman
2:37:12
nod to bend as I mean they
2:37:14
yeah I would work together a lot
2:37:16
and I think that seeds fell like
2:37:18
having Fabio an Eva be so important
2:37:21
to Cricket our with a nice nod
2:37:23
to. Bend is given that most of
2:37:25
the crew cohen South's is more derive
2:37:27
from the Claremont and Morrison arrows in
2:37:29
terms of like concepts that are being
2:37:32
reworked and carry. Those are really the
2:37:34
three young precursor writers that I think
2:37:36
Hickman as in deeper conversation with, so
2:37:38
I think it was kind of a
2:37:40
shoutout to Banned as he's a friend
2:37:43
of his photos. You give those characters
2:37:45
that a nice role and again it
2:37:47
also takes them out of primary circulation.
2:37:49
When she is a very powerful character
2:37:51
who it is sometimes hard. To justify
2:37:54
having in a group shot just for
2:37:56
some reason electing not to use her
2:37:58
god like power to. Resolve the
2:38:00
situation now and I will have to
2:38:02
say that kind of throughout the vendors
2:38:05
run like psychotic. Mission can be read
2:38:07
as kind of like the crypto a
2:38:09
project without any resources and that some
2:38:11
advice fails He says by himself and
2:38:14
everybody's like what are you doing It's
2:38:16
like looks, this is what we need
2:38:18
to do and it's not later when
2:38:20
everybody has the by in and like
2:38:22
they have the plans and Moyer and
2:38:25
Tom Taylor's X Men Rad is also
2:38:27
kind of like that. it's Genes attempts
2:38:29
at doing. It but again she doesn't
2:38:31
has the institutional support she was dead
2:38:33
sitting. Get to see what happens? Yeah
2:38:35
well that also like you need. It
2:38:38
could tell it doesn't work without
2:38:40
a the Resurrection protocol to bring
2:38:43
all of these people back to
2:38:45
be it's citizens but be saw
2:38:47
and am his. Investments.
2:38:49
And everything that warn him on a
2:38:52
d with X Corp and the leverage
2:38:54
to the medicine provides because that's what.
2:38:56
Funds it. Otherwise, like you who
2:38:58
just a bunch of weirdos in
2:39:01
a I mean I do think
2:39:03
it's interesting that Mccain is uncanny
2:39:05
is going to be Scott. With
2:39:07
a very similar team of renegades
2:39:09
in a frosty landscape. Once again
2:39:12
very similar to how he reacted
2:39:14
to the fall of Utopia and
2:39:16
I imagine that's intentional on and
2:39:19
it seems like a parallel that's
2:39:21
been done on purpose and insists
2:39:23
had to see. Whether.
2:39:26
That's. In conversation or meant
2:39:28
contrast are like what. We're.
2:39:30
Doing with that I'm just I'm at this point
2:39:32
I just wanna read the new bucks. I'm like
2:39:35
can I just see where we're going cause they
2:39:37
would make me feel more like I have my
2:39:39
bearings. You know what I mean. As
2:39:42
for how her powers are different. From
2:39:44
Tempo and Swayze, it's that
2:39:46
Again, Tempo. and sway word
2:39:48
time manipulators historically an aide
2:39:50
as power while it begins
2:39:52
as time manipulation similar to
2:39:55
there's quickly becomes to time
2:39:57
travel i think that what
2:39:59
also makes her special and
2:40:01
again more powerful in a
2:40:03
way that makes her a
2:40:06
little tricky is the vibe
2:40:08
we get in the annual
2:40:10
that like Rachel, she
2:40:13
is able to perceive the
2:40:16
fabric of the timelines in a more
2:40:18
complex way. But given
2:40:20
that she also has the power
2:40:23
to really directly alter the timeline,
2:40:25
it makes her godlike
2:40:27
in a way that those other characters are not. Like
2:40:30
even with her expanded power
2:40:32
set in Marauders, Orlando's Marauders, it
2:40:34
doesn't feel like Heather knows
2:40:36
what the result of her
2:40:38
tampering will be, which makes her
2:40:41
more hesitant to use it.
2:40:43
Whereas after the erasure of
2:40:45
her family, it does
2:40:47
seem like Ava starts to develop
2:40:49
an awareness of how her
2:40:52
butterfly effect maneuvers will shift
2:40:54
and change the timeline. So
2:40:57
it's that kind of temporal awareness that I
2:40:59
think makes her more potent
2:41:01
and which makes her a more precise
2:41:04
person to do the
2:41:07
aging process for the resurrection protocol
2:41:09
because she can really pinpoint the
2:41:12
moment that she's reaching for. Yeah,
2:41:14
I feel like my wish
2:41:16
if like we would continue using
2:41:19
her as like a viable character is
2:41:21
just limit to like stopping
2:41:24
time and do like a
2:41:26
very focused kind of manipulation rather
2:41:28
than like time travel or like speeding up and
2:41:30
slowing down, which is more like what Heather does.
2:41:33
Yeah, right. Yeah, I
2:41:35
think basically like limiting time travel as
2:41:37
much as possible is usually a good
2:41:39
idea. Like whenever Rachel or Cable or
2:41:42
Bishop do it, it's like a whole
2:41:44
production. And I think that that is
2:41:46
generally easier to write around. after
2:42:00
listening to every episode multiple times. You
2:42:02
cannot stop the dance. As
2:42:04
for Miss Bell, I love her. Anyone who could tell
2:42:06
Scott Summers they just graduated from his
2:42:09
academy of doing whatever the fuck I
2:42:11
want is obviously someone to stand. That's
2:42:13
a great line. I've
2:42:15
been reading Excellent for decades and I actually
2:42:17
love this particular uncanny lineup, but realistically what's
2:42:19
with the hair? Is it a weird dye
2:42:21
job? Part of her mutation? It is part
2:42:23
of her mutation. It's when her power catalyzes
2:42:26
her hair changes color. Unlike Rogue who's born
2:42:28
with that mountain streak in her hair, it
2:42:31
is like the movie verse Rogue where
2:42:33
it's in fact using the power. Also
2:42:35
not long after her joining the X-Men she strikes
2:42:38
up a friendship with Christopher Muse aka Triage in
2:42:40
the two-seam to get along. But after she accidentally grows
2:42:42
up in a different timeline when Triage tries to heal
2:42:44
her she screams in to get his hands off her.
2:42:46
Did this ever get explained? Was Christopher jealous when she
2:42:49
stole his shtick on the five and started bringing everyone back to
2:42:51
life and he was like man I could do this shit on
2:42:53
my own. This bitch played me. I'm still doing my best on
2:42:55
the Candy Southern Voice, but I always sit in lines along with
2:42:57
her every time a Drizzly commercial comes
2:42:59
on. Terry Bohann and R.I.P. Drizzly, this
2:43:02
question came in before Drizzly ceased
2:43:05
to be. But Candy is now back
2:43:07
doing an ad with me in conversation
2:43:09
about Astapro, a steroid free
2:43:11
over the counter allergy nasal
2:43:13
spray that you can purchase.
2:43:17
You're gonna need it. It's polity out there.
2:43:19
It's rough out there I gotta say. I
2:43:22
think it is what Karen pointed out
2:43:24
which is that specifically the thing
2:43:26
that allowed Morgan LeFay to read Eva
2:43:28
was using healing magic on her that
2:43:31
had like a telepathic component so I
2:43:33
think that that just like freaks her
2:43:35
out. We don't ever
2:43:37
see her explain it to Triage though. She was
2:43:39
probably like damn, I lost her mind when she
2:43:41
was in the time stream. But like that's kind
2:43:44
of it. Triage
2:43:46
got a couple little cameos in,
2:43:48
Steve Orlando used him for the
2:43:50
mutant search and rescue stuff in
2:43:52
the Infinity comics. That's the
2:43:54
character again I think you could do stuff with
2:43:57
it's just healer characters are hard
2:43:59
to find. space for
2:44:01
sometimes for the same reason that time travel care
2:44:03
is gonna be hard. Rose and Kenny a little
2:44:05
bit too. Yeah, he's around. There's
2:44:07
also which I actually
2:44:09
read a YA or like a middle
2:44:12
grade book by Kara
2:44:14
Harris, Liberty and Justice for All.
2:44:16
It basically takes
2:44:18
place after the whole Dormymo thing
2:44:21
in Uncanny X-Men and it's about
2:44:24
triage and tempest going
2:44:26
on in A Little Adventure where
2:44:28
they meet Sabretooth and Great and Creed and
2:44:30
it's interesting. If you want to
2:44:33
see more of their dynamic which is not canon
2:44:35
but you know it's a fun read it's
2:44:37
out there. I haven't really touched the
2:44:39
prose novels but they are
2:44:41
there if one so chooses. Oh
2:44:44
and also say that I think it would
2:44:46
be cool if we ever see Eva again
2:44:48
if to sort of get away
2:44:50
from the rogue-ness just like more white
2:44:52
if she had just like her hair
2:44:54
went completely white after everything. Or if
2:44:56
they really emphasize the blue because I
2:44:58
think that the like it just doesn't
2:45:00
always look blue. That fell away for
2:45:02
sure. It's like navy but sometimes it
2:45:04
just looks like how Lois Lane or
2:45:06
Candy Southern as like a dark brunette
2:45:08
sometimes it's blue because we used to
2:45:10
do or Superman even like in old
2:45:12
comics and I think if it was
2:45:14
just like a more like of a
2:45:16
blue then people would
2:45:19
recognize her more on site.
2:45:46
I don't think she
2:45:49
can because specifically she
2:45:51
didn't because of the
2:45:53
way her power works in Bendis she
2:45:56
did not create a branching timeline
2:45:58
she altered her own individual
2:46:00
timeline which means that that future
2:46:02
did not exist or it existed
2:46:05
in altered form. In fact one
2:46:08
could argue and I now that I'm
2:46:10
thinking about it that the bad 2099
2:46:12
that we know happens
2:46:14
because of her butterfly effects in the time
2:46:16
stream after her like relatively good experience in
2:46:18
2099. I think that the tragedy
2:46:21
for her is that it's impossible
2:46:24
and I had the thought about the waiting room as
2:46:26
we were talking about it and I just don't think
2:46:29
I don't think it's it's possible and now
2:46:31
of course the waiting room is no longer
2:46:33
relevant so. Yeah and I think it kind
2:46:36
of undercuts the weight of
2:46:38
the story unfortunately. Yeah I
2:46:41
think it's important that she can't get them back
2:46:43
I think that it would be a bad choice
2:46:45
to bring them back. It's sad
2:46:48
for her but that's the point. Yeah. And
2:46:50
it's her one truly great story so I
2:46:52
wouldn't want to fuck with it particularly. Stephen
2:46:56
G. Stekwel writes, Howdy Connor and
2:46:58
the talented Karen Charm. Oof time travel
2:47:00
and a long gone baby and husband.
2:47:03
If the high evolutionary is somehow involved
2:47:05
then Connor will have hit the jackpot of
2:47:07
his least favorite plot elements. I
2:47:11
don't mind time travel I just find it confusing but
2:47:15
I do dislike generally
2:47:17
erased babies and the
2:47:19
high evolutionary. Thankfully he's not involved here
2:47:22
and this is an erased baby story I think
2:47:24
it's good but hey she's one of the five and that's pretty
2:47:26
sweet however she does look very rogue. My question for
2:47:28
you all is what would be something to make
2:47:30
her different visually. Karen I love your work the
2:47:32
skids you just posted looks amazing as do all
2:47:34
your others. The color you use in your work
2:47:36
and I think it reflects the joy comics can
2:47:38
have. Connor it's always great to be part of
2:47:40
the amazing discord your hardware helps you get through
2:47:42
the workweek and I hope you know how much
2:47:44
everyone loves and appreciates the work you do for
2:47:47
us. That's incredibly sweet thank you Stephen. Thank you.
2:47:49
I want to like to sort of turn this
2:47:51
into a general design convo. Yeah so
2:47:53
she is a Chris Botchelo creation
2:47:55
she has a very Chris
2:47:57
Botchelo outfit she does not have the Botchelo
2:47:59
titty top because Emma had cornered
2:48:01
the market. It's like a negative titty
2:48:03
top. It is a negative titty top,
2:48:06
right? Because it's like it's the same
2:48:08
pattern but it has fabric. It's
2:48:11
not a full negative titty top because then the nipples would be
2:48:13
out. They're not. But I get
2:48:15
what you mean. The
2:48:17
outfit I think is good. It's
2:48:19
like because the thing the problem I have with
2:48:21
those Baccio outfits is when he puts characters
2:48:24
in them who then don't look like themselves.
2:48:26
So when he creates the character, I'm like,
2:48:28
well, that's what she looks like. It's fine.
2:48:32
But I would be interested. You said that
2:48:34
you wouldn't be opposed. We already talked about
2:48:36
the hair color shifting a little bit, but
2:48:38
you said you wouldn't be opposed to a
2:48:40
different costume. What do you think kind of
2:48:42
vibe wise you would want to do?
2:48:44
I think that it's kind of gotten
2:48:47
to the point where that like sort
2:48:49
of burst titty top like
2:48:51
shape is kind of. What kind of makes
2:48:53
a T, right? Right. Yeah.
2:48:56
I think it was really cool when Chris
2:48:58
Anka did like that jacket in that
2:49:01
one like girl shopping trip issue
2:49:03
where they meet an inhuman, unfortunately, where
2:49:05
it has like the same design on
2:49:08
it. And then also when she
2:49:10
gets the gold version for for
2:49:13
the five, that's really cool. And
2:49:15
like her little like bondage ring
2:49:17
neck piece. Like I like all those elements,
2:49:20
but I think like the skirt is a
2:49:22
bit weird and like historic
2:49:24
respecter of women. Chris Baccala
2:49:26
can't quite avoid some
2:49:29
upskirt shots, which are a
2:49:32
bit unfortunate. But again, she's
2:49:35
from the gold. And so
2:49:37
you're right. Maybe put some
2:49:39
boy shorts under it. Yeah.
2:49:42
Or like, yeah. All of
2:49:44
my ideas were before I learned about the
2:49:46
goldies. So now I'm like, well, does it
2:49:48
work as a character? It kind of recolors
2:49:50
the whole thing, right? Yeah. I
2:49:52
think like a longer skirt could like like a
2:49:54
mask. But like, you're not going to fight in
2:49:56
a longer skirt, right? I mean, here's my thing.
2:49:58
My. My truth
2:50:00
is that I like a heroine in the
2:50:03
skirt if it's the right skirt and the
2:50:05
right heroine Yeah, but we can't get into
2:50:07
the Marvel girl debate I
2:50:11
Think it's distinctive is the thing like
2:50:13
I think it is part of her silhouette in
2:50:16
a way that is different from Most
2:50:18
other characters. So if
2:50:20
she didn't have the skirt, I would find her
2:50:22
harder to recognize I would be even more like
2:50:25
is that rogue, you know, so yeah, you're right.
2:50:27
Maybe if she had a white sash I
2:50:29
don't know love a sash like a cock room
2:50:31
style just like sash it up. I could be
2:50:33
into that What's interesting about
2:50:36
that costume design is that it was
2:50:38
originally an option
2:50:40
for Oya? Yeah, when Chris
2:50:42
was crying Wolverine in the X-Men. Yeah,
2:50:44
it's like no but for
2:50:46
Eva it works Yeah, I
2:50:49
mean given some of the other outfits they put oh,
2:50:51
yeah, and then Wolverine in the X-Men. Yeah But
2:50:56
I'll get to that in Oya episode at
2:50:59
a later date Last
2:51:01
question a more general one
2:51:04
Friend of the pod Ashley lane
2:51:06
writes. Hey Karen and Connor huge
2:51:08
huge stand here Wondering what Karen
2:51:10
thinks of the way time travels
2:51:12
been depicted artistically in comics transparency
2:51:14
wobbly lines, etc And what's
2:51:17
their favorite way big love Ashley?
2:51:19
Thanks. I hope that accent was
2:51:21
not too bad Ashley
2:51:23
has a deeper more resonant voice Not
2:51:27
this not this not
2:51:29
this not Connor imitate my accent.
2:51:32
Oh my gosh um, I
2:51:35
think that it looks
2:51:37
really amazing in those annuals I feel
2:51:39
like The only thing that
2:51:42
it maybe gives him pause is
2:51:44
having clocks Involved a little
2:51:46
on the nose, right seems a bit too
2:51:49
like device specific But I do love in
2:51:51
like a Final Fantasy game when you cast
2:51:53
haste and like the little clock pop up
2:51:55
and go spin He's been so I'm not
2:51:57
opposed. Yeah, yeah moment when it looks like
2:52:00
It looks like another spell. It's just like out
2:52:02
the... Yeah, no fair. Yeah,
2:52:05
that's a good point. There
2:52:07
is a famous comic
2:52:10
called Here that
2:52:12
is basically... The whole thing is
2:52:14
a bunch of panels that are
2:52:17
the same house, like the
2:52:19
location, but each panel is
2:52:21
a different moment in time. And
2:52:23
so you kind of see the page. It's
2:52:26
all broken up into different bits
2:52:28
of like... So it's like before the
2:52:30
house was even built, like before the
2:52:32
land was colonized, like in the future,
2:52:34
like when this person is living there
2:52:36
and that person. And it's really fascinating.
2:52:39
The artist is Richard McGuire,
2:52:42
who did that. It's
2:52:44
kind of one of those staples of
2:52:46
art comics that might be included in
2:52:48
say like a college course. But
2:52:51
that's really one of
2:52:53
my memorable like depictions of like
2:52:55
time in comics. That's pretty fascinating.
2:52:58
I love that Ava has the
2:53:01
time bubble. I think that's like a really good
2:53:03
device. The
2:53:06
bubble is a good visual in
2:53:08
terms of historical X-Men stuff. I always love
2:53:10
when cable does a body slide. That looks
2:53:12
cool as hell. Whenever
2:53:14
Rachel Chronoskims people and like in
2:53:17
80s stuff in particular when it's
2:53:19
like, and you like
2:53:21
fall into like the vertigo hole, like
2:53:23
that's cool. I love somebody falling through
2:53:26
something. Yeah, it's neat, right? So, you
2:53:28
know, I think that's fun. With Ava,
2:53:30
because she does have such control over
2:53:33
it, you can't really do
2:53:35
like the wackier stuff. The
2:53:38
bubble is cool because, I mean
2:53:41
really at the end of the day, if
2:53:43
this is the end of Ava Bell, right?
2:53:45
Like for the foreseeable future, let's say, then
2:53:47
what is the white hot room but the
2:53:50
ultimate time bubble? It's
2:53:52
one of the ways that they've become
2:53:54
divine, these five characters, is like she
2:53:57
can create a bubble that no
2:53:59
butterfly can. life-affect can harm. Yeah.
2:54:03
I like that for her as she
2:54:05
helps this new generation. Yeah, there's a
2:54:07
kind of poetry to it that she
2:54:09
is now out of time in
2:54:12
the White Heart Room. So it's like,
2:54:14
she's at rest, she's at peace, she can
2:54:17
start a new version of Krakoa. And
2:54:20
I think how you were putting it earlier,
2:54:22
how it's, you know, Krakoa
2:54:24
next year was really beautiful. Yeah.
2:54:27
And I think that's what I'm taking away.
2:54:29
And I think that what matters, particularly when
2:54:32
you're trying to find emotional meaning in corporate
2:54:35
comics, is what you take away from
2:54:37
it. I feel really good
2:54:39
about the journey we've been on,
2:54:41
and I feel really good about
2:54:43
this ending so far. Yeah. I
2:54:46
just would be remiss if I didn't bring
2:54:48
up the crucible issue because that will, I
2:54:50
think, forever be one of the most impactful
2:54:53
superhero comics I've
2:54:56
ever read. And that, to
2:54:59
me, is the core of what is
2:55:01
the most beautiful and joyous of
2:55:04
Krakoa. I think it's perfectly told.
2:55:07
Shockingly good. My feelings
2:55:09
were definitely hurt when in the future it
2:55:12
was a bit undermined and sort of
2:55:15
like, it's like, no, don't you see this is
2:55:17
what it means? But obviously it means so
2:55:19
many different things to so many people. Well,
2:55:21
I mean, yeah, Hickman said on this
2:55:23
show that he wanted the
2:55:25
crucible to be polarizing and wanted it to
2:55:28
be disturbing. And in his view, it's not
2:55:30
necessarily right. But
2:55:32
that doesn't make it wrong. It's
2:55:34
a more complicated thing than that. Yeah.
2:55:37
And just having that be
2:55:39
so tied to Eva's role
2:55:42
as this core foundation
2:55:44
of the Krakoa project was
2:55:47
really special. Yeah. And
2:55:50
it feels like the culmination of
2:55:52
the arc that we have to
2:55:55
mostly infer after she quits
2:55:58
the school. Yeah. by the time
2:56:01
she goes and talks to Hank in
2:56:03
600 and is like, in all the
2:56:05
timelines I visited yada, yada, yada, clearly
2:56:08
she's been doing a lot of stuff off panel that
2:56:11
we haven't seen then. And it would
2:56:13
have equipped her as
2:56:16
it did Cable with information
2:56:18
that presumably helped Krakow flourish.
2:56:20
And that's cool too. So
2:56:23
overall, neat character. She
2:56:26
may have served her purpose now potentially, but I
2:56:28
wouldn't be opposed to seeing her again at some
2:56:30
point if someone had a good story for her.
2:56:33
And it was fun to revisit her
2:56:35
and to revisit the Bendis period, which
2:56:37
I haven't reread that often,
2:56:41
because so much of it is about the 60s characters and
2:56:43
I covered all of them in the first year of Cerebro.
2:56:48
Karen, thank you for being my guest. Thank you for returning to
2:56:50
the show. It was great to have you. Oh my God, thank
2:56:53
you. Why don't you tell the
2:56:55
listeners where they can follow you
2:56:57
online and plug anything you want
2:56:59
to plug. So I remain on
2:57:01
the white hot room of Twitter
2:57:04
as Karen underscore x. That's Amans.
2:57:06
That is not the white hot room. Oh
2:57:10
no, I've been gaslit. Yeah, I
2:57:12
will still talk about things there
2:57:14
and make little jokes and
2:57:18
post my art. But pretty
2:57:20
much everywhere else, I
2:57:23
can be found as
2:57:25
Charmed Gardens, like Karen
2:57:27
Charmed, my assumed mutant
2:57:30
last name, plus gardens,
2:57:32
like the garden you
2:57:34
tend. You are using your...
2:57:37
Yeah, so... It's kind
2:57:39
of a Dennis Hopeless, Dennis Hallam
2:57:41
situation. Exactly. Yeah, when
2:57:44
I was talking before
2:57:48
we started talking about Ava.
2:57:50
Yeah, right. I was chatting with Connor. It's kind
2:57:53
of like, you know, often people
2:57:55
rewrite in about how Cerebro changed their lives
2:57:57
and even I am not immune for it.
2:58:00
from that because, you know, on a whim, I
2:58:02
was just like on Twitter, be like, oh, you
2:58:04
should let me talk about Husk and you called
2:58:06
my bluff and I was like, oh my God,
2:58:08
do I do this? Because my plan,
2:58:11
you know, I was in this transitional point where
2:58:13
I was sort of like feeling
2:58:15
things out with my identity and like how public
2:58:18
and how much I wanted to integrate
2:58:20
this fandom with my life and sort
2:58:23
of the community in Caracaoa was so
2:58:28
instrumental in that journey and
2:58:31
being invited onto Cerebro was kind
2:58:33
of the moment where I was
2:58:36
like, I need to
2:58:38
make a choice
2:58:40
and like merge these lives
2:58:42
and I had a real Dazzler moment. I
2:58:44
think I like read the original Dazzler series
2:58:46
after this, it's like, oh my God, it's
2:58:49
like, oh, I can't come out as a
2:58:51
mutant because I'm a public facing person. Yeah,
2:58:54
it's tough. Yeah, right. But so
2:58:56
you also are doing art as
2:58:58
Karen. How do you even pronounce
2:59:00
it? Right. That's the thing.
2:59:02
So my name I
2:59:05
generally go by
2:59:07
is spelled C-Z-A-P
2:59:09
and it's pronounced chap and
2:59:12
you will find me as K-chap,
2:59:14
Karen-chap, previous names and iterations of
2:59:16
those things. Is that Polish? Yeah,
2:59:19
it's Polish. And I've seen many such cases
2:59:22
of how do I say that. Exactly.
2:59:26
But I support you. No, I mean, like, you
2:59:28
know, it makes sense to pick a stage name
2:59:30
as to where it's a little more phonetic. Totally.
2:59:33
But you can look Karen up by both
2:59:35
those names and find different things. Yes.
2:59:39
But yeah, I kind of around the time
2:59:41
when I was like, you know, going public
2:59:43
on Cerebro, I chose Charm Garden as sort
2:59:45
of like a new Branding.
2:59:47
So that's all my socials. My
2:59:49
website is charmgardens.com. My Patreon, which
2:59:51
I post weekly on is Patreon
2:59:53
at Charm Garden. So after you
2:59:55
join the Zalla gang and throw
2:59:57
Connor your five dollars a month.
Podchaser is the ultimate destination for podcast data, search, and discovery. Learn More