Episode Transcript
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0:03
So now this was a very nice day today. It was. Because
0:06
over here at our headquarters we got this great
0:08
gift, Tillamook ice cream. I'm a monster for ice
0:11
cream. I know you are too. I want
0:13
to take a bath in it and then I want to eat
0:15
the ice, eat the bath. Wait what? I
0:18
want to like bathe in it. But then I want to eat
0:20
it as I'm bathing in it. Yeah, yeah, that's a simple
0:22
concept. You made it much more complicated. I'm sorry. Fill a
0:24
bathtub with Tillamook ice cream. I will get in it and
0:26
then I will eat my way out. That's all you need
0:28
to do. Okay, yeah, yeah, yeah. They have so many great,
0:30
it's such good ice cream and they have so many great
0:33
flavors. I mean just off the top of my head, I
0:36
don't know. Birthday cake, caramel swirl, banana split,
0:38
caramel toffee crunch, chocolate chip, chocolate chip cookie
0:40
dough. I think there's butter pecan, cookies and
0:42
cream, French vanilla, chocolate peanut butter. Malted
0:44
mousse shake I think is one. I can't
0:46
remember too well. Mounted huckleberry, Tillamook mudslide, marion
0:48
berry pie, monster cookie, old fashioned vanilla, rocky
0:50
road, Oregon dark cherry, waffle cone swirl, prep
0:53
mint bark. I'm just going off
0:55
memory here. But holiday sugar
0:57
cookie, orange and cream. Anyway
0:59
so many great flavors and
1:02
just incredible. They
1:04
really put and they come in family sized
1:06
cartons. Also you're in good hands
1:09
with the Tillamook brand. They make over 200 different
1:11
dairy products and the brand is farmer owned and
1:13
led by dairy experts. Find Tillamook
1:15
ice cream near you at tillamook.com. I'm going to spell
1:17
it for you. That's how much I care about this
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product. tillamook.com.
1:24
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2:26
Hi My name is Ron Howard and I feel.
2:31
Pretty. Indifferent about going with no corner,
2:33
O'brien is when I was. There,
2:36
No one says this often but Ron
2:39
Howard. You press the set up a.
3:02
Yellow. There and welcome to corner.
3:04
Brian needs a friend. I wanted to
3:07
start a little different. so when with
3:09
the yellow there and that might be
3:11
some of the yeah? Like a Midwestern
3:13
Dj from the city? Hello there, That's
3:15
cool. Yeah that liquid liner really cool
3:18
for my pals. Yes, the cool bar
3:20
here is succeeding. We love joined by
3:22
my compatriot us my confederates com padres
3:24
co owners. Ah well, I have stake
3:27
in this thing Out on or not,
3:29
there are no no no no no
3:31
I bought a nineteen. Sixty Four
3:33
nice Ah, Rambler and were cologne
3:35
and I am satisfied. Yeah, it's
3:38
an old car. Still a different
3:40
car that I would know. Yellow. Athiest
3:43
Sonam of says C N N Yellow
3:45
Smack Gourley Ah Sona it is. Had
3:48
a very nice experience. I had to
3:50
go into a jewelry store to have
3:52
one of my many chain pendants repaired.
3:55
When you. Have. Somebody to send it does. Mr.
3:57
t sends me one of my someone's the
4:00
yeah And then I feel like yeah, I'll
4:02
ownership of that. So no I had to
4:04
have a something
4:07
Fixed a little bit and I went in
4:09
there and they were immediately like Conan and
4:12
it's all because of you It's
4:15
because they're Armenian and they so as
4:17
a hero I think you're
4:19
kind of discounting how big I am in the
4:21
Armenian community. Are we? They
4:23
did say where is Fussy Man? Which
4:26
is Armenian for coolest dude ever Yes,
4:30
I just look at my posture. Anyway,
4:33
we we had a nice exchange They
4:35
were very happy that I went to Armenia with you.
4:37
That is the gift that keeps on giving It's
4:39
that yeah in LA especially you have street
4:42
cred with the Armenians. Yeah. Yeah. Yeah,
4:44
Eduardo's nodding a lot Eduardo Your wife
4:47
is Armenian am I correct? Yes, Vonces.
4:49
Yes What
4:52
do you mean check him out? He said how are
4:54
you? Yeah Vonces. Oh, I thought you said her name
4:56
was Vonces No, her name's Aza. Yeah, I know when
4:58
you said Vonces No one
5:00
everyone listening just assumed that was her name. No, except
5:02
our Armenian fans Yeah, we have a lot of which
5:04
there are two and they work at a jewelry store
5:07
right up the street Vonces
5:10
yeah, but he said I said but I have
5:12
and he said inch plus second I said love
5:14
him and he went whoa. Yes. Oh that's him.
5:16
Let's not keep it pushing Grab
5:19
a graba. Oh, don't do that. Why
5:21
don't you're fake Armenian? You're doing so
5:23
well and it just a
5:26
matter of time before you didn't know
5:28
it was fake and I'm fluent
5:30
Yeah, and you do say every
5:32
now and then I hit a real word accidentally. No,
5:34
I don't Grapest abhi not
5:36
at all. Oh Hush,
5:38
yeah. Yeah. Hush. No, what dialect
5:41
do you speak? I It's
5:43
important that I know self-war it. Do
5:45
you even know that you asked a real question? Yes
5:48
Oh, no, you don't do I
5:50
I speak Western dialect. Yeah I'm
5:53
a gorgorgorgorgorgorg. Oh, come on. Yeah
6:00
Anyway, I'm in, I think
6:03
I'm doing well in the Armenian community and I think
6:05
if we go community by community eventually it will have
6:08
everybody under our tent. Did they hook you up? Can I go
6:10
there and get some shit for free? Yes, they
6:12
did hook me up. They gave me six
6:14
pounds of dried apricot. It's
6:17
rolled up like a carpet. Yeah, of
6:19
course. And yeah. Carpet.
6:23
Well, you remember when you and I went, that's what they
6:25
kept giving us was dried apricot and dried pomegranate. Yeah, they
6:27
gave us a lot of- It was very good. But
6:29
I said, you know what, we call these back home
6:32
a fruit roll up. And they
6:34
said, why are you speaking in that crazy way? And
6:36
I said, I'm doing a comedy character and
6:39
this is a fruit roll up. And
6:41
remember then they said, you need to leave Armenia immediately. Yeah,
6:43
they did. They almost kicked us out of the
6:45
country. And they also were like, that's not funny even
6:48
if we understood what you were doing. They said,
6:50
we understand the reference now and it's still
6:52
not funny. Yes. Yes. Yeah,
6:55
it could fool me because this looks
6:57
like a fruit roll up. You
7:00
doubled down. I tripled down. Don't double down. By
7:02
now it's quadruple down because I think I'm on
7:04
the fourth go around. I'm fruit roll up. But
7:08
we had a nice bond. And
7:11
so I do sincerely thank you
7:13
for hooking me
7:15
up in the Armenian community. They're very nice people. Well,
7:17
you know what, I mean, this is sincere. It
7:20
was your idea to go there and that always
7:22
meant a lot to me. So thank you for
7:24
taking me to Armenia. Of course. It
7:27
was three trips or the best trip. Also
7:30
it was your homeland. Oh, that's right. Yeah,
7:32
that's right. It wasn't a Vegas U-turn.
7:34
You know, and what is your, what
7:37
would you consider your ancestral homeland, Matt?
7:39
I always thought it was Irish then
7:41
learned it was definitely Scots Irish, but
7:43
now I think I'm mostly
7:46
English. So let's just go hit all three, you
7:48
and me, huh, buddy? You know
7:50
what, I'm up for it. Okay. So you
7:52
went on this trip? Yeah. Yeah.
7:55
You're paying? Well, it's
7:57
not going to be me that's paying. We're going to find
7:59
a sponsor. Okay, okay, I'll totally
8:01
go yeah, yeah, we're gonna get solo stove
8:03
to back Do
8:06
we have to use a solo stove on the plane we
8:09
have to fly a plane that's made of solo stuff They're
8:12
all welded together and
8:14
the plane is constantly on fire, but there's
8:16
no smoke Yeah, and
8:18
it's kind of a jet turbine exactly Point
8:21
it the right way. No, that's my idea that I've
8:24
had for well And I think I've mentioned this which
8:26
is I just start talking up a product a lot
8:28
now We happen to have a relationship with solo stove. They're
8:30
not paying for this mention right now. This is a freebie
8:32
for you guys Shout out solo
8:35
stuff But I do think we should
8:37
start talking about products that we don't have a
8:39
connection to agree and then we'll get into bed
8:41
With them. Yeah, and and I mean like Apple.
8:43
Where's Apple been right after a huge company and
8:45
this is a cool podcast Adam
8:48
you need to advertise. Yeah. Yeah because
8:50
you know what I even
8:52
hardcore Apple fans if
8:54
they aren't made aware Yeah,
8:56
that there's a new Apple phone somehow through
8:59
advertising or something. They're not gonna know I
9:01
need to buy a new desktop I'll
9:04
wait. Okay. I think why don't you do a
9:06
preemptive Apple read right now? That'll get to let
9:08
them know that you really care about the product.
9:10
You know, I love Apple and I always have
9:14
because Well Apple just
9:16
gets the job done, you know get her
9:18
doing wait, that's not good. Okay, so This
9:21
is a good Because
9:23
that's Larry the cable guy cars who's a
9:26
Pixar which is owned by okay. No one
9:28
else made that connection though Yeah, I like he
9:30
was having a breakdown. No need to do that.
9:32
He's a rain man of useless information No,
9:35
but what I believe is that look
9:37
look I'm just gonna say it, you
9:40
know, I got the Apple watch I use the
9:42
the Apple phone as known as the iPhone too
9:44
many fans. Yes And see
9:47
the Apple watch on your wrist, right? Are
9:50
you trying to help or not? I wear
9:52
it when I'm extra wearing it somewhere else. Can
9:54
I tell you something else? Yes. Yes, they make
9:56
a special one for other regions
9:58
of the body and we just lost Apple.
10:00
You know who we have? Samsung. And Samsung
10:03
is great. You know, Samsung is great. Do
10:05
we really have Samsung? Oh, we have Samsung. Why are we
10:07
doing an Apple commercial? Can
10:09
I say something? Can I just say something? Can I
10:11
just say something? I love it. Let me
10:13
just rip off the top. This is just, I just had this thought. Fuck out.
10:16
You know what I mean? I'm not buying a new Samsung frame TV.
10:18
And guess what? I'll tell you something else. This is why I should
10:20
have been talking to you. I'm not buying a new Samsung frame TV.
10:22
I'm buying a new Samsung frame TV. And guess what? I'll tell you
10:24
something else. or
10:27
an if, is it if phone or iPhone? I think it's if phone, right?
10:29
Everyone calls it an Apple phone. Everyone does. Anyway, keep
10:31
saying it. Yeah. Here's
10:34
the thing. This
10:36
is my wet game. I'm not even going to say that. I'm not
10:38
going to say that. I'm not going to say that. I'm not
10:40
going to say that. I'm not going to say that. I'm not going
10:42
to say that. I'm not going to say that. I'm
11:44
not going to say that. Samsung gets it done. And then I
11:46
guess, what happened to Apple? They kind
11:48
of fell apart. Well, while we were talking, they weren't bankrupt.
11:50
That's what I'm told. We have that much kind of power.
11:52
And when I said that much kind of power, that's not
11:55
a real sentence. Not much kind. Not
11:57
much kind. Hey, if I catch myself before you
11:59
do. That's not a problem. Hey,
12:01
I'm gonna wrap it up right now. I
12:03
just want to say yellow to all our
12:06
listeners. And remember, Samsung's
12:08
the way to go, and if you need a
12:10
phone, I don't know. I wouldn't listen to my
12:12
mama. Okay, don't know if you're coming. And they
12:14
do everything. What? Appliances? Who are we
12:16
talking about now? Samsung. Oh, I thought you were talking about
12:18
Apple. Apple doesn't do shit! Okay, now you're going too far.
12:20
What if they're about to buy in? Oh, okay. Oh yeah,
12:22
we gotta leave the door open. What do you think about
12:24
that? Yeah, I think we should leave the door open. I
12:26
don't need the door open to crack and say, I think
12:28
they do make a fine product. Oh.
12:30
But we love Samsung. We love
12:32
Samsung. But, you know,
12:35
why isn't it ruining this world
12:37
for both? I
12:39
don't know what that voice is. It's
12:41
a good yellow for all of you. And...
12:44
Vonses. What'd you say to me?
12:46
I said Vonses. And I can't wait to meet her.
12:48
I can't wait to meet your wife. I'll
12:51
be like, Vonses, Vonses, you're more beautiful than I thought. And
12:53
she'll be like, what are you talking about? Why
12:56
are you saying you're more beautiful than I
12:58
thought? Eduardo's wife. Yeah. Yeah.
13:01
Because I... You think the Vonses is
13:03
weird? You know what? You're
13:06
way more beautiful than I thought. You know
13:08
what? I've been saying that to women for
13:10
so many years. I've been saying that to
13:13
women for so many years. And I
13:15
have to say it, not getting a good reaction. No,
13:18
so many times I say to women, I say... You
13:21
know, people bring their spouses by and they go,
13:23
oh, you're so much more beautiful than I thought.
13:25
And it's weird. You're essentially saying, I thought you
13:27
were ugly prior to seeing you. Yeah. Yeah.
13:31
Yeah. And it also implies I'm thinking about
13:33
you a lot. Yes. And
13:35
think of you as ugly. Hey, would you do
13:37
me a favor, Eduardo? Tell Vonses. Tell
13:40
Vonses I'm very sorry for what I said and I didn't
13:42
mean it. I will love that. And I can't wait to
13:44
meet Vonses. No. Keep her
13:46
away from him. All right. We got to get into
13:48
it. And what a show
13:51
we have today. What a show we have today.
13:53
My guest on the podcast is
13:55
an Academy Award winning director of
13:58
such movies as Apollo mind
14:00
in Night Shift. He now has
14:02
a new documentary on Disney Plus
14:05
called Jim Henson Idea Man and
14:07
it is a must. Ron
14:15
Howard welcome. You
14:19
have this reputation of being like oh he's the
14:21
nicest guy and then you come in here
14:23
and you take me off. I can take
14:26
it leave it. Yeah I'm here.
14:28
To be honest you really could. I mean
14:30
I wish you
14:35
showed up. You've had a level of success.
14:37
Frankly I'm surprised when anyone shows up but
14:41
you've had a level of success where yeah you
14:43
do not need to be here and I'm appreciative
14:45
that you're here. I actually do. I've always loved
14:47
conversations with you. Going back to your rookie year
14:49
on TV. You came on you were one of the early people
14:51
to come on the show and you agreed to do a bit.
14:54
No one knew who I was and we
14:56
were trying very very out
14:58
there bits and we said
15:00
what we want to do is we want to saw your
15:02
arm off and you said okay
15:06
and we did a bit where you had a
15:08
stunt arm and at one point we're talking and
15:10
I just take out a saw and I saw
15:12
your arm off and you're screaming and you
15:14
were fantastic and of course
15:16
most people didn't know who I was. You
15:19
were you know you've been iconic
15:21
since I don't know 1965 and
15:25
beloved and so people I remember this
15:27
is back when people would write in with
15:29
complaints but people were saying the way you
15:31
treated Ron Howard. I didn't
15:33
really saw his arm off. I loved it. Hey
15:36
a funny red head. There you go. Okay I
15:38
have a very clear distinct memory of getting invited
15:40
to some event. I don't know what it was
15:42
maybe it was like a Vanity Fair party. Something
15:45
that where I would feel a little bit out
15:47
of place thinking do I belong here and I'm
15:49
with my wife and I get they see me
15:51
at a table with you and your wife and
15:53
a couple of other people but we're all right
15:56
next to each other and then you and
15:58
I start to get into this very intense conversation. conversation and
16:00
I remembered people at the table thinking
16:02
wow, what's where Conan and
16:05
on how we're talking about It's really intense like are
16:07
they talking about film? What are they talking about my
16:10
wife we do over and she listened and then she said to
16:12
the rest of the group sunblock It
16:17
was true and I was and you were saying like yeah, no,
16:19
no, here's what I do I always try to wear a hat
16:22
It's gotta be at least the 45 and I was like, oh,
16:24
yeah, but if there's ink in there It
16:28
can be problematic We
16:31
went we've got really deep and then and and
16:34
of course your your wife was like, yeah Well,
16:36
my wife's a redhead. Yeah your color
16:38
Yeah vivid redhead and same as as
16:40
Bryce when Bryce is our firstborn the
16:42
first time that we took her in
16:45
We went to the dermatologist Cheryl and I and
16:47
and brought Bryce and Bryce was literally in our
16:49
arms So she was maybe maybe a year old
16:52
Yeah, and the dermatologist, you know gives us each
16:54
our checkup and so forth and then he and
16:56
then he says, you know You're gonna you're gonna
16:58
have to keep a hat on her You're gonna
17:00
have to keep her and and then he looked
17:02
at Cheryl and looked at me and he said,
17:04
you know, she's very pale She's pale. Yes,
17:06
we know he said you're not gonna
17:08
have any more kids. Are you? Yeah,
17:14
I Remember
17:17
Distinctly having a conversation with the dermatologist once where
17:20
he said, okay. Okay, this is when I'm in
17:22
my 30s and he went Okay. Okay. I mean
17:24
but look at the Franklin you have the sun
17:26
damage Yeah, you know and he said
17:28
well, would you do some block and I said yeah, and he
17:30
said you were a hat Yeah, do you wear long shirts? Yeah
17:33
Okay, but what about some
17:36
days? Would you ever
17:38
like walk? How do you get from like the car to
17:40
that? I said, you know I live on the planet
17:42
earth and there's nothing we can
17:44
do about that because it hasn't Well,
17:50
it's your death It's
17:52
like they're afraid you're gonna bring down the
17:54
level of life expectancy for their patient. Yeah,
17:56
they smurge their record. Yeah I'm
18:00
gonna lead you a lawsuit. You
18:02
mentioned Bryce who I adore. She's
18:05
a terrific, talent, beautiful. You must be very
18:07
proud of her. You told me that when
18:09
she came on my show once, it was
18:12
a very tense moment for
18:14
you. Why? Well, I mean,
18:16
I'm a parent of adults. That
18:18
sort of constant worrying about your
18:20
kids is kind of faded. I
18:23
don't have that. I don't have that. I
18:26
never had, I just thought like, hey man, I'm in
18:28
show business. I gotta worry about myself. These
18:30
kids are on their own. Well, good
18:32
for you. But. Yeah.
18:35
Yeah. Yeah. She
18:37
walked your path. Yeah,
18:40
okay. Okay. Okay. But
18:43
she said, I'm gonna cry on
18:45
demand on Conan's show. And
18:49
I said, oh, come on Bryce. And
18:51
I've seen her do it. Yeah. She
18:53
can cry on command. And
18:56
I said, but that's, yeah, I mean, it's a show. It's
18:58
a live show. And
19:00
she said, no, I'm gonna do it. And
19:03
so then she told me it worked. So
19:06
I know that. And yet when I watched
19:08
her on the show doing it, I
19:10
was so edge of my feet still. Yeah.
19:13
I'll tell you, I recommend if you get a
19:15
second, check this out. Cause Bryce was
19:17
on the show and she did this. And it
19:19
was really, I think, I mean, I can't say
19:22
this about my own show, but it was a
19:24
very cool moment of television because
19:27
she said she was gonna do it. The
19:29
whole audience gets very quiet and
19:32
there's a process and you can
19:34
hear a pin drop. My heart's
19:36
pounding because I'm thinking I'm the host
19:39
of the show. You're
19:42
not that funny. Yeah. I
19:45
had gotten used to it at that point. And
19:49
then it happens and it
19:51
is you, it was a moment.
19:54
And I've heard about it from so many people.
19:56
And when the tear finally rolled down, I was
19:59
like, oh yeah. Everybody. Might
20:01
as well have been a Super Bowl touchdown. But
20:04
here's the thing about Bryson Crying. Her
20:07
first professional job, maybe
20:09
not her first, her first time on Broadway was
20:12
this Tartuffe, this classic show. And so
20:14
here she is in this
20:16
theater opening night. She is
20:18
sick, fever. Cheryl
20:21
and I had to get her to the theater and we
20:23
weren't sure she was going to be able to even do
20:25
the show, but of course it's opening night so she's doing
20:27
it. And there's this scene where she's
20:29
at her father's feet and begging
20:31
for something and she
20:33
starts crying. And we're sitting in like the
20:36
third row and it's theater so people can
20:38
fake cry and it kind of, but she's
20:40
really crying. Tears are going down her
20:42
face and it's just like an
20:44
unbelievable moment for
20:46
me coming from a theatrical family and all
20:48
that. And I looked over and Cheryl's just kind
20:51
of sitting with her arms crossed, kind of
20:53
with a little smile on her face.
20:55
No emotion whatsoever. So we get
20:57
to intermission and I said, babe, weren't you
20:59
knocked out by that moment? I
21:01
mean, you know, there she is. She's
21:03
got a fever. It's opening night. She's
21:06
crying real tears on Broadway. And she
21:08
said, are you kidding me? She did that every day of her life
21:10
when she was 17. But
21:13
she couldn't use the car. We've
21:20
all seen that. It's
21:32
incredible to have the flexibility to work in
21:34
all sorts of places, whether it's taking video
21:36
calls from the park or emailing large files
21:38
while you're grocery shopping. So this is good
21:40
for you. Is it? You're always doing whatever
21:42
you work you do for me from fun
21:45
locations. But I like blaming it on not
21:47
having reception. I know, but you can't
21:49
do that here. Working on the go seamlessly requires
21:51
a strong network, which is why you should check
21:53
out T-Mobile Sona. Okay. Then
21:55
you got no excuses. It was the largest and fastest
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they also cover more highway miles with 5G They
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22:11
Hey, Blay, you've got T-Mobile, right? I do. I
22:13
was actually just up in the woods in Idlewild.
22:15
It was fantastic for the weekend. And my T-Mobile
22:17
didn't miss it. My T-Mobile phone didn't miss a
22:19
beat. You know, I wouldn't think you'd need a
22:22
cell phone because you speak so loudly into a
22:24
microphone. Well, I had to look some stuff up.
22:26
Just take it down a notch. I
22:28
didn't know when brunch was. I can hear
22:30
him. When the restaurants open for brunch. Okay.
22:32
So I used my T-Mobile coverage
22:34
to check out brunch. That's terrific, Blay. That's all
22:36
right. Anyway, wherever you are, you know, take it
22:38
from the loud speaking, Blay. If you're on the
22:40
go, you want to be in the know. You
22:42
want to make the show. What? T-Mobile.
22:45
That's the one for you. I should
22:47
have rhymed it with go. Anyway, find
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out more at t-mobile.com/network today. Coverage not
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available in some areas. Fastest based on
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median overall combined 5G speeds, according to
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analysis by Ookla of speed test intelligence
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data Q3 2023. See I
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can't believe I'm saying this. See 5G device
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coverage and access details at t-mobile.com.
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be. To be. You.
26:04
Mentioned are coming from this from
26:06
this family. It's. Really worth noting
26:08
that your career in probable in so
26:10
many ways because just on Andy Griffith
26:12
alone you could have spent the rest
26:14
of your life setting up a card
26:16
table you already can sit out and
26:18
having that amazing experience. And it's so
26:20
funny because I'm around gets interview So
26:22
many terrific actors Talking to Walton Goggins
26:25
the other day talking to Billy Bob
26:27
Thornton. both of them site the Andy
26:29
Griffith Show. As. Being seminal for
26:31
them. Amazing And I think. I'll.
26:33
Stand it because it's character comedies. I'm
26:35
not afraid of a long pause frank
26:37
are not afraid of and I was
26:39
saying there seems outside the courthouse from
26:41
the barbershop The to like waiting for
26:44
get down and beautiful light on it
26:46
really does or hold up blood. Cia
26:48
was so much a function of a
26:50
of a kind of singular creative voice.
26:52
Not that and he wrote he wasn't.
26:54
The you. Know he wasn't even didn't
26:57
have a producer credit but it was.
26:59
His show was Tailored is Sensibility and
27:01
Sheldon Leonard who who's the executive producer
27:03
and very active on that on the
27:05
show was his old character actor who
27:07
had become this incredible television producer. Had
27:10
great success with Danny Thomas in Van
27:12
Dyke Am Andy Griffith show Arm and
27:14
for a moment he was like the
27:16
comedy producer but he was there all
27:18
the times and they were always stressing
27:20
character and and he used to kill
27:22
jokes if they were if they were
27:24
too. Broad. And and he
27:27
just kept saying the South is plenty funny
27:29
on it's own us for our our without
27:31
having to reach for it. and Ryan and
27:33
and and and do slapstick and stuff you
27:35
know, and and and and Death or he
27:37
didn't like. Petticoat Junction and Hillbilly L
27:39
A I didn't have the Lg has a movie
27:42
I directed. Like
27:44
Beverly Hillbilly. Ah,
27:47
Beverly Hillbilly Rice and of you know
27:49
because they because you know they were
27:51
doing sketch basically yeah and and my
27:53
tonsils out and eat like when lab
27:55
murder. You know why? Seats And so
27:57
as a result, I don't know that
27:59
there's that. Their been other single
28:01
camera shows that kind of held
28:03
that tone. may be real Mccoys
28:06
the little bit, but they didn't
28:08
have Don Knotts Young, our N
28:10
and and I was remarking recently
28:12
that it's the ability to have
28:15
two characters just talking about us
28:17
a nice day while those idiots
28:19
were usually when the show was
28:21
short. And never come.
28:24
So we would shoot Monday, Tuesday
28:26
and Wednesday to handle camera your
28:28
her son. Third read: On Thursdays
28:30
rehearse Friday's shoot Monday, Tuesday, Wednesday
28:32
and several times these scenes the
28:34
kinds that you're citing yes, ah,
28:36
usually between Dawn and Andy. Yep,
28:38
ah ah. the I remember vividly
28:40
Aaron, Aaron, Ruben arm or showrunner
28:42
coming down and saying. We
28:45
talk and Andy and then. And then
28:47
and he would. He always called Dawn
28:49
Jesse. Yeah in this Jesse were sorts.
28:51
Ah ah come on and new anecdote.
28:54
Very last thing of the other end
28:56
of the Wednesday night shoots would be
28:58
the two of them and they would
29:00
have just talked about of a little
29:02
bit and they'd wind up doing doing
29:04
one of these. One of the see
29:07
are amazing and it's it's is. I
29:09
love watching them because they're just playing
29:11
the silences and it's so well of
29:13
course you've got these to consummate beautiful
29:15
actors. Just such great comedic. Actress but
29:17
just ah oh boy to this day.
29:20
Serious. Isn't it? Yep
29:23
Yep Yep. Yep Yep
29:25
Yep Yep. You're
29:27
watching that you're thinking. I. Have this
29:29
theory that comedy has been increasingly compressed
29:31
to the point now that when any
29:34
series starts, they have to start of
29:36
the most dramatic moment and then it's
29:38
a flash. That turns out it's a
29:40
flashback. This because. They. Can't start
29:43
slowly. You might. People.
29:45
Can slip to another streaming platform to
29:47
quickly right? So every show starts with
29:49
main character has five bullet holes in
29:52
them and any screaming and then you
29:54
kudzu two weeks earlier and I think.
29:57
They. Don't trust us that some that
29:59
this is going the somewhere and there's
30:01
a lot of parallel editing and everything
30:03
and just the idea that what are
30:05
the most popular shows in television history
30:07
could often consist of people slaying saying
30:10
these and it In that case and
30:12
the fact that the show really does
30:14
endure mean it actually on like all
30:16
the time and especially over cove it.
30:18
I kept hearing from people that it
30:20
was, it was like a lifeline. ah
30:23
you know for them. But here's the
30:25
thing. How lucky was I. To.
30:27
Go To Grow Up in that situation where
30:29
in fact the environment was set up for
30:32
actors to know, improvised but participate, make suggestions
30:34
things like that. And even as a six
30:36
year old I mean my dad was having
30:38
to read the lines of the read through
30:41
and I would just kind of sit there
30:43
adverse my father rants, but later I do
30:45
know when I started very learn to read
30:48
and so forth I was in it and
30:50
I actually started occasionally making a suggestion and
30:52
they'd never knew it. Never once. you were
30:54
gonna piss me off a little that the
30:57
I. Thought that was very sad and
30:59
I will never forget. It was the
31:01
second episode of the of the second
31:04
season and I had turned seven and.we
31:06
were rehearsing. The. Scene: Where are we
31:08
supposed to come into the into the courthouse
31:10
and odis. House near so does the
31:13
was over here and and he was there and
31:15
Dom somewhere else and I and I came in
31:17
and I'm supposed to say hey pass something something
31:19
wherever the line was and then I sort of
31:21
stopped. The director bob Seen said what is it
31:23
on A and I said well I don't think
31:26
a kid would say it that way So any
31:28
said well how do you think a kid would
31:30
say it I don't member with a line was
31:32
but I would I I pitched my little my
31:34
mother fix on it's any said okay good yes
31:36
Do it, Do it that way and A was
31:39
just like I was a part of it. I
31:41
just felt this surge. Of of the
31:43
of you know of of have
31:45
been involved in something and damn
31:47
Andy from across said does. Where.
31:50
Do you grinning at young and Stuff Us and
31:52
I said what's the first idea of mine you've
31:54
taken any gave it the proper beat you say?
31:56
Well, it was the first one was any damn
31:59
good. Know it. You're.
32:05
Not realize it was just such a
32:07
system. You look at the history of
32:10
situation. Tommy's especially are usually and an
32:12
increasingly so through the seventies and eighties
32:14
and nineties. The kids role was to
32:16
say something overly sophisticated and wise ass
32:19
wise assay that a kid would never
32:21
say. So that's where you get all
32:23
these in of the Gary Coleman character
32:25
that says like will have yes may
32:28
sound like disguise fan so many times.
32:30
as an hour and. Happens
32:33
and I know it does. I agree
32:35
with them I think we are a
32:37
threat of a farm and what I
32:39
think really holds up well as your
32:41
character is a real boy. he's of
32:43
your plane, use your your plane, the
32:45
reality of the situations you're not saying.
32:47
only get this straight and our says
32:49
drugs again. Have suffered another one in
32:51
three hours. A week
32:53
long as the camera which by the way would
32:56
have been a great line. My yes, but well.
32:58
Okay, This is something that dub
33:01
that means a lot to me and it
33:03
was and him and I didn't know anything
33:05
about it at the time. But.
33:07
Later and he told me this. So.
33:10
When we were doing all I
33:12
can revival returned to Mayberry are
33:14
winners interview and serves in a
33:16
specials or something and he told
33:18
me this that in that very
33:20
first season the first episode that
33:22
my dad was an actor. yeah
33:24
I'm not famous actor but news
33:26
seems professional work and took it
33:28
upon himself to just got quietly
33:30
dandy and one point and say
33:32
now I see their writing oh
33:34
be. Kind. Of the way
33:36
they write the Rusty Hammer character on
33:38
Games Helms smooth and like so many
33:40
shows where he's was s yes and
33:43
he said that you know Ronnie can
33:45
do that and everything but what what
33:47
has? He actually respected his father and.
33:50
And he thought about it. And
33:52
told me years later that he went
33:54
back to the writers and said, let's
33:56
right, That's. right? Andy Opie like
33:58
like Ronnie rants. Oh wow and
34:00
yeah yeah and let's try that and they
34:03
went for yeah. What stands out we've been
34:05
said a steady diet of everyone hates Dad
34:07
does an idiot for i in the kids
34:09
and kid knows it and the kid knows
34:12
it is always letting him know it and
34:14
it in a got amped up some some
34:16
stretched out and kind of i'm not a
34:18
way like on married with Children were you
34:20
know their or or sometimes the Simpsons with
34:23
are actively plotting defined as as for my
34:25
baby last still offensive zone of. Really
34:28
funny as I am. I think. The
34:30
right way to go assess assess. My point
34:32
is your dad was run up and I
34:34
don't either. Ah that's passing to me that
34:36
you were part of that and you could have
34:38
been part of so many shows but that one's
34:40
difference. And then you go from that years in
34:43
film and then you start to think to
34:45
know one thing I do. I knew he
34:47
would. I have sinned directing because you've been,
34:49
you're around, you're watching during my years to
34:51
interested in it and there's a job you
34:53
take on a tv show and you think
34:55
what is probably won't get in the way of
34:57
me going to film school. says.
34:59
What Tv show last more
35:01
than a pilot or for
35:04
seems like it's as you
35:06
sign up for happy days
35:08
threat to us. Ah ah
35:10
ah we're it's now now.
35:12
I mean I mostly know
35:14
Andy Griffith show Mayberry are
35:16
Steve from reruns because I
35:18
really come of age in
35:20
the seventies. The. Thing.
35:23
Is. Happy Days and nights. It's it's
35:25
these. It's semi the only show
35:27
on T V. That. We are
35:29
white and you're just right. There At
35:31
the heart of this thing is Juggernaut.
35:34
And it was not the plan right?
35:36
No it wasn't really the plan and
35:38
and and also of course the the
35:41
course of the show is evolved you
35:43
know as as as as as Henry
35:45
Winkler character Fonsi took off by your
35:47
the whole show shifted. It was
35:50
pretty thrilling to be around it and
35:52
we went from a solid show to
35:54
sort of drifting like that we get
35:56
cancelled to let's let's put Fonsi front
35:58
and center movements. The advantage of this
36:01
and then I think we became an unborn
36:03
show even that first season that when that
36:05
we went in front of an audience which
36:07
was a huge education for me because I'd
36:09
never done anything in front of people. And
36:11
here we have this Garry Marshall. this great
36:13
bunch of writers though low dans among them
36:15
who wound up writing with his partner Bob
36:17
Loom and Dell. You know that every night
36:19
shift in the Iran and all and and
36:21
some the other movies so because their own
36:23
and In and City Slicker Anguish. but it
36:26
suddenly was about these hard last. And
36:28
that I had never really been
36:30
around that search you know ah
36:33
Don Knotts would sometimes get there
36:35
but it was more of a
36:37
it was agenda in of totally
36:39
based on on reality it's I
36:41
was terrified doing it but I
36:44
learned so much and. I
36:46
and Jerry Paris was this consummate. Comedy.
36:48
Director in the the Date just a
36:51
just educate so nerds out I mean
36:53
cleaners out there. Jared Harris was a
36:55
the neighbor on As Griffith, Shabby Isaac
36:57
I Die or right as I can
36:59
they and they had led him direct
37:01
and now that he had this incredible
37:03
guest and he was a funny actor
37:05
but he was a brilliant comedy director
37:08
We had him for almost ninety five
37:10
percent of our episodes was was Jerry
37:12
and he was a ringleader and and
37:14
just tremendous and a great teacher And
37:16
and and suddenly you're on feeling the
37:18
audience. And I'm understanding timing and all
37:20
these kinds of things in a way
37:23
that I never did before. Force Henry
37:25
Great stage actor Tom Bosley was on
37:27
the show and us when I finally
37:29
get chances are directing comedy Where we
37:31
are gone for last which is night
37:34
shifts and and splashed I was so
37:36
grateful. To. Have in my head. The.
37:38
Kind of the rhythms that I'd learned about
37:40
not some the Andy Griffith show but from
37:43
happiness. One of the things that member of
37:45
the first time I sought unhappy was unhappy
37:47
days and then you later on side more
37:50
and more but characters would enter and you
37:52
know first season of Happiness or member was
37:54
single camera right an end sought more in
37:56
this phrase so mic way. And. Then
37:59
second season. You're in front of
38:01
a studio audience and in the shows
38:03
becoming super popular, crazy popular and so
38:05
characters will enter any i go crazy
38:07
ice and so characters had to the
38:09
or they're entering with important information like
38:12
there's a fire across the street assess.
38:15
Assess assess as Ron You'll enter.
38:17
You'll enter the you know, whatever
38:19
that the amounts shop that and
38:22
you'll be like hey hon I
38:24
signed your family or I just
38:26
sick of ah ha a federal
38:28
law and look around. And then
38:31
you'll get in. Was finally whatever would
38:33
die son is the fire for street
38:35
and if you take the reality of
38:37
it, there's something you like. a sociopath,
38:39
a psychopath writing stamps l everybody right
38:41
away or the went viral right? right?
38:43
Law may. As
38:45
well as that was it. I mean look this
38:47
is that was part of the excitement. Would have
38:50
to take the l you know all all the.
38:52
The. Hysteria around Fonsi? yes and putting from
38:54
audience yeah and you know and Maxi directly
38:56
compete with said Jj Walker Yeah, that that.
38:58
which is which is where times have we
39:01
have good temps. That's what they were. That's
39:03
what they were gone for and us and
39:05
it you know the same thing would happily
39:07
Jj on that show. Yeah and and so
39:09
was kind of. I was kind of a
39:12
new kind of the things now. A you
39:14
know, I don't know, I'm no, I don't
39:16
I'm not watching a lot of audience sitcoms
39:18
these days, but I don't know whether. I
39:20
think most people that are name's. Who was
39:23
an audience has been else is a block and
39:25
shoot It's so funny because tastes have changed times.
39:27
have seen some what's I? that's I think we're
39:29
in a golden age. I. Sometimes
39:31
people to cry over Tv these days.
39:33
when I agree, you know you're talking
39:35
about speed and density, a comedy and
39:37
so forth. And when When we? when
39:39
when we were beginning Arrested Development, Mitch
39:41
Hurwitz and I talked a lot about
39:43
the Simpsons and part of that style
39:45
was to create. I kept. I kept
39:47
saying a kind of of last yes
39:49
and and I was a big proponent
39:52
of that. And them. Was.
39:54
Kind of lead to not only that the
39:56
the style which was sort of supposed to be
39:58
originally much a little more. Oh documentary than
40:00
it wound up being but you know I
40:02
was pitching the idea of a narrator image
40:04
said i don't think we're gonna need that
40:06
We did it and so far as a
40:08
new and he just he he shot and
40:11
and was funny but he said you know
40:13
we should try it as an experiment I
40:15
kind of think you're onto something So is
40:17
a is directing a movie in Santa Fe
40:19
and he said would you just hemp in
40:21
the voice and I'd So I did it
40:23
literally in the soundtrack. Were on location in
40:25
Santa Fe, did at one lunch break for
40:27
the pilot right and self centered off. didn't
40:29
think much about. It a couple of later
40:31
Mitch called back and said die While I
40:33
have I have really good news and news
40:35
that may be as good or maybe not.
40:37
I don't know and I said whoa, Okay
40:39
we'll give me the really good news. First,
40:41
he said the pilot tested really well and
40:44
I as well. what's the what's the mix
40:46
news He said well I just don't know
40:48
how you're going to feel about it because
40:50
the the narrator tested the highest and now
40:52
you are not. Recall
40:55
the show What I said: you're doing
40:58
stuff your honor of. Of
41:01
that I love being met, says
41:03
or says ah My son and
41:05
I watch, We watch, we watch
41:07
and rewards Arrested Development all the
41:10
time. Because he's got really
41:12
good comedy taste, I'm not so
41:14
much to his liking by. A
41:17
separate out. We'll watch it again and again
41:19
and again. And what makes perfect sense to
41:22
me? You know when something's done,
41:24
you just take it granted that everything is
41:26
the way it is, right? So of course,
41:28
it would never occur to me that you
41:30
wouldn't be the narrator of Arrested Development. And
41:32
I think from my money, if you had
41:34
to say like, okay this. One. Of
41:36
us. What about? The. Absolute. Act me
41:38
with the height of television comedy and you
41:40
can not one. but you can pick like
41:43
five arrested of elements in their homes. Think
41:45
the best of it is absolute procession. And.
41:48
Ah, I do
41:51
saying. That. People.
41:54
Know you, they like you, and they trust
41:56
you. And. You your voice. Saying
41:58
meanwhile. Your. Advice
42:02
or had his own ideas. And
42:04
as accident so that you don't bust your
42:07
thinking he's in Mexico. or the really he's
42:09
only ten miles from his house. Of
42:12
us and we think it has housekeepers resize. It's
42:16
I thought states you're being tested
42:18
by the has progressed through this
42:20
absolute madness and ah I don't
42:22
think that show could exist without
42:24
you. There isn't You will also
42:27
use really fun but whenever whenever
42:29
I'd have an episode. Where.
42:31
I I really had a lotta lines. I. Said
42:33
meet you been even even
42:36
even struggling with this ah
42:38
a hooker the narrator to
42:40
bury Ah man ah another
42:43
reason that was funny. Or.
42:48
Would you find yourself reading lines like
42:50
that? But Mitch A bonafide comedy genius,
42:52
young, energetic, the you know this and
42:54
the cast that we assemble from Guy.
42:56
From the first moment it was like.
42:59
You. Know that this is this is a little
43:01
too good to be true. I mean is
43:03
just home run hitters and every you know
43:05
every term yeah it is absolute by it
43:07
is absolute perfection. I can't watch it in
43:10
Us and it's still the go to. If.
43:12
My sunset? a hard day or I've had a hard
43:14
day. We both had a hard day. Well, Okay,
43:17
Arrested Development is still the go to school
43:19
and we watch shit and at there are
43:21
certain moments. Ah, that's ah I
43:24
go to again and again and again
43:26
that I can't stand. I'm friends with
43:28
a bunch of these guys so I
43:31
will. I will corner. Ah. Will.
43:33
Arnett A: Why does it. Bother.
43:35
You if you're dancing as a
43:37
magician but busters dancing as well
43:39
as the bothers you that that
43:41
is often getting an A lie.
43:46
But I'll just how gm all the time
43:48
about that said us and you get answers.
43:50
Guess that answers. So. You've. Now shit
43:53
a gusher twice and that implies
43:55
that you had nothing to do
43:57
with it because he did but
43:59
it's a disgrace fortune. And then
44:01
I remember very clearly seeing oh
44:03
there's gonna be this movie Grand
44:06
Theft Auto and it's Directed by
44:08
Ron Howard. Now since then reverse
44:10
lawyer with the ideas and on
44:12
camera person directing I Sell Mercury
44:14
by. I. Remember at the time seeking ways
44:17
now I felt that pressure because you know I mean
44:19
I was that I meant up might as well had
44:21
that same is t shirt What I really wanted to
44:23
his direct since I was about fourteen and you know
44:25
and I would. Yeah and I would get the most.
44:28
Sir. Patronizing. Responses.
44:31
When I would admit it and but I
44:33
I but I also made the most out
44:35
of those situations and I would have to
44:37
hang with the directors and take notes and
44:39
do all kinds of things and death. But
44:41
but you know? yeah that was not a
44:43
transition and spend particular to have been a
44:45
kid actor on a sitcom is it? You
44:48
know the whole thing was seems ludicrous in
44:50
people's minds. So. But.
44:52
You'd be some of you Must have a.
44:55
Coincidence because you knew on some level
44:57
you knew I got this. Yes, I
44:59
did. I really, I mean and and
45:01
in fact, I started shooting Grand Theft
45:03
Auto the day after my twenty third
45:05
birthday. But I was disappointed because I'd
45:07
really plan to direct feature while I'm
45:09
still in my teens and is I
45:11
was my I was my goal and
45:13
us butter. Or but if but
45:15
you know again it wasn't The business was
45:18
so much more closed Then and then there
45:20
were enter into words it was not even
45:22
any like M T V or anything. We
45:24
could go and prove your chops somewhere. A
45:26
was today. People can make a film using
45:28
their phones, take this phone and and you
45:31
make something of the book i hate I
45:33
was and then you put it online and
45:35
it's if you don't need to convince the
45:37
studio. if he gets like of this got
45:39
like ten million last and you're good. Well.
45:42
By. The way to get the jump to the
45:44
documentary. With that we're going to talk as a
45:46
Judge Jim Henson. Is
45:48
a made a documentary? But too
45:50
bad Jim Henson in the Muppets
45:52
And and but he and his
45:54
wife Jane were so much like
45:56
young content creators of today. Yes,
45:59
yes has. Learn the new
46:01
medium, The new saying the tech that was
46:03
interesting the them was T V which was
46:05
just brand new and he wasn't even interested
46:07
in puppets but he loved television wanna be
46:09
a part of it? He was that you
46:11
know he's living and in Washington and he
46:14
isn't would down there and just kind of
46:16
they look for they were looking for five
46:18
minutes puppet show to go with the news
46:20
I mean you know but they were just
46:22
experimenting with tv and he got in on
46:24
the experiment along with Jane ultimately became his
46:26
wife's but you he looks is crazy little
46:28
sick. second commercial they did and these little.
46:31
Five minute bits they did for for after
46:33
the news hour and it was so inventive
46:35
and and with all bets are off and
46:37
just kind of whatever you want to do
46:39
but they were doing it would get nurse
46:41
and thousand hours in and they were doing
46:44
what I wear a content creator does now
46:46
which is find your voice, see if anybody's
46:48
interested, figure out what they're interested in and
46:50
and you know and go for their own.
46:52
At that time there was there was really
46:54
no outlet like that. For
46:57
me I'm A. I literally was thinking about
46:59
going down to public access television and trying
47:01
to like do a show on public access
47:03
television to of getting the chance to direct.
47:06
A feature film. A sea
47:08
of entertainment was so much you said
47:10
it was closed. It was a very
47:12
insular world. Yes, There's. Three
47:14
Networks right? There's a couple studios
47:17
they make the stuff. They decide
47:19
who the people are and so
47:21
is very impossible to. Crack.
47:24
Into that bill, and especially if they have
47:26
a preconceived notion like i'm sorry you're the
47:28
guy Some Happy Days and your Ob Knighthood
47:31
about a chance to direct Happy Days episodes
47:33
in a contract renegotiation. but I said no
47:35
to that because I didn't want. Anybody
47:37
other than Juri Paris to direct it would
47:39
be not fair to the cast and the
47:41
other thing I thought was well what if
47:43
I with you know every once in a
47:45
there's an episode doesn't work and as if
47:47
I do well they see what's his show.
47:49
If I if I. If. I have
47:51
a off episode, then why can't even
47:54
directors on show and three camera not
47:56
what I wanted to do, but Roger
47:58
Corman was one of? You people who
48:00
was taking that kind of a risk and
48:03
I knew that about him. And
48:05
he wanted me to act in a movie called
48:07
eat my Dust and I read Eat My Dust
48:09
and I didn't much care for it. I
48:14
saw no off it are sitting next fact
48:16
that as as as much as you know
48:18
the oscar opportunities now but ah but but
48:20
I did have a script that I'd written
48:23
that was is kind of a slice of
48:25
life about a guy over stuck over college
48:27
break him you know and in hollywood and
48:29
I had some short films of supposed to
48:32
go in and have this meeting about about
48:34
eat my Dust Merkin. Graffiti been a big
48:36
hit had days was becoming an unborn show
48:38
and Roger wanted me to be in this
48:40
in this car crash comedy and our my
48:42
agent was gonna come with me to sit
48:44
with me to have this meeting and use
48:46
my agent for like on my whole childhood
48:48
and I and I remember. Saying.
48:51
You. Can't you can go in with me? As only
48:53
I was only twenty one, but I knew I was gonna
48:55
try to barter. And he didn't
48:58
care about that. I knew he didn't care about
49:00
that So I I, I just I remember the
49:02
look on his face. he was shattered. You know
49:04
I mean this good His client said no don't
49:07
go to the meetings so when in talk to
49:09
Roger I said i you know. I
49:11
don't love the eat my dust but what I
49:13
really want to do is direct. Here's.
49:16
A script. I think I've raised half the
49:18
money coming out of Australia Snow One hundred
49:20
and fifty thousand and I need another hundred
49:22
and fifty thousand and distribution. And if you
49:25
do that then I'll I'll happily be in
49:27
the by dust. He'd be reddit. he got
49:29
back to me. He. Looked at my
49:31
student films. And
49:33
he said does Well. That's a
49:35
character piece is very well written, but it's not
49:38
what I do he said does. Here's what. Here's
49:40
what I promise you. If
49:42
you if you act in Eat My Dust I'll
49:44
give you a chance to write a script. If
49:47
you write the script and I like it. And.
49:49
You're willing to be in it again. Then.
49:52
I'll let you direct that. Is that
49:54
sales? I'll. Let you direct them. You
49:56
know second union on something in the car crashes of
49:59
the fights or something. So. That
50:01
Okay, so you my big I leveraged my
50:03
way into a second unit job. Yes, a
50:05
professor of girl a great on the resume
50:07
but I took it. And
50:10
and an age when know
50:12
when, eat my dust succeeded.
50:15
Ah I went in and I pitch
50:17
so many different ideas, a side fi
50:19
saying and war saying you know I
50:21
just different kinds of projects and he
50:24
smiled and he said. He
50:26
said when we were testing he was
50:28
very erudite rises remember how you'd been
50:31
dead Caltech and news and engineering? You
50:33
know, in an engineer hard since when
50:35
we were testing titles. For. Eat
50:37
My dust! There was another titled
50:40
team in a very strong second.
50:42
Grand Theft Auto. The So far.
50:46
As you can fashion a car crash
50:48
comedy that we can correctly and title
50:50
run. First off. I'd
50:54
I'd probably make that six hours and my
50:56
dad and I cooked up an outline. we
50:58
rid of, wrote a script in a month.
51:00
It was the fastest greenlight I've had in
51:02
my entire career as a director Roger Corman
51:04
past I believe a week ago, week ago
51:06
yet or. And need to Ninety
51:08
eight Ninety Eight or Sharp. I talked to
51:11
him six months ago we I mean that
51:13
he went to see my but it is
51:15
Thirteen lives in went to a screening yet
51:17
the but you know he was so supportive
51:19
of of all the all all of his
51:21
graduates he does have remained. We must have
51:23
any and credibly proud of what you are
51:25
you know who are not all of it.
51:27
Yeah around of all is Jim Cameron, Julia
51:29
and a Monarchist you know as as hell.
51:31
Frances Coppola for says he Bogdanovich is a
51:34
list. Needs
51:43
a friend who sponsored by eighty Ti
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show is sponsored by Better Help So
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54:08
No. I had this great treat yesterday
54:10
which is I'm told I get
54:12
to see an advance copy of
54:15
Idea Man and I have a
54:17
lot to mostly invest in this
54:19
film because I have my own
54:21
Jim Henson connection. I watched the
54:23
selloum. And it's fantastic. Outside
54:25
of, it's a fantastic documentary. There's so
54:27
many things I learned about Jim Henson
54:30
that I did not know Jim Henson.
54:32
I didn't realize his background growing up.
54:34
Ah, in this Christian Science clearance. His
54:36
mom's a christian Scientists his his mom's
54:39
agrees a Christian science a scientist. Yeah,
54:41
in and he wasn't formally to cede
54:43
right? Wasn't all that religious, but of
54:45
course Ill he would. He was raised
54:48
In In in the you know, in
54:50
in that environment. But to do was
54:52
create is who is he. Was he
54:54
was smart? any wanted to express himself
54:56
and one is his dad was bit
54:59
of a scientist like agricultural scientist and
55:01
so they would travel around to different
55:03
parts of the country. much a lot
55:05
of it in the south and dance
55:07
but but gym you know was looking
55:09
for that. Kind of a kind of
55:11
breakthrough but you it was a moment
55:13
of transformations and damn and he sees
55:15
that opportunities. But it's interesting that he
55:17
grabbed amount of grabbing you know an
55:19
ancient art form yes and elevating it's
55:21
worse. kid sitting around we were talking
55:23
about the. Andy Griffith show. A lot
55:25
of the character actors who would
55:28
come on that show would be
55:30
bitching and moaning because because radio
55:32
was dead or vaudeville had gone.
55:34
And yet we all know that.
55:36
Not those mediums didn't vanish. Ah you know
55:38
there there's in a vaudeville circuit per se.
55:41
but they're stand up their service allay. There's
55:43
the i mean a there is it. It's
55:45
that their the art forms are as as
55:47
well as relevant as ever. Ah and and
55:50
I think you're so right corner at me
55:52
I just think creative people figure out a
55:54
way they find a way and was passing
55:57
to me as so Jim Henson. Ah,
56:00
Is very interested in puppets, puppeteering.
56:02
Ah, And one of the things
56:05
that he wants to do early on as
56:07
and I hadn't thought of this before, but
56:09
it's in the your documentary. A lot of
56:11
puppeteering was done distant, kind of a wide
56:13
shot. Where. You see with the theater
56:16
will the A it was submitted it
56:18
with Kurt for sunni Armageddon curtains and
56:20
the characters rob bashing each other and
56:22
things are happening Profits: Jim Henson or
56:24
his wife Jane but they understand that
56:26
the Tv cameras has to be right
56:28
up against the puppet site muppets and
56:30
that see that you can see their
56:32
expressions and you can see in a
56:34
tear to deflate and was really passing
56:36
to me. As your looks at you
56:38
know you have access in a documented
56:41
all that early footage long before. It's
56:43
very sophisticated right is basically Kermit. But
56:45
they don't know, it's Kermit. Yeah, right as
56:47
rain, but the kind of a puckering of
56:49
the mouse. yet when there's a little bit
56:51
of uncertainty and the looking to the sigh
56:53
and and the maybe looking back to pretend
56:55
we're all that stuff is there and it's
56:57
are in close up and they're looking at
57:00
out but basically was at a tennis scope
57:02
like those bryce. The technology is very crude
57:04
right? but you can see oh my god
57:06
they're going at the monitor and sort of
57:08
seeing the where's the camera and where do
57:10
I fit in And yeah, and ah but
57:12
the timing on this stuff was just fantastic.
57:14
You know yes In and look we
57:16
interviewed of Frank Oz is as eat
57:19
out gave As if this the family
57:21
was great They made the archives available
57:23
but also they made themselves available and
57:25
really in a really significant way And
57:27
it's of their storytellers themselves and so
57:29
they you know they they they recognize
57:31
the need to share with they understood
57:33
about their parents, the know in her
57:35
in a dimensional way and N N
57:37
and so that was incredibly value. But
57:39
Frank was their side by side and
57:41
he gave so much to the movie
57:43
through his interview. In fact, stylistically,
57:45
you know, I tried to sort of
57:48
channel Jim Henson the on It and
57:50
that ascetic of a lot stop motion
57:52
lot, very kinetic cutting and now have
57:54
an amazing yeah yet i'm animations and
57:56
things like that and the idea of
57:59
sort of stem. First from me watching
58:01
a lot of gems experimental movies that had
58:03
nothing to do with puppets which I didn't
58:05
know about. by the way, I meet me
58:07
neither And they're cool, you know? And and
58:09
and in fact, they anticipate a lot of
58:11
what you're going. It'll eventually seen commercials or
58:13
even music videos, right? You know? I mean
58:15
they're can a hard day's night and stuff
58:17
like that. A of yeah. So Frank. We
58:19
did the interview and I just had this
58:21
idea. We did it in a queue because
58:23
one of his experimental tv show shows was
58:25
called the Cube as like a human beings
58:27
traps sort of just with himself and his
58:29
ideas. And thoughts. So we decided to have
58:32
the interview subjects be in a tube.
58:34
It also would allow us to use
58:36
those tubes. They're almost like televisions has
58:38
to keep putting a lot of visual
58:40
imagery and in there and keep telling
58:42
this story of as of Gym and
58:44
the Muppets. But we did. Frank's interview
58:46
was very moving, very informative, very funny.
58:48
And I said you know Frank mit what if we did
58:50
like what is your entrance into the set We were going
58:52
to have you just come and sit down but what if
58:54
we did it Stop motion. And. He course instantly
58:56
knew what to do the I would put
58:58
the camera up high We had a chair
59:00
can squiggly and it's it's it's it's a
59:02
dominant stop yelling He went in perfectly. One
59:04
take laid out all the steps and all
59:06
the beach so that we could do it
59:08
and it just established immediately for the editor,
59:10
you editors and myself it's you know we
59:13
we we were gonna we're gonna informed this
59:15
movie with this kind of the said it
59:17
will also says you are having fun yes
59:19
which is the essence of Jim Henson as
59:21
you know my connection to it was that
59:23
might pull Reason I'm in comedy is I
59:25
was always it's. Entirely in doing it for
59:27
my friends and though I decide I need
59:29
to be serious so I got was serious
59:31
college which turns out to have is very
59:33
old humor magazine in it has part as
59:35
as the web the Harvard Lampoon. I get
59:38
I'm Lampoon end in meet almost immediately the
59:40
person has put in charge of it. The
59:42
first woman to ever be put in charge
59:44
of it is Lisa Census. Oh than she's
59:46
my boss. I'm working for Lisa Henson and
59:48
then every now and then Jim Henson surround
59:50
and I'm losing my mind. I bet he
59:53
could not have been. A
59:55
sweeter, nicer man Sand. In
59:57
fact, Lisa graduates. I did.
1:00:00
Story Lampoon. And at
1:00:02
one point Jim Henson calls me and
1:00:04
says hey we just finished the Dark
1:00:06
Crystal and we have be strolls. That.
1:00:09
The Creature. Sit on an attorney present
1:00:11
on you guys. Want one for your
1:00:13
Lampoon building on line? Ah, You've never
1:00:15
heard me say yes and anything more
1:00:17
quickly. Ah, and so I said yes.
1:00:19
How do I make this happen? Census
1:00:21
as a kid and I'm like nineteen
1:00:24
and I'm going to do this or
1:00:26
henson. It's as far. As
1:00:29
funny as we just not into Jim
1:00:31
Henson, you're talking to Kermit Guide A
1:00:33
I'm from. It's such a thing. We
1:00:35
noticed in a van and come on down and. I
1:00:40
thought. That I have
1:00:42
a high end up the phone
1:00:44
we read a van and my
1:00:47
friend Mark Adam and ah and
1:00:49
end of my wins would jump
1:00:51
in his van or we thrive
1:00:53
down to Manhattan. And I'm not
1:00:55
provide a somewhat of. A
1:00:58
sudden it's like a Muppet movie. Or
1:01:01
much as a boy. Opening
1:01:04
day out. There.
1:01:06
And we get there. And sure enough,
1:01:08
there's. Like Snuff Love Vegas is hanging from
1:01:10
the ceiling and they say oh yeah, Here's
1:01:12
the chair it's made of. It's not that
1:01:14
heavy because it's made of a super light
1:01:17
material. We. We carry it like
1:01:19
a jew wall. And. We made me
1:01:21
I would it in the back so that in one
1:01:23
of those chairs that there is you know it's a
1:01:25
studio. Yeah and I I drove it all the way
1:01:27
back to Cambridge and we put it in the limping
1:01:30
building. So cut to the like. maybe nine months ago,
1:01:32
him in Cambridge and. A student comes
1:01:34
at me, says hey, by the way or Conan I'm
1:01:36
I'm on the lampooned. You want to combine it with
1:01:38
yes, I've been there in a long time. So I
1:01:40
go by and scares the chair gray I'll banned outright
1:01:43
Yes, I drank. A
1:01:45
I mean the puppets dry. It
1:01:48
was that way when we got it. Up Up
1:01:50
Up Up Up Up. But anyway, I will. Leases
1:01:52
Fantastic! She an amazing you know and right? So
1:01:54
as Bryant that aren't you know the whole family.
1:01:56
Very sound was it. but it's kind of a
1:01:58
tribute to them because. The reality is and
1:02:01
age When you see the film's we
1:02:03
let we deal with the family we
1:02:05
do. A German Jane had an amazing
1:02:07
very unique and very specific kind of
1:02:09
romance and relationship and working relationship and
1:02:11
the very thing that brought them together
1:02:13
was was of the birth of this
1:02:15
brainchild. The Muppets also was the thing
1:02:17
that ultimately kind of causes the the
1:02:19
the relationship to to Erode am in
1:02:21
there and the romance to be lost
1:02:23
and yet they they were still so
1:02:25
much love and respect for one another
1:02:27
and for creativity. And the kids are
1:02:29
great. And the kids love each
1:02:31
other and they appreciate the parents in
1:02:34
a very and in very honest you
1:02:36
know just clear eyed way. Ah and
1:02:38
they knew they couldn't make this documentary
1:02:40
themselves. You know their of their creative,
1:02:43
their producers and directors and so forth.
1:02:45
But but I felt so fortunate. That.
1:02:47
They would dumb that they would trust
1:02:49
me and I get very excited about
1:02:52
it when I went and nam you
1:02:54
know to their to the studio hear
1:02:56
the chaplain Hinson Studio Cs and saw
1:02:58
this archival stars because two things happen
1:03:01
on that day. One was. I.
1:03:03
Saw I saw those crazy could Tv commercials
1:03:05
and that early early stuff I saw the
1:03:07
experimental stuff. that's just weird and strange and
1:03:10
yet you can see more on guard. Very
1:03:12
avant garde. As a very cutting edge jury
1:03:14
heard of, it is time. Ah
1:03:16
but you could see if you know the
1:03:18
way that is influenced the mainstream self that
1:03:20
with is so beloved that we all appreciate.
1:03:24
And and yet. And I also got
1:03:26
to talk to the kids and I
1:03:28
recognize that there was this family story
1:03:30
to be told as well that would
1:03:32
be so ah related will because there's
1:03:34
a there's of course there's a cost
1:03:36
to that level of output. and if
1:03:38
you know and as a human is,
1:03:40
you know there's a human factor there.
1:03:42
and we're all the beneficiaries of all
1:03:45
that hard work. But we didn't see
1:03:47
all the things that he did. That.
1:03:49
Kind of miss fired then at the time
1:03:51
disappointed him including labyrinth which of course now
1:03:53
so is a classic. It was interesting is
1:03:56
that you go back and you look at
1:03:58
these moments in a lot of people forget
1:04:00
this but your document story brings it back.
1:04:02
I was a writer at Saturday Night Live
1:04:05
for couple years. then I'm doing the late
1:04:07
night show and art. Our study was on
1:04:09
the six for Senate last two years. on
1:04:11
the eighth floor but right down the sixth
1:04:14
floor. Not farts down. The sucks for there
1:04:16
was a little office because in the early
1:04:18
days of Snl the first season Jim Henson,
1:04:20
Frank Oz they're doing right. The Muppets are
1:04:23
part of Snl and they had a little
1:04:25
office and they'd they'd drew all of these
1:04:27
characters on these pipes strength. and now of
1:04:29
course. It's been. Put. Behind glass
1:04:32
and preserved. But in my
1:04:34
day you could just go by and there's
1:04:36
some pipes there and they're just covered with
1:04:38
that throwing an amazing like trying to wipe
1:04:40
a mosque in out of I like when
1:04:42
hi. My
1:04:45
way. I couldn't get a lot of
1:04:47
snow. Price for that was a misstep
1:04:49
for that morass. It gets that dead
1:04:51
Canada didn't that? Then we're whatever thing
1:04:53
is that all the cutting edge, cool
1:04:56
sardonic. You know Michael of Donny Hughes.
1:04:58
Ah, you know wise Ass is at
1:05:00
first season Snl were like these puppets
1:05:02
where the is puppets. Are Here! I
1:05:04
hate these puppets and so it was
1:05:06
very. You can tell of the
1:05:08
documentary crushing digits to Jim Henson and then
1:05:11
he spirals off from that and creates the
1:05:13
Muppet Show. Yeah, but I'd been. so he'd
1:05:15
been trying to sell Muppet Show for years
1:05:17
and a failing and the all the Networks
1:05:19
turned it down twice. Ah, there's a hilarious
1:05:21
pitch sort of video that they died that
1:05:23
is using the Muppets to sell the idea.
1:05:26
I am going completely over the top and
1:05:28
it's gyms Voice down, it's just it's just
1:05:30
it's just brilliant you. It's so interesting is
1:05:32
just as you know where you you got
1:05:34
to really know I'm I met him only
1:05:36
once by so shy. And retiring in
1:05:38
person. you know I'm just kind of and
1:05:41
and use you think of them. As.
1:05:43
A performer. but but not not with
1:05:45
a microphone. not not with a camera
1:05:47
on. His face is through the puppets.
1:05:49
Yeah, we're talking about Indian Dawn. Bright
1:05:52
eyed it became so clear. not even
1:05:54
so much from the interview with Frank
1:05:56
Oz because he was very modest about
1:05:58
his contribution. Spurs. The i began don't
1:06:01
recognize and look at these videos were
1:06:03
a comedy team They were yes not
1:06:05
Bert and Ernie but yeah, but the
1:06:07
Enormous Piggy there are A and and
1:06:09
Kermit. There's a great bit in there
1:06:11
with Fonzie and and com and this
1:06:14
is timing. I mean it's like it's
1:06:16
precision comedy timing and they just nailed
1:06:18
these bits was think that's the thing
1:06:20
is good comedies, good comedy. So if
1:06:22
you're making it for kids on Pbs
1:06:24
where you're making it, you know, for
1:06:26
adults, good timing is good timing right
1:06:29
way. I mean. I. I always got
1:06:31
my timing from early on from Warner Brothers
1:06:33
cartoons because young they were shown his shorts
1:06:35
in theaters. To adults, they weren't condescending. Fry
1:06:38
to the timing was pretty perfect on the
1:06:40
South. And then I think the same thing
1:06:42
with when you look at a really good
1:06:44
Sesame Street bet it's just good. Yeah, there's
1:06:47
no condescension of wow this is funny for
1:06:49
Kit, but I didn't realize how many of
1:06:51
those bits that gym directed. I I, I
1:06:53
just thought he, you know, he brought them
1:06:56
up, Its and performed. And they did this and
1:06:58
I didn't realize. That all those bits these to
1:07:00
catch my attention when for your old Bryce
1:07:02
was watching them yes without counting bits and
1:07:04
is great yeah experimental. think that would make
1:07:07
meek sit down and watch the show and
1:07:09
kind of admire what was going on there
1:07:11
in Nz. It a little bits and an
1:07:13
hour later I realized will that that was
1:07:15
one of the of one the reasons Gym
1:07:17
did it as he never wanted kids programming
1:07:19
but they said you know bring the Muppets
1:07:22
but will also at you do your experimental
1:07:24
films but how about doing him for kids
1:07:26
so that I can learn and up And
1:07:28
he had. I had a son with severe
1:07:30
I'm learning disability, so that was something that
1:07:32
he was new, clued into and thus he
1:07:35
was us. Would you say that the reason
1:07:37
it really worked at every level was that
1:07:39
he was really a satirist, right? Oh, definitely.
1:07:41
I mean always there. What's interesting is that
1:07:43
the early way that he made money was
1:07:46
by making television commercial, right? So there are
1:07:48
these mother commercials that and have you seen
1:07:50
them but they're in black and white and
1:07:52
it's before anyone knew they were the Muppets.
1:07:54
But it's You can tell us the same
1:07:57
kind of almost the same time together. To
1:07:59
teletypes. But you're doing like Hormel
1:08:01
Ham commercial. This ride a bike. They're
1:08:03
very. And they had they pay less like
1:08:05
seven seconds long. But. Because the
1:08:07
seven seconds long. They're. Very metal.
1:08:10
Rods are varied today. Sense of
1:08:12
comedy? Yeah, they're not. Via.
1:08:14
Hormel him. And there's a
1:08:16
they're they're They're very weird and very
1:08:18
funny by today's standards and must have
1:08:20
looked like very strange at the guy
1:08:23
and yet really popular. Yeah no. so
1:08:25
they really really broke through a minute
1:08:27
we're doing some kind of have been
1:08:29
there is almost always an explosion or
1:08:31
guns from Austin or mouse him to
1:08:33
rattle somehow. no way to assume they're
1:08:35
selling other pretty much selling Las Vegas
1:08:37
for doing ads. The way we as
1:08:39
part of the podcast we do ads
1:08:42
and I always do them in my
1:08:44
sensibility my way and then afterwards. Think
1:08:46
that once in a piece of advice and they
1:08:48
do and you can leave. this and I don't
1:08:50
think they should. Have a
1:08:52
buffet. Young adults as gonna take that out
1:08:54
to sea by. Ah. By
1:08:57
some because they see the value of we
1:09:00
signed up it be like that people listen
1:09:02
to the ads out and and know yeah
1:09:04
I mean they were. Look they were emotional
1:09:06
without being sentimental, doesn't always had a point
1:09:09
of view and and always had something to
1:09:11
say it. You know in and around that
1:09:13
the the dizziness badly but the Muppet. Show
1:09:16
you know I didn't think about and I
1:09:18
live. I loved watching them ebb and in.
1:09:20
watch him in a religiously but man I'm
1:09:22
I'm what I watch. him now is the
1:09:24
only knows Episodes hold ups. Or didn't realize
1:09:26
that he was was basically. Taking the the
1:09:28
English dance hall was sort of on almost
1:09:30
like vaudeville, the aversion and applying that to
1:09:33
the shows you want to get. he was
1:09:35
making them in England. Yeah, so it's sort
1:09:37
of. Once again, was old is new yet
1:09:39
when put through this selter you mentioned earlier,
1:09:41
I knew gym well and I can't say
1:09:44
I did. I met him on a few
1:09:46
occasions and he was really nice and he
1:09:48
actually suggested. He had some that so
1:09:50
that probably never wins and it was towards the
1:09:52
end of his life. But. Suggested.
1:09:54
That I just people robbers like that.
1:09:56
Totems got like a lot personal. This
1:09:59
Athena dispiriting anybody got another as a
1:10:01
farm and and Jim Henson suggested that
1:10:03
I auditioned for something for one of
1:10:05
his shows and the other end. I
1:10:07
remember they sent over as told us
1:10:09
but the sense essential for sides that
1:10:11
had two actors and two characters. I
1:10:13
didn't know which one he wanted me
1:10:15
to audition for price so I I
1:10:17
showed up at the and and said
1:10:19
to the woman who was running the
1:10:22
addition it says saw Steve and met
1:10:24
and I don't know which is which
1:10:26
and she said oh here's the character
1:10:28
breakdowns and she headed me. Stephen
1:10:30
it said women want to be
1:10:32
with him and want to be
1:10:34
him he loses sexuality server and
1:10:36
I was just like deflating and
1:10:38
then I said i said can
1:10:40
I see the one from it's
1:10:42
and see him and he met she
1:10:44
was like this ganglia do see
1:10:46
the Red Sox blue and ah
1:10:48
don't know this way through life as
1:10:51
I'm a people like him despite
1:10:53
his many lives and his sexuality
1:10:55
and I went i say com
1:10:57
effect. Arms.
1:11:00
And oh it's it's so lovely tribute and
1:11:03
one of the things that really got to
1:11:05
me is because of my connection when Jim
1:11:07
past very suddenly in nineteen ninety and it
1:11:09
was such a shock to as it was
1:11:12
just out of nowhere He gets sixty three
1:11:14
years old, Fifty three years old. I was
1:11:16
invited to that memorial and to this day
1:11:18
it's the greatest sendoff I've seen anybody has
1:11:21
because it's a funeral. it's of funeral mass.
1:11:23
It's a memorial. and it started with i
1:11:25
guess a letter from gym that he had
1:11:28
written which is it was you're swinging. Is
1:11:30
that must mean I'm gone right? And he
1:11:32
just decided to write this in case he
1:11:34
ever passed suddenly and he dead said it
1:11:37
was so lovely and then all the characters
1:11:39
come out and were all laughing and crying
1:11:41
at the same time. So you so footage
1:11:43
of the moral service and I was there
1:11:46
now and I see to this day have
1:11:48
thought that that's what everyone should be like.
1:11:50
I can't speak as we're not all Jim
1:11:52
Henson you know by the that's what it
1:11:55
should be. It's really should be a celebration
1:11:57
while it is It clearly A clearly was
1:11:59
and. The you know his son Brian read
1:12:01
that letter and yeah we have a bit
1:12:04
of that in the Am. I knew I'd
1:12:06
say it was A it was the you
1:12:08
know tremendous tribute and more and and moments.
1:12:10
But damn T so loved. Yeah I mean
1:12:13
everybody we interviewed it was the in it
1:12:15
was. It was actually great to make a
1:12:17
film that I saw. It was interesting, could
1:12:19
be revealing and actually just doesn't have a
1:12:21
dark side. I mean it's just that he's
1:12:24
the literally was just a guy who lived
1:12:26
in a positive light in have struggled ups
1:12:28
and downs difficulties on a personal. Side with
1:12:30
in in in the relationship sure and
1:12:33
yet said such a great event that
1:12:35
you know example yeah I tell you
1:12:37
navigate that to yell at me when
1:12:39
nzz but when you struggle that defines
1:12:42
the man or the woman and in
1:12:44
a you look at both Yemen Jane
1:12:46
here and you any sort of say
1:12:48
well that's you know we We wish
1:12:51
we could do that. The documentary is
1:12:53
a time it's I would recommend a
1:12:55
just just watch it because you will
1:12:57
laugh very hard. But it's also informative.
1:13:00
About so much more you have the
1:13:02
right guy to make this as I
1:13:04
think sisters you has to in every
1:13:06
single decade of your life considered good
1:13:08
stuff you know and I think that's
1:13:10
can say that that is really remarkable.
1:13:12
Know and I? I'm I'm so glad
1:13:14
that you're fear of somebody know you
1:13:16
I'm so glad you what? you saw
1:13:18
your arm off. A
1:13:21
thirty years ago and arm and we're
1:13:23
still added we have no idea was
1:13:25
to a lack of now I said
1:13:28
that his leg on the way. That
1:13:31
left one Looks like a good job. Anyway,
1:13:34
I'm. Next. Sure a
1:13:36
Jim Henson idea. Man it
1:13:38
is just. It's. A
1:13:40
gift. And and make sure that you check
1:13:42
it out and Ron Howard your gifts! I so much
1:13:44
of a new area to be and let's get together,
1:13:47
get a drink and talk sunscreen and whenever you want
1:13:49
you to foster. Conan
1:13:53
O'brien needs a friend with Conan
1:13:55
O'brien sonam assess the and and
1:13:57
Macworld produced by me. Macworld. A
1:14:00
Breeze by Adam Sachs, Nick Leo and
1:14:02
Jeff Ross A Team cocoa and call
1:14:04
it Anderson and Cody Fisher. Edu was
1:14:06
theme song by the White Stripes. Incidental
1:14:08
music by Jimmy's Athena. Take it away
1:14:10
to Me. As
1:14:15
supervising producer is Aaron Blair and are
1:14:17
associate talent producers. Jennifer samples engineering and
1:14:19
mixing by Eduardo for As and Brendan
1:14:21
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1:14:27
and review this show on Apple podcasts
1:14:29
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1:14:31
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needs a friend were ever far as.
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I don't. Respect
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1:14:59
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1:15:13
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