Episode Transcript
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at rosettaestone.com today. Hi
0:49
there, this is Matthew Mercer, resident game master here
0:51
at Critical Role, to welcome you to this podcast
0:54
version of the show. If
0:56
you'd like to watch the stream as
0:58
it airs, you can catch it Thursdays
1:00
at 7pm Pacific on Twitch.tv slash Critical
1:02
Role or youtube.com/Critical Role. Twitch
1:04
subscribers can access the video on demand
1:07
immediately after the broadcast and it also
1:09
becomes available on YouTube Mondays at 12pm
1:11
Pacific. Podcast episodes land
1:13
right here on the Critical Role Podcast
1:16
Network on Thursdays a week after the
1:18
initial broadcast. Okay, with that
1:20
info dump out of the way, let's dive into
1:22
the story. Hello,
1:27
everyone, and welcome
1:29
to tonight's very
1:31
special live daggerheart
1:33
open beta one
1:35
shot. Thank you
1:37
all so much for joining us. This is
1:40
also our nine-year anniversary. Doesn't
1:43
feel a year past 700. Exactly.
1:52
I sincerely thank you all so much, all of you
1:55
wonderful creators out there for supporting us over these years.
1:57
It's wild that we've been doing this this long.
2:00
And in joy at every step of the
2:02
way our along with you all. It's
2:05
release me like and you can expect a lot
2:07
of read stuff to come in the future. I'm.
2:10
Super excited! So us are celebrating
2:12
today! Ah by taking then offers
2:14
Been the official open beta plate
2:17
of materials available now. On.
2:19
Dagger her.com. Ah, You know
2:21
the Pts a complete home. With your probe
2:23
you can craft characters solo. You can even
2:25
play virtually with a dagger heart next to
2:27
somebody plane. it's make which characters drive up
2:29
on however you decided you are play are
2:31
all of us you're eager to see. I
2:33
will you think we can do to make
2:35
them better as we move forward on the
2:38
so please be sure fill out the plate
2:40
has surveys are going to her.com so we
2:42
can incorporate your mates and feedback and make
2:44
this game as amazing as you possibly can.
2:46
Ah, Mercy that some and essence as well. As
2:49
one of the sound out that we
2:51
also have a plan of that are
2:53
hard content that is lives right now
2:55
on our youtube channel. Authors: you're more
2:57
visual learner thrive. Got a lot of
2:59
really cool a card graphics as really
3:01
grace we're the Dhaka heart when a
3:03
one video with Matt and Spencer explaining
3:05
the core game mechanics and even sonic
3:07
up with us. and in there's also
3:09
a character building video with Travis and
3:11
Mass where they create Bertrand Bow or
3:13
hard. On screen on. Not
3:16
that far as we. Also,
3:18
have my anus or Session Zero for
3:20
that's one shot the we're about to
3:22
play right now. where we created these
3:24
delightful characters are about to see as
3:26
of you want a little bit more
3:28
insight into how the session Zeroes work.
3:31
In go check out and see. What
3:34
serves the how bad shape we all
3:36
are are that really helps a person.
3:38
I have a nice. The What sites
3:40
will be available immediately after the
3:43
broadcasts, and a podcast version will
3:45
also be uploaded tomorrow. Ah, as
3:47
in March thirteenth. Was. Rights
3:49
And Twelve. Whoa. We
3:54
have to prove I mean all I
3:56
need a newspaper. here
4:01
I'll show you my New York Times app. Yeah. Yeah.
4:04
Yeah. Regardless. How
4:06
do we prove it? What happened today?
4:08
This is today's verbal. Oh, that's cool.
4:11
Let's go live. Live, live, live. All
4:13
right, baby. Oh, yeah, that was great.
4:15
You look so handsome. No. Oh.
4:17
No. No. No.
4:20
Nice try. Yeah, excited to do this. You
4:23
know, this is still a new-ish rule set for us
4:25
as well. We played a number of games and things have changed
4:27
many times. If we ever get a little bit of
4:29
a sing-goosey with it, just know that we're also testing it alongside you.
4:32
But nevertheless, I
4:34
believe that concludes our announcement. So let's
4:36
go ahead and jump into tonight's episode
4:40
of Critical Role Place Echo.
4:42
Yay! Oh, my god. Oh,
4:44
my god. Oh, my god. Oh, my god.
4:46
Oh, my god. We don't have any opening titles, so
4:48
now we're just going to begin. Oh, my god. Oh,
4:50
my god. Oh, my god. Oh, my god.
4:52
Perfect. So. So.
4:55
Mm. Mm. Welcome, one
4:58
and all, to the realm of Lockspire,
5:02
a rolling collection of winding land masses
5:04
that tumble from the mountains of creation
5:06
into the surrounding seas that coil between
5:08
the broken expanse of grassy hills, rocky
5:10
crags, and mysterious overgrowth from the length
5:13
of the builder's bridge to the distant
5:15
ruins of Nyx. Here
5:17
beneath the hallows above, mortals
5:19
mingle with the great many relics and ruins
5:22
of ages long past, now left
5:24
to crumble beneath ambition and
5:27
progress. Here the echoes
5:29
of traumatic wars linger in unhealing scars
5:31
that stretch the land, while
5:33
remnants of vibrant and magical beings
5:36
dance between the sunbeams and ancient
5:38
places of thrumming power. Here,
5:42
the common folks seek revelry and purpose in a
5:44
world that churns in a constant state of
5:46
change. Fortune and
5:48
glory ever call to many, and
5:51
life in Lockspire is rarely dull for those
5:54
with an eye for opportunity and
5:56
an eagerness to walk beyond what is
5:58
comfortable. even so. Older
6:02
and crueler wills lurk within the
6:04
depth of every shadow and in
6:06
the twisted heart of every city, even
6:09
within the most sacred of natural
6:11
places. And it
6:13
is here where our story begins. In
6:17
the late afternoon of a late summer day, within
6:19
a moss-dappled cabin nestled within the outskirts
6:21
of the divine timberland known as the
6:23
Emerald Sky, home to
6:25
the will of Andra, goddess
6:27
of the wild and
6:29
wooded places. Here
6:32
among the ever-climbing perimeter trees,
6:34
within the home of the retired war
6:36
hero Everett Cole, a troop
6:38
of journeyman adventurers bonded through circumstance,
6:41
finished their last meal before trekking into
6:43
the ominous deep of
6:45
the Emerald Sky. As we come
6:47
in into the late afternoon golds
6:50
and greens of the forest, past
6:52
the moss and dust covered
6:56
exterior window, we see the warmly lit
6:58
interior of the humble cabin, the flames
7:00
crackling in the nearby fireplace. We
7:03
shift over to Ser Dante,
7:06
if you would mind describing to me what you
7:09
look like and what you are doing within the
7:11
cabin. Oh my god! Yeah, you're real good. Oh
7:13
my god! I'm not really doing well. Not bad.
7:16
Well, I am an
7:19
approximately 5'10 turtle,
7:23
wearing a Corsair's hat and brown
7:25
leather with a lovely feather on
7:27
top, a blue and white striped
7:29
tunic, and a half cape of
7:31
golden royal blue, leather
7:35
gloves, leather boots, although the toes
7:37
cut out because turtle. I have
7:40
a very fancy rapier and
7:43
a chained weapon of some kind
7:45
with a claw on it and at the moment
7:48
I am attempting to, oh I also
7:50
have a scar on my face, just a little one
7:52
of those, just something for some
7:55
character. And I'm at the moment
7:57
using my hat to fan the
7:59
the fire to see
8:01
if we can get it a bit warmer in here. MATT
8:03
and TALIESIN, as the smoke billows out from your hat
8:06
movement, it fills that space a bit,
8:08
and you hear the sound of the coughing of
8:11
Everett Cole. You see the older human in his
8:13
60s, a shaggy scullet
8:16
on the weathered skin, deeply kind
8:18
eyes that are almost hidden within a wrinkled
8:20
brow that has now overtaken most
8:23
of the front face, but a warm smile as
8:25
he turns to you, coughing. Well,
8:29
I appreciate your help there, sure turtle, but. TALIESIN,
8:31
as TALIESIN, as TALIESIN, as TALIESIN, as TALIESIN, as
8:33
TALIESIN, as TALIESIN, as TALIESIN, as TALIESIN, as TALIESIN,
8:35
and TALIESIN, and TALIESIN. Let me handle the rest
8:37
of the tea. You all just relax a minute.
8:40
Now what? I'm
8:42
just curious about you all. You
8:46
there, big fella. Sorry, the
8:48
accommodations aren't quite to your scale as
8:50
we shift over to
8:52
see Pango. Hi,
8:55
yes, I'm Pango. I
8:58
am very tall. I don't
9:00
really know heights too well. It's either seven
9:02
or eight feet. My
9:04
feet are bigger than yours, so I don't know how that
9:06
factors in. But
9:08
I'm big and I
9:10
kind of, I squint when I'm
9:12
outside a lot because I'm not used to
9:15
being outside. I grew up underground and
9:18
now I'm out and
9:20
traveling with my friends and having a grand
9:23
old time. You might also notice
9:25
that most of my purplish
9:27
skin is covered up with some
9:30
armor, but which is also tastefully
9:33
covered up with some very green
9:35
and very fancy duds that my
9:37
friend Sweet Pea and Oppie stole
9:39
from me in
9:42
the last town over. I'm
9:44
looking pretty fresh. They say I look fresh.
9:46
I don't know what that means, but it's,
9:50
and right now I'm just sort of staring over a Zarlow's
9:53
plate, just wondering if he's going to finish
9:55
all of it because it looks, I
9:58
need more. How about it, you dry shaker? Are
10:00
you hungry, Sten? Oh my
10:02
god. I mean, I don't want to impose, but like I
10:04
could, yeah, I could, I could eat. I can make plenty
10:06
of biscuits, if that's what you need. No need to- He
10:08
is big. If that fecker fell over, he'd be halfway home.
10:12
Well, I'm happy to get you a
10:14
bit of food as well, I suppose.
10:16
Whatever. Brains all your arm. I'm a
10:18
fecker? Does that mean I feck? What
10:22
my grandfather always used to say to me is,
10:24
Zardoch, don't say fucker, it's not polite, say fecker
10:26
instead. Oh, okay. I'll use that. Sort
10:28
of a cheat. I've learned that, alright,
10:31
fecker. I'm writing that down. As he goes and walks
10:33
over to his bookcase, as you kind of sit back
10:35
and cross your arms in confidence, what
10:37
does Zardoch look like? Well, Zardoch is sort
10:39
of the elder statesman of this group, even though
10:42
he's not that old. He's been with the
10:44
larger organization our people have been with, this group
10:46
has been with, for quite some time. And
10:48
while not a mentor, per se, sometimes he has to be a
10:50
bit of a babysitter. They get into trouble a lot.
10:54
Zardoch is about four feet tall. He's a simia.
10:57
Lots of brown fur. Has a
10:59
very regal twined mustache down the sides of
11:01
his face. A little bit scruff of a
11:03
beard, and there's a shock of white in
11:06
his brown hair. He has an always active
11:08
tail that is as communicative as his hands
11:11
tend to be. And he is wearing,
11:13
like, Burning Man pants, and a
11:15
pair of... That is going diagonally across his
11:17
chest. Do you? Yeah, don't
11:19
think so. They're all about
11:21
a rat to brown. I love
11:23
that Burning Man pants are no pants, please. I'm
11:27
not Donald Duck, is that not? Sometimes
11:29
it is those pants, but not today. It's
11:31
a tree's bowline. By the way, I am
11:34
also perching to be in character like a
11:36
monkey, but I am... I feel
11:38
like I might fire at any minute. But I'm living on
11:40
the edge, and I'm going to do it anyway. This is
11:42
the end of the Earth, first of all. Oh, yeah. We're
11:45
in the bathroom. That was just Liam. That
11:47
was it. Perfect.
11:51
I'm good for now. And
11:55
his cheeks are a little red right now because he's
11:57
probably had one or two puts too many. today.
12:00
There it is. Oh. Oh, this
12:03
is certainly quite the
12:06
mildly cruel we've stumbled in. I don't get
12:08
many visitors around here. I'm happy to gauge
12:11
all you said you came out from Fort
12:14
Overmarsh right about 15, 20 miles south
12:16
of here. Pray
12:19
tell what brings you this side of
12:21
the emerald sky. He
12:24
glances over towards the regal-looking
12:26
beetle figure who's been stoically standing,
12:29
staring into the flames. I'm just gonna get the
12:31
first thing. Yeah. No, no.
12:34
No, no, no, no, no, no,
12:36
no. I'm not doing that. I'm
12:38
not doing that. I'm not doing that. I'm
12:41
not doing that. Flap on the little. I'm
12:43
not doing that. Sorry, though. Oh,
12:45
my god. I'm sorry, the smoke's getting
12:47
to you too. Here are some more tea,
12:49
the swan lowening. Comes up and hands you
12:51
a hefty mug of hot steaming. His accent's
12:53
a little pink. Right,
12:55
right. Protection is
12:57
standing there holding onto his staff.
13:00
He has a hard shell that's got blues
13:03
and purples in it, kind of
13:05
shiny with lighter bluish-green eyes and
13:07
large mandibles pointing out from his face,
13:10
very much like a stag beetle. He
13:13
has some kick-ass, like, armored pauldrons
13:15
with points just for flaring maybe
13:17
a little bit of protection. And
13:20
he has larger shells that are
13:22
hiding translucent, like, light blue wings
13:24
underneath his back shell. Yeah, and
13:26
he's just... That's one
13:28
hefty bug. Sure is. And
13:30
I'm just kind of moving like a little trace
13:32
of arcane energy in between my fingers. And
13:36
I'll say, we've been sent out by a larger
13:38
group, the
13:42
Grim Wardens, where we're here to clean up any mess that
13:45
we are tasked with. It's important to us to make a
13:48
name for ourselves. Well,
13:50
you're a part of the Grim Wardens. Ah,
13:54
that's a... Don't normally work this far.
13:56
This... This far is a lot of work.
14:00
of the western side of the continent
14:02
so must be important business I imagine
14:04
we're like a frontier group
14:06
we're called the menagerie
14:08
right is that what
14:10
we settled on yeah
14:12
okay all right all right well
14:16
I'm happy to stay as long as you like
14:18
beyond your way and
14:21
you friends as well I may not
14:23
have enough to feed all of you have a
14:25
you know what I can go ahead yeah I
14:27
think the majority of it went
14:32
to your big friend over here I'm
14:34
sorry I
14:37
could try to barf it up if you want some I
14:40
don't know I don't know okay
14:42
I'll work on it yeah in
14:45
the back in the back in the
14:48
back oh I'm gonna look
14:50
for a bucket as the
14:52
two of you begin to scramble looking for
14:54
a bucket can you describe what we see
14:57
running around around you see
15:01
one girl who is
15:04
short but she looks like very tall
15:06
compared to her her friend here very
15:10
slender with a giant cat she
15:13
is a fun girl very
15:16
like pale almost green
15:18
color and her clothes
15:20
are very flowy she
15:23
wears like a big oversized cardigan and
15:25
resting against the wall is her long
15:28
I think it's a long staff with
15:30
a couple hooks on it and
15:35
she just looks very free
15:37
and floaty about four foot
15:39
so I'm
15:43
right around your side I'm not
15:45
sure yet eight,
16:01
seven, eight. I guess I could be a little
16:03
taller. No, be your height. I'm kind of loving
16:05
this. This is the anti-silhouette test for animation. I
16:09
went so about the same. In every
16:11
group photo, Dango's
16:13
just out of the photo. Yeah. The
16:16
character from Police Squad. You're
16:20
like Gandalf with all the homos. That's very
16:22
good. Yeah. And as you're scrambling for a bucket
16:24
to help Jango with his sudden
16:27
need to be Dango. Sorry, Pango, my bad. Jango
16:30
was your brother. My brother's a bad man. That was
16:32
Mango. Mango was my father. Got
16:34
it. Mango
16:39
is just a food that we like to eat. Thank
16:46
you, Pango. As
16:48
you're running around the bucket, you're excitedly preparing
16:50
for it to ever meal. You've played every
16:52
gift to yourself. What are you
16:54
doing on this? Oh, I'm looking around too. I'm
16:56
trying to help find a bucket. So
17:00
I'm just a little rid of it.
17:04
Just sort of sapphire blue skin with
17:07
a smattering of yellow
17:09
freckles everywhere and huge
17:12
yellow eyes. And my
17:15
cloak is made out of leaves and
17:18
a little hat made out of leaves
17:20
as well. And my
17:22
staff, which I
17:24
found at the bottom of the river. And
17:27
it's so sparkly and it
17:30
was so shiny and I just had to get it. And
17:32
it's constantly a bill of smoke.
17:36
What I don't know is it's a cigarillo. But
17:40
it's magical to me. I
17:44
have little overalls and
17:47
they're striped and the
17:49
little tops of the overall that he calls the
17:51
little pependers. And I'll choose to come
17:53
up that
17:57
I shove my feet into. So
17:59
I look real. nice and
18:01
smart and my
18:05
name's Oppie. Well
18:08
I thank you Oppie. I appreciate you
18:10
both helping out. Oh what's
18:12
your name? Sweet Pea. Sweet Pea. Pleasure
18:14
to make your acquaintance as well Sweet Pea.
18:17
Sweet Pea and Oppie. That's a, that's a
18:19
pair. I was gonna meet you. Yeah,
18:22
pleasure's nice. Again, even though we've been here for
18:24
a minute. Do you have a prospective leader
18:26
of your troop with a menagerie? You
18:29
seem to be a rather, um,
18:32
presentory individual. Oh
18:34
goodness. My,
18:38
oh this is chilly in the west. And
18:41
I go over to, uh, to Sir
18:43
Dante and I take out my bladed
18:45
fan and I just start helping them
18:47
fan the flames just a little bit. And
18:50
what you see is like a stacked
18:54
caked up fawn. Let's go. She
18:58
is curvy. She has kind
19:00
of like a light dusty rose, uh, fur
19:02
tint to her. And even though she is
19:04
a fawn, she has bunny
19:06
ears, almost like a jackalope. And,
19:09
uh, she has really like
19:11
strappy leather armor, um, and
19:14
a little like cropped leather jacket that
19:17
barely covers anything. But she goes, oh,
19:19
and she covers up. Are
19:21
you, are you cold Miss Bunny? I could give
19:24
you my scarf. Just a little chilly. Oh, I
19:27
wouldn't want to take anything from you. You're so,
19:30
you're so dainty. Um, she's
19:32
got like a lot of, like a kind
19:34
of a garter that she has a little
19:36
dagger built into. And then you see on
19:39
her fan, it's like
19:41
serrated and has sharp
19:43
edges for it that she uses as
19:45
a weapon, as well as has a
19:47
little, a whip that she has wrapped
19:50
around and it's fastened to her
19:52
belt. Here Dante. Thank
19:54
you, dear. Thank you. Here we go. I'm,
19:58
I'm bunny, by the way. Bunny.
20:00
Pleasure to meet you, Bunny. Oh. Well,
20:04
the Menagerie, you're
20:08
here in some relatively
20:10
dangerous realms beyond. I
20:13
don't know how familiar you are with
20:15
the emerald sky here, but the... I'm
20:18
familiar. I've started the
20:20
outskirts of the woods here. Oh,
20:22
right. So you're quite familiar. It is
20:24
a very... a
20:29
lance of fused with the natural
20:31
magics of the realm. Here, Andra
20:34
herself, her will exists towards the center
20:36
lock that holds
20:40
the life force and energy of
20:42
the massive forest. I
20:45
see you're of Andra's folk. Well,
20:47
then perhaps not much of this will be a
20:49
surprise to you then, but just know that natural
20:52
magics of the world can be
20:55
also rather tricksy. Your
20:57
reason I didn't build deeper into the forest. I like
20:59
it out here. It's close enough to keep it
21:01
interesting, but also far enough away where I don't
21:03
get too caught up with the... the
21:08
tricksters of the wood. Though,
21:13
some of the grove children came by, speaking of
21:15
the mighty storm, not but a couple of days
21:17
ago. Isn't that
21:19
who we were looking for? You
21:21
ran into the grove children? As
21:24
we do that, we shift into a brief
21:27
flashback, not but a
21:29
day before within this city
21:31
of Fort Overmarsh. Here, the
21:33
once militaristic outpost that in
21:35
peacetime has taken on
21:38
a new form as a trading
21:40
outpost, ways to
21:42
the south of the Emerald Sky,
21:44
the bustle of the townsfolk are
21:46
walking through the space. There's
21:49
two open mines, one that's falling out of
21:51
use, one that's been discovered as building up.
21:54
You have stumbled into the town
21:56
and made your relatively unseen
21:58
or un-cared-for position. of the city,
22:00
what are you all doing here at
22:02
Fort Overmarsh at the moment in
22:05
this flashback? Mm-hmm. Oh,
22:07
shit. Yep, we're doing
22:09
stuff. Stuff. It's real. You
22:12
mean before? Wet? Yeah. This
22:15
was the day before. It's raining, you said? Sure,
22:17
it's raining. Okay, great. Oh,
22:19
in that case, I'm standing next
22:21
to Oppy and giving him a
22:23
little umbrella with my head. Okay.
22:26
Oh, that's so cute. Anything
22:28
that troubles you, need a fix?
22:32
Need something remedied, wear
22:34
your fix. We're here to
22:37
help. Call the menagerie.
22:39
Yeah. A
22:41
group of four miners themselves,
22:44
dust-smeared carrying materials and tools on them, stop and
22:46
look at the rest of you and just
22:50
keep trucking on through the rain. It's kind of a heavy cell. Nobody
22:53
takes this seriously, though. I feel like we need
22:55
more oomph, more showmanship maybe.
22:57
Look, they've got dogs over here. Look
22:59
at them all. There's like
23:02
seven of them. There's babies over
23:04
here. That's it, we're just going
23:06
to stay here for the day. I hope that's all right. This
23:09
is precisely why nobody takes this seriously. Oh,
23:11
look at that one. Look
23:13
at his face. Maybe
23:15
we need uniforms. Or pamphlets.
23:19
You know, I hear people really love pamphlets. A
23:21
pamphlet? Yeah. A
23:24
pamphlet. They're
23:27
like business cards, but with
23:30
more obnoxious information on them. That
23:32
sure sounds great, Miss Money. I
23:35
think we just need to prove ourselves, you
23:38
know? How do we do that? I think we just get somebody
23:40
to hire us. Should
23:43
we take a job for free just to
23:45
prove ourselves? Let's not say that out loud.
23:48
But I mean, if no one will hire us for
23:50
money, maybe we do one for free just to show
23:52
that we're... Like
23:54
a sample? A free sample. First one's
23:57
free. Then they'll hire us for the
23:59
second one. cro MATT,
24:30
and you can immediately see the
24:32
glimmer of fairy dust and
24:34
Fey magic as a number of these fairy
24:37
folk come flittering through the entryway and circling
24:39
the air, and two other figures wearing shredded
24:43
leathers and heavy tattered
24:46
woolen cloaks bundled around them also look
24:48
for anyone's gaze and they're mostly being
24:51
ignored, much like you've been since you
24:53
arrived. I'll go, I'm going to knee.
24:55
Oh, I think you manifested it, you faker. Come on,
24:57
let's go up these ones out. We
25:01
run up and with a little bit
25:03
of flourish and you hear almost like
25:05
out of nowhere, like it's ethereal, you hear
25:07
almost like this victory music like
25:10
a da da da da. And
25:13
we are perfectly baklut, and
25:16
I just say, looks like you need a menagerie.
25:20
MATT, as you all strike
25:22
this pose, cease to dazzling
25:25
the security. I'm still holding
25:27
two dogs. As
25:30
you all stand there frozen, as it backlit from
25:32
behind, the rain still soaking you all in the
25:34
process. But then just because it has been, you
25:36
see the four fairy folk have stopped and all
25:40
in unison together while the two bundled folk drop their hoods
25:42
and you can see they're both elven lineage,
25:44
they're pointed ears curved up, you can see
25:46
the mud itself washing down the streaks from
25:49
their face and they all look haggard, like
25:51
they've been traveling in harsh weather probably for
25:53
the better part of a
25:55
day or more. Most other folks just
25:57
close the gate behind and are now ignoring this ridiculous
25:59
decision. and getting on with the rest of their business.
26:01
But as they begin to approach the fairies, then give
26:04
up speed and start surrounding, going, hi, hi,
26:06
hi, hi, whoo, whoo, Benazure, that's wonderful, help
26:10
us, please. And they start to squirm. Oh
26:12
no, you have to leave, we had to leave.
26:14
You see, one of them flitters up closely and
26:16
you get a good look at the glow. You
26:18
can see this beautiful looking feminine
26:20
form with elongated arms, these long clawed-like
26:22
fingers, but these bright, vibrant eyes of
26:25
blue. I hold out my staff to
26:27
make a land on it. It
26:29
lands on it and as it does, it's body clutches
26:32
onto it like an insect, like the beautiful fairy all
26:34
of a sudden becomes this odd kind of segmented
26:36
creature, looking at you with the big eyes. It
26:39
was sent from the velvet grove for help.
26:42
We'll do it, we'll help you. For free. Free
26:45
samples. Free samples. They all look
26:47
at each other and the two
26:49
velvet figures go, that was far
26:52
easier than we anticipated. Oh, that's nice.
26:54
I'm trying out our full Menagerie thing. Think
26:57
of it like an open beta. But you
26:59
say there's something wrong in the velvet grove.
27:01
I've heard out of that face. The
27:16
two oven figures, which you see above their faces, they appear
27:18
to be either, they're not identical
27:20
twins, but they definitely look like they
27:22
are from the same family lineage. The one looks a bit older.
27:26
They both have very, very pale,
27:30
almost translucent skin, where you can almost
27:32
see the veins almost appearing in
27:34
parts of it, but you also can't tell which part
27:36
is the mud streak as well. Their
27:38
eyes are beautiful, piercing,
27:42
dark green. And as
27:44
they both look at you all with this alien cocked
27:46
head, we were
27:49
indeed sent out of the velvet grove on
27:52
the eastern side of the sky. Boko,
27:56
the Glenward, the feign
27:58
guardian that looks like a that portion
28:00
of the sky, sent
28:03
us for our own protection. Looks
28:06
over to the younger female, in
28:09
terms of the
28:12
humble heli himself. We're here
28:14
on his behest. LAURA and MARISHA, LAURA, and MARISHA, and MARISHA,
28:16
and LAURA, and MARISHA, and MARISHA, and MARISHA, and from what?
28:20
MATT and LAURA, as if the wildlife
28:22
of the eastern sky has become strange
28:27
and familiar, violent.
28:32
The initial twin turns. MATT,
28:34
as the Excya rivers groan,
28:37
murky, and sent sinister
28:40
and pungent. The
28:44
fairies curl back onto their shoulders, the one that's still
28:46
clutching to your staff. All in unison, they all say,
28:49
and the water's worried. LAURA
28:54
and MARISHA, as if you see within your graces
28:57
to aid us, you would be not just
28:59
indeed be within
29:10
our debt to you
29:12
as followers of Ondra, but within her
29:15
light as well. LAURA,
29:19
as if you're
29:21
a river, and you're a
29:23
stinky, and that's why everybody's so mad.
29:28
It makes people act weird when they got
29:30
stinky water. MATT, as if
29:32
you're a river, and that's why everybody's so mad. It
29:34
makes people act weird when they got stinky water. LAURA
29:41
and MARISHA, as if you get stinky
29:43
water. MATT, as if you're
29:45
a river, and that's why everybody's so
29:47
mad. MATT,
29:50
as if we believe that perhaps they had
29:52
been, but so have
29:54
we, and we have been feeling
29:57
fine. LAURA and MARISHA, as if you're having stomach
29:59
issues. MATT, and
30:06
smears your shoulders. LIAM
30:09
and MATT,
30:12
and the source of the darkened river
30:14
comes from further into the Emerald Sky
30:16
than where you decide. MATT,
30:19
reading the book, and you know the grove that
30:21
feeds the river. That
30:23
is what the
30:25
warden is investigating. Perhaps
30:27
you could meet with him and together you might
30:30
be able to save
30:32
us from whatever strange, ill, intense
30:35
things to permeate our home.
30:37
LIAM, reading the book, we
30:44
will provide a free sample, sort of obligated
30:46
to as well, but it will be free.
30:49
MATT, reading the book,
30:51
and in exchange you could make sure
30:53
that the name The Menagerie is spread
30:56
far and wide. MATT,
30:58
reading the book, and of course,
31:00
under the guiding light of the
31:02
great Oundra, you will be
31:04
considered friends of the wild, I swear. ASHLEY
31:08
Put his Machina off. TALIESIN and ASHLEY,
31:12
sharply, looking forAttent. MATT, grandfather of
31:14
a woman whose sister's mother, yet to not be your
31:16
brother if taken into the residence! TALIESIN and SAMxdux, worlds
31:18
based on ways of family lives. SAM
31:22
bodies being as
31:34
we shift away from the sound of
31:37
rain, we pull
31:39
back into Everett Cole's warm cabin
31:41
interior as the sunset light begins
31:43
to fade and
31:46
finishes listening to the tale, oh, I
31:49
see, that's why you're all here
31:51
to head towards the Velva Grove
31:53
and looking for the warden. ASHLEY
31:55
and LAURA, as if you're in
31:57
the area of the earth. Well
32:00
there's two paths I know of that
32:02
you could probably take there. Choice is
32:04
yours, really. You
32:06
could follow the Wispaalo Trail until
32:08
it ends at Clefthand Rock. Wispaalo?
32:12
Did you say... Wispaalo. That's
32:14
what I said. Clefthand Rock.
32:16
And head towards the sound of the water
32:18
at the Clefthand. That'll lead you right to
32:20
the Ixia River and follow
32:22
that upstream to its source, which has been
32:25
the Velva Grove. The
32:27
other path would be to listen for the sounds
32:29
of the Ether-Caw Crow. They
32:31
tend to wallow in places of dark power
32:33
in these spaces and are drawn to scavenge
32:35
in the wake of tragedy. So if there's
32:37
something going wrong here, their sounds
32:39
are like, well, I'll lead you there regardless of
32:41
the light. What was that story I couldn't make
32:43
it through your accent, Diggie? Ether... Ether-Caw
32:46
Crow. Ether-Caw Crow. We follow the
32:48
sound. Or we follow the path. Or we follow the
32:50
path. So we follow the path or we
32:52
follow the sound. Oh! Why
32:55
are you heading out there? Keep an
32:57
eye out for Wild Cullen. He's
33:00
kind of a rugged ranger and he's
33:03
a warden of Andris Southern
33:05
wood. He's an old acquaintance. I certainly hope
33:07
not. He's
33:09
a big part of you. He's
33:12
a big part of you. He's
33:15
a big part of you. He's
33:19
a big part of you. He's
33:22
a big part of
33:24
you. He warned us.
33:28
He warned us. He
33:32
had enough fear for nearly this. No,
33:35
he's passed
33:37
through, mentioned that there's some
33:40
odd things he's looking into. Not
33:42
long before he arrived at
33:44
my place, so he might
33:46
be also looking around the same spaces. And he's
33:48
a capable fella. So try
33:51
and hold what allies he can to you. He's
33:55
been keeping an eye on
33:57
the Amoranch Log and Gildas of late. MATT,
34:00
and the ranch. MATT,
34:03
now you mentioned the wild cullen
34:05
figure. You, Zarlow, you've
34:07
actually had a brief meeting with this
34:09
individual in the past. TALIESIN,
34:12
with wild cullen or? MATT,
34:14
wild cullen. A brusque but
34:16
honorable figure. You
34:19
remember his bright,
34:21
ice-blue eyes that first made the
34:23
tangled moths, like dark hair, features
34:27
that evoke both human and elven lineage. What
34:29
were the circumstances in which the two of you
34:32
met? TALIESIN, by
34:34
that time I had left my family behind,
34:39
the people of the Emerald Sky.
34:42
I was on
34:44
my own, it was before I found these feckers. It
34:51
was a rough patch and I thought that maybe I'd just
34:53
be a bit of a hermit for
34:55
six or seven months. He
35:01
encouraged me and told
35:03
me that the walk of
35:05
life I'd chosen for myself was too dangerous to
35:07
go along, and that the
35:11
gaps in my soul would be better filled by
35:14
finding others. Find
35:17
some missing pieces. MATT,
35:19
as you pull back from your memory
35:21
of this figure and knowing that he
35:24
might be an ally to seek out
35:26
there, another nugget of confidence seems to
35:28
blossom within your heart. The
35:31
cullen goes, well, if you're going to go out, you want
35:33
to want to go soon before it gets too dark, then
35:36
you're welcome to stay here the night if you prefer to wait
35:38
until the morning. Don't know how
35:40
much of a time push you're currently fighting
35:43
against, but you tell me what you want to
35:45
do. SAM, as TALIESIN,
35:47
as a person of good faith, I guess you have
35:49
to go help them as soon as possible. MATT,
35:51
as TALIESIN, as MATT, and as TALIESIN, and
35:54
as a person of good faith, he runs
35:56
over and starts a bunch of these extremely
35:58
dense... MATT,
36:01
and breaks, yeah. Tacked. MATT,
36:03
and a little way to find out. But nevertheless,
36:05
packs up what little bit he has and sends
36:12
you outside of the cabin. You can see
36:14
the cloud cover has taken most of the
36:16
sky that's visible and before you the dense,
36:19
incredibly tall tree scape
36:22
that eventually becomes the
36:24
heart of the Emerald Sky looms
36:26
before you. What would you like
36:28
to do? Well, there are
36:30
options. There are those. Do we
36:32
know how far off the Wispaloo is from
36:34
this area, the trail? The
36:37
Wispaloo Trail. Cullen tells you that it points
36:40
in one direction. You can see there's markers
36:42
among the trees. Looks like
36:44
there's little carved Xs across the tree markers
36:46
that mark the beginning of it. As
36:49
you step over to see where it is, it's a
36:51
fairly plainly-walked trail. It's not pressed
36:53
flat with much foot
36:56
traffic, but you can see where over time
36:58
it's fairly easy to follow. How
37:01
directly into the center of the forest does it
37:03
leave? Is it just a straight shot? From your
37:05
understanding, it seems like a straight shot. That
37:09
seems dangerous. If anyone's going to head towards
37:11
the center of the forest, it would be
37:13
this straight line. People would be expecting it
37:15
and it's famously dangerous. Actually,
37:17
I think the solution might be a mix of
37:19
both. We'll walk the trail until
37:21
we maybe hear the crow. Did
37:25
Cole tell us what the crow
37:27
sounds like? Is
37:29
there a crow? At
37:34
their call. At their call.
37:37
That's what it sounds like. Look
37:40
at him go. No. Look
37:43
at him go. Look at him go.
37:47
It's a little difficult to
37:49
describe. It's kind of like
37:51
a ghostly crying sound.
37:54
You'll know it when you
37:56
hear it. It's oddly
37:58
human-like. You can't
38:00
you can't like that like give us your your
38:02
impression of it though just to have some sense
38:04
of it Yeah, not much of
38:06
a performer and the old soldier but I'm
38:18
I Don't know
38:20
I'd never seen one. I never went that deep
38:22
ever cold. I'll tell yourself sure though. Thank
38:25
you I took some improv
38:27
classes and I was younger wallet
38:31
picture Didn't
38:33
make it to Sunday company, but
38:36
you know anyway y'all stay safe
38:38
and Well
38:42
You're from here Just from
38:44
the outside my people the
38:46
Dolan's I'm calling her right now the
38:48
Dolan We stuck to
38:50
the outskirts of the Emerald Sky, so I
38:55
That's my family Dolan
38:58
and the Dolan forget that s. Yep. I made
39:00
it up Bring those
39:02
dogs Like
39:11
little sharp pays, but they're fit their babbies
39:13
and they're just No, I mean I thought
39:15
your nipples barked just for the last two
39:17
days Take
39:30
care of moles, but these are like moles with eyes
39:35
What are you gonna name? Oh jeez we should do
39:37
it right now, okay, this is
39:40
twix and
39:46
Twix and twix I just
39:48
start mushing their faces all the wrinkles and
39:50
make their eyes disappear, and then they pop out and
39:52
then their eyes disappear pop their eyes up and
39:56
I shouldn't do that No,
39:58
all right well Minajorie and
40:01
the Grey Wardens stay
40:03
safe. He goes ahead and shuffles back towards his
40:05
cabin, and as he begins to truck in towards
40:07
the path. Tell everyone about us! He
40:10
didn't either. Okay. That's
40:13
exciting. This is why we need a pamphlet. Funny,
40:15
how did you get people to come to your show? I
40:17
mean, there's got to be a way to get the
40:20
ward out. Well, you know,
40:22
sometimes it's great to have revolving
40:24
acts, you know? So we
40:26
would have very famous burlesque performers come from
40:28
all over the world. One of my favorite,
40:30
who is LaFonna. Yeah. She
40:33
was wonderful. She got a little too good for us though,
40:35
and then moved on. What a bitch. I
40:37
know. But she is, I mean, she is
40:40
fabulous. You don't need her
40:42
funny. No. You're funny on your own
40:44
girl. Well, you know, sometimes it's good
40:46
to just, you know, put yourself
40:48
out there. Sometimes the girls would, you know,
40:51
stand in front of the shop and we
40:53
would bark and we would call and we would just,
40:56
you know, drag people in. Sometimes
40:58
a good drink discount always works.
41:00
Solid marketing. We
41:03
were all so all fabulous fighters as well. So
41:06
anytime the town was in trouble, you
41:09
know, we did a little community service.
41:12
Well known, actually. Yes. Oh really? This
41:17
like, kind of low, resonant, kind
41:19
of moaning sound
41:22
seems to like drift through the
41:24
nearby boughs and then you see a shadow kind of
41:27
fly off. Is that
41:30
it? Was that another call? I'm going to go scurrying off
41:32
the tree. Oh, that didn't feed. Okay, you go ahead and
41:34
like, climb up the side of it. Are you going all
41:36
the way to the top? Yes, I am. All
41:39
right, you know what? Well, let's take a look.
41:41
Roll over the shoulder. All right, well. You're so
41:43
close to the dog. But because
41:45
I'm a semi, I have advantage on agility rolls.
41:47
I'm both bouncing and climbing. Indeed. And
41:51
I think this probably involves my
41:53
experience. Look ma, no hands. You're just
41:56
using feet and hands, whipping through the bridge.
42:00
So spend a hope to add your experience. Oh
42:03
that's right. 14, that's fine. Then add the d's. I want
42:05
to kick off these mechanics. So that's a total of a
42:08
year. I'll get there, I'll get there. I'll get there.
42:10
That's a... And then it goes like
42:12
that. That's a roll of a 14
42:14
with hope plus 2 for my experience
42:17
is 16 plus the advantage from being
42:29
a semi-art. 20,
42:32
fantastic. So you take the hope back. Indeed,
42:35
as you watch
42:37
as Zarlow leaps up in a
42:40
series of deft swings and rotations,
42:43
like a master trapeze artist begins to ascend
42:45
through multiple sides of this tree vanishing into
42:47
the canopy above. As you emerge with so
42:49
much momentum that you actually fly out of
42:52
the top of the canopy at about 10
42:54
feet beyond and that slow motion bit you
42:56
have this beautiful view of the sunset top
42:58
of the forest extends for
43:02
looks like dozens of miles in all directions. You
43:04
can see a manner of all different types of
43:06
trees that poke out the top of the canopy,
43:08
you're decimating different regions of the interior of the
43:11
emerald sky, each looking unique, dangerous,
43:13
and alluring in their own way. Everything
43:15
with just that top of gold coloration before
43:17
the sun begins to vanish beyond the distant
43:20
mountain ranges. As Zarlow flies up out of the
43:22
tree cover, his tail scoops up and holds the
43:24
two little dogs close to his side and lands.
43:30
MATT and you see the shape of one
43:33
massive-looking shadowy winged entity
43:35
that dips away from you further
43:39
into the forest. LIAM and MATT,
43:41
as Zarlow's mother, and Zaryk's mother,
43:44
Zaryk, are walking towards the
43:48
tree. But that's all I see. I don't
43:50
think he's ever coming down. Zaryk, how big did it
43:52
look? Hard to
43:54
make up a full distance, but it definitely seemed larger
43:56
than a crow. I
44:00
saw the direction it just went further into the Emerald Sky.
44:05
It went further into the Emerald Sky. Roughly
44:08
in the direction we were going. All right, so
44:10
by swinging Skurry back down, keeping the pups in
44:13
place, the dogs are fine. That's
44:15
a big fucking bird or something up
44:17
there. Didn't look like anything you don't
44:20
want to tangle with, but it's
44:22
going in, so we're going in. Can
44:24
we see it again? We still have some
44:26
good sunlight, or is it starting? You
44:29
probably have another hour or so of sunlight before
44:31
the evening before. That's okay, the night is beautiful.
44:34
Let's go. Okay. Pushing
44:36
further in, who's taking
44:40
point on guiding you along this path? We're
44:42
trying to be clever. Well, you
44:44
know the way around, and I'm very
44:46
good at being a sneaky-eater. We're not
44:48
hiding from anything. All right. Does
44:52
anyone have any foresty
44:55
antigens? How do we know? If
44:57
you're like a wildborn or wildborn?
45:01
Oh, no, we're sneaky. I'm
45:04
wild, but we're fine. I'm a
45:06
bit of a scavenger, so if we were
45:08
looking for items, that could be helpful, but
45:10
I don't think we are. No. Okay.
45:14
I can just be very, very quiet if I need
45:16
to, and I can help a couple other people be
45:18
known. You're smart. Why don't you take a leave for
45:20
the first bit? Someone
45:23
knighted you, right? So you've got to be something. Yes,
45:26
extremely deadly with a sword and very polite
45:28
when I choose to be. You
45:31
know the best way. I think the two of us can... I grew
45:34
up with these parts, sure, but the further in we go, the less
45:36
familiar it's going to be. Well, we'll do
45:38
it together, then. Together? Together.
45:40
All right. So two of you can
45:43
point forward. You march into, and the
45:45
forest itself is undeniably gorgeous. The
45:48
light that does pierce the canopy at
45:50
this point is somewhat faded-in dream-like, carving
45:52
these constantly shifting beams
45:54
of gold that shift past green
45:57
and then eventually phase into the
45:59
nearby. MATT,
46:01
and Fjord.
46:05
The one-worm path before you
46:07
shifts off to one side, and as you
46:10
begin to look back, it almost feels like
46:12
the path you've come on is
46:15
fading behind you, to
46:18
a certain point where about 30 or
46:20
so minutes deeper in, it's
46:23
almost like you don't even see the path that you
46:25
were walking on from where
46:27
you came. You can still see it in front.
46:29
TALIESIN, offscreen, and offscreen, as he's like 10 feet
46:32
off the ground, moving using his feet and his arms
46:34
and his tail to go, keep his toes up. MATT,
46:36
offscreen, and as he's trying to be a little bit
46:38
quiet as I make my way, LAURA, and Fjord, as
46:40
he walks through her
46:42
head, flop over her mouth and he's like, you're
46:44
cute. ASHLEY,
46:47
offscreen, and Fjord, as he's trying to keep his ears
46:49
out for any sounds of quotes. MATT,
46:51
offscreen, and Fjord. MATT, offscreen, and Fjord,
46:54
as he's trying to keep his eyes out for any sounds of
46:57
quotes. MATT, offscreen, and Fjord, as he's
46:59
trying to keep his eyes out for
47:01
any sounds of quotes. MATT, offscreen, and
47:03
Fjord, as he's trying to find
47:05
out who he is. LAURA,
47:08
offscreen, and Fjord, as he's trying to get out of
47:10
his head and getting out of his eyes. MATT,
47:16
offscreen, and Fjord. All
47:18
right. 13 with hope. 13
47:21
with hope. Okay, so you pick a hope. Oh
47:24
wait, you can also add. No, you don't.
47:27
No. Never mind.
47:29
I'm not very instinctual. You've
47:34
taken the sounds around you and
47:37
focus on the surrounding entities and
47:39
creatures and insects and woodland
47:42
chittering, nothing that calls
47:44
your attention to danger before you. You
47:49
do appreciate
47:51
the oddly unwelcome
47:55
beauty. It's the only way you can describe
47:57
this forest. It has an ominous essence to
47:59
it. in its natural state. And
48:02
you can't help but feel a little bit like a trespasser
48:05
in a wood that is aware of your transgression.
48:07
See, Bunny, she loses the thread a little bit
48:10
of what she's doing. You see her kind of
48:12
like dancing a little
48:14
bit. Is she? She goes
48:16
through the forest. Do
48:18
you hear that? It's almost like music. Huh?
48:24
No. Yeah, at least do we hear
48:26
it? You do not. What
48:29
is it, what? It
48:31
sounds like it. No, don't stop. I mean.
48:36
Just the sounds of the forest. You
48:39
know, the cheering of the fox. The
48:43
wind whipping through the trees. It's
48:45
beautiful. Pretty good. It's got its own
48:47
little rhythm. Trying really
48:49
hard to hear the rhythm. I hear
48:52
everything but the rhythm at the moment. It's gonna catch
48:54
it. I think
48:57
I got it. The
48:59
best you can think of as you listen out there is
49:02
as the day begins
49:04
to shift into night, the
49:06
type of sounds that
49:09
fill the air begin to
49:11
become even further formulchemy.
49:15
It sounds scarier now. It does sound scarier
49:17
now. Sex shifted into a mind
49:20
of tea. Yeah, it is a little ominous. Yeah.
49:24
I like it. I wish you'd pick up the pace. Yeah, let's pick up the pace.
49:27
Okay. Pressing on, not
49:29
more than five more minutes, you
49:32
begin to notice some
49:35
of the trees that are on the side of this, bearing
49:38
the same marks of the path as
49:41
you keep an eye out, make sure you're on the
49:43
right trail, begin
49:46
to grow more and more, let
49:49
me describe it as violent. You
49:51
see one tree trunk where, as opposed to the single
49:53
marking, there are four
49:55
massive marks, one like
49:58
cloven Collection. Looks
50:01
like gadgets to have torn through up front
50:03
of a nearby tree. Massive com on the
50:05
smoking room. Three. Movie
50:07
walk a little faster. Hookers.
50:12
In a narrow hung and draw my sword
50:14
just in case. And. Gonna hold my. Next
50:17
step in. Hiring is also a
50:20
lot of to with works are
50:22
okay. An interest in measures. Taken
50:25
mean. Anything
50:28
ever seen. Who
50:30
can go ahead and make
50:32
him knowledge role to analyze
50:34
the details of his on
50:37
earth. Are.
50:47
All are all the hip hop
50:49
the team without more as or
50:51
take a hope. Ah, you glance
50:53
at these splintered sections and one
50:56
they do appear to have been
50:58
carved by either a collection of
51:00
blades or some sort of heavy
51:02
impact that dragged across the side
51:04
of this on but you also
51:07
notice is there at the interior
51:09
of the Miss. State.
51:13
It like a darker stained each of
51:15
these is it and blood is is.
51:17
It sounds like of the deepest part
51:19
of the yeah through you take a
51:21
stick and kind of carve out for
51:23
into the groove and there is an
51:25
a material or substance that kind of
51:28
lingers there as you can pick it
51:30
up with like you have failed. Where
51:32
you can see it's a bluish purple.
51:35
Like a slide jurists or a
51:37
second jam and type texture to
51:40
it. To
51:42
have something to put that in. I gotta get
51:44
back on are you are coming
51:46
soon Subtitle: gone. He doesn't put
51:49
off your fingertips a little. none.
51:51
Really worth a listen to set
51:53
of places else. Can
51:56
I go on? Started to see if it reminds
51:58
me of. He
52:00
does seem to suffer from
52:02
off the see, but that
52:04
claims. To be. And
52:07
caught caused your some train
52:09
a homeland to be sealed
52:11
at like a like a
52:13
fantasy. Chernobyl was a deep
52:16
the garlic a bright crimson
52:18
coloration and you recall those
52:20
images of you and all
52:22
of your family in companions
52:24
yelling, grabbing what was important
52:26
and will and dropping things.
52:28
You charged out from the
52:30
subterranean caverns. Watching this weird
52:33
kind of read we'd like
52:35
expansion. So
52:37
mean texture may be, but the
52:39
coloration is entirely different. more of
52:41
a sop. To now scientists out
52:44
my my staff in it. Gets
52:47
all that numbing stuff on my cell.
52:49
Saga. The stuff
52:51
going numb to scared as are you
52:53
still aren't trees in. I mean I'm.
52:56
I am last five or six feet above
52:58
the most times moving through our our Marcus
53:00
address and of my the Banks sort of
53:02
covers of my my wings my open up
53:05
and right when they start fluttering they have
53:07
a kind of flash for a second using
53:09
a little press. The decision to just create
53:11
a little light as I am the stuff.
53:15
You notice that nine go
53:17
on a garage where you
53:19
bioluminescence omaha that I. Remember
53:22
that very lonely when I drink alcohol
53:24
of know who I had offered. Of
53:26
around the tree and I'm awesome skin.
53:28
Look for any of those group marks
53:30
or higher up the trucking or Samsung
53:33
is my new You lift of the
53:35
has of the lower bows and kind
53:37
of into the density of the immediate
53:39
computed spare. As soon as you break
53:41
past the first couple branches your light
53:43
fills the shattered space there and you
53:45
meet a B C the shine back
53:47
of two pairs of mass of eyes
53:49
right there staring at me. you see
53:52
standing or sitting with in the branch
53:54
what looks to be what would be
53:56
a seven. Foot Pole Apple oh
53:58
that is lurking in there. with
54:00
its heavy wings folded, staring at you.
54:02
Not one, but two heads.
54:05
SAM and LAURA, as one that's staring
54:07
at you is there and the other
54:09
one shifts around towards you, their eyes
54:12
stare, and it's staring at you. And
54:14
you hear that, like
54:17
the big, heavy chest expanding, ooh,
54:21
that fills the space around you where your ears
54:23
almost ring for a second and its wings filter.
54:27
And it says, who are
54:30
you? Kind of yells
54:32
towards you. What do you do? We're
54:36
all attached. We all are fast. I'll take my
54:38
staff and I'll actually just like make the tip
54:40
glow. We
54:42
are with the men. We
54:45
are with the menagerie. We
54:48
are looking for the children. No,
54:50
not looking for children. Who are you?
54:54
Down, down. I
54:58
think you should get down. And
55:01
I'll just float down just in case I'm
55:04
in this creature's space, facing,
55:06
but never turning my back. As
55:09
you watch Kex'im begin to descend from above,
55:11
the bit of light you see the shift
55:14
of movement of shadow above and a small
55:16
handful of feathers dropping out of areas, these massive
55:18
feathers scattering down. As one of the branches seems
55:21
to almost break or snap with a push off,
55:23
and you watch, as
55:25
this incredibly massive owl-like
55:27
creature descends under the
55:30
ground. Now you see it was
55:32
somewhat folded and crouched in the wood, but at its
55:34
full height now, it's almost as tall as you are.
55:37
As it did that push off, did the
55:39
talons have any of
55:42
that familiar sludge on them? Go
55:45
ahead and make an instinct roll to see if you can
55:47
pick up that detail amongst all the chaos. There's
55:50
low light here, but we can go ahead and give it a shot. That's
55:53
an 18 with fear. 18 with fear?
55:56
19 with fear. 19 with fear. Alrighty.
56:00
here for myself. So
56:03
you do indeed get a quick glance at the
56:05
talons. The heavily
56:08
scaled skin that you
56:10
see pushes across it. It has almost like
56:12
an armored exterior to it, but you can
56:14
see the edges of it are crusted in
56:17
heavy callous. The talons
56:19
themselves are jet black and are
56:22
blades in their own right, deeply dangerous
56:24
looking. No sign of any sort of familiar
56:27
liquid that was recently seen on the
56:29
clawed sections. But as you drop
56:31
down to the ground and it looms over
56:33
on top of you, it's focused on you,
56:35
both heads kind of both in the process.
56:38
If you're not sure or two about to
56:40
converse or pull you apart into several pieces,
56:42
I need you to take a stress. Oh,
56:44
back to back stresses! I
56:47
was going to gingerly get in the middle of
56:49
this. I assure you and I, your neighbors, so
56:52
we are so. And these
56:54
are my friends. I'm
56:56
from a ways that way. I'm
56:58
only hearing because we hear there's trouble in the
57:00
vale farther in and the
57:02
rivers all fucked up. We
57:06
are echo. We are echo.
57:10
I'm gonna just subtly just sort of
57:12
put my body between the owl and
57:15
sweet pea and the
57:18
arpy. My cap is just going to start
57:20
to lower just a little and get more
57:23
narrow towards my body and I'm going to
57:25
press myself up against the base of a
57:27
tree. Outside those
57:29
spring-poor pints of darkness.
57:34
I understand if you don't trust us off the bat,
57:36
that's fine. But
57:39
we come with good intentions. And
57:41
the innocent of the young, and I spell
57:44
out the puppies. One
57:47
of the heads looks over towards it. Oh, he's going to eat
57:49
the puppy! No, he's not.
57:51
The other head shifts and is glancing past
57:53
all of you, the entity. We
57:57
have food if you need it! MATTMen.
58:01
TALIESIN and SAM RAVEN, Tips A MATT
58:09
We walk in On'Dra's realm.
58:13
We are one
58:16
of her children, and
58:19
we will eat that
58:22
which we do not trust.
58:24
TALIESIN and MATT We are very familiar
58:29
with the mother of both, and I hold
58:31
up Zor'l
58:34
of Maden'in with a
58:36
leaf-chase. She
58:40
knows me well, and I know her. MATTI
58:44
Make a presence roll for me. TALIESIN and
58:46
MATTI Can I also use Gift for Gab
58:48
with this? MATTI Yes, you may. If you
58:50
want to spend the hope to go ahead
58:52
and add your experience to it, yeah. TALIESIN
58:55
and MATTI Gift for Gab. MATTI Hope
58:59
is pretty fluid. You don't want to allow it to be. LIAM and
59:01
MATTI There's a 16 with hope, with a plus one is 17. TALIESIN
59:05
and MATTI Pretty good. MATTI Okay, that's pretty decent. LIAM and MATTI
59:07
Yes, I do, because I was with both, so I spent it
59:09
and got a bath in it. TALIESIN and MATTI
59:11
Amazing. MATTI You,
59:15
we can trust that the
59:19
others are fresh meat.
59:23
MATTI The other one turns to you. TALIESIN and
59:28
MATTI Tell us, shoulder
59:30
thing, what
59:33
is your proudest
59:36
moment? TALIESIN
59:40
My proudest moment has yet to come, when
59:43
I find the best in sport,
59:47
the man who humiliated me, I'm
59:49
here to be just and well
59:51
known as a hero. head
1:00:00
stays in place because birds are awesome and
1:00:02
weird. While
1:00:04
the other head stares you and whispers into the
1:00:07
side of the other one's head, his
1:00:09
beak's throw. Hmm. Shifts
1:00:14
over to Kex'inn. What
1:00:22
is your greatest
1:00:25
fear? Is
1:00:30
this owl? Subfoot owl in
1:00:33
melee with me? Ah,
1:00:35
it's very close range to you at the moment. Fine.
1:00:42
That I
1:00:44
would let my
1:00:47
family down and not
1:00:50
represent my home well,
1:00:53
and that I would go home empty-handed with no
1:00:56
knowledge of where we came from. You
1:01:02
see it turn its head to one side as the other
1:01:04
head shifts back and whispers into the side. Purity
1:01:07
for an outsider. Steps
1:01:13
back a little bit from you. Shifts
1:01:18
over in your direction, sweet pea. I
1:01:25
wish to see a display
1:01:27
of your capability to
1:01:30
survive the darkness within.
1:01:33
Is
1:01:38
there any moonlight coming
1:01:40
down from above? There's the faint,
1:01:42
hispy moonlight visible this deep into the forest, but you
1:01:44
can just see with the right shifting
1:01:46
of your positions, the little glimmer of white
1:01:48
peeking through. I'm
1:01:53
going to spend a whole- oh, I changed it
1:01:55
to book, nerd. You're
1:02:00
experiencing? That's okay. I'm still gonna spend
1:02:02
a whole- She's a fire. No, I'm gonna spend
1:02:04
a whole- Cause I have an experience called Sneaking
1:02:07
Little Mushrooms. Sneaking Little
1:02:09
Mushrooms. How
1:02:12
many is my experience to look around
1:02:14
and find the deepest shadow around me?
1:02:17
Okay. Can I do that? Yeah, if you want to. What
1:02:20
are you attempting to do? I'm attempting to find
1:02:22
a deepest shadow and I'm gonna step against
1:02:25
the tree and I'm gonna fade into the tree. Okay.
1:02:28
And bamf back out at
1:02:30
the other shadow farther away. Okay. Whoa!
1:02:33
Alright, so. So you're
1:02:35
using your shadows then? Mm-hmm. Okay.
1:02:39
Go ahead and roll a- Let's
1:02:42
go ahead and make this an agility check
1:02:45
for me. Agility. To go ahead and see
1:02:47
how quickly you can like vanish into the
1:02:49
shadow without the owl following what you're attempting
1:02:51
to do. Okay. Okay. 17
1:02:54
with hope. Whoa!
1:02:56
I'm going to take a hope. I'm going to fear this
1:02:58
too. Just mind. And
1:03:01
you said that. Alright,
1:03:03
so you go ahead and switch
1:03:05
backward into the tree and then almost
1:03:07
seem to tumble back into shadow where the tree
1:03:09
should be. The smoke goes pfft. And
1:03:13
he watches the bird's wings flip out and it
1:03:15
kind of clutters up quickly. The rest of you
1:03:17
almost think like it's reaching into snatch or
1:03:20
attack your friend and you feel your, you know,
1:03:22
your instinctive protective measures begin to crawl
1:03:25
into order. From the deepest
1:03:27
shadow you just see two bright, sea
1:03:29
green eyes light up in
1:03:31
the shadow on the other side. It doesn't
1:03:33
even see you at the moment. It's currently at the
1:03:36
tree you fell into and it's like inspecting it. Looking
1:03:38
around each side. Before one of the heads looks
1:03:42
back while the other one's still inspecting in the front. And
1:03:44
then- I pfft pfft with my staff onto
1:03:46
the trunk. The other head turns
1:03:49
and the whole mass of the owl spins around. Pfft
1:03:51
pfft pfft. Pfft
1:03:57
pfft pfft pfft.
1:04:01
You may survive still. Do
1:04:07
not let them sully the
1:04:09
goddesses' name." The
1:04:15
head turns around and you watch as they
1:04:17
catch some of the faint moonbeams and you can
1:04:19
see that brief glow in the
1:04:21
eyes as their heads pass before they turn around.
1:04:27
Breaking through the branches and then vanishing up into the
1:04:30
canopy, the first of many
1:04:32
odd guardians here within the Emerald Sky. I
1:04:34
should have asked how far the cleft hand
1:04:36
was. Or what that goof was. He was
1:04:39
asking us all the questions. Maybe we can
1:04:42
call him back down. Hey, excuse me. Should
1:04:44
we just keep going? I
1:04:47
think we're fine. I think we just be glad
1:04:49
he didn't swallow us down and then vomit us
1:04:51
back again. I'm glad
1:04:53
he didn't eat the puppies. Would
1:04:56
he eat these little fellers? A
1:04:58
giant owl would literally eat puppies. I
1:05:00
think if you looked up giant two-headed
1:05:02
owls, it would eat puppies, kittens, small
1:05:04
children. You hear the
1:05:07
snapping of nearby branches. No.
1:05:09
Let's just go. I
1:05:11
think it's just going to be more of
1:05:13
this. We might as well get a move
1:05:15
on. Continue on your trek on foot, watching
1:05:17
around. I
1:05:20
get the sense that
1:05:23
tension in the air and a somewhat iron-like
1:05:25
smell that seems to follow through with the
1:05:27
mists that curl in through the deeper portions
1:05:29
of the forest. That
1:05:31
was a stress I should have marked for the shadow
1:05:33
stuff. Oh, gotcha. No worries. You
1:05:41
hear the ever-following
1:05:43
sound of rustling
1:05:47
in the nearby wood, since your shouts
1:05:49
to the sky seem to have called something's
1:05:51
attention. When you stop to listen, it goes
1:05:54
silent. Oh, no. You
1:06:00
swear you see something massive wandering
1:06:03
through the nearby wood. You
1:06:06
catch the catch of the lights, turn
1:06:08
quickly, and
1:06:10
you hear the faint growl. LAURA
1:06:19
and SAM and MATT tell
1:06:28
you loops ofLaurener on
1:06:31
the night The chief
1:07:01
point and
1:07:11
and when it has been rapture to
1:07:15
keep whatever is in
1:07:17
view of me uh...
1:07:21
their attention on me any ground and
1:07:23
it runs out any sound except
1:07:25
for me and my voice okay so make a
1:07:27
spell cast roll towards the target you see the
1:07:30
shadow shifting in the nearby wood as it's blumbering
1:07:32
in your direction slowly go ahead and roll for
1:07:34
that targets or everyone
1:07:36
around you because i'm a hundred percent
1:07:39
watching i
1:07:45
will spend um...
1:07:48
a whole two years the show
1:07:51
must go on which
1:07:53
is one of my experiences i'm gonna add
1:07:55
my present okay i'm okay
1:07:59
okay okay If to the
1:08:01
founding families were upset. And
1:08:03
will candies. Okay,
1:08:07
I'm so nervous. Okay, that's good.
1:08:09
Omen Eighteen Nineteen, Twenty Twenty Twenty
1:08:12
Two with. Ah, With
1:08:14
fear to return to fear. Is
1:08:19
that a success? That is
1:08:21
indeed a success. and as
1:08:23
you are giving is this
1:08:25
fantastic performance Here in the
1:08:27
center of the shadowed core
1:08:29
of the southern reaches of
1:08:31
the emerald sky, the rest
1:08:33
of you watch emerging out
1:08:35
of the nearby brush a
1:08:38
hoping for mass a quandary
1:08:40
people entity You first catch
1:08:42
it. It looks to be
1:08:44
a hedge bear which are
1:08:46
like these massive star kind
1:08:48
of natural denizens. On fuck out
1:08:50
of the would ah I'm of the but
1:08:52
this one seems to walk with a slight
1:08:54
limp on one side and as it comes
1:08:56
from the faint bit of light you can
1:08:58
see it's sick for looks and nodded. And
1:09:01
shiny and places. You
1:09:04
watches it takes a few steps out.
1:09:06
New direction. It's had a one sided
1:09:08
eyes since be a bit milky. You
1:09:11
can see from the corners of it's face and
1:09:13
it's snout and his ear. There. Is
1:09:15
a dark. Sort. Of liquid that
1:09:17
directs and cakes with and it's for.
1:09:20
You can see. There are bony plates
1:09:22
of protrude from parts of it's body.
1:09:24
It looks to be an unnaturally malformed
1:09:26
this. It's based on what you've previously
1:09:28
experienced your time here and you hear
1:09:31
another growl across the way to. Do
1:09:35
they look? Aggro. I.
1:09:37
Made it a little farther out rather
1:09:39
my height as a split. coming towards
1:09:41
you like it's surrounding a prey on
1:09:43
on trying to run and it's not
1:09:46
on the to hire more quietly sneaking
1:09:48
around it back of this one right?
1:09:50
I'm yeah yeah I'm just kind of
1:09:52
looking around at my part i am
1:09:54
way I'm around and say hi how
1:09:56
are we are as well I'll say
1:09:59
right now. I
1:10:03
love his receivers. Are.
1:10:09
Available those slow moving
1:10:11
her have also. Suffer
1:10:15
most of us banks are
1:10:17
still alive or smell. Oh.
1:10:20
Missing way through this center past year and.
1:10:23
Get all these little fun bits done! This is.
1:10:28
My was it of money? It's kind of
1:10:30
appeared during the performance. Advantage
1:10:32
of me on on I will you hold
1:10:34
our lambert over In this area I would
1:10:37
have been I was I was a started
1:10:39
to sneak around the magazine named as I've
1:10:41
seen her do this before I think. Tango.
1:10:45
And Tsar Laura and Stick and pretty close to
1:10:47
boon I would have been very as close as
1:10:49
I could. Be because we've seen her
1:10:51
do this before and she's drawing a danger
1:10:53
to herself from the house Now I sat
1:10:55
far surpassed. Narrative
1:10:58
is the I said I had a lot I
1:11:00
would have a guess is yes so wherever it's
1:11:02
coming I would have a brilliant he allows with
1:11:04
same close fight. If I know the
1:11:06
one issue but the first one mass move on
1:11:08
the side machine schools during to find a new
1:11:10
hero sustain your the ground coming at a nearby
1:11:13
would in this region so with the so which
1:11:15
direction as an ally of the eyes of their
1:11:17
and here's where. You. Are.
1:11:20
An animal actually little closer sweeping
1:11:22
the end of the top. Of
1:11:25
him to hear of. I
1:11:27
just. And this barriers for one
1:11:30
should is now tire iron for new
1:11:32
an attempt to hit the other as
1:11:34
if there are with a out with
1:11:36
my grappling. With. A gravel or
1:11:38
go for violence or far as a ah yes
1:11:40
far attack. Ah, this measure
1:11:42
in a nursing home? I know as
1:11:44
far as I yeah now I'm sure
1:11:46
there to haven't slept around and. Saw
1:11:50
as unrolling were went on to this
1:11:52
is and one down. So
1:11:55
on I roll one of these
1:11:57
stray and. I
1:12:01
am. it's it's. just as it's a
1:12:03
straight role I believe on strike either.
1:12:05
Also, the street, all our roads, whatever
1:12:07
your. Trait. Is about his
1:12:10
a thank you should be and I'm
1:12:12
remembering again. Which is the deal with
1:12:14
and guess so that facilities are assessments
1:12:16
to scrape by? Nothing. Ah,
1:12:19
outside kids are as soft as has
1:12:21
a team. Was far better I'd how
1:12:23
know? so I don't I thought. That
1:12:27
does succeed at us Now trudging towards
1:12:29
been increased zero hours and stressful as
1:12:31
I bear arms i i pull my
1:12:33
target into close range with me. How
1:12:35
can I with the T real back
1:12:37
with the Cli After it sinks into
1:12:40
it all as sure as a comes
1:12:42
barreling towards me. For a point,
1:12:44
or if I were saying it, I'm pulling it
1:12:46
about. On about.
1:12:49
Two thirds of the way I could
1:12:51
for hims the about there are you
1:12:53
watch as you cannot describe how we
1:12:55
europe or looks like it's this very
1:12:57
long same it seems just wrapped around
1:12:59
a wraparound my belt but then it
1:13:02
seems to also be hidden underneath my
1:13:04
tunic and scott these are like for
1:13:06
this like very beautiful prongs like a
1:13:08
like a. Four. Sided try
1:13:10
that like a quadrant I suppose when it
1:13:12
runs out as a clam sin and then
1:13:14
when I pull it taught it grabs and
1:13:16
the. are more I pushed the
1:13:18
more if reels and faster and. And
1:13:20
like pulls hard to or it's gotten
1:13:22
old amazon and for new it's not
1:13:25
like read towards you flash of not
1:13:27
middle because of the light and you
1:13:29
want to get gentle Rag Overall. Trust and
1:13:31
don't play in the and Dante in the rest
1:13:33
the men as hurry and so I just like
1:13:35
don't even talk and then I focus my attention
1:13:37
keeping up my. In rapture. The other, one. In.
1:13:40
The Woods. Okay, you got
1:13:42
a fourteen. Fourteen. Points
1:13:44
damage on it though as a major
1:13:47
wounds to that and dragged off of
1:13:49
the sides are coming to me then
1:13:51
since you will mere nothing to the
1:13:53
gyms run ah which major action they're
1:13:55
gonna go ahead and spend one fear
1:13:58
it's to more tokens. element
1:14:00
here to spend. I will immediately spend this
1:14:03
one to move this guy running here
1:14:05
at a close range. That'll
1:14:07
get you right up to where Bunny
1:14:09
is on that side there, to pincer.
1:14:11
That one is
1:14:14
going to go ahead and rush forward and
1:14:16
is going to take a strike with its
1:14:18
claws towards you. That's only a
1:14:23
seven. What's your evasion? Ten.
1:14:25
Ten. Nice. All right. Expecting
1:14:27
it to come at me. How do you avoid this attack as
1:14:29
it runs towards you? Once
1:14:32
again, I'm fully confident in what
1:14:34
happens. As it comes to me,
1:14:36
I do a pirouette
1:14:38
out of the way. As
1:14:40
I do, I draw my bladed fan
1:14:43
and I drop down to one knee
1:14:45
and slice it across the front of
1:14:47
its chest. Cool. So it's
1:14:49
like one move. Hell yeah. Yeah.
1:14:51
Yeah. Yeah. Yeah. It stumbles
1:14:53
off to the side and catches itself. And I
1:14:55
will attack with my fan. Okay. Once I finish
1:14:58
it. If I can do that. Once you finish
1:15:00
your turn. Yeah. Indeed. Now it's
1:15:02
going to go ahead and spend this other
1:15:04
one here to have a second one rushing
1:15:07
out of the wood behind it. Another one. That's
1:15:09
a little baby. It doesn't quite get up to the
1:15:11
edge to do much, but it rushes out, following the
1:15:13
others. Looks like this was a hunting wandering pack. And
1:15:15
the one that you went after, I'm going to
1:15:17
spend that token to activate it. It's going to
1:15:20
go ahead and charge up to you now, eventually
1:15:22
closing the gap after you tugged it beyond where
1:15:24
it was. It's going to go ahead. No! The
1:15:28
first name is
1:15:30
Sir, right? All right. So, should we go
1:15:32
ahead and do it? Yes, Sir, circumference. Aha.
1:15:35
That's going to be a 14 to hit. What's your evasion? My
1:15:37
evasion is 13. That's
1:15:40
going to hit. Yes. All
1:15:42
right. So taking those dice there. Great.
1:15:48
All right. I'm going to spend a
1:15:50
fear to go ahead and use corrupted strength to add a d12
1:15:52
to that damage. Oh, no! It's
1:15:55
going to be 20 points of damage to you. 20 points of damage?
1:15:57
Well, I'm going to have to spend some time. armor,
1:16:00
then. I'm going to knock a point of armor
1:16:03
off, which brings that
1:16:05
down to 13 points of damage, I
1:16:09
think, which is much better. I will take that, and that's
1:16:11
a major. It's
1:16:13
just a major room, which is 2 HP. MATT,
1:16:16
reaches out and takes one heavy swipe out.
1:16:18
You watch as its massive claw comes through
1:16:20
the air. That long string of a weird
1:16:23
oily surface substance glimmers, and
1:16:25
the light is there as its heavy claws strike
1:16:27
into your armor. You
1:16:29
also get knocked back at a
1:16:31
very close range. TALIESIN and MATT, I don't get my retaliation attack. I
1:16:33
take it. MATT, unfortunately, it literally
1:16:35
knocks you out of melee range before
1:16:37
you get a chance to the force
1:16:39
of its strength pushing you beyond. TALIESIN
1:16:41
and MATT, LAUGHTER MATT,
1:16:44
MATT, and TALIESIN, LAUGHTER MATT,
1:16:46
MATT, LAUGHTER MARISHA, LAUGHTER MATT,
1:16:48
LAUGHTER MARISHA, LAUGHTER MATT,
1:16:51
LAUGHTER MATT, LAUGHTER MARISHA, LAUGHTER
1:17:23
MATT, LAUGHTER MATT, LAUGHTER MATT,
1:17:25
LAUGHTER MATT,
1:17:55
LAUGHTER attack
1:18:00
you for an 11. What's
1:18:02
your evasion? Yes, evasion is 13. 13,
1:18:04
great. So it goes to bite its massive jaws. And
1:18:08
close, how you got? I just spin
1:18:10
around really fast and all my skirts kind of
1:18:12
flare up in its face. You
1:18:15
think it's tangled its nose for a second and it's like a dog under
1:18:17
the blanket. Amazing. You
1:18:19
kind of yank around a little bit but eventually you
1:18:21
pull away and it's gone. A
1:18:25
dog is in. All right, so that finishes its go. Can
1:18:28
I tell with these things charging up if
1:18:31
their condition looks at all, I've healed
1:18:33
lots of animals. They're all similarly corrupted.
1:18:35
I just have one mini with the cool bones. For sure.
1:18:38
No, I understand that but I'm just saying
1:18:40
for all of them and I'm using this
1:18:42
one that's attacking bunny as the example,
1:18:44
do they look healable or do they
1:18:46
look beyond in my experience?
1:18:48
In your experience, it's tough to tell. If
1:18:50
you want to go ahead and make an
1:18:54
instinct roll to see if you can kind of
1:18:56
glean from your experience an understanding of nature
1:18:58
and the creatures around you. I do, I
1:19:00
do, I do. Or
1:19:03
you can do knowledge if you prefer.
1:19:05
What are the two? I'm gonna do
1:19:07
instinct and
1:19:10
I'm going to, no, I'm just gonna do a
1:19:12
struggle. That
1:19:14
is a 13 with fear. 13
1:19:17
with fear, all right. Take that fear back. All
1:19:20
right, the corruption that's on
1:19:22
them doesn't seem like it's
1:19:24
completely pierced to their essence.
1:19:27
It just looks like a surface sickness that is getting
1:19:29
worse. It may be
1:19:31
healable. Okay, I'm gonna run
1:19:33
and jump on the back of the closest
1:19:35
one that's now by Sweet Pea and
1:19:38
I am going to do
1:19:41
healing hand. I'm gonna heal a medium turn go so
1:19:43
I can think some more of these. Right,
1:19:45
I'm gonna make a spell cast roll and
1:19:49
target a creature other than myself and melee on
1:19:51
a success. Mark a stress to heal the target.
1:19:54
Two hit points or two stress. I'm gonna try.
1:19:57
Try to heal it? Yeah. is
1:20:00
a 15 with hope, so
1:20:02
that makes the roll. I'm going
1:20:04
to give it... I'm going to
1:20:06
clear it of two stress. MATT So cleared
1:20:08
of two stress. LIAM to hopefully calm the
1:20:11
poor bastard down. MATT Nice, you're driving. MATT
1:20:13
I know. MATT So as you reach
1:20:15
out and grasp the side of this
1:20:18
bear, it's terrifying things, the
1:20:20
slobber and ichor that's dripping from
1:20:22
it. He
1:20:24
pulls back and it brings one heavy claw up as
1:20:26
you reach out and gently touch the side of it.
1:20:29
There's a flash of divine energy that filters through you.
1:20:31
LIAM that's all right, Vax, that's all right. MATT
1:20:34
as you grasp the side of it, it
1:20:36
pulls away like it's recoiling from a burn.
1:20:38
As it does, you can see the energy
1:20:40
flow across it, and a lot of those
1:20:43
strands of darkness begin to fade away and
1:20:45
the shape begins to shift ever
1:20:47
so faintly smaller. You see it not restored completely, but
1:20:50
it definitely
1:20:54
seems a bit confused at the moment.
1:20:56
I'm considering it vulnerable for the moment.
1:20:59
LIAM and MATT Oh. SAM
1:21:01
and MATT Oh. Seeing it in
1:21:03
its confused state. We're still killing
1:21:05
these things, right? I don't know
1:21:08
what's going on, so I'm going to jump down.
1:21:10
Between the two bearers, would
1:21:13
I be within very close range of
1:21:15
both of them? MATT You would be. TALIESIN
1:21:19
and MATT I do what I do. So
1:21:21
I take my gigantic phallic
1:21:24
sword, and
1:21:27
I'm going to swing away in a
1:21:30
large arc that will hopefully hit
1:21:32
both of these bearers. First,
1:21:36
swinging at the vulnerable one. So do I add
1:21:38
a d6 to that? Because it's vulnerable? MATT We
1:21:40
will, yeah. So you make one roll, add
1:21:43
it to both, and then you apply the d6 to that for
1:21:45
that one target. SAM and MATT I'm rolling with
1:21:47
a greatsword, so do I just do a straight
1:21:50
roll, right? MATT Yeah, so what's the trait for
1:21:52
the weapon? It's strength? SAM and MATT It's strength.
1:21:54
MATT Yeah, so you roll 2d12 and then add
1:21:56
your strength modifier. SAM and MATT Let's go, beefcake!
1:21:58
MATT and TALIESIN Come on! Come
1:22:01
on, come on, not great. 13 with
1:22:03
hope. 13
1:22:08
with hope. You gain a
1:22:10
hope. But as you swing wide
1:22:12
with your weapon, 13 with hope, did
1:22:14
you add the d6 to it? Is
1:22:17
that the vulnerability? That's against the one target. So
1:22:19
it misses one of them. Plus six.
1:22:21
Plus six, it hits the other. Which one do you want to
1:22:23
hit? The one that he healed or the one that is behind
1:22:26
you? Do you? I want to
1:22:28
hit the vulnerable one. Actually, no, that's exactly what
1:22:30
it should have been. So
1:22:33
you swing wide, the first one, the massive one
1:22:35
that just rushes into the field, just dodges out
1:22:37
of the way of your blade. The other one
1:22:39
swings around and strikes the one that's currently pulling
1:22:42
away from Zarlos. Go ahead and roll damage on
1:22:44
that. I'm going to do swing, I'm above the
1:22:46
very length. I got
1:22:48
you, sweet pea.
1:22:51
It's 2d10 with mine,
1:22:53
plus a whole bunch. So
1:22:56
that's... holy shit. 20
1:23:00
points of damage, plus,
1:23:04
because I rolled with hope, that's
1:23:07
another d6 on top. So that's
1:23:09
23 points of damage. 23 points of damage.
1:23:11
That is a severe wound to it. That one,
1:23:14
that bear is looking wrecked. As you swing past
1:23:16
your blade hitting the side of it, it was
1:23:18
still in the middle of recoiling. It tumbles off
1:23:20
to its side, falls and has to
1:23:22
right itself. You can see there's a massive gash across
1:23:24
the back of it. It has that
1:23:27
desperation in its eyes. It
1:23:29
looks less terrified, or
1:23:32
less terrifying than it was, and now it's starting to
1:23:34
look a little terrified. I
1:23:37
don't know if I feel bad. The quickest way
1:23:39
is the best! What? The
1:23:43
quickest way is the best. I'm
1:23:48
going to, while Pango has
1:23:50
distracted that one, and he's
1:23:52
attacking it, I imagine it's getting
1:23:55
up I'm going to dart away from it. And
1:23:58
I'm going to run, and I'm going to beeline straight. for
1:24:00
the one that Sir Dante has
1:24:02
intact. And right as I run towards it,
1:24:04
I'm gonna slide down and try
1:24:06
to sweep my staff under its legs
1:24:08
and hit its leg. Great, go
1:24:11
ahead, roll down. Can I add something for a tag team
1:24:13
to roll here? If you have the hope to spend it. How
1:24:15
much hope is it? How do you hope? Okay,
1:24:17
so yeah, that's right, because they send in two on me, I have to
1:24:19
spend it. I mean, you can help an ally for a hope and add
1:24:22
a d6 to her roll. I will definitely help. All right, so go and
1:24:24
spend a hope and you get to add a d6. Add a d6? Or
1:24:27
you can roll a d6 and she can add it. Okay. Oh,
1:24:30
that's bold. You're gonna get a
1:24:33
d6. Okay, d6. Yeah, you'll have
1:24:35
four. Yeah, that's good now.
1:24:37
Okay, that's 13. 13
1:24:41
misses. Oh, but it was with hope. So
1:24:43
you get a hope back at least. But as you
1:24:45
slide under its legs, it picks one of its massive
1:24:48
back clawed legs up and almost stomps down on you
1:24:50
and you barely dodge out of the way, but it
1:24:52
catches you off guard, which brings it back to you.
1:24:54
Was that with your staff? It
1:24:56
was. Did you add your instinct? I did. I
1:24:59
love how she's 13 years old. I know. Yeah.
1:25:02
There's four. Yeah, no, that's not
1:25:05
good. I'm gonna spend both of those tokens there
1:25:07
to activate Buzz with B. This one's gonna turn
1:25:09
around on you while this one's gonna
1:25:11
shift. This
1:25:14
one is still, I'm gonna say it's still with this one,
1:25:16
it's gonna activate on you. Pango, so the
1:25:18
one that's spinning around and shifting its attention on
1:25:20
the sweet piece and go ahead and make a
1:25:22
giant swing. On sweet thing. Towards you. That's gonna
1:25:24
be a 16 to hit. No.
1:25:28
Oh no, I'm gonna use an armor. Okay.
1:25:32
Well, the 16 to hit hits you. Oh yeah,
1:25:34
that hits. The damage is going to be seven
1:25:36
points of physical damage. Seven points, okay.
1:25:41
I'm still gonna use, mm. That
1:25:44
marks it down three. That's your
1:25:46
armor score, yeah. That would take it down to
1:25:49
minor, so yeah. All right, so you only mark one hit point on
1:25:51
that? Yeah. So your armor takes some of
1:25:53
the blow as you get knocked back, the wind almost getting
1:25:55
kicked out of you. My guard again. That's
1:25:57
a really good piece. As
1:26:01
you say that, the other way behind you, goes
1:26:04
to a giant swing towards you. That's going to
1:26:06
be a five to hit. What's your evasion? My
1:26:08
evasion is four. Right
1:26:11
as you finish your phrase, you're going to hit from the
1:26:13
side heavily, and I'm going to spend a fear on
1:26:15
this. Go ahead and add the complete strength
1:26:18
for that. Add additional d12 on that damage. That
1:26:21
is going to be 16 points
1:26:23
of physical damage. 16
1:26:26
points. I
1:26:28
will also spend an armor. No. I
1:26:32
can spend hope for some. I have
1:26:34
something here. What is it? What is it?
1:26:36
Stall wars. I can spend a
1:26:38
single hope to reduce the damage by
1:26:40
nine. So through
1:26:43
my sheer force of anger
1:26:45
at seeing a fine piece of
1:26:47
clothing damaged, I just sort of, my whole
1:26:49
body tenses up and the tense muscle sort
1:26:51
of like a
1:26:53
rock wall takes most of the damage. Off
1:26:56
your back. I take a minor. Miter
1:26:59
Moon, so just one hit point. Yeah, one hit point. Okay. All
1:27:02
righty. You do get marks on the heavy
1:27:04
attack, so it does push you back, but
1:27:07
it just slams you into the other bear, since there's
1:27:09
nowhere else for you to go in that regard. All right,
1:27:11
that's going to finish my go there. Okay.
1:27:14
So I see a sweep
1:27:16
he's taking off. I don't
1:27:18
know what he's doing today,
1:27:20
but I'm hitting this one. Stick
1:27:22
my tongue out and then swing from a branch. Yeah,
1:27:25
come on. I
1:27:28
kind of get over it as I'm swinging.
1:27:30
I kind of like get
1:27:33
my, get my, my staff going. I
1:27:40
don't really know why it has to do this. And
1:27:43
as I go, my
1:27:45
staff is going to shoot out some, some smoke
1:27:48
is going to come out the top and it's going to
1:27:50
turn into a cinder grass. And it's going
1:27:52
to go straight into the big boy
1:27:54
over there. Over here. Yes.
1:27:56
Which is a success. The target
1:27:59
instantly burst. flames. It's great
1:28:01
in a forest. It's
1:28:03
like 1d20 magic damage. MATT
1:28:05
and LAURA go ahead and roll against the target
1:28:07
as you swing underneath the branch from your tongue,
1:28:09
landing, letting the flames flicker off the top and
1:28:11
then land. LAURA and MATT and LAURA go to the
1:28:14
next stage. MATT
1:28:16
and LAURA, oh no! That's a
1:28:19
six with fear! That was a
1:28:21
pain in me, thank you, it's
1:28:23
united! Oh, it's
1:28:27
much bigger when I got closer! MATT and LAURA,
1:28:29
as you swing in the air and your staff
1:28:31
is trying to light up and it's like,
1:28:34
the flames not igniting, but as you do
1:28:36
the bear turns around and opens its mouth
1:28:38
towards you as you're rushing, and it's not
1:28:40
igniting, it's not igniting! You have to biff
1:28:42
at the last minute and roll out
1:28:46
of the way and let the spell go. As
1:28:48
you stumble to the ground,
1:28:51
shifting back to its way,
1:28:53
I'm going to spend a
1:28:55
fear to add some more
1:28:57
tokens to the action tracker
1:28:59
here. LAURA and MATT, maybe we shouldn't
1:29:01
make Andre angry. MATT and
1:29:04
LAURA, as you rush in there, because
1:29:06
you rolled a fear, you failed with
1:29:08
fear, which is really
1:29:18
not great. So it comes to me, I got the fear on
1:29:20
that one, I spend that to get some extra tokens, I'm going
1:29:22
to spend them right now to activate all three of them. I'm
1:29:24
going to spend a fear
1:29:27
to get rid of the vulnerability
1:29:29
on that one. All three of them are
1:29:31
going to activate now. Both of
1:29:34
these are going to still
1:29:37
focus on you since you're one with the mass of
1:29:39
a swing that went around. That
1:29:42
one, because you're the one who failed and you're the
1:29:44
one who leaps in the air and you just manage
1:29:46
to dodge out of its mouth, the bear now above
1:29:48
you is going to bring both of its claws up
1:29:50
and try and swing them on top of you. That's
1:29:53
going to be 18 hits. LAURA and
1:29:56
MATT, oh no! another
1:30:00
fear to add the corrupted strength on that. Ooh,
1:30:03
no. Okay, that's going to
1:30:05
be a 22 points of physical
1:30:08
damage. ASHLEY and LAURA, okay,
1:30:10
okay, okay, okay. So I'm going to have to do an
1:30:12
armor spell because that's my severe. So take
1:30:17
it down. MATT, you can just
1:30:20
be three hit points, no big deal. No,
1:30:22
but if it's over the severe, then you
1:30:25
just take down my three. No,
1:30:33
you take three. Minor is one, major is two, and severe is
1:30:36
three. And
1:30:38
if I use an armor slot, it takes me down
1:30:41
to the next, to the major. So
1:30:44
it should be just two hit points. You
1:30:47
can send multiple armor slots, too, to reduce it. I'm going to hit
1:30:49
points. I mean, this is the
1:30:51
first time I'm getting hit, so I'm
1:30:54
going to take all three. Yeah! All righty.
1:30:57
That's a strong body. Let's go. The
1:30:59
other one, the other two are going after you, Pango.
1:31:02
That's going to be a six to hit. Hits.
1:31:04
Everything's going to hit. That's going to be a
1:31:06
nine to hit. I'm going to save that fear,
1:31:08
so they're both going to do straight damage to
1:31:10
you. One of them is going to be 13
1:31:13
points of physical damage. Okay, that's
1:31:15
my major threshold. And the
1:31:17
other's going to be six points of damage. My
1:31:19
minor threshold. Can I knock the major
1:31:22
one down? Sure. I'll spend
1:31:24
another hope and knock it down.
1:31:26
So that's two minors. Two minors, such
1:31:28
as two hit points. Oh boy. And
1:31:30
you're just being tackled from both sides. At least
1:31:32
it's not the little ones. I must protect the
1:31:34
little ones. All righty. So
1:31:37
that's going to finish my go. Sarlo. Come
1:31:39
on, come on! Texas Cubs are running
1:31:42
around the side. And
1:31:44
as I'm running, you see my mandibles start
1:31:47
to light up. They start blowing in
1:31:49
the front, in the red, and a little
1:31:51
sphere of fire starts to coagulate
1:31:53
right in the middle. And I'm going to use Wild
1:31:56
Flame. So I'm moving right
1:31:58
in between the bears alongside. They
1:32:00
are paying go and I'm going
1:32:02
to use Wilde Flame or to
1:32:04
fire up a magical arcade fire
1:32:06
of the great race. Murder
1:32:10
of magic person I am a magic
1:32:12
person or that is and in night
1:32:14
sorry twenty with P O L think
1:32:16
that it's success and when I make
1:32:18
an attack roll with fear of evil
1:32:20
wizard from the School of war I
1:32:22
added d six to the damn and
1:32:24
all night anymore which is sick and
1:32:26
other to school sick so sick that
1:32:28
day saints and get a bad thing.
1:32:32
So nine points of damage to both of them.
1:32:34
Nine point to damage already. I'm.
1:32:37
Sorry Eleven points of them to and eleven
1:32:39
point of damage our it's had some major
1:32:41
to both of them are the one that
1:32:43
you had nothing and the is really not
1:32:45
enforced. The ground itself unconscious and hurt them
1:32:47
and a couple flames going to burning off
1:32:50
in the sides filled. With
1:32:53
is now is no longer part of the fight. I'll
1:32:55
just. Leave. It there reminder Ah, the
1:32:58
other one six the heavy flame hidden can.
1:33:01
See where you are you rush by
1:33:03
ah know that was and fear not
1:33:06
going to go and tickets from activates
1:33:08
Both of those of us of is
1:33:10
there on my turn spin and ignoring
1:33:12
thing goes in a rush up towards
1:33:14
you or this and snit it's new
1:33:16
it's assault on hobby. Ah the attack
1:33:18
against off he is going to be
1:33:20
our three. I'm pretty sure your vision
1:33:22
beaten three. Rate this all right. So
1:33:24
now it's like slamming. There are. Other
1:33:28
ways you clawbacks on one that comes loving towards you
1:33:30
The planes to can bring off the edges of it's
1:33:32
first. Lesson
1:33:35
to be and eight when
1:33:37
I have aged seven seven
1:33:39
scientists have already off swings
1:33:41
and we towards us going
1:33:43
to be a city pointed
1:33:45
physical damage so far from.
1:33:49
Suffer. From.
1:33:54
Fifteen to sort out. Your daughter.
1:33:57
Oh my gosh, Driver:
1:34:02
Or a yes or no in the becomes a major
1:34:04
source of to have forced to have points know when
1:34:06
you. Are levels
1:34:08
man. I
1:34:11
seem to have a member or I'm right
1:34:13
behind this thing. Simon a very quietly walk
1:34:15
up to pull out my Raytheon and says.
1:34:18
Stab. It's hopefully approximately where
1:34:20
the sun sun with had
1:34:22
signs if it wasn't are
1:34:24
set up on are already
1:34:26
or rights nasa earth and
1:34:28
so Roman citizens plus presence.
1:34:34
Of does a lot around Over onto
1:34:36
nervous as the wrong guy said was
1:34:38
damaged areas. Come on. Ah
1:34:41
well as. Horrible.
1:34:43
As it's ten with hopes and with
1:34:45
hoped unfortunately such said Mrs. But you
1:34:47
do get a mark of above that
1:34:50
bring it back to mean and the
1:34:52
go ahead room and to tell them
1:34:54
that I just gotta have turn on
1:34:56
you know ah and it's going to
1:34:58
go had make a strike you know
1:35:00
that's to be an A team who
1:35:02
are thus that hits that hits and
1:35:04
an awful to damage rolls or four
1:35:06
points of physical damage or that's below
1:35:08
my minor census taker stress stress on
1:35:10
and also say I'm finally going to
1:35:12
use my bloody retelling since. When
1:35:14
I think our damage from a creature as
1:35:16
and Millie ranked I may mark a stress
1:35:18
to immediately deal weapon damage to the creature
1:35:20
at have proficiency. Great. So that's just
1:35:23
I roll it's and I had to
1:35:25
buy them as well. It was. you
1:35:27
know, and it's them or dicey. Proficiency
1:35:29
soon house a half years and years.
1:35:31
as much one than social interaction. When
1:35:33
when do you to. That's.
1:35:36
Oh that's very nice. That's a. That's.
1:35:39
A seats beat All right to
1:35:41
test minor wound. Well most important
1:35:43
and ah yes it or yeah
1:35:45
so you recites. Go
1:35:47
ahead and strike it back in with and
1:35:49
retort and as you hit kind of pulls wait
1:35:51
for the minor had been out for me
1:35:53
to face off against you have much of
1:35:55
it is my go on longer and silo and
1:35:58
a hearing his friends started to cry. and
1:36:00
around and look down at for there
1:36:02
are buzzing her on the ground and
1:36:05
as a suspension kisses palm and hold
1:36:07
out and then instantly starts a monkey
1:36:09
look towards office. And run up
1:36:11
behind her. Arms race or run
1:36:13
up behind him. sorry as exchange. This stance
1:36:15
on a plate has some alfa mood. I
1:36:17
was raised, I. Just right and
1:36:20
I'm going to place my hands
1:36:22
on the top of his slimy
1:36:24
ahead and use air. My divine
1:36:26
wielder a ability sparing touched it
1:36:28
just works works. Once the long
1:36:30
rests you can touch creature and
1:36:32
he'll take to he has sick
1:36:34
when spots I suppose I just
1:36:36
litter straight up in your eyes
1:36:38
as you do in Vegas. There.
1:36:41
He is pretty big brown eyes as wow to cure I
1:36:44
hope. I
1:36:47
feel my last article a little bit. Numb and I
1:36:49
start second office line from an
1:36:51
alright alright alright alright. I'm
1:36:56
gonna lift that like us and.
1:36:58
Swing. It down that instead of actually
1:37:00
see a down lies are gonna light up
1:37:02
and just like a bunch of spectral blades
1:37:04
are gonna like warm in the air and
1:37:06
slammed down into the baron. Said in one right.
1:37:10
Now what they're called that's called well
1:37:12
as ah so go ahead and as
1:37:14
a as an actress so that they're
1:37:16
hoping and they go ahead and all
1:37:18
your. Mouth
1:37:22
Yes as. Really
1:37:26
get that swells less eleven for the
1:37:28
hill fault and I didn't even add
1:37:30
me man. Said so whenever they
1:37:32
would definitely succeed as. Much
1:37:35
as I get a whole bag
1:37:37
you to hold back. okay and
1:37:39
then that will go far as
1:37:41
not. That great isn't one to ten
1:37:43
magic damage. I would have better his you
1:37:45
and Miss Death Vanessa hand. Or looks as
1:37:48
l and size or had Roland is him as
1:37:50
been. Assessed.
1:37:55
Ah, it's like a drizzle of was
1:37:57
this. One blade.
1:38:00
The thing to do the
1:38:02
heard like. City
1:38:05
has undergone. A
1:38:08
sign outside of the every artist who worked
1:38:10
on his car. In
1:38:13
there. Are
1:38:16
I always worked for some next
1:38:19
or I am going to look
1:38:21
over at Handle an Ice and
1:38:23
see to move away from. Single
1:38:28
this and me something over to me. I
1:38:32
don't like. Ssssss
1:38:34
you are that are. You
1:38:37
are destined for greatness as. You
1:38:40
know, What
1:38:42
You're looking At: The nursing boom and an energetic.
1:38:44
And as such a side that
1:38:47
missing I contacted by side of
1:38:49
nine Eleven has a devout christian
1:38:51
women enemies over his. Mean.
1:38:54
You think we would make the
1:38:56
great duel And first. You
1:38:58
know he did. Narrow and heartbreaking.
1:39:00
saddam. That starts to play. Me
1:39:03
and all my close allies can take
1:39:05
the hope. So eventually
1:39:07
cause. I
1:39:09
was no, was a mean close as
1:39:11
English, super close as a brush with.
1:39:14
Everybody but Sir Dante. Unfortunately, just
1:39:16
though the rings thousand. And
1:39:20
nine holes in them ago. When.
1:39:22
We try a little a little duel
1:39:24
with. And I want to do a
1:39:26
team up. Or you do tag team
1:39:28
roll back the all right it's three Hope cost
1:39:31
on not only with in all three my hope
1:39:33
I win approval or right? So what do you
1:39:35
both was doing them? What are we both doing
1:39:37
on. You know that light on
1:39:40
that move and like partner dances
1:39:42
were. Like the one person bends over
1:39:44
any other like uses the bat. Would
1:39:46
you like a player award for. best
1:39:49
zip through the upswing stuff i'll do
1:39:52
the tickling different areas in line behind
1:39:54
me i have a week him both
1:39:56
attack this pair of that era when
1:39:59
after after taxes you both are no
1:40:01
rush here is a dancing duet spinning
1:40:03
over blades and massive blades swinging as
1:40:05
you do. Are you
1:40:08
both making attack rolls with your weapons in as part of this
1:40:10
attack? I'm going to use my fans. I can roll an attack
1:40:12
as well. So
1:40:14
with a attack team roll, one of you initiates and
1:40:16
spends three hope, and you can only initiate it once
1:40:19
per session. But you both roll, and
1:40:21
then you take the higher of the two for both
1:40:23
of your actions, and if you're both doing damage, you
1:40:25
add the damage to get. Both
1:40:29
of you. Choose a
1:40:31
better roll for the two of you, then you can buy your
1:40:33
own. Use my platform. So I will do as she said and
1:40:35
take her on my back and spin around, but even though she
1:40:37
said to just do
1:40:43
it once, I'm going to try to go around and
1:40:45
around and around. You got it. So
1:40:48
it's like spring move? Yeah. I
1:40:51
call it lindy hop. Bring it fire.
1:40:55
Let's go. That was great.
1:40:59
And with the side differential, he's just like,
1:41:01
17 fear, or? Or,
1:41:05
oh wait, 19, 16 with hope. I
1:41:13
mean, if we take the
1:41:15
hope roll and the tag team move
1:41:17
like this, do we both regain hope?
1:41:19
How does that work? I
1:41:22
just broke the game. I
1:41:24
recall it. No, you're both
1:41:26
getting the roll, so you would both get a hope. Should
1:41:28
we do that? It's one lower, but I think it'll
1:41:30
hit. 16 will hit. I
1:41:33
hope it will. Okay,
1:41:35
16 with hope does hit. Okay, get
1:41:38
that whole back. Excited about
1:41:40
numbers. So both
1:41:42
of you guys roll your damage and then add them
1:41:44
together. Okay. It
1:41:47
is 2 to 8 plus 2. Okay.
1:41:51
Even though she did. Four. I
1:41:55
got 11 damage. Mine
1:41:57
is 13. whoa,
1:42:00
19, 20, 21, 22, 23, 24. So
1:42:05
24. So,
1:42:07
put the weapon to 35 points of damage. That
1:42:11
is double its severe threshold, which means it's
1:42:13
four hit points, which is what had left. So
1:42:17
how do you want to do that? Yay! But
1:42:21
there you go, Hannah. It hits so hard, I feel like
1:42:23
we're gonna hit it straight into our bug friend, but
1:42:26
we can't, we shan't do that. No,
1:42:28
no, no. Thanks, Shin. How
1:42:33
do you want to do this? Well,
1:42:36
I feel like, okay, so
1:42:38
we're doing, we hit him a few times,
1:42:40
hit him a few times, but then you
1:42:42
do a toss, and I
1:42:44
do a barrel roll. Yeah, yeah, yeah. And
1:42:46
as I come down from the barrel roll,
1:42:49
I'm just gonna impale it. Yes, and I will
1:42:51
go up from underneath, and maybe we can just shoot
1:42:53
over in the middle. Oh, we just steal it in
1:42:55
the middle? And
1:42:57
then just crumbles to the ground, draw
1:43:00
your blades out of the ready. Sorry,
1:43:02
sweet beast. Alrighty.
1:43:05
Whoa, that was really fun.
1:43:09
I told you, you're a star. I
1:43:13
sort of bend over and walk away a
1:43:15
little bit. I don't care. That
1:43:18
one's bad, this one's up? That
1:43:21
one's up still, yeah. Yeah, I see that happen as I
1:43:24
watch one of my spectral blades go, shh. I'm
1:43:27
fine, I'm fine, if you want to
1:43:29
go. Alright, tag team. Alright,
1:43:31
tag team. Oh, 23. Sir
1:43:34
Dante. Yes, yes. Shall
1:43:37
we try them together? Rolled
1:43:41
out the fucking tag team. Leave the way, Mr.
1:43:43
Offman. There's definitely nothing bigger waiting towards the end
1:43:45
of this game. No, definitely not. I want to
1:43:47
use my staff. Do it, do it, that's what
1:43:49
it's about. You can do tag team once per
1:43:51
session. You can initiate one once per session. Oh,
1:43:53
initiate one. So I can initiate one. It'll
1:43:56
probably be three, help the new cell though. I
1:43:59
get two, apparently. All right,
1:44:01
so I am gonna All
1:44:13
right, I just want to try to use my
1:44:15
staff so I'm just gonna get
1:44:18
it going again I'm
1:44:30
going to toss around while you're doing this and wave
1:44:32
my hat with one of my arms and prepare for
1:44:34
strike on the other points of
1:44:37
smoke much like the fire It
1:44:41
moves yes, and the
1:44:43
smoke will try to sort of wrap itself
1:44:46
Around the bear okay, okay,
1:44:48
and just slowly start to just All
1:44:52
right great. What are you casting for this?
1:44:54
I'm just using my staff. Hell yeah, go
1:44:56
for it all right Go ahead
1:44:58
and roll your respective attacks. I'm going
1:45:01
to add dramatic flair right
1:45:03
by saying I'm afraid you're about to meet
1:45:05
a grisly end Next
1:45:08
to hope Yeah,
1:45:11
I'm into it all right wait, so
1:45:13
do I send it in my spending
1:45:16
hope since we're talking you're spending three
1:45:18
Oh three because of me yeah When
1:45:22
an ally initiates a taxi roll with you they
1:45:24
only spend two hopes to do great. Oh great Yeah,
1:45:27
that's just two for you, and then you spend one
1:45:29
I spend one for my 14
1:45:38
15 16
1:45:44
19 with fear unless you've got I
1:45:46
rolled eight with
1:45:49
hope 19 with fear yeah
1:45:52
19 with fear I'll take the fear But you both get
1:45:54
to go ahead and combine your damage on this attack right
1:45:56
smoke the smoke rolls around as you're kind of building up
1:45:59
with your your hat.
1:46:01
It can swirl and mass around the bear
1:46:03
as it seems to be now completely invisible.
1:46:06
LAURA, ASHLEY, and ASHLEY, I forgot to add my sneak
1:46:08
attack damage on my previous roll. Can
1:46:10
I add it? I rolled
1:46:12
it, it was seven damage. MATT, LAURA, and
1:46:15
ASHLEY, I know! MATT,
1:46:18
LAURA, and ASHLEY, I know. MATT, LAURA, and ASHLEY, I
1:46:20
know. LAURA, ASHLEY, and ASHLEY, I
1:46:22
know. MATT, LAURA, and ASHLEY, I know.
1:46:25
MATT, LAURA, and ASHLEY, I know. MATT,
1:46:27
LAURA, and ASHLEY, I know. What, you always get
1:46:29
a sneak attack? MY such an ally as
1:46:31
in melee? LAURA,
1:46:35
ASHLEY, andstyne can also
1:46:37
spend any number of hope before the attack
1:46:40
and added more dice, but I didn't do
1:46:42
that, so I'm only adding it. MATT, MATT, and ASHLEY, I know. MATT,
1:46:45
MATT, examples on your active
1:46:57
V-er threshold, which is three points of damage. How do you want
1:46:59
to do that? MATT,
1:47:02
MATT, and ASHLEY, go
1:47:04
ahead. I think you've got him in the
1:47:06
strangle and smoking class. ASHLEY, MATT, and
1:47:08
ASHLEY, the smoke that's coming
1:47:10
out of my glorious staff,
1:47:13
a little pink, a little magenta,
1:47:16
a little periwinkle with little
1:47:18
sparkly celestial looking, and it
1:47:20
just wraps around the neck of the bear, right
1:47:22
in the body, and it's just getting tighter and
1:47:24
tighter. Do a little cartwheel underneath, get right
1:47:27
under it, and give him a tricky honor.
1:47:29
Be straight through the throat. You withdraw
1:47:33
and you see it crumple to the
1:47:36
ground as the weird liquid seeps out
1:47:38
of its wounds and out of its
1:47:40
jaw. The two slain bears are now
1:47:42
laid to the sides. They're
1:47:46
suffering at an end. The partially
1:47:48
healed one over there unconscious. As
1:47:52
you all catch your breads
1:47:56
taking in for most of you, the renewed
1:47:59
understanding of the dead. dangers that wander here,
1:48:01
though from your experience. A different
1:48:03
kind of danger than you expect them.
1:48:06
Oh. Oh!
1:48:12
We'll pick up for a post-battle investigation and
1:48:14
furthering of the adventure for this. That was
1:48:16
fun. That was
1:48:18
fun. Alrighty,
1:48:21
we'll see you all here in about 15 minutes. Oh,
1:48:26
hey there! Laura Bailey here to
1:48:28
tell you all about the glorious
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goods we create inspired by our
1:48:32
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the US store at shop.critrole.com. Every
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purchase helps support our shows and the stories
1:49:03
we tell. Speaking of which,
1:49:06
let's get back to the story. And
1:49:10
welcome back. So, ending of that
1:49:12
combat, I had three tokens left over. I'm going to
1:49:15
spend two of them to get
1:49:17
a fear, and that
1:49:19
last one just goes away. So,
1:49:21
here as the adrenaline begins to fade and
1:49:23
you all stand around the
1:49:26
two deceased corrupted
1:49:28
hedge bears, and the one that
1:49:30
hangs onto the edge. You
1:49:33
take in the intensity of what's around you. What do
1:49:35
you do? MATT Only this one. TALIESIN
1:49:40
And on my bear
1:49:42
weight, I'm
1:49:45
going to lay hands on its ribs
1:49:47
and see how she reacts. MATT
1:49:54
That's not your fault, Gertie. Does
1:50:00
she seem calm to me? MATT,
1:50:02
as a hurt, but calm in your presence, at
1:50:04
least. Your hand is the one that brought her
1:50:07
back from some brink. MARISHA,
1:50:10
ASHLEY, and LAURA, and SAM, can you fix your darlin'? LIAM,
1:50:13
as a hurt, but calm in your
1:50:15
presence, at least. Your hand is the one that brought her back from some
1:50:17
brink. Andra's gaze.
1:50:23
I will use a
1:50:26
different feature. I'll
1:50:29
use... Mending
1:50:33
touch. So this
1:50:35
is for quieter, slower moments. I'm
1:50:38
going to take a few moments and the
1:50:41
medallion around my neck starts to
1:50:45
glow gently, illuminating the two dogs peeking
1:50:47
out from my hips.
1:50:52
And I will give
1:50:56
this bear two
1:51:00
hit points. Okay. And
1:51:03
while he's taking that time, everybody
1:51:05
come close to where he
1:51:08
is, and I'll also cast
1:51:10
mysterious mist, and my
1:51:12
wings will start to flutter, and a little thick
1:51:15
mist starts to surround us, anyone that's in
1:51:17
a very close distance makes us hidden. Is
1:51:19
there a spell cast real quick? There is,
1:51:21
yeah. I spend a hope to do
1:51:24
it. I'm
1:51:27
going to amend my feature-wise. It should
1:51:29
be one hit point, unless I tell
1:51:32
the person or creature
1:51:37
I'm healing something about myself or learn about them.
1:51:40
You know, when I was a young
1:51:42
one, I met
1:51:45
one of your cousins, and
1:51:48
I was injured. Had
1:51:51
a broken leg, and
1:51:53
still feel it when it rains. And
1:51:58
that one, one of your cousins, he... He actually
1:52:02
grabbed me by the scruff, held
1:52:05
me under my feet, and
1:52:08
limped me back to my home. So
1:52:11
it pains me to see you like this, girlie.
1:52:15
But don't just pain you. And
1:52:18
I'll pull my hand away and
1:52:20
hope that that's enough to close the wound. The
1:52:24
wounds begin to seal over, not
1:52:27
completely healed of the wounds that suffer, but
1:52:29
definitely enough to recover
1:52:32
in time. But more so than
1:52:34
that, the signs of the corruption,
1:52:36
the strange ichor
1:52:39
leaking from its various wounds
1:52:42
and body corners subsides
1:52:45
and evaporates into
1:52:48
dust and vanishes as it rights itself.
1:52:53
You see it looks around at you all. Still
1:52:55
a massive and intimidating hedge bear, but
1:52:57
as it glances around, you don't
1:53:00
sense outward aggression as
1:53:02
it gets back up to its feet. And
1:53:05
at its feet, it's towering a good
1:53:07
three feet above your head's
1:53:09
arlo, but it bends down to sniff
1:53:11
you. It
1:53:15
licks the side of your face,
1:53:18
and then looking
1:53:21
at the rest of you, it begins to back away and then turns
1:53:24
and begins to lumber into
1:53:26
the shadow of the forest.
1:53:28
It stops and
1:53:31
turns back.
1:53:38
You see it looks towards the northeast
1:53:42
with a sad look in its eyes and
1:53:47
continues pushing westward. So
1:53:56
we hurt things and then we heal
1:53:58
them. I
1:54:03
mean you did the best you could. Corruption
1:54:05
outpaced their hearts. We
1:54:08
did it right. We
1:54:10
solved the problem. Yeah,
1:54:12
I think we destroyed the corruption. We
1:54:14
can go home now. I think we
1:54:17
did it. I'm
1:54:19
afraid that's just
1:54:22
an example of what
1:54:24
else is out there. We
1:54:26
haven't found the cleft hand or made it to
1:54:28
the Sea of River yet. So there's
1:54:31
more to go. But lessons learned.
1:54:33
The symptom, not the cold. How
1:54:36
was it, you think? It was.
1:54:38
It's your tongue all right. Yeah.
1:54:42
I can do that all day. I've
1:54:45
never seen you stretch it out that far. Yeah,
1:54:47
a little far. It feels a little stretched at the
1:54:49
moment. But
1:54:51
I'm okay. We should have
1:54:53
dropped the two puppies and taken the bear. Just
1:54:56
saying. No. I thought about
1:54:58
asking. Yeah. There's
1:55:01
a very easy one. You
1:55:05
know, I... I'm
1:55:07
not asking. Maybe. Maybe
1:55:10
that's where she came from. That's where we
1:55:12
should go. Drama
1:55:15
queen. Does the
1:55:17
path go the way that the bear
1:55:20
looked? Not directly. It
1:55:22
looks like it's arching semi
1:55:25
parallel, but slightly diverging in
1:55:27
time. Call
1:55:29
is yours. Seems like a clear sign to me.
1:55:33
Let's follow the gaze of the bear.
1:55:38
We won't get lost. There it is. Let's
1:55:40
do it. I love it. I'll just
1:55:42
grab an instant. Pretty great. Thank you. All
1:55:46
right. I'll maybe leave
1:55:48
the pack. All
1:55:51
right. Mm. Snog up
1:55:53
my baggy pants and
1:55:55
make sure the pups are tight and I start to
1:55:57
swing through the branches. We should walk
1:55:59
by the... The High Road. Oh that's terrible.
1:56:04
For to real minor shaking
1:56:06
your accent on a certain
1:56:08
like a normal first ah
1:56:10
ah ah ah ah a
1:56:12
ah ah ah. So far.
1:56:20
Beyond Cadence of Scissors Unfazed
1:56:22
by going through the Saturday
1:56:25
Globe and. You
1:56:28
press slightly off the path. You
1:56:31
been following in tracking deeper
1:56:33
east, north, east, Hopefully.
1:56:36
The direction of we are seeking
1:56:38
it doesn't take too terribly long
1:56:40
before you begin to hear that
1:56:42
distance sounds. Of.
1:56:45
Water. Rush. some
1:56:50
semblance of. An.
1:56:54
Abrupt. Or. Some.
1:56:56
Somebody of the liquid itself, crashing
1:56:59
and shifting between the landscape. Do
1:57:01
we see anything that might resemble? It's less and
1:57:03
wrong. New.
1:57:06
Go ahead and are dwindling an instinctual for
1:57:08
me if you don't mind to look for
1:57:10
the specific details of what you're seeking as
1:57:13
your trucking along the have like is were
1:57:15
ultimately not a moment of hundred watt only
1:57:17
in a do a big sniff I fly
1:57:19
you burn some and out of a little
1:57:22
bit of a better sense of smell from
1:57:24
living under. Underground. For
1:57:26
so long. So I can
1:57:28
discover sniff to see if I can smell stinky water
1:57:30
from the. From. The Okay so both
1:57:32
of you go ahead and make instinct
1:57:34
rooms to see you're looking, you're smelling.
1:57:39
Oh well that's that's a crossroads
1:57:41
were to one of when it
1:57:43
is going to go into either
1:57:46
of us Really sites that allow
1:57:48
my the i do the same
1:57:50
number on politico elder at a
1:57:52
critical success city more scary but
1:57:54
one of. The
1:57:57
I got a sixteen with Hope sixteen with
1:57:59
hope grapes. I. Are you gonna help? You
1:58:01
could hope any clearer stress if you have one.
1:58:03
For me, going to critically comes as no, I'm
1:58:05
not a series champion out. So
1:58:08
ah, As. You
1:58:10
diverted from your pack. You do
1:58:12
not have sight of cleft hand,
1:58:14
but you've seemingly circumvented. It's a
1:58:16
necessity, as indeed, you can see
1:58:18
what you can clearly understand. You're
1:58:20
lucky to see the strong connection
1:58:22
with nature around. Doing something about
1:58:24
this just tells you this. This.
1:58:27
Is the river thick sauce. You
1:58:30
are glance pastor what you see the
1:58:32
at like see a river and you
1:58:34
can see manner of trees that are
1:58:37
grown on the side some of them
1:58:39
are kind of bent forward slightly from
1:58:41
see their elements of trees surrounding the
1:58:43
water that are diminished and the intensity
1:58:45
of their leaves some they're leaving meatless
1:58:47
right have been roman via the very
1:58:49
edge of the and have a wide
1:58:51
the river from it's it's whiter than
1:58:53
a book could possibly be need to
1:58:55
see there are elements were the river
1:58:57
little ways up in little further on
1:58:59
kind of travels. Through rocks ah ends
1:59:02
small like three four footfalls that's
1:59:04
causing kind of the sound of
1:59:06
rushing that drew you hear you
1:59:08
picking up the sense of the
1:59:11
would i mean everything here the
1:59:13
further you get any kind of
1:59:15
has a stagnation to it but
1:59:17
this close to the water there
1:59:19
is a particular kind of punches
1:59:22
It is a scan of a
1:59:24
combination of still water with ah
1:59:26
heavy vegetation rot and something. It's
1:59:32
hard to describe and part of it makes
1:59:34
you a bit. Uncomfortable.
1:59:38
It's a familiar smell. Do
1:59:41
not quite sure what it is a
1:59:43
big mouth is often you're gonna feel
1:59:45
like a flopped Rcr I to smells
1:59:47
kind of liquor because think both of
1:59:50
us. Are. Hopping
1:59:57
our family different. Ah,
2:00:01
I don't know. exists and
2:00:03
announced or something. The
2:00:06
know that has really see any more
2:00:08
of that sled stuff anywhere. If
2:00:11
you get closer to the river you
2:00:14
can see one the edges the water
2:00:16
as much as the trees themselves or
2:00:18
leafless. the ground vegetation is deeply overgrown.
2:00:20
he can see the various like ferns
2:00:23
and bush's themselves are massively swollen wide
2:00:25
or even though the coloration kind of
2:00:27
gets to shift into blues and purples
2:00:29
beyond the natural greens of the forest
2:00:32
which at first to be beautiful it's
2:00:34
not pricks the stench the get stronger
2:00:36
and stronger to close. Easy to the
2:00:38
water on and you can. See the
2:00:41
water from here. Ah, you Being
2:00:43
familiar with many the crystaline waters
2:00:45
of the animal sky and it's
2:00:48
wonders forest expanse. Ah, this is
2:00:50
certainly a brackish brown money coloration
2:00:52
and water itself. While it flows,
2:00:55
it flows sicker than water should
2:00:57
ever so faintly. There is a
2:01:00
there is this a sickness and
2:01:02
and they're just a faint. Sluggishness
2:01:06
to it's flow that is unnatural
2:01:08
in such you on edge. Immediately.
2:01:13
From others source. Of
2:01:20
her has asked about there are plenty
2:01:23
of sticks about six that stick and
2:01:25
and prodded a bit and see if
2:01:27
it's if it's like like a like
2:01:29
a fungus if it can be pulled
2:01:31
up of the water africa in like
2:01:33
a skin you you placed in lifted
2:01:36
up i it doesn't carry on like
2:01:38
a like a layer or anything that
2:01:40
would stick her beyond the fact that
2:01:42
the edge of your stick now has
2:01:44
that kind of almost day like an
2:01:46
oil spill type texture to it and
2:01:49
it has that. Same bluish purple coloration
2:01:51
just St. Louis throughout the liquid
2:01:53
and the residue as what was
2:01:55
seen with in the claw marks
2:01:57
that initial treat on the way
2:01:59
so. Herb The Bears. You
2:02:03
said that they have liquid. On
2:02:06
them was at the same coloration same kind
2:02:08
of liquid as those claw marks is indeed
2:02:10
carry that kind of blue purple tend to
2:02:12
it. I'm
2:02:14
running for retraces. The
2:02:17
sort of like something. I
2:02:19
was strange thought. I'm
2:02:22
going to just I'm gonna take. A
2:02:25
half and. I'm I'm going to.
2:02:28
Down whatever waters. liked it very
2:02:30
quickly. And I'm going to see if
2:02:32
there's a way to just. Get. On
2:02:34
scoop a bit of this gunk into
2:02:36
it without touching anything. I
2:02:38
would like. As for finesse,
2:02:41
Ron and Rice is specifically
2:02:43
a challenging test. This may
2:02:45
be I must have control
2:02:47
of. Absolutely hilarious. As if.
2:02:50
You're gonna. Say
2:02:53
I'm a cancer center for a.
2:02:58
Lot of success of faces I
2:03:00
got. I now. Or
2:03:04
is this guy or four
2:03:06
guys anything? I can. Make
2:03:08
the southern not really aren't here we go.
2:03:13
Outside aid us much better that's or
2:03:15
fifteen with help the team it up
2:03:17
are you take a hope you go
2:03:19
ahead and and managed to just from
2:03:21
England angle where you can team accepts
2:03:23
it It has that all like. Sounded
2:03:26
it enters and can of beans to
2:03:29
fill partially that a canteen is you
2:03:31
lift how to spin see that that
2:03:33
that layer of of cleaning material that
2:03:35
that kind of foreign substance that has
2:03:37
swirled and mixed. In with the river water
2:03:40
that sucks looks down the side and you kind
2:03:42
of like shake it off at you close carpet
2:03:44
and the new some some fully adjusted. Dry
2:03:46
it off and then prisoner my bells
2:03:49
and smart them you have a half
2:03:51
canteen of river like than of of
2:03:53
the say that now I'm off. You
2:03:57
know, Silo? And just keep wondering if.
2:04:00
This is connected like to that seep stuff
2:04:02
you were talking about. Well, I thought
2:04:04
that too. I mean It
2:04:07
was liquidy Oh Pango. What'd you call me?
2:04:10
I called you Pango I
2:04:13
mean whenever she talks I just sort of
2:04:15
listen Do you want
2:04:17
something? Same
2:04:20
smell Thanks, I
2:04:23
don't know. Is it the same smell it
2:04:25
was a traumatic day. It was traumatic. It
2:04:27
wasn't the same as the horrible
2:04:30
caustic smell of the seep that filled
2:04:34
the the Exodus from
2:04:36
Ubi, but nothing familiar
2:04:38
nothing. It's familiar, but it's different
2:04:41
than that smell there Maybe
2:04:44
that was like a test run or
2:04:46
maybe it was a refined version or
2:04:50
Or maybe like you know how blood When
2:04:54
it's in your body It's
2:04:56
like you know bright red or whatever and
2:04:58
then when you let it dry
2:05:00
a little bit gets all brown and gunky I
2:05:02
mean the stuff that I saw was like fresh
2:05:05
and this is like old This
2:05:08
is more of a Doesn't
2:05:11
look like dried dry. Well, maybe other this
2:05:13
isn't really dry yet, is it? It's
2:05:17
a dante and I we came from in
2:05:20
the red crystal cavern There
2:05:22
was a thick mist and it was It
2:05:25
was making everybody go all haywire It's
2:05:29
quite violent. Wait, did it look
2:05:31
like this stuff? No, I just
2:05:33
wonder if it's all you know, it's like
2:05:35
the world is sick We
2:05:40
should trace it to its source the
2:05:42
rivers flowing downstream we should go up
2:05:48
Okay, what the grim warden's are on the
2:05:50
bank going upstream The
2:05:55
menageries Immortals
2:05:59
sub-chronic. Rather
2:06:02
than I ever have a step Great
2:06:05
Lakes as I am loving. And
2:06:08
or it. who is who is helming
2:06:10
it's a huge is it continued. Bees
2:06:12
are low and was going to the
2:06:14
same signature lady set. Eyes
2:06:17
out. Other that stigma thousand milligrams
2:06:19
a we like avoid this thirties.
2:06:21
Or right so you're going at your him
2:06:23
testing denounce him either You gotta free beacon
2:06:26
are as. Soon
2:06:31
as you continue to clamber over
2:06:34
and submitting them as Mississippi. River
2:06:37
bank season see areas where some
2:06:39
of the land has others act
2:06:41
like mobile an end in his
2:06:43
poor like be it's Mr. Marsh
2:06:46
element is expanding outward. River itself
2:06:48
seems like either be causing the
2:06:50
rapid. Erosion towards the
2:06:52
edge of the river banks or
2:06:54
the water is beginning to feel
2:06:57
you're uncertain, but it seems to
2:06:59
be pressing freshly beyond the long
2:07:01
carved boundaries of the reverse previous
2:07:04
flow. Cp.
2:07:07
Is first. To. See something moving
2:07:09
in the water? about fifty sixty feet
2:07:11
ahead of you. Something's can is shifting
2:07:14
and moving along the surface. This
2:07:16
up to bat upon. ah, higher up the
2:07:18
something in a lotta. Ah,
2:07:29
Do something in the Wild Oats. Features
2:07:33
skitter out of the nearby tree tops.
2:07:36
For switches for her on has he ever
2:07:38
since It's not like and water on can.
2:07:45
Move around the the white or wide
2:07:47
edge of my birth of and you
2:07:49
can see if there's something kind of
2:07:51
floating in the water. But
2:07:54
it looks like it's caught on one
2:07:56
of the heavy roots as is kind
2:07:58
of snag the end hanging. the edge.
2:08:00
LAURA and MARISHA, what is the shape of a
2:08:02
person? MATT, you take
2:08:04
a moment to focus and it does indeed
2:08:06
look like a body. LAURA, how far away
2:08:09
is it? MATT, it's about the wide
2:08:11
berth you guys are keeping, so about 30, 40 feet
2:08:13
from where you are as you're traveling around there. TALIESIN,
2:08:15
how far would you say it is? What distance of
2:08:17
30 to 40 feet would you say? MATT,
2:08:20
it's close or just beyond close. TALIESIN, I could
2:08:22
try and grab it if you like. I'm
2:08:25
going to pull out my hook. Oh
2:08:27
yeah, you did this. This is your thing. You
2:08:30
grabbed things. MATT, I'm going to
2:08:32
make a throw. MATT, Okay. Go ahead and
2:08:34
make an attack roll. A standard
2:08:36
difficulty of ten at this distance. TALIESIN, Oh, that
2:08:39
was my turn. Come on. That's 13 with
2:08:44
hook? MATT,
2:08:48
13. So you
2:08:52
give a tug and it takes a moment because
2:08:54
you can feel like the body was carried downstream
2:08:56
and then the cloak got caught up
2:08:58
in some of the roots along the bank and it's tethered
2:09:01
there for a bit, but eventually it tears
2:09:03
in one of the branches that it's caught
2:09:06
on breaks and you pull it onto the
2:09:08
surface. As you drag it closer and closer,
2:09:10
it's leaving a trail of the
2:09:12
continually brackish water in its wake.
2:09:15
As you yank and pull, it hits like a rock
2:09:17
and then it flips over onto its back, revealing a
2:09:20
humanoid male figure, slightly
2:09:25
bloated from being in the water for a bit.
2:09:27
LAURA, Oh no, it's my own colon! SAM,
2:09:30
Is it? MATT, You take a
2:09:32
glance toward it and see the familiar
2:09:35
hair slicked, the piercing eyes and
2:09:37
the human
2:09:42
and elven mixed
2:09:44
lineage still recognizable beyond
2:09:47
the face of
2:09:49
death. SAM, Ah,
2:09:53
Connie. Drag
2:09:55
him away from the water. LAURA,
2:09:57
I'm going to get my hook. LAURA,
2:10:00
and I'll hook on him, too, on my staff. TALIESIN,
2:10:03
MATT, and TALIESIN, and between
2:10:05
the three of us get
2:10:08
it carefully. We pull him carefully. MATT,
2:10:10
as you pull it closer, you see the
2:10:12
lower half's legs below the knees are no
2:10:15
longer there. But
2:10:22
it's interesting. There aren't
2:10:24
heavy slashes or any real signs
2:10:26
of open wounds. Though
2:10:29
you do immediately see the back of
2:10:31
the head is caved
2:10:34
in. It looks like some heavy
2:10:37
blunt trauma that may
2:10:39
have been responsible for this poor
2:10:42
ranger's demise. It
2:10:44
bludgeoned the back of the head and missing the
2:10:46
lower half of his legs. Like
2:10:49
cleanly? Yeah, what
2:10:51
the legs look like.
2:10:54
You said it didn't look like they got? You
2:10:56
look down at them and they look, honestly? Kind
2:10:59
of chewed apart. Oh. They
2:11:01
told only half of the body. Well, the thigh's
2:11:04
up. The
2:11:06
thigh's up. Okay, so maybe he was
2:11:08
attacked and then thrown in the
2:11:10
river and then whatever that creature is ate him. Does
2:11:16
the head wound also look like a bite? Does
2:11:18
it look weapon-like? Like a weapon clinked?
2:11:22
If you want to make a knowledge roll to
2:11:24
see if you can analyze the extent of the
2:11:26
wounds. Probably not be the one to do that.
2:11:28
Go for it. No.
2:11:34
You're clever. And
2:11:37
you're a... Minkle? Does that
2:11:39
look like a... What
2:11:42
would you make of this wound? It
2:11:45
would just have been. It killed him. Yes, but
2:11:47
does it look like it might have been a
2:11:49
rock? It might have
2:11:51
been a bite? It might have been an axe? I
2:11:53
don't know. I will
2:11:56
inspect the head wound, but I will also
2:11:58
use a reveal. from
2:12:00
the Book of Vargas, and see if
2:12:02
there's anything hidden within Close Range that
2:12:04
would. If
2:12:06
anything that would be hidden would be no longer hidden.
2:12:09
Plus a disinfection. Oh,
2:12:12
that is 23 with hope! Great.
2:12:17
So, as you
2:12:20
approach, before you analyze the body, you
2:12:22
go ahead and pull out your Grim
2:12:24
Warg, and as you are flipped to
2:12:27
the page of your reveal spell, begin
2:12:29
to weave the incantation. As you release
2:12:31
the woven tethers
2:12:33
of the arcane ethyph that surrounds the
2:12:35
space around you, you go ahead and
2:12:37
invoke this wave of
2:12:40
glowing dust that seems to emanate from you. As
2:12:43
it does, you can see, first thing
2:12:45
you notice, the weapons on
2:12:49
your friend here are
2:12:52
not drawn, which first
2:12:54
leads you to believe that he's
2:12:58
not expecting what ended him. Beyond
2:13:04
that path to the
2:13:07
edge of the river, too, the dust
2:13:09
seems to catch on something that you see
2:13:12
hiding within the roots, just
2:13:15
beyond the water edge. opposite riverbank?
2:13:18
No, on this side of the riverbank, in the
2:13:20
roots of one of the nearby trees, you see
2:13:23
something that's long and thin, tangled through, then looking
2:13:25
like part of the root
2:13:27
structure itself, but the spell seems to leave
2:13:30
it slightly glowing amongst
2:13:32
its shaded hiding spot. That was 30 or
2:13:34
40 yards away, so I'll say, nobody move.
2:13:36
I think it's unfortunate
2:13:38
that this poor fellow didn't see whatever
2:13:41
his demise was coming, but there
2:13:43
seems to be something watching us from the
2:13:46
riverbank, amongst the roots. Don't
2:13:50
get caught under wares. The
2:14:00
bank is we uphold the body up
2:14:02
and you can see these like. Brown
2:14:06
sheep's beginning to kind of shift out
2:14:08
of the water have a similar coloration
2:14:10
but the kinda like. Call
2:14:13
up to the muck. it looks it looks
2:14:15
almost like. A
2:14:17
quad load the ground crustaceans like
2:14:19
little crab like creatures that are
2:14:21
climbing up and out of the
2:14:23
muck up in your by force.
2:14:25
But as they begin to climb
2:14:27
out, the climb taller. And
2:14:30
taller. And as they
2:14:32
begin to, they sniff, seemingly searching
2:14:35
for their unfinished meal. And
2:14:38
a glance over here you are Now I
2:14:40
am Skyn gambler in my heart disease and
2:14:42
I cast and I disagree rather than that
2:14:44
of into couldn't get down low second the
2:14:46
box of into a train wreck I yeah.
2:14:48
Can't get all hide. Or
2:14:51
roller. Okay, I'll. I'll
2:14:54
join new them behind a tree man with a
2:14:56
simple join new and I'm I'm lines of inquiry
2:14:58
I think I can give I can get as
2:15:00
yeah I think like for months her as you
2:15:02
all began to can like. Carefully
2:15:05
move out of sight you
2:15:07
see them. The been sniffing around
2:15:09
in the air like. The
2:15:12
slightest bit of movement. The office
2:15:14
for zero in. And. Go
2:15:17
into a mass during towards you very.
2:15:24
Well I'm not. Rest of my we
2:15:26
are bad for your bachelors Now I
2:15:28
heard that I really I don't water
2:15:30
at all and I think that is
2:15:33
her water. A stagnant sale you all.
2:15:36
The pull back in this is full
2:15:38
of water of though in Springfield Nuclear
2:15:40
for ah ha he said you look
2:15:43
at Israel Diana already. I'd
2:15:45
have com or the. Three of us were pulling
2:15:47
a body out. And sell water. So we
2:15:50
listened closer and and or the body
2:15:52
was dragged about thirty or so flow
2:15:54
care about me and a bunny and
2:15:56
I wouldn't Who has started skipping towards
2:15:58
the trees using my silence. using
2:16:00
my ability to keep us silent. Which
2:16:03
is advantage on action
2:16:05
rolls to make you move without being
2:16:07
heard. I've earned a hope for it.
2:16:09
MATT and TALIESIN, go ahead and roll agility
2:16:12
rolls for me real fast. MATT, and dart out
2:16:15
of there with that ability while the rest of
2:16:17
you begin to shift right as they catch your
2:16:19
attention. TALIESIN, MATT, and D6
2:16:21
to add to that. ASHLEY
2:16:24
and MATT, and D6 to add to that. MATT,
2:16:54
and another after another after another are emerging. It
2:16:56
looks like your
2:17:07
body is your friend who sits here on the ground after
2:17:09
being dragged out. As soon as you all begin to scatter
2:17:11
off to the side, first off, what did you roll? TALIESIN,
2:17:13
MATT, and D6 to add to that. MATT, and
2:17:16
D1 to add to that. TALIESIN, MATT, and
2:17:18
D6 to add to that. Great.
2:17:20
So you both dart off at the side while the rest of you begin
2:17:24
to shift as they charge at you. I'm
2:17:26
going to start rushing with this big skittering sound. ASHLEY,
2:17:29
LAURA, and MARISHA. I was close to the body because
2:17:31
I would have been trying to pick his pocket. But
2:17:34
I sunk down into the vegetation and I'm just hiding there.
2:17:38
MATT, ASHLEY, and MATT. So. That's just happening. I'm going to go
2:17:40
ahead and spend a fear to take GM
2:17:46
action immediately and then spend both
2:17:50
of these fear to give
2:17:52
me four tokens on My
2:17:55
immediately intrusive ambush: GM Turn here. I'm going to
2:17:57
spend. All four of these tokens activated. So
2:18:01
they charge forward is easier fight
2:18:03
Miss like up front loves like
2:18:06
fly. Trust our our. Jaws
2:18:08
lox open into these are separate
2:18:10
bisected john when effects when we
2:18:12
go and move if amp Melinda.
2:18:20
Swirling as to be here. Soon.
2:18:24
As the Catholic church is. Already.
2:18:29
Isn't around me? You're
2:18:31
very tall are you know my
2:18:34
Susan Rice's. Right
2:18:37
order. Pasta
2:18:39
with that know that them
2:18:41
are going to attack you
2:18:43
tastes hello Was sixteen. To
2:18:46
hunt you Down Voted. For
2:18:49
three physical damage three physical damage would
2:18:51
refuse to stress out as a three
2:18:53
districts and solace in the first to
2:18:55
death. The next one is a for
2:18:58
to hit. Yeah. He
2:19:00
takes a physical damage on my a
2:19:02
his for the as I did miss
2:19:04
a beat me to say so I
2:19:06
say how many three the next one
2:19:08
is a or seven the hit you.
2:19:11
And the next one is is it was three three to take.
2:19:14
For. Stress essentially. For
2:19:16
oh oh oh oh
2:19:19
oh yeah sorry oh.
2:19:23
Alright, So. And reactions this
2:19:25
is the all swoop in slam
2:19:27
around Pengo and me to sharks
2:19:29
scrambling and swarming of of science.
2:19:31
us from hundred. oh I do
2:19:33
or I grew. Up
2:19:37
on first I griff
2:19:39
my gigantic sword. Ah,
2:19:42
And my great sword and I
2:19:44
using my rule wind feature ability
2:19:46
spite of i'd swing out in
2:19:48
a wide are killing enough to
2:19:50
support him try to hit all
2:19:53
of a killer I know I
2:19:55
wouldn't bite people, smoke cool off.
2:19:57
To be honest, I rules. Twenty
2:20:01
with hope. Twenty with Hope.
2:20:04
And I mean all right.
2:20:06
And you're spending a So
2:20:08
with Whirlwind Your eyes. You
2:20:10
may also spends. Hope to
2:20:12
use that role against every other enemy
2:20:14
within. Rad hits all four of the
2:20:17
regular joe ah ok and the same
2:20:19
wrong I saw Israel and a lot
2:20:21
and yes ago hell yes who had
2:20:23
role name is okay them as it
2:20:25
has damage against the other it is
2:20:28
has downs against everyone with of the
2:20:30
first one emphasis to leave on mad
2:20:32
about of Iran and Saudi sand was
2:20:34
to. And. Then
2:20:36
that's. To
2:20:38
preserve. Twelve. Thirteen.
2:20:41
Fourteen Floss. Ah, because of a forceful
2:20:43
know because of something body basher. I
2:20:46
get another three. So when I say
2:20:48
fourteen, seventeen points to the always ultimate
2:20:50
sunni points to one and first when
2:20:52
you hit and and half of that
2:20:55
holds that metics as minions as they
2:20:57
rushed you. You. Go hidden,
2:20:59
sweep around and carve all four
2:21:01
of them immediately. Slow. Rounds
2:21:05
Okay, okay. Resigned
2:21:08
as their boom since you sort of
2:21:10
flies nearing an interest, it's I love
2:21:12
crab. Red
2:21:14
Cross or at most of the
2:21:17
whole crop us was how you
2:21:19
gotta like or I cast another
2:21:21
there's. Still
2:21:23
more clamoring out of the water when I'm
2:21:25
not going up know and I am a
2:21:27
some customers enterprise and. To go about it
2:21:29
I'm going to step to the right are
2:21:31
not as a tree lined already I don't
2:21:33
know for to do this we'll find out.
2:21:36
I'm going to take ah my grappling hook
2:21:38
and I'm going to fire at the one
2:21:40
in the back. Over here.
2:21:42
yeah I guess was Range Arms
2:21:44
it is. Ah,
2:21:47
isn't that. Far.
2:21:50
Of our yeah there's a I get limited are unfamiliar to
2:21:52
one of the back. And
2:21:55
smooth. Anointed
2:21:57
have also given if I imagine so on it.
2:22:00
to see if I can get my dramatic flare. If
2:22:02
you'd like to, you can spend a hope to do that. I'll
2:22:04
spend my hope and say, and
2:22:07
me would have my bib today. And
2:22:09
so that is, there's
2:22:14
my extra paper towel, the table towel. That
2:22:21
is a crit, that is five
2:22:23
and five. Yay! All right,
2:22:26
again, a hope you've here, check. Automatically
2:22:28
hit. Roll damage on that.
2:22:30
As you toss it across that way, and it
2:22:32
sinks into the creature. So I have a crazy
2:22:34
thing I want to do. All right, so this
2:22:36
is 2d8, two. That's
2:22:39
11. I want to see
2:22:41
if I can pull him all the way through, and
2:22:44
see if I can either just give them,
2:22:47
like just knock them,
2:22:50
trip them, do something just to break up the rest. I'll
2:22:52
say you yank it through, and they kind of like, you
2:22:54
push them apart, all out on a critical especially. They
2:22:56
kind of get broken up a bit over here and have
2:22:59
to like move out of the way as they kind of
2:23:01
get knocked to the side. You drag half of it towards
2:23:03
you, because you literally pluck it, the
2:23:05
torso off, and you have half of
2:23:07
this crustacean creature kind of like, lands like this. And
2:23:12
then just stops moving. Tonight
2:23:14
we melt butter. All right,
2:23:16
fantastic. All the love. All
2:23:18
right, Zarlow, what you got?
2:23:20
Zarlow's, while
2:23:22
cradling my two babby's close, Zarlow's
2:23:24
tail reaches around and pulls the
2:23:27
axe off his back and plants it into his hand. And
2:23:29
I'm going to, I
2:23:32
have a spirit weapon. When you have a melee
2:23:34
weapon equipped, you can fly from your hand to
2:23:36
strike an enemy and return to you. So I'm
2:23:38
gonna chuck it at the nearest one. All righty,
2:23:40
close range, right? Yeah, close range. It's close range?
2:23:42
Right. And yeah, you can definitely, there's
2:23:45
a hole over here. Yeah, you can get that one
2:23:47
right there. All right, is that okay? Or you're up here, yeah.
2:23:49
So you can definitely get either of those. Either of those. Cool,
2:23:52
that is a 14 with fear. Fear.
2:23:57
That's okay, that successfully hits. And
2:23:59
I'm... going to mark a stress and,
2:24:02
oh by the way, this axe is a silver
2:24:04
sheen with the etching of a tree spreading wide
2:24:06
along the head of the axe on each side.
2:24:09
And it glints through the dappled light that's
2:24:11
in here, shunks into the
2:24:13
one, and then I just yank with
2:24:15
my hand and it flies from the
2:24:17
first creature into the nearest. All right.
2:24:20
So they each take and I leveled
2:24:22
up my proficiency, so that's gonna be.
2:24:26
Defect. No,
2:24:28
you can get fucked. That'll
2:24:31
be 11 points of
2:24:33
damage. Both
2:24:35
of them, as you slam into each other, the axe carves
2:24:37
through both of them, returning to
2:24:39
your grasp. Both of them just left in two
2:24:41
pieces, each on the ground, their impact scouring them
2:24:43
against the tree. You're barely protected from being splashed
2:24:46
with lobster bursts and spray, if not for the
2:24:48
tree that you're hiding. You
2:24:51
all hear sourcelessly from the nearby brush. My
2:24:54
tail whips around. My
2:24:56
tail catches it, puts it back in. Good bye,
2:24:58
Bobby. Bobby, so
2:25:01
because he rolled a fear that
2:25:04
triggers my rally die. My
2:25:07
class, my bardic class feature. Fucking
2:25:10
rally. When I increase it
2:25:12
above six, I remove the die and I describe
2:25:14
how I rally the party and give every character
2:25:16
who is listening a 1d6 rally
2:25:18
die, they may spin this die to
2:25:21
roll it and add the result to
2:25:23
any action, reaction, or damage roll.
2:25:25
So everyone's in high school, and you
2:25:27
can pitch it for basically whatever you
2:25:29
want. How long does
2:25:31
this last? How do you rally them? Just
2:25:35
from that little moan you gave. I am,
2:25:37
I love that. It's so crazy. All
2:25:41
the way. Someone should heat up
2:25:43
the butter. No. So
2:25:48
in that moment of levity and inspiration as it
2:25:50
hits, the mass number of these creatures have immediately
2:25:52
been scattered to the ground.
2:25:55
Your sense of worry begins to fade
2:25:57
and roll the fear. as
2:26:00
you recall, that strange thing that
2:26:02
was revealed in the nearby room
2:26:04
of the tree as it begins
2:26:06
to slither out underneath the massive
2:26:09
timber serpent. It's self-hored as it
2:26:11
pulls out, you can see the
2:26:13
strange streaks of weird ichor, like,
2:26:16
sweeping down its body and dripping from underneath
2:26:18
its mouth and jaw. I'm going
2:26:20
to go ahead and spend
2:26:23
one to activate that, and then one to activate
2:26:25
one of these. I'm going to
2:26:27
charge in. This one's going to go ahead and
2:26:29
attempt to strike at you. That's going
2:26:32
to be a 16 to hit. That does hit. Three
2:26:36
points physical damage. Three points. I'm going
2:26:38
to use a quick retaliation. I immediately
2:26:43
deal weapon damage to the creature at half
2:26:45
proficiency. And also adding
2:26:48
a countdown here. That's three points of
2:26:50
damage to the other guy. A
2:26:54
countdown for what? Retaliation? Retaliation
2:26:56
takes three. It
2:26:58
destroys him. Lily runs up into you. Three
2:27:01
damage to the one. And
2:27:04
it crumples immediately. I'm putting
2:27:06
a countdown die. What does
2:27:08
that do? She's
2:27:11
definitely... Nice to. So,
2:27:17
countdown die. For certain creature abilities, certain
2:27:20
conditions will cause it to count up, when
2:27:22
it reaches a certain number. Certain creatures can
2:27:24
use special attacks and abilities no matter what's
2:27:26
happening. It's an account
2:27:28
of one for the fear that was rolled there.
2:27:31
It's going to... Over
2:27:33
to you. Me?
2:27:42
Through the ground, it's going to shriek up
2:27:44
for an unappearing fight. You
2:27:47
do? I wanted to get
2:27:49
out of here. No, you know
2:27:51
what? It's going to
2:27:53
go ahead and shift up onto the top
2:27:55
of this. I'm going to spend that fear
2:27:57
from activating it and do a spinning spin.
2:28:00
The urban attack it will mark a
2:28:02
stress spiritual make a thing attachments all
2:28:04
targets within very close range. Of
2:28:07
a guy off pretty close, very close
2:28:09
range is going to be you three.
2:28:11
That's going to be Ah Sir Dante,
2:28:14
that's going to be Sweet Pea And
2:28:16
that's going to be Tango. Ah,
2:28:18
I'm I'm able to be directly
2:28:20
targeted by attacks. Because
2:28:23
of because I'm hidden. Oh.
2:28:25
Into the ground, right? you did an aide. It's
2:28:27
true, Or so yeah you
2:28:29
are altitude on here through your business or
2:28:31
must rely. On
2:28:34
a little my son. Is
2:28:36
that it's about the chaos American to move right
2:28:39
above you own of hip. Hop which
2:28:41
will put. Ah, That.
2:28:43
Would put our be in range of
2:28:45
his. Wedding announcement
2:28:48
and up. A yeah
2:28:50
oh. Here's what
2:28:52
you. Are not out
2:28:54
know you're doing of may be just as
2:28:56
even rather than know the zealots you're not
2:28:59
a guy with losses which are. Going
2:29:02
to the run of attack on that la
2:29:04
souter that on that side to be thirteen
2:29:06
to hit to does it. It has made
2:29:08
his I'm Thirty and my race and thirty
2:29:10
am. I right so. What
2:29:12
does that hit you Zola, your poetry
2:29:14
or us had autonomous my name on
2:29:16
sign on its or tango Panko Anna is
2:29:19
right next to each other and your
2:29:21
name and in own and ninety reload
2:29:23
Nine So thirty and definitely not. My
2:29:25
mother of a producer was in ruins
2:29:27
with the moon idiots shifted into that
2:29:29
space cause she was hidden more with
2:29:31
the damage was or martin said one
2:29:33
another that was to hit tail thirteen
2:29:35
and then. I
2:29:37
guess all of you take six point of physical damage.
2:29:40
Us. Army
2:29:44
misprint of home. Oh
2:29:47
yeah, I'm a second row of
2:29:49
seats if you reduce ah ah,
2:29:52
his below zero. You stick stress.
2:29:55
I. Do still think of stress. it's or if
2:29:57
you reduce it soon to zero node him.
2:30:00
At all when I spent a hope
2:30:02
to reduce it by nine to negative
2:30:04
thirties and I think I'd get him
2:30:06
for have pointed out as I said
2:30:09
i'm sorry I don't have other as
2:30:11
it's below your miners wrestle getting rid
2:30:13
of it as I'm gonna take my
2:30:15
retaliation really quickly serve of work. ah
2:30:17
that's five by points of damage to
2:30:19
that are obsessive because matters of disappointments
2:30:22
as teachers and I just used by
2:30:24
some really to my stalwart success I
2:30:26
gotta say I as it's with runs
2:30:28
six bytes in each been a rapid
2:30:30
series of strikes around you. As for
2:30:32
the requests, it's hood like spread. that's
2:30:35
right as you say retaliate with your
2:30:37
blades Strike. It's. Me
2:30:39
says opens. it's things Things are dripping with venom
2:30:42
and looks like it's throat service. Well. As
2:30:45
I'm right underneath it yet so. Than
2:30:47
a spring up, some citing
2:30:49
an ominous. Data. With the pointing
2:30:51
out of my staff. Can indeed do that? Go
2:30:54
for a rogue say I don't have
2:30:56
a savvy and and my staff but
2:30:58
as soon as a hit it set
2:31:00
aside our sub because because you are
2:31:02
hidden before and he denied you have
2:31:04
been see how to be sixty role
2:31:06
uma guess. And say.
2:31:11
Okay, Okay,
2:31:14
That's. What Is that? eighteen? Or
2:31:17
with hope. Okay with only
2:31:19
twenty. With because I'd say that's instinctual.
2:31:21
So twenty with. Health that definitely hit seventy three.
2:31:23
Hope for that. So. In
2:31:26
that case, I'm going to. Since
2:31:28
I succeeded, I'm going to add.
2:31:33
To have to my damage wrought.
2:31:35
Okay are there are less than two holes and
2:31:37
I'm gonna get to extra. The eighth grade amounted
2:31:39
to a that I. Already thought they were
2:31:42
being a sneak attack. skirts forty eight
2:31:44
than so. that's for that's. Three.
2:31:46
Hundred Eight On Time Sudeten. Oh God.
2:31:48
It just as as. As
2:31:51
great! So. Sad sixteen
2:31:54
regular. And
2:31:57
less thirteen. let's
2:31:59
go plus another four. I
2:32:02
didn't add this. MATT, 29, 32?
2:32:05
Oh, 33 points.
2:32:08
That is definitely beyond its severe, so it's going to
2:32:10
take three hit points, and that one strike, as it's
2:32:12
over top and recoiling, getting ready to burble up, all
2:32:15
of a sudden, out of nowhere, springing from the brush
2:32:17
beneath this cap of color. Like spinning around and
2:32:19
then slamming my shits. Wham!
2:32:22
Over top, the creature looks like, push down into the
2:32:24
muck, and as you're holding your staff down on its
2:32:26
head, it has to, like, twiggle free, and it manages
2:32:28
to pull out. You can see as it's stunned in
2:32:30
the minute, its head spinning for a second, it has
2:32:33
to right itself. That was a heavy damn hit. That
2:32:35
was with hope, right? That was with hope.
2:32:38
Can I use, I'm going to use the
2:32:40
Book of Argus, and I'm going to cast
2:32:42
Arcane Door, because I'm not in melee with
2:32:44
this snake thing. Can
2:32:46
I use Arcane Door, and I'm going to do a
2:32:49
spell cast roll of 13 to try and
2:32:51
bamf the fuck out of here? 14, 15,
2:32:53
16 with hope.
2:32:57
How far can you do that? I would
2:32:59
burn a hope, but I'll get it right back, because I
2:33:01
rolled with hope, and it can take me far. Where do
2:33:03
you want to go? Far
2:33:06
range. I'm going to go up on that cliff, close
2:33:08
to you, so I can get a little overwatch.
2:33:11
Appearing over on
2:33:13
top of that cliff. Seeing
2:33:15
how intense things are getting to help the rest of my
2:33:17
party. You hear like, you hear
2:33:19
like, Why
2:33:22
am I still here? Why am I still here? Why am
2:33:24
I still here? Why am I still here? Why am I
2:33:26
still here? That's on me. I'm
2:33:28
ready for the party. All
2:33:31
right. You just hear like,
2:33:33
where have all the good
2:33:36
boys gone? I
2:33:39
bust out into a little jaunty jazz
2:33:41
number, and I
2:33:43
play an epic song during melee. I
2:33:48
am very fast, right in the mist. The
2:33:50
flash dance moment, and like water comes out of
2:33:52
nowhere, and you like drench his bunny. And
2:33:55
then, yeah, you make some mash-ups,
2:33:57
all right? It's
2:34:00
the Follies show, just go with it. It's the Follies show!
2:34:04
And, um, I believe an
2:34:06
epic song during battle. Um,
2:34:10
I guess it was during Barricade.
2:34:13
Yeah, it was Barricade. Um,
2:34:17
the target is vulnerable. That's it.
2:34:19
Oh, that's it? Yeah, I know.
2:34:22
Oh, that. Okay, the target is vulnerable. Is this
2:34:24
guy here when it's vulnerable? Yeah. Sure,
2:34:26
you got it. He's the only one. It was a long walk, but
2:34:28
it was a beautiful walk. So as
2:34:30
it's still reeling from the strike
2:34:33
from CP over here, you emerge
2:34:35
and begin to unleash the magical
2:34:37
presence of your dynamic
2:34:39
towards it. It glances back towards you,
2:34:41
and you can see it's in
2:34:44
the process of still trying to take in its atmosphere. One
2:34:46
eye's rolling around like a Chuck Jones cartoon.
2:34:49
Um, fantastic. Yeah.
2:34:52
Okay. I'll be with you. Okay.
2:34:55
Um, I'm gonna... Is
2:34:57
it possible to move away during my turn? If
2:34:59
you want to move. After I hit it? Can
2:35:01
I just back away? I'll
2:35:04
back away from you. To
2:35:06
that, to the tree? You can move as part of your
2:35:09
actions. You can move within close range without having to roll. Okay,
2:35:11
great. Me too. Me
2:35:13
too. I'll try to walk back. Sure thing. Alrighty.
2:35:18
You got it. Okay. Oh,
2:35:21
man. I'm just, I'm nervous that I'm gonna
2:35:23
go for it. Just straight
2:35:25
out, I'm gonna, I'm gonna warm
2:35:28
up my staff again, and I'm
2:35:30
gonna unleash chaos. Okay. So... Unleash
2:35:33
chaos. Unleash chaos. So... What
2:35:36
I'm gonna do
2:35:38
is, I'm gonna make my spell casting roll.
2:35:40
Yes! Okay.
2:35:47
Alright. Alright. It's really good.
2:35:50
Oh, I'm mostly gonna do this. Okay.
2:35:54
So we got, that would be,
2:35:56
that's 24 with hope. With hope?
2:35:58
Great. And
2:36:04
I'm spending three of my tokens, so
2:36:06
that it's going to be 3d10. And
2:36:09
using my... 3d10 damage? Right,
2:36:18
those were three hopes you
2:36:20
used? Those tokens? Those are my...
2:36:22
Oh, you have special tokens? I have special tokens. For
2:36:25
the Unleash Chaos ability. And
2:36:27
then I have to spend stress
2:36:29
to replenish them again. Perfect!
2:36:34
That's cool. Alright, so let me get
2:36:36
my 10. Alright,
2:36:40
so we got a 13 and... One
2:36:44
more 13 plus... Four.
2:36:47
Alright, so 17 points of damage. That's
2:36:50
a major wound to it, so it takes two more hit points.
2:36:53
Describe to me how you Unleash Chaos on this
2:36:55
creature. Alright, I
2:36:59
get excited by the rally
2:37:02
cry for Bunny, and
2:37:05
I see Sweet Pea pop up and go
2:37:08
for it. I gather my courage, and
2:37:11
I shoot out my staff, and
2:37:13
out of it comes
2:37:16
the sparkly magic, and just unleashes
2:37:18
absolute chaos all over his body.
2:37:23
Become a little sparkly on the inside, under his belly. You?
2:37:26
No, him. So as
2:37:28
the energy strikes, what involves throwing it out? Wait!
2:37:31
That's cool. The
2:37:34
serpent seems to recoil and try and pull back
2:37:36
into the muck instinctually. It's in a severe amount
2:37:39
of pain, and as it pulls back into trying
2:37:41
to hide in the muck, it can't hide at
2:37:43
the moment, because the chaotic
2:37:45
energies you've unleashed within are still crackling
2:37:47
between and underneath its scales. You
2:37:50
can see it glowing like the inside of a burning
2:37:52
ember. That's
2:37:54
awesome. That's what you get for trying to eat Cullen. able
2:38:00
to absorb it. Get out
2:38:02
of here. Behind
2:38:04
the tree or something? I know
2:38:06
that was not the idea. Okay. All right. Who hasn't gone
2:38:09
here in a minute? I
2:38:12
haven't, but we're still facing the snack, right? Yeah.
2:38:16
How does the snack look? In one lobster.
2:38:20
I like killing
2:38:22
the lobster, that was easy. I'll
2:38:24
take a swing at the snack. The snack. Yeah,
2:38:29
I'm going to try to stab down and try to pin it to
2:38:31
the ground so it can't move. Is that a thing? If
2:38:36
you have an ability to make it... I don't. If
2:38:40
you want to attempt to grapple it, you
2:38:42
can try that. Make damage or hold it
2:38:44
in place. I'm going to try to grapple
2:38:46
it, but I'll flavor it with it and
2:38:49
I'm stabbing down and sort of pin it to the
2:38:51
ground. All right, so go ahead and make a
2:38:53
strength roll for me if you don't mind.
2:38:55
Blade doesn't have a name, should it have
2:38:57
a name? It needs
2:38:59
to earn one if you want to. Snickpitter.
2:39:06
Well, wait to the roll first. Okay, 13
2:39:09
with fear. I'm
2:39:15
adding strength to that, right? 13 with fear. Unfortunately.
2:39:19
My medallion and it
2:39:21
starts to glow and I look at the
2:39:24
big lug's face and I'm going to use
2:39:26
three of my prayer dice to carry
2:39:29
him through. All
2:39:31
three of the dice? I am adding three
2:39:34
numbers to his attack. When did
2:39:36
you roll? I
2:39:38
thought that prayer dice, I get
2:39:40
to add these prayer dice at
2:39:42
my discretion to reducing coming damage.
2:39:46
Correct, so roll them first. At
2:39:49
the beginning of a session, roll a number of
2:39:51
d4 dice equal to your spell cast traits and
2:39:53
store them to your side. You can exhaust them
2:39:55
at any time to use their value in reducing
2:39:58
incoming damage, adding to a reward. MATT,
2:40:00
and roll rhythm. MATT, what is your roll in d4s? Oh,
2:40:03
seven total at the beginning of the game, so I got
2:40:05
seven sitting here. MATT, so you're spending all seven on this
2:40:08
right now? MATT, giving Pango three. Oh,
2:40:11
I see. I
2:40:13
have seven. I'm spending three
2:40:15
to try to get this true. So
2:40:19
that will carry you over. That is a success. That's
2:40:23
where the serif comes in. So the
2:40:27
extra focus from the divine power
2:40:29
focusing through Zarlow stills
2:40:32
you with supernatural strength, and as the serpent
2:40:34
almost escapes from your grasp, you hit
2:40:36
it with your hand and then take your blade and pin
2:40:38
it into its tail, holding it to the ground. So yeah,
2:40:40
it is currently restrained. It cannot move. Should
2:40:44
we talk to it or kill it? MATT,
2:40:46
with a fear move, that's now gone to me.
2:40:49
I'm going to go ahead and activate three over
2:40:51
here as three
2:40:58
more of these creatures emerge from the wall. Oh,
2:41:00
shit. Why?
2:41:05
It's funny! It also takes
2:41:08
up to a two. It's
2:41:11
still attracted to you. All
2:41:18
right. Those three over there, I'm
2:41:20
going to go ahead and spend a fear for
2:41:23
them to go and do a group attack. So
2:41:26
for you, spend a fear to activate all
2:41:28
adverse theories with a new name within very
2:41:30
close range. This one actually comes in and
2:41:32
joins it through the wall. Actually, I don't
2:41:34
need to spend all those, actually. I
2:41:40
can spend one of them. So
2:41:42
all right, I
2:41:44
will go ahead and spend a fear to activate all
2:41:46
of them. They go into close range. Make an attack
2:41:48
roll against you. That is going to be an eight.
2:41:55
Thank you, that's your information. Ten. Ten!
2:41:58
So none of it. hit.
2:42:04
The group attacks the minions like that. If
2:42:06
it does succeed for all that are around
2:42:08
you, all the damage stacks up. You can
2:42:10
get swarmed and just take it. LIAM
2:42:12
and TALIESIN, like our tag team? They can do that
2:42:15
to us? MATT, like right there, he would have done
2:42:18
three damage each, which would have been
2:42:20
a total of 12 damage
2:42:23
just instantly. And minion swarms can
2:42:26
get much larger. Nevertheless, that finishes
2:42:28
their go. This
2:42:30
fellow over here, I'm going to go ahead and activate,
2:42:32
and he's going to go ahead and go for an
2:42:34
armor piercing bite against you. SAM,
2:42:38
okay. I do have armor. MATT,
2:42:40
that's going to be a 20 to hit you. SAM,
2:42:43
yeah, of course. MATT, okay.
2:42:46
That is going to be
2:42:49
not great. Five points of physical damage,
2:42:51
but you mark an armor slot. Oh,
2:42:55
because it pierced my armor.
2:42:57
So it's five points of
2:42:59
damage for the stress. MATT,
2:43:03
but you do mark an armor slot with
2:43:05
garlic. SAM, okay, I did. I marked them
2:43:08
both. MATT, you're full of blood stress. SAM,
2:43:10
that's how Irish people talk, they add an
2:43:12
armor to everything. MATT, are you full of
2:43:15
blood? SAM, I'm
2:43:18
not full on stress. I
2:43:21
have one extra stress flop because
2:43:23
of him. MATT, I'm full of
2:43:25
class ability, I think, and ancestry
2:43:27
ability. MATT, that finishes my
2:43:30
GM move. Who wants to get
2:43:32
it? ASHLEY, I'm a little freaked out. So
2:43:35
I do my death drop, and I'm going to get up and I'm
2:43:37
going to turn around, and then I'm going to pull out my whip.
2:43:39
I'm still unsure if I have to target someone or
2:43:47
if I can just do this with
2:43:50
a whip crack, but I ultimately
2:43:52
want to mark a stress and
2:43:57
do a whip crack, and I scatter.
2:44:00
Let me do that right now. Boop. And
2:44:03
I... Mark
2:44:05
starts to scatter enemies back from me to
2:44:07
close range. So anything in melee range scatters
2:44:09
back. So you crack these all move back.
2:44:11
Ooh, that's a lot of back. Cool move.
2:44:14
Into the water. Deathstroke. New
2:44:17
game, who dis? Yeah. You
2:44:19
just crack and they all like instinctually back up
2:44:21
out of the way. Back you crabs! Alrighty.
2:44:26
We can help you call them out later. Yeah. I'm
2:44:29
just gonna take a second. I'm just seeing
2:44:31
this thing pinned down. Do you get a...
2:44:33
Do I get advantage on attacking the snake
2:44:35
with their pin or grapple? Uh,
2:44:37
I don't think we can do it. They just can't move.
2:44:39
That's fine. I'm going to, uh... Just
2:44:42
seeing that, uh... You've got a
2:44:44
massive fine tooth. We've got him where
2:44:46
we want him. I'm going to just take an attack and
2:44:49
just go for it. Haha!
2:44:51
Haha! I think I'm gonna try and go
2:44:53
straight through the eye. Sure, go for it.
2:44:55
Alright. What's your weapon? Is it
2:44:58
just the grabber thing or do you have a sword? No, I'm using
2:45:00
my rapier. Haha!
2:45:03
And I'm burning the die that you
2:45:05
got. Yes, don't forget your
2:45:08
inspo. My inspo because I
2:45:10
really want to hit this thing. Uh,
2:45:13
and good I did. 11,
2:45:15
16 with hope. 16
2:45:18
with hope does succeed. That Raleigh die made the
2:45:20
difference. Go ahead and roll damage on that. Alright,
2:45:23
there we are. Uh,
2:45:29
seven. Seven? That's only gonna be a
2:45:31
minor wound. But I only have one more hit point left.
2:45:34
I'm going to go around. I'm
2:45:37
going to go around. I'm going to grab on to,
2:45:39
uh... I know you're having a difficult time. I'm
2:45:42
going to use you as a pivot point to
2:45:44
come around and get the sword right through both
2:45:46
eyes. Shit. It
2:45:49
carves through on one side, pokes out the other, and it kind of stands
2:45:51
out as Josh goes... And it hangs limp
2:45:53
on the blade before. You're so good at the work you
2:45:55
do. And then I pull out and I'm going to head
2:45:57
towards funny. towards
2:46:00
the one. We'll say at
2:46:02
this point, after the whipcrack and the
2:46:04
change of the tides, the strange crustacean
2:46:06
folk begin to skitter
2:46:08
and all begin rushing into the waters. Crows
2:46:10
are leaving. And begin to vanish
2:46:13
beneath the current down below. You feel, in
2:46:16
the moment, that the danger
2:46:18
has subsided. I'm
2:46:20
going to run over and give Pangos a like a
2:46:22
hug. Thank you. Good
2:46:26
job, Pangos. I'm going to battle.
2:46:28
But as long as you're safe, that's okay. I
2:46:31
might need some new clothes though, but they're all getting
2:46:33
all torn up. I know! What's happening?
2:46:35
Honey! Huh? Are you okay?
2:46:37
Oh yeah. That
2:46:40
was amazing work. I think
2:46:42
everyone, we're all so talented. I
2:46:45
think so. I think we'll make pretty
2:46:47
good teeth. Can I check
2:46:50
Colin's pocket? Sure.
2:46:53
Yeah. After having this check in,
2:46:55
this cute little fungus walks over and
2:46:57
it starts rolling the body of the
2:46:59
dead. You
2:47:02
find two handfuls of gold within
2:47:05
him. He pushed into his
2:47:07
body. No,
2:47:09
no. He said, filled with gold. His
2:47:11
armor looks very nice. For
2:47:17
all the challenges that the
2:47:19
weathering has brought to his
2:47:22
currently post-life experience, and
2:47:24
his weapons are also quite nice
2:47:26
of sheathed. Those
2:47:28
are the things of work you see on him. Pangos, I
2:47:30
found you some new armor. Oh cool. Maybe
2:47:33
we can add it to my existing and make it
2:47:35
like a cool. Okay. So, take a look at that.
2:47:39
I'm going to have you roll a finesse
2:47:41
roll. Me? To get... This is
2:47:43
a super waterlogged... Yeah, a loaded
2:47:45
body that has sausaged within their
2:47:47
own armor. Would
2:47:51
you like some
2:47:53
assistance with this? Oh yeah. Does that mean
2:47:55
I can roll a six? It means you can spend a
2:47:57
hope to add it. Oh,
2:48:00
and you give me the six? Yeah. Okay,
2:48:05
that's an
2:48:07
11 with hope, and then you can add a six
2:48:09
for me. Yes, of course. That's
2:48:13
a 14. A 14, okay. That's
2:48:16
good enough. You don't quite pop
2:48:19
the pinata. Do I add a hope because
2:48:21
I rolled with hope? You do, yeah. That
2:48:23
was a stress-goat. But
2:48:25
you do manage to slide
2:48:27
the armor off. That's quite nice. The
2:48:30
armor is a Tiris soft armor, which
2:48:33
is armor five with the ability called
2:48:35
quiet, which means a plus two to
2:48:37
any rolls to move without being heard.
2:48:41
Is it leather armor? It's
2:48:43
not leather. It's
2:48:45
just armor five, and
2:48:47
it doesn't have any penalties. It just adds a plus two
2:48:50
to any rolls to move without being heard. Her mids need
2:48:52
quiet. Question. Well,
2:48:55
hang on. You guys,
2:48:57
I mean. What's
2:49:01
your name? Sarlo, wasn't this your friend?
2:49:04
I just don't want to seem disrespectful, you
2:49:06
know? Yeah, I'd like to take
2:49:09
a few minutes if that's all right. Oh,
2:49:11
sure. I have a
2:49:13
question for you. Okay. Oh. Is
2:49:16
there? I don't know what the
2:49:18
protocol here is, but in
2:49:20
Archer's Forest, should
2:49:22
we bury him? I
2:49:26
was going to put together a
2:49:28
cairn and let Andra
2:49:31
do the work. Okay. I
2:49:33
can help you if you need. Help
2:49:37
me collect up some rocks, then. I'll
2:49:41
spend the next couple of minutes. Which
2:49:48
is a often respectful
2:49:50
and practiced druidic and right
2:49:52
of those who live in natural spaces.
2:49:54
And you gather from what time you
2:49:56
have spent together, you would likely appreciate
2:49:58
that. he'd appreciate being
2:50:00
buried with his weapons too? Probably
2:50:04
not. Forests
2:50:07
can't reclaim those. You're right, it's me
2:50:09
in a medal. Intuse. I
2:50:12
would hope you would all take my things. What
2:50:14
do they have? Words of fallen metal. I give
2:50:16
consent. We definitely would. An improved
2:50:18
saber. When I die,
2:50:20
only then. Sure.
2:50:23
An improved saber is an agility-based melee
2:50:25
weapon that is a D8 plus 2
2:50:27
physical damage. And an
2:50:29
improved dagger, which is a finesse weapon
2:50:33
that is a D8 plus 2 physical damage.
2:50:37
Which is which? Jesus,
2:50:39
where were you? I
2:50:41
was busy stacking, I mean like,
2:50:43
it's agility and finesse. Agility and
2:50:46
finesse. Both D8s plus 2 physical
2:50:48
damage. Which effectively improves
2:50:50
the minimum value of the
2:50:52
damage. Once we have Cullen as one
2:50:55
of those we've taken care of, I'm gonna go
2:50:57
from person to person, climb up
2:50:59
him because he's so fucking tall, and look
2:51:01
in each of their eyes and see who
2:51:03
most needs help. And I'm going to
2:51:06
land on Kex and you
2:51:08
look fucking knackered. Come here, man. I'm
2:51:11
going to lay hands on the
2:51:13
side of his shimmering skull
2:51:16
there. And I'm really
2:51:18
low on hope, so I'm going to use
2:51:20
another tree of my prayer
2:51:22
dice to get me up to 4
2:51:25
hope total and then spend it all to
2:51:28
heal 2 of your head points. Ooh, that
2:51:30
is gracious. Thank you very much. We're finally
2:51:32
going to take a short rest while we're
2:51:34
here since we are going to be mourning
2:51:37
one of our enemies. Is that a thing?
2:51:39
Should we do a short rest? Oh, shit. Should
2:51:41
we do a rest? Should we rest a bit? Well, I
2:51:43
don't know. Yes. I
2:51:46
mean, all of the way. But, I
2:51:48
mean, is there a safe place? I
2:51:51
think anyone will mess with us here.
2:51:54
I think we've officially chased anything away.
2:51:56
There's also clearly the cadaver of
2:51:58
a very vicious beast. I think
2:52:00
this might keep everything away quite
2:52:02
well. We can at least climb up to that
2:52:05
cliff thing. Yeah. Oh, what a lovely thing. It's
2:52:11
not Boko, is it? Wasn't
2:52:14
Boko a hill? That rock. I don't
2:52:16
know. I don't know what it
2:52:18
is. Why don't you walk over or not?
2:52:20
Jim, is that Terrain? Boko? Yeah, just walk
2:52:22
over. I'll just go over and say hello.
2:52:24
Excuse me. Hello? You
2:52:26
Boko? Mr. Boko. Boko
2:52:28
the humble hillock? I thought Boko was a girl. Oh,
2:52:31
Miss Hung. You
2:52:34
take a moment to focus. Yourself
2:52:37
being a giant lineage and having
2:52:39
a strong connection to creatures of
2:52:41
the stone and rock of the planet.
2:52:47
Suddenly, you
2:52:49
realize nothing has happened. You son of
2:52:51
a bee. So
2:52:54
excited. So why don't we all sit in a
2:52:56
ring facing out with the puppies in the middle?
2:53:00
Take a breather. Take
2:53:02
a breather if you want to. We're going to breed
2:53:04
the puppies. That's a fun. May I?
2:53:07
Start out a shot, but OK. Use
2:53:11
an experience that I have. Stayed
2:53:14
into the background and
2:53:17
sort of look around and see if I
2:53:19
can sort of fashion a place
2:53:21
for us all to be safe. Leaves,
2:53:24
branches, like how I have with my
2:53:26
hat where I just kind of get
2:53:28
short and you can't see me sort of
2:53:30
build a little cover
2:53:32
for us. Sure. All right. So
2:53:34
you go ahead and go ahead and I'll
2:53:37
say for that. I
2:53:41
think I'd make an instinct roll for me. It'd
2:53:44
be about kind of knowing the environment here
2:53:46
and using your understanding of
2:53:48
how creatures seek things in the natural wild.
2:53:51
I think it's a ghillie-squeak. More
2:53:54
or less. I will
2:53:57
take this moment of calm. you
2:54:01
see Bunny magically,
2:54:04
it's almost like
2:54:06
harp strings start to form
2:54:08
in midair, and she starts plucking
2:54:11
a very soft little
2:54:14
harp tune, and I will
2:54:16
play a relaxing song, and anyone who
2:54:18
needs to conceal one hit point.
2:54:20
MATT and TALIESIN and MATT and TALIESIN
2:54:23
and MATT and TALIESIN and TALIESIN and
2:54:25
MATT and TALIESIN and TALIESIN are
2:54:28
very gentle. MATT and LAURA and TALIESIN
2:54:30
and MATT and TALIESIN and MATT and TALIESIN and TALIESIN and
2:54:32
MATT and MATT and TALIESIN and
2:55:10
MATT and TALIESIN and MATT and MATT and TALIESIN and MATT and
2:55:13
MATT and TALIESIN and MATT and LAURA
2:55:15
and TALIESIN and
2:55:29
MATT and MATT and MATT and MATT and TALIESIN
2:55:32
and MATT and MATT and LAURA and MATT and
2:55:34
MATT and MATT and MATT and TALIESIN
2:55:40
and it's really, yeah,
2:55:45
it feels really good to just blank
2:55:48
my mind and do that so it's going to clear stress
2:55:50
point as I'm doing that. Okay, you got it. And
2:55:53
then as a Seaborn, we
2:55:56
get an extra downtime action
2:55:59
for short rest. great as well
2:56:01
so I'm gonna just start
2:56:03
singing and humming along with Bunny's music
2:56:06
playing and I'm
2:56:08
just singing
2:56:10
a little ditty about how we're
2:56:13
gonna get up the river and
2:56:15
we're gonna find both of you and
2:56:18
it's gonna be so great and
2:56:21
I'm gonna give a hope for me a
2:56:23
hope nobody else I'm trying
2:56:25
to follow and it's so
2:56:27
wonderful so Bunny gets a
2:56:29
hope you know just me
2:56:31
just you I'm gonna de-stress
2:56:34
by trying I have a I have like
2:56:36
a pink scarf thing
2:56:38
I'm gonna learn some new
2:56:41
knots some new like
2:56:43
ascot type knot presentation yeah yeah
2:56:47
I would love to take a look at those
2:56:49
two weapons that you found yes
2:56:57
it's a saber as one's a saber
2:56:59
was a dagger and
2:57:02
they both do the same more or
2:57:04
less both do 1d8 plus 2 physical
2:57:06
damage one's agility one's fine can
2:57:08
I use the finesse one unless you're a
2:57:12
actually I'm fine
2:57:14
with either action I'm fine oh I'm
2:57:16
an instinct galley oh 1d8
2:57:18
plus you I'll take if
2:57:21
you have it I'll take the
2:57:26
I can actually take either we'll take
2:57:28
the agility I suppose okay right so
2:57:30
improved improved saber is what the weapons
2:57:33
called or yeah I'll take the I'll
2:57:35
take the back actually okay question unless
2:57:37
someone else wants it at
2:57:39
all yeah
2:57:41
okay I'm okay I mean I'm
2:57:44
repairing some armor as well all
2:57:48
right you're a personal armless one yeah shunt a
2:57:50
do you have anything in your
2:57:52
secondary weapons I have the grappler but I
2:57:54
have a thing called I ignore burden
2:57:57
when it's put in weapons and you may place primary
2:57:59
weapons in your second weapon slot. That means
2:58:01
I can just switch them out. MATT, is that
2:58:03
correct? MATT, if you want the grappler away and
2:58:05
you want to put the dagger in your offhand,
2:58:07
it just adds a plus two to the damage
2:58:09
of your main weapon if you want to, just
2:58:11
having it there. TALIESIN,
2:58:14
what, the dagger? MATT, yes, you have a rapier and
2:58:16
dagger if you want to, and then you just have
2:58:18
your attack, it's your rapier damage plus two with the
2:58:20
daggers plus two on top of that. TALIESIN,
2:58:22
I didn't know I got the bonus from the
2:58:25
dagger. MATT, that's the good thing about a secondary
2:58:27
weapon, is it gives you little bonuses. TALIESIN, that's
2:58:29
amazing. I thought you just pulled the grapple when
2:58:31
I need it. MATT, for my two short rest
2:58:33
actions, I'm going to gather up some moss near
2:58:37
the edge of the river where
2:58:39
it's clear of whatever is afflicting
2:58:41
it, and I'm going to climb
2:58:43
up Pango's back and shoulders,
2:58:45
I'm going to start creating a poultice on
2:58:47
his back and humming quietly to myself, and
2:58:50
that heals him. This is
2:58:54
ten to wounds and do it to someone else, so you
2:58:56
get back four hit
2:58:59
points. MATT, whoa! TALIESIN, I'm clear. MATT,
2:59:01
and then I'm going to take it
2:59:03
to us to describe how you bring
2:59:05
hope to yourself, and I bring hope
2:59:07
to myself by healing Pango. TALIESIN, Aww.
2:59:11
MATT,
2:59:14
for the most part, on the
2:59:16
outward surface, everyone
2:59:18
has only seen Bunny being very
2:59:20
extroverted and performative, but you see
2:59:23
this rare moment of her go
2:59:27
into herself and be very quiet and
2:59:29
meditative as she is focusing on the
2:59:31
music and Sweet Pea's little song, and
2:59:33
so I'm going to heal a stress, or
2:59:36
get rid of a stress, as well as prepare a
2:59:38
hope. And I
2:59:40
just meditate and get lost in
2:59:43
my magical harp strum.
2:59:45
MATT, fantastic. You hear Zarlow
2:59:47
from up on the giant shoulder
2:59:50
muttering to himself, music
2:59:52
be the food of love, play on. Did
2:59:56
you write that? Definitely.
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