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Episode 111: Eva Bell (feat. Karen Charm)

Episode 111: Eva Bell (feat. Karen Charm)

Released Wednesday, 29th May 2024
Good episode? Give it some love!
Episode 111: Eva Bell (feat. Karen Charm)

Episode 111: Eva Bell (feat. Karen Charm)

Episode 111: Eva Bell (feat. Karen Charm)

Episode 111: Eva Bell (feat. Karen Charm)

Wednesday, 29th May 2024
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Episode Transcript

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0:00

That is when

0:02

Ava Bell decides Cyclops can go

0:04

fuck himself. She's

0:07

like, okay, check

0:09

please. Everybody kind of reaches that point at

0:11

the stage of the story where like, what

0:13

are you doing? This is not a Cyclops

0:15

was right moment. She's like, check please, I'm

0:18

out. Thanks, it's been real. X-Men,

0:20

X-Men. In the

0:23

21st century, people and mutants

0:25

led by Magneto aim to destroy the world.

0:32

Only hope is X-Men.

0:38

Welcome to Cerebro, the X-Men podcast, where

0:40

a homo and his friends dig deep

0:42

into the history of Homo Superior.

0:44

I'm your host, Connor Goldsmith.

0:47

And with me today is returning

0:49

guest, Karen Charm, AKA

0:51

Karen X-Men fan, a wonderful

0:54

artist who many on the

0:56

X-Men fandom internet will have

0:59

seen, but who I hope

1:01

will be doing lots

1:03

of original creator-owned stuff soon. I'd love

1:06

to read more of that from you.

1:09

Is there anything in the hopper,

1:11

Karen? Oh yeah, always and likewise.

1:14

And also it's very good to be back.

1:16

Nice to chat with you on the air.

1:19

We've hung out a bunch since the last time

1:21

you were on the show, but I was just

1:23

expressing my shock that you've only done the one

1:26

episode because I feel like you're like a Cerebro

1:28

fixture. Well, I've done the shirt. Yes,

1:30

you did the shirt, the flat skin

1:32

ally shirt. You did the logo for

1:35

my upcoming podcast, Single Female Lawyer, that

1:37

will actually happen later this year. A

1:40

lot of things had to come into alignment in

1:42

my personal life before I could start a second

1:44

podcast. I kind of jumped the gun on announcing

1:46

that, I think, but it is finally

1:48

coming. You have

1:51

been doing a really cool series

1:53

of illustrations, like character illustrations

1:55

in the order of the episodes. Which have

1:58

been so cool to see. I

2:00

had a moment where I was feeling

2:02

like I hadn't been doing enough X-Men

2:04

fan art because you know

2:06

the pandemic was nice for getting a lot of fun

2:09

things done as you started a podcast

2:11

and other people did other things but

2:13

when work

2:17

Obligations started to reassert themselves

2:19

kind of found less and

2:21

less time. That was not ideal No, yeah,

2:23

I mean you'll note that this was a

2:25

weekly show and now it is not because

2:29

Became impossible Particularly

2:31

with the length so that the episodes now

2:33

run on average. It just didn't seem It

2:37

was no longer plausible when I had to

2:39

you know return to being a productive member

2:41

of society and work for it and all

2:43

Of that so, you know, I mean, what

2:45

are you gonna do? But everybody loves it

2:47

so much the episode links, but anyway

2:49

Yeah, it was just like I'm just gonna draw

2:51

the X-Men but where do you start? I was

2:54

like well Cerebro has an order so I've

2:56

bang through the first 50 plus the extras And

2:58

I've actually I took a little break to focus

3:00

on because I had a lot of work Stuff

3:03

over the holidays in the winter and

3:05

then I've actually just started on

3:08

site season to 51

3:11

up. Yeah, you showed me the candy one

3:13

and I was like so much better hurts

3:15

my heart I feel like my magic is

3:17

one of the best I've done. I'll have

3:19

to share that with you. Yeah send that

3:21

to me I'm sure it's great and I

3:24

would like to get I Talked

3:26

to someone about this ages ago and I should

3:28

hit him up again It's been literally like two

3:31

years But I would like to get like a

3:33

more comprehensive website going for the podcast at some

3:35

point and it would be fun to feature your

3:39

Illustrations Luis Flores is illustrations

3:42

Fun fan art for the show So it

3:44

would be great to put those out there

3:46

in a more now that I don't have

3:48

Twitter and I can't like share them Like

3:50

look at this. It's like Instagram stories. Unfortunately,

3:53

they disappear. So it's less. I

3:55

can't really like enshrine things Funny

3:58

I was sharing them on Twitter and blue sky the

4:00

two places where you are not just

4:02

gonna like do you know this yeah

4:05

well you know I gotta use Instagram

4:07

more I basically decided that blue sky

4:09

would be like quitting heroin and getting

4:11

really into opium like it just seemed

4:14

like not if

4:16

I was gonna do it because I decided

4:18

that Twitter was unhealthy for me I needed

4:20

to not sign up for like the monopoly

4:23

junior form for sure of Twitter

4:26

which no insult to anybody on blue sky having a

4:28

great time but it's you know it's a smaller community

4:30

and it was it just felt it

4:33

felt like even more scrutiny somehow I was like

4:35

I don't need to start this all over again

4:37

you know I registered my name and then was

4:39

like alright fare be well yeah and it be

4:42

gone with you it does feel a bit like

4:44

as someone who's still there and enjoying it like

4:46

the party has moved on and you're still there

4:48

and it's kind of like oh more more people

4:50

are leaving kind of like the the rise unfollowed

4:53

the kurukon era but you know what are you

4:55

gonna do yeah there's that I actually

4:58

recently caught up on

5:00

like several months of X-Men comics because

5:02

I had given myself

5:04

a little break I got into

5:07

into this in the episode I did with

5:09

Annalise Bisso a little bit great one by

5:11

the way love Annalise thank you I mean

5:13

I always love talking Annalise she's so great

5:15

and so smart I really think she's

5:18

like a prodigy like she doesn't usually talk

5:20

about how young she is because I was

5:22

shot it but when she mentioned I know

5:24

people are worried about but she started there

5:26

as an intern in college and you know

5:28

now she's editing really major books at 29

5:30

because she's just that fucking good I really

5:33

think she's like a true funtakins yeah

5:36

I was remembering I think the last time

5:38

I actually talked to you in person was

5:40

last year's flame con and we had just

5:42

found out that Tom was gonna

5:45

do X-Men over like now

5:48

a year later it's is coming

5:51

to pass but at the time that's gonna

5:53

be different yeah we were like what does

5:55

that mean like he loves Annalise that

5:58

was the first thing we said Yes,

6:00

I think you you were like, what do you think

6:02

Tom Reaver's Exyn will look like? I'm like, I really

6:04

don't know but I'll tell you what if

6:07

it means Annalise Biss is coming back to eggs Yeah,

6:09

so I've been in kind of an emotional

6:11

place with it, which feels so stupid But

6:15

I felt stupid because it's like, you know, there's

6:17

actual things going on like it's an election year

6:20

There's truly horrendous news out of the Middle East

6:22

every single day like other things that are taking

6:24

up a lot of Stress

6:27

bandwidth already I would say so like when

6:29

I'm stressed about comic books that feels stupid

6:31

to me Talk

6:35

about being upset about what's happening

6:38

X-men with your therapist and being like, yeah You're

6:40

like, why do you think that upsets you

6:42

so much? I was like, well, let me unpack

6:44

it I guess you're like, I'm just worried. I'm

6:46

just worried about the new era of X-men.

6:48

It's like why what does this mean about the

6:51

world? Right. It's nothing. I don't

6:53

know. What are you talking about, right? what

6:56

I found is that you know, I

6:58

had been reading week to week to week to week to week and

7:02

Reading this final act has

7:04

been tougher Just because we

7:07

knew that it was the end of this thing

7:09

that we really loved I mean the Krakowin age

7:11

and what Hickman and all of his collaborators did

7:13

brought me back to comics It's why I started

7:15

this show It felt so fresh

7:18

and new and fascinating and I loved every

7:20

second of it even when you know Everybody's

7:22

like do you loved every single issue? But

7:25

like I've read a

7:27

lot of X-men comics and let me tell you pound for pound The

7:30

last five years of X-men comics is

7:32

some of the best years of X-men

7:34

comics we've ever gotten Yeah, because boy

7:36

howdy if you look at the several

7:38

thousand issues Exist

7:40

on the whole I wouldn't say they're all

7:42

winners, right? I'd say like on a scale

7:45

of like fun to not fun. Most are

7:47

pretty fun Right very few are not fun.

7:49

Some are really not fun, but very very

7:51

few are like life-changing Yeah, very very few

7:54

are like high art in the way that

7:56

I felt that this was and in

7:58

the way that some of the Claremont stuff is for

8:00

me and in the way that the Morrison

8:02

stuff often is for me. And Mike Carey,

8:04

God love him, trying his damnedest in one

8:07

of the worst status quotes you could possibly be

8:09

handed for this franchise. I feel

8:11

like and I've said many times that

8:13

this is the third great era of the

8:16

X-Men. You have the Claremont, Simonson, Nissenti

8:18

period and then you have the Morrison period

8:20

and then it was this. And I'm hopeful

8:22

that it's just a third in many

8:24

great X-Men areas to come. I think the

8:26

creative teams lined up for these new books

8:29

are really really cool. But

8:31

I was depressed. I was depressed about this

8:33

thing ending because I loved it so much.

8:35

So I was like I think in February

8:37

I was like I'm gonna give myself a

8:39

second and then at the beginning of

8:41

this month I caught up. And

8:44

I gotta say I really

8:48

really enjoyed catching up. I think

8:50

this stuff has been really really

8:52

solid. Several of the writers

8:54

have made it clear that they thought they were

8:56

gonna have about six more months initially when they

8:59

were planning it out. I thought it was funny

9:01

when Emma and Polaris both at different points turned

9:03

to the reader essentially and said I understand this

9:05

feels a little rushed but we're improvising because the

9:08

timelines moved up. You know if you can't get

9:10

that that's how comics works I can't help you.

9:13

In particular the stuff

9:15

Al didn't resurrection of Magneto and

9:17

the stuff that Kieran has

9:19

done in Rise and

9:22

knock me over with a feather everything

9:24

Jerry did in Iron Man which is like

9:26

not a book I've ever like ached to

9:28

read every month but I really really loved

9:30

this run of it. Who

9:32

knew that I'd be like Tony Stark oh

9:34

yeah Mutinal I love that guy. That was

9:36

never really in the cards for me but

9:39

I'm happy that we're here. We

9:41

are here today to talk

9:43

about Ava Bell, Tempest,

9:45

not to be confused with Tempo,

9:48

Heather Tucker who has the exact

9:50

same powers so that's very confusing

9:52

or with Temper, Edio Conquo's new

9:54

codename in the From the Ashes

9:57

era or Tempest,

9:59

Angel. Salvatore's codename when she had the same

10:02

power as his EDO conquo during New Warriors

10:04

Vol. 4 because of that technology. Or

10:06

even Tempest, who I think

10:08

works for Immortus or something. Oh

10:11

well, who's checking for Immortus

10:13

now that Ken can't show up in the

10:15

MCU ever again, not to be rude to

10:17

Immortus. But I- He's surprised

10:19

he dies for a while. Look

10:23

at me with the collaborative overlap I've been reading. You're

10:26

learning, right? I'll try not to step all over you. No, no,

10:28

no, no, no, please. I

10:30

need to be stepped on, otherwise it becomes

10:33

just hours of me talking, good talking, good

10:35

talking. Isolate that producer. I'm

10:37

the producer, so I will isolate it. I know, that's

10:39

a joke. No, I know, but I'm just saying. I'm

10:42

well aware because I do edit it myself

10:44

and I'm like, oh fuck, shut

10:46

up, dude. But

10:49

more to the point, I was just talking about this

10:51

with Ken and Kline actually. I was like, these codemes

10:53

are a little confusing because there's a lot of similar

10:55

codemes. But they are all black

10:57

women except for Tempest, who is a

10:59

white Australian woman, which is about

11:02

as far from a black person as you

11:04

can probably get. Kaiten's Aboriginal Australian, so she

11:06

thought that was funny. It's

11:10

a very different vibe. She's specifically from

11:12

the Gold Coast, which

11:15

I learned from the reality show

11:17

Byron Bayes on Netflix last

11:19

year is where all

11:21

the trashy girls are from specifically. All

11:24

the girls in Byron hate the girls

11:26

from the Gullsy because the girls from

11:28

the Gullsy are slags. It's

11:30

sort of the vibe that I got. Yeah, it's kind

11:32

of the vibe you get from the comic too. Yeah,

11:35

right. Which everybody is always like, why the miniskirt?

11:38

And I'm like, she's from the Gullsy.

11:40

Even the most self-possessed girl from the

11:42

Gullsy is going to have a miniskirt.

11:45

It's the vibe I got from Byron

11:47

Bayes because the fashion designer Gurley's could

11:49

not stop talking shit about the Gullsy.

11:52

I was pleased when you asked to talk about

11:54

this character a while back because I

11:56

haven't covered the Bendis era as much

11:58

on this show. in

12:00

part because it's not

12:03

an era I particularly liked. I've

12:05

reread a lot of it for different characters

12:07

and I've come to appreciate it more now.

12:10

But I remember at the time, I'm a big Brian

12:12

Michael Bendis fan. I was a huge fan of Powers,

12:15

his creator-owned book. I

12:18

followed that religiously. It got a little weird

12:20

eventually, but I followed it religiously for like

12:22

35 issues, 40 issues, whatever it was. He

12:24

revitalized the Avengers brand so enormously. And

12:28

while I'm not crazy about The Decimation, House of

12:30

M is a great comic book, right? So I've

12:33

always been open to a Bendis

12:35

experience. I was never into

12:37

Ultimate, which I think is where most people really

12:39

– like the Ultimate Spider-Man stuff is like obviously

12:42

his biggest hit

12:44

probably. But I was never into the Ultimate

12:46

universe, so that wasn't really my touch point.

12:49

I found him to be a curious fit on

12:51

X-Men, sort of from the jump. I

12:53

think in part it was that I just didn't

12:55

vibe with the way he wrote Emma. Not necessarily

12:57

what she does, because I think the things she

13:00

does make total sense. It

13:02

was like a voice thing because Bendis

13:04

characters have that very specific pattern. Emma

13:06

has pattern, but like I've said, I

13:08

think Jerry Duggan is one of the

13:10

best to ever write Emma. And part

13:12

of it is because he

13:14

does the pattern. Jerry's got a history

13:16

of TV writing. He knows how to

13:18

do that, but it always sounds like

13:20

her. Whereas I

13:22

didn't always feel like Emma sounded like herself.

13:24

And because I was a big Emma

13:27

fan and a big Scott in Emma

13:29

fan, I found this era dispiriting in

13:31

its way. I also just have never

13:33

cared that much about the 60s X-Men.

13:36

So the time travel teens were not

13:38

that exciting to me. And then they

13:40

hung around for like a long time,

13:42

which is years and years and years

13:45

and years. When

13:47

people were first like, what is this? It's clearly

13:50

like a six month arc and then it'll

13:52

be an interesting bit of whatever. And then

13:54

they were around for like six years and

13:56

it was kind of... They were around after

13:58

Bendis left. It was pretty shocking. Honestly, I

14:00

know I mean that's when I when I Came

14:03

in like you came back with Hox

14:05

pox I came in a little bit earlier in

14:07

the golden blue like time

14:10

displaced kids era. Yeah Yeah,

14:12

that was kind of when I tapped back out

14:15

was like in humans versus X-men And

14:17

then I tried with red

14:19

gold blue and they just weren't quite hitting for me

14:21

I did like a lot of stuff in blue. Yeah,

14:24

although rereading the poison axe arc for

14:26

the hepsuba episode was potentially

14:32

Some kind of hate crime against gay

14:34

people. Yeah some nice pictures Yeah,

14:37

I mean quite get the poisons. I don't

14:39

think Alice really used them at all for

14:41

the venom which is well

14:44

I've just never been like a big venom

14:46

guy I love maximum carnage because I

14:48

was a child in the 90s and

14:51

so I have to love maximum carnage

14:53

It's also Mary Jane chain smoking era,

14:55

which is important to me and shriek.

14:57

It features shriek Which

15:00

is always a pro column check

15:02

in my book but

15:04

otherwise I like spider-man but

15:06

it's never been like my thing and then

15:08

venom as Patrick Sullivan

15:10

put it in last episode on Trish Tilby

15:13

was very older brother comics and I'm the

15:15

older brother But I was gay so there

15:17

was no older brother. Give me venom comics

15:20

I liked when venom would be naked sometimes because

15:22

he would get blasted with a sonic blast. Yeah,

15:24

that was good those are great those are great

15:26

panels and I Liked

15:30

when there would be like a lady

15:32

symbiote. So like scream It

15:35

was cool. Yeah, my earliest memories of

15:37

like any of that symbiote nonsense with

15:39

the carnage stuff was like the ladies

15:41

when they're Remember,

15:44

but yeah, they weren't called anything in the

15:46

fucking comic And so they had to be

15:48

named in handbooks because in the comic they

15:50

were just the ones with the tits who

15:52

don't get names Scream is the yellow and

15:55

red one and then agony is the purple

15:57

one, right? And now Liz Allen is like,

15:59

right That's so killing it. I

16:01

mean that's the character. I would

16:04

love to take for a spin She's

16:06

Gwyneth Paltrow with a symbiote. That's all

16:08

really I want to read the ultimate

16:10

universe is fire star Bizarre right daughter

16:13

of the blob that was one of

16:15

the weirdest ultimate Oh God interpretation No,

16:18

it's fine. We're here. We're gonna do it. What can

16:20

we do? So Bendis

16:22

is a writer. I really like

16:24

there's stuff in this era that

16:26

I really do enjoy It just

16:28

overall had several foci that I

16:30

was not crazy about I

16:32

had really not enjoyed Avengers vs. X-Men so

16:35

it was spinning right out of that as

16:38

Someone who personally took the

16:40

position that Cyclops and Emma were right Yeah,

16:42

and then felt that they were kind of

16:44

railroaded into being wrong by the Phoenix five

16:47

storyline strange it's

16:49

I mean it's It's

16:51

weird now. It's weird now, but

16:53

now it's been like 15 years

16:56

So, you know, we have to laugh, right?

16:59

But it was spinning right out of that and

17:02

Emma was in that horrible black costume

17:04

with the lady mastermind titty top and

17:07

didn't have her telepathy and she and Scott

17:09

had broken up and she was Wasn't

17:11

talking like herself and I was like this is annoying and I

17:13

kind of just like I came in and out

17:15

of it The new characters

17:18

Bendis added Hijack and

17:20

triage just never quite clicked.

17:22

I think there's something there with triage You

17:24

could do more with that character, but he

17:26

just didn't get the page time really and

17:28

hijack I don't even remember what he does

17:31

the other three tempest gold

17:33

balls and more morph

17:36

to is the weird one I Felt

17:39

like the vibe was just let's make them more from

17:41

the cartoon But then it wasn't

17:43

really that it I don't know because

17:45

morph is a weird one Particularly looking

17:48

at X-Men 97 now because that character

17:50

has never existed in the comics really

17:52

right? Yeah, like changeling existed and then

17:55

Because of the success of the cartoon

17:58

a away morph and exiles morph exist

18:00

interested, but like the morph who

18:02

was a member of the X-Men is not a

18:04

616 character. Yeah,

18:06

and Benjamin Deeds

18:09

feels so like the

18:11

name of morph feels so incidental

18:13

to that, to me. I

18:15

mean, the AOA white people, I know

18:17

that there were like, you know, weirdos

18:19

who complained about the redesign for X-Men

18:21

97, but that's the more famous version

18:23

of morph. Yeah. For anyone

18:25

who didn't just watch the cartoon, like, you

18:28

know, that AOA character was super popular, he

18:30

and Blink were the big breakouts of

18:32

that. So it made

18:35

sense to do that. And yes, Benjamin Deeds

18:37

just kind of looks like changeling, but in

18:39

the like high school AU

18:41

anime, you know? But

18:44

you know, good for him. Christina Strain did some fun

18:47

stuff with him in her Gen X. Yeah, he's like,

18:49

yeah, he's kind of nothing in this except for that,

18:51

like one good issue with Emma.

18:54

Right. But then like, yeah, it's really

18:56

the Generation X series that was good. Yes. So

18:59

I think it really was just Eva

19:01

and Fabio that hit. And

19:03

that's the risk always of creating

19:05

new characters. And it's unfortunately something

19:08

that no doubt, in

19:10

part, by editorial request happens with every new

19:12

era of X-Men, right? Because part of what

19:14

you want to do is generate

19:17

new IP. But also

19:19

because the X-Men as a franchise

19:21

has often been focused on a

19:23

school or on young people

19:26

because mutation is such

19:28

a puberty metaphor a lot of the time,

19:31

it makes sense to ground

19:33

your book with here are some new

19:35

characters. And particularly in Bendis's case, you

19:37

sort of had to because

19:40

the aftermath of Avengers versus X-Men was,

19:42

oh, hey, mutants are happening again. So

19:44

you had to have some like people

19:47

are activating who hadn't because of the

19:49

decimation. So you have to do that

19:51

with a couple new characters to make

19:54

that status quo work. I

19:56

think that the problem and I've talked about this

19:58

on the show before. That those characters

20:01

free quickly get lost due to

20:03

the sliding time scale in a

20:05

sea of characters who are eternally

20:07

the same age. Yeah, you know

20:09

I feel good about the fact

20:11

that Kitty Pryde now feels like

20:13

roughly thirty. Finally, it's been a

20:15

long and winding road. Having

20:18

okay let's say she's twenty five twenty six

20:20

because I don't want the floating space tallest

20:22

is novelist email me know when his thirties

20:25

but like you know she's going through or

20:27

sad or return and becoming a barista in

20:29

Chicago is like a very thirty coating over.

20:32

That's very thirty coated and so I like

20:34

that. And I think the new mutants also

20:36

feel a little older now. Jan.

20:38

Acts some of them like Monday aged

20:41

up and others didn't seasons you believe.

20:43

hopefully with a vampire for a while

20:45

with help. smooth all about over. But

20:47

then you have that generation under the

20:49

Academy acceleration and now that be resurrected

20:52

all the ones who run the bus,

20:54

there's like eighty of them. Those

20:56

characters are all like sixteen

20:58

to twenty one, right? So

21:00

when you add in new

21:02

characters on top of that,

21:04

it's a big ask because

21:06

you're asking readers to invest

21:09

in these new characters when

21:11

X Men fans are extremely

21:13

passionate about their personal blur

21:15

both right and so every

21:17

time there's a new student

21:19

characters your favorite academy acts,

21:21

yearbook you cameo queen, Is

21:23

not going to be in the story

21:25

but also it's a list for later

21:28

writers because unless you make the characters

21:30

stick, they're going to be exclusive to

21:32

your era rate. Even characters you would

21:34

think would stick like this acted be

21:36

good. Angel Salvador drop off completely after

21:38

Morrison is crazy to me, but they

21:41

do. That. Just happens

21:43

sometimes. In this

21:45

case I thought hit men.

21:48

Did. Band is a real solid. Bender

21:50

said this in Old Owls Hundred percent. on

21:53

battle of the adam by

21:55

making fabio in asia up

21:57

part of the core cohen

21:59

premise Yeah, we would have never seen

22:01

them again. We would have never seen these characters

22:03

again. Bendis said that he was really

22:06

touched by that and that the egg thing was

22:08

crazy, but that's comics, like, you know, that's part

22:10

of the cool thing is like, you never know

22:12

where someone else is going to take it. But

22:15

it was also just cool to see

22:17

his characters get used because this happens

22:19

a lot. Like this new

22:21

era, E-Viewing is introducing three new

22:23

mutants as student characters

22:26

for Emma and Kitty, which again, like

22:28

in a new era, you're doing a

22:30

book that has that vibe. It makes

22:32

sense to have new characters. And Gail

22:34

has promised like a whole bunch of

22:36

new... Has she? Characters that we have

22:38

not seen yet. Yeah. I

22:40

haven't been reading a ton of interviews just because

22:42

I kind of want to go in like... I

22:44

said I was going to do that, but I

22:46

ended up subscribing to the the hat sub-st... Oh,

22:49

well, I do. I mean, I read Tom

22:52

Preeper's newsletter every single week because what

22:54

am I, a crazy person? I just

22:56

can't help myself. Well, it's also the

22:58

most fascinating, comprehensive accounting of the comics

23:00

in the tree that you're ever going

23:02

to be able to read this public.

23:05

I mean, it really... He just kind of lays it

23:07

all out for you as much as he can. And

23:09

I find that really fascinating to read. But,

23:12

you know, I mean, like I'm not reading like Q and

23:14

A's and things with the writers because I want to just

23:16

like go into the books and be like, what is this

23:18

book? Like I know who the rosters are. I know what

23:20

the premises are, but I don't want to get like too

23:22

in the weeds. Yeah, I'm also trying to limit it, but

23:24

it is kind of like... I

23:26

think if I can walk away

23:28

with less parasocial relationships with like

23:30

the specific people, it might be

23:33

for money. All the better. Yeah,

23:35

I think in general, fandom would

23:37

do well to detach a little

23:39

bit. Yeah. If you really like

23:41

someone, sure. But the way that

23:43

people get obsessed and start making

23:45

like theories can get very strange.

23:48

Yeah, yeah, yeah. I did notice

23:50

that apart from those three, I

23:52

think the only other new character

23:54

is the tank character in X-Force.

23:56

Who may be not a

23:58

new character, right? Right. But in

24:00

terms of the marvel.com solicit does not

24:03

have a link to past appearances. Yeah.

24:05

I think that that is a good

24:07

balance. I personally wouldn't introduce many more

24:09

characters than that. Probably some new villains

24:12

because we could use some new villains.

24:14

We just killed off a bunch of

24:16

them. Yeah, totally. But especially

24:18

with the whole point of Krakoa on some

24:21

level was we just brought back all 500

24:24

X-Men characters, including all 300

24:26

that Chris Claremont created. There's

24:28

so many to use that

24:30

I would rather read about

24:32

those characters. I am

24:34

interested to see what Ewing does

24:36

because I like that those characters

24:38

seem to be visible mutants. They

24:40

have sort of a modern feel.

24:42

I'm intrigued to see what

24:44

that book will look like. I

24:46

really like those costume designs. Those carbon-carnaras.

24:49

Very cool. I also just think E-Viewing is

24:51

brilliant. I would read E-Viewing right just about

24:53

anything. What a get. What a get.

24:55

It's a get. Something about those

24:57

Ewing's. No relation, but I

25:00

just do find them very good. I

25:02

remember someone told me that they had

25:04

thought initially that E-Viewing and Al Ewing

25:06

were married because of the Louise and

25:09

Walt Simonson kind of factor. I was

25:11

like, oh, they're not, but can you

25:13

imagine that dinner party? That

25:15

would be all I would want to do, would

25:17

be hang out with that couple. I'm not peer pressuring.

25:20

Al is happily married. I don't actually know

25:22

what Eve's personal life is like because I

25:24

don't actually know her. But Dr. E-Viewing, if

25:27

you're listening, would love to have you on

25:29

Cerebro. In any case, I

25:31

think that Bendis similarly was modest with

25:33

his ambitions in terms of creating new

25:35

characters. It was really just the five

25:37

characters. Tempest, Goldball, is

25:40

more of hijack triage. And

25:42

like we said, only two of them

25:44

really get a ton of story.

25:47

Ava is, I would

25:49

say, apart from like Teenage Gene

25:52

and Revolutionary Cyclops, the signature character

25:54

of the Bendis run. Yeah. Like

25:57

when someone says to me, Bendis

25:59

X. I think of two things.

26:01

I think of the teen-o-five time-traveling and

26:03

I think of Tempest. This

26:05

is the character who has the most

26:08

memorable stories, I would say, that don't

26:10

involve the time travel kits. Yeah,

26:13

absolutely. She's definitely the viewpoint

26:15

character and it's like going back over it.

26:17

I was like, oh, yeah, of course it's

26:19

like right there from the beginning. All New

26:21

X-Men opens with Beast and then

26:24

like setting up his whole thing and

26:26

then the very next, like the third

26:28

page of the comic is Eva's introduction.

26:30

This girl's traumatic mutant origin story. Yeah.

26:32

Yeah. So those two are like

26:34

the bookends of the whole thing. She's the

26:36

kitty or the jubilee and the problem I

26:38

think she runs into is twofold. One is that

26:40

I think Bendis made her way too powerful

26:42

and we'll get into that because I do

26:44

think that that has been a difficulty

26:46

for the character. Totally. The other thing

26:49

is teen Jean is also the kitty

26:51

pride of this era and is

26:54

Jean Grey who had been dead at that

26:56

point for a long time and the Jarbs

26:58

were like all a flutter to have her

27:00

back even in chibi moon form. It

27:03

was a big deal and I think that as

27:05

a result Eva

27:07

loses her focus. It's interesting. I

27:09

was just on Geeks Blained with

27:11

Erika Zana for his X-May

27:14

that he does every year and we talked about E is for

27:16

Extinction. If you guys don't listen

27:18

to Geeks Blained, please check out that episode we just

27:20

did on E is for Extinction. I'm really happy with

27:22

it. I love that storyline and it's

27:25

very very topical right now, so I encourage

27:28

you to check that out.

27:30

It's on the Patreon if you subscribe to

27:32

the Patreon, but otherwise it is on the

27:34

Geeks Blained feed. Speaking of the Patreon, the

27:37

XM97 recap series is coming to you soon now

27:39

that the show is over. I wanted it to

27:42

finish out so that I could holistically analyze the

27:44

text. You know, that's what I like to do

27:46

if I can at all help it. The

27:48

Discord moderators and I are gonna be doing

27:51

that. Individual people have picked different episodes. A

27:53

few of them are gonna double up on

27:55

some episodes. It's gonna be fun. We're gonna

27:57

just like chitchat. Yeah, you watch the finale.

28:00

No, I haven't yet because I was busy

28:02

reading every appearance of Ava Bell for this

28:04

recording. That's what I thought. But

28:07

I will watch, I'm flying to

28:09

LA tomorrow. So I've saved the

28:12

two episodes and the Vanderpump Rules

28:14

Reunion on my phone

28:16

for that. Excellent. And I

28:18

want to announce also another thing I'm going to be doing

28:20

on the Patreon that I'm really excited about. This

28:23

year, I say this year and it's

28:25

already almost half over which is crazy. The

28:28

worst thing. I am hoping

28:30

to expand the Patreon a lot this

28:32

year. I know people

28:34

have been asking for the return of the Claremont

28:36

Read-Along and that is returning. I was just recording

28:38

a new one and I am excited to edit

28:40

that and get that up. But

28:43

one of the new projects that I am launching

28:45

on the Patreon this year is something that doesn't

28:49

have a title yet, we're still

28:51

workshopping, but Dr. Holly Raymond and

28:53

I are going to look back

28:56

at all 110 characters

28:58

that I have covered on this

29:00

show and analyze their

29:03

Krakowin arc holistically. Now

29:05

that it's complete. If the character

29:07

appeared on Krakow, obviously we'll have to skip like

29:09

Val Cooper or whatever. But you know what, we

29:11

might talk about like why the character didn't show

29:13

up maybe or like what we think or you

29:15

know. Oh my god. What

29:17

a million dollar idea. This is so exciting.

29:19

Pretty excited about it. Holly's excited about

29:21

it. We're doing like a big reread from

29:24

the beginning of Krakowin and it's incredible to

29:26

have a five year corpus like this,

29:28

like a full body of comics. It's like

29:30

hundreds and hundreds of comics at this point.

29:33

So we're excited to revisit.

29:35

I think each episode is going to take

29:37

two characters and sort of like, and

29:39

it's not going to be in the order we did them on the

29:41

show because I want to like pair things thematically

29:43

maybe. But yeah, we're really

29:45

excited about that. Please do sign

29:47

up for the Patreon if you haven't

29:50

and you can afford five dollars a

29:52

month. I appreciate you and well your

29:54

dollars because mama's got to

29:56

eat. But you know, it's I'm

29:59

hoping to. focus more and

30:01

more and more on this arm

30:03

of my career and the patron is how

30:06

I can do that so I appreciate the

30:08

support. Get on it everyone. A character who

30:10

did not have a huge Krakoan arc is

30:13

Ava Bell but I

30:15

did like her symbolic role

30:18

in it and I think it

30:20

is a natural outgrowth of her

30:22

role in Bendis so

30:25

I'd like to first, only

30:29

37 minutes into recording, ask you what it is

30:31

you like so much about Ava Bell, talk a

30:33

little bit about that. Then

30:35

I think we'll pause for the character file

30:37

and then we'll just go through the arc

30:40

because she doesn't have a ton but she

30:42

has a couple stories that are really really

30:44

good. It's really good. Yeah. Like

30:47

real good stuff. Those annuals

30:49

I hadn't read since they came out

30:51

and they're really good.

30:53

She really is the heart of

30:55

the Bendis for me and kind

30:59

of you're what you're saying about the time

31:01

of the year it's already half over that

31:03

is exactly why I love Ava Bell. I'm

31:06

a Taurus. I'm very you know methodical.

31:08

I like to take my time on

31:10

things and I get very stressed out

31:12

when I have to rush and deadlines

31:14

are awful. The passage of time is

31:16

terrible so it's kind of you know

31:19

the early game of being like what

31:21

would my superpower be. It wasn't too

31:23

long before I was like I would

31:25

love to have the ability to just

31:27

like stop or slow down time like

31:29

freeze it for everybody else and I can

31:31

continue on with myself like

31:33

finishing up my things like drawing whatever

31:36

so when I ended

31:39

up kind of coming back to X-Men I

31:42

guess it was I think it was 2018 or 2017 so I originally

31:48

found out about this like I'd stopped

31:50

reading after Morrison I talked

31:52

about this in the husk episode you can go

31:55

check it out but you can it's been like two

31:57

years you can I know talking The

32:01

amount I repeat myself on this show and people

32:04

still listen to it for three, four, five hours.

32:06

So don't even worry about it. I listen to

32:08

every episode I know. Queen

32:10

for that. So, I appreciate you. So

32:14

I stopped breathing comics. I

32:16

went through a whole thing where I

32:18

sort of like dropped out of superhero

32:21

comics altogether. I was like delved

32:23

into the world of like indie small press and

32:26

that's kind of been my world since

32:28

then. That was like my career

32:30

as a cartoonist and like now

32:33

thankfully it's become my day job as

32:36

a colorist for graphic novels. I

32:38

would kind of like you know check in on

32:40

what was happening with my old exes the X-Men.

32:43

My buddy Darrell Ayo told me

32:45

about J.N. Miles when it

32:48

was launching. So shout out Darrell. I can't

32:50

believe Farrell is in a book. I

32:52

thought of Darrell. I hope for more than one issue.

32:54

Well, let's cross our fingers, right? Yes, no, I did.

32:56

When it was like who will die? I was like

32:58

well if one of them is going to die in

33:00

the first issue it's Farrell, God love her. But

33:03

I hope not. Worrying is praying for something

33:05

you don't want. So let's not. And

33:08

you know what? She was on

33:11

the cover of the number two best-selling Marvel

33:13

comic of all time, Ex-Force number one. So

33:16

there's some cache. You can never take that away from

33:18

her. You can't. So

33:20

I you know listening to the show early

33:22

on they would do sort of reviews

33:25

of the contemporary comics that were coming

33:27

out. And that

33:29

happened to be when Battle of

33:31

the Atom, the event was happening. And

33:34

I was like hmm time

33:36

travel you say alternate futures.

33:39

And while you may be too gay

33:42

to understand time travel I'm too non-binary

33:44

to not be fascinated by alternate realities

33:46

and I get that future what if.

33:49

So that makes total sense

33:51

to me. You know it's interesting. I

33:53

actually really do like time travel characters.

33:55

It's purely the understanding it. And

33:58

I will say I'm very proud. of me because

34:01

I understood everything that happened

34:03

in Rise of the Powers of X so

34:05

far and the Dead Excellent book. I am

34:07

very impressed. I was like, look at me.

34:10

It's because Rachel is now the gay

34:12

mistress of the time stream. So

34:14

I'll get back to that later too. Access

34:18

for us. Yes. To time travel.

34:20

Finally. I mean, Cable's pretty bisexual,

34:22

but like, you know, he keeps it to himself.

34:24

Oh yeah. And I'll tell myself

34:26

that I was having a hard time understanding. I

34:28

think you benefited maybe from reading it all at

34:31

once and catching up like you did. Probably

34:33

yeah. Because when I just like went

34:36

back through forever before recording this, I

34:38

was like, oh, okay. This

34:40

I like, I'm following along now. Part of

34:42

it is the release schedule got a little,

34:45

I think because the timeline got

34:47

contracted on these books, as we've been told

34:49

by a couple of different writers now. The

34:52

one that was really crazy was it was

34:54

like Wolverine was coming out at the

34:56

beginning of Sabretooth war. And the story was like,

34:58

this takes place after X-Force 50, which

35:00

wasn't going to come out for like another month.

35:02

Right. Which still hasn't. Well,

35:05

it has when you're listening to it. No, it

35:07

has. Yeah. But Wolverine's not

35:09

yet is what I'm saying. So like, right,

35:11

right. Which can we just shout out Ben Percy,

35:14

friend of the pod for a hundred issues plus,

35:16

because there were a couple of that one shots

35:18

in there. A hundred issues in 2024 is fucking

35:20

crazy. That's

35:22

wild. It's very impressive. And also

35:25

the only person in the Krakowin

35:27

era to use Ava Bell's powers

35:29

in a like useful way. Yeah,

35:32

no, I thought did happen. So we'll

35:34

talk about that later. But I think

35:36

Vida Ayala did something at one point

35:39

when Gabby was arguing with the five

35:41

or whatever. But there might not have been

35:43

powers used. I just remember her having a line

35:45

and I was like, good for you. Right. Yeah.

35:48

Vida definitely gave Ava something to do, but I don't

35:50

remember if her spirits or not. But so there were

35:53

a couple of moments where it was like the issue

35:55

of Dead X-Men, the taste place after this issue of

35:57

Rise came out before it or what, you know, and

35:59

that. happen

36:01

simultaneously but they don't all come out

36:03

the same week. So I could see

36:05

that being a little confusing reading week

36:07

to week but since I read the

36:09

last couple months in one big nosh

36:11

much like Celine in the Crocia or

36:14

much like Nathaniel Essex as it turns

36:16

out all this time I did

36:20

find it easier to follow probably that I would

36:22

have but the thing is now it'll be in

36:24

trades forever like that's how people will read it

36:26

now and that's the thing that matters the most

36:28

really at the end of the day is how

36:30

these things read in collected form.

36:34

Sometimes I think about how insane it would be

36:36

to read Claremont month to month like back in

36:38

the 80s. I

36:40

can't imagine that like I was

36:42

binging it at 11 or whatever like I

36:44

can't imagine having to wait. Imagine

36:48

being so excited for mutant war. I

36:52

know. Too painful. So

36:55

basically yeah listening to Jay Miles

36:57

that put Battle Adam on my

36:59

radar I didn't quite go

37:01

back to the comics until later

37:04

we were talking about like the IVX era

37:06

which we shat not speak about. I

37:08

guess we have to kind of today. We will a little bit

37:11

but briefly actually she misses IVX she

37:13

comes back for Rosenberg briefly for like

37:15

a little county but that's it really.

37:17

Yeah she dips out. She dips out.

37:20

For good reason she gets pretty fed up

37:22

with these guys and I would too. It's

37:25

so good. It's so good. But

37:27

I remember when the apocalypse

37:29

movie was coming out I was like

37:31

ooh I love apocalypse it'd be fun

37:33

like to see what comics there are

37:35

and it was like that crossover with

37:37

the and I was just like not

37:40

I did not partake. I did

37:43

jump back in when X-Men Red came out

37:45

and I was like oh this is fun famously

37:48

to me I find it very funny I was

37:50

very cranky when they were like we're going to

37:52

wipe this all away and Hickman's going to come

37:54

in and it's like who's this guy whatever. But

37:57

anyway. classic

38:00

X-Men fan problems, who is this? I

38:02

know. God. So

38:04

anyway, before then, I was

38:07

doing like a little like mini self-imposed

38:09

residency like dog watching or house watching

38:11

for a friend and I was like,

38:13

you know what, I think that's a

38:15

good time to check out that Bendis

38:17

era because I'm a like massive

38:20

massive Chris Pachalo fan and I

38:22

was just like, this looks so

38:24

good and Jay Miles piqued my

38:26

interest. So I just like, that

38:29

was really what like got

38:31

me super hooked again. It's just like I read all that

38:34

stuff and I was like, oh, this is so good. And

38:36

I last shown to Ava one because

38:39

she had the time stopping powers and I

38:41

was like, oh, my dream. This

38:43

is so rare. And then like her

38:45

role in it was so great. She's really like

38:47

the heart of the whole thing. I guess one

38:50

thing I should notice that when she was created,

38:52

tempo was dead. Right. So

38:55

it was not confusing at the time because that

38:57

character was no longer among the living. She was

38:59

the one big casualty of the age of X

39:02

crossover because they made a point of like, if

39:04

you die in age of X, you die for

39:06

real. And it was tempo who died. I talked

39:08

to Mike Carey about that in

39:10

the Joanna Cargill episode ages ago. He's

39:13

such a sweetie and he said he had a plan

39:15

to bring her back, but then it never quite panned

39:18

out and he couldn't find place for it. And

39:20

he was like, I'll just leave that to another

39:22

writer. And thankfully, eventually, Krakow brought back everyone we

39:24

would want to bring back for

39:27

the most part. Let's say I have a few

39:29

more on my wish list, but you know, baby

39:31

steps. It is a cool power. It's

39:33

Dio from JoJo's Bizarre Adventure. Right.

39:36

It's like just the idea that you can go

39:38

like snap, freeze it. Yeah. It's

39:40

exciting. It's a cool power. It's

39:42

a scary power because when you think about it from

39:44

the perspective of the people who

39:47

would be experiencing it, it's so crazy.

39:50

There's a reason why some of

39:52

the more effective like superpower things

39:54

in live action have been with

39:56

super speed and stuff like that

39:58

because you could just. and slow

40:00

down all the other actors and that's cool.

40:03

As it initially starts out, she

40:06

just has the power to stop

40:08

or slow time in a localized

40:10

area like Tempo. Then over time,

40:12

she develops the power at first,

40:15

uncontrollably to literally travel through time,

40:17

which on Krakowa, Tempo also developed.

40:19

So, a little overlap-y sometimes. I

40:24

think that what helps Tempo not

40:26

fall into some of the same traps

40:28

as Tempo is that Tempo, much

40:30

like Rachel and Cable and Bishop,

40:33

seems to have more limitations on

40:35

the time travel. She went

40:37

all the way back two billion years in the past,

40:39

but I think that was because of the boost fruits

40:41

or whatever. It wasn't, she's not normally

40:43

able to do that. And that's

40:45

really the secret to making it work. You just

40:47

have limitations. You just have to put limitations on

40:49

it, right? Yeah, and so that's the issue is

40:52

a time manipulator, is a

40:54

character, it's just hard to have around.

40:57

And in today's issue, when in particular,

41:00

Ava Bell and Elixir were put on a bus

41:03

to the White Hot Room, I was like, yeah,

41:05

that makes sense because I'm sorry to their fans.

41:07

I'm not saying, I mean, actually I don't like

41:09

Elixir, but I'm not saying they're bad characters. Don't

41:11

like that guy. I just don't. But

41:14

the problem with them is that they

41:16

are so powerful and in such a specific

41:18

story breaking way that it is hard to

41:20

have them in a story if they're not

41:22

the focus of the story because they could

41:25

just break the story. It's

41:27

not quite like Jean or

41:29

Storm or characters like that,

41:32

Magneto, where they can do

41:34

anything. It's a case where them

41:36

being there means that the

41:38

plot can just not happen,

41:40

right? There's a reason Elixir

41:42

was constantly getting conked on the head and

41:44

knocked out before major events because you can't

41:47

have the character who can heal anybody from

41:49

anything in the scene if you want there

41:51

to be stakes. Similarly,

41:53

Ava had to dip out past

41:55

a certain point because once

41:58

she's shown that she can see. Mostly

42:00

author or a the timeline which is

42:02

something that time travel was never previously

42:04

able to do. An excellent comics before

42:06

this character. Then it becomes the question

42:09

of like will wait, why doesn't she

42:11

just sits near guess he like graduate

42:13

that have that kind of story and

42:15

then susan like gods territory will It's

42:17

the same problem Nicotine has off and

42:19

had where it's like once you are

42:22

the phoenix what do we deal with

42:24

you And that's another thing that I

42:26

thought was really brilliant about the end

42:28

of Forever is saying. The Phoenix

42:30

is in a rebirth cycle now. allows

42:32

Gene to have the Phoenix without it.

42:35

I mean, she's already an Omega level

42:37

telepath room. If you're going to give

42:39

her vast cosmic power, it can't be

42:42

completely limitless. Less caustic power gets kind

42:44

of a hat on their right leg

42:46

at a certain point. I mean, claremont.

42:48

Sad that Dark Phoenix happened because it

42:51

became harder and harder to come up

42:53

with situations that Gene couldn't just solve.

42:55

The of the plan was to take

42:57

away the powers that wasn't a killer.

43:00

But it ended up in Oak going outweigh

43:02

any think with Gm what they're gonna do

43:04

is like take her to the larger comes

43:06

back Girls were sugar ray like spill out

43:08

and like yeah if you're not going to

43:10

have her be the spectre and just like

43:12

be a god which is where I would

43:14

say oh I always said that's where I

43:17

would have taken after Morris and like have

43:19

her to show up as like an eternity

43:21

style being sometimes by it rain if you're

43:23

not doing that, if you wanted to be

43:25

an active superhero than absolutely You go the

43:27

Carol Roots and you take her out space.

43:29

Frankly. Marvel could use a little

43:32

more infrastructure in that area

43:34

of they're setting I think.

43:36

I'll try to do it birds, which

43:39

is when let him out. It an

43:41

incredible job. I just think Aramco always

43:43

felt temporary as the status quo. Unfortunately

43:45

I think some of the characters will

43:47

stick around, but I can't see. I

43:50

mean I know what's mars up to of it's

43:52

not a Rocco I think you should just keep

43:54

it by it if it does feel like something

43:57

that's like confusing for new readers which is the

43:59

problem with but. stuff like that. I

44:01

do think that X-Men Red is gonna go

44:03

down in history as one of the best

44:05

X-Men titles of all time. Oh, yeah. Yeah.

44:07

The sword to X-Men Red to resurrection of

44:09

Magneto series, if you were gonna collect it.

44:11

That's impeccable comics. I really,

44:14

I mean, I think everybody who was like, who

44:16

are these aliens? It's gonna sound as stupid as

44:18

the people who hated Grant Morrison. Like, it's gonna

44:20

be... It's gonna be one of those things where

44:22

we go, wow, remember that? And I tell people

44:24

it was polarizing. People go, what? That

44:26

doesn't make any sense. And

44:29

really, yeah, it's just like the the through

44:31

line of like 10

44:33

of swords, so perfect, ushering into

44:36

the sword. It's so good. Valuing era,

44:38

it's like... It's so good. One of

44:40

the best things to come out of

44:42

this era, for sure. Absolutely, unquestionably. And

44:44

I think it's the best Magneto story

44:46

ever told. Possibly

44:48

the best storm story ever told, now that

44:51

we've read through resurrection. I was waiting for

44:53

it to finish out before I like offered

44:55

a verdict, and I do like to let

44:57

things marinate for a while, but it's amazing.

44:59

It's certainly the best story she's had since

45:01

Claremont, hands down. Yeah, Luciana

45:03

Vecchio is just like... What

45:06

an incredible... You know,

45:08

he's a talented artist, but that I've never seen

45:11

him draw anything like that book. Yeah,

45:13

it's like, was so... I was

45:15

like, man, this is like... Someone's

45:19

found his Omega level power suddenly. Like,

45:21

I was like... Exactly. When that V-Hag...

45:24

Wriggled out of her... Moray

45:27

Yield, Coral Reef cave or

45:29

whatever, I was like, goddamn Luciano, go off.

45:32

I also was so gagged when

45:34

alluing that fucking nerd pulled out

45:36

not only the goblin force... Yes.

45:39

But also the first fallen... Oh my god.

45:42

From the Jamie Braddock arc

45:44

of Claremont reload. Wait, what

45:46

was this one again? My one note, if you're

45:48

listening, is that the adversary is a chaos being,

45:51

so I don't think he's the same as these

45:53

beings of Segnation, but you know what, Storm said

45:55

that. She's like, sounds like you're making this up,

45:57

Shadow King. So, you know, there's enough wiggle room.

45:59

Plausible tonight. But overall I am over

46:01

the moon that and this is not I don't

46:03

want to sound like I'm taking credit I'm just

46:06

pleased that I feel like I put the puzzle

46:08

together But my like unified theory of Jean and

46:10

the Phoenix and the Shadow King that I've laid

46:12

out on this show Over the last

46:14

three years now seems to be basically canonical which

46:16

I feel really good about I just feel I

46:18

feel smart I'm like, oh I figured out what

46:20

Al Ewing was doing that makes me feel like

46:23

a really intelligent person See

46:26

that's why I like the last two Matrix

46:28

movies I mean, I know there's a fourth one,

46:30

but I was like I kind of

46:32

like I only ever thought about you

46:35

I loved Monica Belucci

46:37

in that red latex corset

46:40

That was the first thing I ever saw her in and

46:42

it led me to all of her insane European movies So

46:44

that was a win for gay rights at the end of

46:46

the day No,

46:49

actually the Matrix thing really

46:51

I read an article that like basically figured

46:53

it out and then the movies played out

46:56

According to like their theory so I was

46:58

like, oh I feel smart But I actually

47:00

feel really smart about being a little kid

47:03

and figuring out that Xavier was onslaught because

47:05

he had the orange telepathy

47:08

bubbles and Because

47:11

they did like any orange for him in the

47:13

90s. Yes, he hasn't done that No, it's more

47:15

like they do more blue for him now like

47:18

Emma. I feel like in more recent Yeah,

47:20

which I like it's up to the letter.

47:22

I feel like orange is such a specific

47:24

color That was kind of

47:26

cool thinking about it. Yeah, speaking of colorist decisions

47:29

I just have to say one of my favorite

47:31

things about rise of the powers of ten is

47:33

that they remembered or someone made The note that

47:35

Xavier is a blonde and the

47:37

beard I was like,

47:40

there we go. There's that blonde beard from

47:42

when he was convalescing in Amelia votes Hospital

47:45

Where were we see we keep going back and

47:47

forth in time and that's I think form

47:49

and content for this episode. I Actually

47:53

think now is a good time to pause

47:55

for this reaper character file on a the

47:57

bell I'll take you through her full character

47:59

history in publication order. This is

48:01

always fun with a time traveler but

48:03

at least she has been in fewer

48:06

stories than Cable or Bishop or Rachel

48:08

from her first appearance by Brian Michael

48:10

Bendis and Chris Botchalo up through her

48:12

most recent appearance and probably last

48:14

appearance for a while in today's

48:16

X-Men Forever number four. Then

48:19

we'll be back for more with Karen Charm.

48:21

We will go through Ava's arc in Bendis,

48:24

talk a little bit about the five, and

48:26

answer some questions from listeners like you so

48:28

stay tuned. We'll be right back. Ava

48:32

Bell aka Tempest is one of the

48:35

signature characters of the Brian Michael Bendis

48:37

period of X-Men. Created by Bendis and

48:39

Chris Botchalo, time manipulator and eventual time

48:42

traveler Ava is the first student recruited

48:44

by Cyclops and his nascent Revolution, a

48:46

rogue faction of X-Men operating his outlaws

48:49

following the events of Avengers vs. X-Men.

48:52

Ava doesn't stick around for the whole Bendis era and

48:54

after some time away from the spotlight the character

48:56

found new purpose in the Krakoan age

48:58

as part of the five, the mutant

49:00

circuit responsible for enabling resurrection. Ava

49:03

makes her debut in 2013's all-new X-Men

49:05

number one as a normal teenager from the

49:07

Gold Coast of Australia. A fun night out

49:09

with friends is interrupted by her controlling older

49:11

brother who picks a fight with a boy

49:14

Ava likes. Desperate to stop things from escalating

49:16

Ava instinctively reaches out and freezes time in

49:18

the entire area for the next 20 hours.

49:20

She is a mutant, one of the

49:23

first to manifest powers after Avengers vs.

49:25

X-Men in which the Scarlet Witch had

49:27

mutant Messiah Hope Summers interfaced with the

49:29

Phoenix to partially reverse the decimation, not

49:31

restoring those who had been depowered but

49:33

once more allowing new mutants to activate. Allergic

49:36

to Ava's manifestation Cyclops and his team touched

49:38

down and Emma Frost is able to help

49:41

Ava break the time bubble. Ava isn't sure if she

49:43

wants to go with these strangers who say she's one

49:45

of them now but the arrival of local authorities with

49:47

guns drawn compels her to take them up on their

49:49

offer to escape. She finds herself

49:51

at the new Charles Xavier school Cyclops's

49:53

ragtag operation working out of a former

49:56

weapon axe facility. Despite her misgivings about

49:58

Scott Summers and his revolution Ava

50:00

takes the code named Tempest and begins helping

50:02

Cyclops and his team locate and rescue her

50:04

new classmates. After some time with

50:07

the X-Men, Ava asks Cyclops to let her

50:09

reach out to her mother in Australia, to

50:11

confirm that she's alive and safe. Reluctantly he

50:13

agrees, and the group teleports to Ava's family

50:15

home, where the Avengers intercept them to arrest

50:17

Scott and Emma. Seeing no

50:19

other option, Ava uses her powers to

50:21

freeze the Avengers, including Captain America, her

50:24

lifelong hero, who has deeply disappointed her.

50:27

As the uncanny X-Men series continues to follow

50:29

Cyclops and his team, misadventures compel Scott and

50:31

Emma to start training their new students more

50:33

formally in battle. In issue 10,

50:35

Ava's sparring with magic when her time

50:37

bubble does something new and alarming. It

50:40

makes magic disappear. Illyana returns

50:42

a moment later, apparently having been sent

50:44

forward in time. Seven issues

50:46

later, during a training exercise in Tabula Rasa,

50:48

don't worry about it, Ava herself disappears when

50:50

she uses one of her bubbles. A

50:53

few moments later, she returns, just like

50:55

Illyana did during the sparring session, but

50:57

this time, things are different. Ava

50:59

is different, having visibly aged. She acts cagey

51:02

with her classmates, and demands it's the last

51:04

of the separate cuckoos, who has peeked into

51:06

her mind, keep her secrets for now. A

51:10

pair of annuals the following month, one for

51:12

all new X-Men and one for uncanny X-Men,

51:14

detail Ava's journey between those apparently fleeting moments,

51:16

in the character's most prominent spotlight. We learn

51:18

that Ava's evolving power had grown to include

51:20

uncontrollable time travel, triggered whenever her life was

51:22

threatened, and jumping her to a random point

51:24

in the time stream. After a series of

51:26

jumps, she wound up in the year 2099,

51:30

where the future X-Men brought her to the

51:32

sorcerer supreme of the galaxy, Illyana Rasputina. This

51:34

version of magic was unable to help Ava

51:36

return to her own time, but offered to

51:38

take Ava on as a student, so she

51:40

could master the ability herself. Ava

51:42

agreed, and spent seven years as magic's pupil

51:44

in the future. Along the way, she fell

51:47

in love with a mutant man named Danny,

51:49

got married, and gave birth to a daughter

51:51

they named Doll. Content with her new family,

51:53

Ava felt no desire to return home any

51:55

longer, but magic insisted someday it would be

51:57

necessary. Eventually, magic was attacked in

51:59

her headquarters. by a demon and Ava was

52:01

too late to save her. Dying, magic told

52:03

Ava she must return to the past to

52:05

ensure Hank McCoy, the Beast, was prosecuted for

52:07

his crimes against the time stream. Before

52:10

Ava could react to this, she was shocked by the arrival

52:12

of Danny and Dahl, just as the demon broke free from

52:14

one of her bubbles. Now in mortal

52:16

danger, Ava once more found her power

52:18

activating uncontrollably and was jumped into a

52:20

prehistoric era. There she was saved

52:22

from dinosaurs by Morgan Le Fay, who'd been trapped

52:24

back in time herself by the Dark Avengers during

52:27

dark rain. Ava was intent

52:29

on returning home, but Morgan explained the timeline

52:31

had been altered by her jump, and Ava's

52:33

family in the future likely no longer existed.

52:35

Appusing to believe her, Ava attacked Morgan, and

52:37

in the process was jumped once again by

52:39

her innate defenses. This time, her

52:41

sheer determination to see her husband and daughter finally allowed

52:44

her to control the jump, and she steered herself all

52:46

the way home to 2099. There

52:49

she found strangers living in her home, and a

52:51

sorcerer supreme Tony Stark, where Eliana ought to have

52:53

been. Morgan's assumption had

52:55

proven correct. Ava's personal timeline was disrupted

52:57

when she jumped, and the unavoidable butterfly

53:00

effects on her way back had apparently

53:02

wiped Danny and therefore Dahl from existence.

53:05

Racked with guilt and grief, but now in full control

53:07

of her powers, Ava jumped back in time to

53:09

the moment she first laughed. In the

53:11

present, Cyclops is disquieted by the now

53:13

older Ava's insubordinate attitude. When

53:15

she refuses to explain herself, the separate cuckoos spill

53:17

the beans to Scott, who tells Ava she could

53:19

have come to him for help coping with her

53:21

situation. This invasion of her privacy does

53:24

not make her feel particularly trusting of the cuckoos

53:26

or Cyclops, but there isn't much time to hash

53:28

out these new dynamics before the reading of Professor

53:30

Xavier's will. Despite the schism between

53:32

Cyclops and Wolverine's factions of X-Men, all

53:34

parties attend the execution of the will,

53:36

where they learn several shocking things about

53:38

the late Professor Charles Xavier. One

53:41

of them is that Xavier has been secretly hiding and

53:43

suppressing the powers of a beautiful

53:45

unknown Omega-level mutant, a reality manipulator

53:47

named Matthew Malloy. Convinced his

53:49

destructive powers could not be loosed on the world,

53:51

Xavier placed mental blocks in Matthew's brain when he

53:54

was a child, much as he had once done

53:56

with Jean Grey. Over the years Xavier had checked

53:58

in on Matthew periodically to ensure he'd yet to

54:00

manifest his abilities, but now with Xavier's death,

54:02

the failsafes are down. By the time the

54:04

ex-men traveled in North Carolina to intercept Matthew,

54:06

he's already destroyed an entire town and is

54:09

in open conflict with SHIELD agents. To the

54:11

shock and dismay of his team, Cyclops, rather

54:13

than trying to de-escalate the situation, attempts

54:15

to recruit Matthew as his newest student. Ava,

54:18

set up, leaps back in time to consult

54:20

Professor Xavier, a man she's never met. When

54:23

she brings him to the present, they see that Matthew was

54:25

already killed Cyclops and most of the other ex-men. Looking

54:28

further back, Ava and Charles conspire to prevent

54:30

Matthew's parents from ever meeting, causing him to

54:32

retroactively cease to exist, just as Ava had

54:34

accidentally done to her own husband and child

54:37

in the future. Leaving Xavier

54:39

behind to wipe his own memories of this

54:41

sordid adventure, Ava returns to the present to

54:43

confront Cyclops. Threatening Scott with deletion

54:45

from the time stream if he continues down the

54:47

wrong path, Ava resigns from her role with the

54:50

team and leaves the title. She

54:52

returns two years later for 2016's Uncanny

54:54

X-Men 600, the trial of Hank McCoy,

54:56

one of Bendis' last stories over his

54:58

departure from the franchise. After

55:00

Hank's been forced to defend himself, Ava visits him

55:03

privately, explaining that in every future timeline

55:05

she has visited, and there are many,

55:07

she has been told Hank McCoy must

55:09

answer for his crimes. She hopes

55:11

he will now avoid letting those futures come to pass.

55:14

After two brief cameos during the 2019 franchise-wide

55:16

event X-Men Disassembled, Ava makes her return

55:18

to regular publication following the 2019 soft

55:21

reboot House of X and Powers of X by

55:23

writer Jonathan Hickman. In House of X,

55:25

Ava is revealed to be one of the Five.

55:27

A hand-picked group of mutants are able to combine

55:29

their powers in a circuit to resurrect other mutants

55:31

from the dead. While the Five

55:34

and their gift are at the heart of the

55:36

new sovereign mutant nation of Krakowa, and are the

55:38

engine by which the country is able to thrive

55:40

and grow, they are not especially prominent as individual

55:42

characters during the Krakowan era of comics. Though

55:44

they initially follow the orders of the

55:46

Quiet Council, over time the Five grow

55:48

dissatisfied with Xavier's hypocrisy and the demands

55:50

made by his Black Ops group X-Force,

55:52

and begin pushing back as a union

55:54

represented by Hope Summers. Significantly, it

55:56

is the protestation of the Five that lifts

55:58

the Quiet Council's policy against the resurrection

56:00

of clones, allowing for the resurrection of

56:02

Madeline Pryor and a recently murdered Gabby

56:05

Kinney. As the first Krakoan age

56:07

draws to a close in 2024, spoiler

56:10

alert for this month's comics, Eva and

56:12

her comrades among the five have been

56:14

leaders for Krakoan refugees following the Orcus

56:16

attack on the third Hellfire Gala. After

56:19

Hope makes a pivotal sacrifice to revitalize the

56:21

Phoenix Force, the rest of the five elect

56:23

to remain behind in the white-hot room with

56:25

those mutants who are unsuited to the battlefield.

56:28

Unreachable outside time and space, Tempest and

56:30

her friends will help guide thousands of

56:32

exiled Krakoans in building the next frontier

56:34

in mutant culture, safe from

56:36

a world that hates and fears them. X-Men,

56:39

X-Men! And we're back!

56:41

Karen, how are you doing? I'm doing

56:43

so great. I love to talk about

56:45

X-Men and with you. It's

56:48

funny, I was trying to catch up

56:50

on the Patrick Sullivan episode before this and I

56:52

was like, am I just going to spend all

56:54

day with Connor? Many such cases. Right,

56:58

it's true. I

57:00

was listening to the battle in

57:02

prior episodes hit when I was moving last

57:04

year. So it was like... That was good

57:06

timing. I'm glad that we could do that

57:08

for you. Psychically, I

57:10

knew a little bit. You know, I'm a

57:13

pythons are intuitive. So I just released on

57:15

it on a key moment. No, I always

57:17

love when I drop one and someone in

57:19

the discord is like, oh my God, I

57:22

have a six hour flight tomorrow. Thank God

57:24

or whatever. You know, I'm like, huh? You're

57:26

welcome, sir. What I'm here for. Time

57:29

passes subjectively when you're having

57:32

fun. Whatever. And Ava

57:34

Bell unfortunately does not have very

57:36

much fun. So it's

57:38

lucky for her that she can speed time up or slow it

57:40

down except when she can't. The

57:43

moments when she can't are when

57:46

her story is probably most memorable.

57:49

Yeah. Because she's not an important

57:51

character, i.e. she was

57:54

character that Bandus had created, she's

57:56

able to play

57:58

with the. ways

58:00

it could really impact a person to

58:02

time jump like this in

58:04

a way that I think characters like Bishop

58:07

or Cable or Rachel who have to be

58:09

more present in a book like apart from

58:11

the mother is Connie arc But that was

58:13

to write Rachel out in the 90s, right?

58:15

Yeah. Mm-hmm Now it's been

58:17

integrated really beautifully back into the

58:20

character and I loved in

58:22

today's issue It's

58:24

just so smart if you have this triad

58:27

of like Jean Hope and Rachel with the

58:29

Phoenix Yeah to say

58:31

okay Hope is the

58:33

maiden Jean is the mother and

58:35

then Rachel is the crone mother

58:37

is Connie who keeps the knowledge

58:39

But she's young and hot so you

58:42

don't even have to agatha her because

58:44

the old version died So you don't

58:46

even have to worry about finding an

58:48

excuse to make her 28

58:51

yeah, and as we saw with

58:53

cable, that's the beauty of time travel. Yeah Speaking

58:56

of cable shout out to Fabian Nieci asa for

58:58

bringing back the black womb. Oh my

59:01

god, you were living I just know

59:03

you she has a full salad ain't now.

59:05

So Fabian if you're listening Time

59:08

for the black womb cast finally. We'll

59:10

see I should reach out to save

59:13

I feel like the way to do that episode would be like

59:16

Fabian laughs at my caring about the black

59:18

womb for like 30 minutes and then it's

59:20

just me and like somebody you know But

59:23

like start with like an intro that's just

59:25

Fabian me asking Fabian questions about the gambit

59:27

solo and say it's like I wrote That

59:29

35 years ago. I don't fucking remember and

59:31

I'm like, oh, okay. Well, sorry It's like

59:33

how he answers any questions. It's like so

59:36

did you like have a lot of thought about that? Not

59:38

really doing the job doing my job like

59:41

all right All

59:43

right. Love that king for that. Honestly,

59:45

like the honesty is is refreshing

59:48

But yeah, no and then courier came

59:51

back trans icon courier I was not

59:53

expecting that one at all and affirmatively

59:55

now is like oh, it's Jacqueline now

59:57

long story, but like living

1:00:00

my best truth now. Those are

1:00:02

fun. And oh, and Irene Meriwether back from the

1:00:04

dead because Fabian doesn't give a shit. Fabian was

1:00:06

like cable 50 with time travel, move on. And

1:00:08

I'm like, great. Love that for her.

1:00:10

Love that for us. She and Trish

1:00:12

Tilby should start a podcast.

1:00:15

They should it would be so good. Yeah, they

1:00:18

should like go out on their own

1:00:20

like solid out O'Brien style and just

1:00:22

start like producing independent news. Yeah. Ah,

1:00:24

please. Free idea model of

1:00:26

your listener. But so

1:00:29

so Ava, we should get into

1:00:31

like her actual story, right? So

1:00:33

she first appears in all new

1:00:35

X-Men number one, which kicks off

1:00:37

this new era, the Bendis era

1:00:39

that spinning out of

1:00:41

Avengers vs. X-Men Utopia has

1:00:43

fallen. Scott and

1:00:46

Emma and Iljana and Eric

1:00:48

are on the run because

1:00:51

they are fugitives from SHIELD and the

1:00:54

Avengers and all of these people. And

1:00:57

they end up starting Cyclops's revolution

1:00:59

where they're going to go find

1:01:01

young mutants and try to train

1:01:03

them to be more radical. Scott

1:01:07

has decided that Charles's whole POV

1:01:09

was a fucking stupid and oh,

1:01:11

by the way, he was right.

1:01:14

If there's anything that the third

1:01:16

act of Krakowa should show us,

1:01:19

it's that Xavierism indication is so

1:01:21

last year, it becomes kind of

1:01:24

a fun throwback to Charles

1:01:26

and Emma competing for students

1:01:28

in the 80s because

1:01:30

you also have Kitty pride in

1:01:33

all new X-Men. That

1:01:35

book is uncanny. And then in all

1:01:37

new X-Men, you have Kitty pride taking

1:01:39

on this teacher role and also trying

1:01:41

to do her thing. But she's mostly

1:01:43

distracted with the teenage versions

1:01:46

of the original five X-Men who

1:01:48

have been pulled forward from the

1:01:50

ambiguous sliding timescale 60s by Hank

1:01:52

McCoy to shame Scott in

1:01:55

a remarkably petty bit of tampering

1:01:57

with the time stream that.

1:02:00

Well, potentially is what causes the

1:02:02

incursions in secret wars, although it's never

1:02:04

a hundred percent rare It's a lot

1:02:06

of that if that's actually true But

1:02:08

certainly ava bell encounters many

1:02:10

timelines where people say that Hank McCoy doing

1:02:12

that really broke shit in a bad way

1:02:16

So that book is the big

1:02:18

thing that's going on Uncanny

1:02:20

is sort of the secondary book

1:02:23

in a lot of ways Eventually those things

1:02:25

kind of start to shift and

1:02:27

change the teen X-Men and Kitty

1:02:29

end up abandoning The school

1:02:32

and going with Scott and Emma, but that doesn't happen

1:02:34

for quite a while. Almost as if Cyclops is

1:02:36

right almost as if I mean the funniest thing

1:02:38

about this is like Bendis certainly writes it as

1:02:40

though he is But yeah,

1:02:43

you can feel the editorial Instruction

1:02:45

that he's not and that's why death of

1:02:47

X is so crazy Because when the inhumans

1:02:49

of his X-Men thing pops up and there's

1:02:52

the time job They try and do it

1:02:54

all over again the horrible thing Cyclops did

1:02:56

he's like worse than Hitler and then like,

1:02:58

you know We see what he did and

1:03:00

it was like fine mostly But

1:03:03

you know classic X-Men

1:03:06

experience to be told that you

1:03:08

just got a little too big for your

1:03:10

britches in like asking for Respect

1:03:12

and rights and stuff Time

1:03:15

to be hated and feared again the depression again.

1:03:17

Well, you know what? Here's the thing You can't

1:03:19

kill it now much like revolutionary

1:03:21

Cyclops or much like Magneto in the 90s

1:03:23

when editorial was like Magneto's evil again Yeah

1:03:26

readers just didn't the stories that hit. Yeah,

1:03:28

like readers Just don't if the

1:03:30

readers don't respond to it then what comes back is

1:03:32

the stuff that readers respond to Once

1:03:35

you've said the thing you can't unsay it I

1:03:38

thought that Tom Breibert made a really good

1:03:40

point about Charles and his newsletter recently Someone

1:03:42

asked like why isn't Charles in your relaunch? It

1:03:44

feels like they're always trying to get rid of

1:03:46

Charles Like they are always trying to get rid

1:03:48

of Charles because that character

1:03:51

is retrograde Like does not really work

1:03:53

anymore. Yeah, the readership mostly sides with

1:03:55

Magneto at this point in their debate

1:03:57

and so many

1:04:00

different writers have tried to deconstruct

1:04:02

Charles, that it's now really hard

1:04:04

to write a story about a

1:04:06

Charles we want to root for,

1:04:09

right? So it makes more

1:04:11

sense at a certain point to sunset him. I

1:04:13

mean, I think they should, but I've been saying

1:04:15

that for years and years. To

1:04:17

me, what Jerry and Kieran have

1:04:19

done in particular in the last

1:04:21

six months, or almost years

1:04:24

since the Gala issue, I think

1:04:27

that it is like the final

1:04:29

statement on Xavierism in a really,

1:04:31

really strong, smart way. And then Al

1:04:34

really reiterated that Magneto's perspective,

1:04:36

while it hasn't always led

1:04:38

Magneto to the right choices,

1:04:41

makes more sense.

1:04:45

Particularly now. Just masterful. Yeah.

1:04:48

But yeah, in these comics, it's kind of like

1:04:50

the... This story is kind of about that, because

1:04:52

this is one of the many times they've tried

1:04:54

to get rid of Charles. When

1:04:56

Scott was Dark Phoenix in Avengers vs. X-Men, this

1:04:59

is where that all starts. And I'm sorry, anyone

1:05:01

who's not telepathic should not be able to use

1:05:03

the Phoenix power at all, but it's whatever. They

1:05:05

did it, and now we're stuck with the Tournament

1:05:07

of the Phoenix or whatever, and stories like that.

1:05:10

Hopefully that's now over. It seems like

1:05:12

it's over. But when Cyclops somehow was

1:05:15

using the Phoenix, he went crazy and

1:05:17

killed Charles. So

1:05:21

Charles is dead. That

1:05:23

is one of the crimes

1:05:25

that these fugitive X-Men are

1:05:27

being sought in connection with.

1:05:30

It also means that this era

1:05:32

becomes, to a large extent, about

1:05:35

what will the legacy of Xavier

1:05:37

be? What does it

1:05:39

mean that Xavier died? After

1:05:42

Deadly Genesis pretty much assassinated

1:05:44

that character entirely, Mike

1:05:46

Carey put in a lot of work over

1:05:48

several years to make him a good

1:05:51

guy again, and then this big death

1:05:53

happened, it's this tragic thing, and

1:05:55

then we get to the very weird plot

1:05:57

with his will, which Ava Bell factors into.

1:06:00

to hugely. So

1:06:03

before we get there, let's start from the

1:06:05

beginning, right? In All New X-Men number one,

1:06:08

Ava is, I would say

1:06:10

like 17-ish. She's said to

1:06:12

be a teenager, but it's not 100%

1:06:14

clear how old she is. She's definitely

1:06:16

like more of an adult than

1:06:18

a Jubilee or Kitty when

1:06:21

she first appeared type character. Yeah,

1:06:23

yeah, yeah. She is

1:06:25

out on the town with one

1:06:28

of her girlfriends. She starts talking

1:06:30

to a boy that she thinks

1:06:32

is cute. It's all

1:06:34

going great. But then suddenly

1:06:36

her brother, Steven, who doesn't

1:06:38

call into his sister talking

1:06:41

to boys, shows up

1:06:43

and causes a scene. They

1:06:45

start fighting him in the

1:06:47

sky. Your info

1:06:49

about the Gold Coast

1:06:52

related sort of made this a lot more

1:06:54

sense. I was like, oh yeah, yeah. My

1:06:56

sister is not going to be no Goldie

1:06:58

Slag, so she can't be talking to that

1:07:00

guy. So like that, I think is kind

1:07:02

of the vibe here. She's

1:07:04

wearing like an off the shoulder dress. She

1:07:07

looks sexy. If you think she's like 17,

1:07:09

then it's very much like her brother is

1:07:11

like 23, 24 and is

1:07:13

like, get your hands off my sister. Not

1:07:15

wearing a shirt. Yeah, yeah, it's

1:07:17

a lot. There's also like, it's

1:07:19

a little bit Stefan and Germaine

1:07:22

Sardish coded where it's like, my guy,

1:07:24

she's your sister, not your girlfriend. Like

1:07:26

relax a little bit. That

1:07:29

overprotective, like vaguely emotionally incestuous brother

1:07:31

thing is a trope in stories

1:07:33

about teen girls for a reason,

1:07:35

because the idea that you belong

1:07:37

to your male family members and they get to

1:07:39

decide what you do is unfortunately a big part

1:07:42

of every culture on earth. I

1:07:44

mean, apart from the rare matriarchal cultures

1:07:47

that are not as culturally prominent globally.

1:07:49

So, you know, it's, it's, it feels

1:07:51

real. It goes to

1:07:53

a place of violence pretty quickly, but they

1:07:55

are Australian. No offense to my Australian listeners.

1:07:58

I just, Karen's laughing. I just feel like

1:08:00

If I was gonna pick one country that

1:08:02

was likely to have a bath I happen

1:08:04

it might be Some fellas

1:08:06

in the Gulli blokes. Do

1:08:08

they say blokes in Australia? No Mate,

1:08:11

so it's like a thing but I don't

1:08:13

know no, it's it's hard to separate the

1:08:15

stereotype Well, right And also like their slang

1:08:18

is different from British slang because they've been

1:08:20

on that island for so long that it's

1:08:22

like become its own Yeah Thing

1:08:24

so I don't actually know but you know

1:08:26

like a bunch of bikies could ride up

1:08:28

and get into a bath I heard of

1:08:30

what it feels like But so

1:08:33

Eva's like freaking out cuz she's like, oh my god,

1:08:35

like I just thought he was cute I talked to

1:08:37

him like don't start like a whole thing and

1:08:39

suddenly her mutant power catalyzes and

1:08:41

she freezes time all around

1:08:43

her This lasts for 20

1:08:45

hours She's

1:08:47

frozen. Also is the thing which

1:08:50

is interesting because so iconic. Yeah.

1:08:52

Well, it's unusual Mutant

1:08:55

power and of the only time that happens the

1:08:57

same with it affects the people around you And

1:08:59

I think maybe it's a hint to how powerful

1:09:01

she really is, right? But

1:09:03

also to the struggle that she's going to have to

1:09:05

control the power which is the core Tension

1:09:08

on some level to the character Scott

1:09:11

and Emma and Magneto show

1:09:14

up I think the

1:09:16

cuckoos are tracking like new mutant signatures

1:09:18

at this point for them This is

1:09:20

their Catholic schoolgirl outfit era, which I've always

1:09:23

found a bit my favorite curious I guess

1:09:25

that started on utopia didn't it? It's like

1:09:27

a Greg lands Mm-hmm. Yeah,

1:09:29

I think is it tied to

1:09:31

the Wolverine and the

1:09:33

X-Men because they have the the

1:09:36

like Private school uniform but

1:09:38

they were kind of wearing that already on

1:09:40

utopia when the when fraction was doing it

1:09:43

I don't actually remember when that happened go

1:09:45

back to the separate cuckoos episode because I

1:09:47

bet we talked about it I can't recall

1:09:50

Anyway, they are able to shake

1:09:52

Ava loose from the time freeze and

1:09:55

explain like you're a mutant You should

1:09:57

come with us. We can train

1:09:59

you this, that, and the other thing, it's

1:10:02

not something she's eager to do, but

1:10:05

the like Australian National Guard shows up

1:10:07

or whatever. I don't know what they're

1:10:09

called, but like it's, it's

1:10:11

not great. Guns are drawn. Yeah, it's like not a

1:10:13

great situation. She's like, all right, I'm coming, I'm coming,

1:10:15

I'm coming, I guess. She

1:10:17

is the first student Scott

1:10:20

recruits for his new school,

1:10:23

which he is calling the Xavier School, as opposed

1:10:26

to Wolverine's New Gray School for higher

1:10:28

learning. She's so mad. It does, because

1:10:30

you killed him. It's like, guys, are

1:10:32

you new? Like, you just called

1:10:34

your school the Jean Gray School. Do you know

1:10:36

how many people Jean Gray killed when she was Dark

1:10:38

Phoenix? Six billion, famously.

1:10:41

The naming off. So like, if we really

1:10:43

want to go there, there's six billion broccoli

1:10:45

people who have an issue with your choice

1:10:47

of school name. Oh, wait, there

1:10:49

aren't because they're all dead because Jean killed

1:10:52

them. So like, you know, a little bit

1:10:54

throwing stones in your glass house named after

1:10:56

the Dark Phoenix yourself. And if we can

1:10:58

forgive Jean for eating all those broccoli people,

1:11:01

surely we can forgive Scott for killing Charles,

1:11:03

who frankly could have stayed dead and would

1:11:05

have worked out, I think, for a lot

1:11:07

of people. The problem with Charles

1:11:10

is you just can't keep him dead because he's

1:11:12

a Lee Kirby character and he was in

1:11:14

that 90s cartoon and anybody who was in

1:11:16

that 90s cartoon is simply unkillable. It's in

1:11:18

the logo. Yeah, it's a problem. It's a

1:11:20

problem. I hope we haven't seen

1:11:22

the end end of this area yet, but

1:11:24

I am hoping that he and his horrible

1:11:26

robot wife, like, ascend to digital hell or

1:11:29

something and we can like be free

1:11:31

of them for a time, at least. Time

1:11:34

seemed to be pointing to him being inmate

1:11:37

X of the new

1:11:39

era, but that's a misdirect probably.

1:11:41

I think Sink is inmate X.

1:11:43

That's my guess. Because

1:11:46

we don't know what happens to him and

1:11:48

he could like die in a heroic sacrifice or

1:11:50

whatever, but he is sort of the face of

1:11:52

the Krakowan age in a lot of ways, Sink.

1:11:54

And so I think him being inmate X would

1:11:56

be like a bold choice. It would

1:11:58

be sort of like that. The real

1:12:00

response to Krakow is we're locking this guy up. You

1:12:02

know what I mean? I could see that Anyway,

1:12:06

sorry time traveling again. We are time traveling,

1:12:08

but it's fine. I think that the three

1:12:10

characters We haven't seen solicited for anything yet

1:12:12

who are like notables that it's odd We

1:12:14

haven't seen yet are sink

1:12:16

Polaris and Iceman Mmm, and

1:12:19

I don't think that Lorna or Bobby would have the

1:12:21

same oomph as like the

1:12:23

prisoner, right? So my guess

1:12:25

is that they'll just show up at a

1:12:27

later date in like a wave 2 book

1:12:29

or different books or whatever But

1:12:31

think feels like a character who's conspicuously absent

1:12:34

Which is why it feels like and didn't

1:12:36

Brevoort do an X on Monday where he

1:12:38

was like I can't talk about sink when

1:12:40

asked directly So yeah, he's like I can

1:12:43

say nothing about sink, but he did say

1:12:45

like Iceman will be yeah We'll be in

1:12:47

a comic right and like, you know, so

1:12:50

that's my guess on that I just think

1:12:52

Charles is the obvious one

1:12:54

and it feels too obvious, but who

1:12:56

knows Sometimes the most

1:12:58

obvious thing ends up being the best story. I'm

1:13:00

not right in the comic Yeah, some

1:13:02

writers do the guessing thing like oh my god,

1:13:05

what could it be? And it's not a writer

1:13:07

some people are just like We're

1:13:09

doing the thing right? No, and it totally

1:13:11

depends on how that story shakes out, but

1:13:14

that's my current theory and It's

1:13:16

a good one. I hadn't thought about that in about two

1:13:18

months. We can find out if I'm right or wrong but

1:13:23

so Eva is The

1:13:26

first student like we said so that puts

1:13:28

her in the role of again the Kitty

1:13:30

pride the Jubilee or Actually to go to

1:13:33

the immediate antecedent before this era in terms

1:13:35

of like we're recruiting a class of students

1:13:37

When dancer like she's the first one we

1:13:39

get and then she's sort of by default

1:13:42

the POV character The way that wind dancer

1:13:44

is in that we're in deep Philippus run

1:13:47

And I think that that we're in deep

1:13:49

Philippus run of new mutants that eventually becomes

1:13:51

Academy X is kind of a model for

1:13:53

This a little bit because similarly this book

1:13:55

involves them recruiting these students

1:13:57

sort of one by one as opposed to

1:14:00

just like it seems I mean now this is

1:14:02

this could I could be totally wrong maybe it'll

1:14:04

take three issues but it seems like E-viewing's book

1:14:06

is going to introduce all three of these characters

1:14:08

in like issue one the way that Gen X

1:14:11

Gen X did it with Phalanx Covenant sort of but you

1:14:13

get what I mean like there's different ways of doing it

1:14:15

and there's two different ways of

1:14:17

doing it and this chooses the sort of

1:14:19

one by one Pokemon route

1:14:21

which makes sense because these are

1:14:23

newly activated mutants in a time

1:14:26

when we didn't think that was ever gonna

1:14:28

happen again right so it's like the classic

1:14:30

original model of what the X-Men do exactly

1:14:33

and if you're gonna have Cyclops do it like

1:14:36

Charles but in a way that freaks everybody out

1:14:38

that it makes sense to have him do it

1:14:40

like Charles and like the first issue of X-Men

1:14:42

in 1963 have

1:14:44

it be a very powerful young woman who

1:14:46

he recruits in the way that Charles recruited

1:14:49

Jean before Claremont retcons

1:14:51

that he recruited Jean when she was like 10

1:14:53

but you know in the original story she's new

1:14:56

she quickly becomes a little concerned

1:14:59

about well that Cyclops

1:15:01

is nascent revolution like when

1:15:03

she realizes like oh I'm actually kind

1:15:05

of being held hostage by like international

1:15:08

terrorists who want to indoctrinate me into

1:15:10

one of them I don't know how

1:15:12

I feel about that

1:15:15

entirely she

1:15:17

does quickly start to develop more

1:15:19

control over her power and

1:15:22

can therefore help them to escape from

1:15:25

situations there are a

1:15:27

new line of sentinels that are

1:15:29

particularly scary and she's you

1:15:31

know she helps them get speedier escapes

1:15:34

which is nice but

1:15:36

she's conflicted in part she's conflicted because

1:15:38

we find out that as a child

1:15:40

she idolized Captain America this is like

1:15:42

one of my favorite bits

1:15:45

yeah it's really good it's an issue

1:15:47

three I think of uncanny I just

1:15:49

like I think that is

1:15:51

kind of like one of my sweet

1:15:53

spot characters these like goody

1:15:56

two shoes sort of like

1:15:58

characters But

1:16:00

they're like not their eyes are

1:16:02

open. They're kind of like wait a minute

1:16:04

What's going on and they said there's kind

1:16:07

of like a path of disillusionment It's

1:16:09

very Kamala Khan right like in

1:16:12

your excitement about Carol And I

1:16:14

think that that is often a

1:16:16

good way to introduce it a

1:16:18

teen Character or

1:16:21

a newbie is to have

1:16:23

them be a fan I mean Tim Drake is

1:16:25

a classic one where it's like I want to

1:16:27

be Robin and I'm going to be Robin by

1:16:30

God This is

1:16:32

someone who wanted to be like Captain

1:16:34

America Come

1:16:39

on it does get to be part of

1:16:41

Carol's orbit Tim Drake does get to be

1:16:43

Robin This is different

1:16:46

when she's talking about Captain America She says everybody

1:16:48

loves him because he's an awesome superhero does awesome

1:16:50

things and he really loves the ninja and

1:16:53

everybody loves the Avengers But I love him because I

1:16:55

try to imagine myself being frozen in a book of

1:16:57

ice for so long that all my family and Friends

1:16:59

died of old age and then someone woke me up.

1:17:01

I don't think I would handle it. Well foreshadowing almost

1:17:03

I think I would freak out and I think the

1:17:05

fact that Captain America doesn't freak out. It's pretty amazing

1:17:08

I wish we had a superhero that awesome that

1:17:10

represented Australia That's

1:17:12

an interesting bit too because Hickman

1:17:14

will later create Manifold in his

1:17:17

Avengers run as sort of like

1:17:19

a captain in Australia in

1:17:21

his episode I talked to Kite and

1:17:23

Klein about how the problem with that

1:17:25

not out of story But in story

1:17:27

for manifold is that Australia would never

1:17:29

recognize an Aboriginal person as like

1:17:32

a national hero in that way Yeah,

1:17:34

but Ava had sort of private aspirations

1:17:36

young white girl Yeah, like I mean,

1:17:38

you know But she didn't know she

1:17:40

was ever gonna get superpowers and yes

1:17:42

Of course the thing that she most

1:17:44

admires about Captain America is that he's

1:17:46

a man out of time Who

1:17:49

adjusted well who lost everybody he

1:17:51

loved because of time travel but

1:17:53

managed to make it work and

1:17:55

be a superhero and

1:17:57

that's such a specific thing to love

1:18:00

about him that of course it

1:18:02

is foreshadowing for the horrific

1:18:05

suffering that she will undergo due to

1:18:07

time travel. I really

1:18:10

like that bit too and it

1:18:12

has dividends really quickly because the

1:18:14

Avengers show up in that first

1:18:16

arc to arrest Scott and Emma.

1:18:19

Yeah and like you were just saying

1:18:21

where like Kamala gets

1:18:23

to be Ms. Marvel this

1:18:25

is like oh I would love to

1:18:28

be like Captain America to

1:18:30

Captain America is arresting me. He is arresting

1:18:32

you right yeah exactly. So it

1:18:34

scales up your eyes about the fact that the

1:18:36

Avengers are and like Avengers fans don't get mad

1:18:38

at me but are often an arm

1:18:41

of the state right. I mean that's part

1:18:43

of why I really like how Captain America

1:18:45

has been written through the fall of x

1:18:47

stuff because I think that one of the

1:18:50

key things about Steve Rogers is that when

1:18:52

the state loses god damn mind Steve Rogers

1:18:54

typically is like well uh fuck you then

1:18:56

I'm not doing that. This

1:18:58

is a case where because Avengers vs. X-Men

1:19:00

was so crazy and because

1:19:04

they all watched Scott

1:19:06

kill Charles this

1:19:09

is an order he's comfortable following

1:19:11

right. Yeah totally. What's

1:19:14

interesting is the reason that the Avengers

1:19:16

get their location in the first place

1:19:18

is because Ava begs them to

1:19:21

let her go to the galsy to

1:19:24

tell her mother that she's okay because

1:19:26

she's been missing ever since this incident

1:19:28

at the bar. Yeah they're basically going

1:19:30

around picking up all these new mutants

1:19:32

and they're they're set

1:19:35

up in an old weapon x

1:19:37

base which is that's where

1:19:39

the Xavier school is that's like you

1:19:42

know upsetting an old torture

1:19:44

chamber and they're all like have we been

1:19:46

kidnapped like what's going on are we ever

1:19:48

gonna see our family again like what are

1:19:51

there classes here at the school what's

1:19:53

going on where do we eat what's

1:19:55

happening and uh yeah she's like

1:19:57

can I like at least tell my mom? I'm

1:20:00

alive and okay and they're...

1:20:02

And they're eventually like, yes,

1:20:04

that's reasonable. So Eliana

1:20:07

teleports them to Australia, they go to

1:20:09

the Goldie to meet with Eva's mom,

1:20:11

and on the way, they

1:20:13

are spotted by SHIELD operatives

1:20:15

and the Avengers get called

1:20:17

in. As the

1:20:20

situation escalates, Eva feels

1:20:22

like she has no choice but to

1:20:24

create a time bubble and freeze the

1:20:26

Avengers. She makes an

1:20:29

affirmative decision to protect Scott and Emma.

1:20:31

Yeah. It's tough. It's a tough scene

1:20:34

because it's like you're face to face with your

1:20:36

hero. He's maybe not the hero

1:20:38

you thought he was, but more to the

1:20:40

point, you're not someone who can be his

1:20:42

sidekick, you know? Because you've now made a

1:20:44

choice to strike him. Not the first time

1:20:46

she'll come to that relay. Absolutely. They've got

1:20:48

to do her story, but you know, that's

1:20:50

what makes it so interesting. A

1:20:53

repeated beat for her, a motif,

1:20:55

is her frequent realization

1:20:57

that in particular the

1:20:59

men that she has

1:21:02

chosen to idolize are

1:21:04

disappointments and are not

1:21:06

people she actually respects. She

1:21:08

has a nice moment with her mom here, who

1:21:11

like, she's kind of like, what very

1:21:13

much like, well, have you tried to not be

1:21:15

a mutant? Sort of thing, and

1:21:17

she's just like, mom, don't be racist. Don't

1:21:19

sell my stuff. I'm leaving. But then her

1:21:21

mom is like, that Cyclops

1:21:23

had some interesting points. Yeah. The

1:21:26

Avengers are very aggressive. They are. This

1:21:29

is, again, why like we keep being told

1:21:31

that Cyclops is a loose

1:21:33

cannon now, and he's gone out of control, but

1:21:35

I'm just kind of like, get these

1:21:38

cops out of my face. This is sort

1:21:40

of how I feel about this arc. I

1:21:42

don't respect this. But

1:21:44

Ava's freaked out. So she talks

1:21:46

to the other students who

1:21:49

they've collected at this point. I think hijacks there.

1:21:52

It's at this point, it's gold balls

1:21:54

and morph and triage. Are

1:21:56

we the baddies? It's basically like she has that

1:21:58

moment. Yeah. They're all

1:22:00

like, I mean, we're kind of worried about that

1:22:02

too, but we're not 100% sure who's

1:22:05

right and who's wrong in this situation And we're I

1:22:07

guess just gonna rise out what they're

1:22:09

worried about is like Cyclops keeps talking about

1:22:11

revolution and they're like, okay But like have

1:22:13

we been drafted? Like what does that mean? Yeah, you

1:22:16

know, we just discovered we had powers like

1:22:18

a week ago I'm not trying to be

1:22:20

drafted into a war The

1:22:23

next big moment that she has

1:22:25

is in issue 10 of in Canyex

1:22:27

men she and Iljana

1:22:29

are having a training session and

1:22:33

She makes a bubble to

1:22:35

freeze Iljana and Iljana

1:22:38

disappears And it was like

1:22:40

what the fuck just happened and then Iljana

1:22:43

Reappears a couple seconds later

1:22:45

because the bubble actually sent Iljana

1:22:47

forward in time a few seconds

1:22:49

and everyone's like oh It's

1:22:52

really cool at first cuz she'd like just she

1:22:55

freezes a part of Iljana First

1:22:57

which is like cuz you really

1:23:00

should just big like blue bubbles.

1:23:02

Yeah, she's making big strides quickly

1:23:05

And of course, it's Iljana cuz like

1:23:07

I had read that stuff when I

1:23:09

first read this I don't know.

1:23:11

I'm sure I put it together. It's

1:23:13

like yeah, Bendis is doing in Iljana.

1:23:16

Yes coming up. Yes He's about to

1:23:18

do exactly that. So it

1:23:20

makes sense that it's them. Mm-hmm who

1:23:22

have this interaction This

1:23:25

comes to a head seven issues

1:23:27

later They are on

1:23:29

a training exercise in tabula Rasa. Don't

1:23:31

worry about it. I talked about it

1:23:34

briefly in the Hupst But

1:23:37

you don't have to worry about tabula Rasa. It's

1:23:39

um, no, it's kind of like the vault like

1:23:41

the children of the vault Like it's a it's

1:23:43

an escalated time. It's one of those it's

1:23:46

like, you know a Hickman zone Did Hickman create

1:23:48

tabula Rasa? I think he did right? The

1:23:51

remainder. Oh, it might have been remember. Yeah, you're right, but

1:23:53

that's they both love that shit But

1:23:59

like basically like a hundred million

1:24:01

years has passed in Tabula Ras and so like

1:24:03

there's all these monsters you can fight and Ava

1:24:06

is defending herself with a time

1:24:09

bubble, but it doesn't freeze those

1:24:11

space around her It just makes her disappear and

1:24:14

everyone's like where the fuck did Ava go? Yeah, she

1:24:17

reappears like Iljana did during the sparring session Just

1:24:19

a few moments later, but this

1:24:21

time is different Everyone

1:24:23

notices that she looks older

1:24:26

like seven years older than she was a

1:24:28

few seconds ago Celeste

1:24:30

one of the cuckoos like jumps into her

1:24:32

head. Yeah likely place for a cuckoo

1:24:35

to be and And

1:24:38

reads her mind and Ava

1:24:40

is like you can't tell

1:24:42

them what happened to me I'm not ready to

1:24:44

tell them what happened that leads

1:24:47

into Probably her

1:24:49

best story which

1:24:51

starts the following month in two annuals

1:24:53

the uncanny x-men annual and the all-new

1:24:56

x-men annual You should just read them

1:24:58

together It's a big

1:25:00

tempest story. This is the one that I

1:25:02

think of always when this and Matthew Molloy

1:25:04

are like Yeah, you've been tempest stories, right?

1:25:06

Yeah, so this one is It's

1:25:09

fucking rough. It's just like really fucking

1:25:11

rough. It is sort of Unrelentingly

1:25:15

brutal to this character, but not in

1:25:17

a way that feels gratuitous Just in

1:25:19

a way that like, you know It's

1:25:21

just like somebody who is caught in

1:25:23

the throes of them not quite having

1:25:25

a handle on their powers It's very

1:25:27

rogue or Threnody. It's one of those

1:25:29

characters It's like oh your power is

1:25:31

expanded and you cannot handle it right

1:25:33

now And in this

1:25:35

case when the power is something

1:25:37

as volatile as time travel, it's

1:25:40

not ideal We first see

1:25:42

her she lands in the middle of

1:25:44

like a war between killraven and some

1:25:46

aliens Which I think is really a

1:25:49

killraven moment is always a treat.

1:25:51

Yeah, I know so little about killraven

1:25:53

so do I the Trading

1:25:56

card right? I'm just tickled because I forgot

1:25:58

that he was in this. I

1:26:01

was looking it up and it's really interesting. Apparently

1:26:03

I think that the time this is supposed

1:26:05

to be set is like 2018, 2020. Right

1:26:09

I know because it's an old comic. Yeah

1:26:12

it's very like when

1:26:14

was Blade Runner set like when it hit? 2023

1:26:16

I think? Right exactly. We

1:26:18

were all like well. But actually no 2023

1:26:20

was there's a scene at some point I

1:26:23

think it's in these where they show Ava's

1:26:26

driver's license and it expired last

1:26:28

May, May 2023. God.

1:26:31

Well also the eugenics wars in

1:26:33

Star Trek are in the 90s. Okay.

1:26:36

Because it was the 60s when they invented it. It's

1:26:39

always funny when we caught that. Just fun with

1:26:41

time. That's the theme. Yeah someday in the year

1:26:44

2525 this man is still alive they'll find that

1:26:46

song. Funny. But

1:26:49

yeah so she's like oh Cyclops is

1:26:51

doing another weird training simulation but then

1:26:54

it's very much not

1:26:56

that. Right. Cyclops until

1:26:58

now they've gone through they have a danger

1:27:00

room in their. In the

1:27:02

weapon act phase. Yeah. Yeah.

1:27:05

So they have the danger room which

1:27:07

creates scenarios. They have Tabula Rasa which

1:27:09

is like a totally weird place and

1:27:11

now we're in Killraven

1:27:13

time and it's like who knows.

1:27:16

Yeah so it's not unreasonable for

1:27:18

her to think that this is

1:27:20

like the latest wacky lesson at

1:27:22

Wacky Uncle Scott's Wacky Academy but

1:27:25

it's not that. And when she

1:27:27

realizes that it's the real deal

1:27:29

instinctively like drops another bubble and

1:27:31

warps again. This time

1:27:33

she goes way far into the past. She

1:27:36

winds up in the wild west.

1:27:38

She meets the rawhide kid. Oh

1:27:40

yeah. The way her power

1:27:42

is now out of control whenever she

1:27:44

is threatened lethally she instinctively

1:27:47

jumps. It's any situation where

1:27:49

she's in mortal danger. And

1:27:51

the rawhide kid which I could not

1:27:53

believe that we saw this guy ever

1:27:55

again after the slap

1:27:58

leather Marvel. Yeah this is. Pretty

1:28:01

long after that.

1:28:03

It had been a minute, but I still remember being

1:28:05

like, Laurentine could. I thought Marvel was going to bury

1:28:07

that character the rest of the time. I

1:28:10

love Ava Belge ally throughout this. She has

1:28:12

a really cute relationship with Benjamin. Yeah. And

1:28:15

I was, I had this thought when she

1:28:17

was interacting with Iceman when he, the young

1:28:19

Iceman, when he joins the team and he's

1:28:21

like chatting with her and it's like, wow,

1:28:23

she's such a friend, a friend

1:28:25

of Dorothy, but then she

1:28:27

just like leaves him to while she's

1:28:29

talking to himself. It's very cute scene.

1:28:32

I would do it too, you know.

1:28:34

He's annoying. We have things to do. Anyway,

1:28:36

it's a cute scene with the rawhide kid. He

1:28:38

like figures it out and he like pretend to like- And he holds

1:28:40

a gun to her head so that she'll jump. This

1:28:43

time she lands in 2099. Ever

1:28:46

heard of it? A pretty famous

1:28:48

year for the Marvel Universe. I

1:28:51

don't think this is the Marvel 2099 reality

1:28:53

though. It's

1:28:56

like a, it's a different timeline. It's just that

1:28:58

you get the same- Like next

1:29:00

to it. Yeah. It's adjacent, right? Here

1:29:04

she is found by

1:29:06

the future X-Men and they say

1:29:08

that they will take her to

1:29:10

the Sorcerer Supreme, which turns out

1:29:12

in this timeline to be an

1:29:14

older Illyana Rasputina. Who's

1:29:17

the Sorcerer Supreme of the galaxy? The

1:29:19

entire galaxy. Which is cool. It's

1:29:22

cool but also yikes. How'd you

1:29:27

do that? That's, well,

1:29:30

there's a backstory there that's probably a

1:29:32

little bit disconcerting. Illyana

1:29:35

has used magic to live

1:29:37

longer than she otherwise would

1:29:39

have, and she

1:29:42

unfortunately can no longer travel

1:29:44

in time herself because otherwise

1:29:46

that would resolve this problem

1:29:48

pretty handily. Because

1:29:51

she can't do that and they have

1:29:53

no way to stabilize Eva's power, so

1:29:55

holding a gun to her head could

1:29:57

jump her literally anywhere, like he does.

1:30:00

of the universe, like there's no guarantee

1:30:02

that she'd land somewhere safe, she

1:30:04

just sticks around and she lives

1:30:07

there in this reality for seven

1:30:09

years. Which as you

1:30:11

point out is exactly the length of time

1:30:13

that Illyana was in limbo. So

1:30:15

it's a different- Pretty on the nose, but it's

1:30:17

a cool beat. Well, what I like about it is

1:30:20

that it's not hell, right?

1:30:22

Yeah, it's nice. Illyana

1:30:25

was in hell. Illyana

1:30:28

actually adjusts pretty well

1:30:30

to this new circumstance. She falls

1:30:32

in love with this guy named

1:30:34

Danny. They get married, they have

1:30:36

a child. I love

1:30:39

that she- I think it's cool that she,

1:30:41

you know, he's like a non-passing mutant and

1:30:43

like I think things are a bit different

1:30:45

in the year of 2099. It

1:30:48

seems like things have gotten better, yeah. Yeah.

1:30:51

So again, it's like quite different

1:30:53

to the main Marvel 2099. It's

1:30:56

not really like a dystopian future. It

1:30:58

seems like things have improved from mutants.

1:31:00

Just seems rainy. Yeah, it's very rainy,

1:31:02

but like it's- that's Blade Runner, right?

1:31:04

It looks like Blade Runner. Yeah.

1:31:08

But she's happy. By the time

1:31:10

we get through the time jump there, she

1:31:12

doesn't want to go home anymore. She's

1:31:15

like, this is my home now. I have a

1:31:17

husband I love, we have a daughter, I'm not

1:31:20

trying to go anywhere. Lilliana

1:31:23

says that eventually she will

1:31:25

have to go home. Yeah.

1:31:27

And this was the first mention

1:31:30

of the trial of Henry McCoy.

1:31:32

Mm-hmm. That will return.

1:31:34

You have to go home eventually, Lilliana

1:31:36

says, everybody does. Which again, the fact

1:31:38

that it's magic is loaded.

1:31:41

You told me not to even try. I think he's

1:31:43

my home now. I have a child. I

1:31:46

love you, I'm not trying to upset you.

1:31:48

You just told me to leave my husband

1:31:50

and child. The energies of the universe

1:31:52

flow like a twig down the course of a mighty

1:31:54

river. Yet you've said that everything

1:31:56

has its place in time and nothing us

1:31:58

mortals do will ever. be able to

1:32:01

change that. And Eva's just like,

1:32:03

we'll fuck you then. So they

1:32:05

end that conversation at cross

1:32:08

purposes, but not long afterward,

1:32:11

unfortunately, Magix, Lair,

1:32:13

I guess it's her sanctum sanctorum, a la

1:32:16

Doctor Strange, right? Is attacked

1:32:18

by a demon. Eva comes

1:32:20

to help, she locks the demon in

1:32:22

one of her freeze bubbles, but

1:32:25

Iljana has already been mortally

1:32:27

wounded, she's dying. As

1:32:30

she is dying, she says to Eva, you

1:32:32

have to go back, because

1:32:34

if you don't go back, Hank

1:32:36

McCoy will not stand trial for

1:32:39

his various crimes against the time

1:32:41

stream. I can't leave my

1:32:43

family, but that's when Danny and Dahl,

1:32:45

their daughter, also enter the room and

1:32:48

the demon breaks out of the

1:32:50

bubble. And

1:32:52

uncontrollably, because now not only

1:32:54

is she in

1:32:56

mortal danger, but so are the people

1:32:58

she loves, she immediately

1:33:01

jumps in time. She ends

1:33:04

up in like the Jurassic era,

1:33:06

like she ends up among the dinosaurs.

1:33:09

It is sad that she didn't run

1:33:11

into the Empyrean time gliding down there.

1:33:14

I actually, that's another one where it's like Fabian simply

1:33:16

doesn't care, but when the Empyrean showed up in cable,

1:33:18

that's another one where I was like, Fabian, I love

1:33:20

him. I love that he's just like, I never got

1:33:22

to tie up these characters, so I'm gonna tie them

1:33:24

all up in this War issue mini series, and then

1:33:26

you could use them if you want. Well,

1:33:29

not Empyrean, it seems, but my first

1:33:31

thought, shout out to Holly Raymond, because

1:33:33

we always talk about time gliding and

1:33:35

how time gliding is something that only

1:33:37

certain people can do, but how did

1:33:39

the Empyrean time glide back to our

1:33:41

time to be turned into a

1:33:44

battery by Amanda Mueller, the Black Womb? That's

1:33:46

a story that I'd love to read. He's

1:33:48

good at it. He's good at time gliding,

1:33:50

and she's very good at turning people into

1:33:52

human batteries, so it was kind of just

1:33:54

synchronous in that way. I

1:33:56

love that she gets killed off in that, but

1:33:58

cable even says, it's probably. probably not the real

1:34:01

her. Like don't even, like don't overthink it.

1:34:03

Like you killed her! He's like it's probably

1:34:05

a clone. Don't even sweat it. She's sinister's

1:34:07

lab tech. Like this is what they do.

1:34:09

But so she lands in

1:34:11

Dinosaur Times and ends

1:34:14

up rescued from Dinosaurs by Morgan

1:34:16

Le Fay who had also been

1:34:18

sent back in time by the

1:34:20

Dark Avengers during Dark Rain. Oh

1:34:22

is that what happened? I looked

1:34:24

it up because I was like

1:34:26

what? Why is Morgan Le Fay

1:34:28

in Dinosaur Times? And

1:34:31

that's why. But when you read it, it's safe

1:34:33

to assume she's probably been there for a while.

1:34:35

I'm sure there's a good reason. She's clearly been

1:34:37

there for a while and she's not thrilled about

1:34:39

it. Ava says she's like because Morgana's trying to

1:34:41

like put the work on her and she's just

1:34:43

like does she not know that there are books

1:34:46

written about her? I know who this bitch is!

1:34:48

Like and I you don't have to be a

1:34:50

superhero to know that you don't make a deal

1:34:52

with Morgan Le Fay. Like I went to high

1:34:54

school. I've read The Washer Future King. But

1:35:00

Morgan uses her dark sorcery to

1:35:02

read Ava's mind, to determine Ava's

1:35:04

time travel powers. And

1:35:07

she's like oh score

1:35:09

you can get us out

1:35:11

of here. Because I've been stuck in Dinosaur Times for months

1:35:14

now and I fucking hate it. Ava's

1:35:16

like oh I want to go back to

1:35:18

my family. My husband and my daughter are

1:35:20

waiting for me. And Morgan says

1:35:22

to her they don't

1:35:24

exist anymore. Ava

1:35:27

refuses to believe that. Morgan's like

1:35:29

your timeline has now shifted. There's

1:35:32

no and like this so here's here's

1:35:34

the thing that I guess we have

1:35:36

to underline is the way that Bendis

1:35:38

wrote time travel with this character is

1:35:40

completely different from how Marvel time travel

1:35:43

used to work. Inconsistent. Even

1:35:45

with her. Even with her. But in

1:35:47

general up until this

1:35:49

story I think time travel

1:35:52

in Marvel always created a

1:35:54

new branching timeline. You could not actually alter

1:35:56

the past. This is the point of Days

1:35:58

of Future Past. when Kate Pride

1:36:01

goes back and averts the assassination of

1:36:03

Senator Kelly, we later learn it didn't

1:36:05

actually change her timeline. She goes back

1:36:08

and it's still the dystopian hell. It

1:36:10

has just made sure that now that

1:36:12

timeline has diverted into being Earth 811

1:36:15

instead of being Earth 616. Later

1:36:17

it turns out it diverted a long time ago because

1:36:20

of the circumstances of Rachel's birth, but that doesn't actually

1:36:22

matter. Because it's wreckons and wreckons and

1:36:24

wreckons. But that is how time

1:36:27

travel generally worked in

1:36:29

every story, everything with Cable and

1:36:32

the Asconi, everything that Bishop does

1:36:34

is not to preserve his own

1:36:36

timeline, it's to prevent his timeline

1:36:38

from coming to pass for us.

1:36:42

This is very different. When Ava

1:36:44

travels in time, she actually changes

1:36:46

the past. This

1:36:49

is now how time travel

1:36:51

works in Marvel generally. But

1:36:53

that's a shift that starts here. Is

1:36:55

it still? Yes. Think

1:36:58

about any Cable story that happens from

1:37:00

Bendis onward. All of the stuff with

1:37:03

Teen Cable coming back alters his own

1:37:05

timeline. Everything with Cable on Prokoa is

1:37:07

about how the future is always in

1:37:09

flux, he leaves notes for himself

1:37:12

and things like that. The hand

1:37:14

wave is that Secret Wars changed

1:37:16

the rules. Right, exactly. That's how I

1:37:18

kind of like... That's how I did,

1:37:20

but I had forgotten that Tempest changes

1:37:22

it before Secret Wars. This

1:37:25

level of power that Bendis gives

1:37:27

her is I think part of what

1:37:29

starts to create an issue for the

1:37:31

character. Because it means that she could

1:37:34

edit any storyline.

1:37:36

Now there are consequences for doing

1:37:39

that obviously. This is something that

1:37:41

Tempo explored after her power expanded

1:37:43

to time travel on Prokoa. And

1:37:46

retroactively she was able to do some

1:37:48

time travel always, it seems, Tempo. But

1:37:51

she talks about how Sumo,

1:37:54

the MLF member, had

1:37:56

a redemption arc and became a great hero. But because

1:37:58

of a time travel thing that she... had to

1:38:00

do, he died and no one

1:38:02

remembers any of that except her. That

1:38:04

was a great story. Yeah. So

1:38:07

that's the, it's also Cable's tragedy,

1:38:09

right? Like is that Cable has

1:38:11

always known how Krakow would end,

1:38:14

but not precisely because you can't

1:38:16

actually and notably

1:38:18

that's why Cable is often his own mini-series for

1:38:20

Fall of X forced to deal with

1:38:22

a different thing, a different horrible future that he's

1:38:25

trying to prevent to come to pass while he

1:38:27

trusts family and friends to deal with the main

1:38:29

horrible future they're trying to prevent from coming to

1:38:31

pass. I think it

1:38:33

makes for higher stakes storytelling. So

1:38:36

I think that as a change,

1:38:38

it's better, but I do think that it

1:38:41

makes it harder to use these characters because

1:38:43

with Rachel, for example, back in

1:38:45

the day, when Rachel altered the past, it

1:38:47

always created a branching timeline. So she didn't

1:38:49

do it very often because there wasn't much

1:38:51

point in doing it because

1:38:53

it didn't affect the present. It just

1:38:55

created a new reality. Yeah. I kind

1:38:57

of feel like my take is basically

1:39:00

like I think this should be

1:39:02

like a major feat that she was

1:39:04

able to do and then kind of

1:39:06

not replicate like take away the time

1:39:08

travel bit. Like it's more interesting, like

1:39:10

the more smaller pieces.

1:39:13

Make it a thing where she can

1:39:15

do it occasionally in like a dire

1:39:17

circumstance, but... Right. It'd be

1:39:19

a great story if it's like, Eva, we need you to

1:39:22

time travel. It's like, I can't, I don't do that anymore.

1:39:24

I literally can't do it. And then in the moment where

1:39:26

it's like, Mo, she's like, all right, I can do it.

1:39:28

Gotta do it. Right. And

1:39:30

that's more interesting to me. I think that, like we said, you've

1:39:33

got to place restrictions on these things.

1:39:35

Like the way that the Asghani stuff

1:39:37

has shaken out under Teenie Howard and

1:39:39

Kieran Gillan now, it's clear

1:39:41

that Rachel, while she can alter

1:39:43

the past, also feels a responsibility

1:39:45

to maintain the timeline that her

1:39:48

future self thinks is going to

1:39:50

create the best result. Right? Mm

1:39:53

hmm. It's not just like, let's just

1:39:55

go willy nilly with it. It's like a great power,

1:39:57

great responsibility thing. And Eva comes to understand

1:39:59

that. that pretty quickly because of

1:40:02

this. When Morgana

1:40:04

says, you've altered the timeline, they

1:40:06

probably don't exist anymore. Ava

1:40:09

freaks out, they get into a fight,

1:40:11

and it once again triggers

1:40:13

Ava's automatic jump response. There's

1:40:16

also a cool bit where she's like freezing

1:40:18

Morgana's magic in time. Very cool. Like,

1:40:20

that's interesting. Very cool, right? Like, what

1:40:23

does that mean? And they told these

1:40:25

two annuals are by Andrea Sorrentino, who

1:40:27

did like Old Man Logan. And

1:40:30

it's like so, it's really like a

1:40:32

feast. Yeah, really beautiful to look at.

1:40:35

There's a reason these are like the core,

1:40:38

not just like Ava Bell issues, but

1:40:40

like some of the best of

1:40:42

the Benders. Yeah, outside of the O5 time

1:40:45

traveler stuff, this is the, that's

1:40:47

the thing that's inconsistent at the Benders time

1:40:49

travel too, right? Is initially it

1:40:52

seems like the teens time traveling

1:40:54

created a new timeline. Right. Then

1:40:57

by the end of the era, after Benders

1:40:59

has left, they retcon that out. It turns

1:41:01

out that that was not true, and

1:41:04

that they all have to go back at exactly the

1:41:06

moment they left and all of that to repair the

1:41:08

timeline. Yeah, because when, yeah, but then

1:41:10

when they, yeah, this is the headache

1:41:12

stuff. When one of them dies, they kind of

1:41:15

like start to blink out and then like triage.

1:41:18

Basically, this is why I'm too gay

1:41:20

to understand time travel. Forget about it.

1:41:22

It's tricky. It is a little bit

1:41:24

odd that he has his main POV

1:41:26

new character be a time travel character

1:41:28

at the same time that the O5

1:41:31

are time traveling, and then that isn't

1:41:33

really. Well, I think that's like. I

1:41:36

think it's so that you could send

1:41:38

them back. It's like the back door,

1:41:40

right? For like restoring. Totally, but it's

1:41:42

also like setting it up, setting Ava

1:41:44

up as the opposite of Hank. Yes.

1:41:47

Because like Hank is the irresponsible, bad time traveler,

1:41:49

and Ava learns how to like, okay, this is

1:41:51

like the way you got to

1:41:53

do it. But then it isn't Ava

1:41:55

who ends up sending them back. So

1:41:57

it doesn't quite, the square doesn't really.

1:42:00

circle, as it were. Plans

1:42:03

never get followed through in

1:42:05

Marvel Comics. Well, particularly, I

1:42:08

mean, the Bendis era, famously

1:42:11

he left kind of in the middle because

1:42:13

he ran into conflict with

1:42:16

editorial, it seems. He's kept it vague,

1:42:18

but, you know. Undisclosed reasons, yeah. Yeah,

1:42:20

which like, that's how this works a

1:42:22

lot of the time. So this time,

1:42:25

though, after she jumps away from Le

1:42:27

Fay, she finds that

1:42:29

because she's so desperate to

1:42:31

see her family, again, she's

1:42:33

able to start controlling where she's

1:42:35

going. This is a really cool

1:42:38

sequence. Oh, yeah. The world

1:42:40

is just kind of shattering around her. She's really

1:42:42

like going for it. And

1:42:44

she pushes and pushes and pushes and pushes as she

1:42:46

finally lands in 2099. And she recognizes the

1:42:49

building. She's like, I'm home. Runs

1:42:52

to her place to find Danny

1:42:54

and Dahl. And there are complete

1:42:56

strangers living in her home. Goes

1:42:58

to the Sanctum Sanctorum. And

1:43:00

Illyana is not there. The Sursus Supreme

1:43:03

is Tony Stark. And as

1:43:05

Morgan predicted, it seems

1:43:07

that Danny never existed, which

1:43:09

means that Dahl never existed.

1:43:11

And whatever movement through the

1:43:13

timeline butterfly effect stuff has

1:43:15

happened since she left. The

1:43:17

timeline's been altered irrevocably. And

1:43:22

everybody goes home. Tony, magic Tony

1:43:24

of this like future timeline, he

1:43:26

shows her that everything

1:43:28

she does has a ripple butterfly

1:43:30

effect that creates new branching potential

1:43:33

futures, but also closes other ones

1:43:35

off. And that she

1:43:37

needs to be really careful about how

1:43:39

she uses her power. She is like,

1:43:43

yeah, I kind of got that. It's

1:43:46

kind of like, thank you for explaining to me that I

1:43:48

need to be responsible with the use of this power. My

1:43:51

husband and daughter never

1:43:54

existed. Yeah, I've already

1:43:56

kind of got the memo on that. Now

1:43:58

I have something to relate to. about. Wonderful.

1:44:01

Yeah and I usually hate these stories

1:44:03

I've talked about that like I really don't

1:44:06

like stories where someone has a child that

1:44:08

then never existed because I think it creates

1:44:11

a grief in the character that

1:44:13

you can't really ever

1:44:15

exercise on page and

1:44:18

that expands to like you know sirens baby

1:44:20

being absorbed things like that like I just

1:44:22

never think it's an especially productive place for

1:44:24

an ongoing character but I

1:44:28

think that with this character who's

1:44:30

new this is her big trauma

1:44:32

and there is time and attention

1:44:34

paid to it here I think it

1:44:37

really works it's

1:44:39

built into the story because like obviously

1:44:41

in the time jump something very traumatic

1:44:43

happened and right she doesn't want to

1:44:45

talk about it and also the interesting

1:44:47

thing when she comes back she

1:44:51

like immediately hugs I think

1:44:53

it's Benjamin and then Christopher

1:44:56

triage is like oh you're like all ripped

1:44:58

up and stuff do you want me to

1:45:00

heal me and she's like no get away

1:45:03

like instinctive get away and we see here

1:45:06

that Morgan basically says that I used

1:45:08

my healing magic to like learn all

1:45:10

about you yes so it's

1:45:12

kind of like don't touch me I can't

1:45:14

let everybody know this is like to yeah

1:45:16

she doesn't want anybody to know about what

1:45:18

happened to her or about the

1:45:20

fact that she now feels that she

1:45:23

killed her husband and child by not being able

1:45:25

to control her power the last

1:45:27

thing she does before she sends herself back

1:45:29

in time is apologize to them because it's

1:45:31

her fault in her view yeah and it's

1:45:33

of course not her fault but that is

1:45:36

how survivors guilt works right

1:45:38

in a situation like this she's

1:45:41

also still pretty young like yeah she's

1:45:43

like 25 at most right yeah so

1:45:46

you know everything was my fault when

1:45:48

I was 25 tell me about

1:45:50

it sister most of it still is but

1:45:55

she is older and she's

1:45:57

also a lot more jaded now oh

1:45:59

yeah she's not the bright eyed young

1:46:02

thing that they picked up in the

1:46:04

Goldie. Scott notices it pretty quickly

1:46:06

because she keeps, whereas previously she went to

1:46:08

her friends and was like, I think Cyclops

1:46:10

is kind of losing it. Like now she's

1:46:12

like, you've lost your goddamn mind. We're not

1:46:14

like, why would we do that? You know,

1:46:16

and like is talking back to him in

1:46:19

war route meetings or whatever. And he's like,

1:46:21

um, that's weird. And

1:46:23

Celeste, the cuckoo tries to convince her to

1:46:25

tell everybody what happened because like everybody will

1:46:27

understand what you're going through if you just

1:46:29

explain it. And she's like, I'm really not

1:46:31

ready. But the cuckoos,

1:46:34

because all the cuckoos know, they

1:46:36

know better. Of course. Yeah.

1:46:39

Well, also they share a mind. Yeah. Celeste

1:46:41

can't really hide it from the hive amongst the

1:46:43

three of themselves. They decide this is

1:46:45

not a tenable situation and Scott

1:46:47

needs to know. So they

1:46:49

tell Scott about it without telling Eva

1:46:51

that they're going to spill to Scott,

1:46:53

which is a big betrayal from someone

1:46:56

she considered a friend. Scott,

1:46:58

when he brings it up, tries to

1:47:01

stress to her the cuckoos

1:47:03

are worried about her and they're trying to

1:47:05

help. They think she needs help. And she's

1:47:07

like, you need help. Yeah. Which

1:47:10

I like. She doesn't

1:47:12

say it, but you could tell that she just like,

1:47:14

I need help. Are you fucking kidding me? Yeah. Throughout

1:47:17

this whole era, like the new students

1:47:19

are kind of like a nice peanut

1:47:21

gallery for like the adults, like totally

1:47:23

losing it and squabbling. And they're just

1:47:25

like kind of in the background, like,

1:47:27

what? Like, do you think

1:47:29

they have any idea how to

1:47:31

do this? And up to this

1:47:34

point, they like, and it becomes like pretty

1:47:36

explicit with her, like, fellow

1:47:39

classmates calling it out. But like with

1:47:41

Captain America, when she was a kid,

1:47:43

she's like, obviously got just

1:47:45

like intrigued by Cyclops to

1:47:47

like, like crush level. It's like

1:47:50

she looks up to him, respects him. It's like

1:47:52

he's a hot guy. It makes sense.

1:47:54

But then like, as she goes through this whole thing,

1:47:56

it's like, he's like trash

1:47:58

basically. I don't need to do that. She has

1:48:00

a line that's like, I never understood what

1:48:04

annoyed people so much about you, but

1:48:06

I think I finally understand. I get

1:48:08

it now. Yeah.

1:48:11

Because it really is rich that

1:48:13

this guy who is like a

1:48:15

complete basket case with his own

1:48:17

grief guilt is trying to tell

1:48:20

her that she needs to reach

1:48:23

out. She's like, actually, I don't

1:48:25

need to do anything you tell

1:48:27

me. Yeah, there's a moment where he's like, you

1:48:29

know, you can tell me anything. And she's like,

1:48:31

I'm not sure that's true. If you hadn't come

1:48:34

to rescue me when you did, who knows what

1:48:36

shape I would be in, which is like, there

1:48:38

are two ways to read that. And she probably

1:48:40

means both. That's probably more negative.

1:48:42

And I was like, before

1:48:44

this episode, just like to step back,

1:48:47

I was like, should I do the

1:48:49

Australian accent? And I feel like I've

1:48:51

heard it enough where it's like, yeah,

1:48:53

I could totally do it. And I

1:48:55

try it myself. It's like, oh, that's

1:48:57

awful horrible. I can't I can't embarrass

1:48:59

myself like that at all. Connor's doing

1:49:01

a great job for everybody. So I'm

1:49:03

I'm I'm trying. My

1:49:05

New Zealand is better. But

1:49:08

I try my best with the Australian. That

1:49:11

leads into the Last Will and

1:49:13

Testament of Professor Axe arc, which

1:49:15

we mentioned earlier. Totally strange. Luckily,

1:49:18

this episode doesn't need to touch

1:49:20

on his child with mystique, which

1:49:22

is the most insane part of

1:49:24

this plot and has hopefully been

1:49:26

like a race to the time stream, but not

1:49:29

enormously. I think that's the implication.

1:49:31

The child he had with mystique

1:49:33

when she was posing as Moira

1:49:35

McTaggart. Oh, right. That

1:49:37

was one of the crazy stuff. Yeah,

1:49:40

the Battle of the Adam X-Men. Yeah,

1:49:42

that was nasty. But

1:49:44

funny, this scene is kind of lifted

1:49:46

for the animated show. Ninety

1:49:48

seven, which is like, yeah,

1:49:51

they did it with Magneto, which makes

1:49:53

it look like it makes more sense.

1:49:55

They did a combo for ninety seven

1:49:57

of this scene and then also. the,

1:50:00

and I just did this for the

1:50:02

Trish Tillie episode, the scene at Warren's

1:50:04

Will reading in

1:50:07

X Factor when it's like he

1:50:09

left everything to hodge? Oh yeah,

1:50:11

right. Kind of

1:50:14

a fun mashup of the aughts in

1:50:16

the 80s like everything else in

1:50:18

X-Men 97, which is a funny, as

1:50:21

I said, 90 stories, mostly

1:50:23

not great. They

1:50:25

make them better. It's like, yeah. Well,

1:50:27

yeah, it's like you just like the

1:50:29

original 90s. Who could have been telling

1:50:31

stories not from the 90s with the

1:50:33

cast from the 90s. Now we can

1:50:36

remember Operation Zero Tolerance in like the

1:50:38

best possible way. In a nice way,

1:50:40

right? It's like, oh, wow, someone made

1:50:42

it good. Anyway, the big thing that

1:50:44

they learn apart from all of the

1:50:46

intrigue with Mystique from Xavier's Will is

1:50:49

that there is a mutant

1:50:51

called Matthew Malloy who is

1:50:54

an omega level mutant

1:50:56

with unbelievably vast destructive

1:50:58

power. Like this is,

1:51:00

I hesitate to

1:51:02

speak his name because it's now been

1:51:04

a long saga, but it's kind of

1:51:06

Franklin Richards vibes, right? Where it's like,

1:51:09

this is the omega level mutant who

1:51:11

can do anything or Proteus. It's very

1:51:13

like Proteus, Legion, that kind of thing.

1:51:15

This is an existential threat to all

1:51:17

reality. And unlike Franklin who

1:51:20

creates, Matthew is

1:51:22

like a destroyer, like it's a destructive

1:51:24

energy. Xavier, just like he

1:51:26

did with Jean when she was a kid, has

1:51:29

put blockers in Matthew's

1:51:31

brain since

1:51:34

he was a child and was first detected

1:51:36

by Cerebro to ensure that

1:51:38

his powers don't manifest. But now

1:51:40

that he is dead, those blockers

1:51:42

have ceased to exist. Speaking

1:51:45

of Franklin, he does the same tactic he did

1:51:47

with him in the onslaught with like, hey, I'm

1:51:50

a little kid named Charlie hanging out with you.

1:51:52

Everything is cool. Let's play with it. He loves

1:51:54

that one. He loves that one. He loves

1:51:56

to pose as a child to trick a

1:51:58

child. Hello, fellow kid. It's

1:52:00

me, certainly not an astral

1:52:03

projection of a PhD with a

1:52:05

God-conflex. But

1:52:07

so, he basically is

1:52:10

like, this is something I never told anyone

1:52:12

because it's just such a dangerous situation. But

1:52:14

I've gone to check on this guy throughout

1:52:16

his life to make sure the blockers are

1:52:19

still in place. I need you to go

1:52:21

check. So, the X-Men go check. And

1:52:24

it's like all the X-Men. It's like because they've

1:52:26

been fighting amongst themselves, but they're all kind of

1:52:28

united in this storyline with this situation. They

1:52:30

go down to North Carolina where

1:52:33

I think Matthew lives. And

1:52:36

he has already blown

1:52:38

up an entire town like Stanford in

1:52:40

Civil War style. Not so

1:52:42

good. He's in a firefight

1:52:45

with S.H.I.E.L.D. It's going really,

1:52:47

really bad. And then

1:52:49

Scott, instead of

1:52:51

trying to stop

1:52:53

what's happening, tries to recruit

1:52:55

Matthew as the latest cadet

1:52:58

in his revolution. That

1:53:02

is when Ava Bell decides

1:53:05

Cyclops can go fuck himself. She's

1:53:07

like, okay, check please.

1:53:10

Everybody kind of reaches that point at this

1:53:12

stage of the story where like, what are

1:53:14

you doing? This is not a Cyclops with

1:53:16

right moment. She's like, check please. I'm out.

1:53:19

Thanks. It's been real. I'm getting

1:53:21

out of here. But Ava has the power to do

1:53:23

something about it. And she does. She

1:53:25

does. So, she immediately now jumps back

1:53:27

in time because now she can fully,

1:53:29

after the trauma that she experienced in

1:53:31

the future, she now has complete control

1:53:33

over her time travel power. Which,

1:53:36

again, is why I think

1:53:38

she became a steadily untenable

1:53:40

character that other writers weren't sure what

1:53:42

to do with because now, what

1:53:45

do you do with her? And

1:53:47

then, you know, her cable and Rachel and

1:53:49

Bishop have very specific missions. And

1:53:52

they try not to alter things outside of that scope. Ava's

1:53:55

more of a wild card, especially when she's quit

1:53:57

the X-Men, which she does after the story because

1:53:59

she's so disgusted. to the sky. It

1:54:01

becomes a bit of a problem. I worry

1:54:03

that Tempo is going to fall into this

1:54:05

now that she has this power, but I'm

1:54:08

hopeful that we can just kind of

1:54:11

hand wave that she's not quite as

1:54:13

unlimited a time traveler as this character.

1:54:15

I wonder who else, I don't

1:54:17

know, I guess we'd have to see if anybody would want to

1:54:19

take that on. Like it worked for

1:54:21

Steve's story, but also, I don't

1:54:24

know, but also it's like with scope creep. It's

1:54:26

like once you take someone there,

1:54:28

yeah. Once you've said Tempo

1:54:30

can travel in time, it's hard to

1:54:32

take it back without it being perceived

1:54:34

as depowering, in specific in

1:54:36

this case a Black woman, which is

1:54:38

like a thing that has a long

1:54:40

history in the two comics. So it's

1:54:43

messy, but I do think the fact

1:54:45

that she was using the power enhancing

1:54:47

fruit from Krakowa is an easy out.

1:54:49

Yeah. We can say she could time travel, we'll

1:54:52

do that, but like she can't jump thousands

1:54:54

of years in time, let's say, because I think

1:54:56

that that just creates a lot of issues.

1:55:01

Even Cable doesn't really do that. He kind of

1:55:03

sticks to the 20th and 21st

1:55:05

centuries most of the time, they're exceptions.

1:55:08

Or like remember when the X-club went

1:55:10

back in time? Yeah, but Gambit did

1:55:13

it in his solo series, that's when

1:55:15

he met Amanda Mueller, but

1:55:18

he had to be careful about not butsing

1:55:20

with anything because if he butts too much,

1:55:23

that was actually an early case

1:55:25

where the time travel didn't create

1:55:28

a branch of time, or actually

1:55:30

it did, but our timeline was

1:55:32

the branch. It's like Soma,

1:55:34

like we won the coin flip. Gambit

1:55:37

knows he can go back in time and do

1:55:39

that stuff because he finds pictures of himself in

1:55:42

the past, like, oh, I was already there, and

1:55:44

this is the timeline that exists, so I'm not

1:55:46

going to fucking it up. This is just what

1:55:48

I saw. I've already done it. But

1:55:51

anyway, Ava jumps back in time.

1:55:53

She first goes back to,

1:55:57

again, a reverse tank kind of move. The

1:55:59

60s. She

1:56:02

tells him that this failsafe he's setting

1:56:04

up with Matthew and Maloy is not

1:56:06

going to work, but she also tells

1:56:08

him pretty much everything about

1:56:10

her current situation, including that he's dead

1:56:12

and Scott is kind of losing it.

1:56:14

He's like, please do not tell me.

1:56:16

It's like, listen, mate. Mate,

1:56:18

you got to know what's going to happen,

1:56:21

all right? Because I need you to understand

1:56:23

how serious this is. To

1:56:25

show him how serious it is, she jumps with

1:56:27

him back to the present and they see

1:56:30

that while she was gone very

1:56:32

briefly, Matthew has killed almost all the

1:56:34

X men, including

1:56:36

Scott. Cyclops, Magneto,

1:56:39

they're all dust and bones. It's a

1:56:41

bad scene. So he's like, all

1:56:43

right, all right, all right, all right, all right. We

1:56:45

got to handle this. And they jump back again. This

1:56:47

time they jump further back and

1:56:49

Charles uses his telepathy

1:56:52

to prevent Matthew's parents

1:56:54

from ever meeting each

1:56:56

other. He does a

1:56:58

sliding doors and they don't have

1:57:00

their meet cute and they never get together and

1:57:02

never have a child. What's

1:57:05

sick about this, right, is

1:57:07

that Ava's solution is to

1:57:09

do to Matthew what

1:57:12

she accidentally did to her own

1:57:14

child. It's the

1:57:16

only option she sees, but she knows

1:57:18

she can do it. She does.

1:57:21

Yeah. The great exchange between the

1:57:23

two of them. Xavier is like, you

1:57:25

are either the greatest or worst mutant

1:57:27

in history, which, you know, the five.

1:57:30

But also she's like right back at

1:57:32

you, Professor. Right back at you, Professor.

1:57:35

Please go back to where you came from so I can

1:57:37

make myself forget all of this. You can do that. I

1:57:39

have done it before, I think. If

1:57:42

I find that you didn't, I'll bring back one

1:57:44

of the step sisters, Eugene, Greg or somebody to

1:57:46

do it for you. I promise you,

1:57:49

I don't want to know any

1:57:51

of what I know now. Yeah, he

1:57:53

drops a little ominous note as she

1:57:55

leaves. There will be a

1:57:57

cost even more than what you've already suffered.

1:58:00

And even more than what you've

1:58:02

already suffered and maybe that's what we've

1:58:04

just been reading. I don't know That's

1:58:06

the thing right and also when she

1:58:08

comes back from time she hugs Fabio.

1:58:11

She's like Fabio I'm so sorry, and

1:58:13

I love to read that now. It's

1:58:15

like uh Talk about

1:58:17

their time together as the five Maybe

1:58:20

yeah, because when she goes back she

1:58:22

basically like traverses the entire span of

1:58:24

like Marvel history Kind of observes the

1:58:26

butterfly right? Yeah, right. I kind of

1:58:29

feel like she got to see the

1:58:31

whole she probably knows how they end

1:58:33

up But

1:58:36

she does bear that in mind Charles

1:58:38

is like a baleful warning that

1:58:41

this kind of tampering Will

1:58:43

only bring destruction if she continues to do

1:58:46

it She jumps back

1:58:48

to the present and finds it

1:58:50

works Matthew Molloy does not exist

1:58:53

and all of the X in her alive and

1:58:55

she Explains to Cyclops that he just

1:58:58

fucked up big time If

1:59:01

you tried and failed to bring the mutant over to

1:59:03

your nervous breakdown I mean mutant

1:59:05

revolution let's meet you and out of control

1:59:08

your hubris was the death of you in

1:59:10

countless others What did you do? It

1:59:13

doesn't matter what I did. But medit is what

1:59:15

I'm going to do now now I

1:59:18

will be watching you and Man,

1:59:20

if you don't screw your head all the way on

1:59:22

straight I am going to go back in time and

1:59:25

make sure your parents never meet I Can

1:59:27

do it too? Just

1:59:30

dropping bars on everybody. It's really

1:59:32

good He's

1:59:35

pretty shook by that and she's

1:59:37

like by the way, I quit your

1:59:39

fucking school. Goodbye I am dropping out

1:59:42

and she disappears into the

1:59:45

distance like fuck you. I'm out here because

1:59:47

also fuck Charles I hate all of you

1:59:49

guys like oh we're here at the

1:59:51

Xavier school trying to like Redeem you because

1:59:53

you killed your surrogate father and now we

1:59:56

have to honor his dream fuck his dream.

1:59:58

He sucked too It's

2:00:00

assholes all the way down and I'm out.

2:00:03

I like how this kind of, um, it

2:00:05

struck me as mirroring sort of like the

2:00:07

cuckoos and Emma a bit. Like obviously they

2:00:09

come back around to her as

2:00:11

the story goes on, but just kind of

2:00:13

like, yeah, no, this is like bullshit.

2:00:17

Over it. We don't need to. We're

2:00:19

over it. Yeah. That is her last

2:00:21

appearance for quite a while, almost two years

2:00:23

or like a year and a half. Well,

2:00:25

she comes, wait, is it that long? Yeah,

2:00:28

it is. For the

2:00:30

trial of Hank McCoy, which is January 2016.

2:00:34

Oh my God. And all new

2:00:36

X-Men 31 is October 2014. Wow.

2:00:40

So she's gone for a minute, but

2:00:42

she does come back for uncanny 600 legacy

2:00:44

600 issue, which is

2:00:48

kind of fun because now we're about to have legacy 700, right? Yeah.

2:00:52

So that's a demarcation of time. I'm

2:00:54

actually curious to see the legacy numbering

2:00:56

like math. Cause the problem with X-Men

2:00:59

is it's so fucked up, the

2:01:01

legacy numbering because of the adjective

2:01:03

list relaunch in 91 and the

2:01:06

fact that the original adjective list

2:01:08

becomes uncanny X-Men around like, I

2:01:10

think 142 or something. It's

2:01:12

in days of future past. Yeah.

2:01:14

So I wouldn't be surprised if

2:01:16

like crisis has this all like,

2:01:18

Oh, I guarantee that editorial and

2:01:20

yeah, he probably does too. But

2:01:23

also the thing is like, it might not be exactly 700, but

2:01:25

just let it ride. It's

2:01:28

what it needs to be. Just let it

2:01:31

ride. It needs to be a big round

2:01:33

number and it's ending on this huge number.

2:01:35

Exactly. But so uncanny

2:01:37

600 is the trial of Hank McCoy

2:01:39

where he is held to account for

2:01:41

his irresponsibility and tampering with the timeline.

2:01:44

That is when Ava makes her return

2:01:46

after all the arguments have been made

2:01:49

to give a bit of advice to

2:01:51

Hank. She says that

2:01:53

in every future that she has visited,

2:01:56

she has been told that he has to answer

2:01:58

for his crimes. And

2:02:01

she really hopes he's learned a lesson because

2:02:04

it's every single timeline.

2:02:08

Now, at the time, the

2:02:10

suggestion is it's the time travel

2:02:12

thing that is what she's talking

2:02:14

about. But now with the benefit

2:02:16

of hindsight, there are a lot more crimes

2:02:19

that she could also be talking about. But

2:02:21

the fact is she's saying in

2:02:23

every timeline, I'm told

2:02:26

that you committed egregious

2:02:28

crime. She's at least

2:02:30

open-ended because she's like, yeah, this would

2:02:32

seem to be what's happening. But

2:02:35

if it isn't, if it wasn't, it

2:02:37

is. If it wasn't this, then you

2:02:39

need to think about what I'm telling

2:02:41

you right now before you do anything

2:02:43

else. Just know that you are a

2:02:45

famous criminal in the

2:02:47

future. And, listener, he did not. He

2:02:50

did not! He absolutely

2:02:52

did not. Eventually he decided

2:02:54

that was good, and he would just take that

2:02:56

on himself for the sake of mutant kind, and

2:02:59

the rest is history. I am

2:03:01

intrigued to see what McKay

2:03:03

does with Rebooted Beast, just because I

2:03:06

think the point at which he's been

2:03:08

brought back is really interesting. It's such

2:03:10

a specific – it's before

2:03:13

X-Factor, before 80s X-Factor. So,

2:03:15

like, that's much different.

2:03:18

Yeah. Yeah, I hope that

2:03:20

gets worked in. I kind of feel like

2:03:22

the most realistic

2:03:24

outcome is just like – He could

2:03:26

just default back to Cartoon 90's Hank,

2:03:28

but the fact that he has never

2:03:30

met Trish Tilby, for example, is something

2:03:32

that I think is interesting, right? Like,

2:03:34

there's stuff like that. Then that's juicy.

2:03:36

That's juicy, especially since she was just

2:03:38

in the cartoon. Like, that's a story

2:03:40

you could do. Yeah. She

2:03:43

still lived with Wonder Man? Who knows? They just

2:03:45

moved back in together. It says so in X-Force

2:03:47

50. Right. It's

2:03:49

like, well – But now he's going to be in Alaska, so –

2:03:52

Evil Hank's atomized. Reboot Hank just moved

2:03:54

in with Wonder Man, and I'm like,

2:03:56

good for them. Love wins. I

2:04:00

will say, and I think Ben very cleverly

2:04:02

did not show us the body, I

2:04:05

think it'll be a shame if

2:04:07

Evil Prime Hank is actually like,

2:04:10

dead dead. Because I think one of

2:04:12

the most brilliant things that Krakowa has

2:04:14

done is give us a dark beast

2:04:16

who is a character we actually care

2:04:18

about instead of just like, a ghoulish

2:04:21

Dr. Mengele from Age of Apocalypse. Like

2:04:23

this is our beast gone

2:04:25

bad, which I think is more interesting.

2:04:28

So, you know, we'll see. That's one of

2:04:30

those things where it'll take another writer having

2:04:32

a story they want to do, and then

2:04:34

I'm sure, you know, Celine ate Evil Captain

2:04:36

America, and then as it turns out, she

2:04:38

can just spit him back out. So, you

2:04:40

know, people come up with their

2:04:43

explanations. That

2:04:45

is the last she

2:04:47

is seen for a minute.

2:04:50

She has Iron Man 600. Oh

2:04:53

my God. Now's my moment to air

2:04:55

my grievances with Iron Man 600. Because

2:04:58

this is Bendis' last issue at Marvel before

2:05:00

he leaves for DC. Right.

2:05:02

So, that

2:05:04

came out pretty soon after

2:05:06

I had read all

2:05:08

this stuff for the first time and caught Ava Bell fever.

2:05:11

And I saw on the internet that Ava

2:05:13

Bell was going to appear in Iron Man

2:05:16

600. And I was so excited. It's like,

2:05:18

oh my girl, more stories because it seemed like she

2:05:20

was just gone forever. And

2:05:22

this comic was like eight or

2:05:24

ten dollars. I can't remember. And I was like, oh,

2:05:26

that's kind of a lot to spend in general, but

2:05:29

in an Iron Man comic. But I was like, I

2:05:31

really want to see Ava again.

2:05:34

So I plunked down the money. And

2:05:36

then guess what? Ava's scenes

2:05:39

are a reprint of her thing

2:05:41

in the annual where she's meeting Sorcerer

2:05:44

Supreme Iron Man from the future. There's

2:05:46

no new content at all. It's

2:05:48

odd. And I'm

2:05:50

bitter about it to this day. But

2:05:53

I guess it's like, because I read

2:05:55

the other stuff and it was all like Leonardo da Vinci was in

2:05:57

it. I Didn't know anything about it.

2:06:00

The Shield series, and all that stuff

2:06:02

the Hickman had done, or stuff like

2:06:04

i don't know what's happening in Iron

2:06:06

Man, but right for me. Yeah, it's

2:06:08

just it's a very odd this. It's.

2:06:11

A very odd moment. Again,

2:06:13

I guess a testament to how much

2:06:15

he likes the character and that issue

2:06:17

which is really good so you know

2:06:20

valid. So. That his last

2:06:22

word on her. And then she

2:06:24

is not seen again until the

2:06:26

following year, when she appears in

2:06:29

two issues of Matthew Rosenbergs run

2:06:31

on Uncanny Acts Man issues nine

2:06:33

and ten. This is not like

2:06:35

a Big Appearances has no lines

2:06:38

when she does her to me.

2:06:40

My X Men like Global, call

2:06:42

all the warriors in to fight

2:06:44

the Legion. Neat Gray, a hybrid.

2:06:47

Beat. Do not worry about any of this.

2:06:49

This is the lead up to Age of Acts

2:06:51

Man He sees one of the ones who answers

2:06:53

the call. so we see her system from the

2:06:56

Bearman rounded and doesn't use your powers. those will

2:06:58

see her yeah which serve their was odd in

2:07:00

this case because she really could have saved the

2:07:02

day this time and that's kind of the issue

2:07:05

right? Is that like if she is there to

2:07:07

give to explain why she's not just fixing it.

2:07:09

That. Is that on that she gets sucked

2:07:11

into age of x? Ma'am I guess I don't

2:07:14

remember if she was in it at all I

2:07:16

can remember. I can't remember. I know she was.

2:07:18

In it. Will. Nice. like a major guy. Was

2:07:20

from a cameo somewhere I know I can't recall. Then

2:07:23

she appears in. House

2:07:26

of Acts of the Safari Boot

2:07:28

Vibrator Jonathan Hickman in As Twenty

2:07:30

Nine scene where she is established

2:07:32

to be a key part of

2:07:34

the Mutants circuit called The Five,

2:07:37

The Engine of Cracow and Resurrection.

2:07:39

It is either his ability

2:07:41

to create localized bubbles in

2:07:43

which she controls time that

2:07:45

allows for mutant dna to

2:07:47

be processed through fabio eggs

2:07:49

and then rapid aids to

2:07:51

the point that the person

2:07:53

was when they.or the point

2:07:55

that they would like to

2:07:57

be here which is. part

2:08:00

of Krakoa that's not addressed as much

2:08:02

but that helps handwave the problem of

2:08:04

like, why is Doug Ramsey the

2:08:07

same age as the other New Mutants or

2:08:09

like, Arsenk and Monet like six years apart

2:08:11

now? It's like, don't fucking worry about it.

2:08:13

It does not matter. But also

2:08:16

explains how characters like Destiny and Somnus

2:08:18

got their groove back when they were

2:08:20

old as balls when they

2:08:23

died. The gifts that Jonathan Hickman

2:08:25

and Pepe Larraz gave us with

2:08:27

House of X. Unbelievable

2:08:29

stuff. Start coming out, Husk

2:08:32

was on the covers, in the issues was

2:08:34

like, oh my god, I get to the

2:08:36

five issue. They strut

2:08:38

out. I was like, what

2:08:41

a mic drop. It did seem like it was going

2:08:43

to be a big Husk era. I mean, you know,

2:08:45

it's fine. I think what happened there is

2:08:48

just that because of the head of X

2:08:50

semi editorial role that he took on, I

2:08:53

think Hickman had less time to write. I think

2:08:55

if he had gotten to write additional

2:08:57

books, he would

2:08:59

have used it. Yeah, he was going to write a

2:09:02

Generation X book, but they were just like, not

2:09:04

in this economy. He said that he

2:09:07

wanted there to be a Generation X book, but

2:09:09

that nobody else was like jumping to write

2:09:11

that because there was already New Mutants. He wanted

2:09:13

to have a Gen X, a

2:09:15

New Mutants book, a Gen X book and an

2:09:17

Academy X book. He like pitched that in the

2:09:19

room and like, A, it was like, that's a

2:09:22

lot of books competing with themselves. Yeah. But also,

2:09:24

no one was like, super

2:09:27

like, ooh, me, like I've got to do that. And

2:09:29

so he was like, I'm not going to draft someone

2:09:31

to write Gen X just because I like Gen X

2:09:33

and I don't have time to do it. Totally. I

2:09:36

would have loved it, but

2:09:38

some dreams cannot be. The one he

2:09:40

really wanted to do was like the Star Jammer's and

2:09:42

Imperial Guard. And he didn't get to

2:09:44

do that one either. I was going to be

2:09:46

the Sunspot and Cannonball book. But you

2:09:49

know, these things happen and it is what it is.

2:09:51

I think that Eva's

2:09:54

role in the five is interesting

2:09:56

for her as a character because

2:09:58

it involves no time. I'm travel.

2:10:01

Is staying stationary and just

2:10:03

using the battles in a

2:10:05

productive away. But it also

2:10:07

enables her to symbolically become

2:10:09

a mother to every meat

2:10:11

and child that they bring

2:10:13

back. The of a tragedy

2:10:15

is that she can't bring

2:10:17

back her own child. She

2:10:19

has a magneto lying or

2:10:21

sitting in that way that

2:10:23

is ever explored of. but

2:10:25

it's an interesting thing to

2:10:27

think about. The five

2:10:29

the as we sort of address

2:10:32

at the top are all characters

2:10:34

who either in the case of

2:10:36

Gold Bar/egg just would have disappeared

2:10:39

forever or who are somewhat story

2:10:41

inconvenience because of the nature of

2:10:43

their powers. Proteus

2:10:45

and. Elixir and Campus in

2:10:48

particular are just real story breakers if

2:10:50

they're hanging around, Because now if they

2:10:52

don't save the day than every fan

2:10:54

of like School. Why didn't Tampa's is

2:10:57

travel in time? It's because that's not. The

2:10:59

story and it would have been dumb,

2:11:01

but you can't say like the there's

2:11:03

becomes a problem where the internal logic

2:11:05

of the story and the external logic

2:11:07

of the story don't think up and

2:11:09

you have to think about that a

2:11:11

lot when you're writing superhero stories with

2:11:14

an ensemble cast. So I think that

2:11:16

this was a clever way to tie

2:11:18

them up like they're doing something incredibly

2:11:20

important. but it means that they're busy.

2:11:22

Which means that they can't just show

2:11:24

up to solve whatever problem that I

2:11:26

think was a smart way of of

2:11:28

doing. That. With Hope summers

2:11:30

it was sort. Of owning a

2:11:33

Td. Been there because Care and and

2:11:35

I are doing a Hope episode probably

2:11:37

in July. Russell bigger an exact timing

2:11:39

but I want the era to like.

2:11:41

And. And Will Do Like Sort

2:11:43

of Capstone by Hope is a character

2:11:46

who never particularly worked. She.

2:11:48

was like a relic of the

2:11:50

decimation era who's plot beats never

2:11:53

panned out in my opinion kiran

2:11:55

was really the only writer who

2:11:57

did particularly entry interesting stuff with

2:12:00

her. And that's not

2:12:02

to say that other people didn't try and

2:12:04

the cable stuff is good, but she's a

2:12:06

McGuffin in that. It's not really as much

2:12:08

like about her. Once she's like an adult,

2:12:10

quote, when she's like 18 or

2:12:12

whatever, she kind of falls off. And

2:12:14

the problem with her is that once Jean is

2:12:16

back and Rachel is back,

2:12:20

what is the point of hope? Today,

2:12:23

I think Kieran Gillan showed

2:12:25

us the point of hope and that was

2:12:27

good. And again, this. But Hickman is the

2:12:29

one who starts it because when you say

2:12:32

she's the mutant Messiah, not because of

2:12:34

anything that happened in Avengers versus X then,

2:12:36

not because of anything that happened in Generation

2:12:38

Hope, not because of any of that shit,

2:12:41

she's the mutant Messiah because you need her

2:12:43

for the resurrection circuit to work. It

2:12:46

fixes just about everything, really, that

2:12:48

was a problem with that character.

2:12:51

And once Kieran returned to the franchise,

2:12:54

he clearly said, okay, I'm gonna

2:12:57

do something with hope because much

2:12:59

like Sinister, I would

2:13:01

say those are the two X-Men characters I

2:13:03

most associate with Kieran, are Sinister and

2:13:06

Hope Summers. I would now also say

2:13:08

Destiny, but that was new in this

2:13:10

era. He

2:13:13

was sort of the steward of that character

2:13:15

in the utopian age. And

2:13:18

it's fitting that he concluded

2:13:20

her story. I

2:13:23

personally don't think she should ever be seen

2:13:25

again. I don't wanna spoil exactly what happens

2:13:27

to the issue for anybody who didn't read

2:13:29

it because it literally came out today as

2:13:31

we're recording this. But I

2:13:33

think that it fixed just

2:13:36

about every bit of huh about

2:13:40

that character, while also

2:13:42

repositioning Gene and Rachel in

2:13:44

a really smart way and

2:13:47

fixing a lot of the problems with

2:13:49

the Phoenix that we've had since Avengers

2:13:52

versus X-Men and just kind of making

2:13:54

it all work. As

2:13:58

a result of that, we... It's

2:14:01

kind of hard not to spoil this at all, but Krakow

2:14:04

is over guys, you know Krakow is over. People

2:14:07

have read it. So like, you know.

2:14:09

You know more than we do at

2:14:11

this point. Hope does some Messiah shit

2:14:13

as she calls it and makes a

2:14:15

choice to sacrifice herself to allow the

2:14:17

Phoenix to be reborn. The

2:14:20

refugees from Krakow after the

2:14:22

Hellfire Gala have been

2:14:24

cast into the White Hot Room by

2:14:27

Mother Righteous. She's part of her nefarious

2:14:29

plan. That's a character I can do

2:14:31

without, to be perfectly honest, god lover. I

2:14:34

just, I need a break at least from.

2:14:36

Yeah I agree with you there and I

2:14:38

also agree about Hope. Sorry to the fans,

2:14:41

but you know we all lost someone. I

2:14:44

think if you're a Hope fan you should be really

2:14:46

happy with this story. Yeah it's great. It ties it

2:14:48

all up. It's like a nice bow. To

2:14:51

me this is like one of the best

2:14:53

comic book deaths I've ever read, I think.

2:14:56

I mean I just read it today so again

2:14:58

I like to let things like marinate a little

2:15:00

bit before I make declarative statements like that. But I

2:15:02

can't think of a death in a comic book that

2:15:04

I thought was this good in like a very long

2:15:07

time. And in part it's

2:15:09

because it feels like it will stick because she's

2:15:11

not a classic character and

2:15:14

she's a very confusing character and it's

2:15:16

also the perfect combination of her entire story.

2:15:19

So it's like why would you fuck with it?

2:15:21

Of course I'm sure someday someone will. But

2:15:24

for now I'm quite happy with it. The

2:15:26

thing is that given all of the upheaval

2:15:29

that has occurred with the Phoenix, the White

2:15:31

Hot Room is now in an unstable state.

2:15:34

The refugees who are there are now

2:15:37

stuck there. But it's not

2:15:40

sad. It's

2:15:42

actually really beautiful I

2:15:45

think. The idea

2:15:47

that Krakoa is out there and

2:15:49

nobody we care about who's going to be in an

2:15:51

X-Men story is still there. But these

2:15:54

anonymous people who we don't really

2:15:56

know are there with the Five.

2:15:58

Right? And

2:16:00

jumbo carnation is a jumbo carnation. I

2:16:03

like that for two reasons one is if

2:16:05

the point is This is

2:16:07

now a piece of Krakow in

2:16:10

society preserved outside of time and space

2:16:12

where no one can ever kill it

2:16:14

And they will build their own mutant

2:16:16

culture in the heart

2:16:18

of heaven Yeah, yeah as above so

2:16:20

below versus the way that Araco and

2:16:23

Ammonth played out, right? if

2:16:25

that's going to happen and they're going to

2:16:27

build mutant culture for real in a place

2:16:30

where the Editorial return

2:16:32

to the status quo that always happens the big

2:16:34

two comics can't touch it and it

2:16:36

can be the dream of Krakow Yeah, then

2:16:38

jumbo carnation is someone you want to

2:16:40

be there. He represents that that mutant

2:16:42

drive towards mutant art I mean, that's

2:16:45

what he was in the Morrison. Yeah

2:16:47

story. That is really beautiful Yeah,

2:16:49

I also like that. He is thereby Kept

2:16:54

preserved as well because

2:16:56

if there was ever a character that some

2:16:59

writer 10 years from

2:17:01

now was gonna like Yeah,

2:17:03

shoot in the head for like an edgy sweeps

2:17:05

week hate crime story. It's jumbo carnation So

2:17:07

like frankly he can go design fashions in

2:17:10

peace at the heart of the macron crystal

2:17:12

I love that for him. But yeah,

2:17:14

otherwise the characters that we see Rock

2:17:17

slide, but I think that's an art error. Don't worry

2:17:19

about it guys If anybody wants to use rock slide,

2:17:22

I bet I bet that character is just gonna show

2:17:24

up unexplained that you could just not worry But it's

2:17:26

like Quentin choir being in judgment day Like sometimes a

2:17:28

group shot just has some randoms in it who shouldn't

2:17:30

be there for the most part It's

2:17:32

sort of anonymous characters the new character Kafka who we

2:17:34

met a few times on Krakowa Which that's a

2:17:37

funny codename because now they're in this very

2:17:39

Kafka situation and he takes charge but

2:17:42

also Ava elixir Fabio

2:17:44

and Proteus are The

2:17:47

ones who are there who are going to help guide

2:17:50

this civilization. I Think

2:17:53

it's nice I just I you know I

2:17:56

get if you're a fan of one of those characters like a

2:17:58

big fan of one of those characters like get why you You'd

2:18:00

be bombs here. By.

2:18:02

It. It. Feels like.

2:18:06

The I mean they were the heart

2:18:08

of Cracow are right like that engine

2:18:10

is what operated at and so yeah

2:18:12

young lawyer for them to be there

2:18:15

with the Phoenix who is hope in

2:18:17

the White Hot Room as the society

2:18:19

of all there is cool. Him and

2:18:21

I personally would be good with not

2:18:23

seeing any of those characters again until

2:18:25

the second Cracow. An age in twenty

2:18:27

thirty Five or whatever you know what

2:18:30

I mean There. And I

2:18:32

like her you put it it called

2:18:34

the Mine for to work out you

2:18:36

did with Low Key in the Defenders

2:18:39

beyond those of such a beautiful issue

2:18:41

rivers like look I'm like realize that

2:18:43

my identity and like I can't be

2:18:46

put back because that's what like of

2:18:48

the marvel Cosmos does and they just

2:18:50

like the about the whole timeline and

2:18:52

sort of like by. There.

2:18:55

Is something. I.

2:18:58

I I had a really emotional reaction

2:19:00

to this issue this morning. I you

2:19:03

know there's something. Particularly.

2:19:05

In this moment deny I don't like

2:19:07

to get too. Serious

2:19:09

parties in his podcasts. That's not what people

2:19:11

tune into. The should have listened, Buy it

2:19:13

in this moment. In. Jewish

2:19:15

History. Where.

2:19:20

I. Don't even know how to has described

2:19:22

how bizarre Passover was this year. Now

2:19:24

me Klein did it better than I

2:19:26

can look up Naomi Klein's as say

2:19:28

we did an exodus from Zionism that

2:19:30

suppose in the Guardian because I think

2:19:32

it's incredible. I mean I'm a big

2:19:34

Naomi Klein fan but it was really

2:19:36

get his ah thanks. To.

2:19:41

Do. The Book Of Exodus. With.

2:19:43

Access. To. Do Passover?

2:19:46

Yeah. And then to

2:19:48

turn Couric, our. Ensue.

2:19:52

Next year in Jerusalem. Blue

2:19:54

yeah the idea as if

2:19:56

people are not familiar with

2:19:58

the said this is. It's complicated

2:20:00

because again, like what's literally happening in

2:20:02

Jerusalem and the vicinity right now is

2:20:05

horrifying. So, you know, and I don't want to

2:20:07

get too deep into that because I've said my

2:20:09

piece, I've signed open

2:20:12

letters and stuff. Like I'm I've

2:20:14

said my piece to the extent that

2:20:16

I feel anybody needs to hear my opinion on this issue. The

2:20:19

phrase next year in Jerusalem is not really

2:20:22

about Jerusalem, the physical location.

2:20:24

It's the idea that someday

2:20:27

we will all be together

2:20:29

in a promised land.

2:20:32

You know, you're at the Seder and you say, and I

2:20:35

will see you next year in Jerusalem. But nobody

2:20:38

saw it when when that became a tradition

2:20:40

that they ever would get to. Yeah.

2:20:42

That you'd ever actually get there. And,

2:20:46

you know, Moses never sees the promised land

2:20:48

like that's the thing.

2:20:51

So the idea

2:20:53

that now hope is

2:20:56

the thing with feathers that

2:20:59

abided. It's

2:21:03

cool. It's just cool that

2:21:05

Exodus, the character redefines the Exodus

2:21:07

story for mutants. And now we

2:21:10

can say next year on Krakowa

2:21:13

and we don't necessarily believe

2:21:15

that next year the powers

2:21:17

that be at the floating space palace or

2:21:21

editorial or whoever makes these decisions. These

2:21:23

are, you know, high level decisions about

2:21:25

where a brand and an IP goes.

2:21:29

Whether or not we believe that the second

2:21:31

Krakowa needs will come anytime soon. The

2:21:34

idea of Krakowa is now the

2:21:36

thing and the fact that

2:21:38

within the story, it is real still.

2:21:41

And these people are still there. And

2:21:44

we have to make this

2:21:46

world hospitable because someday

2:21:49

we will be reunited with them. And

2:21:51

in saving one person, you save the whole world,

2:21:54

which is the bit from the Talmud

2:21:56

that Al Ewing used

2:21:58

so beautifully in. resurrection of

2:22:01

Magneto. So I really

2:22:03

loved this issue. I really love this ending,

2:22:06

if Krakowa must

2:22:09

end, and sending

2:22:11

the five off as sort of

2:22:13

the Prophet who ascend

2:22:15

to be with the divine makes

2:22:18

a lot of sense. But you know

2:22:20

my condolences to the stans

2:22:23

of those characters. Because you know we probably won't see them

2:22:25

for a while. I really

2:22:27

love that Proteus gets to be okay in particular.

2:22:31

Yeah. And he gets to be one

2:22:33

with the cosmic mother, which is all

2:22:35

he ever wanted. Mm-hmm. Yeah.

2:22:38

It's nice. Yeah, it's

2:22:40

nice. It's really nice. I was

2:22:44

thinking, I just want to like touch

2:22:46

back. You know we love these

2:22:48

comics but we are in this world

2:22:52

and I applaud

2:22:54

you and everybody who

2:22:57

does the important thing of touching

2:22:59

back and look around

2:23:02

us. We can't stand

2:23:04

for these horrible things to happen

2:23:06

to human beings. Absolutely not. Thank

2:23:08

you. I appreciate that but

2:23:11

it's hard not to feel

2:23:13

like you're not doing enough.

2:23:15

So that's another conversation

2:23:17

that we can have off air. Do

2:23:20

you have anything else you'd like to say about Ava before

2:23:22

we get into the questions? Yeah, thank

2:23:24

you. I just want to

2:23:27

touch on a couple things and just

2:23:30

be a bit more effusive about cool

2:23:32

moments of this character. I'm trying to think.

2:23:35

I think it's very funny that she has

2:23:37

like a Fox X-Men like hair change. Like

2:23:39

when her power manifests, she gets her white

2:23:41

streak. Oh yeah and the blue hair. Like

2:23:43

she does get a visible mutation as well.

2:23:45

It's a good look but when her hair

2:23:47

gets a little bit longer. It does make

2:23:49

her look like rogue unfortunately.

2:23:52

Yeah and there's a couple scenes

2:23:54

like in Krakowa where if you're

2:23:56

not reading It as an Australian accent.

2:23:58

It's like this is person's. Think it's

2:24:00

rogue right? but yeah, know what

2:24:03

dignity of scrape Love her. I

2:24:05

would love to see the outfit

2:24:07

chains are. There might be questions

2:24:09

about this of if we can

2:24:11

assess, assess assess the fact that.

2:24:15

He. Can take the girl added at all the but

2:24:17

you can take the goal the out of the

2:24:19

girls is very narrowly at it every time lion.

2:24:23

I love when she gets low little shawl

2:24:25

in the future than it's a nice addition.

2:24:27

I like the solitary I was is a

2:24:30

oh yeah there's a really nice. A.

2:24:32

Plus X issue that Gerry Duggan

2:24:34

actually rights where she has like

2:24:36

a little spy a moment for

2:24:39

Cyclops were see in her eye

2:24:41

Doctor Strange and he can have

2:24:43

Lakes. He is

2:24:45

basically able to sidestep her time freezing

2:24:47

powers as like actually are not stopping

2:24:49

time you just like. Really slowing

2:24:52

it down and I'm actually just

2:24:54

like speeding. A backup and I'm

2:24:56

second magical. Yeah, yeah. Like

2:24:58

what do you do a smile know to turn

2:25:00

The best was like array. Of

2:25:03

be careful. says.

2:25:05

And I seen in know that

2:25:08

my carried graphic novel no More

2:25:10

Humans Very young, interesting. also notable

2:25:12

for Salvador La just trying cooler

2:25:15

from drag above into of a

2:25:17

crowd. Seen the is never shy

2:25:19

about his Anna May it's it's

2:25:22

yeah he's He's a special artist

2:25:24

and he makes spasm slices and.

2:25:27

Gotta hand to them you

2:25:29

know? and yeah seller to feed

2:25:32

our for so many things

2:25:34

that also forgiving. Eva A

2:25:36

nice moment was last Club in

2:25:38

the New Britain story. I liked

2:25:40

that you know at the five

2:25:43

kind of keys than when it's

2:25:45

in the series and hope eventually

2:25:47

came to that of stand In

2:25:49

once they unionized these array of

2:25:51

through house but I think if

2:25:53

any of them. got individual

2:25:56

moments it was sort of either got a

2:25:58

couple an elixir got a couple and that

2:26:00

makes sense because they're there Fabio yeah I

2:26:02

did it really did kind of Fabio didn't

2:26:04

get a ton is what I'm saying like

2:26:07

I think Fabio and Proteus got less but

2:26:09

that makes sense because they're not as yeah

2:26:12

I got was that obviously

2:26:14

hope was one

2:26:16

of Gillen's favorite but then like of

2:26:18

the five I my sense of it

2:26:20

was that Fabio got a lot more

2:26:22

shine like especially in Judgment Day he's

2:26:24

kind of like yeah yeah you can't

2:26:26

get away without talking about

2:26:30

Eternals with me but the

2:26:32

Ken the problem is like Ava could

2:26:34

just fix Judgment Day I know and

2:26:37

the solution is like forget

2:26:39

she exists which like you of course understand

2:26:41

but it's send her to the White Hot

2:26:43

Room I'm sorry this character is a bit

2:26:45

of a problem but I like her you

2:26:47

know if you did

2:26:49

bring her back I think that the

2:26:51

I think you just have to put

2:26:53

a much harder limit on her time

2:26:55

traveling yeah exactly the time travel is

2:26:57

off the board unless absolutely necessary and

2:27:00

like a big climactic moment right yeah

2:27:02

if you even just go like you

2:27:04

said to a place the same way

2:27:06

that Rachel and cable usually do it

2:27:08

where it's just like we can't do

2:27:10

that unless it's absolutely necessary because

2:27:13

it could disrupt the time stream and just like kind

2:27:15

of go with it yeah that way I've

2:27:17

always been super doctor who resistant throughout

2:27:19

my whole life but I actually like

2:27:22

it's very important to my partner the

2:27:24

Eccleston and Tenet years and like this

2:27:27

year I was I experienced

2:27:30

that and I really got

2:27:32

the sense of the companions

2:27:34

as being very kind of like the

2:27:37

five adjacent and like before we kind

2:27:39

of saw how it shook out I

2:27:42

was just like oh wow imagine Donna

2:27:46

and Rose specifically shout

2:27:48

out to all the people who love

2:27:50

Doctor Who I am a new

2:27:52

dilettante in your world but

2:27:56

how you have you

2:27:58

access to this most amazing thing

2:28:00

like you like go

2:28:02

through time and space and you like

2:28:05

are the backbone of this amazing society

2:28:07

and then it ends and you are

2:28:09

forced to like go on with

2:28:12

your life like it used to be like how are

2:28:14

you supposed to handle that and I thought there would

2:28:17

be a lot of like pathos to mine there but

2:28:19

it turns out I guess I kind

2:28:21

of did what they did with Rose

2:28:23

to begin with just sort of like

2:28:25

plopper in an alternate dimension and

2:28:28

never see her again unless again its story

2:28:31

interesting I think you

2:28:34

said Connor that you are not a Doctor Who

2:28:36

person so I am NOT

2:28:38

because I well I was so I

2:28:40

watched the first series of Matt Smith

2:28:43

and then I tried to watch the

2:28:45

next one quite honestly for

2:28:47

River Song which is like very on

2:28:50

brand but then her plot got so

2:28:52

bad that I dropped it I could

2:28:54

never get into David Tennant

2:28:56

I found him kind of

2:28:59

unbearable I like him

2:29:01

in other roles a lot like I agree

2:29:03

with you Jones I found his Doctor Who

2:29:05

stuff to be very like scene chewy in

2:29:07

a way that I didn't love totally agree

2:29:09

with I get that that's why people love

2:29:11

it and it's just was not my cup

2:29:14

of tea as it were they do feel

2:29:16

like with Donna I feel

2:29:18

like their dynamic works it makes it

2:29:20

palatable but not my yeah not my

2:29:23

favorite that's a character I wish I

2:29:26

could spend more time with but I just find

2:29:28

him annoying so I haven't yeah and then I

2:29:30

tried to go back to Eccleston but it looked

2:29:32

so cheap that I just couldn't yeah yeah it

2:29:34

was still like very it was like season one

2:29:36

Buffy kind of budgeting love

2:29:39

the trans skin monster lady Cassandra

2:29:42

the trans icon I

2:29:44

support her she's also very

2:29:46

Amanda Mueller coded yes yeah

2:29:48

very much so you know

2:29:50

Yeah, that little rant was for

2:29:52

all the Hoovians out there. Amanda

2:29:54

Mueller Extremely sis character If you

2:29:56

were going to invent a. It

2:30:00

would be that Skyn beast from

2:30:03

from Doctor Who. Anyway, I yes

2:30:05

their logo who the and tiny

2:30:07

why me moment for all y'all

2:30:09

know I mean I. I just

2:30:11

think this character was really good

2:30:14

for bend is the story and

2:30:16

the story that Yummy was telling

2:30:18

and I. Love.

2:30:20

Those annual like I think that those

2:30:22

to that that stories really great and

2:30:24

them Matthew Malloy story is like of

2:30:26

all of the things that they try

2:30:28

to convince me that Cyclops was wrong

2:30:30

about that's the one where I am

2:30:32

I the only one where you're like

2:30:34

yet that may values are ya know

2:30:37

and is a about who's looks at

2:30:39

the reader and it's like this is

2:30:41

the say this is the was yeah

2:30:43

he's losing it now cause the attitude

2:30:45

of all the other characters who oppose

2:30:47

not made for one aggressive a awkward

2:30:49

wasn't you seeing. That were not have like

2:30:51

oh I guess it's this Logan you have

2:30:53

killed so many people. Maybe get a fucking

2:30:56

crap. Is kind of how I. Feel.

2:30:58

About of a you did wet work for

2:31:00

the government you're calling Scott of Assets like.

2:31:02

truly get a grip. But anyway, I'm. That

2:31:05

brings us to our questions. Ah,

2:31:07

as cycle handful of you wrote

2:31:09

in with questions about a rebel,

2:31:11

Thanks for doing that! Oh yea,

2:31:13

Anthony Broderick. Grades Dearest. Connor and

2:31:15

welcome back Illustrious. Guess Karen charm.

2:31:17

Let me first say I'm thrilled that Karen

2:31:20

back because they actually love the Pace Guthrie

2:31:22

episode. I was captivated by their fan enthusiasm

2:31:24

and sense of humor. I've always loved Turns

2:31:26

artwork, including that absolutely gorgeous commission of racial

2:31:29

and Ileana opposing and staring intimately to each

2:31:31

other for the solidifying my sit candidate. Those

2:31:33

who would make a beautiful couple of trouble

2:31:36

with Tate's I disagree. I think they are

2:31:38

waits for similar. I just don't. I don't

2:31:40

see it, but I'm Katie. Ever get their

2:31:42

shit together? See. And Liana could

2:31:44

go on really fun double dates with Rachel

2:31:47

and Bessie which would be very lesbian coated.

2:31:49

Doubleday. Eating with your our the super

2:31:51

great we are now with the point where

2:31:54

the emphasis ours. We've. Made him. Thank.

2:31:56

You teeny? we've certainly. And with Rachel

2:31:58

finally. after all this. I was

2:32:00

just talking to Holly Raymond earlier today about

2:32:02

how like bringing back the Iskani

2:32:05

thing at the same time Then

2:32:08

Rachel was finally allowed to be gay looking

2:32:10

back. It almost feels like you had like

2:32:13

you had to be It's

2:32:15

like remember when Rachel's whole endgame

2:32:17

was like lesbian Benny Jezzer it

2:32:20

in the dystopian future Like yeah,

2:32:22

that was major So

2:32:25

let's revisit while she kisses a

2:32:27

supermodel I'm into that totally

2:32:29

personally and I totally see a role

2:32:31

for Eva in that you know the

2:32:34

Iskani sisterhood needs to Manage

2:32:36

the time she and Tanya trask

2:32:38

should Link up

2:32:40

that'd be a mess Love

2:32:42

Madame Cinque what's not to love?

2:32:45

That's a bizarre character Anyway

2:32:49

to the topic at hand let me just say that personally

2:32:52

the Bendis Revolution era was not my cup of tea

2:32:54

But Eva Bell was a big standout not just from

2:32:56

that run, but also from the whole student group of

2:32:58

that time I'm not sure it was her

2:33:00

cool rogue ass character design her visual powers

2:33:02

or her spunky and charming characterization But I

2:33:05

always enjoyed seeing her relatively minor appearances in

2:33:07

comics all the way up through House of

2:33:09

X powers of 10 where Hickman Jump-started her

2:33:11

status one of the most important mutants ever

2:33:13

my question kind of relates back to your

2:33:15

Calvin Rankin episode And the discussion about how

2:33:17

he compares to other power mimics like hope

2:33:19

or rogue What makes Eva's

2:33:22

time powers stand out from other time

2:33:24

manipulators like Heather Tucker and sway? Besides

2:33:26

the time bubble visuals and some

2:33:29

slightly inconsistent power upgrades over time

2:33:32

You guys verified in the mimic episode that hope

2:33:34

is above power Mimic or is like mimic and

2:33:36

sink because of her Omega mutant and Messiah

2:33:38

status And that's why she has an instrumental

2:33:40

role in the five over them But what

2:33:42

do you think tempest who isn't an Omega

2:33:44

level mutant has that puts her above tempo

2:33:47

and sway? Do you think it was

2:33:49

just because Hickman liked the character more that he chose her

2:33:51

definitely not complaining as I'm thrilled that Ava's been more significant

2:33:53

here than she has been in the last decade Just

2:33:55

curious what your thoughts are always a

2:33:58

pleasure forever grateful for your amazing content Also,

2:34:00

no pressure, but I'm keeping my fingers

2:34:02

crossed that you have a slew of

2:34:04

Queermont Dane characters like Marco Yoshida, Alitas

2:34:07

Forrester, and Stevie Hunter on the planned

2:34:09

upcoming episode queue. Sincerely, always Emma Frost

2:34:11

and Madeleine Pryor's personal homosexual Instagram assistant,

2:34:14

Anthony Edward. I'm glad they have

2:34:16

you to do that for them because social media is a

2:34:18

real bear. I don't

2:34:21

like to confirm any like upcoming

2:34:23

episodes, but like, do

2:34:25

I intend to do episodes of Marco Yoshida,

2:34:27

Lee Forrester, and Stevie Hunter? You bet your

2:34:29

ass. So just like, I guess they win,

2:34:31

but they're in my spreadsheet. I'll

2:34:34

tell you that for free. I did draw

2:34:36

them all on the flat skin ally t-shirt.

2:34:38

You sure did. Great t-shirt. It's a repo

2:34:40

shop. Manoli Weatherell I'm saving for when I

2:34:42

can get in contact with the real Manoli

2:34:44

Weatherell because I feel like Manoli Weatherell, feet

2:34:46

Manoli Weatherell is really the only way to

2:34:48

do that episode. So Manoli. He really kind

2:34:50

of ticks me off that he broke up.

2:34:52

If you're listening. Yeah. I mean,

2:34:54

unless she's like, that was weird and it's why we broke

2:34:56

up in which case, you know, nevermind,

2:34:59

but if she's enthused, I'd love

2:35:01

to chat. So back to

2:35:03

your question. There's a very obvious reason why

2:35:05

Eva was used instead of tempo or sway

2:35:08

and that's the tempo and sway we're dead.

2:35:10

So someone had to bring them back. It

2:35:13

was the five and they couldn't be part of

2:35:15

it because they weren't there. It's honestly that simple.

2:35:18

Sway in particular was part of

2:35:20

Hickman's Vulcan plot that like

2:35:22

a lot of his shiar stuff didn't quite shake

2:35:24

out before he left. But the

2:35:27

point was that sway and Petra

2:35:29

were illusions and that they weren't

2:35:31

really there. They were constructs that

2:35:33

Vulcan had created in his own

2:35:35

mind because they died before the

2:35:37

upgrade of Cerebro. That there's a

2:35:39

very clear demarcation of like who

2:35:42

died too early. Harry

2:35:45

Leland and Tommy are like

2:35:47

the earliest ones we see come back before

2:35:50

trial of Magneto and

2:35:52

Lordis can't. And so that sets a

2:35:55

very specific window of time. Tempo

2:35:57

was not part of the five, I think.

2:36:00

Perjury in a the fact that

2:36:02

she was dead, but also that

2:36:04

Gerry Duggan wanted to potentially do

2:36:06

stuff with her in Marauders. He

2:36:08

put her name forward for the

2:36:11

first X Men vote that first

2:36:13

year. That. Character is

2:36:15

now a lot more popular than she

2:36:17

has ever been because the fan this

2:36:19

particularly like Black Sand organizing around that

2:36:22

first X Men votes to support her

2:36:24

was major and I think got the

2:36:26

character a lot of attention. the she's

2:36:28

never had before like I haven't done

2:36:30

an episode on her but I'm excited

2:36:32

to. I'm sort of waiting for her

2:36:35

to turn up somewhere it is so

2:36:37

that we see like where she's going

2:36:39

after Crypto up. but I love that

2:36:41

character. Also, before Orlando's

2:36:44

marauders, Heather Tucker could

2:36:46

not time travel. See.

2:36:48

Just sped up time or slowed it down.

2:36:51

Adjusted the tempo as it were. That's

2:36:53

a new evolution of her parents Retroactively

2:36:55

said the she's always been able to

2:36:57

do it. She just doesn't do it

2:37:00

that much because it's dramatic turn alter

2:37:02

the time I to be the only

2:37:04

person he remembers altering the timeline but

2:37:06

that's a more practical answer as to

2:37:08

why she's not part of the five

2:37:10

I think. Also, it was just Hickman

2:37:12

nod to bend as I mean they

2:37:14

yeah I would work together a lot

2:37:16

and I think that seeds fell like

2:37:18

having Fabio an Eva be so important

2:37:21

to Cricket our with a nice nod

2:37:23

to. Bend is given that most of

2:37:25

the crew cohen South's is more derive

2:37:27

from the Claremont and Morrison arrows in

2:37:29

terms of like concepts that are being

2:37:32

reworked and carry. Those are really the

2:37:34

three young precursor writers that I think

2:37:36

Hickman as in deeper conversation with, so

2:37:38

I think it was kind of a

2:37:40

shoutout to Banned as he's a friend

2:37:43

of his photos. You give those characters

2:37:45

that a nice role and again it

2:37:47

also takes them out of primary circulation.

2:37:49

When she is a very powerful character

2:37:51

who it is sometimes hard. To justify

2:37:54

having in a group shot just for

2:37:56

some reason electing not to use her

2:37:58

god like power to. Resolve the

2:38:00

situation now and I will have to

2:38:02

say that kind of throughout the vendors

2:38:05

run like psychotic. Mission can be read

2:38:07

as kind of like the crypto a

2:38:09

project without any resources and that some

2:38:11

advice fails He says by himself and

2:38:14

everybody's like what are you doing It's

2:38:16

like looks, this is what we need

2:38:18

to do and it's not later when

2:38:20

everybody has the by in and like

2:38:22

they have the plans and Moyer and

2:38:25

Tom Taylor's X Men Rad is also

2:38:27

kind of like that. it's Genes attempts

2:38:29

at doing. It but again she doesn't

2:38:31

has the institutional support she was dead

2:38:33

sitting. Get to see what happens? Yeah

2:38:35

well that also like you need. It

2:38:38

could tell it doesn't work without

2:38:40

a the Resurrection protocol to bring

2:38:43

all of these people back to

2:38:45

be it's citizens but be saw

2:38:47

and am his. Investments.

2:38:49

And everything that warn him on a

2:38:52

d with X Corp and the leverage

2:38:54

to the medicine provides because that's what.

2:38:56

Funds it. Otherwise, like you who

2:38:58

just a bunch of weirdos in

2:39:01

a I mean I do think

2:39:03

it's interesting that Mccain is uncanny

2:39:05

is going to be Scott. With

2:39:07

a very similar team of renegades

2:39:09

in a frosty landscape. Once again

2:39:12

very similar to how he reacted

2:39:14

to the fall of Utopia and

2:39:16

I imagine that's intentional on and

2:39:19

it seems like a parallel that's

2:39:21

been done on purpose and insists

2:39:23

had to see. Whether.

2:39:26

That's. In conversation or meant

2:39:28

contrast are like what. We're.

2:39:30

Doing with that I'm just I'm at this point

2:39:32

I just wanna read the new bucks. I'm like

2:39:35

can I just see where we're going cause they

2:39:37

would make me feel more like I have my

2:39:39

bearings. You know what I mean. As

2:39:42

for how her powers are different. From

2:39:44

Tempo and Swayze, it's that

2:39:46

Again, Tempo. and sway word

2:39:48

time manipulators historically an aide

2:39:50

as power while it begins

2:39:52

as time manipulation similar to

2:39:55

there's quickly becomes to time

2:39:57

travel i think that what

2:39:59

also makes her special and

2:40:01

again more powerful in a

2:40:03

way that makes her a

2:40:06

little tricky is the vibe

2:40:08

we get in the annual

2:40:10

that like Rachel, she

2:40:13

is able to perceive the

2:40:16

fabric of the timelines in a more

2:40:18

complex way. But given

2:40:20

that she also has the power

2:40:23

to really directly alter the timeline,

2:40:25

it makes her godlike

2:40:27

in a way that those other characters are not. Like

2:40:30

even with her expanded power

2:40:32

set in Marauders, Orlando's Marauders, it

2:40:34

doesn't feel like Heather knows

2:40:36

what the result of her

2:40:38

tampering will be, which makes her

2:40:41

more hesitant to use it.

2:40:43

Whereas after the erasure of

2:40:45

her family, it does

2:40:47

seem like Ava starts to develop

2:40:49

an awareness of how her

2:40:52

butterfly effect maneuvers will shift

2:40:54

and change the timeline. So

2:40:57

it's that kind of temporal awareness that I

2:40:59

think makes her more potent

2:41:01

and which makes her a more precise

2:41:04

person to do the

2:41:07

aging process for the resurrection protocol

2:41:09

because she can really pinpoint the

2:41:12

moment that she's reaching for. Yeah,

2:41:14

I feel like my wish

2:41:16

if like we would continue using

2:41:19

her as like a viable character is

2:41:21

just limit to like stopping

2:41:24

time and do like a

2:41:26

very focused kind of manipulation rather

2:41:28

than like time travel or like speeding up and

2:41:30

slowing down, which is more like what Heather does.

2:41:33

Yeah, right. Yeah, I

2:41:35

think basically like limiting time travel as

2:41:37

much as possible is usually a good

2:41:39

idea. Like whenever Rachel or Cable or

2:41:42

Bishop do it, it's like a whole

2:41:44

production. And I think that that is

2:41:46

generally easier to write around. after

2:42:00

listening to every episode multiple times. You

2:42:02

cannot stop the dance. As

2:42:04

for Miss Bell, I love her. Anyone who could tell

2:42:06

Scott Summers they just graduated from his

2:42:09

academy of doing whatever the fuck I

2:42:11

want is obviously someone to stand. That's

2:42:13

a great line. I've

2:42:15

been reading Excellent for decades and I actually

2:42:17

love this particular uncanny lineup, but realistically what's

2:42:19

with the hair? Is it a weird dye

2:42:21

job? Part of her mutation? It is part

2:42:23

of her mutation. It's when her power catalyzes

2:42:26

her hair changes color. Unlike Rogue who's born

2:42:28

with that mountain streak in her hair, it

2:42:31

is like the movie verse Rogue where

2:42:33

it's in fact using the power. Also

2:42:35

not long after her joining the X-Men she strikes

2:42:38

up a friendship with Christopher Muse aka Triage in

2:42:40

the two-seam to get along. But after she accidentally grows

2:42:42

up in a different timeline when Triage tries to heal

2:42:44

her she screams in to get his hands off her.

2:42:46

Did this ever get explained? Was Christopher jealous when she

2:42:49

stole his shtick on the five and started bringing everyone back to

2:42:51

life and he was like man I could do this shit on

2:42:53

my own. This bitch played me. I'm still doing my best on

2:42:55

the Candy Southern Voice, but I always sit in lines along with

2:42:57

her every time a Drizzly commercial comes

2:42:59

on. Terry Bohann and R.I.P. Drizzly, this

2:43:02

question came in before Drizzly ceased

2:43:05

to be. But Candy is now back

2:43:07

doing an ad with me in conversation

2:43:09

about Astapro, a steroid free

2:43:11

over the counter allergy nasal

2:43:13

spray that you can purchase.

2:43:17

You're gonna need it. It's polity out there.

2:43:19

It's rough out there I gotta say. I

2:43:22

think it is what Karen pointed out

2:43:24

which is that specifically the thing

2:43:26

that allowed Morgan LeFay to read Eva

2:43:28

was using healing magic on her that

2:43:31

had like a telepathic component so I

2:43:33

think that that just like freaks her

2:43:35

out. We don't ever

2:43:37

see her explain it to Triage though. She was

2:43:39

probably like damn, I lost her mind when she

2:43:41

was in the time stream. But like that's kind

2:43:44

of it. Triage

2:43:46

got a couple little cameos in,

2:43:48

Steve Orlando used him for the

2:43:50

mutant search and rescue stuff in

2:43:52

the Infinity comics. That's the

2:43:54

character again I think you could do stuff with

2:43:57

it's just healer characters are hard

2:43:59

to find. space for

2:44:01

sometimes for the same reason that time travel care

2:44:03

is gonna be hard. Rose and Kenny a little

2:44:05

bit too. Yeah, he's around. There's

2:44:07

also which I actually

2:44:09

read a YA or like a middle

2:44:12

grade book by Kara

2:44:14

Harris, Liberty and Justice for All.

2:44:16

It basically takes

2:44:18

place after the whole Dormymo thing

2:44:21

in Uncanny X-Men and it's about

2:44:24

triage and tempest going

2:44:26

on in A Little Adventure where

2:44:28

they meet Sabretooth and Great and Creed and

2:44:30

it's interesting. If you want to

2:44:33

see more of their dynamic which is not canon

2:44:35

but you know it's a fun read it's

2:44:37

out there. I haven't really touched the

2:44:39

prose novels but they are

2:44:41

there if one so chooses. Oh

2:44:44

and also say that I think it would

2:44:46

be cool if we ever see Eva again

2:44:48

if to sort of get away

2:44:50

from the rogue-ness just like more white

2:44:52

if she had just like her hair

2:44:54

went completely white after everything. Or if

2:44:56

they really emphasize the blue because I

2:44:58

think that the like it just doesn't

2:45:00

always look blue. That fell away for

2:45:02

sure. It's like navy but sometimes it

2:45:04

just looks like how Lois Lane or

2:45:06

Candy Southern as like a dark brunette

2:45:08

sometimes it's blue because we used to

2:45:10

do or Superman even like in old

2:45:12

comics and I think if it was

2:45:14

just like a more like of a

2:45:16

blue then people would

2:45:19

recognize her more on site.

2:45:46

I don't think she

2:45:49

can because specifically she

2:45:51

didn't because of the

2:45:53

way her power works in Bendis she

2:45:56

did not create a branching timeline

2:45:58

she altered her own individual

2:46:00

timeline which means that that future

2:46:02

did not exist or it existed

2:46:05

in altered form. In fact one

2:46:08

could argue and I now that I'm

2:46:10

thinking about it that the bad 2099

2:46:12

that we know happens

2:46:14

because of her butterfly effects in the time

2:46:16

stream after her like relatively good experience in

2:46:18

2099. I think that the tragedy

2:46:21

for her is that it's impossible

2:46:24

and I had the thought about the waiting room as

2:46:26

we were talking about it and I just don't think

2:46:29

I don't think it's it's possible and now

2:46:31

of course the waiting room is no longer

2:46:33

relevant so. Yeah and I think it kind

2:46:36

of undercuts the weight of

2:46:38

the story unfortunately. Yeah I

2:46:41

think it's important that she can't get them back

2:46:43

I think that it would be a bad choice

2:46:45

to bring them back. It's sad

2:46:48

for her but that's the point. Yeah. And

2:46:50

it's her one truly great story so I

2:46:52

wouldn't want to fuck with it particularly. Stephen

2:46:56

G. Stekwel writes, Howdy Connor and

2:46:58

the talented Karen Charm. Oof time travel

2:47:00

and a long gone baby and husband.

2:47:03

If the high evolutionary is somehow involved

2:47:05

then Connor will have hit the jackpot of

2:47:07

his least favorite plot elements. I

2:47:11

don't mind time travel I just find it confusing but

2:47:15

I do dislike generally

2:47:17

erased babies and the

2:47:19

high evolutionary. Thankfully he's not involved here

2:47:22

and this is an erased baby story I think

2:47:24

it's good but hey she's one of the five and that's pretty

2:47:26

sweet however she does look very rogue. My question for

2:47:28

you all is what would be something to make

2:47:30

her different visually. Karen I love your work the

2:47:32

skids you just posted looks amazing as do all

2:47:34

your others. The color you use in your work

2:47:36

and I think it reflects the joy comics can

2:47:38

have. Connor it's always great to be part of

2:47:40

the amazing discord your hardware helps you get through

2:47:42

the workweek and I hope you know how much

2:47:44

everyone loves and appreciates the work you do for

2:47:47

us. That's incredibly sweet thank you Stephen. Thank you.

2:47:49

I want to like to sort of turn this

2:47:51

into a general design convo. Yeah so

2:47:53

she is a Chris Botchelo creation

2:47:55

she has a very Chris

2:47:57

Botchelo outfit she does not have the Botchelo

2:47:59

titty top because Emma had cornered

2:48:01

the market. It's like a negative titty

2:48:03

top. It is a negative titty top,

2:48:06

right? Because it's like it's the same

2:48:08

pattern but it has fabric. It's

2:48:11

not a full negative titty top because then the nipples would be

2:48:13

out. They're not. But I get

2:48:15

what you mean. The

2:48:17

outfit I think is good. It's

2:48:19

like because the thing the problem I have with

2:48:21

those Baccio outfits is when he puts characters

2:48:24

in them who then don't look like themselves.

2:48:26

So when he creates the character, I'm like,

2:48:28

well, that's what she looks like. It's fine.

2:48:32

But I would be interested. You said that

2:48:34

you wouldn't be opposed. We already talked about

2:48:36

the hair color shifting a little bit, but

2:48:38

you said you wouldn't be opposed to a

2:48:40

different costume. What do you think kind of

2:48:42

vibe wise you would want to do?

2:48:44

I think that it's kind of gotten

2:48:47

to the point where that like sort

2:48:49

of burst titty top like

2:48:51

shape is kind of. What kind of makes

2:48:53

a T, right? Right. Yeah.

2:48:56

I think it was really cool when Chris

2:48:58

Anka did like that jacket in that

2:49:01

one like girl shopping trip issue

2:49:03

where they meet an inhuman, unfortunately, where

2:49:05

it has like the same design on

2:49:08

it. And then also when she

2:49:10

gets the gold version for for

2:49:13

the five, that's really cool. And

2:49:15

like her little like bondage ring

2:49:17

neck piece. Like I like all those elements,

2:49:20

but I think like the skirt is a

2:49:22

bit weird and like historic

2:49:24

respecter of women. Chris Baccala

2:49:26

can't quite avoid some

2:49:29

upskirt shots, which are a

2:49:32

bit unfortunate. But again, she's

2:49:35

from the gold. And so

2:49:37

you're right. Maybe put some

2:49:39

boy shorts under it. Yeah.

2:49:42

Or like, yeah. All of

2:49:44

my ideas were before I learned about the

2:49:46

goldies. So now I'm like, well, does it

2:49:48

work as a character? It kind of recolors

2:49:50

the whole thing, right? Yeah. I

2:49:52

think like a longer skirt could like like a

2:49:54

mask. But like, you're not going to fight in

2:49:56

a longer skirt, right? I mean, here's my thing.

2:49:58

My. My truth

2:50:00

is that I like a heroine in the

2:50:03

skirt if it's the right skirt and the

2:50:05

right heroine Yeah, but we can't get into

2:50:07

the Marvel girl debate I

2:50:11

Think it's distinctive is the thing like

2:50:13

I think it is part of her silhouette in

2:50:16

a way that is different from Most

2:50:18

other characters. So if

2:50:20

she didn't have the skirt, I would find her

2:50:22

harder to recognize I would be even more like

2:50:25

is that rogue, you know, so yeah, you're right.

2:50:27

Maybe if she had a white sash I

2:50:29

don't know love a sash like a cock room

2:50:31

style just like sash it up. I could be

2:50:33

into that What's interesting about

2:50:36

that costume design is that it was

2:50:38

originally an option

2:50:40

for Oya? Yeah, when Chris

2:50:42

was crying Wolverine in the X-Men. Yeah,

2:50:44

it's like no but for

2:50:46

Eva it works Yeah, I

2:50:49

mean given some of the other outfits they put oh,

2:50:51

yeah, and then Wolverine in the X-Men. Yeah But

2:50:56

I'll get to that in Oya episode at

2:50:59

a later date Last

2:51:01

question a more general one

2:51:04

Friend of the pod Ashley lane

2:51:06

writes. Hey Karen and Connor huge

2:51:08

huge stand here Wondering what Karen

2:51:10

thinks of the way time travels

2:51:12

been depicted artistically in comics transparency

2:51:14

wobbly lines, etc And what's

2:51:17

their favorite way big love Ashley?

2:51:19

Thanks. I hope that accent was

2:51:21

not too bad Ashley

2:51:23

has a deeper more resonant voice Not

2:51:27

this not this not

2:51:29

this not Connor imitate my accent.

2:51:32

Oh my gosh um, I

2:51:35

think that it looks

2:51:37

really amazing in those annuals I feel

2:51:39

like The only thing that

2:51:42

it maybe gives him pause is

2:51:44

having clocks Involved a little

2:51:46

on the nose, right seems a bit too

2:51:49

like device specific But I do love in

2:51:51

like a Final Fantasy game when you cast

2:51:53

haste and like the little clock pop up

2:51:55

and go spin He's been so I'm not

2:51:57

opposed. Yeah, yeah moment when it looks like

2:52:00

It looks like another spell. It's just like out

2:52:02

the... Yeah, no fair. Yeah,

2:52:05

that's a good point. There

2:52:07

is a famous comic

2:52:10

called Here that

2:52:12

is basically... The whole thing is

2:52:14

a bunch of panels that are

2:52:17

the same house, like the

2:52:19

location, but each panel is

2:52:21

a different moment in time. And

2:52:23

so you kind of see the page. It's

2:52:26

all broken up into different bits

2:52:28

of like... So it's like before the

2:52:30

house was even built, like before the

2:52:32

land was colonized, like in the future,

2:52:34

like when this person is living there

2:52:36

and that person. And it's really fascinating.

2:52:39

The artist is Richard McGuire,

2:52:42

who did that. It's

2:52:44

kind of one of those staples of

2:52:46

art comics that might be included in

2:52:48

say like a college course. But

2:52:51

that's really one of

2:52:53

my memorable like depictions of like

2:52:55

time in comics. That's pretty fascinating.

2:52:58

I love that Ava has the

2:53:01

time bubble. I think that's like a really good

2:53:03

device. The

2:53:06

bubble is a good visual in

2:53:08

terms of historical X-Men stuff. I always love

2:53:10

when cable does a body slide. That looks

2:53:12

cool as hell. Whenever

2:53:14

Rachel Chronoskims people and like in

2:53:17

80s stuff in particular when it's

2:53:19

like, and you like

2:53:21

fall into like the vertigo hole, like

2:53:23

that's cool. I love somebody falling through

2:53:26

something. Yeah, it's neat, right? So, you

2:53:28

know, I think that's fun. With Ava,

2:53:30

because she does have such control over

2:53:33

it, you can't really do

2:53:35

like the wackier stuff. The

2:53:38

bubble is cool because, I mean

2:53:41

really at the end of the day, if

2:53:43

this is the end of Ava Bell, right?

2:53:45

Like for the foreseeable future, let's say, then

2:53:47

what is the white hot room but the

2:53:50

ultimate time bubble? It's

2:53:52

one of the ways that they've become

2:53:54

divine, these five characters, is like she

2:53:57

can create a bubble that no

2:53:59

butterfly can. life-affect can harm. Yeah.

2:54:03

I like that for her as she

2:54:05

helps this new generation. Yeah, there's a

2:54:07

kind of poetry to it that she

2:54:09

is now out of time in

2:54:12

the White Heart Room. So it's like,

2:54:14

she's at rest, she's at peace, she can

2:54:17

start a new version of Krakoa. And

2:54:20

I think how you were putting it earlier,

2:54:22

how it's, you know, Krakoa

2:54:24

next year was really beautiful. Yeah.

2:54:27

And I think that's what I'm taking away.

2:54:29

And I think that what matters, particularly when

2:54:32

you're trying to find emotional meaning in corporate

2:54:35

comics, is what you take away from

2:54:37

it. I feel really good

2:54:39

about the journey we've been on,

2:54:41

and I feel really good about

2:54:43

this ending so far. Yeah. I

2:54:46

just would be remiss if I didn't bring

2:54:48

up the crucible issue because that will, I

2:54:50

think, forever be one of the most impactful

2:54:53

superhero comics I've

2:54:56

ever read. And that, to

2:54:59

me, is the core of what is

2:55:01

the most beautiful and joyous of

2:55:04

Krakoa. I think it's perfectly told.

2:55:07

Shockingly good. My feelings

2:55:09

were definitely hurt when in the future it

2:55:12

was a bit undermined and sort of

2:55:15

like, it's like, no, don't you see this is

2:55:17

what it means? But obviously it means so

2:55:19

many different things to so many people. Well,

2:55:21

I mean, yeah, Hickman said on this

2:55:23

show that he wanted the

2:55:25

crucible to be polarizing and wanted it to

2:55:28

be disturbing. And in his view, it's not

2:55:30

necessarily right. But

2:55:32

that doesn't make it wrong. It's

2:55:34

a more complicated thing than that. Yeah.

2:55:37

And just having that be

2:55:39

so tied to Eva's role

2:55:42

as this core foundation

2:55:44

of the Krakoa project was

2:55:47

really special. Yeah. And

2:55:50

it feels like the culmination of

2:55:52

the arc that we have to

2:55:55

mostly infer after she quits

2:55:58

the school. Yeah. by the time

2:56:01

she goes and talks to Hank in

2:56:03

600 and is like, in all the

2:56:05

timelines I visited yada, yada, yada, clearly

2:56:08

she's been doing a lot of stuff off panel that

2:56:11

we haven't seen then. And it would

2:56:13

have equipped her as

2:56:16

it did Cable with information

2:56:18

that presumably helped Krakow flourish.

2:56:20

And that's cool too. So

2:56:23

overall, neat character. She

2:56:26

may have served her purpose now potentially, but I

2:56:28

wouldn't be opposed to seeing her again at some

2:56:30

point if someone had a good story for her.

2:56:33

And it was fun to revisit her

2:56:35

and to revisit the Bendis period, which

2:56:37

I haven't reread that often,

2:56:41

because so much of it is about the 60s characters and

2:56:43

I covered all of them in the first year of Cerebro.

2:56:48

Karen, thank you for being my guest. Thank you for returning to

2:56:50

the show. It was great to have you. Oh my God, thank

2:56:53

you. Why don't you tell the

2:56:55

listeners where they can follow you

2:56:57

online and plug anything you want

2:56:59

to plug. So I remain on

2:57:01

the white hot room of Twitter

2:57:04

as Karen underscore x. That's Amans.

2:57:06

That is not the white hot room. Oh

2:57:10

no, I've been gaslit. Yeah, I

2:57:12

will still talk about things there

2:57:14

and make little jokes and

2:57:18

post my art. But pretty

2:57:20

much everywhere else, I

2:57:23

can be found as

2:57:25

Charmed Gardens, like Karen

2:57:27

Charmed, my assumed mutant

2:57:30

last name, plus gardens,

2:57:32

like the garden you

2:57:34

tend. You are using your...

2:57:37

Yeah, so... It's kind

2:57:39

of a Dennis Hopeless, Dennis Hallam

2:57:41

situation. Exactly. Yeah, when

2:57:44

I was talking before

2:57:48

we started talking about Ava.

2:57:50

Yeah, right. I was chatting with Connor. It's kind

2:57:53

of like, you know, often people

2:57:55

rewrite in about how Cerebro changed their lives

2:57:57

and even I am not immune for it.

2:58:00

from that because, you know, on a whim, I

2:58:02

was just like on Twitter, be like, oh, you

2:58:04

should let me talk about Husk and you called

2:58:06

my bluff and I was like, oh my God,

2:58:08

do I do this? Because my plan,

2:58:11

you know, I was in this transitional point where

2:58:13

I was sort of like feeling

2:58:15

things out with my identity and like how public

2:58:18

and how much I wanted to integrate

2:58:20

this fandom with my life and sort

2:58:23

of the community in Caracaoa was so

2:58:28

instrumental in that journey and

2:58:31

being invited onto Cerebro was kind

2:58:33

of the moment where I was

2:58:36

like, I need to

2:58:38

make a choice

2:58:40

and like merge these lives

2:58:42

and I had a real Dazzler moment. I

2:58:44

think I like read the original Dazzler series

2:58:46

after this, it's like, oh my God, it's

2:58:49

like, oh, I can't come out as a

2:58:51

mutant because I'm a public facing person. Yeah,

2:58:54

it's tough. Yeah, right. But so

2:58:56

you also are doing art as

2:58:58

Karen. How do you even pronounce

2:59:00

it? Right. That's the thing.

2:59:02

So my name I

2:59:05

generally go by

2:59:07

is spelled C-Z-A-P

2:59:09

and it's pronounced chap and

2:59:12

you will find me as K-chap,

2:59:14

Karen-chap, previous names and iterations of

2:59:16

those things. Is that Polish? Yeah,

2:59:19

it's Polish. And I've seen many such cases

2:59:22

of how do I say that. Exactly.

2:59:26

But I support you. No, I mean, like, you

2:59:28

know, it makes sense to pick a stage name

2:59:30

as to where it's a little more phonetic. Totally.

2:59:33

But you can look Karen up by both

2:59:35

those names and find different things. Yes.

2:59:39

But yeah, I kind of around the time

2:59:41

when I was like, you know, going public

2:59:43

on Cerebro, I chose Charm Garden as sort

2:59:45

of like a new Branding.

2:59:47

So that's all my socials. My

2:59:49

website is charmgardens.com. My Patreon, which

2:59:51

I post weekly on is Patreon

2:59:53

at Charm Garden. So after you

2:59:55

join the Zalla gang and throw

2:59:57

Connor your five dollars a month.

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