Episode Transcript
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0:07
Everybody dies, don't. Have
0:10
sorted out that. Isn't
0:13
that so you try to get into the
0:15
long road to they didn't? You can how
0:17
to the they'd come back on. What's
0:20
the secret? Who? Knows by
0:23
De de Maupassant, First
0:25
published in eighteen ninety. My.
0:29
God is in my God. I'm going to
0:31
write down at last what has happened to
0:33
me. But. How can I?
0:36
How dare I? The
0:38
thing is so bizarre,
0:40
so inexplicably so incomprehensible.
0:43
So silly. If
0:45
I were not perfectly sure of what I've
0:47
seen, Sure that there
0:49
was not in my reasoning, any
0:52
defects, any error in my declarations,
0:54
any lacuna in the inflexible sequence
0:56
of my observations. I should believe
0:58
myself to be the do have
1:01
a simple hallucination, the sport of
1:03
a singular vision. After
1:05
all, who knows, Yesterday.
1:08
I was in a private asylum, but
1:11
I went there voluntarily out of prudence
1:13
and fear. Only. One
1:15
single human being those my history
1:17
and that is the doctor if
1:19
the said asylum. I'm. Going to
1:21
write to him. I. Really do not
1:24
know why. To this embarrass
1:26
myself. Yes, I feel
1:28
as though weighed down by an
1:30
intolerable nightmare. Let. Me
1:33
explain. I have
1:35
always been a recluse, a
1:37
dreamer, a kind of isolated
1:39
philosopher, easy going, content with,
1:41
but little. Harboring ill
1:44
feeling against know man and without
1:46
even a grudge against heaven, I
1:48
have constantly lived alone. Consequently, a
1:51
kind of torture takes hold of
1:53
me when I find myself in
1:55
the presence of others. How is
1:58
this to be explained? I
2:00
do not know. I am not
2:02
averse to going out into the
2:04
world, to conversation, to dining with
2:06
friends. But when they
2:08
are near me for any length of time, even
2:11
the most intimate of them, they
2:13
bore me, fatigue me, enervate
2:16
me, and I experience
2:18
an overwhelming, torturing desire to see
2:20
them get up and go, to
2:23
take themselves away, and to
2:25
leave me by myself. That
2:27
desire is more than a craving,
2:29
it is an irresistible necessity. And
2:32
if the presence of people with whom I
2:35
find myself were to be continued, if I
2:37
were compelled not only to listen,
2:40
but also to follow for any
2:42
length of time their conversation, a
2:44
serious accident would assuredly take place.
2:47
What kind of accident? Ah,
2:49
who knows? Perhaps a
2:52
slight paralytic stroke? Probably.
2:55
I like solitude so much that I
2:57
cannot even endure the visinage of other
3:00
beings sleeping under the same roof. I
3:03
cannot live in Paris, because there I
3:05
suffer the most acute agony. I
3:08
lead a moral life, and
3:10
am therefore tortured in body and
3:12
in nerves by that immense crowd
3:14
which swarms and lives even when
3:16
it sleeps. Ah,
3:19
the sleeping of others is more
3:21
painful still than their conversation, and
3:23
I can never find repose when I
3:26
know and feel that on the other
3:28
side of a wall several existences are
3:30
undergoing these regular eclipses of reason. Why
3:33
am I thus? Who knows? The
3:36
cause of it is very simple, perhaps. I
3:39
get tired very soon of everything that does
3:41
not emanate from me, and there
3:44
are many people in similar case. We
3:47
are, on earth, two distinct races,
3:50
those who have need of others,
3:53
whom others amuse, engage, soothe, whom
3:56
solitude harasses, pains,
3:58
stupefies, like the... movement
4:00
of a terrible glacier or the
4:02
traversing of the desert, and
4:05
those, on the contrary, whom
4:07
others weary, tired, bore, silently
4:09
torture, whom isolation calms and
4:11
bathes in the repose of
4:14
independency and plunges into the
4:16
humours of their own thoughts.
4:19
In fine there is here
4:21
a normal physical phenomenon. Some
4:24
are constituted to live a life
4:26
outside of themselves, others to
4:28
live a life within themselves. As
4:31
for me, my exterior associations
4:34
are abruptly and painfully short-lived,
4:37
and as they reach their limits, I
4:39
experience in my whole body
4:41
and in my whole intelligence
4:43
an intolerable uneasiness. As
4:46
a result of this, I became
4:48
attached, or rather had become much
4:51
attached, to inanimate objects which have
4:53
for me the importance of beings,
4:56
and my house has or had become a
4:58
world in which I lived an active and
5:01
solitary life surrounded by all manner of things,
5:03
furniture, familiar knick-knacks,
5:06
as sympathetic in my eyes
5:08
as the visages of human
5:10
beings. I had filled my
5:12
mansion with them, little by little. I
5:15
adorned it with them, and I felt
5:17
an inward content and satisfaction was more
5:19
happy than if I had been in
5:22
the arms of a beloved girl whose
5:24
womp-tit caresses had become a soothing and
5:26
delightful necessity. I
5:29
had had this house constructed in the
5:31
centre of a beautiful garden which hid
5:33
it from the public highways, and which
5:35
was near the entrance to a city
5:37
where I could find, on occasion, the
5:39
resources of society, for which at moments
5:41
I had a longing. All
5:43
my domestics slept in a separate building,
5:46
which was situated at some considerable distance
5:48
from my house, at the far end
5:50
of the kitchen garden, which in turn
5:52
was surrounded by a high wall. The
5:55
obscure envelopment of night in
5:58
the silence of my conceals. habitation, buried
6:01
under the leaves of great
6:03
trees, were so reposeful
6:05
and so delicious, that
6:08
before retiring to my couch, I
6:10
lingered every evening several hours in
6:12
order to enjoy the solitude a
6:14
little longer. One
6:16
day, Signad had been playing at one
6:18
of the city theatres. It
6:20
was the first time that I had listened
6:22
to that beautiful musical and fairy-like drama, and
6:25
I had derived from it the liveliest
6:27
pleasures. I returned home
6:29
on foot with a light step,
6:32
my head full of sonorous phrases,
6:34
and my mind haunted by delightful
6:36
visions. It was night, the
6:38
dead of night, and so dark
6:40
that I could hardly distinguish the broad
6:43
highway, and consequently I stumbled
6:45
into the ditch all at once. From
6:48
the custom house at the barriers to
6:50
my house was about a mile, perhaps
6:52
a little more, a leisurely
6:54
walk of about twenty minutes. It
6:57
was one o'clock in the morning, one o'clock,
6:59
or maybe half past one. The
7:01
sky had by this time cleared somewhat,
7:03
and the crescent appeared, the gloomy
7:05
crescent of the last quarter of the moon. The
7:09
crescent of the first quarter is that which
7:11
rises about five or six o'clock in the
7:13
evening, and is clear, gay, and fretted with
7:15
silver. But the one which
7:18
rises after midnight is reddish, absurd,
7:20
and desolating. It is
7:22
the true silver present. Every
7:25
prowl of my night is made the same
7:27
observation. The first,
7:29
though slender as a
7:31
thread, throws a
7:33
faint joyous light which rejoices the
7:35
heart and lines the ground with
7:37
distinct shadows. The last
7:40
sheds hardly a dying glimmer, and
7:42
is so one that it occasions
7:44
hardly any shadows. In
7:47
the distance I perceived the
7:49
somber mass of my garden, and
7:51
I know not why, was seized
7:54
with a feeling of uneasiness at the
7:56
idea of going inside. I
7:59
slackened my pace. and walked
8:01
very simply, the thick
8:03
cluster of trees having the appearance of a
8:05
tomb in which my house was
8:07
buried. I opened
8:09
my outer gate and entered
8:11
the long avenue of sycamores which ran
8:14
in the direction of the house, arranged
8:17
vault-wise like a high
8:19
tunnel traversing of make-masses,
8:21
and winding round the turf lawns
8:24
on which baskets of flowers in
8:26
the pale darkness could be indistinctly
8:29
discerned. While approaching
8:31
the house, I was seized
8:33
by a strange feeling. I
8:35
could hear nothing. I stood still. Through
8:38
the trees there wasn't even a breath
8:41
of air stirring. What's the
8:43
matter with me? I said to myself. For
8:46
ten years I had entered and
8:48
re-entered in the same way without
8:50
ever experiencing the least in quietude.
8:53
I never had any fear at night. A
8:56
sight of a man, a marauder, or a thief
8:58
would have thrown me into a fit of anger,
9:01
and I would have rushed at him without any
9:03
hesitation. Moreover I was armed.
9:05
I had my revolver. But
9:07
I didn't touch it, for I was anxious
9:09
to resist that feeling of dread with which
9:12
I was seized. What
9:14
was it? Was it
9:16
a presentiment, that mysterious presentiment which
9:18
takes hold of the senses of
9:20
men who have witnessed something which,
9:23
to them, is
9:25
inexplicable? Perhaps.
9:28
Who knows? In
9:30
proportion, as I advanced, I felt my
9:32
skin quiver more and more, and
9:35
when I was close to the wall near
9:37
the outhouses of my large residence, I
9:40
felt that it would be necessary for me
9:42
to wait a few minutes before opening the
9:44
door and going inside. I
9:47
sat down then, on a bench, under
9:49
the windows of my drawing-room. I
9:52
rested there, a little disturbed, with my
9:54
head leaning against the wall, my eyes
9:56
wide open, under the shade of the
9:58
foliage. For the first few
10:00
minutes I didn't observe anything
10:03
unusual around me. I
10:05
had a humming noise in my ears, but that has
10:07
happened often to me. Sometimes
10:09
it seemed to me that I heard trains passing,
10:12
and I heard clocks striking, that
10:15
I heard a multitude on the march. Very
10:18
soon those humming noises became
10:21
more distinct, more
10:23
concentrated, more determinable.
10:26
I was deceiving myself. It
10:28
was not the ordinary tingling of
10:30
my arteries which transmitted to my
10:33
ears these rumbling sounds, but
10:35
it was a very distinct,
10:37
though confused, voice which
10:39
came without any doubt whatever from
10:42
the interior of my house. Through
10:45
the walls I distinguished this continued
10:47
noise. I should rather
10:50
say agitation than noise, an
10:52
indistinct moving about of a pile
10:54
of things, as if
10:56
people were tossing about, displacing and
10:58
carrying away surreptitiously on my furniture.
11:01
I doubted, however, for some considerable
11:03
time yet the evidence of my
11:05
ears, but having placed
11:08
my ear against one of the altitudes,
11:10
the better to discover what that strange
11:12
disturbance was inside my house, I
11:15
became convinced, certain,
11:18
that something was taking place in my
11:20
residence which was altogether
11:22
abnormal and incomprehensible.
11:26
I had no fear, but I was,
11:28
how shall I express it, paralyzed
11:31
by astonishment. I
11:33
didn't draw my revolver knowing very well that there
11:36
was no need of my doing so. I
11:39
listened a long time, but could come
11:41
to no resolution, my mind being
11:43
quite cleaner, though in myself I
11:45
was naturally anxious. I
11:47
got up and waited, listening
11:50
always to the noise which gradually
11:52
increased and at intervals
11:55
grew very loud, and which
11:57
seemed to become an impatient, angry
11:59
disturbance. A mysterious
12:01
commotion. Then
12:04
suddenly ashamed at my
12:06
timidity, I seized
12:08
my bunch of keys. I selected the
12:10
one I wanted, guided it into the
12:13
lock, turned it twice, and
12:16
pushing the door with all my might
12:18
sent it bringing against the partition. The
12:21
collision sounded like the report of
12:23
a gun, and I responded to
12:25
that explosive noise from roof to
12:27
basement of my residence, a formidable
12:29
tumult. It was so
12:31
sudden, so terrible, so deafening, that I recoiled
12:33
a few steps, and though I knew it
12:36
to be wholly useless, I pulled my revolver
12:38
out of its case. I
12:41
continued to listen for some time longer.
12:44
I could distinguish now an extraordinary
12:46
pattering upon the steps of my
12:48
grand staircase, on the waxed floors,
12:51
on the carpets, not
12:53
of boots or of
12:55
naked feet, but
12:57
of iron and wooden crutches
12:59
which resounded like symbols. Then
13:03
I suddenly discerned, on the threshold
13:05
of my door, an
13:07
armchair, my large reading
13:10
easy chair, which set off
13:12
waddling. It went away
13:14
through my garden. Others followed
13:17
it. Those are my drawing room.
13:19
Then my sofas dragging themselves along
13:21
like crocodiles on their short paws.
13:23
Then all my chairs bounding like
13:25
goats, and the little footstools
13:28
hopping like rabbits. Oh, what
13:30
a sensation! I
13:32
slunk back into a clump of
13:35
bushes, where I remained crouched up,
13:37
watching meanwhile, my furniture defiled past,
13:39
for everything walked away, the one
13:41
behind the other, briskly or slowly,
13:43
according to its weight or size.
13:46
My piano, my grand piano, bounded past
13:48
with the gallop of a horse and
13:51
the murmur of music in its sides.
13:53
The smaller articles slid along the gravel,
13:55
and the rest of my furniture, which
13:58
followed it, began to march over. over
14:00
me, tramping on my legs and injuring them.
14:03
When I loosed my hold, other articles had
14:05
passed over my body, just as a
14:07
charge of cavalry does over the body
14:09
of a dismounted soldier. Seized
14:12
at last with terror, I
14:14
succeeded in dragging myself out of
14:16
the main avenue and in concealing
14:18
myself again among the shrubbery, so
14:21
as to watch the disappearance of
14:23
the most cherished objects, the smallest,
14:26
the least striking, the least unknown,
14:28
which had once belonged to me.
14:31
I then heard in the distance noises
14:34
which came from my apartments, which sounded
14:36
now as if the house were empty,
14:38
a loud noise of shutting of doors,
14:40
that they were being slammed from top
14:43
to bottom of my dwelling, even
14:45
the door which I had just opened
14:47
myself unconsciously and which had closed of
14:49
itself, when the last thing had
14:51
taken its departure. I
14:54
took flight also, running toward
14:56
the city, and only regaining my
14:58
self-composure on reaching the boulevards where
15:01
I met belated people. I
15:03
rang the bell of a hotel where I was known. I
15:06
had knocked the dust off my clothes with my hands,
15:09
and I told the porter that I
15:11
had lost my bunch of keys, which
15:13
included also that of the kitchen garden,
15:15
where my servants slept in a house
15:17
standing by itself, on the other side
15:19
of the wall of the enclosure which
15:21
protected my fruits and vegetables from the
15:23
raids of marauders. I
15:25
covered myself up to the eyes in the
15:27
bed which was assigned to me. I
15:30
could not sleep, and I waited
15:32
for the dawn listening to the throbbing of
15:34
my heart. I had given
15:36
orders that my servants were to be summoned
15:38
to the hotel at daybreak, and that my
15:40
valet de chambre knocked at my door at
15:42
seven o'clock in the morning. His
15:45
countenance bore a woeful look. A
15:48
great misfortune has happened during the night, M.
15:50
said he. What is
15:52
it? Somebody has
15:54
stolen the hold of M.'s furniture, all
15:57
everything, even to the smallest
15:59
articles. This news pleased
16:01
me. Why? Who
16:03
knows? I was
16:05
complete master of myself, bent
16:07
on dissimulating, on telling
16:09
no one of anything I'd seen,
16:11
determined on concealing and in burying
16:14
in my heart of hearts a
16:16
terrible secret. I responded, they
16:19
must be the same people who've stolen
16:21
my keys. The police must
16:23
be informed immediately. I'm going to get up and
16:25
I'll join you in a few moments. The
16:28
investigation into the circumstances under which
16:30
the robbery might have been committed
16:32
lasted for five months. Nothing
16:35
was found, not even the smallest
16:37
of my knickknacks, nor the
16:39
least trace of the thieves. Good
16:41
gracious! If I had only told them
16:44
what I knew, if I had said
16:46
I should have been locked up, I, not
16:49
the thieves, for I was the
16:51
only person who had seen everything from the first.
16:54
Yes, but I know how to keep
16:56
silence. I shall never
16:58
refurnish my house. That
17:00
were indeed useless. The same thing would
17:02
happen again. I had no
17:05
desire even to re-enter the house, and
17:07
I did not re-enter it. I
17:09
never visited it again. I moved
17:11
to Paris to the hotel and consulted
17:13
doctors in regard to the condition of
17:15
my nerves, which had disquieted me a
17:18
good deal ever since that awful night.
17:20
They advised me to travel, and
17:23
I followed their counsel. I
17:25
began by making an excursion into Italy.
17:27
The sunshine did me good. For
17:30
six months I wandered about from Genoa
17:32
to Venice, from Venice to Florence, from
17:34
Florence to Rome, from Rome to Naples.
17:37
Then I travelled over Sicily, a country
17:40
celebrated for its scenery and its monuments.
17:43
Relics left by the Greeks and the Normans. Passing
17:46
over into Africa, I traversed at
17:49
my ease that immense desert, yellow
17:51
and tranquil, in which
17:53
camels, gazelles, and Arab vagabonds
17:55
roam about, where, in the
17:57
rare and transparent atmosphere, their hovers and
18:00
no vague hauntings, where there
18:02
is never any night but
18:04
always day. A
18:06
return to France by Marseille, and
18:09
in spite of all its promençal gaiety,
18:11
the diminished clearness of the sky made
18:13
me sad. I experienced,
18:15
in returning to the continent, the
18:18
peculiar sensation of an illness
18:20
which I had believed cured,
18:23
and a dull pain which predicted
18:25
that the seeds of the disease
18:27
had not been eradicated.
18:31
I then returned to Paris. At
18:33
the end of a month I was very dejected. It
18:36
was in the autumn, and I
18:38
determined to make, before winter came,
18:40
an excursion through Normandy, a country
18:42
with which I was unacquainted. I
18:45
began my journey in the best of spirits at
18:47
Rouen, and for eight
18:49
days I wandered about, passive,
18:51
rouvished and enthusiastic, in
18:53
that ancient city, that
18:55
astonishing museum of extra-ordinary
18:58
Gothic monuments. But
19:01
one afternoon, about four o'clock,
19:04
as I was sauntering slowly through
19:06
a seemingly unattractive street, by
19:09
which there ran a stream as black
19:11
as the ink called Ode-Gobéc, my
19:14
attention fixed for the moment on the quaint
19:16
antique appearance of some of the houses, was
19:19
suddenly attracted by the view of
19:21
a series of second-hand furniture shops,
19:24
which followed one another door after door.
19:27
Ah, they had carefully chosen
19:30
their locality, these sordid traffickers
19:32
and antiques, in that
19:34
quaint little street overlooking the sinister
19:36
stream of water, under
19:38
those tile and flake-pointed roofs on
19:40
which still grinned the veins of
19:43
bygone days. At
19:45
the end of these grim
19:47
storehouses you saw piled-up sculptured
19:49
chests, Rouen, Sevres,
19:52
and Mustier's pottery, painted
19:54
statues, others evoked, Christ's
19:57
virgins, saints, church ornaments,
20:00
Chasupals, capes, even sacred vases,
20:02
and an old gilded wooden
20:05
tabernacle, where a god had
20:07
hidden himself away. What
20:10
singular caverns there are in
20:12
these lofty houses, crowded with
20:14
objects of every description, where
20:16
the existence of things seems to be ended,
20:19
things which have survived their
20:22
original possessors, their century, their
20:24
times, their fashions, in
20:26
order to be bought as curiosities
20:29
by new generations. My
20:31
affection for antiques was awakened in
20:33
that city of antiquaries. I
20:36
went from shop to shop, crossing
20:38
in two strides the rotten four-plank
20:40
bridges thrown over the nauseous current
20:43
of the old hobbick. Heaven
20:46
protect me! What a shock! At
20:49
the end of a vault, which was crowded
20:51
with articles of every description, and which seemed
20:54
to the entrance to the catacombs of a
20:56
cemetery of ancient furniture, I
20:58
suddenly described one of my
21:00
most beautiful wardrobes. I
21:03
approached it, trembling in every limb, trembling
21:05
to such an extent that I dared
21:07
not touch it. I put forth
21:09
my hand. I hesitated.
21:12
Nevertheless it was indeed my wardrobe,
21:15
a unique wardrobe of the time of
21:17
Louis XIII, recognisable by
21:19
anyone who'd seen it only once. Using
21:23
my eyes suddenly a little farther toward
21:25
the more sombre depths of the gallery,
21:28
I perceived three of my
21:30
clapestry-covered chairs, and farther
21:32
on still my two Henry
21:34
II tables, such rare treasures that people
21:37
came all the way from Paris to
21:39
see them. Think!
21:42
Only think in what state of mind I
21:44
now was! I
21:46
advanced, haltingly, quivering
21:49
with emotion, but I
21:51
advanced, for I am brave. I advanced
21:53
like a knight of the Dark Ages.
21:57
Every step I found something to belong to
21:59
me. my brushes, my books,
22:01
my tables, my silks, my arms,
22:03
everything except the bureau
22:06
full of my letters, and that
22:08
I could not discover. I
22:11
walked on, descending to the dark galleries,
22:13
in order to ascend next to the
22:15
floors above. I was
22:17
alone. I called out. Nobody
22:19
answered. I was alone. There was
22:21
no one in that house, a
22:24
house as vast and torturous as
22:26
a labyrinth. Light came
22:28
on, and I was compelled
22:30
to sit down in the darkness on one
22:32
of my own chairs, for I had no
22:34
desire to go away. From
22:37
time to time I shouted,
22:39
hello, hello, somebody. I
22:42
had sat there certainly for more than an
22:44
hour when I heard steps, steps
22:46
soft and slow. I
22:49
didn't know from where I was unable
22:51
to locate them, but bracing
22:53
myself up, I called out anew.
22:56
Whereupon I perceived a glimmer
22:58
of light in the next chamber. Who
23:01
is there? said a voice. A
23:04
buyer, I responded. It's
23:06
too late to enter thus into a shop.
23:09
I have been waiting for you for more
23:11
than an hour, I answered. You
23:14
can come back tomorrow. Tomorrow
23:16
I must quit Rouen. I
23:18
dared not advance, and he did not come
23:20
to me. I saw
23:22
always the glimmer of his light which
23:24
was shining on a tapestry, on which
23:26
were two angels flying over the dead
23:28
on a field of battle. It
23:31
belonged to me also. I said,
23:33
well, come here. I
23:35
am at your service, he answered. I
23:38
got up and went toward him. Standing
23:41
in the centre of a large room was
23:44
a little man, very short and very fat,
23:46
but phenomenally fat, a
23:48
hideous phenomenon. He
23:50
had a singular, straggling beard, white
23:53
and yellow, and not a hair
23:55
on his head, not a hair. As
23:58
he held his candle aloft, I was in a very small room.
24:00
at arm's length in order to see me, his
24:03
cranium appeared to me to resemble
24:05
a little moon in that vast
24:07
chamber encumbered with old furniture. His
24:11
features were wrinkled and brown, and his
24:13
eyes couldn't be seen. I bought
24:16
three chairs which belonged to myself and paid
24:18
at once a large sum for them, giving
24:20
him merely the number of my room at
24:22
the hotel they were to be livid the
24:24
next day before nine o'clock. I
24:27
then started off. He conducted me
24:29
with much politeness as far as
24:31
the door. I
24:33
immediately repaired to the commissaire's office
24:36
at the Central Police Depot and
24:39
told the commissaire of the robbery which had
24:41
been perpetrated and of the discovery
24:43
I'd just made. He required
24:45
time to communicate by telegraph with
24:47
the authorities who had originally charged
24:50
the case for information, and
24:52
he begged me to wait in his office until an
24:54
answer came back. An hour
24:56
later an answer did come back,
24:58
which was in accord with my
25:00
statements. "'I am going
25:03
to arrest and interrogate this man at once,'
25:05
he said to me, for he may have
25:07
conceived some sort of suspicion and smuggled away
25:09
out of sight what belongs to you. Will
25:12
you go and dine in return in two
25:14
hours? I shall then have the
25:16
man here, and I shall subject him
25:18
to a fresh interrogation in your presence.
25:21
Most gladly, Monsieur, I thank you with
25:23
my whole heart." I
25:25
went to dine at my hotel, and I ate
25:28
rather better than I could have believed. I
25:30
was quite happy now, thinking that the man was in
25:32
the hands of the police. Two
25:34
hours later I returned to the office of
25:37
the police functionary who was waiting for me.
25:40
"'Well, Monsieur,' he said, on perceiving
25:43
me, "'we haven't been able to
25:45
find your man. My agents can't
25:47
put their hands on him.' "'Ah,'
25:50
I felt my heart sinking. "'But you
25:53
have at least found his house.' "'Yes,
25:56
certainly, and what is more, it's
25:59
now being watched,' I said. and guarded until his
26:01
return, as for him
26:03
he's disappeared. Disappeared?
26:06
Yes, disappeared. He
26:09
ordinarily passes his evenings at the house
26:11
of a female neighbour who's also a
26:13
furniture broker, a queer sort
26:16
of sorceress at a widow bidon. She
26:19
hasn't seen him this evening and can't give any
26:21
information in regard to him. We
26:23
must wait until tomorrow. I
26:26
went away. Ah, how
26:28
sinister the streets of Rouen seem to
26:30
me, now troubled and haunted. I
26:33
slept so badly that I had a fit of nightmare
26:35
every time I went off to sleep. As
26:38
I didn't wish to appear too restless or eager,
26:40
I waited till ten o'clock
26:42
the next day before reporting myself to
26:45
the police. The merchant
26:47
hadn't reappeared, his shop remained
26:49
closed. The commissary said to me,
26:52
I've taken all the necessary steps, the court's
26:54
been made acquainted with the affair. We shall
26:56
go together to that shop and have it
26:58
opened, and you shall point out to me
27:00
all that belongs to you. We
27:02
drove there in a cab. Police
27:05
agents were stationed round the building. There
27:08
was a locksmith, too, and the door
27:10
of the shop was soon opened. On
27:13
entering, I couldn't discover my
27:15
wardrobes, my chairs, my tables. I
27:18
saw nothing, nothing, of that which had
27:20
furnished my house. No, nothing.
27:23
Although on the previous evening I
27:26
could not take a step without encountering
27:28
something that belonged to me. The
27:31
chief commissary, much astonished, regarded me
27:33
at first with suspicion. My
27:35
God, Monsieur, said I to him, the
27:38
disappearance of these articles of furniture
27:40
coincides strangely with that of the
27:42
merchant. He laughed. That
27:45
is true. You did wrong in buying
27:47
and paying for the articles which were
27:49
your own property yesterday. It
27:51
was that which gave him the cue. What
27:54
seems to me incomprehensible, I replied, is
27:56
that all the places that were occupied
27:58
by my furniture... and now filled
28:00
with other furniture." Oh,
28:03
responded the commissary, he's had all night,
28:05
and has no doubt been assisted by
28:07
accomplices. This house must
28:09
communicate with its neighbours, but have
28:11
no fear, Monsieur, I'll have the
28:13
affair promptly and thoroughly investigated. The
28:16
brigand shall not escape us for long, seeing that
28:18
we are in charge of the den. Ah,
28:21
my heart, my heart, my poor
28:23
heart! How it beats!" I
28:27
remained a fortnight at Rouen, the man
28:29
didn't return. Heavens, good heavens! That
28:32
man! What was
28:34
it that could have frightened and surprised him?
28:38
But on the sixteenth day, early
28:40
in the morning, I received
28:42
from my gardener, now the
28:44
keeper of my empty and pillaged house, the
28:47
following strange letter. Monsieur,
28:51
I have the honour to inform
28:53
Monsieur that something happened the evening
28:56
before last which nobody can understand,
28:59
and the police are no more than the rest of us. The
29:02
whole of the furniture has been returned. Not
29:05
one piece is missing, everything is in
29:07
its place, up to the very smallest
29:09
articles. The house is now
29:11
the same in every respect as it was before
29:13
the robbery took place. It's
29:15
enough to make one lose one's head. The
29:18
thing took place during the night, Friday to
29:20
Saturday. The roads are dug up,
29:22
as though the whole fence had been dragged from
29:24
its place up to the door. The
29:27
same thing was observed the day after the
29:29
disappearance of the furniture. We
29:31
are anxiously expecting, Monsieur, whose
29:33
very humble and obedient servant
29:35
I am, Philippe Rodin.
29:39
Ah, no, no, ah, never,
29:43
never, ah, no, I
29:45
shall never return there. I
29:48
took the letter to the commissary of police. It's
29:51
a very clever restitution, said he. Let's
29:54
bury the hatchet. We shall nip
29:56
the man one of these days. But
29:59
he has never been. nipped. No, they have
30:01
not nipped him. And I
30:03
am afraid of him now, as if
30:05
of some ferocious animal that has been
30:08
let loose behind me. Inexplicable!
30:10
It's inexplicable! This chimera
30:13
of a moonstruck skull!
30:16
We shall never solve or comprehend it.
30:19
I shall not return to my former residence. What
30:21
does it matter to me? I
30:24
am afraid of encountering that man again, and
30:26
I shall not run the risk. And
30:28
even if he returns, if he takes possession
30:31
of his shop, who is to prove that
30:33
my furniture was on his premises? There
30:35
is only my testimony against him, and
30:38
I feel that that is not above suspicion. I know
30:42
this kind of existence has become
30:44
unendurable. I have
30:46
not been able to guard the secret of what I have seen.
30:48
I couldn't continue to live
30:50
like the rest of the world with the
30:53
great fear upon me that those scenes might
30:55
be reenacted. So I have
30:57
come to consult the doctor who directs
30:59
this lunatic asylum, and I have
31:01
told him everything. After
31:03
questioning me for a long time, he said to
31:05
me, Will you consent,
31:08
Monsieur, to remain here for some
31:10
time? Most willingly, Monsieur?
31:13
You have some means? Yes,
31:15
Monsieur. Will you have
31:17
isolated apartments? Yes, Monsieur.
31:20
Would you care to receive any
31:22
friends? No, Monsieur. No.
31:25
Nobody. The man from Rua
31:27
might take it into his head to pursue me
31:30
here, to be revenged on me.
31:33
I have been alone, alone, all,
31:35
all alone for three
31:37
months. I am
31:39
growing tranquil by degrees. I
31:42
have no longer any fears. If
31:45
the antiquary should go mad,
31:48
and if he should be brought into
31:51
this asylum, even
31:53
prisons themselves are not
31:55
places of security. So
32:05
that was Who Knows by
32:07
Guido Maupassant and it
32:11
was requested by my patron
32:13
Finn Narthek. So
32:28
thanks very much for Finn for suggesting that one. I
32:31
found it on the internet. Of course I've
32:33
got a book of Guido Maupassant's
32:35
stories but I didn't even think of looking through that
32:37
because I found a link to this one so it
32:39
was easy to read it from the screen. During
32:43
the recent discussion that's been about whether I
32:45
should comment after the stories, I'm going to
32:47
do it actually, I'm going to keep doing
32:49
it but a good idea came up and
32:51
it was suggested by at least two people
32:54
and that was when I time stamped the
32:56
discussion and apparently the purpose of this is
32:58
so that people can look at
33:00
a story and they know how long it
33:02
takes them to fall asleep or something and
33:05
they can look and go, ìAh, the whole
33:08
episode is one hour ten minutes.
33:10
However, the story is only 40
33:12
minutes.î So they may then make a calculation
33:14
that they need so many minutes to fall
33:16
asleep and if the length of
33:19
the story isn't long enough then
33:22
they would seek something elsewhere. I suppose that's what
33:24
it is. Anyway, it doesn't seem like a bad
33:27
idea and it's relatively easy for me to implement
33:29
so if I remember
33:31
so I will do that. Let's say
33:33
something about the story now. Remember, if
33:36
you've listened this far and you don't want
33:38
to listen, please stop. I've
33:42
got compilations for hours and
33:44
audio books. I've got the Phantom of the
33:46
Opera, no commentary. I've got Frankenstein, I've got
33:48
Dracula, I've got all of those. Go and
33:51
turn of the screw. Don't look
33:53
now. I've got a lot of our
33:55
many hour long works
33:58
that don't have any of my
34:00
credit. commentary so please enjoy those
34:02
and don't listen to
34:04
me if you don't want to. Okay,
34:06
who knows by Guy de Maupassant. So
34:09
Guy de Maupassant, born in 1850, died in 1893, was
34:14
a French writer who made significant contributions
34:16
to the development of the short story
34:18
genre during the latter half of the
34:20
19th century. He was born in Tourville-sur-Arques,
34:23
France. Maupassant was influenced by the
34:25
literary circle of Gustave Flaubert who
34:27
became his mentor. He published
34:29
a famous short story, Bouda
34:32
Suif, meaning the dumpling. And he,
34:34
a lot of his, that was 1880, a lot
34:37
of his stories initially
34:39
dealt with the kind of
34:42
situation around the Franco-Prussian War.
34:45
He wrote 300 short stories, goodness
34:48
me, six novels and three travel books and
34:50
a volume of poetry. Two
34:52
stories which we need to kind of reference out
34:54
this one, Quisé, who knows from
34:57
1890 and the Haller, orla, 1887, which apparently
35:03
it's not a French word
35:05
orla but it's thought to
35:07
be or meaning outside,
35:09
la, out there, it means something
35:12
like out there. And I've
35:14
done it so I'm going to put a link if I remember but if
35:16
not please go and look for it in the history.
35:20
And it
35:23
is like this about a man who
35:25
may be insane because a lot of
35:27
paranoid weird stuff with a real paranoid
35:29
flavor, and I'm going
35:32
to probably mention that later, comes
35:34
up in the story and
35:37
like in both the stories, right? So
35:39
he explores things of madness, the supernatural
35:41
and the darker aspects of human nature.
35:44
Maupassant's life was cut short by the
35:46
effects of syphilis which he contracted in
35:48
his youth. After a suicide attempt in
35:51
1892, he was committed to a mental asylum
35:53
in Paris where he died in 1893 at the age
35:55
of 43, 42. Let me just check. I
36:00
thought he killed himself. No,
36:02
he didn't kill himself. It was an attempted suicide
36:04
and then he was
36:06
institutionalized and he died then probably of
36:09
the syphilis. So it's worth saying something
36:11
about syphilis. I remember when I was
36:13
doing my training, it had died out
36:16
because we'd treated it with
36:18
antibiotics but before it was
36:20
a terribly common
36:23
disease. In the late
36:25
19th and early 20th syphilis was a
36:27
major cause of insanity and the
36:29
neurosyphilis which is the third stage
36:31
I think, the disease which is
36:34
caused by the bacteria Treponema pallidum
36:37
was widespread and untreatable until
36:39
antibiotics and it would go through
36:41
several stages. So first of all,
36:43
I remember you get a sore, it
36:46
goes away for quite a long time,
36:48
it comes back and then you have
36:50
physical symptoms in the final stages, it
36:52
gets into your brain so that the
36:54
brain and the spinal cord causing a
36:56
range of neurological and psychiatric symptoms including
36:58
delusions, hallucinations, memory loss, personality change and
37:01
in fact, the asylums
37:03
were crowded with syphilis related insanity
37:06
which they used to call general
37:08
paralysis of the insane and
37:11
it was really common. And
37:15
I remember when I worked
37:17
in Cycliaison in a general
37:19
hospital for a number of years
37:21
actually and sometimes it wouldn't
37:24
be clear that somebody was in fact
37:26
psychotic and it wouldn't
37:30
be clear why, it wasn't a delirium
37:34
and it wasn't clearly any kind of
37:36
any functional disorders such as it didn't
37:38
look like bipolar
37:41
affective disorder or schizophrenia
37:44
but there was psychotic and we
37:46
would kind of test them and
37:48
almost like we would as a
37:52
act of desperation, we would go
37:54
like we don't know. So I'll tell you what,
37:56
let's check for syphilis, we'd check for HIV, we'd
37:58
check for syphilis and it never went away. was
38:00
syphilis never in all those years we never had
38:02
a patient. I remember one guy who was like
38:04
he'd been a sailor around the world and in
38:06
the merchant navy when he was younger, an older
38:09
man and we're like oh
38:11
yeah, yeah maybe, maybe it's because we
38:13
couldn't come up with any other reason
38:16
why he might, he was so, I mean
38:19
okay there are lots and lots of
38:21
things you know so and the other one was like viral
38:24
encephalitis we would, somebody
38:26
who's been sane suddenly
38:28
becomes really almost and
38:30
sometimes violently psychotic you
38:32
know. Anyway, so he
38:35
had it so towards the end
38:37
of his life given the progression of his
38:39
syphilis and its known effects on the brain,
38:41
it's possible that he was having, this is
38:43
my theory, probably somebody cleverer than me has
38:46
come up with this but that he was
38:48
having some symptoms of
38:50
paranoia and delusional thinking
38:53
potentially even hallucinations that
38:56
you know and this story what is that
38:58
isn't it? So like
39:01
the orla, it's
39:03
the same thing we
39:05
don't know and I think this story is very
39:08
clever because it is called who knows
39:10
and ultimately neither we nor the
39:13
protagonist have a clue as
39:17
to what's really going on. So I
39:19
think obviously and people do this
39:21
with turn of the screw as well which
39:23
came out just after who knows
39:26
so it's unlikely that well he wouldn't
39:28
have read it beforehand let me check
39:30
that again. Yes turn of the screws
39:32
1898 so he definitely wouldn't have read
39:34
it but
39:36
of course I only mention that
39:38
because that's said to be the
39:41
first psychological horror story or ghost
39:43
story where psychology plays a major
39:45
part and we wonder whether the
39:48
protagonist is actually insane or
39:50
paranoid having paranoid delusions and
39:53
hallucinations rather than it being
39:55
a street. I think
39:57
the author is kind of precedes
40:00
that. Maybe we're saying it was in
40:02
English, turn of the screw, but
40:05
it seems to me that that's what we're looking at
40:07
here. So let's look at the evidence just for fun.
40:10
As I say in the
40:12
notes, I've probably been reading too
40:14
many detective stories recently that I'm like, yeah,
40:16
let's look at the evidence. So
40:18
let's look at the evidence. So the
40:20
fact that it suggests it's
40:22
maybe insanity is
40:25
he himself wonders what's happening
40:27
and he expresses
40:30
how strange and odd and silly and
40:32
but yet worrying it is and that
40:34
is because people who
40:40
suffer from mental disease
40:42
disorders often have
40:45
a feeling of
40:47
dread and then knowing that something's not right
40:49
but they don't know just what and they
40:52
wonder about themselves, obviously it's very common. So
40:57
there's that, that he's the
40:59
only one who sees this antiquarian
41:02
is the fact that he checks himself
41:04
into a mental institute. Why would you
41:06
do that if you had no doubts
41:08
about what you'd seen? He clearly does
41:10
have doubts about his own sanity and
41:13
he checks into a mental asylum and
41:15
the doctor, a doctor who doesn't say, oh, go
41:18
on, get out of here. Now, of course, we might
41:20
be cynical and say, well, the doctor is getting paid
41:22
for this. So but that would be very, very cynical
41:24
and we would never have a psychiatrist just
41:29
giving someone a diagnosis because that person comes to
41:31
him and says, you know what, I think I've
41:33
got this and he goes, oh, yeah, give me
41:35
your fee, give me the fee and I'll give
41:37
you the diagnosis. It would never, never, never
41:40
happen with any
41:42
conditions that we're having at
41:44
the moment in our society like
41:47
exploding mental health conditions, not
41:49
not a mental health condition that makes you
41:51
explode, but you know, there is, you
41:54
know, a real increase
41:57
in certain conditions being diagnosed.
42:00
And I very said,
42:03
you know, if I sent my grandmother, they
42:05
would diagnose her and she's dead. So
42:08
anyway, that's just me interjecting.
42:12
This is why you're here, I guess. But
42:14
those are just my own thoughts. So there
42:18
we have it. Yeah, insane mental
42:20
asylum. Nobody sees the
42:22
antiquary. What?
42:25
What about the argument? So we go, yeah, he's
42:27
just, he's just, he's just hallucination. I mean, come
42:29
on, furniture doesn't move apart from in Beauty
42:32
and the Beast, it does. In Fantasia,
42:34
I want to say, does it, does it
42:36
do it there? Anyway, apart from in cartoons
42:39
and children's stories, does furniture move?
42:41
No, it doesn't generally on its own. So
42:45
that is to suggest it's insanity.
42:47
However, let's look at it from the other point of
42:49
view. The furniture
42:51
really did go. Yeah,
42:53
somebody. So if you're saying it's
42:56
not insanity, somebody came and stole all his furniture,
42:59
moved it to a shop in Rome, then
43:02
took it away from the shop when
43:05
they, no, they didn't because that
43:07
could have been an hallucination. But the fact is, his
43:09
furniture did move. And then it
43:11
moves back overnight. Somebody moves the
43:13
fences, Gardner is a witness to this. The fact
43:15
that the police take him seriously. So he goes
43:17
and say, I mean, can you imagine, can
43:20
you imagine the, I'm being really cynical that
43:22
the police being interested in a burglary. Hausberg,
43:24
hold on, they could not
43:27
care less. And in fact,
43:29
I don't remember me going on
43:31
about when my car had the
43:33
catalyzed converter stolen. And that
43:35
was a real pain. Again,
43:37
police were very pleasant, but no
43:40
intention of investigating it. So
43:44
yeah, again, so but the police in this case take
43:46
him seriously. So that suggests
43:48
it is true. It's
43:51
supernatural because you're not seeing the explanation.
43:54
A comment that I, because Guidermopperson
43:57
wasn't stupid. And so
43:59
the comment. by the
44:01
police commissary who
44:04
says, I've just done the Phantom of the
44:06
Opera so I'm used to French police at
44:08
the moment. I'm probably going
44:10
to do a Mais-Cray detective story so I'm
44:12
going to be totally immersed in the
44:15
friendship police system soon but if
44:18
I'm not already. But where
44:21
was I? The police officer
44:23
says, he says, it's all gone.
44:25
He says, oh yeah, he
44:27
had all night to do it and he
44:29
could have had some accomplices. Well, if we
44:31
rule out the accomplices, what the police officer
44:33
is suggesting is that moving all that furniture
44:36
overnight, he didn't see the amount
44:38
of it to be fair but is Mokus actually
44:40
saying, do you know what, a man could do
44:42
it overnight. Is he saying that? I think he
44:44
might be saying that and that is another undermining
44:49
of our heroes
44:54
argument that it's supernatural. So but
44:58
on the whole and then of course
45:00
in the end, the thing that suggests that he is insane
45:02
jumping back to the insanity is he
45:05
says at the end about the place,
45:07
the asylum not being a safe place
45:09
because the antiquary might come and revenge
45:12
himself on me. What for? You haven't
45:14
done anything to the antiquary. So again,
45:16
this is a flavour of paranoia when
45:19
you begin to suspect people are out to get you and they're
45:21
not. So
45:25
I think what is
45:27
good about the story is that it is
45:29
who knows. I don't
45:32
love the title, but it's a good title.
45:34
If you can have both things, I think
45:36
aesthetically, I don't love it. But I think
45:38
it encapsulates the story. Who knows? We don't
45:41
know. And whichever way we
45:43
go from the evidence we have, I don't
45:45
think we can come firmly down on either
45:47
side. So we end up with who knows.
45:50
I mean, we may have a preference. Each
45:52
of us, each of you who's heard it
45:54
will have a preference. Some of you will
45:57
think oh yes, obviously an insanity or
46:00
others would feel, no, no, it's definitely supernatural.
46:02
May I tend to go for the supernatural,
46:04
but then that is what I am.
46:08
The last, you know, that's what I'm into, you know,
46:11
the last lines, you know, even prisons
46:13
themselves are not places of security. So
46:15
literally we take it as the antiquary
46:17
could come and get him. Yeah,
46:20
fine. How? How could he
46:22
break in? And then the other thing on
46:24
a metaphorical level, the prison
46:27
can be seen as a symbol for the narrator's
46:29
own mind and his inability to
46:31
find peace and security. Even
46:33
within the walls of the asylum mirrors
46:35
his psychological turmoil. But
46:37
in the end, who knows?
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