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Critical Role Plays Daggerheart | Live One-Shot

Critical Role Plays Daggerheart | Live One-Shot

BonusReleased Wednesday, 13th March 2024
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Critical Role Plays Daggerheart | Live One-Shot

Critical Role Plays Daggerheart | Live One-Shot

Critical Role Plays Daggerheart | Live One-Shot

Critical Role Plays Daggerheart | Live One-Shot

BonusWednesday, 13th March 2024
Good episode? Give it some love!
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Episode Transcript

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at rosettaestone.com today. Hi

0:49

there, this is Matthew Mercer, resident game master here

0:51

at Critical Role, to welcome you to this podcast

0:54

version of the show. If

0:56

you'd like to watch the stream as

0:58

it airs, you can catch it Thursdays

1:00

at 7pm Pacific on Twitch.tv slash Critical

1:02

Role or youtube.com/Critical Role. Twitch

1:04

subscribers can access the video on demand

1:07

immediately after the broadcast and it also

1:09

becomes available on YouTube Mondays at 12pm

1:11

Pacific. Podcast episodes land

1:13

right here on the Critical Role Podcast

1:16

Network on Thursdays a week after the

1:18

initial broadcast. Okay, with that

1:20

info dump out of the way, let's dive into

1:22

the story. Hello,

1:27

everyone, and welcome

1:29

to tonight's very

1:31

special live daggerheart

1:33

open beta one

1:35

shot. Thank you

1:37

all so much for joining us. This is

1:40

also our nine-year anniversary. Doesn't

1:43

feel a year past 700. Exactly.

1:52

I sincerely thank you all so much, all of you

1:55

wonderful creators out there for supporting us over these years.

1:57

It's wild that we've been doing this this long.

2:00

And in joy at every step of the

2:02

way our along with you all. It's

2:05

release me like and you can expect a lot

2:07

of read stuff to come in the future. I'm.

2:10

Super excited! So us are celebrating

2:12

today! Ah by taking then offers

2:14

Been the official open beta plate

2:17

of materials available now. On.

2:19

Dagger her.com. Ah, You know

2:21

the Pts a complete home. With your probe

2:23

you can craft characters solo. You can even

2:25

play virtually with a dagger heart next to

2:27

somebody plane. it's make which characters drive up

2:29

on however you decided you are play are

2:31

all of us you're eager to see. I

2:33

will you think we can do to make

2:35

them better as we move forward on the

2:38

so please be sure fill out the plate

2:40

has surveys are going to her.com so we

2:42

can incorporate your mates and feedback and make

2:44

this game as amazing as you possibly can.

2:46

Ah, Mercy that some and essence as well. As

2:49

one of the sound out that we

2:51

also have a plan of that are

2:53

hard content that is lives right now

2:55

on our youtube channel. Authors: you're more

2:57

visual learner thrive. Got a lot of

2:59

really cool a card graphics as really

3:01

grace we're the Dhaka heart when a

3:03

one video with Matt and Spencer explaining

3:05

the core game mechanics and even sonic

3:07

up with us. and in there's also

3:09

a character building video with Travis and

3:11

Mass where they create Bertrand Bow or

3:13

hard. On screen on. Not

3:16

that far as we. Also,

3:18

have my anus or Session Zero for

3:20

that's one shot the we're about to

3:22

play right now. where we created these

3:24

delightful characters are about to see as

3:26

of you want a little bit more

3:28

insight into how the session Zeroes work.

3:31

In go check out and see. What

3:34

serves the how bad shape we all

3:36

are are that really helps a person.

3:38

I have a nice. The What sites

3:40

will be available immediately after the

3:43

broadcasts, and a podcast version will

3:45

also be uploaded tomorrow. Ah, as

3:47

in March thirteenth. Was. Rights

3:49

And Twelve. Whoa. We

3:54

have to prove I mean all I

3:56

need a newspaper. here

4:01

I'll show you my New York Times app. Yeah. Yeah.

4:04

Yeah. Regardless. How

4:06

do we prove it? What happened today?

4:08

This is today's verbal. Oh, that's cool.

4:11

Let's go live. Live, live, live. All

4:13

right, baby. Oh, yeah, that was great.

4:15

You look so handsome. No. Oh.

4:17

No. No. No.

4:20

Nice try. Yeah, excited to do this. You

4:23

know, this is still a new-ish rule set for us

4:25

as well. We played a number of games and things have changed

4:27

many times. If we ever get a little bit of

4:29

a sing-goosey with it, just know that we're also testing it alongside you.

4:32

But nevertheless, I

4:34

believe that concludes our announcement. So let's

4:36

go ahead and jump into tonight's episode

4:40

of Critical Role Place Echo.

4:42

Yay! Oh, my god. Oh,

4:44

my god. Oh, my god. Oh, my god.

4:46

Oh, my god. We don't have any opening titles, so

4:48

now we're just going to begin. Oh, my god. Oh,

4:50

my god. Oh, my god. Oh, my god.

4:52

Perfect. So. So.

4:55

Mm. Mm. Welcome, one

4:58

and all, to the realm of Lockspire,

5:02

a rolling collection of winding land masses

5:04

that tumble from the mountains of creation

5:06

into the surrounding seas that coil between

5:08

the broken expanse of grassy hills, rocky

5:10

crags, and mysterious overgrowth from the length

5:13

of the builder's bridge to the distant

5:15

ruins of Nyx. Here

5:17

beneath the hallows above, mortals

5:19

mingle with the great many relics and ruins

5:22

of ages long past, now left

5:24

to crumble beneath ambition and

5:27

progress. Here the echoes

5:29

of traumatic wars linger in unhealing scars

5:31

that stretch the land, while

5:33

remnants of vibrant and magical beings

5:36

dance between the sunbeams and ancient

5:38

places of thrumming power. Here,

5:42

the common folks seek revelry and purpose in a

5:44

world that churns in a constant state of

5:46

change. Fortune and

5:48

glory ever call to many, and

5:51

life in Lockspire is rarely dull for those

5:54

with an eye for opportunity and

5:56

an eagerness to walk beyond what is

5:58

comfortable. even so. Older

6:02

and crueler wills lurk within the

6:04

depth of every shadow and in

6:06

the twisted heart of every city, even

6:09

within the most sacred of natural

6:11

places. And it

6:13

is here where our story begins. In

6:17

the late afternoon of a late summer day, within

6:19

a moss-dappled cabin nestled within the outskirts

6:21

of the divine timberland known as the

6:23

Emerald Sky, home to

6:25

the will of Andra, goddess

6:27

of the wild and

6:29

wooded places. Here

6:32

among the ever-climbing perimeter trees,

6:34

within the home of the retired war

6:36

hero Everett Cole, a troop

6:38

of journeyman adventurers bonded through circumstance,

6:41

finished their last meal before trekking into

6:43

the ominous deep of

6:45

the Emerald Sky. As we come

6:47

in into the late afternoon golds

6:50

and greens of the forest, past

6:52

the moss and dust covered

6:56

exterior window, we see the warmly lit

6:58

interior of the humble cabin, the flames

7:00

crackling in the nearby fireplace. We

7:03

shift over to Ser Dante,

7:06

if you would mind describing to me what you

7:09

look like and what you are doing within the

7:11

cabin. Oh my god! Yeah, you're real good. Oh

7:13

my god! I'm not really doing well. Not bad.

7:16

Well, I am an

7:19

approximately 5'10 turtle,

7:23

wearing a Corsair's hat and brown

7:25

leather with a lovely feather on

7:27

top, a blue and white striped

7:29

tunic, and a half cape of

7:31

golden royal blue, leather

7:35

gloves, leather boots, although the toes

7:37

cut out because turtle. I have

7:40

a very fancy rapier and

7:43

a chained weapon of some kind

7:45

with a claw on it and at the moment

7:48

I am attempting to, oh I also

7:50

have a scar on my face, just a little one

7:52

of those, just something for some

7:55

character. And I'm at the moment

7:57

using my hat to fan the

7:59

the fire to see

8:01

if we can get it a bit warmer in here. MATT

8:03

and TALIESIN, as the smoke billows out from your hat

8:06

movement, it fills that space a bit,

8:08

and you hear the sound of the coughing of

8:11

Everett Cole. You see the older human in his

8:13

60s, a shaggy scullet

8:16

on the weathered skin, deeply kind

8:18

eyes that are almost hidden within a wrinkled

8:20

brow that has now overtaken most

8:23

of the front face, but a warm smile as

8:25

he turns to you, coughing. Well,

8:29

I appreciate your help there, sure turtle, but. TALIESIN,

8:31

as TALIESIN, as TALIESIN, as TALIESIN, as TALIESIN, as

8:33

TALIESIN, as TALIESIN, as TALIESIN, as TALIESIN, as TALIESIN,

8:35

and TALIESIN, and TALIESIN. Let me handle the rest

8:37

of the tea. You all just relax a minute.

8:40

Now what? I'm

8:42

just curious about you all. You

8:46

there, big fella. Sorry, the

8:48

accommodations aren't quite to your scale as

8:50

we shift over to

8:52

see Pango. Hi,

8:55

yes, I'm Pango. I

8:58

am very tall. I don't

9:00

really know heights too well. It's either seven

9:02

or eight feet. My

9:04

feet are bigger than yours, so I don't know how that

9:06

factors in. But

9:08

I'm big and I

9:10

kind of, I squint when I'm

9:12

outside a lot because I'm not used to

9:15

being outside. I grew up underground and

9:18

now I'm out and

9:20

traveling with my friends and having a grand

9:23

old time. You might also notice

9:25

that most of my purplish

9:27

skin is covered up with some

9:30

armor, but which is also tastefully

9:33

covered up with some very green

9:35

and very fancy duds that my

9:37

friend Sweet Pea and Oppie stole

9:39

from me in

9:42

the last town over. I'm

9:44

looking pretty fresh. They say I look fresh.

9:46

I don't know what that means, but it's,

9:50

and right now I'm just sort of staring over a Zarlow's

9:53

plate, just wondering if he's going to finish

9:55

all of it because it looks, I

9:58

need more. How about it, you dry shaker? Are

10:00

you hungry, Sten? Oh my

10:02

god. I mean, I don't want to impose, but like I

10:04

could, yeah, I could, I could eat. I can make plenty

10:06

of biscuits, if that's what you need. No need to- He

10:08

is big. If that fecker fell over, he'd be halfway home.

10:12

Well, I'm happy to get you a

10:14

bit of food as well, I suppose.

10:16

Whatever. Brains all your arm. I'm a

10:18

fecker? Does that mean I feck? What

10:22

my grandfather always used to say to me is,

10:24

Zardoch, don't say fucker, it's not polite, say fecker

10:26

instead. Oh, okay. I'll use that. Sort

10:28

of a cheat. I've learned that, alright,

10:31

fecker. I'm writing that down. As he goes and walks

10:33

over to his bookcase, as you kind of sit back

10:35

and cross your arms in confidence, what

10:37

does Zardoch look like? Well, Zardoch is sort

10:39

of the elder statesman of this group, even though

10:42

he's not that old. He's been with the

10:44

larger organization our people have been with, this group

10:46

has been with, for quite some time. And

10:48

while not a mentor, per se, sometimes he has to be a

10:50

bit of a babysitter. They get into trouble a lot.

10:54

Zardoch is about four feet tall. He's a simia.

10:57

Lots of brown fur. Has a

10:59

very regal twined mustache down the sides of

11:01

his face. A little bit scruff of a

11:03

beard, and there's a shock of white in

11:06

his brown hair. He has an always active

11:08

tail that is as communicative as his hands

11:11

tend to be. And he is wearing,

11:13

like, Burning Man pants, and a

11:15

pair of... That is going diagonally across his

11:17

chest. Do you? Yeah, don't

11:19

think so. They're all about

11:21

a rat to brown. I love

11:23

that Burning Man pants are no pants, please. I'm

11:27

not Donald Duck, is that not? Sometimes

11:29

it is those pants, but not today. It's

11:31

a tree's bowline. By the way, I am

11:34

also perching to be in character like a

11:36

monkey, but I am... I feel

11:38

like I might fire at any minute. But I'm living on

11:40

the edge, and I'm going to do it anyway. This is

11:42

the end of the Earth, first of all. Oh, yeah. We're

11:45

in the bathroom. That was just Liam. That

11:47

was it. Perfect.

11:51

I'm good for now. And

11:55

his cheeks are a little red right now because he's

11:57

probably had one or two puts too many. today.

12:00

There it is. Oh. Oh, this

12:03

is certainly quite the

12:06

mildly cruel we've stumbled in. I don't get

12:08

many visitors around here. I'm happy to gauge

12:11

all you said you came out from Fort

12:14

Overmarsh right about 15, 20 miles south

12:16

of here. Pray

12:19

tell what brings you this side of

12:21

the emerald sky. He

12:24

glances over towards the regal-looking

12:26

beetle figure who's been stoically standing,

12:29

staring into the flames. I'm just gonna get the

12:31

first thing. Yeah. No, no.

12:34

No, no, no, no, no, no,

12:36

no. I'm not doing that. I'm

12:38

not doing that. I'm not doing that. I'm

12:41

not doing that. Flap on the little. I'm

12:43

not doing that. Sorry, though. Oh,

12:45

my god. I'm sorry, the smoke's getting

12:47

to you too. Here are some more tea,

12:49

the swan lowening. Comes up and hands you

12:51

a hefty mug of hot steaming. His accent's

12:53

a little pink. Right,

12:55

right. Protection is

12:57

standing there holding onto his staff.

13:00

He has a hard shell that's got blues

13:03

and purples in it, kind of

13:05

shiny with lighter bluish-green eyes and

13:07

large mandibles pointing out from his face,

13:10

very much like a stag beetle. He

13:13

has some kick-ass, like, armored pauldrons

13:15

with points just for flaring maybe

13:17

a little bit of protection. And

13:20

he has larger shells that are

13:22

hiding translucent, like, light blue wings

13:24

underneath his back shell. Yeah, and

13:26

he's just... That's one

13:28

hefty bug. Sure is. And

13:30

I'm just kind of moving like a little trace

13:32

of arcane energy in between my fingers. And

13:36

I'll say, we've been sent out by a larger

13:38

group, the

13:42

Grim Wardens, where we're here to clean up any mess that

13:45

we are tasked with. It's important to us to make a

13:48

name for ourselves. Well,

13:50

you're a part of the Grim Wardens. Ah,

13:54

that's a... Don't normally work this far.

13:56

This... This far is a lot of work.

14:00

of the western side of the continent

14:02

so must be important business I imagine

14:04

we're like a frontier group

14:06

we're called the menagerie

14:08

right is that what

14:10

we settled on yeah

14:12

okay all right all right well

14:16

I'm happy to stay as long as you like

14:18

beyond your way and

14:21

you friends as well I may not

14:23

have enough to feed all of you have a

14:25

you know what I can go ahead yeah I

14:27

think the majority of it went

14:32

to your big friend over here I'm

14:34

sorry I

14:37

could try to barf it up if you want some I

14:40

don't know I don't know okay

14:42

I'll work on it yeah in

14:45

the back in the back in the

14:48

back oh I'm gonna look

14:50

for a bucket as the

14:52

two of you begin to scramble looking for

14:54

a bucket can you describe what we see

14:57

running around around you see

15:01

one girl who is

15:04

short but she looks like very tall

15:06

compared to her her friend here very

15:10

slender with a giant cat she

15:13

is a fun girl very

15:16

like pale almost green

15:18

color and her clothes

15:20

are very flowy she

15:23

wears like a big oversized cardigan and

15:25

resting against the wall is her long

15:28

I think it's a long staff with

15:30

a couple hooks on it and

15:35

she just looks very free

15:37

and floaty about four foot

15:39

so I'm

15:43

right around your side I'm not

15:45

sure yet eight,

16:01

seven, eight. I guess I could be a little

16:03

taller. No, be your height. I'm kind of loving

16:05

this. This is the anti-silhouette test for animation. I

16:09

went so about the same. In every

16:11

group photo, Dango's

16:13

just out of the photo. Yeah. The

16:16

character from Police Squad. You're

16:20

like Gandalf with all the homos. That's very

16:22

good. Yeah. And as you're scrambling for a bucket

16:24

to help Jango with his sudden

16:27

need to be Dango. Sorry, Pango, my bad. Jango

16:30

was your brother. My brother's a bad man. That was

16:32

Mango. Mango was my father. Got

16:34

it. Mango

16:39

is just a food that we like to eat. Thank

16:46

you, Pango. As

16:48

you're running around the bucket, you're excitedly preparing

16:50

for it to ever meal. You've played every

16:52

gift to yourself. What are you

16:54

doing on this? Oh, I'm looking around too. I'm

16:56

trying to help find a bucket. So

17:00

I'm just a little rid of it.

17:04

Just sort of sapphire blue skin with

17:07

a smattering of yellow

17:09

freckles everywhere and huge

17:12

yellow eyes. And my

17:15

cloak is made out of leaves and

17:18

a little hat made out of leaves

17:20

as well. And my

17:22

staff, which I

17:24

found at the bottom of the river. And

17:27

it's so sparkly and it

17:30

was so shiny and I just had to get it. And

17:32

it's constantly a bill of smoke.

17:36

What I don't know is it's a cigarillo. But

17:40

it's magical to me. I

17:44

have little overalls and

17:47

they're striped and the

17:49

little tops of the overall that he calls the

17:51

little pependers. And I'll choose to come

17:53

up that

17:57

I shove my feet into. So

17:59

I look real. nice and

18:01

smart and my

18:05

name's Oppie. Well

18:08

I thank you Oppie. I appreciate you

18:10

both helping out. Oh what's

18:12

your name? Sweet Pea. Sweet Pea. Pleasure

18:14

to make your acquaintance as well Sweet Pea.

18:17

Sweet Pea and Oppie. That's a, that's a

18:19

pair. I was gonna meet you. Yeah,

18:22

pleasure's nice. Again, even though we've been here for

18:24

a minute. Do you have a prospective leader

18:26

of your troop with a menagerie? You

18:29

seem to be a rather, um,

18:32

presentory individual. Oh

18:34

goodness. My,

18:38

oh this is chilly in the west. And

18:41

I go over to, uh, to Sir

18:43

Dante and I take out my bladed

18:45

fan and I just start helping them

18:47

fan the flames just a little bit. And

18:50

what you see is like a stacked

18:54

caked up fawn. Let's go. She

18:58

is curvy. She has kind

19:00

of like a light dusty rose, uh, fur

19:02

tint to her. And even though she is

19:04

a fawn, she has bunny

19:06

ears, almost like a jackalope. And,

19:09

uh, she has really like

19:11

strappy leather armor, um, and

19:14

a little like cropped leather jacket that

19:17

barely covers anything. But she goes, oh,

19:19

and she covers up. Are

19:21

you, are you cold Miss Bunny? I could give

19:24

you my scarf. Just a little chilly. Oh, I

19:27

wouldn't want to take anything from you. You're so,

19:30

you're so dainty. Um, she's

19:32

got like a lot of, like a kind

19:34

of a garter that she has a little

19:36

dagger built into. And then you see on

19:39

her fan, it's like

19:41

serrated and has sharp

19:43

edges for it that she uses as

19:45

a weapon, as well as has a

19:47

little, a whip that she has wrapped

19:50

around and it's fastened to her

19:52

belt. Here Dante. Thank

19:54

you, dear. Thank you. Here we go. I'm,

19:58

I'm bunny, by the way. Bunny.

20:00

Pleasure to meet you, Bunny. Oh. Well,

20:04

the Menagerie, you're

20:08

here in some relatively

20:10

dangerous realms beyond. I

20:13

don't know how familiar you are with

20:15

the emerald sky here, but the... I'm

20:18

familiar. I've started the

20:20

outskirts of the woods here. Oh,

20:22

right. So you're quite familiar. It is

20:24

a very... a

20:29

lance of fused with the natural

20:31

magics of the realm. Here, Andra

20:34

herself, her will exists towards the center

20:36

lock that holds

20:40

the life force and energy of

20:42

the massive forest. I

20:45

see you're of Andra's folk. Well,

20:47

then perhaps not much of this will be a

20:49

surprise to you then, but just know that natural

20:52

magics of the world can be

20:55

also rather tricksy. Your

20:57

reason I didn't build deeper into the forest. I like

20:59

it out here. It's close enough to keep it

21:01

interesting, but also far enough away where I don't

21:03

get too caught up with the... the

21:08

tricksters of the wood. Though,

21:13

some of the grove children came by, speaking of

21:15

the mighty storm, not but a couple of days

21:17

ago. Isn't that

21:19

who we were looking for? You

21:21

ran into the grove children? As

21:24

we do that, we shift into a brief

21:27

flashback, not but a

21:29

day before within this city

21:31

of Fort Overmarsh. Here, the

21:33

once militaristic outpost that in

21:35

peacetime has taken on

21:38

a new form as a trading

21:40

outpost, ways to

21:42

the south of the Emerald Sky,

21:44

the bustle of the townsfolk are

21:46

walking through the space. There's

21:49

two open mines, one that's falling out of

21:51

use, one that's been discovered as building up.

21:54

You have stumbled into the town

21:56

and made your relatively unseen

21:58

or un-cared-for position. of the city,

22:00

what are you all doing here at

22:02

Fort Overmarsh at the moment in

22:05

this flashback? Mm-hmm. Oh,

22:07

shit. Yep, we're doing

22:09

stuff. Stuff. It's real. You

22:12

mean before? Wet? Yeah. This

22:15

was the day before. It's raining, you said? Sure,

22:17

it's raining. Okay, great. Oh,

22:19

in that case, I'm standing next

22:21

to Oppy and giving him a

22:23

little umbrella with my head. Okay.

22:26

Oh, that's so cute. Anything

22:28

that troubles you, need a fix?

22:32

Need something remedied, wear

22:34

your fix. We're here to

22:37

help. Call the menagerie.

22:39

Yeah. A

22:41

group of four miners themselves,

22:44

dust-smeared carrying materials and tools on them, stop and

22:46

look at the rest of you and just

22:50

keep trucking on through the rain. It's kind of a heavy cell. Nobody

22:53

takes this seriously, though. I feel like we need

22:55

more oomph, more showmanship maybe.

22:57

Look, they've got dogs over here. Look

22:59

at them all. There's like

23:02

seven of them. There's babies over

23:04

here. That's it, we're just going

23:06

to stay here for the day. I hope that's all right. This

23:09

is precisely why nobody takes this seriously. Oh,

23:11

look at that one. Look

23:13

at his face. Maybe

23:15

we need uniforms. Or pamphlets.

23:19

You know, I hear people really love pamphlets. A

23:21

pamphlet? Yeah. A

23:24

pamphlet. They're

23:27

like business cards, but with

23:30

more obnoxious information on them. That

23:32

sure sounds great, Miss Money. I

23:35

think we just need to prove ourselves, you

23:38

know? How do we do that? I think we just get somebody

23:40

to hire us. Should

23:43

we take a job for free just to

23:45

prove ourselves? Let's not say that out loud.

23:48

But I mean, if no one will hire us for

23:50

money, maybe we do one for free just to show

23:52

that we're... Like

23:54

a sample? A free sample. First one's

23:57

free. Then they'll hire us for the

23:59

second one. cro MATT,

24:30

and you can immediately see the

24:32

glimmer of fairy dust and

24:34

Fey magic as a number of these fairy

24:37

folk come flittering through the entryway and circling

24:39

the air, and two other figures wearing shredded

24:43

leathers and heavy tattered

24:46

woolen cloaks bundled around them also look

24:48

for anyone's gaze and they're mostly being

24:51

ignored, much like you've been since you

24:53

arrived. I'll go, I'm going to knee.

24:55

Oh, I think you manifested it, you faker. Come on,

24:57

let's go up these ones out. We

25:01

run up and with a little bit

25:03

of flourish and you hear almost like

25:05

out of nowhere, like it's ethereal, you hear

25:07

almost like this victory music like

25:10

a da da da da. And

25:13

we are perfectly baklut, and

25:16

I just say, looks like you need a menagerie.

25:20

MATT, as you all strike

25:22

this pose, cease to dazzling

25:25

the security. I'm still holding

25:27

two dogs. As

25:30

you all stand there frozen, as it backlit from

25:32

behind, the rain still soaking you all in the

25:34

process. But then just because it has been, you

25:36

see the four fairy folk have stopped and all

25:40

in unison together while the two bundled folk drop their hoods

25:42

and you can see they're both elven lineage,

25:44

they're pointed ears curved up, you can see

25:46

the mud itself washing down the streaks from

25:49

their face and they all look haggard, like

25:51

they've been traveling in harsh weather probably for

25:53

the better part of a

25:55

day or more. Most other folks just

25:57

close the gate behind and are now ignoring this ridiculous

25:59

decision. and getting on with the rest of their business.

26:01

But as they begin to approach the fairies, then give

26:04

up speed and start surrounding, going, hi, hi,

26:06

hi, hi, whoo, whoo, Benazure, that's wonderful, help

26:10

us, please. And they start to squirm. Oh

26:12

no, you have to leave, we had to leave.

26:14

You see, one of them flitters up closely and

26:16

you get a good look at the glow. You

26:18

can see this beautiful looking feminine

26:20

form with elongated arms, these long clawed-like

26:22

fingers, but these bright, vibrant eyes of

26:25

blue. I hold out my staff to

26:27

make a land on it. It

26:29

lands on it and as it does, it's body clutches

26:32

onto it like an insect, like the beautiful fairy all

26:34

of a sudden becomes this odd kind of segmented

26:36

creature, looking at you with the big eyes. It

26:39

was sent from the velvet grove for help.

26:42

We'll do it, we'll help you. For free. Free

26:45

samples. Free samples. They all look

26:47

at each other and the two

26:49

velvet figures go, that was far

26:52

easier than we anticipated. Oh, that's nice.

26:54

I'm trying out our full Menagerie thing. Think

26:57

of it like an open beta. But you

26:59

say there's something wrong in the velvet grove.

27:01

I've heard out of that face. The

27:16

two oven figures, which you see above their faces, they appear

27:18

to be either, they're not identical

27:20

twins, but they definitely look like they

27:22

are from the same family lineage. The one looks a bit older.

27:26

They both have very, very pale,

27:30

almost translucent skin, where you can almost

27:32

see the veins almost appearing in

27:34

parts of it, but you also can't tell which part

27:36

is the mud streak as well. Their

27:38

eyes are beautiful, piercing,

27:42

dark green. And as

27:44

they both look at you all with this alien cocked

27:46

head, we were

27:49

indeed sent out of the velvet grove on

27:52

the eastern side of the sky. Boko,

27:56

the Glenward, the feign

27:58

guardian that looks like a that portion

28:00

of the sky, sent

28:03

us for our own protection. Looks

28:06

over to the younger female, in

28:09

terms of the

28:12

humble heli himself. We're here

28:14

on his behest. LAURA and MARISHA, LAURA, and MARISHA, and MARISHA,

28:16

and LAURA, and MARISHA, and MARISHA, and MARISHA, and from what?

28:20

MATT and LAURA, as if the wildlife

28:22

of the eastern sky has become strange

28:27

and familiar, violent.

28:32

The initial twin turns. MATT,

28:34

as the Excya rivers groan,

28:37

murky, and sent sinister

28:40

and pungent. The

28:44

fairies curl back onto their shoulders, the one that's still

28:46

clutching to your staff. All in unison, they all say,

28:49

and the water's worried. LAURA

28:54

and MARISHA, as if you see within your graces

28:57

to aid us, you would be not just

28:59

indeed be within

29:10

our debt to you

29:12

as followers of Ondra, but within her

29:15

light as well. LAURA,

29:19

as if you're

29:21

a river, and you're a

29:23

stinky, and that's why everybody's so mad.

29:28

It makes people act weird when they got

29:30

stinky water. MATT, as if

29:32

you're a river, and that's why everybody's so mad. It

29:34

makes people act weird when they got stinky water. LAURA

29:41

and MARISHA, as if you get stinky

29:43

water. MATT, as if you're

29:45

a river, and that's why everybody's so

29:47

mad. MATT,

29:50

as if we believe that perhaps they had

29:52

been, but so have

29:54

we, and we have been feeling

29:57

fine. LAURA and MARISHA, as if you're having stomach

29:59

issues. MATT, and

30:06

smears your shoulders. LIAM

30:09

and MATT,

30:12

and the source of the darkened river

30:14

comes from further into the Emerald Sky

30:16

than where you decide. MATT,

30:19

reading the book, and you know the grove that

30:21

feeds the river. That

30:23

is what the

30:25

warden is investigating. Perhaps

30:27

you could meet with him and together you might

30:30

be able to save

30:32

us from whatever strange, ill, intense

30:35

things to permeate our home.

30:37

LIAM, reading the book, we

30:44

will provide a free sample, sort of obligated

30:46

to as well, but it will be free.

30:49

MATT, reading the book,

30:51

and in exchange you could make sure

30:53

that the name The Menagerie is spread

30:56

far and wide. MATT,

30:58

reading the book, and of course,

31:00

under the guiding light of the

31:02

great Oundra, you will be

31:04

considered friends of the wild, I swear. ASHLEY

31:08

Put his Machina off. TALIESIN and ASHLEY,

31:12

sharply, looking forAttent. MATT, grandfather of

31:14

a woman whose sister's mother, yet to not be your

31:16

brother if taken into the residence! TALIESIN and SAMxdux, worlds

31:18

based on ways of family lives. SAM

31:22

bodies being as

31:34

we shift away from the sound of

31:37

rain, we pull

31:39

back into Everett Cole's warm cabin

31:41

interior as the sunset light begins

31:43

to fade and

31:46

finishes listening to the tale, oh, I

31:49

see, that's why you're all here

31:51

to head towards the Velva Grove

31:53

and looking for the warden. ASHLEY

31:55

and LAURA, as if you're in

31:57

the area of the earth. Well

32:00

there's two paths I know of that

32:02

you could probably take there. Choice is

32:04

yours, really. You

32:06

could follow the Wispaalo Trail until

32:08

it ends at Clefthand Rock. Wispaalo?

32:12

Did you say... Wispaalo. That's

32:14

what I said. Clefthand Rock.

32:16

And head towards the sound of the water

32:18

at the Clefthand. That'll lead you right to

32:20

the Ixia River and follow

32:22

that upstream to its source, which has been

32:25

the Velva Grove. The

32:27

other path would be to listen for the sounds

32:29

of the Ether-Caw Crow. They

32:31

tend to wallow in places of dark power

32:33

in these spaces and are drawn to scavenge

32:35

in the wake of tragedy. So if there's

32:37

something going wrong here, their sounds

32:39

are like, well, I'll lead you there regardless of

32:41

the light. What was that story I couldn't make

32:43

it through your accent, Diggie? Ether... Ether-Caw

32:46

Crow. Ether-Caw Crow. We follow the

32:48

sound. Or we follow the path. Or we follow the

32:50

path. So we follow the path or we

32:52

follow the sound. Oh! Why

32:55

are you heading out there? Keep an

32:57

eye out for Wild Cullen. He's

33:00

kind of a rugged ranger and he's

33:03

a warden of Andris Southern

33:05

wood. He's an old acquaintance. I certainly hope

33:07

not. He's

33:09

a big part of you. He's

33:12

a big part of you. He's

33:15

a big part of you. He's

33:19

a big part of you. He's

33:22

a big part of

33:24

you. He warned us.

33:28

He warned us. He

33:32

had enough fear for nearly this. No,

33:35

he's passed

33:37

through, mentioned that there's some

33:40

odd things he's looking into. Not

33:42

long before he arrived at

33:44

my place, so he might

33:46

be also looking around the same spaces. And he's

33:48

a capable fella. So try

33:51

and hold what allies he can to you. He's

33:55

been keeping an eye on

33:57

the Amoranch Log and Gildas of late. MATT,

34:00

and the ranch. MATT,

34:03

now you mentioned the wild cullen

34:05

figure. You, Zarlow, you've

34:07

actually had a brief meeting with this

34:09

individual in the past. TALIESIN,

34:12

with wild cullen or? MATT,

34:14

wild cullen. A brusque but

34:16

honorable figure. You

34:19

remember his bright,

34:21

ice-blue eyes that first made the

34:23

tangled moths, like dark hair, features

34:27

that evoke both human and elven lineage. What

34:29

were the circumstances in which the two of you

34:32

met? TALIESIN, by

34:34

that time I had left my family behind,

34:39

the people of the Emerald Sky.

34:42

I was on

34:44

my own, it was before I found these feckers. It

34:51

was a rough patch and I thought that maybe I'd just

34:53

be a bit of a hermit for

34:55

six or seven months. He

35:01

encouraged me and told

35:03

me that the walk of

35:05

life I'd chosen for myself was too dangerous to

35:07

go along, and that the

35:11

gaps in my soul would be better filled by

35:14

finding others. Find

35:17

some missing pieces. MATT,

35:19

as you pull back from your memory

35:21

of this figure and knowing that he

35:24

might be an ally to seek out

35:26

there, another nugget of confidence seems to

35:28

blossom within your heart. The

35:31

cullen goes, well, if you're going to go out, you want

35:33

to want to go soon before it gets too dark, then

35:36

you're welcome to stay here the night if you prefer to wait

35:38

until the morning. Don't know how

35:40

much of a time push you're currently fighting

35:43

against, but you tell me what you want to

35:45

do. SAM, as TALIESIN,

35:47

as a person of good faith, I guess you have

35:49

to go help them as soon as possible. MATT,

35:51

as TALIESIN, as MATT, and as TALIESIN, and

35:54

as a person of good faith, he runs

35:56

over and starts a bunch of these extremely

35:58

dense... MATT,

36:01

and breaks, yeah. Tacked. MATT,

36:03

and a little way to find out. But nevertheless,

36:05

packs up what little bit he has and sends

36:12

you outside of the cabin. You can see

36:14

the cloud cover has taken most of the

36:16

sky that's visible and before you the dense,

36:19

incredibly tall tree scape

36:22

that eventually becomes the

36:24

heart of the Emerald Sky looms

36:26

before you. What would you like

36:28

to do? Well, there are

36:30

options. There are those. Do we

36:32

know how far off the Wispaloo is from

36:34

this area, the trail? The

36:37

Wispaloo Trail. Cullen tells you that it points

36:40

in one direction. You can see there's markers

36:42

among the trees. Looks like

36:44

there's little carved Xs across the tree markers

36:46

that mark the beginning of it. As

36:49

you step over to see where it is, it's a

36:51

fairly plainly-walked trail. It's not pressed

36:53

flat with much foot

36:56

traffic, but you can see where over time

36:58

it's fairly easy to follow. How

37:01

directly into the center of the forest does it

37:03

leave? Is it just a straight shot? From your

37:05

understanding, it seems like a straight shot. That

37:09

seems dangerous. If anyone's going to head towards

37:11

the center of the forest, it would be

37:13

this straight line. People would be expecting it

37:15

and it's famously dangerous. Actually,

37:17

I think the solution might be a mix of

37:19

both. We'll walk the trail until

37:21

we maybe hear the crow. Did

37:25

Cole tell us what the crow

37:27

sounds like? Is

37:29

there a crow? At

37:34

their call. At their call.

37:37

That's what it sounds like. Look

37:40

at him go. No. Look

37:43

at him go. Look at him go.

37:47

It's a little difficult to

37:49

describe. It's kind of like

37:51

a ghostly crying sound.

37:54

You'll know it when you

37:56

hear it. It's oddly

37:58

human-like. You can't

38:00

you can't like that like give us your your

38:02

impression of it though just to have some sense

38:04

of it Yeah, not much of

38:06

a performer and the old soldier but I'm

38:18

I Don't know

38:20

I'd never seen one. I never went that deep

38:22

ever cold. I'll tell yourself sure though. Thank

38:25

you I took some improv

38:27

classes and I was younger wallet

38:31

picture Didn't

38:33

make it to Sunday company, but

38:36

you know anyway y'all stay safe

38:38

and Well

38:42

You're from here Just from

38:44

the outside my people the

38:46

Dolan's I'm calling her right now the

38:48

Dolan We stuck to

38:50

the outskirts of the Emerald Sky, so I

38:55

That's my family Dolan

38:58

and the Dolan forget that s. Yep. I made

39:00

it up Bring those

39:02

dogs Like

39:11

little sharp pays, but they're fit their babbies

39:13

and they're just No, I mean I thought

39:15

your nipples barked just for the last two

39:17

days Take

39:30

care of moles, but these are like moles with eyes

39:35

What are you gonna name? Oh jeez we should do

39:37

it right now, okay, this is

39:40

twix and

39:46

Twix and twix I just

39:48

start mushing their faces all the wrinkles and

39:50

make their eyes disappear, and then they pop out and

39:52

then their eyes disappear pop their eyes up and

39:56

I shouldn't do that No,

39:58

all right well Minajorie and

40:01

the Grey Wardens stay

40:03

safe. He goes ahead and shuffles back towards his

40:05

cabin, and as he begins to truck in towards

40:07

the path. Tell everyone about us! He

40:10

didn't either. Okay. That's

40:13

exciting. This is why we need a pamphlet. Funny,

40:15

how did you get people to come to your show? I

40:17

mean, there's got to be a way to get the

40:20

ward out. Well, you know,

40:22

sometimes it's great to have revolving

40:24

acts, you know? So we

40:26

would have very famous burlesque performers come from

40:28

all over the world. One of my favorite,

40:30

who is LaFonna. Yeah. She

40:33

was wonderful. She got a little too good for us though,

40:35

and then moved on. What a bitch. I

40:37

know. But she is, I mean, she is

40:40

fabulous. You don't need her

40:42

funny. No. You're funny on your own

40:44

girl. Well, you know, sometimes it's good

40:46

to just, you know, put yourself

40:48

out there. Sometimes the girls would, you know,

40:51

stand in front of the shop and we

40:53

would bark and we would call and we would just,

40:56

you know, drag people in. Sometimes

40:58

a good drink discount always works.

41:00

Solid marketing. We

41:03

were all so all fabulous fighters as well. So

41:06

anytime the town was in trouble, you

41:09

know, we did a little community service.

41:12

Well known, actually. Yes. Oh really? This

41:17

like, kind of low, resonant, kind

41:19

of moaning sound

41:22

seems to like drift through the

41:24

nearby boughs and then you see a shadow kind of

41:27

fly off. Is that

41:30

it? Was that another call? I'm going to go scurrying off

41:32

the tree. Oh, that didn't feed. Okay, you go ahead and

41:34

like, climb up the side of it. Are you going all

41:36

the way to the top? Yes, I am. All

41:39

right, you know what? Well, let's take a look.

41:41

Roll over the shoulder. All right, well. You're so

41:43

close to the dog. But because

41:45

I'm a semi, I have advantage on agility rolls.

41:47

I'm both bouncing and climbing. Indeed. And

41:51

I think this probably involves my

41:53

experience. Look ma, no hands. You're just

41:56

using feet and hands, whipping through the bridge.

42:00

So spend a hope to add your experience. Oh

42:03

that's right. 14, that's fine. Then add the d's. I want

42:05

to kick off these mechanics. So that's a total of a

42:08

year. I'll get there, I'll get there. I'll get there.

42:10

That's a... And then it goes like

42:12

that. That's a roll of a 14

42:14

with hope plus 2 for my experience

42:17

is 16 plus the advantage from being

42:29

a semi-art. 20,

42:32

fantastic. So you take the hope back. Indeed,

42:35

as you watch

42:37

as Zarlow leaps up in a

42:40

series of deft swings and rotations,

42:43

like a master trapeze artist begins to ascend

42:45

through multiple sides of this tree vanishing into

42:47

the canopy above. As you emerge with so

42:49

much momentum that you actually fly out of

42:52

the top of the canopy at about 10

42:54

feet beyond and that slow motion bit you

42:56

have this beautiful view of the sunset top

42:58

of the forest extends for

43:02

looks like dozens of miles in all directions. You

43:04

can see a manner of all different types of

43:06

trees that poke out the top of the canopy,

43:08

you're decimating different regions of the interior of the

43:11

emerald sky, each looking unique, dangerous,

43:13

and alluring in their own way. Everything

43:15

with just that top of gold coloration before

43:17

the sun begins to vanish beyond the distant

43:20

mountain ranges. As Zarlow flies up out of the

43:22

tree cover, his tail scoops up and holds the

43:24

two little dogs close to his side and lands.

43:30

MATT and you see the shape of one

43:33

massive-looking shadowy winged entity

43:35

that dips away from you further

43:39

into the forest. LIAM and MATT,

43:41

as Zarlow's mother, and Zaryk's mother,

43:44

Zaryk, are walking towards the

43:48

tree. But that's all I see. I don't

43:50

think he's ever coming down. Zaryk, how big did it

43:52

look? Hard to

43:54

make up a full distance, but it definitely seemed larger

43:56

than a crow. I

44:00

saw the direction it just went further into the Emerald Sky.

44:05

It went further into the Emerald Sky. Roughly

44:08

in the direction we were going. All right, so

44:10

by swinging Skurry back down, keeping the pups in

44:13

place, the dogs are fine. That's

44:15

a big fucking bird or something up

44:17

there. Didn't look like anything you don't

44:20

want to tangle with, but it's

44:22

going in, so we're going in. Can

44:24

we see it again? We still have some

44:26

good sunlight, or is it starting? You

44:29

probably have another hour or so of sunlight before

44:31

the evening before. That's okay, the night is beautiful.

44:34

Let's go. Okay. Pushing

44:36

further in, who's taking

44:40

point on guiding you along this path? We're

44:42

trying to be clever. Well, you

44:44

know the way around, and I'm very

44:46

good at being a sneaky-eater. We're not

44:48

hiding from anything. All right. Does

44:52

anyone have any foresty

44:55

antigens? How do we know? If

44:57

you're like a wildborn or wildborn?

45:01

Oh, no, we're sneaky. I'm

45:04

wild, but we're fine. I'm a

45:06

bit of a scavenger, so if we were

45:08

looking for items, that could be helpful, but

45:10

I don't think we are. No. Okay.

45:14

I can just be very, very quiet if I need

45:16

to, and I can help a couple other people be

45:18

known. You're smart. Why don't you take a leave for

45:20

the first bit? Someone

45:23

knighted you, right? So you've got to be something. Yes,

45:26

extremely deadly with a sword and very polite

45:28

when I choose to be. You

45:31

know the best way. I think the two of us can... I grew

45:34

up with these parts, sure, but the further in we go, the less

45:36

familiar it's going to be. Well, we'll do

45:38

it together, then. Together? Together.

45:40

All right. So two of you can

45:43

point forward. You march into, and the

45:45

forest itself is undeniably gorgeous. The

45:48

light that does pierce the canopy at

45:50

this point is somewhat faded-in dream-like, carving

45:52

these constantly shifting beams

45:54

of gold that shift past green

45:57

and then eventually phase into the

45:59

nearby. MATT,

46:01

and Fjord.

46:05

The one-worm path before you

46:07

shifts off to one side, and as you

46:10

begin to look back, it almost feels like

46:12

the path you've come on is

46:15

fading behind you, to

46:18

a certain point where about 30 or

46:20

so minutes deeper in, it's

46:23

almost like you don't even see the path that you

46:25

were walking on from where

46:27

you came. You can still see it in front.

46:29

TALIESIN, offscreen, and offscreen, as he's like 10 feet

46:32

off the ground, moving using his feet and his arms

46:34

and his tail to go, keep his toes up. MATT,

46:36

offscreen, and as he's trying to be a little bit

46:38

quiet as I make my way, LAURA, and Fjord, as

46:40

he walks through her

46:42

head, flop over her mouth and he's like, you're

46:44

cute. ASHLEY,

46:47

offscreen, and Fjord, as he's trying to keep his ears

46:49

out for any sounds of quotes. MATT,

46:51

offscreen, and Fjord. MATT, offscreen, and Fjord,

46:54

as he's trying to keep his eyes out for any sounds of

46:57

quotes. MATT, offscreen, and Fjord, as he's

46:59

trying to keep his eyes out for

47:01

any sounds of quotes. MATT, offscreen, and

47:03

Fjord, as he's trying to find

47:05

out who he is. LAURA,

47:08

offscreen, and Fjord, as he's trying to get out of

47:10

his head and getting out of his eyes. MATT,

47:16

offscreen, and Fjord. All

47:18

right. 13 with hope. 13

47:21

with hope. Okay, so you pick a hope. Oh

47:24

wait, you can also add. No, you don't.

47:27

No. Never mind.

47:29

I'm not very instinctual. You've

47:34

taken the sounds around you and

47:37

focus on the surrounding entities and

47:39

creatures and insects and woodland

47:42

chittering, nothing that calls

47:44

your attention to danger before you. You

47:49

do appreciate

47:51

the oddly unwelcome

47:55

beauty. It's the only way you can describe

47:57

this forest. It has an ominous essence to

47:59

it. in its natural state. And

48:02

you can't help but feel a little bit like a trespasser

48:05

in a wood that is aware of your transgression.

48:07

See, Bunny, she loses the thread a little bit

48:10

of what she's doing. You see her kind of

48:12

like dancing a little

48:14

bit. Is she? She goes

48:16

through the forest. Do

48:18

you hear that? It's almost like music. Huh?

48:24

No. Yeah, at least do we hear

48:26

it? You do not. What

48:29

is it, what? It

48:31

sounds like it. No, don't stop. I mean.

48:36

Just the sounds of the forest. You

48:39

know, the cheering of the fox. The

48:43

wind whipping through the trees. It's

48:45

beautiful. Pretty good. It's got its own

48:47

little rhythm. Trying really

48:49

hard to hear the rhythm. I hear

48:52

everything but the rhythm at the moment. It's gonna catch

48:54

it. I think

48:57

I got it. The

48:59

best you can think of as you listen out there is

49:02

as the day begins

49:04

to shift into night, the

49:06

type of sounds that

49:09

fill the air begin to

49:11

become even further formulchemy.

49:15

It sounds scarier now. It does sound scarier

49:17

now. Sex shifted into a mind

49:20

of tea. Yeah, it is a little ominous. Yeah.

49:24

I like it. I wish you'd pick up the pace. Yeah, let's pick up the pace.

49:27

Okay. Pressing on, not

49:29

more than five more minutes, you

49:32

begin to notice some

49:35

of the trees that are on the side of this, bearing

49:38

the same marks of the path as

49:41

you keep an eye out, make sure you're on the

49:43

right trail, begin

49:46

to grow more and more, let

49:49

me describe it as violent. You

49:51

see one tree trunk where, as opposed to the single

49:53

marking, there are four

49:55

massive marks, one like

49:58

cloven Collection. Looks

50:01

like gadgets to have torn through up front

50:03

of a nearby tree. Massive com on the

50:05

smoking room. Three. Movie

50:07

walk a little faster. Hookers.

50:12

In a narrow hung and draw my sword

50:14

just in case. And. Gonna hold my. Next

50:17

step in. Hiring is also a

50:20

lot of to with works are

50:22

okay. An interest in measures. Taken

50:25

mean. Anything

50:28

ever seen. Who

50:30

can go ahead and make

50:32

him knowledge role to analyze

50:34

the details of his on

50:37

earth. Are.

50:47

All are all the hip hop

50:49

the team without more as or

50:51

take a hope. Ah, you glance

50:53

at these splintered sections and one

50:56

they do appear to have been

50:58

carved by either a collection of

51:00

blades or some sort of heavy

51:02

impact that dragged across the side

51:04

of this on but you also

51:07

notice is there at the interior

51:09

of the Miss. State.

51:13

It like a darker stained each of

51:15

these is it and blood is is.

51:17

It sounds like of the deepest part

51:19

of the yeah through you take a

51:21

stick and kind of carve out for

51:23

into the groove and there is an

51:25

a material or substance that kind of

51:28

lingers there as you can pick it

51:30

up with like you have failed. Where

51:32

you can see it's a bluish purple.

51:35

Like a slide jurists or a

51:37

second jam and type texture to

51:40

it. To

51:42

have something to put that in. I gotta get

51:44

back on are you are coming

51:46

soon Subtitle: gone. He doesn't put

51:49

off your fingertips a little. none.

51:51

Really worth a listen to set

51:53

of places else. Can

51:56

I go on? Started to see if it reminds

51:58

me of. He

52:00

does seem to suffer from

52:02

off the see, but that

52:04

claims. To be. And

52:07

caught caused your some train

52:09

a homeland to be sealed

52:11

at like a like a

52:13

fantasy. Chernobyl was a deep

52:16

the garlic a bright crimson

52:18

coloration and you recall those

52:20

images of you and all

52:22

of your family in companions

52:24

yelling, grabbing what was important

52:26

and will and dropping things.

52:28

You charged out from the

52:30

subterranean caverns. Watching this weird

52:33

kind of read we'd like

52:35

expansion. So

52:37

mean texture may be, but the

52:39

coloration is entirely different. more of

52:41

a sop. To now scientists out

52:44

my my staff in it. Gets

52:47

all that numbing stuff on my cell.

52:49

Saga. The stuff

52:51

going numb to scared as are you

52:53

still aren't trees in. I mean I'm.

52:56

I am last five or six feet above

52:58

the most times moving through our our Marcus

53:00

address and of my the Banks sort of

53:02

covers of my my wings my open up

53:05

and right when they start fluttering they have

53:07

a kind of flash for a second using

53:09

a little press. The decision to just create

53:11

a little light as I am the stuff.

53:15

You notice that nine go

53:17

on a garage where you

53:19

bioluminescence omaha that I. Remember

53:22

that very lonely when I drink alcohol

53:24

of know who I had offered. Of

53:26

around the tree and I'm awesome skin.

53:28

Look for any of those group marks

53:30

or higher up the trucking or Samsung

53:33

is my new You lift of the

53:35

has of the lower bows and kind

53:37

of into the density of the immediate

53:39

computed spare. As soon as you break

53:41

past the first couple branches your light

53:43

fills the shattered space there and you

53:45

meet a B C the shine back

53:47

of two pairs of mass of eyes

53:49

right there staring at me. you see

53:52

standing or sitting with in the branch

53:54

what looks to be what would be

53:56

a seven. Foot Pole Apple oh

53:58

that is lurking in there. with

54:00

its heavy wings folded, staring at you.

54:02

Not one, but two heads.

54:05

SAM and LAURA, as one that's staring

54:07

at you is there and the other

54:09

one shifts around towards you, their eyes

54:12

stare, and it's staring at you. And

54:14

you hear that, like

54:17

the big, heavy chest expanding, ooh,

54:21

that fills the space around you where your ears

54:23

almost ring for a second and its wings filter.

54:27

And it says, who are

54:30

you? Kind of yells

54:32

towards you. What do you do? We're

54:36

all attached. We all are fast. I'll take my

54:38

staff and I'll actually just like make the tip

54:40

glow. We

54:42

are with the men. We

54:45

are with the menagerie. We

54:48

are looking for the children. No,

54:50

not looking for children. Who are you?

54:54

Down, down. I

54:58

think you should get down. And

55:01

I'll just float down just in case I'm

55:04

in this creature's space, facing,

55:06

but never turning my back. As

55:09

you watch Kex'im begin to descend from above,

55:11

the bit of light you see the shift

55:14

of movement of shadow above and a small

55:16

handful of feathers dropping out of areas, these massive

55:18

feathers scattering down. As one of the branches seems

55:21

to almost break or snap with a push off,

55:23

and you watch, as

55:25

this incredibly massive owl-like

55:27

creature descends under the

55:30

ground. Now you see it was

55:32

somewhat folded and crouched in the wood, but at its

55:34

full height now, it's almost as tall as you are.

55:37

As it did that push off, did the

55:39

talons have any of

55:42

that familiar sludge on them? Go

55:45

ahead and make an instinct roll to see if you can

55:47

pick up that detail amongst all the chaos. There's

55:50

low light here, but we can go ahead and give it a shot. That's

55:53

an 18 with fear. 18 with fear?

55:56

19 with fear. 19 with fear. Alrighty.

56:00

here for myself. So

56:03

you do indeed get a quick glance at the

56:05

talons. The heavily

56:08

scaled skin that you

56:10

see pushes across it. It has almost like

56:12

an armored exterior to it, but you can

56:14

see the edges of it are crusted in

56:17

heavy callous. The talons

56:19

themselves are jet black and are

56:22

blades in their own right, deeply dangerous

56:24

looking. No sign of any sort of familiar

56:27

liquid that was recently seen on the

56:29

clawed sections. But as you drop

56:31

down to the ground and it looms over

56:33

on top of you, it's focused on you,

56:35

both heads kind of both in the process.

56:38

If you're not sure or two about to

56:40

converse or pull you apart into several pieces,

56:42

I need you to take a stress. Oh,

56:44

back to back stresses! I

56:47

was going to gingerly get in the middle of

56:49

this. I assure you and I, your neighbors, so

56:52

we are so. And these

56:54

are my friends. I'm

56:56

from a ways that way. I'm

56:58

only hearing because we hear there's trouble in the

57:00

vale farther in and the

57:02

rivers all fucked up. We

57:06

are echo. We are echo.

57:10

I'm gonna just subtly just sort of

57:12

put my body between the owl and

57:15

sweet pea and the

57:18

arpy. My cap is just going to start

57:20

to lower just a little and get more

57:23

narrow towards my body and I'm going to

57:25

press myself up against the base of a

57:27

tree. Outside those

57:29

spring-poor pints of darkness.

57:34

I understand if you don't trust us off the bat,

57:36

that's fine. But

57:39

we come with good intentions. And

57:41

the innocent of the young, and I spell

57:44

out the puppies. One

57:47

of the heads looks over towards it. Oh, he's going to eat

57:49

the puppy! No, he's not.

57:51

The other head shifts and is glancing past

57:53

all of you, the entity. We

57:57

have food if you need it! MATTMen.

58:01

TALIESIN and SAM RAVEN, Tips A MATT

58:09

We walk in On'Dra's realm.

58:13

We are one

58:16

of her children, and

58:19

we will eat that

58:22

which we do not trust.

58:24

TALIESIN and MATT We are very familiar

58:29

with the mother of both, and I hold

58:31

up Zor'l

58:34

of Maden'in with a

58:36

leaf-chase. She

58:40

knows me well, and I know her. MATTI

58:44

Make a presence roll for me. TALIESIN and

58:46

MATTI Can I also use Gift for Gab

58:48

with this? MATTI Yes, you may. If you

58:50

want to spend the hope to go ahead

58:52

and add your experience to it, yeah. TALIESIN

58:55

and MATTI Gift for Gab. MATTI Hope

58:59

is pretty fluid. You don't want to allow it to be. LIAM and

59:01

MATTI There's a 16 with hope, with a plus one is 17. TALIESIN

59:05

and MATTI Pretty good. MATTI Okay, that's pretty decent. LIAM and MATTI

59:07

Yes, I do, because I was with both, so I spent it

59:09

and got a bath in it. TALIESIN and MATTI

59:11

Amazing. MATTI You,

59:15

we can trust that the

59:19

others are fresh meat.

59:23

MATTI The other one turns to you. TALIESIN and

59:28

MATTI Tell us, shoulder

59:30

thing, what

59:33

is your proudest

59:36

moment? TALIESIN

59:40

My proudest moment has yet to come, when

59:43

I find the best in sport,

59:47

the man who humiliated me, I'm

59:49

here to be just and well

59:51

known as a hero. head

1:00:00

stays in place because birds are awesome and

1:00:02

weird. While

1:00:04

the other head stares you and whispers into the

1:00:07

side of the other one's head, his

1:00:09

beak's throw. Hmm. Shifts

1:00:14

over to Kex'inn. What

1:00:22

is your greatest

1:00:25

fear? Is

1:00:30

this owl? Subfoot owl in

1:00:33

melee with me? Ah,

1:00:35

it's very close range to you at the moment. Fine.

1:00:42

That I

1:00:44

would let my

1:00:47

family down and not

1:00:50

represent my home well,

1:00:53

and that I would go home empty-handed with no

1:00:56

knowledge of where we came from. You

1:01:02

see it turn its head to one side as the other

1:01:04

head shifts back and whispers into the side. Purity

1:01:07

for an outsider. Steps

1:01:13

back a little bit from you. Shifts

1:01:18

over in your direction, sweet pea. I

1:01:25

wish to see a display

1:01:27

of your capability to

1:01:30

survive the darkness within.

1:01:33

Is

1:01:38

there any moonlight coming

1:01:40

down from above? There's the faint,

1:01:42

hispy moonlight visible this deep into the forest, but you

1:01:44

can just see with the right shifting

1:01:46

of your positions, the little glimmer of white

1:01:48

peeking through. I'm

1:01:53

going to spend a whole- oh, I changed it

1:01:55

to book, nerd. You're

1:02:00

experiencing? That's okay. I'm still gonna spend

1:02:02

a whole- She's a fire. No, I'm gonna spend

1:02:04

a whole- Cause I have an experience called Sneaking

1:02:07

Little Mushrooms. Sneaking Little

1:02:09

Mushrooms. How

1:02:12

many is my experience to look around

1:02:14

and find the deepest shadow around me?

1:02:17

Okay. Can I do that? Yeah, if you want to. What

1:02:20

are you attempting to do? I'm attempting to find

1:02:22

a deepest shadow and I'm gonna step against

1:02:25

the tree and I'm gonna fade into the tree. Okay.

1:02:28

And bamf back out at

1:02:30

the other shadow farther away. Okay. Whoa!

1:02:33

Alright, so. So you're

1:02:35

using your shadows then? Mm-hmm. Okay.

1:02:39

Go ahead and roll a- Let's

1:02:42

go ahead and make this an agility check

1:02:45

for me. Agility. To go ahead and see

1:02:47

how quickly you can like vanish into the

1:02:49

shadow without the owl following what you're attempting

1:02:51

to do. Okay. Okay. 17

1:02:54

with hope. Whoa!

1:02:56

I'm going to take a hope. I'm going to fear this

1:02:58

too. Just mind. And

1:03:01

you said that. Alright,

1:03:03

so you go ahead and switch

1:03:05

backward into the tree and then almost

1:03:07

seem to tumble back into shadow where the tree

1:03:09

should be. The smoke goes pfft. And

1:03:13

he watches the bird's wings flip out and it

1:03:15

kind of clutters up quickly. The rest of you

1:03:17

almost think like it's reaching into snatch or

1:03:20

attack your friend and you feel your, you know,

1:03:22

your instinctive protective measures begin to crawl

1:03:25

into order. From the deepest

1:03:27

shadow you just see two bright, sea

1:03:29

green eyes light up in

1:03:31

the shadow on the other side. It doesn't

1:03:33

even see you at the moment. It's currently at the

1:03:36

tree you fell into and it's like inspecting it. Looking

1:03:38

around each side. Before one of the heads looks

1:03:42

back while the other one's still inspecting in the front. And

1:03:44

then- I pfft pfft with my staff onto

1:03:46

the trunk. The other head turns

1:03:49

and the whole mass of the owl spins around. Pfft

1:03:51

pfft pfft. Pfft

1:03:57

pfft pfft pfft.

1:04:01

You may survive still. Do

1:04:07

not let them sully the

1:04:09

goddesses' name." The

1:04:15

head turns around and you watch as they

1:04:17

catch some of the faint moonbeams and you can

1:04:19

see that brief glow in the

1:04:21

eyes as their heads pass before they turn around.

1:04:27

Breaking through the branches and then vanishing up into the

1:04:30

canopy, the first of many

1:04:32

odd guardians here within the Emerald Sky. I

1:04:34

should have asked how far the cleft hand

1:04:36

was. Or what that goof was. He was

1:04:39

asking us all the questions. Maybe we can

1:04:42

call him back down. Hey, excuse me. Should

1:04:44

we just keep going? I

1:04:47

think we're fine. I think we just be glad

1:04:49

he didn't swallow us down and then vomit us

1:04:51

back again. I'm glad

1:04:53

he didn't eat the puppies. Would

1:04:56

he eat these little fellers? A

1:04:58

giant owl would literally eat puppies. I

1:05:00

think if you looked up giant two-headed

1:05:02

owls, it would eat puppies, kittens, small

1:05:04

children. You hear the

1:05:07

snapping of nearby branches. No.

1:05:09

Let's just go. I

1:05:11

think it's just going to be more of

1:05:13

this. We might as well get a move

1:05:15

on. Continue on your trek on foot, watching

1:05:17

around. I

1:05:20

get the sense that

1:05:23

tension in the air and a somewhat iron-like

1:05:25

smell that seems to follow through with the

1:05:27

mists that curl in through the deeper portions

1:05:29

of the forest. That

1:05:31

was a stress I should have marked for the shadow

1:05:33

stuff. Oh, gotcha. No worries. You

1:05:41

hear the ever-following

1:05:43

sound of rustling

1:05:47

in the nearby wood, since your shouts

1:05:49

to the sky seem to have called something's

1:05:51

attention. When you stop to listen, it goes

1:05:54

silent. Oh, no. You

1:06:00

swear you see something massive wandering

1:06:03

through the nearby wood. You

1:06:06

catch the catch of the lights, turn

1:06:08

quickly, and

1:06:10

you hear the faint growl. LAURA

1:06:19

and SAM and MATT tell

1:06:28

you loops ofLaurener on

1:06:31

the night The chief

1:07:01

point and

1:07:11

and when it has been rapture to

1:07:15

keep whatever is in

1:07:17

view of me uh...

1:07:21

their attention on me any ground and

1:07:23

it runs out any sound except

1:07:25

for me and my voice okay so make a

1:07:27

spell cast roll towards the target you see the

1:07:30

shadow shifting in the nearby wood as it's blumbering

1:07:32

in your direction slowly go ahead and roll for

1:07:34

that targets or everyone

1:07:36

around you because i'm a hundred percent

1:07:39

watching i

1:07:45

will spend um...

1:07:48

a whole two years the show

1:07:51

must go on which

1:07:53

is one of my experiences i'm gonna add

1:07:55

my present okay i'm okay

1:07:59

okay okay If to the

1:08:01

founding families were upset. And

1:08:03

will candies. Okay,

1:08:07

I'm so nervous. Okay, that's good.

1:08:09

Omen Eighteen Nineteen, Twenty Twenty Twenty

1:08:12

Two with. Ah, With

1:08:14

fear to return to fear. Is

1:08:19

that a success? That is

1:08:21

indeed a success. and as

1:08:23

you are giving is this

1:08:25

fantastic performance Here in the

1:08:27

center of the shadowed core

1:08:29

of the southern reaches of

1:08:31

the emerald sky, the rest

1:08:33

of you watch emerging out

1:08:35

of the nearby brush a

1:08:38

hoping for mass a quandary

1:08:40

people entity You first catch

1:08:42

it. It looks to be

1:08:44

a hedge bear which are

1:08:46

like these massive star kind

1:08:48

of natural denizens. On fuck out

1:08:50

of the would ah I'm of the but

1:08:52

this one seems to walk with a slight

1:08:54

limp on one side and as it comes

1:08:56

from the faint bit of light you can

1:08:58

see it's sick for looks and nodded. And

1:09:01

shiny and places. You

1:09:04

watches it takes a few steps out.

1:09:06

New direction. It's had a one sided

1:09:08

eyes since be a bit milky. You

1:09:11

can see from the corners of it's face and

1:09:13

it's snout and his ear. There. Is

1:09:15

a dark. Sort. Of liquid that

1:09:17

directs and cakes with and it's for.

1:09:20

You can see. There are bony plates

1:09:22

of protrude from parts of it's body.

1:09:24

It looks to be an unnaturally malformed

1:09:26

this. It's based on what you've previously

1:09:28

experienced your time here and you hear

1:09:31

another growl across the way to. Do

1:09:35

they look? Aggro. I.

1:09:37

Made it a little farther out rather

1:09:39

my height as a split. coming towards

1:09:41

you like it's surrounding a prey on

1:09:43

on trying to run and it's not

1:09:46

on the to hire more quietly sneaking

1:09:48

around it back of this one right?

1:09:50

I'm yeah yeah I'm just kind of

1:09:52

looking around at my part i am

1:09:54

way I'm around and say hi how

1:09:56

are we are as well I'll say

1:09:59

right now. I

1:10:03

love his receivers. Are.

1:10:09

Available those slow moving

1:10:11

her have also. Suffer

1:10:15

most of us banks are

1:10:17

still alive or smell. Oh.

1:10:20

Missing way through this center past year and.

1:10:23

Get all these little fun bits done! This is.

1:10:28

My was it of money? It's kind of

1:10:30

appeared during the performance. Advantage

1:10:32

of me on on I will you hold

1:10:34

our lambert over In this area I would

1:10:37

have been I was I was a started

1:10:39

to sneak around the magazine named as I've

1:10:41

seen her do this before I think. Tango.

1:10:45

And Tsar Laura and Stick and pretty close to

1:10:47

boon I would have been very as close as

1:10:49

I could. Be because we've seen her

1:10:51

do this before and she's drawing a danger

1:10:53

to herself from the house Now I sat

1:10:55

far surpassed. Narrative

1:10:58

is the I said I had a lot I

1:11:00

would have a guess is yes so wherever it's

1:11:02

coming I would have a brilliant he allows with

1:11:04

same close fight. If I know the

1:11:06

one issue but the first one mass move on

1:11:08

the side machine schools during to find a new

1:11:10

hero sustain your the ground coming at a nearby

1:11:13

would in this region so with the so which

1:11:15

direction as an ally of the eyes of their

1:11:17

and here's where. You. Are.

1:11:20

An animal actually little closer sweeping

1:11:22

the end of the top. Of

1:11:25

him to hear of. I

1:11:27

just. And this barriers for one

1:11:30

should is now tire iron for new

1:11:32

an attempt to hit the other as

1:11:34

if there are with a out with

1:11:36

my grappling. With. A gravel or

1:11:38

go for violence or far as a ah yes

1:11:40

far attack. Ah, this measure

1:11:42

in a nursing home? I know as

1:11:44

far as I yeah now I'm sure

1:11:46

there to haven't slept around and. Saw

1:11:50

as unrolling were went on to this

1:11:52

is and one down. So

1:11:55

on I roll one of these

1:11:57

stray and. I

1:12:01

am. it's it's. just as it's a

1:12:03

straight role I believe on strike either.

1:12:05

Also, the street, all our roads, whatever

1:12:07

your. Trait. Is about his

1:12:10

a thank you should be and I'm

1:12:12

remembering again. Which is the deal with

1:12:14

and guess so that facilities are assessments

1:12:16

to scrape by? Nothing. Ah,

1:12:19

outside kids are as soft as has

1:12:21

a team. Was far better I'd how

1:12:23

know? so I don't I thought. That

1:12:27

does succeed at us Now trudging towards

1:12:29

been increased zero hours and stressful as

1:12:31

I bear arms i i pull my

1:12:33

target into close range with me. How

1:12:35

can I with the T real back

1:12:37

with the Cli After it sinks into

1:12:40

it all as sure as a comes

1:12:42

barreling towards me. For a point,

1:12:44

or if I were saying it, I'm pulling it

1:12:46

about. On about.

1:12:49

Two thirds of the way I could

1:12:51

for hims the about there are you

1:12:53

watch as you cannot describe how we

1:12:55

europe or looks like it's this very

1:12:57

long same it seems just wrapped around

1:12:59

a wraparound my belt but then it

1:13:02

seems to also be hidden underneath my

1:13:04

tunic and scott these are like for

1:13:06

this like very beautiful prongs like a

1:13:08

like a. Four. Sided try

1:13:10

that like a quadrant I suppose when it

1:13:12

runs out as a clam sin and then

1:13:14

when I pull it taught it grabs and

1:13:16

the. are more I pushed the

1:13:18

more if reels and faster and. And

1:13:20

like pulls hard to or it's gotten

1:13:22

old amazon and for new it's not

1:13:25

like read towards you flash of not

1:13:27

middle because of the light and you

1:13:29

want to get gentle Rag Overall. Trust and

1:13:31

don't play in the and Dante in the rest

1:13:33

the men as hurry and so I just like

1:13:35

don't even talk and then I focus my attention

1:13:37

keeping up my. In rapture. The other, one. In.

1:13:40

The Woods. Okay, you got

1:13:42

a fourteen. Fourteen. Points

1:13:44

damage on it though as a major

1:13:47

wounds to that and dragged off of

1:13:49

the sides are coming to me then

1:13:51

since you will mere nothing to the

1:13:53

gyms run ah which major action they're

1:13:55

gonna go ahead and spend one fear

1:13:58

it's to more tokens. element

1:14:00

here to spend. I will immediately spend this

1:14:03

one to move this guy running here

1:14:05

at a close range. That'll

1:14:07

get you right up to where Bunny

1:14:09

is on that side there, to pincer.

1:14:11

That one is

1:14:14

going to go ahead and rush forward and

1:14:16

is going to take a strike with its

1:14:18

claws towards you. That's only a

1:14:23

seven. What's your evasion? Ten.

1:14:25

Ten. Nice. All right. Expecting

1:14:27

it to come at me. How do you avoid this attack as

1:14:29

it runs towards you? Once

1:14:32

again, I'm fully confident in what

1:14:34

happens. As it comes to me,

1:14:36

I do a pirouette

1:14:38

out of the way. As

1:14:40

I do, I draw my bladed fan

1:14:43

and I drop down to one knee

1:14:45

and slice it across the front of

1:14:47

its chest. Cool. So it's

1:14:49

like one move. Hell yeah. Yeah.

1:14:51

Yeah. Yeah. Yeah. It stumbles

1:14:53

off to the side and catches itself. And I

1:14:55

will attack with my fan. Okay. Once I finish

1:14:58

it. If I can do that. Once you finish

1:15:00

your turn. Yeah. Indeed. Now it's

1:15:02

going to go ahead and spend this other

1:15:04

one here to have a second one rushing

1:15:07

out of the wood behind it. Another one. That's

1:15:09

a little baby. It doesn't quite get up to the

1:15:11

edge to do much, but it rushes out, following the

1:15:13

others. Looks like this was a hunting wandering pack. And

1:15:15

the one that you went after, I'm going to

1:15:17

spend that token to activate it. It's going to

1:15:20

go ahead and charge up to you now, eventually

1:15:22

closing the gap after you tugged it beyond where

1:15:24

it was. It's going to go ahead. No! The

1:15:28

first name is

1:15:30

Sir, right? All right. So, should we go

1:15:32

ahead and do it? Yes, Sir, circumference. Aha.

1:15:35

That's going to be a 14 to hit. What's your evasion? My

1:15:37

evasion is 13. That's

1:15:40

going to hit. Yes. All

1:15:42

right. So taking those dice there. Great.

1:15:48

All right. I'm going to spend a

1:15:50

fear to go ahead and use corrupted strength to add a d12

1:15:52

to that damage. Oh, no! It's

1:15:55

going to be 20 points of damage to you. 20 points of damage?

1:15:57

Well, I'm going to have to spend some time. armor,

1:16:00

then. I'm going to knock a point of armor

1:16:03

off, which brings that

1:16:05

down to 13 points of damage, I

1:16:09

think, which is much better. I will take that, and that's

1:16:11

a major. It's

1:16:13

just a major room, which is 2 HP. MATT,

1:16:16

reaches out and takes one heavy swipe out.

1:16:18

You watch as its massive claw comes through

1:16:20

the air. That long string of a weird

1:16:23

oily surface substance glimmers, and

1:16:25

the light is there as its heavy claws strike

1:16:27

into your armor. You

1:16:29

also get knocked back at a

1:16:31

very close range. TALIESIN and MATT, I don't get my retaliation attack. I

1:16:33

take it. MATT, unfortunately, it literally

1:16:35

knocks you out of melee range before

1:16:37

you get a chance to the force

1:16:39

of its strength pushing you beyond. TALIESIN

1:16:41

and MATT, LAUGHTER MATT,

1:16:44

MATT, and TALIESIN, LAUGHTER MATT,

1:16:46

MATT, LAUGHTER MARISHA, LAUGHTER MATT,

1:16:48

LAUGHTER MARISHA, LAUGHTER MATT,

1:16:51

LAUGHTER MATT, LAUGHTER MARISHA, LAUGHTER

1:17:23

MATT, LAUGHTER MATT, LAUGHTER MATT,

1:17:25

LAUGHTER MATT,

1:17:55

LAUGHTER attack

1:18:00

you for an 11. What's

1:18:02

your evasion? Yes, evasion is 13. 13,

1:18:04

great. So it goes to bite its massive jaws. And

1:18:08

close, how you got? I just spin

1:18:10

around really fast and all my skirts kind of

1:18:12

flare up in its face. You

1:18:15

think it's tangled its nose for a second and it's like a dog under

1:18:17

the blanket. Amazing. You

1:18:19

kind of yank around a little bit but eventually you

1:18:21

pull away and it's gone. A

1:18:25

dog is in. All right, so that finishes its go. Can

1:18:28

I tell with these things charging up if

1:18:31

their condition looks at all, I've healed

1:18:33

lots of animals. They're all similarly corrupted.

1:18:35

I just have one mini with the cool bones. For sure.

1:18:38

No, I understand that but I'm just saying

1:18:40

for all of them and I'm using this

1:18:42

one that's attacking bunny as the example,

1:18:44

do they look healable or do they

1:18:46

look beyond in my experience?

1:18:48

In your experience, it's tough to tell. If

1:18:50

you want to go ahead and make an

1:18:54

instinct roll to see if you can kind of

1:18:56

glean from your experience an understanding of nature

1:18:58

and the creatures around you. I do, I

1:19:00

do, I do. Or

1:19:03

you can do knowledge if you prefer.

1:19:05

What are the two? I'm gonna do

1:19:07

instinct and

1:19:10

I'm going to, no, I'm just gonna do a

1:19:12

struggle. That

1:19:14

is a 13 with fear. 13

1:19:17

with fear, all right. Take that fear back. All

1:19:20

right, the corruption that's on

1:19:22

them doesn't seem like it's

1:19:24

completely pierced to their essence.

1:19:27

It just looks like a surface sickness that is getting

1:19:29

worse. It may be

1:19:31

healable. Okay, I'm gonna run

1:19:33

and jump on the back of the closest

1:19:35

one that's now by Sweet Pea and

1:19:38

I am going to do

1:19:41

healing hand. I'm gonna heal a medium turn go so

1:19:43

I can think some more of these. Right,

1:19:45

I'm gonna make a spell cast roll and

1:19:49

target a creature other than myself and melee on

1:19:51

a success. Mark a stress to heal the target.

1:19:54

Two hit points or two stress. I'm gonna try.

1:19:57

Try to heal it? Yeah. is

1:20:00

a 15 with hope, so

1:20:02

that makes the roll. I'm going

1:20:04

to give it... I'm going to

1:20:06

clear it of two stress. MATT So cleared

1:20:08

of two stress. LIAM to hopefully calm the

1:20:11

poor bastard down. MATT Nice, you're driving. MATT

1:20:13

I know. MATT So as you reach

1:20:15

out and grasp the side of this

1:20:18

bear, it's terrifying things, the

1:20:20

slobber and ichor that's dripping from

1:20:22

it. He

1:20:24

pulls back and it brings one heavy claw up as

1:20:26

you reach out and gently touch the side of it.

1:20:29

There's a flash of divine energy that filters through you.

1:20:31

LIAM that's all right, Vax, that's all right. MATT

1:20:34

as you grasp the side of it, it

1:20:36

pulls away like it's recoiling from a burn.

1:20:38

As it does, you can see the energy

1:20:40

flow across it, and a lot of those

1:20:43

strands of darkness begin to fade away and

1:20:45

the shape begins to shift ever

1:20:47

so faintly smaller. You see it not restored completely, but

1:20:50

it definitely

1:20:54

seems a bit confused at the moment.

1:20:56

I'm considering it vulnerable for the moment.

1:20:59

LIAM and MATT Oh. SAM

1:21:01

and MATT Oh. Seeing it in

1:21:03

its confused state. We're still killing

1:21:05

these things, right? I don't know

1:21:08

what's going on, so I'm going to jump down.

1:21:10

Between the two bearers, would

1:21:13

I be within very close range of

1:21:15

both of them? MATT You would be. TALIESIN

1:21:19

and MATT I do what I do. So

1:21:21

I take my gigantic phallic

1:21:24

sword, and

1:21:27

I'm going to swing away in a

1:21:30

large arc that will hopefully hit

1:21:32

both of these bearers. First,

1:21:36

swinging at the vulnerable one. So do I add

1:21:38

a d6 to that? Because it's vulnerable? MATT We

1:21:40

will, yeah. So you make one roll, add

1:21:43

it to both, and then you apply the d6 to that for

1:21:45

that one target. SAM and MATT I'm rolling with

1:21:47

a greatsword, so do I just do a straight

1:21:50

roll, right? MATT Yeah, so what's the trait for

1:21:52

the weapon? It's strength? SAM and MATT It's strength.

1:21:54

MATT Yeah, so you roll 2d12 and then add

1:21:56

your strength modifier. SAM and MATT Let's go, beefcake!

1:21:58

MATT and TALIESIN Come on! Come

1:22:01

on, come on, not great. 13 with

1:22:03

hope. 13

1:22:08

with hope. You gain a

1:22:10

hope. But as you swing wide

1:22:12

with your weapon, 13 with hope, did

1:22:14

you add the d6 to it? Is

1:22:17

that the vulnerability? That's against the one target. So

1:22:19

it misses one of them. Plus six.

1:22:21

Plus six, it hits the other. Which one do you want to

1:22:23

hit? The one that he healed or the one that is behind

1:22:26

you? Do you? I want to

1:22:28

hit the vulnerable one. Actually, no, that's exactly what

1:22:30

it should have been. So

1:22:33

you swing wide, the first one, the massive one

1:22:35

that just rushes into the field, just dodges out

1:22:37

of the way of your blade. The other one

1:22:39

swings around and strikes the one that's currently pulling

1:22:42

away from Zarlos. Go ahead and roll damage on

1:22:44

that. I'm going to do swing, I'm above the

1:22:46

very length. I got

1:22:48

you, sweet pea.

1:22:51

It's 2d10 with mine,

1:22:53

plus a whole bunch. So

1:22:56

that's... holy shit. 20

1:23:00

points of damage, plus,

1:23:04

because I rolled with hope, that's

1:23:07

another d6 on top. So that's

1:23:09

23 points of damage. 23 points of damage.

1:23:11

That is a severe wound to it. That one,

1:23:14

that bear is looking wrecked. As you swing past

1:23:16

your blade hitting the side of it, it was

1:23:18

still in the middle of recoiling. It tumbles off

1:23:20

to its side, falls and has to

1:23:22

right itself. You can see there's a massive gash across

1:23:24

the back of it. It has that

1:23:27

desperation in its eyes. It

1:23:29

looks less terrified, or

1:23:32

less terrifying than it was, and now it's starting to

1:23:34

look a little terrified. I

1:23:37

don't know if I feel bad. The quickest way

1:23:39

is the best! What? The

1:23:43

quickest way is the best. I'm

1:23:48

going to, while Pango has

1:23:50

distracted that one, and he's

1:23:52

attacking it, I imagine it's getting

1:23:55

up I'm going to dart away from it. And

1:23:58

I'm going to run, and I'm going to beeline straight. for

1:24:00

the one that Sir Dante has

1:24:02

intact. And right as I run towards it,

1:24:04

I'm gonna slide down and try

1:24:06

to sweep my staff under its legs

1:24:08

and hit its leg. Great, go

1:24:11

ahead, roll down. Can I add something for a tag team

1:24:13

to roll here? If you have the hope to spend it. How

1:24:15

much hope is it? How do you hope? Okay,

1:24:17

so yeah, that's right, because they send in two on me, I have to

1:24:19

spend it. I mean, you can help an ally for a hope and add

1:24:22

a d6 to her roll. I will definitely help. All right, so go and

1:24:24

spend a hope and you get to add a d6. Add a d6? Or

1:24:27

you can roll a d6 and she can add it. Okay. Oh,

1:24:30

that's bold. You're gonna get a

1:24:33

d6. Okay, d6. Yeah, you'll have

1:24:35

four. Yeah, that's good now.

1:24:37

Okay, that's 13. 13

1:24:41

misses. Oh, but it was with hope. So

1:24:43

you get a hope back at least. But as you

1:24:45

slide under its legs, it picks one of its massive

1:24:48

back clawed legs up and almost stomps down on you

1:24:50

and you barely dodge out of the way, but it

1:24:52

catches you off guard, which brings it back to you.

1:24:54

Was that with your staff? It

1:24:56

was. Did you add your instinct? I did. I

1:24:59

love how she's 13 years old. I know. Yeah.

1:25:02

There's four. Yeah, no, that's not

1:25:05

good. I'm gonna spend both of those tokens there

1:25:07

to activate Buzz with B. This one's gonna turn

1:25:09

around on you while this one's gonna

1:25:11

shift. This

1:25:14

one is still, I'm gonna say it's still with this one,

1:25:16

it's gonna activate on you. Pango, so the

1:25:18

one that's spinning around and shifting its attention on

1:25:20

the sweet piece and go ahead and make a

1:25:22

giant swing. On sweet thing. Towards you. That's gonna

1:25:24

be a 16 to hit. No.

1:25:28

Oh no, I'm gonna use an armor. Okay.

1:25:32

Well, the 16 to hit hits you. Oh yeah,

1:25:34

that hits. The damage is going to be seven

1:25:36

points of physical damage. Seven points, okay.

1:25:41

I'm still gonna use, mm. That

1:25:44

marks it down three. That's your

1:25:46

armor score, yeah. That would take it down to

1:25:49

minor, so yeah. All right, so you only mark one hit point on

1:25:51

that? Yeah. So your armor takes some of

1:25:53

the blow as you get knocked back, the wind almost getting

1:25:55

kicked out of you. My guard again. That's

1:25:57

a really good piece. As

1:26:01

you say that, the other way behind you, goes

1:26:04

to a giant swing towards you. That's going to

1:26:06

be a five to hit. What's your evasion? My

1:26:08

evasion is four. Right

1:26:11

as you finish your phrase, you're going to hit from the

1:26:13

side heavily, and I'm going to spend a fear on

1:26:15

this. Go ahead and add the complete strength

1:26:18

for that. Add additional d12 on that damage. That

1:26:21

is going to be 16 points

1:26:23

of physical damage. 16

1:26:26

points. I

1:26:28

will also spend an armor. No. I

1:26:32

can spend hope for some. I have

1:26:34

something here. What is it? What is it?

1:26:36

Stall wars. I can spend a

1:26:38

single hope to reduce the damage by

1:26:40

nine. So through

1:26:43

my sheer force of anger

1:26:45

at seeing a fine piece of

1:26:47

clothing damaged, I just sort of, my whole

1:26:49

body tenses up and the tense muscle sort

1:26:51

of like a

1:26:53

rock wall takes most of the damage. Off

1:26:56

your back. I take a minor. Miter

1:26:59

Moon, so just one hit point. Yeah, one hit point. Okay. All

1:27:02

righty. You do get marks on the heavy

1:27:04

attack, so it does push you back, but

1:27:07

it just slams you into the other bear, since there's

1:27:09

nowhere else for you to go in that regard. All right,

1:27:11

that's going to finish my go there. Okay.

1:27:14

So I see a sweep

1:27:16

he's taking off. I don't

1:27:18

know what he's doing today,

1:27:20

but I'm hitting this one. Stick

1:27:22

my tongue out and then swing from a branch. Yeah,

1:27:25

come on. I

1:27:28

kind of get over it as I'm swinging.

1:27:30

I kind of like get

1:27:33

my, get my, my staff going. I

1:27:40

don't really know why it has to do this. And

1:27:43

as I go, my

1:27:45

staff is going to shoot out some, some smoke

1:27:48

is going to come out the top and it's going to

1:27:50

turn into a cinder grass. And it's going

1:27:52

to go straight into the big boy

1:27:54

over there. Over here. Yes.

1:27:56

Which is a success. The target

1:27:59

instantly burst. flames. It's great

1:28:01

in a forest. It's

1:28:03

like 1d20 magic damage. MATT

1:28:05

and LAURA go ahead and roll against the target

1:28:07

as you swing underneath the branch from your tongue,

1:28:09

landing, letting the flames flicker off the top and

1:28:11

then land. LAURA and MATT and LAURA go to the

1:28:14

next stage. MATT

1:28:16

and LAURA, oh no! That's a

1:28:19

six with fear! That was a

1:28:21

pain in me, thank you, it's

1:28:23

united! Oh, it's

1:28:27

much bigger when I got closer! MATT and LAURA,

1:28:29

as you swing in the air and your staff

1:28:31

is trying to light up and it's like,

1:28:34

the flames not igniting, but as you do

1:28:36

the bear turns around and opens its mouth

1:28:38

towards you as you're rushing, and it's not

1:28:40

igniting, it's not igniting! You have to biff

1:28:42

at the last minute and roll out

1:28:46

of the way and let the spell go. As

1:28:48

you stumble to the ground,

1:28:51

shifting back to its way,

1:28:53

I'm going to spend a

1:28:55

fear to add some more

1:28:57

tokens to the action tracker

1:28:59

here. LAURA and MATT, maybe we shouldn't

1:29:01

make Andre angry. MATT and

1:29:04

LAURA, as you rush in there, because

1:29:06

you rolled a fear, you failed with

1:29:08

fear, which is really

1:29:18

not great. So it comes to me, I got the fear on

1:29:20

that one, I spend that to get some extra tokens, I'm going

1:29:22

to spend them right now to activate all three of them. I'm

1:29:24

going to spend a fear

1:29:27

to get rid of the vulnerability

1:29:29

on that one. All three of them are

1:29:31

going to activate now. Both of

1:29:34

these are going to still

1:29:37

focus on you since you're one with the mass of

1:29:39

a swing that went around. That

1:29:42

one, because you're the one who failed and you're the

1:29:44

one who leaps in the air and you just manage

1:29:46

to dodge out of its mouth, the bear now above

1:29:48

you is going to bring both of its claws up

1:29:50

and try and swing them on top of you. That's

1:29:53

going to be 18 hits. LAURA and

1:29:56

MATT, oh no! another

1:30:00

fear to add the corrupted strength on that. Ooh,

1:30:03

no. Okay, that's going to

1:30:05

be a 22 points of physical

1:30:08

damage. ASHLEY and LAURA, okay,

1:30:10

okay, okay, okay. So I'm going to have to do an

1:30:12

armor spell because that's my severe. So take

1:30:17

it down. MATT, you can just

1:30:20

be three hit points, no big deal. No,

1:30:22

but if it's over the severe, then you

1:30:25

just take down my three. No,

1:30:33

you take three. Minor is one, major is two, and severe is

1:30:36

three. And

1:30:38

if I use an armor slot, it takes me down

1:30:41

to the next, to the major. So

1:30:44

it should be just two hit points. You

1:30:47

can send multiple armor slots, too, to reduce it. I'm going to hit

1:30:49

points. I mean, this is the

1:30:51

first time I'm getting hit, so I'm

1:30:54

going to take all three. Yeah! All righty.

1:30:57

That's a strong body. Let's go. The

1:30:59

other one, the other two are going after you, Pango.

1:31:02

That's going to be a six to hit. Hits.

1:31:04

Everything's going to hit. That's going to be a

1:31:06

nine to hit. I'm going to save that fear,

1:31:08

so they're both going to do straight damage to

1:31:10

you. One of them is going to be 13

1:31:13

points of physical damage. Okay, that's

1:31:15

my major threshold. And the

1:31:17

other's going to be six points of damage. My

1:31:19

minor threshold. Can I knock the major

1:31:22

one down? Sure. I'll spend

1:31:24

another hope and knock it down.

1:31:26

So that's two minors. Two minors, such

1:31:28

as two hit points. Oh boy. And

1:31:30

you're just being tackled from both sides. At least

1:31:32

it's not the little ones. I must protect the

1:31:34

little ones. All righty. So

1:31:37

that's going to finish my go. Sarlo. Come

1:31:39

on, come on! Texas Cubs are running

1:31:42

around the side. And

1:31:44

as I'm running, you see my mandibles start

1:31:47

to light up. They start blowing in

1:31:49

the front, in the red, and a little

1:31:51

sphere of fire starts to coagulate

1:31:53

right in the middle. And I'm going to use Wild

1:31:56

Flame. So I'm moving right

1:31:58

in between the bears alongside. They

1:32:00

are paying go and I'm going

1:32:02

to use Wilde Flame or to

1:32:04

fire up a magical arcade fire

1:32:06

of the great race. Murder

1:32:10

of magic person I am a magic

1:32:12

person or that is and in night

1:32:14

sorry twenty with P O L think

1:32:16

that it's success and when I make

1:32:18

an attack roll with fear of evil

1:32:20

wizard from the School of war I

1:32:22

added d six to the damn and

1:32:24

all night anymore which is sick and

1:32:26

other to school sick so sick that

1:32:28

day saints and get a bad thing.

1:32:32

So nine points of damage to both of them.

1:32:34

Nine point to damage already. I'm.

1:32:37

Sorry Eleven points of them to and eleven

1:32:39

point of damage our it's had some major

1:32:41

to both of them are the one that

1:32:43

you had nothing and the is really not

1:32:45

enforced. The ground itself unconscious and hurt them

1:32:47

and a couple flames going to burning off

1:32:50

in the sides filled. With

1:32:53

is now is no longer part of the fight. I'll

1:32:55

just. Leave. It there reminder Ah, the

1:32:58

other one six the heavy flame hidden can.

1:33:01

See where you are you rush by

1:33:03

ah know that was and fear not

1:33:06

going to go and tickets from activates

1:33:08

Both of those of us of is

1:33:10

there on my turn spin and ignoring

1:33:12

thing goes in a rush up towards

1:33:14

you or this and snit it's new

1:33:16

it's assault on hobby. Ah the attack

1:33:18

against off he is going to be

1:33:20

our three. I'm pretty sure your vision

1:33:22

beaten three. Rate this all right. So

1:33:24

now it's like slamming. There are. Other

1:33:28

ways you clawbacks on one that comes loving towards you

1:33:30

The planes to can bring off the edges of it's

1:33:32

first. Lesson

1:33:35

to be and eight when

1:33:37

I have aged seven seven

1:33:39

scientists have already off swings

1:33:41

and we towards us going

1:33:43

to be a city pointed

1:33:45

physical damage so far from.

1:33:49

Suffer. From.

1:33:54

Fifteen to sort out. Your daughter.

1:33:57

Oh my gosh, Driver:

1:34:02

Or a yes or no in the becomes a major

1:34:04

source of to have forced to have points know when

1:34:06

you. Are levels

1:34:08

man. I

1:34:11

seem to have a member or I'm right

1:34:13

behind this thing. Simon a very quietly walk

1:34:15

up to pull out my Raytheon and says.

1:34:18

Stab. It's hopefully approximately where

1:34:20

the sun sun with had

1:34:22

signs if it wasn't are

1:34:24

set up on are already

1:34:26

or rights nasa earth and

1:34:28

so Roman citizens plus presence.

1:34:34

Of does a lot around Over onto

1:34:36

nervous as the wrong guy said was

1:34:38

damaged areas. Come on. Ah

1:34:41

well as. Horrible.

1:34:43

As it's ten with hopes and with

1:34:45

hoped unfortunately such said Mrs. But you

1:34:47

do get a mark of above that

1:34:50

bring it back to mean and the

1:34:52

go ahead room and to tell them

1:34:54

that I just gotta have turn on

1:34:56

you know ah and it's going to

1:34:58

go had make a strike you know

1:35:00

that's to be an A team who

1:35:02

are thus that hits that hits and

1:35:04

an awful to damage rolls or four

1:35:06

points of physical damage or that's below

1:35:08

my minor census taker stress stress on

1:35:10

and also say I'm finally going to

1:35:12

use my bloody retelling since. When

1:35:14

I think our damage from a creature as

1:35:16

and Millie ranked I may mark a stress

1:35:18

to immediately deal weapon damage to the creature

1:35:20

at have proficiency. Great. So that's just

1:35:23

I roll it's and I had to

1:35:25

buy them as well. It was. you

1:35:27

know, and it's them or dicey. Proficiency

1:35:29

soon house a half years and years.

1:35:31

as much one than social interaction. When

1:35:33

when do you to. That's.

1:35:36

Oh that's very nice. That's a. That's.

1:35:39

A seats beat All right to

1:35:41

test minor wound. Well most important

1:35:43

and ah yes it or yeah

1:35:45

so you recites. Go

1:35:47

ahead and strike it back in with and

1:35:49

retort and as you hit kind of pulls wait

1:35:51

for the minor had been out for me

1:35:53

to face off against you have much of

1:35:55

it is my go on longer and silo and

1:35:58

a hearing his friends started to cry. and

1:36:00

around and look down at for there

1:36:02

are buzzing her on the ground and

1:36:05

as a suspension kisses palm and hold

1:36:07

out and then instantly starts a monkey

1:36:09

look towards office. And run up

1:36:11

behind her. Arms race or run

1:36:13

up behind him. sorry as exchange. This stance

1:36:15

on a plate has some alfa mood. I

1:36:17

was raised, I. Just right and

1:36:20

I'm going to place my hands

1:36:22

on the top of his slimy

1:36:24

ahead and use air. My divine

1:36:26

wielder a ability sparing touched it

1:36:28

just works works. Once the long

1:36:30

rests you can touch creature and

1:36:32

he'll take to he has sick

1:36:34

when spots I suppose I just

1:36:36

litter straight up in your eyes

1:36:38

as you do in Vegas. There.

1:36:41

He is pretty big brown eyes as wow to cure I

1:36:44

hope. I

1:36:47

feel my last article a little bit. Numb and I

1:36:49

start second office line from an

1:36:51

alright alright alright alright. I'm

1:36:56

gonna lift that like us and.

1:36:58

Swing. It down that instead of actually

1:37:00

see a down lies are gonna light up

1:37:02

and just like a bunch of spectral blades

1:37:04

are gonna like warm in the air and

1:37:06

slammed down into the baron. Said in one right.

1:37:10

Now what they're called that's called well

1:37:12

as ah so go ahead and as

1:37:14

a as an actress so that they're

1:37:16

hoping and they go ahead and all

1:37:18

your. Mouth

1:37:22

Yes as. Really

1:37:26

get that swells less eleven for the

1:37:28

hill fault and I didn't even add

1:37:30

me man. Said so whenever they

1:37:32

would definitely succeed as. Much

1:37:35

as I get a whole bag

1:37:37

you to hold back. okay and

1:37:39

then that will go far as

1:37:41

not. That great isn't one to ten

1:37:43

magic damage. I would have better his you

1:37:45

and Miss Death Vanessa hand. Or looks as

1:37:48

l and size or had Roland is him as

1:37:50

been. Assessed.

1:37:55

Ah, it's like a drizzle of was

1:37:57

this. One blade.

1:38:00

The thing to do the

1:38:02

heard like. City

1:38:05

has undergone. A

1:38:08

sign outside of the every artist who worked

1:38:10

on his car. In

1:38:13

there. Are

1:38:16

I always worked for some next

1:38:19

or I am going to look

1:38:21

over at Handle an Ice and

1:38:23

see to move away from. Single

1:38:28

this and me something over to me. I

1:38:32

don't like. Ssssss

1:38:34

you are that are. You

1:38:37

are destined for greatness as. You

1:38:40

know, What

1:38:42

You're looking At: The nursing boom and an energetic.

1:38:44

And as such a side that

1:38:47

missing I contacted by side of

1:38:49

nine Eleven has a devout christian

1:38:51

women enemies over his. Mean.

1:38:54

You think we would make the

1:38:56

great duel And first. You

1:38:58

know he did. Narrow and heartbreaking.

1:39:00

saddam. That starts to play. Me

1:39:03

and all my close allies can take

1:39:05

the hope. So eventually

1:39:07

cause. I

1:39:09

was no, was a mean close as

1:39:11

English, super close as a brush with.

1:39:14

Everybody but Sir Dante. Unfortunately, just

1:39:16

though the rings thousand. And

1:39:20

nine holes in them ago. When.

1:39:22

We try a little a little duel

1:39:24

with. And I want to do a

1:39:26

team up. Or you do tag team

1:39:28

roll back the all right it's three Hope cost

1:39:31

on not only with in all three my hope

1:39:33

I win approval or right? So what do you

1:39:35

both was doing them? What are we both doing

1:39:37

on. You know that light on

1:39:40

that move and like partner dances

1:39:42

were. Like the one person bends over

1:39:44

any other like uses the bat. Would

1:39:46

you like a player award for. best

1:39:49

zip through the upswing stuff i'll do

1:39:52

the tickling different areas in line behind

1:39:54

me i have a week him both

1:39:56

attack this pair of that era when

1:39:59

after after taxes you both are no

1:40:01

rush here is a dancing duet spinning

1:40:03

over blades and massive blades swinging as

1:40:05

you do. Are you

1:40:08

both making attack rolls with your weapons in as part of this

1:40:10

attack? I'm going to use my fans. I can roll an attack

1:40:12

as well. So

1:40:14

with a attack team roll, one of you initiates and

1:40:16

spends three hope, and you can only initiate it once

1:40:19

per session. But you both roll, and

1:40:21

then you take the higher of the two for both

1:40:23

of your actions, and if you're both doing damage, you

1:40:25

add the damage to get. Both

1:40:29

of you. Choose a

1:40:31

better roll for the two of you, then you can buy your

1:40:33

own. Use my platform. So I will do as she said and

1:40:35

take her on my back and spin around, but even though she

1:40:37

said to just do

1:40:43

it once, I'm going to try to go around and

1:40:45

around and around. You got it. So

1:40:48

it's like spring move? Yeah. I

1:40:51

call it lindy hop. Bring it fire.

1:40:55

Let's go. That was great.

1:40:59

And with the side differential, he's just like,

1:41:01

17 fear, or? Or,

1:41:05

oh wait, 19, 16 with hope. I

1:41:13

mean, if we take the

1:41:15

hope roll and the tag team move

1:41:17

like this, do we both regain hope?

1:41:19

How does that work? I

1:41:22

just broke the game. I

1:41:24

recall it. No, you're both

1:41:26

getting the roll, so you would both get a hope. Should

1:41:28

we do that? It's one lower, but I think it'll

1:41:30

hit. 16 will hit. I

1:41:33

hope it will. Okay,

1:41:35

16 with hope does hit. Okay, get

1:41:38

that whole back. Excited about

1:41:40

numbers. So both

1:41:42

of you guys roll your damage and then add them

1:41:44

together. Okay. It

1:41:47

is 2 to 8 plus 2. Okay.

1:41:51

Even though she did. Four. I

1:41:55

got 11 damage. Mine

1:41:57

is 13. whoa,

1:42:00

19, 20, 21, 22, 23, 24. So

1:42:05

24. So,

1:42:07

put the weapon to 35 points of damage. That

1:42:11

is double its severe threshold, which means it's

1:42:13

four hit points, which is what had left. So

1:42:17

how do you want to do that? Yay! But

1:42:21

there you go, Hannah. It hits so hard, I feel like

1:42:23

we're gonna hit it straight into our bug friend, but

1:42:26

we can't, we shan't do that. No,

1:42:28

no, no. Thanks, Shin. How

1:42:33

do you want to do this? Well,

1:42:36

I feel like, okay, so

1:42:38

we're doing, we hit him a few times,

1:42:40

hit him a few times, but then you

1:42:42

do a toss, and I

1:42:44

do a barrel roll. Yeah, yeah, yeah. And

1:42:46

as I come down from the barrel roll,

1:42:49

I'm just gonna impale it. Yes, and I will

1:42:51

go up from underneath, and maybe we can just shoot

1:42:53

over in the middle. Oh, we just steal it in

1:42:55

the middle? And

1:42:57

then just crumbles to the ground, draw

1:43:00

your blades out of the ready. Sorry,

1:43:02

sweet beast. Alrighty.

1:43:05

Whoa, that was really fun.

1:43:09

I told you, you're a star. I

1:43:13

sort of bend over and walk away a

1:43:15

little bit. I don't care. That

1:43:18

one's bad, this one's up? That

1:43:21

one's up still, yeah. Yeah, I see that happen as I

1:43:24

watch one of my spectral blades go, shh. I'm

1:43:27

fine, I'm fine, if you want to

1:43:29

go. Alright, tag team. Alright,

1:43:31

tag team. Oh, 23. Sir

1:43:34

Dante. Yes, yes. Shall

1:43:37

we try them together? Rolled

1:43:41

out the fucking tag team. Leave the way, Mr.

1:43:43

Offman. There's definitely nothing bigger waiting towards the end

1:43:45

of this game. No, definitely not. I want to

1:43:47

use my staff. Do it, do it, that's what

1:43:49

it's about. You can do tag team once per

1:43:51

session. You can initiate one once per session. Oh,

1:43:53

initiate one. So I can initiate one. It'll

1:43:56

probably be three, help the new cell though. I

1:43:59

get two, apparently. All right,

1:44:01

so I am gonna All

1:44:13

right, I just want to try to use my

1:44:15

staff so I'm just gonna get

1:44:18

it going again I'm

1:44:30

going to toss around while you're doing this and wave

1:44:32

my hat with one of my arms and prepare for

1:44:34

strike on the other points of

1:44:37

smoke much like the fire It

1:44:41

moves yes, and the

1:44:43

smoke will try to sort of wrap itself

1:44:46

Around the bear okay, okay,

1:44:48

and just slowly start to just All

1:44:52

right great. What are you casting for this?

1:44:54

I'm just using my staff. Hell yeah, go

1:44:56

for it all right Go ahead

1:44:58

and roll your respective attacks. I'm going

1:45:01

to add dramatic flair right

1:45:03

by saying I'm afraid you're about to meet

1:45:05

a grisly end Next

1:45:08

to hope Yeah,

1:45:11

I'm into it all right wait, so

1:45:13

do I send it in my spending

1:45:16

hope since we're talking you're spending three

1:45:18

Oh three because of me yeah When

1:45:22

an ally initiates a taxi roll with you they

1:45:24

only spend two hopes to do great. Oh great Yeah,

1:45:27

that's just two for you, and then you spend one

1:45:29

I spend one for my 14

1:45:38

15 16

1:45:44

19 with fear unless you've got I

1:45:46

rolled eight with

1:45:49

hope 19 with fear yeah

1:45:52

19 with fear I'll take the fear But you both get

1:45:54

to go ahead and combine your damage on this attack right

1:45:56

smoke the smoke rolls around as you're kind of building up

1:45:59

with your your hat.

1:46:01

It can swirl and mass around the bear

1:46:03

as it seems to be now completely invisible.

1:46:06

LAURA, ASHLEY, and ASHLEY, I forgot to add my sneak

1:46:08

attack damage on my previous roll. Can

1:46:10

I add it? I rolled

1:46:12

it, it was seven damage. MATT, LAURA, and

1:46:15

ASHLEY, I know! MATT,

1:46:18

LAURA, and ASHLEY, I know. MATT, LAURA, and ASHLEY, I

1:46:20

know. LAURA, ASHLEY, and ASHLEY, I

1:46:22

know. MATT, LAURA, and ASHLEY, I know.

1:46:25

MATT, LAURA, and ASHLEY, I know. MATT,

1:46:27

LAURA, and ASHLEY, I know. What, you always get

1:46:29

a sneak attack? MY such an ally as

1:46:31

in melee? LAURA,

1:46:35

ASHLEY, andstyne can also

1:46:37

spend any number of hope before the attack

1:46:40

and added more dice, but I didn't do

1:46:42

that, so I'm only adding it. MATT, MATT, and ASHLEY, I know. MATT,

1:46:45

MATT, examples on your active

1:46:57

V-er threshold, which is three points of damage. How do you want

1:46:59

to do that? MATT,

1:47:02

MATT, and ASHLEY, go

1:47:04

ahead. I think you've got him in the

1:47:06

strangle and smoking class. ASHLEY, MATT, and

1:47:08

ASHLEY, the smoke that's coming

1:47:10

out of my glorious staff,

1:47:13

a little pink, a little magenta,

1:47:16

a little periwinkle with little

1:47:18

sparkly celestial looking, and it

1:47:20

just wraps around the neck of the bear, right

1:47:22

in the body, and it's just getting tighter and

1:47:24

tighter. Do a little cartwheel underneath, get right

1:47:27

under it, and give him a tricky honor.

1:47:29

Be straight through the throat. You withdraw

1:47:33

and you see it crumple to the

1:47:36

ground as the weird liquid seeps out

1:47:38

of its wounds and out of its

1:47:40

jaw. The two slain bears are now

1:47:42

laid to the sides. They're

1:47:46

suffering at an end. The partially

1:47:48

healed one over there unconscious. As

1:47:52

you all catch your breads

1:47:56

taking in for most of you, the renewed

1:47:59

understanding of the dead. dangers that wander here,

1:48:01

though from your experience. A different

1:48:03

kind of danger than you expect them.

1:48:06

Oh. Oh!

1:48:12

We'll pick up for a post-battle investigation and

1:48:14

furthering of the adventure for this. That was

1:48:16

fun. That was

1:48:18

fun. Alrighty,

1:48:21

we'll see you all here in about 15 minutes. Oh,

1:48:26

hey there! Laura Bailey here to

1:48:28

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purchase helps support our shows and the stories

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we tell. Speaking of which,

1:49:06

let's get back to the story. And

1:49:10

welcome back. So, ending of that

1:49:12

combat, I had three tokens left over. I'm going to

1:49:15

spend two of them to get

1:49:17

a fear, and that

1:49:19

last one just goes away. So,

1:49:21

here as the adrenaline begins to fade and

1:49:23

you all stand around the

1:49:26

two deceased corrupted

1:49:28

hedge bears, and the one that

1:49:30

hangs onto the edge. You

1:49:33

take in the intensity of what's around you. What do

1:49:35

you do? MATT Only this one. TALIESIN

1:49:40

And on my bear

1:49:42

weight, I'm

1:49:45

going to lay hands on its ribs

1:49:47

and see how she reacts. MATT

1:49:54

That's not your fault, Gertie. Does

1:50:00

she seem calm to me? MATT,

1:50:02

as a hurt, but calm in your presence, at

1:50:04

least. Your hand is the one that brought her

1:50:07

back from some brink. MARISHA,

1:50:10

ASHLEY, and LAURA, and SAM, can you fix your darlin'? LIAM,

1:50:13

as a hurt, but calm in your

1:50:15

presence, at least. Your hand is the one that brought her back from some

1:50:17

brink. Andra's gaze.

1:50:23

I will use a

1:50:26

different feature. I'll

1:50:29

use... Mending

1:50:33

touch. So this

1:50:35

is for quieter, slower moments. I'm

1:50:38

going to take a few moments and the

1:50:41

medallion around my neck starts to

1:50:45

glow gently, illuminating the two dogs peeking

1:50:47

out from my hips.

1:50:52

And I will give

1:50:56

this bear two

1:51:00

hit points. Okay. And

1:51:03

while he's taking that time, everybody

1:51:05

come close to where he

1:51:08

is, and I'll also cast

1:51:10

mysterious mist, and my

1:51:12

wings will start to flutter, and a little thick

1:51:15

mist starts to surround us, anyone that's in

1:51:17

a very close distance makes us hidden. Is

1:51:19

there a spell cast real quick? There is,

1:51:21

yeah. I spend a hope to do

1:51:24

it. I'm

1:51:27

going to amend my feature-wise. It should

1:51:29

be one hit point, unless I tell

1:51:32

the person or creature

1:51:37

I'm healing something about myself or learn about them.

1:51:40

You know, when I was a young

1:51:42

one, I met

1:51:45

one of your cousins, and

1:51:48

I was injured. Had

1:51:51

a broken leg, and

1:51:53

still feel it when it rains. And

1:51:58

that one, one of your cousins, he... He actually

1:52:02

grabbed me by the scruff, held

1:52:05

me under my feet, and

1:52:08

limped me back to my home. So

1:52:11

it pains me to see you like this, girlie.

1:52:15

But don't just pain you. And

1:52:18

I'll pull my hand away and

1:52:20

hope that that's enough to close the wound. The

1:52:24

wounds begin to seal over, not

1:52:27

completely healed of the wounds that suffer, but

1:52:29

definitely enough to recover

1:52:32

in time. But more so than

1:52:34

that, the signs of the corruption,

1:52:36

the strange ichor

1:52:39

leaking from its various wounds

1:52:42

and body corners subsides

1:52:45

and evaporates into

1:52:48

dust and vanishes as it rights itself.

1:52:53

You see it looks around at you all. Still

1:52:55

a massive and intimidating hedge bear, but

1:52:57

as it glances around, you don't

1:53:00

sense outward aggression as

1:53:02

it gets back up to its feet. And

1:53:05

at its feet, it's towering a good

1:53:07

three feet above your head's

1:53:09

arlo, but it bends down to sniff

1:53:11

you. It

1:53:15

licks the side of your face,

1:53:18

and then looking

1:53:21

at the rest of you, it begins to back away and then turns

1:53:24

and begins to lumber into

1:53:26

the shadow of the forest.

1:53:28

It stops and

1:53:31

turns back.

1:53:38

You see it looks towards the northeast

1:53:42

with a sad look in its eyes and

1:53:47

continues pushing westward. So

1:53:56

we hurt things and then we heal

1:53:58

them. I

1:54:03

mean you did the best you could. Corruption

1:54:05

outpaced their hearts. We

1:54:08

did it right. We

1:54:10

solved the problem. Yeah,

1:54:12

I think we destroyed the corruption. We

1:54:14

can go home now. I think we

1:54:17

did it. I'm

1:54:19

afraid that's just

1:54:22

an example of what

1:54:24

else is out there. We

1:54:26

haven't found the cleft hand or made it to

1:54:28

the Sea of River yet. So there's

1:54:31

more to go. But lessons learned.

1:54:33

The symptom, not the cold. How

1:54:36

was it, you think? It was.

1:54:38

It's your tongue all right. Yeah.

1:54:42

I can do that all day. I've

1:54:45

never seen you stretch it out that far. Yeah,

1:54:47

a little far. It feels a little stretched at the

1:54:49

moment. But

1:54:51

I'm okay. We should have

1:54:53

dropped the two puppies and taken the bear. Just

1:54:56

saying. No. I thought about

1:54:58

asking. Yeah. There's

1:55:01

a very easy one. You

1:55:05

know, I... I'm

1:55:07

not asking. Maybe. Maybe

1:55:10

that's where she came from. That's where we

1:55:12

should go. Drama

1:55:15

queen. Does the

1:55:17

path go the way that the bear

1:55:20

looked? Not directly. It

1:55:22

looks like it's arching semi

1:55:25

parallel, but slightly diverging in

1:55:27

time. Call

1:55:29

is yours. Seems like a clear sign to me.

1:55:33

Let's follow the gaze of the bear.

1:55:38

We won't get lost. There it is. Let's

1:55:40

do it. I love it. I'll just

1:55:42

grab an instant. Pretty great. Thank you. All

1:55:46

right. I'll maybe leave

1:55:48

the pack. All

1:55:51

right. Mm. Snog up

1:55:53

my baggy pants and

1:55:55

make sure the pups are tight and I start to

1:55:57

swing through the branches. We should walk

1:55:59

by the... The High Road. Oh that's terrible.

1:56:04

For to real minor shaking

1:56:06

your accent on a certain

1:56:08

like a normal first ah

1:56:10

ah ah ah ah a

1:56:12

ah ah ah. So far.

1:56:20

Beyond Cadence of Scissors Unfazed

1:56:22

by going through the Saturday

1:56:25

Globe and. You

1:56:28

press slightly off the path. You

1:56:31

been following in tracking deeper

1:56:33

east, north, east, Hopefully.

1:56:36

The direction of we are seeking

1:56:38

it doesn't take too terribly long

1:56:40

before you begin to hear that

1:56:42

distance sounds. Of.

1:56:45

Water. Rush. some

1:56:50

semblance of. An.

1:56:54

Abrupt. Or. Some.

1:56:56

Somebody of the liquid itself, crashing

1:56:59

and shifting between the landscape. Do

1:57:01

we see anything that might resemble? It's less and

1:57:03

wrong. New.

1:57:06

Go ahead and are dwindling an instinctual for

1:57:08

me if you don't mind to look for

1:57:10

the specific details of what you're seeking as

1:57:13

your trucking along the have like is were

1:57:15

ultimately not a moment of hundred watt only

1:57:17

in a do a big sniff I fly

1:57:19

you burn some and out of a little

1:57:22

bit of a better sense of smell from

1:57:24

living under. Underground. For

1:57:26

so long. So I can

1:57:28

discover sniff to see if I can smell stinky water

1:57:30

from the. From. The Okay so both

1:57:32

of you go ahead and make instinct

1:57:34

rooms to see you're looking, you're smelling.

1:57:39

Oh well that's that's a crossroads

1:57:41

were to one of when it

1:57:43

is going to go into either

1:57:46

of us Really sites that allow

1:57:48

my the i do the same

1:57:50

number on politico elder at a

1:57:52

critical success city more scary but

1:57:54

one of. The

1:57:57

I got a sixteen with Hope sixteen with

1:57:59

hope grapes. I. Are you gonna help? You

1:58:01

could hope any clearer stress if you have one.

1:58:03

For me, going to critically comes as no, I'm

1:58:05

not a series champion out. So

1:58:08

ah, As. You

1:58:10

diverted from your pack. You do

1:58:12

not have sight of cleft hand,

1:58:14

but you've seemingly circumvented. It's a

1:58:16

necessity, as indeed, you can see

1:58:18

what you can clearly understand. You're

1:58:20

lucky to see the strong connection

1:58:22

with nature around. Doing something about

1:58:24

this just tells you this. This.

1:58:27

Is the river thick sauce. You

1:58:30

are glance pastor what you see the

1:58:32

at like see a river and you

1:58:34

can see manner of trees that are

1:58:37

grown on the side some of them

1:58:39

are kind of bent forward slightly from

1:58:41

see their elements of trees surrounding the

1:58:43

water that are diminished and the intensity

1:58:45

of their leaves some they're leaving meatless

1:58:47

right have been roman via the very

1:58:49

edge of the and have a wide

1:58:51

the river from it's it's whiter than

1:58:53

a book could possibly be need to

1:58:55

see there are elements were the river

1:58:57

little ways up in little further on

1:58:59

kind of travels. Through rocks ah ends

1:59:02

small like three four footfalls that's

1:59:04

causing kind of the sound of

1:59:06

rushing that drew you hear you

1:59:08

picking up the sense of the

1:59:11

would i mean everything here the

1:59:13

further you get any kind of

1:59:15

has a stagnation to it but

1:59:17

this close to the water there

1:59:19

is a particular kind of punches

1:59:22

It is a scan of a

1:59:24

combination of still water with ah

1:59:26

heavy vegetation rot and something. It's

1:59:32

hard to describe and part of it makes

1:59:34

you a bit. Uncomfortable.

1:59:38

It's a familiar smell. Do

1:59:41

not quite sure what it is a

1:59:43

big mouth is often you're gonna feel

1:59:45

like a flopped Rcr I to smells

1:59:47

kind of liquor because think both of

1:59:50

us. Are. Hopping

1:59:57

our family different. Ah,

2:00:01

I don't know. exists and

2:00:03

announced or something. The

2:00:06

know that has really see any more

2:00:08

of that sled stuff anywhere. If

2:00:11

you get closer to the river you

2:00:14

can see one the edges the water

2:00:16

as much as the trees themselves or

2:00:18

leafless. the ground vegetation is deeply overgrown.

2:00:20

he can see the various like ferns

2:00:23

and bush's themselves are massively swollen wide

2:00:25

or even though the coloration kind of

2:00:27

gets to shift into blues and purples

2:00:29

beyond the natural greens of the forest

2:00:32

which at first to be beautiful it's

2:00:34

not pricks the stench the get stronger

2:00:36

and stronger to close. Easy to the

2:00:38

water on and you can. See the

2:00:41

water from here. Ah, you Being

2:00:43

familiar with many the crystaline waters

2:00:45

of the animal sky and it's

2:00:48

wonders forest expanse. Ah, this is

2:00:50

certainly a brackish brown money coloration

2:00:52

and water itself. While it flows,

2:00:55

it flows sicker than water should

2:00:57

ever so faintly. There is a

2:01:00

there is this a sickness and

2:01:02

and they're just a faint. Sluggishness

2:01:06

to it's flow that is unnatural

2:01:08

in such you on edge. Immediately.

2:01:13

From others source. Of

2:01:20

her has asked about there are plenty

2:01:23

of sticks about six that stick and

2:01:25

and prodded a bit and see if

2:01:27

it's if it's like like a like

2:01:29

a fungus if it can be pulled

2:01:31

up of the water africa in like

2:01:33

a skin you you placed in lifted

2:01:36

up i it doesn't carry on like

2:01:38

a like a layer or anything that

2:01:40

would stick her beyond the fact that

2:01:42

the edge of your stick now has

2:01:44

that kind of almost day like an

2:01:46

oil spill type texture to it and

2:01:49

it has that. Same bluish purple coloration

2:01:51

just St. Louis throughout the liquid

2:01:53

and the residue as what was

2:01:55

seen with in the claw marks

2:01:57

that initial treat on the way

2:01:59

so. Herb The Bears. You

2:02:03

said that they have liquid. On

2:02:06

them was at the same coloration same kind

2:02:08

of liquid as those claw marks is indeed

2:02:10

carry that kind of blue purple tend to

2:02:12

it. I'm

2:02:14

running for retraces. The

2:02:17

sort of like something. I

2:02:19

was strange thought. I'm

2:02:22

going to just I'm gonna take. A

2:02:25

half and. I'm I'm going to.

2:02:28

Down whatever waters. liked it very

2:02:30

quickly. And I'm going to see if

2:02:32

there's a way to just. Get. On

2:02:34

scoop a bit of this gunk into

2:02:36

it without touching anything. I

2:02:38

would like. As for finesse,

2:02:41

Ron and Rice is specifically

2:02:43

a challenging test. This may

2:02:45

be I must have control

2:02:47

of. Absolutely hilarious. As if.

2:02:50

You're gonna. Say

2:02:53

I'm a cancer center for a.

2:02:58

Lot of success of faces I

2:03:00

got. I now. Or

2:03:04

is this guy or four

2:03:06

guys anything? I can. Make

2:03:08

the southern not really aren't here we go.

2:03:13

Outside aid us much better that's or

2:03:15

fifteen with help the team it up

2:03:17

are you take a hope you go

2:03:19

ahead and and managed to just from

2:03:21

England angle where you can team accepts

2:03:23

it It has that all like. Sounded

2:03:26

it enters and can of beans to

2:03:29

fill partially that a canteen is you

2:03:31

lift how to spin see that that

2:03:33

that layer of of cleaning material that

2:03:35

that kind of foreign substance that has

2:03:37

swirled and mixed. In with the river water

2:03:40

that sucks looks down the side and you kind

2:03:42

of like shake it off at you close carpet

2:03:44

and the new some some fully adjusted. Dry

2:03:46

it off and then prisoner my bells

2:03:49

and smart them you have a half

2:03:51

canteen of river like than of of

2:03:53

the say that now I'm off. You

2:03:57

know, Silo? And just keep wondering if.

2:04:00

This is connected like to that seep stuff

2:04:02

you were talking about. Well, I thought

2:04:04

that too. I mean It

2:04:07

was liquidy Oh Pango. What'd you call me?

2:04:10

I called you Pango I

2:04:13

mean whenever she talks I just sort of

2:04:15

listen Do you want

2:04:17

something? Same

2:04:20

smell Thanks, I

2:04:23

don't know. Is it the same smell it

2:04:25

was a traumatic day. It was traumatic. It

2:04:27

wasn't the same as the horrible

2:04:30

caustic smell of the seep that filled

2:04:34

the the Exodus from

2:04:36

Ubi, but nothing familiar

2:04:38

nothing. It's familiar, but it's different

2:04:41

than that smell there Maybe

2:04:44

that was like a test run or

2:04:46

maybe it was a refined version or

2:04:50

Or maybe like you know how blood When

2:04:54

it's in your body It's

2:04:56

like you know bright red or whatever and

2:04:58

then when you let it dry

2:05:00

a little bit gets all brown and gunky I

2:05:02

mean the stuff that I saw was like fresh

2:05:05

and this is like old This

2:05:08

is more of a Doesn't

2:05:11

look like dried dry. Well, maybe other this

2:05:13

isn't really dry yet, is it? It's

2:05:17

a dante and I we came from in

2:05:20

the red crystal cavern There

2:05:22

was a thick mist and it was It

2:05:25

was making everybody go all haywire It's

2:05:29

quite violent. Wait, did it look

2:05:31

like this stuff? No, I just

2:05:33

wonder if it's all you know, it's like

2:05:35

the world is sick We

2:05:40

should trace it to its source the

2:05:42

rivers flowing downstream we should go up

2:05:48

Okay, what the grim warden's are on the

2:05:50

bank going upstream The

2:05:55

menageries Immortals

2:05:59

sub-chronic. Rather

2:06:02

than I ever have a step Great

2:06:05

Lakes as I am loving. And

2:06:08

or it. who is who is helming

2:06:10

it's a huge is it continued. Bees

2:06:12

are low and was going to the

2:06:14

same signature lady set. Eyes

2:06:17

out. Other that stigma thousand milligrams

2:06:19

a we like avoid this thirties.

2:06:21

Or right so you're going at your him

2:06:23

testing denounce him either You gotta free beacon

2:06:26

are as. Soon

2:06:31

as you continue to clamber over

2:06:34

and submitting them as Mississippi. River

2:06:37

bank season see areas where some

2:06:39

of the land has others act

2:06:41

like mobile an end in his

2:06:43

poor like be it's Mr. Marsh

2:06:46

element is expanding outward. River itself

2:06:48

seems like either be causing the

2:06:50

rapid. Erosion towards the

2:06:52

edge of the river banks or

2:06:54

the water is beginning to feel

2:06:57

you're uncertain, but it seems to

2:06:59

be pressing freshly beyond the long

2:07:01

carved boundaries of the reverse previous

2:07:04

flow. Cp.

2:07:07

Is first. To. See something moving

2:07:09

in the water? about fifty sixty feet

2:07:11

ahead of you. Something's can is shifting

2:07:14

and moving along the surface. This

2:07:16

up to bat upon. ah, higher up the

2:07:18

something in a lotta. Ah,

2:07:29

Do something in the Wild Oats. Features

2:07:33

skitter out of the nearby tree tops.

2:07:36

For switches for her on has he ever

2:07:38

since It's not like and water on can.

2:07:45

Move around the the white or wide

2:07:47

edge of my birth of and you

2:07:49

can see if there's something kind of

2:07:51

floating in the water. But

2:07:54

it looks like it's caught on one

2:07:56

of the heavy roots as is kind

2:07:58

of snag the end hanging. the edge.

2:08:00

LAURA and MARISHA, what is the shape of a

2:08:02

person? MATT, you take

2:08:04

a moment to focus and it does indeed

2:08:06

look like a body. LAURA, how far away

2:08:09

is it? MATT, it's about the wide

2:08:11

berth you guys are keeping, so about 30, 40 feet

2:08:13

from where you are as you're traveling around there. TALIESIN,

2:08:15

how far would you say it is? What distance of

2:08:17

30 to 40 feet would you say? MATT,

2:08:20

it's close or just beyond close. TALIESIN, I could

2:08:22

try and grab it if you like. I'm

2:08:25

going to pull out my hook. Oh

2:08:27

yeah, you did this. This is your thing. You

2:08:30

grabbed things. MATT, I'm going to

2:08:32

make a throw. MATT, Okay. Go ahead and

2:08:34

make an attack roll. A standard

2:08:36

difficulty of ten at this distance. TALIESIN, Oh, that

2:08:39

was my turn. Come on. That's 13 with

2:08:44

hook? MATT,

2:08:48

13. So you

2:08:52

give a tug and it takes a moment because

2:08:54

you can feel like the body was carried downstream

2:08:56

and then the cloak got caught up

2:08:58

in some of the roots along the bank and it's tethered

2:09:01

there for a bit, but eventually it tears

2:09:03

in one of the branches that it's caught

2:09:06

on breaks and you pull it onto the

2:09:08

surface. As you drag it closer and closer,

2:09:10

it's leaving a trail of the

2:09:12

continually brackish water in its wake.

2:09:15

As you yank and pull, it hits like a rock

2:09:17

and then it flips over onto its back, revealing a

2:09:20

humanoid male figure, slightly

2:09:25

bloated from being in the water for a bit.

2:09:27

LAURA, Oh no, it's my own colon! SAM,

2:09:30

Is it? MATT, You take a

2:09:32

glance toward it and see the familiar

2:09:35

hair slicked, the piercing eyes and

2:09:37

the human

2:09:42

and elven mixed

2:09:44

lineage still recognizable beyond

2:09:47

the face of

2:09:49

death. SAM, Ah,

2:09:53

Connie. Drag

2:09:55

him away from the water. LAURA,

2:09:57

I'm going to get my hook. LAURA,

2:10:00

and I'll hook on him, too, on my staff. TALIESIN,

2:10:03

MATT, and TALIESIN, and between

2:10:05

the three of us get

2:10:08

it carefully. We pull him carefully. MATT,

2:10:10

as you pull it closer, you see the

2:10:12

lower half's legs below the knees are no

2:10:15

longer there. But

2:10:22

it's interesting. There aren't

2:10:24

heavy slashes or any real signs

2:10:26

of open wounds. Though

2:10:29

you do immediately see the back of

2:10:31

the head is caved

2:10:34

in. It looks like some heavy

2:10:37

blunt trauma that may

2:10:39

have been responsible for this poor

2:10:42

ranger's demise. It

2:10:44

bludgeoned the back of the head and missing the

2:10:46

lower half of his legs. Like

2:10:49

cleanly? Yeah, what

2:10:51

the legs look like.

2:10:54

You said it didn't look like they got? You

2:10:56

look down at them and they look, honestly? Kind

2:10:59

of chewed apart. Oh. They

2:11:01

told only half of the body. Well, the thigh's

2:11:04

up. The

2:11:06

thigh's up. Okay, so maybe he was

2:11:08

attacked and then thrown in the

2:11:10

river and then whatever that creature is ate him. Does

2:11:16

the head wound also look like a bite? Does

2:11:18

it look weapon-like? Like a weapon clinked?

2:11:22

If you want to make a knowledge roll to

2:11:24

see if you can analyze the extent of the

2:11:26

wounds. Probably not be the one to do that.

2:11:28

Go for it. No.

2:11:34

You're clever. And

2:11:37

you're a... Minkle? Does that

2:11:39

look like a... What

2:11:42

would you make of this wound? It

2:11:45

would just have been. It killed him. Yes, but

2:11:47

does it look like it might have been a

2:11:49

rock? It might have

2:11:51

been a bite? It might have been an axe? I

2:11:53

don't know. I will

2:11:56

inspect the head wound, but I will also

2:11:58

use a reveal. from

2:12:00

the Book of Vargas, and see if

2:12:02

there's anything hidden within Close Range that

2:12:04

would. If

2:12:06

anything that would be hidden would be no longer hidden.

2:12:09

Plus a disinfection. Oh,

2:12:12

that is 23 with hope! Great.

2:12:17

So, as you

2:12:20

approach, before you analyze the body, you

2:12:22

go ahead and pull out your Grim

2:12:24

Warg, and as you are flipped to

2:12:27

the page of your reveal spell, begin

2:12:29

to weave the incantation. As you release

2:12:31

the woven tethers

2:12:33

of the arcane ethyph that surrounds the

2:12:35

space around you, you go ahead and

2:12:37

invoke this wave of

2:12:40

glowing dust that seems to emanate from you. As

2:12:43

it does, you can see, first thing

2:12:45

you notice, the weapons on

2:12:49

your friend here are

2:12:52

not drawn, which first

2:12:54

leads you to believe that he's

2:12:58

not expecting what ended him. Beyond

2:13:04

that path to the

2:13:07

edge of the river, too, the dust

2:13:09

seems to catch on something that you see

2:13:12

hiding within the roots, just

2:13:15

beyond the water edge. opposite riverbank?

2:13:18

No, on this side of the riverbank, in the

2:13:20

roots of one of the nearby trees, you see

2:13:23

something that's long and thin, tangled through, then looking

2:13:25

like part of the root

2:13:27

structure itself, but the spell seems to leave

2:13:30

it slightly glowing amongst

2:13:32

its shaded hiding spot. That was 30 or

2:13:34

40 yards away, so I'll say, nobody move.

2:13:36

I think it's unfortunate

2:13:38

that this poor fellow didn't see whatever

2:13:41

his demise was coming, but there

2:13:43

seems to be something watching us from the

2:13:46

riverbank, amongst the roots. Don't

2:13:50

get caught under wares. The

2:14:00

bank is we uphold the body up

2:14:02

and you can see these like. Brown

2:14:06

sheep's beginning to kind of shift out

2:14:08

of the water have a similar coloration

2:14:10

but the kinda like. Call

2:14:13

up to the muck. it looks it looks

2:14:15

almost like. A

2:14:17

quad load the ground crustaceans like

2:14:19

little crab like creatures that are

2:14:21

climbing up and out of the

2:14:23

muck up in your by force.

2:14:25

But as they begin to climb

2:14:27

out, the climb taller. And

2:14:30

taller. And as they

2:14:32

begin to, they sniff, seemingly searching

2:14:35

for their unfinished meal. And

2:14:38

a glance over here you are Now I

2:14:40

am Skyn gambler in my heart disease and

2:14:42

I cast and I disagree rather than that

2:14:44

of into couldn't get down low second the

2:14:46

box of into a train wreck I yeah.

2:14:48

Can't get all hide. Or

2:14:51

roller. Okay, I'll. I'll

2:14:54

join new them behind a tree man with a

2:14:56

simple join new and I'm I'm lines of inquiry

2:14:58

I think I can give I can get as

2:15:00

yeah I think like for months her as you

2:15:02

all began to can like. Carefully

2:15:05

move out of sight you

2:15:07

see them. The been sniffing around

2:15:09

in the air like. The

2:15:12

slightest bit of movement. The office

2:15:14

for zero in. And. Go

2:15:17

into a mass during towards you very.

2:15:24

Well I'm not. Rest of my we

2:15:26

are bad for your bachelors Now I

2:15:28

heard that I really I don't water

2:15:30

at all and I think that is

2:15:33

her water. A stagnant sale you all.

2:15:36

The pull back in this is full

2:15:38

of water of though in Springfield Nuclear

2:15:40

for ah ha he said you look

2:15:43

at Israel Diana already. I'd

2:15:45

have com or the. Three of us were pulling

2:15:47

a body out. And sell water. So we

2:15:50

listened closer and and or the body

2:15:52

was dragged about thirty or so flow

2:15:54

care about me and a bunny and

2:15:56

I wouldn't Who has started skipping towards

2:15:58

the trees using my silence. using

2:16:00

my ability to keep us silent. Which

2:16:03

is advantage on action

2:16:05

rolls to make you move without being

2:16:07

heard. I've earned a hope for it.

2:16:09

MATT and TALIESIN, go ahead and roll agility

2:16:12

rolls for me real fast. MATT, and dart out

2:16:15

of there with that ability while the rest of

2:16:17

you begin to shift right as they catch your

2:16:19

attention. TALIESIN, MATT, and D6

2:16:21

to add to that. ASHLEY

2:16:24

and MATT, and D6 to add to that. MATT,

2:16:54

and another after another after another are emerging. It

2:16:56

looks like your

2:17:07

body is your friend who sits here on the ground after

2:17:09

being dragged out. As soon as you all begin to scatter

2:17:11

off to the side, first off, what did you roll? TALIESIN,

2:17:13

MATT, and D6 to add to that. MATT, and

2:17:16

D1 to add to that. TALIESIN, MATT, and

2:17:18

D6 to add to that. Great.

2:17:20

So you both dart off at the side while the rest of you begin

2:17:24

to shift as they charge at you. I'm

2:17:26

going to start rushing with this big skittering sound. ASHLEY,

2:17:29

LAURA, and MARISHA. I was close to the body because

2:17:31

I would have been trying to pick his pocket. But

2:17:34

I sunk down into the vegetation and I'm just hiding there.

2:17:38

MATT, ASHLEY, and MATT. So. That's just happening. I'm going to go

2:17:40

ahead and spend a fear to take GM

2:17:46

action immediately and then spend both

2:17:50

of these fear to give

2:17:52

me four tokens on My

2:17:55

immediately intrusive ambush: GM Turn here. I'm going to

2:17:57

spend. All four of these tokens activated. So

2:18:01

they charge forward is easier fight

2:18:03

Miss like up front loves like

2:18:06

fly. Trust our our. Jaws

2:18:08

lox open into these are separate

2:18:10

bisected john when effects when we

2:18:12

go and move if amp Melinda.

2:18:20

Swirling as to be here. Soon.

2:18:24

As the Catholic church is. Already.

2:18:29

Isn't around me? You're

2:18:31

very tall are you know my

2:18:34

Susan Rice's. Right

2:18:37

order. Pasta

2:18:39

with that know that them

2:18:41

are going to attack you

2:18:43

tastes hello Was sixteen. To

2:18:46

hunt you Down Voted. For

2:18:49

three physical damage three physical damage would

2:18:51

refuse to stress out as a three

2:18:53

districts and solace in the first to

2:18:55

death. The next one is a for

2:18:58

to hit. Yeah. He

2:19:00

takes a physical damage on my a

2:19:02

his for the as I did miss

2:19:04

a beat me to say so I

2:19:06

say how many three the next one

2:19:08

is a or seven the hit you.

2:19:11

And the next one is is it was three three to take.

2:19:14

For. Stress essentially. For

2:19:16

oh oh oh oh

2:19:19

oh yeah sorry oh.

2:19:23

Alright, So. And reactions this

2:19:25

is the all swoop in slam

2:19:27

around Pengo and me to sharks

2:19:29

scrambling and swarming of of science.

2:19:31

us from hundred. oh I do

2:19:33

or I grew. Up

2:19:37

on first I griff

2:19:39

my gigantic sword. Ah,

2:19:42

And my great sword and I

2:19:44

using my rule wind feature ability

2:19:46

spite of i'd swing out in

2:19:48

a wide are killing enough to

2:19:50

support him try to hit all

2:19:53

of a killer I know I

2:19:55

wouldn't bite people, smoke cool off.

2:19:57

To be honest, I rules. Twenty

2:20:01

with hope. Twenty with Hope.

2:20:04

And I mean all right.

2:20:06

And you're spending a So

2:20:08

with Whirlwind Your eyes. You

2:20:10

may also spends. Hope to

2:20:12

use that role against every other enemy

2:20:14

within. Rad hits all four of the

2:20:17

regular joe ah ok and the same

2:20:19

wrong I saw Israel and a lot

2:20:21

and yes ago hell yes who had

2:20:23

role name is okay them as it

2:20:25

has damage against the other it is

2:20:28

has downs against everyone with of the

2:20:30

first one emphasis to leave on mad

2:20:32

about of Iran and Saudi sand was

2:20:34

to. And. Then

2:20:36

that's. To

2:20:38

preserve. Twelve. Thirteen.

2:20:41

Fourteen Floss. Ah, because of a forceful

2:20:43

know because of something body basher. I

2:20:46

get another three. So when I say

2:20:48

fourteen, seventeen points to the always ultimate

2:20:50

sunni points to one and first when

2:20:52

you hit and and half of that

2:20:55

holds that metics as minions as they

2:20:57

rushed you. You. Go hidden,

2:20:59

sweep around and carve all four

2:21:01

of them immediately. Slow. Rounds

2:21:05

Okay, okay. Resigned

2:21:08

as their boom since you sort of

2:21:10

flies nearing an interest, it's I love

2:21:12

crab. Red

2:21:14

Cross or at most of the

2:21:17

whole crop us was how you

2:21:19

gotta like or I cast another

2:21:21

there's. Still

2:21:23

more clamoring out of the water when I'm

2:21:25

not going up know and I am a

2:21:27

some customers enterprise and. To go about it

2:21:29

I'm going to step to the right are

2:21:31

not as a tree lined already I don't

2:21:33

know for to do this we'll find out.

2:21:36

I'm going to take ah my grappling hook

2:21:38

and I'm going to fire at the one

2:21:40

in the back. Over here.

2:21:42

yeah I guess was Range Arms

2:21:44

it is. Ah,

2:21:47

isn't that. Far.

2:21:50

Of our yeah there's a I get limited are unfamiliar to

2:21:52

one of the back. And

2:21:55

smooth. Anointed

2:21:57

have also given if I imagine so on it.

2:22:00

to see if I can get my dramatic flare. If

2:22:02

you'd like to, you can spend a hope to do that. I'll

2:22:04

spend my hope and say, and

2:22:07

me would have my bib today. And

2:22:09

so that is, there's

2:22:14

my extra paper towel, the table towel. That

2:22:21

is a crit, that is five

2:22:23

and five. Yay! All right,

2:22:26

again, a hope you've here, check. Automatically

2:22:28

hit. Roll damage on that.

2:22:30

As you toss it across that way, and it

2:22:32

sinks into the creature. So I have a crazy

2:22:34

thing I want to do. All right, so this

2:22:36

is 2d8, two. That's

2:22:39

11. I want to see

2:22:41

if I can pull him all the way through, and

2:22:44

see if I can either just give them,

2:22:47

like just knock them,

2:22:50

trip them, do something just to break up the rest. I'll

2:22:52

say you yank it through, and they kind of like, you

2:22:54

push them apart, all out on a critical especially. They

2:22:56

kind of get broken up a bit over here and have

2:22:59

to like move out of the way as they kind of

2:23:01

get knocked to the side. You drag half of it towards

2:23:03

you, because you literally pluck it, the

2:23:05

torso off, and you have half of

2:23:07

this crustacean creature kind of like, lands like this. And

2:23:12

then just stops moving. Tonight

2:23:14

we melt butter. All right,

2:23:16

fantastic. All the love. All

2:23:18

right, Zarlow, what you got?

2:23:20

Zarlow's, while

2:23:22

cradling my two babby's close, Zarlow's

2:23:24

tail reaches around and pulls the

2:23:27

axe off his back and plants it into his hand. And

2:23:29

I'm going to, I

2:23:32

have a spirit weapon. When you have a melee

2:23:34

weapon equipped, you can fly from your hand to

2:23:36

strike an enemy and return to you. So I'm

2:23:38

gonna chuck it at the nearest one. All righty,

2:23:40

close range, right? Yeah, close range. It's close range?

2:23:42

Right. And yeah, you can definitely, there's

2:23:45

a hole over here. Yeah, you can get that one

2:23:47

right there. All right, is that okay? Or you're up here, yeah.

2:23:49

So you can definitely get either of those. Either of those. Cool,

2:23:52

that is a 14 with fear. Fear.

2:23:57

That's okay, that successfully hits. And

2:23:59

I'm... going to mark a stress and,

2:24:02

oh by the way, this axe is a silver

2:24:04

sheen with the etching of a tree spreading wide

2:24:06

along the head of the axe on each side.

2:24:09

And it glints through the dappled light that's

2:24:11

in here, shunks into the

2:24:13

one, and then I just yank with

2:24:15

my hand and it flies from the

2:24:17

first creature into the nearest. All right.

2:24:20

So they each take and I leveled

2:24:22

up my proficiency, so that's gonna be.

2:24:26

Defect. No,

2:24:28

you can get fucked. That'll

2:24:31

be 11 points of

2:24:33

damage. Both

2:24:35

of them, as you slam into each other, the axe carves

2:24:37

through both of them, returning to

2:24:39

your grasp. Both of them just left in two

2:24:41

pieces, each on the ground, their impact scouring them

2:24:43

against the tree. You're barely protected from being splashed

2:24:46

with lobster bursts and spray, if not for the

2:24:48

tree that you're hiding. You

2:24:51

all hear sourcelessly from the nearby brush. My

2:24:54

tail whips around. My

2:24:56

tail catches it, puts it back in. Good bye,

2:24:58

Bobby. Bobby, so

2:25:01

because he rolled a fear that

2:25:04

triggers my rally die. My

2:25:07

class, my bardic class feature. Fucking

2:25:10

rally. When I increase it

2:25:12

above six, I remove the die and I describe

2:25:14

how I rally the party and give every character

2:25:16

who is listening a 1d6 rally

2:25:18

die, they may spin this die to

2:25:21

roll it and add the result to

2:25:23

any action, reaction, or damage roll.

2:25:25

So everyone's in high school, and you

2:25:27

can pitch it for basically whatever you

2:25:29

want. How long does

2:25:31

this last? How do you rally them? Just

2:25:35

from that little moan you gave. I am,

2:25:37

I love that. It's so crazy. All

2:25:41

the way. Someone should heat up

2:25:43

the butter. No. So

2:25:48

in that moment of levity and inspiration as it

2:25:50

hits, the mass number of these creatures have immediately

2:25:52

been scattered to the ground.

2:25:55

Your sense of worry begins to fade

2:25:57

and roll the fear. as

2:26:00

you recall, that strange thing that

2:26:02

was revealed in the nearby room

2:26:04

of the tree as it begins

2:26:06

to slither out underneath the massive

2:26:09

timber serpent. It's self-hored as it

2:26:11

pulls out, you can see the

2:26:13

strange streaks of weird ichor, like,

2:26:16

sweeping down its body and dripping from underneath

2:26:18

its mouth and jaw. I'm going

2:26:20

to go ahead and spend

2:26:23

one to activate that, and then one to activate

2:26:25

one of these. I'm going to

2:26:27

charge in. This one's going to go ahead and

2:26:29

attempt to strike at you. That's going

2:26:32

to be a 16 to hit. That does hit. Three

2:26:36

points physical damage. Three points. I'm going

2:26:38

to use a quick retaliation. I immediately

2:26:43

deal weapon damage to the creature at half

2:26:45

proficiency. And also adding

2:26:48

a countdown here. That's three points of

2:26:50

damage to the other guy. A

2:26:54

countdown for what? Retaliation? Retaliation

2:26:56

takes three. It

2:26:58

destroys him. Lily runs up into you. Three

2:27:01

damage to the one. And

2:27:04

it crumples immediately. I'm putting

2:27:06

a countdown die. What does

2:27:08

that do? She's

2:27:11

definitely... Nice to. So,

2:27:17

countdown die. For certain creature abilities, certain

2:27:20

conditions will cause it to count up, when

2:27:22

it reaches a certain number. Certain creatures can

2:27:24

use special attacks and abilities no matter what's

2:27:26

happening. It's an account

2:27:28

of one for the fear that was rolled there.

2:27:31

It's going to... Over

2:27:33

to you. Me?

2:27:42

Through the ground, it's going to shriek up

2:27:44

for an unappearing fight. You

2:27:47

do? I wanted to get

2:27:49

out of here. No, you know

2:27:51

what? It's going to

2:27:53

go ahead and shift up onto the top

2:27:55

of this. I'm going to spend that fear

2:27:57

from activating it and do a spinning spin.

2:28:00

The urban attack it will mark a

2:28:02

stress spiritual make a thing attachments all

2:28:04

targets within very close range. Of

2:28:07

a guy off pretty close, very close

2:28:09

range is going to be you three.

2:28:11

That's going to be Ah Sir Dante,

2:28:14

that's going to be Sweet Pea And

2:28:16

that's going to be Tango. Ah,

2:28:18

I'm I'm able to be directly

2:28:20

targeted by attacks. Because

2:28:23

of because I'm hidden. Oh.

2:28:25

Into the ground, right? you did an aide. It's

2:28:27

true, Or so yeah you

2:28:29

are altitude on here through your business or

2:28:31

must rely. On

2:28:34

a little my son. Is

2:28:36

that it's about the chaos American to move right

2:28:39

above you own of hip. Hop which

2:28:41

will put. Ah, That.

2:28:43

Would put our be in range of

2:28:45

his. Wedding announcement

2:28:48

and up. A yeah

2:28:50

oh. Here's what

2:28:52

you. Are not out

2:28:54

know you're doing of may be just as

2:28:56

even rather than know the zealots you're not

2:28:59

a guy with losses which are. Going

2:29:02

to the run of attack on that la

2:29:04

souter that on that side to be thirteen

2:29:06

to hit to does it. It has made

2:29:08

his I'm Thirty and my race and thirty

2:29:10

am. I right so. What

2:29:12

does that hit you Zola, your poetry

2:29:14

or us had autonomous my name on

2:29:16

sign on its or tango Panko Anna is

2:29:19

right next to each other and your

2:29:21

name and in own and ninety reload

2:29:23

Nine So thirty and definitely not. My

2:29:25

mother of a producer was in ruins

2:29:27

with the moon idiots shifted into that

2:29:29

space cause she was hidden more with

2:29:31

the damage was or martin said one

2:29:33

another that was to hit tail thirteen

2:29:35

and then. I

2:29:37

guess all of you take six point of physical damage.

2:29:40

Us. Army

2:29:44

misprint of home. Oh

2:29:47

yeah, I'm a second row of

2:29:49

seats if you reduce ah ah,

2:29:52

his below zero. You stick stress.

2:29:55

I. Do still think of stress. it's or if

2:29:57

you reduce it soon to zero node him.

2:30:00

At all when I spent a hope

2:30:02

to reduce it by nine to negative

2:30:04

thirties and I think I'd get him

2:30:06

for have pointed out as I said

2:30:09

i'm sorry I don't have other as

2:30:11

it's below your miners wrestle getting rid

2:30:13

of it as I'm gonna take my

2:30:15

retaliation really quickly serve of work. ah

2:30:17

that's five by points of damage to

2:30:19

that are obsessive because matters of disappointments

2:30:22

as teachers and I just used by

2:30:24

some really to my stalwart success I

2:30:26

gotta say I as it's with runs

2:30:28

six bytes in each been a rapid

2:30:30

series of strikes around you. As for

2:30:32

the requests, it's hood like spread. that's

2:30:35

right as you say retaliate with your

2:30:37

blades Strike. It's. Me

2:30:39

says opens. it's things Things are dripping with venom

2:30:42

and looks like it's throat service. Well. As

2:30:45

I'm right underneath it yet so. Than

2:30:47

a spring up, some citing

2:30:49

an ominous. Data. With the pointing

2:30:51

out of my staff. Can indeed do that? Go

2:30:54

for a rogue say I don't have

2:30:56

a savvy and and my staff but

2:30:58

as soon as a hit it set

2:31:00

aside our sub because because you are

2:31:02

hidden before and he denied you have

2:31:04

been see how to be sixty role

2:31:06

uma guess. And say.

2:31:11

Okay, Okay,

2:31:14

That's. What Is that? eighteen? Or

2:31:17

with hope. Okay with only

2:31:19

twenty. With because I'd say that's instinctual.

2:31:21

So twenty with. Health that definitely hit seventy three.

2:31:23

Hope for that. So. In

2:31:26

that case, I'm going to. Since

2:31:28

I succeeded, I'm going to add.

2:31:33

To have to my damage wrought.

2:31:35

Okay are there are less than two holes and

2:31:37

I'm gonna get to extra. The eighth grade amounted

2:31:39

to a that I. Already thought they were

2:31:42

being a sneak attack. skirts forty eight

2:31:44

than so. that's for that's. Three.

2:31:46

Hundred Eight On Time Sudeten. Oh God.

2:31:48

It just as as. As

2:31:51

great! So. Sad sixteen

2:31:54

regular. And

2:31:57

less thirteen. let's

2:31:59

go plus another four. I

2:32:02

didn't add this. MATT, 29, 32?

2:32:05

Oh, 33 points.

2:32:08

That is definitely beyond its severe, so it's going to

2:32:10

take three hit points, and that one strike, as it's

2:32:12

over top and recoiling, getting ready to burble up, all

2:32:15

of a sudden, out of nowhere, springing from the brush

2:32:17

beneath this cap of color. Like spinning around and

2:32:19

then slamming my shits. Wham!

2:32:22

Over top, the creature looks like, push down into the

2:32:24

muck, and as you're holding your staff down on its

2:32:26

head, it has to, like, twiggle free, and it manages

2:32:28

to pull out. You can see as it's stunned in

2:32:30

the minute, its head spinning for a second, it has

2:32:33

to right itself. That was a heavy damn hit. That

2:32:35

was with hope, right? That was with hope.

2:32:38

Can I use, I'm going to use the

2:32:40

Book of Argus, and I'm going to cast

2:32:42

Arcane Door, because I'm not in melee with

2:32:44

this snake thing. Can

2:32:46

I use Arcane Door, and I'm going to do a

2:32:49

spell cast roll of 13 to try and

2:32:51

bamf the fuck out of here? 14, 15,

2:32:53

16 with hope.

2:32:57

How far can you do that? I would

2:32:59

burn a hope, but I'll get it right back, because I

2:33:01

rolled with hope, and it can take me far. Where do

2:33:03

you want to go? Far

2:33:06

range. I'm going to go up on that cliff, close

2:33:08

to you, so I can get a little overwatch.

2:33:11

Appearing over on

2:33:13

top of that cliff. Seeing

2:33:15

how intense things are getting to help the rest of my

2:33:17

party. You hear like, you hear

2:33:19

like, Why

2:33:22

am I still here? Why am I still here? Why am

2:33:24

I still here? Why am I still here? Why am I

2:33:26

still here? That's on me. I'm

2:33:28

ready for the party. All

2:33:31

right. You just hear like,

2:33:33

where have all the good

2:33:36

boys gone? I

2:33:39

bust out into a little jaunty jazz

2:33:41

number, and I

2:33:43

play an epic song during melee. I

2:33:48

am very fast, right in the mist. The

2:33:50

flash dance moment, and like water comes out of

2:33:52

nowhere, and you like drench his bunny. And

2:33:55

then, yeah, you make some mash-ups,

2:33:57

all right? It's

2:34:00

the Follies show, just go with it. It's the Follies show!

2:34:04

And, um, I believe an

2:34:06

epic song during battle. Um,

2:34:10

I guess it was during Barricade.

2:34:13

Yeah, it was Barricade. Um,

2:34:17

the target is vulnerable. That's it.

2:34:19

Oh, that's it? Yeah, I know.

2:34:22

Oh, that. Okay, the target is vulnerable. Is this

2:34:24

guy here when it's vulnerable? Yeah. Sure,

2:34:26

you got it. He's the only one. It was a long walk, but

2:34:28

it was a beautiful walk. So as

2:34:30

it's still reeling from the strike

2:34:33

from CP over here, you emerge

2:34:35

and begin to unleash the magical

2:34:37

presence of your dynamic

2:34:39

towards it. It glances back towards you,

2:34:41

and you can see it's in

2:34:44

the process of still trying to take in its atmosphere. One

2:34:46

eye's rolling around like a Chuck Jones cartoon.

2:34:49

Um, fantastic. Yeah.

2:34:52

Okay. I'll be with you. Okay.

2:34:55

Um, I'm gonna... Is

2:34:57

it possible to move away during my turn? If

2:34:59

you want to move. After I hit it? Can

2:35:01

I just back away? I'll

2:35:04

back away from you. To

2:35:06

that, to the tree? You can move as part of your

2:35:09

actions. You can move within close range without having to roll. Okay,

2:35:11

great. Me too. Me

2:35:13

too. I'll try to walk back. Sure thing. Alrighty.

2:35:18

You got it. Okay. Oh,

2:35:21

man. I'm just, I'm nervous that I'm gonna

2:35:23

go for it. Just straight

2:35:25

out, I'm gonna, I'm gonna warm

2:35:28

up my staff again, and I'm

2:35:30

gonna unleash chaos. Okay. So... Unleash

2:35:33

chaos. Unleash chaos. So... What

2:35:36

I'm gonna do

2:35:38

is, I'm gonna make my spell casting roll.

2:35:40

Yes! Okay.

2:35:47

Alright. Alright. It's really good.

2:35:50

Oh, I'm mostly gonna do this. Okay.

2:35:54

So we got, that would be,

2:35:56

that's 24 with hope. With hope?

2:35:58

Great. And

2:36:04

I'm spending three of my tokens, so

2:36:06

that it's going to be 3d10. And

2:36:09

using my... 3d10 damage? Right,

2:36:18

those were three hopes you

2:36:20

used? Those tokens? Those are my...

2:36:22

Oh, you have special tokens? I have special tokens. For

2:36:25

the Unleash Chaos ability. And

2:36:27

then I have to spend stress

2:36:29

to replenish them again. Perfect!

2:36:34

That's cool. Alright, so let me get

2:36:36

my 10. Alright,

2:36:40

so we got a 13 and... One

2:36:44

more 13 plus... Four.

2:36:47

Alright, so 17 points of damage. That's

2:36:50

a major wound to it, so it takes two more hit points.

2:36:53

Describe to me how you Unleash Chaos on this

2:36:55

creature. Alright, I

2:36:59

get excited by the rally

2:37:02

cry for Bunny, and

2:37:05

I see Sweet Pea pop up and go

2:37:08

for it. I gather my courage, and

2:37:11

I shoot out my staff, and

2:37:13

out of it comes

2:37:16

the sparkly magic, and just unleashes

2:37:18

absolute chaos all over his body.

2:37:23

Become a little sparkly on the inside, under his belly. You?

2:37:26

No, him. So as

2:37:28

the energy strikes, what involves throwing it out? Wait!

2:37:31

That's cool. The

2:37:34

serpent seems to recoil and try and pull back

2:37:36

into the muck instinctually. It's in a severe amount

2:37:39

of pain, and as it pulls back into trying

2:37:41

to hide in the muck, it can't hide at

2:37:43

the moment, because the chaotic

2:37:45

energies you've unleashed within are still crackling

2:37:47

between and underneath its scales. You

2:37:50

can see it glowing like the inside of a burning

2:37:52

ember. That's

2:37:54

awesome. That's what you get for trying to eat Cullen. able

2:38:00

to absorb it. Get out

2:38:02

of here. Behind

2:38:04

the tree or something? I know

2:38:06

that was not the idea. Okay. All right. Who hasn't gone

2:38:09

here in a minute? I

2:38:12

haven't, but we're still facing the snack, right? Yeah.

2:38:16

How does the snack look? In one lobster.

2:38:20

I like killing

2:38:22

the lobster, that was easy. I'll

2:38:24

take a swing at the snack. The snack. Yeah,

2:38:29

I'm going to try to stab down and try to pin it to

2:38:31

the ground so it can't move. Is that a thing? If

2:38:36

you have an ability to make it... I don't. If

2:38:40

you want to attempt to grapple it, you

2:38:42

can try that. Make damage or hold it

2:38:44

in place. I'm going to try to grapple

2:38:46

it, but I'll flavor it with it and

2:38:49

I'm stabbing down and sort of pin it to the

2:38:51

ground. All right, so go ahead and make a

2:38:53

strength roll for me if you don't mind.

2:38:55

Blade doesn't have a name, should it have

2:38:57

a name? It needs

2:38:59

to earn one if you want to. Snickpitter.

2:39:06

Well, wait to the roll first. Okay, 13

2:39:09

with fear. I'm

2:39:15

adding strength to that, right? 13 with fear. Unfortunately.

2:39:19

My medallion and it

2:39:21

starts to glow and I look at the

2:39:24

big lug's face and I'm going to use

2:39:26

three of my prayer dice to carry

2:39:29

him through. All

2:39:31

three of the dice? I am adding three

2:39:34

numbers to his attack. When did

2:39:36

you roll? I

2:39:38

thought that prayer dice, I get

2:39:40

to add these prayer dice at

2:39:42

my discretion to reducing coming damage.

2:39:46

Correct, so roll them first. At

2:39:49

the beginning of a session, roll a number of

2:39:51

d4 dice equal to your spell cast traits and

2:39:53

store them to your side. You can exhaust them

2:39:55

at any time to use their value in reducing

2:39:58

incoming damage, adding to a reward. MATT,

2:40:00

and roll rhythm. MATT, what is your roll in d4s? Oh,

2:40:03

seven total at the beginning of the game, so I got

2:40:05

seven sitting here. MATT, so you're spending all seven on this

2:40:08

right now? MATT, giving Pango three. Oh,

2:40:11

I see. I

2:40:13

have seven. I'm spending three

2:40:15

to try to get this true. So

2:40:19

that will carry you over. That is a success. That's

2:40:23

where the serif comes in. So the

2:40:27

extra focus from the divine power

2:40:29

focusing through Zarlow stills

2:40:32

you with supernatural strength, and as the serpent

2:40:34

almost escapes from your grasp, you hit

2:40:36

it with your hand and then take your blade and pin

2:40:38

it into its tail, holding it to the ground. So yeah,

2:40:40

it is currently restrained. It cannot move. Should

2:40:44

we talk to it or kill it? MATT,

2:40:46

with a fear move, that's now gone to me.

2:40:49

I'm going to go ahead and activate three over

2:40:51

here as three

2:40:58

more of these creatures emerge from the wall. Oh,

2:41:00

shit. Why?

2:41:05

It's funny! It also takes

2:41:08

up to a two. It's

2:41:11

still attracted to you. All

2:41:18

right. Those three over there, I'm

2:41:20

going to go ahead and spend a fear for

2:41:23

them to go and do a group attack. So

2:41:26

for you, spend a fear to activate all

2:41:28

adverse theories with a new name within very

2:41:30

close range. This one actually comes in and

2:41:32

joins it through the wall. Actually, I don't

2:41:34

need to spend all those, actually. I

2:41:40

can spend one of them. So

2:41:42

all right, I

2:41:44

will go ahead and spend a fear to activate all

2:41:46

of them. They go into close range. Make an attack

2:41:48

roll against you. That is going to be an eight.

2:41:55

Thank you, that's your information. Ten. Ten!

2:41:58

So none of it. hit.

2:42:04

The group attacks the minions like that. If

2:42:06

it does succeed for all that are around

2:42:08

you, all the damage stacks up. You can

2:42:10

get swarmed and just take it. LIAM

2:42:12

and TALIESIN, like our tag team? They can do that

2:42:15

to us? MATT, like right there, he would have done

2:42:18

three damage each, which would have been

2:42:20

a total of 12 damage

2:42:23

just instantly. And minion swarms can

2:42:26

get much larger. Nevertheless, that finishes

2:42:28

their go. This

2:42:30

fellow over here, I'm going to go ahead and activate,

2:42:32

and he's going to go ahead and go for an

2:42:34

armor piercing bite against you. SAM,

2:42:38

okay. I do have armor. MATT,

2:42:40

that's going to be a 20 to hit you. SAM,

2:42:43

yeah, of course. MATT, okay.

2:42:46

That is going to be

2:42:49

not great. Five points of physical damage,

2:42:51

but you mark an armor slot. Oh,

2:42:55

because it pierced my armor.

2:42:57

So it's five points of

2:42:59

damage for the stress. MATT,

2:43:03

but you do mark an armor slot with

2:43:05

garlic. SAM, okay, I did. I marked them

2:43:08

both. MATT, you're full of blood stress. SAM,

2:43:10

that's how Irish people talk, they add an

2:43:12

armor to everything. MATT, are you full of

2:43:15

blood? SAM, I'm

2:43:18

not full on stress. I

2:43:21

have one extra stress flop because

2:43:23

of him. MATT, I'm full of

2:43:25

class ability, I think, and ancestry

2:43:27

ability. MATT, that finishes my

2:43:30

GM move. Who wants to get

2:43:32

it? ASHLEY, I'm a little freaked out. So

2:43:35

I do my death drop, and I'm going to get up and I'm

2:43:37

going to turn around, and then I'm going to pull out my whip.

2:43:39

I'm still unsure if I have to target someone or

2:43:47

if I can just do this with

2:43:50

a whip crack, but I ultimately

2:43:52

want to mark a stress and

2:43:57

do a whip crack, and I scatter.

2:44:00

Let me do that right now. Boop. And

2:44:03

I... Mark

2:44:05

starts to scatter enemies back from me to

2:44:07

close range. So anything in melee range scatters

2:44:09

back. So you crack these all move back.

2:44:11

Ooh, that's a lot of back. Cool move.

2:44:14

Into the water. Deathstroke. New

2:44:17

game, who dis? Yeah. You

2:44:19

just crack and they all like instinctually back up

2:44:21

out of the way. Back you crabs! Alrighty.

2:44:26

We can help you call them out later. Yeah. I'm

2:44:29

just gonna take a second. I'm just seeing

2:44:31

this thing pinned down. Do you get a...

2:44:33

Do I get advantage on attacking the snake

2:44:35

with their pin or grapple? Uh,

2:44:37

I don't think we can do it. They just can't move.

2:44:39

That's fine. I'm going to, uh... Just

2:44:42

seeing that, uh... You've got a

2:44:44

massive fine tooth. We've got him where

2:44:46

we want him. I'm going to just take an attack and

2:44:49

just go for it. Haha!

2:44:51

Haha! I think I'm gonna try and go

2:44:53

straight through the eye. Sure, go for it.

2:44:55

Alright. What's your weapon? Is it

2:44:58

just the grabber thing or do you have a sword? No, I'm using

2:45:00

my rapier. Haha!

2:45:03

And I'm burning the die that you

2:45:05

got. Yes, don't forget your

2:45:08

inspo. My inspo because I

2:45:10

really want to hit this thing. Uh,

2:45:13

and good I did. 11,

2:45:15

16 with hope. 16

2:45:18

with hope does succeed. That Raleigh die made the

2:45:20

difference. Go ahead and roll damage on that. Alright,

2:45:23

there we are. Uh,

2:45:29

seven. Seven? That's only gonna be a

2:45:31

minor wound. But I only have one more hit point left.

2:45:34

I'm going to go around. I'm

2:45:37

going to go around. I'm going to grab on to,

2:45:39

uh... I know you're having a difficult time. I'm

2:45:42

going to use you as a pivot point to

2:45:44

come around and get the sword right through both

2:45:46

eyes. Shit. It

2:45:49

carves through on one side, pokes out the other, and it kind of stands

2:45:51

out as Josh goes... And it hangs limp

2:45:53

on the blade before. You're so good at the work you

2:45:55

do. And then I pull out and I'm going to head

2:45:57

towards funny. towards

2:46:00

the one. We'll say at

2:46:02

this point, after the whipcrack and the

2:46:04

change of the tides, the strange crustacean

2:46:06

folk begin to skitter

2:46:08

and all begin rushing into the waters. Crows

2:46:10

are leaving. And begin to vanish

2:46:13

beneath the current down below. You feel, in

2:46:16

the moment, that the danger

2:46:18

has subsided. I'm

2:46:20

going to run over and give Pangos a like a

2:46:22

hug. Thank you. Good

2:46:26

job, Pangos. I'm going to battle.

2:46:28

But as long as you're safe, that's okay. I

2:46:31

might need some new clothes though, but they're all getting

2:46:33

all torn up. I know! What's happening?

2:46:35

Honey! Huh? Are you okay?

2:46:37

Oh yeah. That

2:46:40

was amazing work. I think

2:46:42

everyone, we're all so talented. I

2:46:45

think so. I think we'll make pretty

2:46:47

good teeth. Can I check

2:46:50

Colin's pocket? Sure.

2:46:53

Yeah. After having this check in,

2:46:55

this cute little fungus walks over and

2:46:57

it starts rolling the body of the

2:46:59

dead. You

2:47:02

find two handfuls of gold within

2:47:05

him. He pushed into his

2:47:07

body. No,

2:47:09

no. He said, filled with gold. His

2:47:11

armor looks very nice. For

2:47:17

all the challenges that the

2:47:19

weathering has brought to his

2:47:22

currently post-life experience, and

2:47:24

his weapons are also quite nice

2:47:26

of sheathed. Those

2:47:28

are the things of work you see on him. Pangos, I

2:47:30

found you some new armor. Oh cool. Maybe

2:47:33

we can add it to my existing and make it

2:47:35

like a cool. Okay. So, take a look at that.

2:47:39

I'm going to have you roll a finesse

2:47:41

roll. Me? To get... This is

2:47:43

a super waterlogged... Yeah, a loaded

2:47:45

body that has sausaged within their

2:47:47

own armor. Would

2:47:51

you like some

2:47:53

assistance with this? Oh yeah. Does that mean

2:47:55

I can roll a six? It means you can spend a

2:47:57

hope to add it. Oh,

2:48:00

and you give me the six? Yeah. Okay,

2:48:05

that's an

2:48:07

11 with hope, and then you can add a six

2:48:09

for me. Yes, of course. That's

2:48:13

a 14. A 14, okay. That's

2:48:16

good enough. You don't quite pop

2:48:19

the pinata. Do I add a hope because

2:48:21

I rolled with hope? You do, yeah. That

2:48:23

was a stress-goat. But

2:48:25

you do manage to slide

2:48:27

the armor off. That's quite nice. The

2:48:30

armor is a Tiris soft armor, which

2:48:33

is armor five with the ability called

2:48:35

quiet, which means a plus two to

2:48:37

any rolls to move without being heard.

2:48:41

Is it leather armor? It's

2:48:43

not leather. It's

2:48:45

just armor five, and

2:48:47

it doesn't have any penalties. It just adds a plus two

2:48:50

to any rolls to move without being heard. Her mids need

2:48:52

quiet. Question. Well,

2:48:55

hang on. You guys,

2:48:57

I mean. What's

2:49:01

your name? Sarlo, wasn't this your friend?

2:49:04

I just don't want to seem disrespectful, you

2:49:06

know? Yeah, I'd like to take

2:49:09

a few minutes if that's all right. Oh,

2:49:11

sure. I have a

2:49:13

question for you. Okay. Oh. Is

2:49:16

there? I don't know what the

2:49:18

protocol here is, but in

2:49:20

Archer's Forest, should

2:49:22

we bury him? I

2:49:26

was going to put together a

2:49:28

cairn and let Andra

2:49:31

do the work. Okay. I

2:49:33

can help you if you need. Help

2:49:37

me collect up some rocks, then. I'll

2:49:41

spend the next couple of minutes. Which

2:49:48

is a often respectful

2:49:50

and practiced druidic and right

2:49:52

of those who live in natural spaces.

2:49:54

And you gather from what time you

2:49:56

have spent together, you would likely appreciate

2:49:58

that. he'd appreciate being

2:50:00

buried with his weapons too? Probably

2:50:04

not. Forests

2:50:07

can't reclaim those. You're right, it's me

2:50:09

in a medal. Intuse. I

2:50:12

would hope you would all take my things. What

2:50:14

do they have? Words of fallen metal. I give

2:50:16

consent. We definitely would. An improved

2:50:18

saber. When I die,

2:50:20

only then. Sure.

2:50:23

An improved saber is an agility-based melee

2:50:25

weapon that is a D8 plus 2

2:50:27

physical damage. And an

2:50:29

improved dagger, which is a finesse weapon

2:50:33

that is a D8 plus 2 physical damage.

2:50:37

Which is which? Jesus,

2:50:39

where were you? I

2:50:41

was busy stacking, I mean like,

2:50:43

it's agility and finesse. Agility and

2:50:46

finesse. Both D8s plus 2 physical

2:50:48

damage. Which effectively improves

2:50:50

the minimum value of the

2:50:52

damage. Once we have Cullen as one

2:50:55

of those we've taken care of, I'm gonna go

2:50:57

from person to person, climb up

2:50:59

him because he's so fucking tall, and look

2:51:01

in each of their eyes and see who

2:51:03

most needs help. And I'm going to

2:51:06

land on Kex and you

2:51:08

look fucking knackered. Come here, man. I'm

2:51:11

going to lay hands on the

2:51:13

side of his shimmering skull

2:51:16

there. And I'm really

2:51:18

low on hope, so I'm going to use

2:51:20

another tree of my prayer

2:51:22

dice to get me up to 4

2:51:25

hope total and then spend it all to

2:51:28

heal 2 of your head points. Ooh, that

2:51:30

is gracious. Thank you very much. We're finally

2:51:32

going to take a short rest while we're

2:51:34

here since we are going to be mourning

2:51:37

one of our enemies. Is that a thing?

2:51:39

Should we do a short rest? Oh, shit. Should

2:51:41

we do a rest? Should we rest a bit? Well, I

2:51:43

don't know. Yes. I

2:51:46

mean, all of the way. But, I

2:51:48

mean, is there a safe place? I

2:51:51

think anyone will mess with us here.

2:51:54

I think we've officially chased anything away.

2:51:56

There's also clearly the cadaver of

2:51:58

a very vicious beast. I think

2:52:00

this might keep everything away quite

2:52:02

well. We can at least climb up to that

2:52:05

cliff thing. Yeah. Oh, what a lovely thing. It's

2:52:11

not Boko, is it? Wasn't

2:52:14

Boko a hill? That rock. I don't

2:52:16

know. I don't know what it

2:52:18

is. Why don't you walk over or not?

2:52:20

Jim, is that Terrain? Boko? Yeah, just walk

2:52:22

over. I'll just go over and say hello.

2:52:24

Excuse me. Hello? You

2:52:26

Boko? Mr. Boko. Boko

2:52:28

the humble hillock? I thought Boko was a girl. Oh,

2:52:31

Miss Hung. You

2:52:34

take a moment to focus. Yourself

2:52:37

being a giant lineage and having

2:52:39

a strong connection to creatures of

2:52:41

the stone and rock of the planet.

2:52:47

Suddenly, you

2:52:49

realize nothing has happened. You son of

2:52:51

a bee. So

2:52:54

excited. So why don't we all sit in a

2:52:56

ring facing out with the puppies in the middle?

2:53:00

Take a breather. Take

2:53:02

a breather if you want to. We're going to breed

2:53:04

the puppies. That's a fun. May I?

2:53:07

Start out a shot, but OK. Use

2:53:11

an experience that I have. Stayed

2:53:14

into the background and

2:53:17

sort of look around and see if I

2:53:19

can sort of fashion a place

2:53:21

for us all to be safe. Leaves,

2:53:24

branches, like how I have with my

2:53:26

hat where I just kind of get

2:53:28

short and you can't see me sort of

2:53:30

build a little cover

2:53:32

for us. Sure. All right. So

2:53:34

you go ahead and go ahead and I'll

2:53:37

say for that. I

2:53:41

think I'd make an instinct roll for me. It'd

2:53:44

be about kind of knowing the environment here

2:53:46

and using your understanding of

2:53:48

how creatures seek things in the natural wild.

2:53:51

I think it's a ghillie-squeak. More

2:53:54

or less. I will

2:53:57

take this moment of calm. you

2:54:01

see Bunny magically,

2:54:04

it's almost like

2:54:06

harp strings start to form

2:54:08

in midair, and she starts plucking

2:54:11

a very soft little

2:54:14

harp tune, and I will

2:54:16

play a relaxing song, and anyone who

2:54:18

needs to conceal one hit point.

2:54:20

MATT and TALIESIN and MATT and TALIESIN

2:54:23

and MATT and TALIESIN and TALIESIN and

2:54:25

MATT and TALIESIN and TALIESIN are

2:54:28

very gentle. MATT and LAURA and TALIESIN

2:54:30

and MATT and TALIESIN and MATT and TALIESIN and TALIESIN and

2:54:32

MATT and MATT and TALIESIN and

2:55:10

MATT and TALIESIN and MATT and MATT and TALIESIN and MATT and

2:55:13

MATT and TALIESIN and MATT and LAURA

2:55:15

and TALIESIN and

2:55:29

MATT and MATT and MATT and MATT and TALIESIN

2:55:32

and MATT and MATT and LAURA and MATT and

2:55:34

MATT and MATT and MATT and TALIESIN

2:55:40

and it's really, yeah,

2:55:45

it feels really good to just blank

2:55:48

my mind and do that so it's going to clear stress

2:55:50

point as I'm doing that. Okay, you got it. And

2:55:53

then as a Seaborn, we

2:55:56

get an extra downtime action

2:55:59

for short rest. great as well

2:56:01

so I'm gonna just start

2:56:03

singing and humming along with Bunny's music

2:56:06

playing and I'm

2:56:08

just singing

2:56:10

a little ditty about how we're

2:56:13

gonna get up the river and

2:56:15

we're gonna find both of you and

2:56:18

it's gonna be so great and

2:56:21

I'm gonna give a hope for me a

2:56:23

hope nobody else I'm trying

2:56:25

to follow and it's so

2:56:27

wonderful so Bunny gets a

2:56:29

hope you know just me

2:56:31

just you I'm gonna de-stress

2:56:34

by trying I have a I have like

2:56:36

a pink scarf thing

2:56:38

I'm gonna learn some new

2:56:41

knots some new like

2:56:43

ascot type knot presentation yeah yeah

2:56:47

I would love to take a look at those

2:56:49

two weapons that you found yes

2:56:57

it's a saber as one's a saber

2:56:59

was a dagger and

2:57:02

they both do the same more or

2:57:04

less both do 1d8 plus 2 physical

2:57:06

damage one's agility one's fine can

2:57:08

I use the finesse one unless you're a

2:57:12

actually I'm fine

2:57:14

with either action I'm fine oh I'm

2:57:16

an instinct galley oh 1d8

2:57:18

plus you I'll take if

2:57:21

you have it I'll take the

2:57:26

I can actually take either we'll take

2:57:28

the agility I suppose okay right so

2:57:30

improved improved saber is what the weapons

2:57:33

called or yeah I'll take the I'll

2:57:35

take the back actually okay question unless

2:57:37

someone else wants it at

2:57:39

all yeah

2:57:41

okay I'm okay I mean I'm

2:57:44

repairing some armor as well all

2:57:48

right you're a personal armless one yeah shunt a

2:57:50

do you have anything in your

2:57:52

secondary weapons I have the grappler but I

2:57:54

have a thing called I ignore burden

2:57:57

when it's put in weapons and you may place primary

2:57:59

weapons in your second weapon slot. That means

2:58:01

I can just switch them out. MATT, is that

2:58:03

correct? MATT, if you want the grappler away and

2:58:05

you want to put the dagger in your offhand,

2:58:07

it just adds a plus two to the damage

2:58:09

of your main weapon if you want to, just

2:58:11

having it there. TALIESIN,

2:58:14

what, the dagger? MATT, yes, you have a rapier and

2:58:16

dagger if you want to, and then you just have

2:58:18

your attack, it's your rapier damage plus two with the

2:58:20

daggers plus two on top of that. TALIESIN,

2:58:22

I didn't know I got the bonus from the

2:58:25

dagger. MATT, that's the good thing about a secondary

2:58:27

weapon, is it gives you little bonuses. TALIESIN, that's

2:58:29

amazing. I thought you just pulled the grapple when

2:58:31

I need it. MATT, for my two short rest

2:58:33

actions, I'm going to gather up some moss near

2:58:37

the edge of the river where

2:58:39

it's clear of whatever is afflicting

2:58:41

it, and I'm going to climb

2:58:43

up Pango's back and shoulders,

2:58:45

I'm going to start creating a poultice on

2:58:47

his back and humming quietly to myself, and

2:58:50

that heals him. This is

2:58:54

ten to wounds and do it to someone else, so you

2:58:56

get back four hit

2:58:59

points. MATT, whoa! TALIESIN, I'm clear. MATT,

2:59:01

and then I'm going to take it

2:59:03

to us to describe how you bring

2:59:05

hope to yourself, and I bring hope

2:59:07

to myself by healing Pango. TALIESIN, Aww.

2:59:11

MATT,

2:59:14

for the most part, on the

2:59:16

outward surface, everyone

2:59:18

has only seen Bunny being very

2:59:20

extroverted and performative, but you see

2:59:23

this rare moment of her go

2:59:27

into herself and be very quiet and

2:59:29

meditative as she is focusing on the

2:59:31

music and Sweet Pea's little song, and

2:59:33

so I'm going to heal a stress, or

2:59:36

get rid of a stress, as well as prepare a

2:59:38

hope. And I

2:59:40

just meditate and get lost in

2:59:43

my magical harp strum.

2:59:45

MATT, fantastic. You hear Zarlow

2:59:47

from up on the giant shoulder

2:59:50

muttering to himself, music

2:59:52

be the food of love, play on. Did

2:59:56

you write that? Definitely.

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