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ROB COPLAND

ROB COPLAND

Released Monday, 14th August 2023
Good episode? Give it some love!
ROB COPLAND

ROB COPLAND

ROB COPLAND

ROB COPLAND

Monday, 14th August 2023
Good episode? Give it some love!
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Episode Transcript

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0:00

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com today. Must be 21 plus.

0:28

Not available in all locations.

0:30

Hi, I'm Dan from Desert Island

0:32

Dicks and this episode features

0:35

comedian Rob Copland. Some

0:37

of you might remember when we

0:39

did the Pawfoot episode that I said I'd

0:41

went and saw Pawfoot do a work in

0:43

progress at a club called the Poodle Club

0:46

in South East London. And that night,

0:48

Rob Copland did a little set as well

0:51

and I thought he was absolutely brilliant.

0:53

So I was really glad to get him on

0:55

the podcast. That's one of the lovely

0:57

things about doing this podcast is that you can see

0:59

people that you think are great and then invite them on

1:02

and have a chat with them. So yeah, it was great

1:04

to sort of have a chat with Rob and

1:06

I think he's really funny. I like this episode

1:08

a lot. It's a nice long one. And

1:11

yeah, he's up in Edinburgh at the minute, but

1:13

I think by the time this goes out, he

1:15

might have finished his run because he was only doing

1:18

a short one. He talks about that a little

1:20

bit right at the end. But yeah, if you

1:22

get the chance to see him when he's back from

1:24

Edinburgh, I really recommend it because

1:26

I think he's very good. So

1:29

anyway, before

1:30

I turn into a complete

1:32

and utter fanboy, I'm going to

1:34

move on and just say thank you for

1:36

downloading this podcast. It means a lot that

1:38

you will listen to it. And if you're

1:40

new to this podcast,

1:42

well, thank you for downloading the podcast.

1:44

It's the same message, basically. We're

1:47

just thankful that you downloaded it. If

1:50

you subscribe, then obviously you will never miss an

1:52

episode. And hey, if you'd like to

1:54

leave us a rating and a review, we like

1:57

that very much indeed. I am a

1:59

needy.

1:59

person as much as anyone else and

2:02

it is nice to hear your feedback and

2:04

nice to see what you like and that kind

2:06

of thing. I've got to be honest, it's quite

2:08

late, it's quarter to eleven at night and

2:10

I've just finished editing this episode so

2:12

I'm quite tired and babbly and I

2:15

think probably it's best for all of us if I

2:17

just shut the fuck up and we

2:19

get into the podcast where it will also

2:21

be me talking but also mostly it will

2:23

be Rob and we'll just have a

2:25

nice time. Look, you get the format of

2:27

the show, it's easy to explain

2:29

so let's get on with it shall we, it's Desert

2:32

Island Dicks with Rob Copeland.

2:48

Hi, I'm Dan Benedictus and welcome

2:51

to Desert Island Dicks, the show that sees you

2:53

marooned on a desert island after a plane

2:55

crash with the worst people and worst things

2:57

imaginable. Who they are and why they're a dick

2:59

is up to our guest and here to share their Desert

3:01

Island Dicks with us today is comedian Rob

3:04

Copeland. How are you? I'm alright

3:06

mate, it's nice to be here with you.

3:09

Well it's nice to have you on. We're not together, that's

3:11

the thing. I'm up in Edinburgh now and I've been living

3:13

by myself for a while, it's nice to speak to somebody.

3:17

Well I'm happy to be

3:18

a nice

3:20

voice for you in your darkest

3:23

hour but unfortunately we are

3:25

going to talk about some pretty bleak stuff,

3:27

obviously the people and things you would least

3:29

like to be stuck with on a desert island. How

3:32

did you find the process of whittling

3:34

down your choices? I've been thinking about it

3:36

for quite a while, it's interesting isn't

3:38

it because there are, there's different

3:41

reasons you might not want to be stuck on an island

3:43

with somebody. There are people in my

3:45

life who are friends but they bring

3:47

out the worst in me and someone

3:48

like

3:51

that, you know the hedonistic side of yourself,

3:53

you know those friends that you just hang out with and get fucked up

3:56

with, like you're thinking well

3:59

would they be a person who you don't want

4:01

to be. But then you're on desert island so you're just like why

4:04

not just get hedonistic until you go crazy and die.

4:06

So there was that you don't want to

4:09

be like oh yeah by the way mate yeah you'd be the

4:11

least person I want to be trapped on a desert island with even though

4:13

we love hanging out. So

4:15

there was thinking about that kind of stuff.

4:17

There's people that you know in the

4:20

comedy circuit or people who

4:22

are like part of your life and you see on a regular basis

4:24

who you might think god fucking hate to be but you

4:27

don't want to name them on a podcast and then bump into

4:29

them and be like I'll

4:29

leave you sorry but I'll be out.

4:34

And then there's like your classic celebrities

4:37

that I bet people say all the time like

4:39

Bear Grylls or Donald Trump

4:41

or blah blah blah blah Boris

4:44

Johnson. You don't want to hit like the

4:47

just like you mean I don't know these people they

4:49

might be hilarious to people

4:52

watch. You know it might be quite funny being stuck

4:54

on a desert island with Boris Johnson because he might be so

4:56

pathetic that you know and you could

4:58

eat him he's porky he'd be

5:00

tasty. It's

5:04

been one of those things that's been at the back of my mind for a long

5:06

time I've been thinking about it a lot and I've got three people

5:09

and I'm proud to put them in my desert

5:11

island of Dickery. Okay

5:14

great well I'm excited to hear

5:16

your choices then and who

5:17

made the list. Who's

5:19

going to be the first person joining you? The

5:22

first person on my list is my

5:25

old maths teacher Mrs Phillips.

5:27

Okay good good I like it when there's like

5:30

a nice sort of I suppose it's like revenge

5:33

is a dish best served cold and this feels

5:35

right when you're talking about an old teacher. I just

5:37

hate to be it's I mean you say revenge

5:40

like I'm getting one over on them.

5:42

I'm stuck on the island with them it's it's going to be

5:44

awful for me that that's the way I've thought

5:46

about it like who would be the worst people to be stuck

5:49

with on this island. Yeah. And my maths teacher

5:51

from year 10 and 11 so GCSE level

5:55

Miss Phillips.

5:56

Fucking cunt of a human being.

5:59

I hope she. I hate her so much

6:01

man. I'm sorry I just used the C word so early

6:03

on. Okay, well

6:05

what was so particularly bad about her? Well

6:08

I had, I have learning difficulties

6:11

and

6:12

going through school was,

6:14

it was so dependent on how

6:16

well I did in the subject on how

6:18

well the teacher could handle my,

6:21

me. And I could find

6:27

a teacher who'd be like, Rob, yeah that's funny

6:29

but come on we're in maths. Or a teacher

6:31

who's just like, get out of my classroom

6:34

right now. And it's like that

6:36

kind of like zero tolerance to

6:40

my energy or my playfulness

6:43

was in equal measures painful

6:46

and difficult. When someone's not

6:48

willing to kind of, come on we're in maths,

6:51

this sucks, we both know this sucks.

6:53

Like, let's try

6:56

and find some joy in it. I remember

6:58

she got, what's it called when you

7:00

almost die? Well

7:03

like a near-death experience. Yeah like an illness

7:05

that people get. She got really ill,

7:08

she got really really ill and she was off

7:10

school for like two months

7:12

and it was amazing. I

7:15

actually got better at maths in those times. We

7:17

had a substitute teacher who was a teacher I

7:19

used to have called Mr Child

7:21

who made maths, weirdly somehow,

7:23

I don't know how, give the man a Nobel

7:25

Prize. He made maths really fun and

7:27

engaging. And with

7:30

Miss Phillips, I remember once Miss Phillips caught

7:32

me, I devised like

7:34

a new technique for zoning out during maths

7:36

where I was like, if I look at the whiteboard and

7:39

just like look at the numbers she's writing on the board

7:41

but don't think about anything. If I just go

7:43

to like an empty

7:45

place in my mind she'll never know

7:47

because I'm looking at the board

7:50

so she can't say shit and

7:53

she, about five seconds in she

7:55

was like, you can't just look at the board and not think about

7:57

anything. Wow.

7:59

So she saw through it. She saw

8:02

through it man. She could read The Matrix.

8:04

She was she was evil. Short hair

8:07

really into cars and Had scissor

8:09

sister earrings The only time I ever

8:11

saw her smile was a night after she'd seen

8:14

this is her sister's live And I was like

8:16

they fucking rule like okay, you have a fun

8:18

side. Let's see it. Let's see it in the classroom She

8:22

just came down on me hard She'd always send me out

8:24

But the worst the worst part about this is

8:27

the thing that like brought her into my mind

8:29

was

8:29

the year I finished uni I

8:32

worked at Tesco's at the checkouts during

8:34

uni and I came back to

8:36

Southampton and was working

8:39

for a short while on the checkouts of my local supermarket She

8:42

came in. Oh, she

8:44

I'm checking her out. I'm doing her beep beep beep

8:47

and I said

8:49

hello, mrs. Phillips and she's like,

8:52

I'm sorry. Who are you? Oh It

8:54

was like that scene in world's end, you know, where he

8:57

he confronts his bully and his bully has no idea

8:59

who he is. Oh

9:01

Man, yeah, that's really nice. Although

9:03

I suppose the other side she could be like ah Rob

9:06

I knew you'd end up working on a checkout or

9:09

something like that, you know Not obviously there's

9:11

nothing wrong with that but she but

9:12

she still she actually still managed

9:14

to say something like that She

9:17

said something like oh, it's good to see you've

9:19

a map what you've amounted to I she genuinely

9:22

said something like that No, oh

9:24

man, what a bitch. I hated this woman so

9:27

much Being to stuck on a desert island

9:29

with her would be health Yeah, no, she sounds like

9:31

a mean person that would just be really difficult

9:34

to live with I mean I hated maths and

9:36

similarly just found it quite difficult and

9:38

challenging with the way my brain works and

9:42

I'm sure that like there were other subjects

9:44

that I disliked But I felt

9:45

like I had a better ratio of like good

9:47

to bad teachers, you know Like I

9:50

was never very into history, but I had some good history

9:52

teachers and some bad ones I felt like my entire

9:54

run of math teachers throughout school was pretty

9:57

bad Like I don't think there was ever one that I really

9:59

enjoyed

9:59

sort of thinking, okay, I hate maths, but this

10:02

guy's okay. Yeah, man, like a maths

10:04

teacher who knows how to have fun is like a, it's

10:06

like finding new on Pokemon is

10:08

essentially impossible. They are

10:10

out there somewhere, but for

10:12

the most part, it's yeah. And

10:15

I, and like, when they're like years and years into

10:17

the profession, and they've just lost the joy or the patience,

10:21

the zero tolerance

10:22

approach to, to Tom

10:25

Foolery in the classroom was the biggest

10:27

thing, you know, like I could be I could

10:29

I before I turn around to speak

10:32

to the person behind me before I'd even

10:34

spoke to them. Rob go stand outside

10:36

for five minutes. This

10:39

is chaos. This is actually

10:41

like chaos for me. So on a desert

10:43

island, that would be difficult, man. Yeah, because I think

10:45

also, I

10:46

don't think like that dynamic

10:49

of teacher student would ever leave,

10:51

you know, wouldn't be like, okay, look, we're on this desert island. We're

10:54

both grown ups now. What are under the bridge and all that?

10:56

How are we going to survive? I think you'd still end up having

10:58

this awkward kind of teacher student relationship

11:01

with them. Yeah, absolutely. Yeah.

11:03

It would, that would be really, really difficult to

11:05

navigate. And the the the

11:08

incident when she forgot who I was and

11:11

stuff like she had a kind of a profound

11:13

impact on my confidence

11:16

in an intellectual and a personal sense. And

11:18

then to not remember me that has

11:21

like that that knocked me for six

11:23

when that happened. So to be on the island, I'd

11:25

be like pacing around. Forget about

11:27

Rob. How can you not remember me? You

11:29

know, I'd be going

11:32

crazy. Come

11:33

on. I was I was second

11:35

row, always talking. How can

11:37

you not remember me? I'd

11:40

be fuming about that for a long time. That

11:42

would be horrible. Yeah, that is one of like

11:44

the really harsh things about bad teachers

11:46

is that it just stays with you forever. And

11:48

they will obviously forget about you because they're

11:51

teaching hundreds of people a year. And

11:53

it just feels like there's no justice

11:56

in that because it's I mean, it's so

11:58

shit being I mean,

11:59

As an adult you can have an annoying

12:02

boss or something potentially and that can like

12:04

make your life quite bad but I think at

12:06

least you have the rest of your life and you're grown up and

12:08

you can do what you want. Just school just feels like you're

12:11

always in this grind of like of

12:14

just putting up with this person and often you know you

12:16

change years and you might still get the same teacher

12:18

and when they sort of follow you around like that it's terrible.

12:21

I would dread the class

12:23

going to her maths lessons and time would seem

12:25

to stand still and if those two

12:28

things transferred across onto the island

12:29

time stands still and I'm dreading

12:32

being around them that that is like

12:35

a like a purgatory.

12:37

Yeah okay well I think it's a really

12:39

strong first choice for the island just even

12:41

thinking about some of my maths teachers

12:44

I can't even remember their names now but

12:46

I can just sort of see their faces and just the idea of being stuck

12:48

with those people on an island just sort of gives

12:51

me the fear to be honest. I'm trying to think like

12:53

what they'd be what she like

12:55

you know with her mathematical skills and

12:57

her penchant for the scissor sisters

13:00

you know maybe you know we could get some like fermented

13:03

coconut water in her and get

13:05

a sing in the scissor sisters like that'd be a bit of entertainment

13:07

but I mean what what

13:10

is she gonna do find the the mean you know

13:12

the mean of how many coconuts are on the island

13:14

and the average the average sea

13:17

temperature throughout the year like what what

13:19

good is maths gonna do you when you're on a

13:22

fucking desert and you're starving

13:24

to death what good are your numbers gonna do

13:26

you're now almost, oops! Fair

13:31

enough well I think it's a strong start so

13:34

it's already a hateful place and you've only picked one

13:37

person

13:37

so who's gonna be joining her who's the next person

13:39

with you on the island? Okay my next one I struggled

13:42

I struggled to I struggled

13:44

with my second one

13:47

first I wrote down John Taffer

13:50

do you know who John Taffer is? I don't know.

13:53

John Taffer presents a TV show that

13:55

me and my girlfriend are obsessed with my

13:57

fiance are obsessed with called

13:59

called Bar Rescue. It's

14:03

basically Gordon Ramsay's Kitchen Nightmares,

14:05

but for bars, and it's great. It's got

14:07

this guy called John Taffer. His parents

14:09

owned the Troubadour when he was a kid, so he's

14:11

like a bar expert. He helps

14:13

struggling businesses. He goes in and he's

14:16

very Gordon Ramsay-esque. He fucking opens his

14:18

eyes nice and wide and he says shit like, what

14:20

does he say? He says, I don't embrace excuses.

14:23

I embrace solutions.

14:26

He gets real angry. He shouts at people.

14:29

He's

14:29

kind of unbearable.

14:33

But there's this side to him that's like

14:35

Gordon Ramsay, and there's an aspect that I quite like

14:37

about tough love, and

14:40

although being firm,

14:43

being fair.

14:45

I kind of thought if he's

14:47

on the island, we'll probably end up

14:49

having a father-son relationship and it'll probably

14:52

be quite good, even though he's a nightmare

14:54

at times. So I crossed

14:56

him off my list. So he's not coming

14:58

onto the island, but he's an honorable mention. I

15:01

basically wanted to mention that because I wanted to talk about this TV

15:03

show. Everybody has to go and watch Bar Rescue on Amazon.

15:05

It's the best TV show on TV. Yeah, I'm

15:07

going to have to check it out now. Then I wrote,

15:10

this one's crossed out as well, but it's another honorable

15:12

mention. Beard Meets

15:14

Food. Oh yes, yes. I've seen

15:17

this person on YouTube. Yeah, so

15:19

he has a beard and he does

15:22

like food eating challenges. Like what

15:24

was it? Man versus food. It's that kind of thing, isn't it? Like,

15:26

God, that's the biggest burrito in the world. It weighs

15:29

as much as a tiger. Can I

15:31

eat it? That sort of thing. Yeah. Not

15:33

only eat it, but eat it fast and with

15:35

my, well, I mean, burrito is a bad example because it's

15:37

okay to eat a burrito with your hands, but he'll

15:40

eat like the UK's biggest

15:42

fry up and he'll eat

15:43

it all with his hands, like fried eggs, lift

15:45

it up with his hands and he's all going in his beard

15:48

and then he's mopping up. He's mopping everything

15:50

up. He's getting it all in a little pile. He's eating

15:52

beans with his bare

15:53

hands. Get the fuck off my

15:55

desk. I love you. You're in big beans with your bare

15:57

hands. What are you doing, man? You're just...

15:59

Spoon! At

16:03

least use the toast as a spoon. The man's

16:05

fumbling beans. It's

16:09

such a weird thing, isn't it? Where we find ourselves

16:11

like a place in humanity

16:14

where like you can earn a living from

16:16

eating too much food with your

16:18

hands and videoing it. Yes. What

16:20

the fuck are we doing? It is. We've

16:23

crossed a point of no return now

16:26

and people are selfie videoing

16:28

themselves in little quiet,

16:30

quiet, quiet. Quite often he goes into these like

16:32

quiet little cafes and they'll be

16:34

just like a family because quite often it's in the UK.

16:37

They'll just be like a family, like, you

16:39

know, aunties and aunties and grannies

16:41

sitting near him and they're like,

16:43

oh, bloody hell. Oh, look at you. And he's

16:45

like, yeah, different from my YouTube

16:47

channel. And just

16:50

just makes an absolute embarrassment

16:52

of himself. It's

16:54

it's intense. And he kind

16:56

of like jokes around about it coming out

16:59

as well, like, oh, this is going to be a bit of a nightmare

17:01

coming through. Some

17:03

of his videos end with like,

17:06

like, you know, like maybe the

17:08

camera's on the ground and you can see his trousers around

17:10

his ankles on the toilet. Like, what?

17:12

What is what is going on, man? We've

17:15

all eaten food. We're familiar with the process

17:17

and the eventual exit. I don't think it's adding much

17:19

to the video here. No, it's it's

17:22

really off putting to watch a man

17:24

scoop beans into his face

17:26

and then talk about it coming through.

17:30

And, you know, being on a desert island

17:32

with that guy, he'd be gobbling

17:34

up all the coconuts. Yeah. Yeah.

17:37

He'd be gobbling them straight up with his bare hands.

17:40

And I bet he is

17:42

friendly. I bet he is fine. But

17:44

with that kind of like OCD

17:47

eating and because it's not he

17:50

can't be he can't

17:53

be normal. None of us are normal. He can't

17:55

have a healthy relationship

17:57

with food.

17:59

He can't have. of like

18:01

he's got something going on. Like you don't end

18:03

up knowing that you can eat that amount of food that

18:05

quickly. Like an anaconda, like

18:08

going weeks without food and then shoveling

18:11

loads of it in. He's gonna have some

18:13

psychological stuff going on that I don't want to

18:15

have to deal with. There's such

18:17

a sort of bleakness about those kind

18:19

of things where it's just like an impossible

18:22

amount of food for no reason

18:24

and you're just sitting there trying to get through

18:26

it. And it's like, you know, I don't wanna bring up all the

18:28

starving people in the world, but is this the best

18:31

thing you could be doing? It just feels so kind of

18:33

just, I think the anaconda metaphor

18:36

is quite good because you know, you just see them like choking

18:39

down a gazelle and you just think there is no

18:41

joy there. It's just like, food

18:43

must be in me now, get in my

18:45

fucking body. How old are you, how old are you

18:47

Daniel? I'm 41. I'm 33

18:50

and I'm just getting to that age where I'm like,

18:52

I need to slow down when I eat.

18:54

I need to chew my food properly. I'll

18:57

tell you what though, I have taken

19:00

something from this guy's videos, beard meat's

19:02

food. When he's, you

19:04

notice when he's like shoveling it

19:06

in and he kind of, for every bite

19:09

he does, he does a sip of water, bite water,

19:11

bite water. And it's supposed to lubricate

19:14

the food on the way through your intestinal system.

19:17

I, that kind of always comes

19:19

into my mind when I'm eating like

19:21

a big meal now. And I'm like, make sure you get

19:23

some drink in there

19:24

as well. I think I might,

19:26

I think I actually wanted, I actually

19:29

think I want him to be my next person. I had,

19:31

I had him crossed out, but

19:33

the more I think about it, the less I want

19:35

to be on the island with him. I

19:38

just think as well, the fact that it's just,

19:40

you know, he has a big beard and it's called

19:42

beard meat's food. And I just think, is

19:44

that your defining characteristic? You know, like some

19:46

people have beards, that's fine. But if

19:48

you're like, hey guys, I'm the guy with

19:50

the beard, you know, it's, it's like,

19:53

do you not have anything else? No, I know exactly

19:56

what you mean. Cause I have a mustache

19:57

and I, I worry that, that

19:59

I, Sometimes I see guys who have

20:01

mustaches and they've built

20:04

the personality around the mustache rather

20:06

than the mustache around the personality. Do

20:08

you know what I mean? So it's waxed up on

20:11

the corners and they're wearing

20:13

like tartan and a waistcoat and they've got a

20:15

walking stick. It's like all of those things, it's

20:17

like the mustache came first and then those things followed. Whereas

20:19

with me it was just like, I don't know, I've

20:22

just weirdly always had a mustache. I was

20:24

born with a mustache. Everyone

20:27

on my island has to have a mustache. I tell

20:29

you what, I

20:29

would hate it if everyone on my desert island had

20:32

a mustache. I recently

20:34

have been working in like a shared

20:37

work office space and I

20:39

sit near a guy who works for another company and

20:41

he has a very similar mustache to mine where it's

20:43

not like a personality driven one, it's just

20:45

a mustache. And for some reason we

20:47

just can't look at each other in the eyes. We

20:51

can't like, we can't

20:53

just have like, I've had friendly conversation

20:55

with pretty much everyone else in the office but for some reason,

20:57

me and him, it's like two magnets

20:59

going like, you know, two negatives. Like

21:03

they can't, we just, for some reason we can't. So

21:05

if everyone on my island had mustaches, we'd all

21:07

be like, Just

21:12

repelling each other. Of the cars I'm able to truly

21:14

connect. Well,

21:19

yeah, I just think like, I

21:21

don't know, I think that you like you say, there

21:23

are people who have who have them and can wear them

21:25

well but sometimes I just feel like it's covering

21:27

up a lack of something else. And

21:29

obviously that is not the case in your, I mean, I'm,

21:32

I currently am very unshaven myself

21:34

but I like to think I've got more stuff going on that

21:37

if I started a YouTube channel I could think of, think

21:39

of something else to call it, you know. Yeah,

21:42

and he probably got a bit hung up on the meats

21:44

food because it's MEATS, like

21:46

beer meats food. I didn't even notice

21:48

that. And there's that double, I need,

21:51

you know, people who aren't, you know,

21:53

semi-professional comedians like myself, will

21:57

hit on a delicate, like a very easy

21:59

breezy part.

21:59

and be like, what's fucking genius, that?

22:05

This is bringing out the worst

22:07

in me, by the way. I feel like I'm being

22:10

cruel. I generally keep it a rule to be

22:12

quite a nice person, but this is, I'm making

22:14

fun of people for doing

22:16

shit puns. But that's okay. I mean, look, we're

22:18

gonna, we're gonna, this is a safe environment

22:20

for you to expunge all your anger.

22:23

And then, you know, we can have a

22:25

happy go lucky Rob Copland afterwards

22:28

once more. Yeah, he's 100% on there.

22:29

He's

22:33

also, I'm jealous of him because he's probably, he's

22:35

probably making a shit ton of cash doing it. He's

22:37

traveled the world with it. He eats,

22:40

I'm a horrible little pig boy. I love

22:42

to stuff my face with food. And

22:45

he eats some really delicious stuff that I

22:47

want to eat. Yeah, I just think everything

22:49

around kind of like competitive eating

22:51

is a bit odd. Like I watched a documentary once

22:53

about him. There was this famous Japanese guy

22:55

who like took America by storm

22:58

and like his dad

22:59

is like a Buddhist priest and was sort of going,

23:02

yeah, obviously I found it quite difficult to

23:04

come to terms with my son's career being

23:06

that it's like a horrible fucking waste

23:09

of food and I'm a Buddhist, you know, but

23:11

eventually I just sort of realized he was trying

23:13

his best at something and that's what he had to find,

23:15

you know, that was his destiny. But then like,

23:18

you know, you'd see like the one guy who

23:20

then, you know, this American guy who could

23:22

then was the only person who could like challenge

23:24

him and eventually kind of usurped him.

23:27

And he was doing like, he had like a regimen

23:30

of like special exercises to like

23:32

strengthen his neck and stuff like this

23:34

that he could like force down the hot because

23:36

a lot of it was like hot dog eating contests and stuff.

23:38

And he was like doing these weird sit up

23:41

moves that he'd invented that kind of helped like

23:43

helped him choke it all down. And he just think fucking

23:46

hell man, like, what are you? This

23:48

is insane. Yeah, that's a lot

23:50

to put your body through. It's kind of admirable

23:53

to see commitment to an art form like that.

23:55

But when it comes to something that

23:57

is seriously off putting

23:59

for nine. 20% of the people who see it

24:01

happening. It's like

24:04

you're actively trying to make yourself

24:06

more grotesque. Yeah. And

24:08

I just think, you know, like the places that offer

24:10

those kinds of foods as well. And it's like, I guess it

24:12

is just a sort of, hey, if we offer like an

24:14

insane fry up, maybe, you

24:16

know, you'll get some publicity for it. But it's like,

24:19

of course, we're going to eat that. Because you've put like five

24:21

packets of bacon on a plate and a loaf

24:24

of bread. It's like, oh, it's Wales's

24:26

biggest bacon, but it's too big.

24:28

Like you don't need all this

24:29

stuff. Yeah. Yeah. It's

24:32

just that's just ridiculous. Yeah.

24:34

I wonder what the profit gain loss

24:37

is on those, how well

24:39

they actually do. They're kind of it's

24:41

kind of like for a chef, it's kind

24:43

of like putting bait out into the ocean

24:46

for like the Moby Dick. Like, do you think

24:48

that chefs kind of like see

24:50

these competitive eaters and they're like, yeah,

24:53

we'll show him. They try and like throw stuff.

24:55

I saw one in America actually of bid, bid

24:57

meets food where he went to, he went to

24:59

a place where they

25:02

did, they did like a really, really, really hot

25:05

ramen. And it was like gallons

25:08

of ramen, but like boiling

25:10

hot because ramen is supposed to be served

25:13

inedibly hot.

25:16

And the spice levels on this thing were like crazy.

25:19

Like, you know, like when it's like Scoville rating

25:21

a million or something, you know, and he

25:25

tried to take on one of those and it's

25:28

such a horrible video to watch because

25:30

not only is he suffering

25:32

and struggling with it,

25:34

you get the sense that the guys who invited

25:36

him in and asked him to do

25:38

it, kind of like bullying him like,

25:41

oh yeah, you're like, you're like gallons of food. How

25:44

about this mate? And it's like

25:46

consumed quickly could potentially

25:48

kill him. And

25:50

he's like

25:54

going through it. Oh God.

25:56

It's, I just find it really

25:58

bleak.

25:59

It's really bleak, competitive eating.

26:02

Yeah, talk about spicy stuff. I've seen it before

26:04

where they're like, oh, this is America's spiciest chicken

26:06

wing and we have to use a gas mask. We have

26:08

to wear a gas mask in the kitchen when we're preparing

26:11

it because the fumes of the chili are so strong.

26:13

I think, I don't want to tell you how to do your job, but I

26:15

think once you're having to wear protective

26:17

gear, like a gas mask to stop you

26:19

inhaling the fumes, maybe you shouldn't

26:21

serve that to people, you know.

26:24

It's just all so stupid and pointless. It's

26:26

such a funny, it's a really funny

26:28

form

26:29

of machoism and alphaism

26:32

to be the man who can stomach

26:35

the hot, you know, like you see it. If you go out for a curry

26:37

with your friends, there will be a bit

26:39

of like, oh, he's got the fucking window, oh,

26:42

he's got the fucking helmet, you

26:44

know. If you look at

26:46

it like that through the lens of like toxic

26:49

masculinity,

26:50

as soon as he opens his mouth and starts talking,

26:53

he's like, he's a beta male.

26:55

He's like, oh, you're right, hey, hey,

26:57

yeah, I'm just gonna eat all of this. And

27:01

not that, you know, I

27:03

like to think that I exist outside alpha or

27:05

beta, because it's a bit of a,

27:07

it's black and white, isn't it? You know, people

27:10

are different in different situations. You know, the

27:13

beard meets food is alpha when he's at

27:15

the food eating competitions, but oh

27:17

God, it's all so bizarre. It's all so chauvinistic.

27:20

Yeah, I think it would be difficult to establish

27:22

a bond with him on the island because it feels like

27:25

you've got that as a talking point. And once you kind

27:27

of go, I kind of think what you do is pointless

27:29

and disgusting. There's not a lot past

27:31

that. So true. Apart from talking about his

27:33

beard, maybe. So, right, so

27:35

we've got Miss Phillips

27:37

and the

27:39

man from beard meets food. Let's just call him the

27:41

beard, I suppose. So this

27:43

is a good, strong couple of dicks

27:46

we've got here. Who's gonna be your third person?

27:48

My third person

27:50

is somebody that I used to, I

27:52

worked with on a couple of occasions. She's

27:56

kind of a British national treasure,

27:59

I found her to be,

28:02

just like, you know when you like

28:05

kind of joke

28:09

or fantasize about celebrities

28:12

being a nightmare, like, man, I

28:15

demand this and I demand that, stop it

28:17

and stop that. So I worked with Angela Rippon. Okay.

28:20

She's an old BBC presenter. I think

28:22

she was a newsreader. Yeah.

28:26

Or she used to present. I

28:28

always get confused with like Gloria Honeyford.

28:30

It's that sort of vibe, isn't it? Like just sort of... Well,

28:32

so her, Gloria Honeyford and Angela

28:35

Rippon, Gloria Honeyford and one

28:38

other. So I worked on this TV show, Rip Off Britain,

28:41

as a runner

28:42

and she was one of the presenters on that.

28:45

And just, you know, like, kind of like imagine

28:47

like the biggest nightmare

28:49

talent when you're working with... She

28:52

was just that. When I introduced myself,

28:55

I tried to be so courteous. So,

28:57

oh, oh, Angela.

29:00

I was like, oh, hello, my name's, you must be Angela.

29:02

I'm Rob. Nice to meet you. And

29:05

she was like, of course I'm Angela. What kind of stupid

29:07

question is that? Haven't you seen the show? And

29:10

I was like, oh man.

29:12

I tried so hard to just be like soft

29:14

and welcoming. Yeah, that's

29:17

just so abrasive from

29:19

the start, isn't it? It's unbelievable.

29:22

She didn't want to try

29:25

and create a dynamic where

29:27

we could work together and have a nice

29:29

time. She wanted to create a dynamic

29:32

where I was the stupid idiot who

29:34

should stay out of her way and

29:38

it sucked. It creates a working

29:40

environment when you're working with toxic people

29:43

where you kind of hate yourself,

29:46

hate them, hate the TV show, can't

29:48

get your head around the power dynamics, can't

29:51

understand why someone would want to abuse

29:53

their power. Just really, really nasty.

29:56

I wonder if it's because she was the sort of person that was like

29:58

quite big in the 80s.

29:59

I think that's like a different kind of fame. You know, if you're used

30:02

to being like one of the main news readers and TV

30:04

hosts, when there's only four channels,

30:07

you know, you're gonna be massive. And I think that, you

30:09

know, probably fucks up some people a little bit.

30:11

But I mean, just being that rude straight

30:13

off the bat, I just think if I was that rude

30:16

to someone, I wouldn't be able to then look at them

30:18

again after like the incident

30:20

had happened. So to then keep working with

30:22

them, how do you fucking just come out with that? I

30:24

don't know. Yeah, I

30:27

remember one time, I've like only ever

30:29

really

30:29

lost my temper with another

30:32

human being who I didn't know like once.

30:34

And it was because I was having a really, really bad day.

30:36

I'd just been rained on. And I was cycling to

30:39

a Stanley Kubrick exhibition

30:41

at the summer hall. And I got

30:43

there, it was tipping with rain. I was soaking wet. I

30:46

locked my bike up to a gate and then I walked into the exhibition.

30:48

And just the guy who like worked on the grounds there was

30:51

like, mate, you can't lock your bike there.

30:53

And I just flipped on him and I was like, ah, why,

30:55

like what's the, it doesn't matter. You okay, well you fucking

30:58

loofy rule. And I was such an asshole

30:59

to him. And then I went around the exhibition

31:02

and I just couldn't enjoy it. Cause I was like, oh my God,

31:04

I'm a piece of shit. I can't believe I just flipped

31:06

at that guy and then left and had

31:08

to go and find him and apologize. And

31:11

Angela was just happy to work

31:14

with me all the time, constantly

31:16

being that shitty person. And

31:19

then also like, I had to go

31:21

and get her lunch. And it's like, how

31:23

can you be so confident that I'm not gonna put

31:27

a

31:27

dog shit in your sandwich? Yeah,

31:30

it's very bizarre. Cause you kind of deserve

31:33

it. I suppose they have such a high regard of themselves

31:36

and the power they wield that they just assume

31:39

that you're gonna be sort of subservient and

31:42

take it and that's fine. I mean, what

31:44

I find, I've worked with similar people

31:46

to

31:46

this and the annoying thing

31:49

is like, I still find my, I don't know if it's

31:51

the same with you. Like I still find myself trying

31:53

to be nice and polite and sort of grease the wheels

31:55

a bit, even though they've just like set out their

31:57

stall as a complete prick. You know

31:59

what I mean?

31:59

And I think, well, it's already a horrible

32:02

working environment for me. So why do I care

32:04

if it is for you as well? But I'm still like, oh, I'll

32:06

laugh at your jokes and get your tea and stuff.

32:09

And then you just end up hating yourself because

32:11

you're like, why don't I just tell this person they're

32:13

a prick? I don't know. It's just such a weird

32:15

way of being in life. Yeah.

32:18

Yeah, that is a really cool

32:21

trick of being

32:23

on the positive side of things that are like,

32:26

it's so hard to step up and be like, like

32:29

as, as like a, because I was like a runner on these TV

32:31

shows to step up and be like, hang

32:33

on a second. You shouldn't speak to me like that. Like

32:36

we're going to be working together all day and I want to have

32:38

a good working relationship with you. So

32:41

but for some reason you just can't vocalize

32:43

those kind of things. You just like,

32:45

yes, yes, boss, I ran off and get the

32:47

sandwich for you. I'm sorry. Yeah,

32:49

it's horrible. I think with these people, it's generally

32:51

the people who are doing the less work, the

32:53

least work out of everyone, but getting paid

32:56

by far the most. And you just think, God,

32:58

you should be walking into work like skipping

33:01

along just so happy or like, you

33:03

know, I'd be so sort of grateful for it. And

33:06

just thinking, God, what if I lost this gig just from being

33:08

a prick for no reason? You know, most

33:11

most people are. Most people really are. I've

33:13

shout out to Alex Horn, who I worked

33:16

with on a TV show called The Button as a runner

33:18

on a Saturday mornings.

33:20

We do. And that could

33:22

have been awful. I had to travel all the way across London

33:24

to get there like bright and early, start record.

33:27

I'm going around getting everybody's breakfasts, handing everything

33:29

out. And Alex Horn was like,

33:31

obviously, he was I think it was like one of his shows.

33:34

He was doing the voiceover stuff. And

33:37

wait, I was waiting on him like hand and foot, but he was just

33:39

so cool. Like he was so

33:41

like, your name's Rob, Rob Cuppland.

33:44

OK, great. Thank you so much, Rob. And how are you doing?

33:46

And everything all right for you, mate? We can get

33:48

you stuff. And like, like just making

33:50

the job a pleasure.

33:52

It's such an easy decision to make

33:54

to be the asshole or

33:56

like, you know, the tyrant or the or the

33:59

or the buddy. And it's like, just

34:01

pick, like, just choose light, just

34:03

choose the light. I just think it's easier

34:06

to just be neutral than be like

34:08

mean. You know, if you just think, oh, I

34:10

can't be bothered to speak to this runner, here's another

34:12

one, I've seen loads of them before, I'm bored, blah,

34:14

blah, blah. But you just think, just be like,

34:16

just be slightly aloof. Or like, you

34:18

know, that's better than just outwardly being

34:20

an idiot, you know. So

34:23

yeah. So true. And I mean, Christ, that energy

34:25

with your old maths teacher as well on the

34:27

island, Rob, I mean, that skin, that's

34:30

not great. Yeah. They probably buddy

34:33

up.

34:33

And I'd be stuck with beard,

34:36

meats, food. It's annoying that

34:39

I don't know his name either. I don't ever

34:41

want to know his name. On the island, he should be called

34:43

beard, meats, food. Every

34:45

time I say it, I'm like. Yeah. And Angela

34:47

Rippon just will never, it doesn't matter how long you're

34:49

on the island, she'll never understand the premise of his

34:52

thing. So let me get

34:54

this straight. You eat food on

34:56

camera

34:57

and that's it. That's it. But really big food.

35:00

Really? Let's get this straight.

35:02

Like for fuck's sake, he's told you. This

35:04

is what he does. What an awful thing to do. What a terrible

35:07

thing to do. Disgusting. Don't you know

35:09

there are starving children in Africa who

35:11

I never help. No.

35:13

No. Yeah. She'd be a nightmare.

35:15

She's very old as well. And I always

35:18

felt that like, because on that show,

35:20

the presenters were elderly ladies who

35:23

also are their target demographic. That's why the

35:25

presenters are old ladies. And

35:28

I'd noticed that they would have this kind

35:30

of defense shield

35:32

up because really

35:34

they should be pottering around a garden center,

35:37

getting tired, having a cup of tea, going home and going to

35:39

bed. They're old ladies, but

35:41

because they're on TV,

35:43

they're like, I'm not old, I'm young,

35:45

I'm sprightly. I can still do it. I can still

35:48

pull it out the bag. And actually

35:50

they're knackered. And when you're

35:52

knackered, you're a bit grumpy. You're in a place

35:54

you don't really want to be. The stories

35:56

are weird. Cause it's like, oh, someone came

35:58

and did my gutters.

35:59

and then they sucked all the money out of my savings

36:02

account. And they don't

36:04

really know fully what's going on. So

36:07

quite often, I feel that they're in a vulnerable

36:09

position. They're about to be on camera. They're

36:12

tired. So

36:15

what they're doing is coming from a place of defensiveness.

36:18

They're kind of like,

36:19

I don't want to be here, so fuck you. And

36:23

it's like, we were on the desert island. That's

36:26

like a ground rule.

36:27

No one can do

36:29

that. None of us want to be

36:31

here. So let's just try and work together.

36:34

Yeah,

36:35

yeah, definitely. And yeah, I just don't

36:37

think that attitude from her is going

36:39

to change. I think she's going to always treat you

36:41

like a showrunner and treat you badly. Your

36:44

math teacher is always going to see you as a pupil.

36:46

Oh, man. So it's you and beard meets food.

36:48

My power dynamics on the island are fucked.

36:50

Yeah, they are fucked. You sit and you watch

36:53

me eat food, boy. You

36:55

sit and you do numbers in silence, boy.

36:59

You run off and get your... I'm

37:01

all like, yeah, I'm all on the receiving end

37:03

of a backhand

37:05

from all of these people for some reason.

37:07

Yeah, it doesn't look good for you, Rob. But

37:09

look. Hi, Dan here. This

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slash DID.

38:28

We're going to distract you a little bit from the people

38:31

now because mercifully amongst the

38:33

wreckage of the plane there was some food and drink

38:35

left over. Unfortunately for you it's

38:37

your least favorite food and drink in the

38:39

world. What are they and why they so bad?

38:41

Okay so my worst

38:44

food is one specific meal

38:46

from my life. It is

38:48

a meal that I had while I was on holiday

38:51

with my fiance Una and

38:54

we were in Ireland. Someone

38:57

on her side of the family has a family

38:58

home and it was

39:01

on the west coast of Ireland, really really rural

39:03

and Una bless her got incredibly ill

39:07

on this trip and she was just

39:09

knocked out and I was

39:12

kind of waiting on her hand and foot the whole holiday

39:14

just making sure she was alright. We're talking cold

39:16

flannels on the forehead, opening

39:19

windows to get fresh air so well she couldn't go outside

39:22

and yeah

39:24

she was in a sorry sorry state and

39:26

one day she started to feel a little bit better and

39:28

so I was like I'll cook us up a real real nice

39:31

meal

39:31

and I decided to do like

39:34

pork ribs real slow cooked

39:36

in the oven for ages like all day

39:39

and I like made like a real nice

39:41

seasoning like onions

39:43

in there, garlic in there I

39:45

was so excited about these ribs

39:48

I did a side of like mash and veg

39:50

and stuff and served

39:53

the meal out. Una got out of bed

39:55

like it was like you know seeing her walk around

39:57

it's like she's on the mend sat down and started

39:59

diet eating and as soon as

40:02

I bit into the ribs I realised that I bought

40:04

like a type that were meant for

40:07

I don't basically

40:09

they were just insanely salty

40:12

and they were like a type

40:14

they were in they were like shrunk wrap and

40:17

I think they were meant for a certain type

40:19

of cooking

40:20

or I don't know

40:22

what I bought and I kept like pulling

40:25

the bag out of the bin and looking at it and being like what

40:27

what have I done I spent all

40:29

day cooking these ribs and they were in

40:32

edible they were you could not eat them they were so

40:34

salty I'm trying to think

40:36

what purpose they could have like they just like

40:38

you put put one rib into a

40:40

huge pot of chilli to season

40:42

the entire pot or something it's like is

40:45

that weird I don't know like I can't

40:47

I don't know what if anyone out there knows

40:49

why they'd be that salty I think

40:52

they were supposed to be cooked a certain way or something

40:55

but and then I felt like an idiot for

40:57

not understanding

40:58

that as well and I'm sat there in front

41:00

of this inedible meal that I spent all

41:02

day on and it affected my

41:04

you know made me feel like an idiot and

41:06

I was hungry I was hungry man it's

41:10

so bad like the weight of expectation

41:12

on a long long slow cooked meal

41:14

like that and then to have something so inedible

41:16

as well and it's like you know it's not like

41:18

just you didn't like it very much like you physically

41:21

can't eat it is horrendous and

41:23

imagine that on the island as well you've got that

41:25

beard meats food is trying his best but

41:27

you know you're breaking him down

41:29

because he can't he can't

41:30

do it but that's his thing he has to he has to eat

41:32

it all but you know even he is finding it tricky

41:36

when you started you once you started the clock mate

41:38

you can't stop you know you've

41:40

got Angela Rippon just like giving you withering

41:43

stares because oh Rob

41:46

how could you what have you done this isn't

41:48

how they're supposed to be what did you do you

41:50

silly man yeah yeah miss Phillips

41:52

has got the she's got the packaging of the ribs

41:54

out and she's looking at the salt content on the back

41:57

she's like if

41:57

you've done your maths you would have realised

42:00

I'm like, no! But

42:02

I think as well it's like, you know, like you're

42:04

saying, it's the sort of mystery around

42:06

it as well that makes it so annoying. It's like there's

42:09

no reason that this should taste like this

42:11

and you can't find any explanation that

42:13

makes it better. It's just a really

42:15

annoying, unexplainable, frustrating

42:18

thing. Like, what are you going to do? Like write to the factory

42:20

and ask them what's going on or something like, you

42:22

know, then I'll send you some more ribs.

42:25

Yeah. I

42:27

will, if anyone knows, can you reach

42:29

out and DM me why there would be ribs

42:32

that are so salty that they're inedible?

42:34

Why would they be on the shelves? What are

42:37

they for? Are they for like dogs

42:40

to eat? Is that eating

42:42

dog food? Do dogs need more salt? I don't know. I

42:44

don't know. I don't know. I don't know why I said that.

42:47

No, I like the idea that dogs need,

42:49

you know, like horses and stuff have a salt lick.

42:52

Like some animals have to like take in

42:54

salt. Yeah. Maybe it's

42:56

like that. There are animals that have salt licks.

42:59

What's that all about? Yeah, come and have a lovely big block

43:01

of salt to lick. That'll make you feel better. Now,

43:04

in rib form. Have you salty ribs? Well,

43:08

that does sound like a crap thing to be stuck

43:10

with on a desert island just because, I mean, it's

43:12

even making my mouth feel a bit dry, just thinking of

43:14

the saltiness. So, but what are you going

43:16

to try and wash it down with? What's going

43:17

to be your drink to save the day?

43:20

Wait, it's a good drink or a bad drink? It's

43:22

a bad drink. Sorry, I misled you there with clumsy

43:25

language. It's not going to save

43:27

the day. Yeah, absolutely ruin it. This

43:30

is a drink that was made for me on

43:33

a holiday in 2008 in Turkey on a lads

43:35

holiday.

43:37

We went

43:40

to an all inclusive hotel and

43:42

the bar staff on one

43:44

night said, we'll make you a drink

43:46

that will like fuck you up seriously.

43:49

Because we were like 18, we were like, drink

43:51

it all the time. And

43:53

they made a drink that was essentially just every

43:56

type of alcohol that they have mixed together

43:58

with green food.

43:59

coloring. They called

44:02

it, I think they called it a fuck face and

44:05

they made a pint of it. I think

44:08

about this a lot. It just comes

44:10

to me and I shudder and I just get

44:12

scared. I get really scared about what

44:14

might happen if someone drank all of it. Oh man,

44:16

that's a great name for a drink like that. Yeah,

44:19

it was like petrol. It

44:21

tasted like petrol and licorice.

44:24

Oh man,

44:25

I mean I'll take one Oh

44:27

God, it was really

44:30

really intense and to get around like there

44:32

was like this kind of like sense that you know we

44:34

had to drink it. You know that horrible

44:36

feeling when

44:39

you're younger and that kind of toxic

44:41

drinking culture of someone getting up in your

44:44

face and being like finish your drink,

44:46

neck your drink, scullet, scullet,

44:48

scullet. You know that weird

44:50

peer pressure? Yeah,

44:52

yeah, yeah definitely and so

44:55

was it one drink

44:55

between all of you or did you all have a

44:57

fuck face each? I think I got

45:00

it from the bar and then I brought it back to where

45:02

we were sitting and no one wanted

45:04

to drink it. I couldn't drink it but there

45:06

was part of me that was like you gotta drink this to

45:08

be like legendary or whatever just

45:11

like that really stupid. Oh God,

45:13

I'm getting anxious

45:15

thinking about the drink. Yeah, yeah.

45:18

And the way I got rid of the drink was

45:20

to start like I

45:23

had two empty, I had another cup that was empty

45:25

and I pour it all from like glass

45:28

to glass being like a cocktail

45:30

mixer like whoa but like

45:32

spilling it all all over the shop

45:34

just to get rid of it. Nice.

45:37

Yeah, it's very much in the sort of beard meets

45:39

food drink sort of aesthetic isn't

45:41

it? It's like you know this fry up doesn't need to be

45:43

this big this drink shouldn't have

45:46

all these drinks in it you know like this this

45:48

is not a cocktail this is a bet. Exactly

45:50

yeah this is not a cocktail this is a bet this is not

45:53

this is not like nutrition

45:55

this

45:55

is not something that will help you this

45:57

is a challenge or like

46:00

something that can really hurt you. Like if

46:02

you ate too much food, your stomach could explode.

46:05

If you drank too much alcohol, your heart could stop.

46:08

It wasn't like a cocktail, it was like a loaded gun.

46:11

Do you know what I mean? I'm like holding something that could kill.

46:13

Yeah, and I just think if I was running a hotel

46:16

and I had a bunch of 18-year-old

46:18

English lads in on a holiday, the last thing

46:20

I want to do is give them like the strongest cocktail

46:22

note to man, you know? Yeah, I mean,

46:25

or they were trying to like teach us a lesson, like

46:27

we were annoying

46:29

English tourists and they're like, yeah, this

46:31

will shut them up. Kind of like the ramen

46:33

was for beard, meats, food when

46:35

he went to America and those guys set him up with a ramen

46:37

that could have fucking ruined his life.

46:43

Oh my God, imagine being in an intensive care

46:45

unit and they're like, what happened to him? Ramen.

46:49

So he spent his life around

46:51

food. Ironically, it was the food that killed

46:53

him. Oh, rest in peace, beard,

46:55

meats, food. And

46:59

we never knew his name. He's

47:01

got his,

47:02

instead of like the dates he was born and died,

47:04

he's got like his YouTube subscription

47:07

followers number on his headstone.

47:10

3.5 million.

47:10

A really long

47:12

unwieldy link. Just like carved

47:14

into the stone. Hyperlink.

47:18

Oh man, well, that does indeed sound like a horrific

47:20

food and drink pairing. So, yeah,

47:23

it's working for me. Now, Rob,

47:26

fortunately, you won't be without entertainment

47:28

on the island. The plane's entertainment system

47:30

continues to work, but just your luck,

47:32

it only has two working settings. One

47:35

is your least favourite film of all time and the other is your least

47:37

favourite song. What are they and

47:39

why?

47:41

I wrote, I studied film at university

47:45

and film is like a real, real great

47:47

love of mine.

47:49

It's next

47:51

to stand up. It's one of the most unique

47:54

and interesting art forms in my opinion.

47:59

I...

47:59

I've written down

48:03

anything by Wes Anderson and

48:07

that's a new opinion for me. I

48:09

used to think Wes Anderson was the fucking bollocks.

48:12

I thought he was really cool, really interesting,

48:14

like so unique. But every

48:16

time I watch his films, so my

48:18

favorite kind of films, we're talking

48:21

something like This Is

48:23

England or Short

48:26

Cuts or Magnolia,

48:28

films that show people

48:31

being very human, all of their

48:35

kind

48:37

of, all of the worst aspects

48:39

of ourselves but trying to be the best

48:42

and you know films are kind of like break

48:45

down the human psyche and are

48:47

just you know very human stories, I

48:50

like human stories,

48:51

The Tree of Life, Terrence

48:54

Malick, baby. Wes

48:57

Anderson's films are

48:59

so

49:00

alien to really

49:03

understanding what human beings, I think

49:06

Wes Anderson might be like OCD

49:09

quite far along the

49:12

spectrum of autism and Asperger's

49:15

or like and not that there's

49:17

an issue with that you know, I have ADHD

49:19

and sometimes you know I've got autism in the

49:21

family and I think you know where do I sit on the spectrum

49:24

and but when I watch a

49:26

film I want to have an experience

49:28

where I'm like fucking man, we're

49:31

just human, we're just human,

49:33

we're just complicated beings and we're

49:35

all trying to work it out and that's okay. But

49:38

Wes Anderson's got this kind

49:40

of like,

49:41

this fantasy

49:44

of what people are like and the way they even turn

49:46

their heads isn't human, like it's so

49:49

alien and weird and

49:52

non-organic and

49:55

I've seen making of Wes

49:58

Anderson films and he...

49:59

is so hands-on that

50:02

I reckon the crew hate him. Like,

50:06

he wants to go in and do everything

50:08

himself. He wants to be in control of every last little

50:10

aspect of it. And like,

50:13

sure, every frame does look

50:15

like a dollhouse. It

50:19

is kitsch and cute. But

50:21

like, the stories are just

50:23

like... People who aren't

50:26

really human. I

50:28

don't feel like the people in Wes Anderson films are fucking

50:30

human anymore. Yeah, it's

50:32

weird, isn't it? Sorry, I've gone off on one. No,

50:35

this

50:35

is your space to do exactly that.

50:37

I mean, I think he's interesting

50:39

because it's like when people make albums

50:41

and after a while you go,

50:43

you know, sometimes it's like exactly the same thing

50:45

album after album and that's okay. And sometimes

50:47

you're like, why is this just the same as your last album?

50:50

Like, I don't know why with Wes Anderson,

50:52

it's sort of like... I think because he just sort of go,

50:54

oh, look, there's the little cutaway shot and

50:56

there's that everything's in that font. And it's I suppose

50:58

it's kind of familiar and comforting in some way.

51:01

But it is quite like when the film, when

51:03

the story behind it isn't that good, you

51:06

just kind of think what is all this bollocks? Like the

51:09

French dispatch, I just thought felt

51:11

like a film someone made

51:13

to imitate Wes Anderson, you know what I mean?

51:15

With all these funny little touches and like the

51:17

way it's done. I hated that. I

51:20

hated that film so much. It was not a good film.

51:23

And then it just... So much. That's when it that's when

51:25

everything flipped for me. Yeah, because then at that

51:27

point where you're like,

51:28

this isn't actually a good film, and

51:30

you've just put Wes Anderson stuff all over

51:32

it to make it so to sort of distract us from

51:34

it, you know, and I'm about halfway through, you're like, I think

51:36

this might be shit, actually, you know,

51:38

and I think I would have realised soon, how do

51:41

I not just been looking at all the flourishes? It

51:43

shows it showed that film to me

51:45

showed a real lack of respect for the

51:48

consumer. And

51:50

a real lack of care

51:52

for truth or

51:54

like it's about this, this

51:57

newspaper.

51:58

It's about like this newspaper. and

52:00

I can see when

52:03

you're first coming up with the idea, okay, that's

52:05

a great way to have different

52:07

avenues and we have the sports people and

52:09

we go off and find about all the sports world

52:11

and then there's the political side. That's

52:14

a great way to explore humanity

52:16

and the ecosystem of society. A newspaper,

52:19

that's an amazing way to investigate

52:21

society. But it's not, it's Timothy Chalamet

52:24

smoking cigarettes and these cool shots

52:26

of buildings from the outside where the camera

52:28

goes up and along and

52:29

everything moves at a fucking 90 degree angle,

52:32

up or down and it doesn't

52:35

get under the surface of its own, of

52:38

itself, of the style, its style

52:41

over substance. The last,

52:44

the one before that, The Grand Budapest,

52:46

is like a good film because the structure

52:48

of the film is satisfying. I

52:50

can't remember any of the characters names, I can't remember any of their

52:53

motivations really, but

52:56

the story is exciting. The way it plods along

52:58

is quite good. So it's quite an exciting watch. But

53:01

again, everyone in the film is robotic.

53:06

Oh God, I wanna beat Wes Anderson up. I'm

53:09

not a violent person, but I just wanna shove him around

53:11

and I wanna pull his little

53:13

cravat off him and

53:16

be like, who are you, Wes? Who are

53:18

you? What's going on under the surface? Did

53:20

your parents love each other? Do you

53:22

like yourself? What do you really wanna fucking

53:25

do with your life? No one gives a shit about all

53:27

of this fucking style, brother. Like

53:29

you look amazing, mate, but you're boring

53:32

as fuck. There's a

53:34

friend of mine, Brian Murphy, who was also

53:36

on this podcast a very long time ago. And he

53:38

always says about artists

53:40

and musicians, particularly, the musicians

53:43

should have a

53:44

contract where you get five albums or 10

53:46

years and you have to decide at the beginning

53:48

of your career what it is gonna be. And I feel

53:50

like with Wes Anderson, that could be applied to

53:52

him. I think five Wes

53:54

Anderson films would be a perfect amount. I feel

53:56

like now the longer it's going on, and I do

53:58

enjoy his films.

53:59

from that French dispatch one. I

54:01

kind of feel like the longer it's going on he's sort of like

54:03

becoming like a pastiche of himself and it's

54:06

like you know and you get the thing on YouTube with lots

54:08

of people like sort of doing their day in

54:10

their life in a Wes Anderson style and

54:12

it just sort of feels like

54:14

you know the genie's out of the bottle we know how it works

54:16

now people are doing spoofs you know

54:19

of your stuff and I just feel like how how long

54:21

can it go on for? Yeah yeah

54:25

I want to see him take the camera off the tripod and

54:27

turn it on himself I just

54:29

yeah. Wes Anderson films.

54:32

I mean I would probably enjoy it if it was like

54:35

if the Darjeeling Limited was the film I'd be

54:38

okay but let's make it let's

54:40

make it the French dispatch. Yeah

54:42

because I was gonna offer you a box set of his films

54:44

but I mean some of them are I think a lot better

54:46

than the French dispatch so maybe just having that and

54:48

I think because of the nature of his style you're

54:50

just gonna keep noticing things that are gonna

54:53

grate on you over time you know because there's so many

54:55

little things that will just you know wouldn't

54:57

annoy you the first time but you're like oh just look at

54:59

the way

54:59

they open that bottle of wine yeah

55:01

that's not how you do it yeah fucking hell and cuz

55:03

it's the only thing we have to watch on the island people

55:06

on the island might start saying things like oh look

55:09

at that it's a bit Wes Anderson-y.

55:14

Okay what's your song choice

55:16

gonna be? Okay my song choice so

55:18

initially I've thought of

55:20

like what's a song that I've had stuck in

55:23

my head really badly because

55:25

I have I don't

55:26

know undiagnosed OCD

55:29

or like you with my ADHD and my dyslexia

55:31

and blah blah blah blah blah blah blah blah blah blah blah I'm a bit crazy.

55:35

I've had periods in my life

55:37

where I've had songs obsessively stuck

55:39

in my head and it's actually been to

55:41

a degree where I kind of want to speak to a psychologist

55:44

or a doctor because it's actually causing

55:46

me psychological pain where

55:50

it's just on a look like I don't know if you've ever what

55:52

kind of experiences you've had with drugs but if

55:54

you've done like ecstasy and things

55:56

like that on a come down quite often

55:58

you can have like one

55:59

train of a song stuck

56:02

in your head over and over again to a point where

56:04

you're like, you know, suicide is a way

56:06

out of this, you know, the

56:10

drop, the ultimate drop of life. So I

56:18

thought

56:22

would it be a song

56:24

that has like a hook or a melody

56:26

that gets stuck in my head? So the song

56:28

that when I was a kid that I got stuck

56:31

in my head that I was like, maybe

56:33

I need to speak to my parents about this was

56:35

the Red Hot Chili Peppers song. Is it

56:37

the Zephyr? The Zephyr?

56:40

Is it Zephyr song? Yeah.

56:42

There's a bit in that song where they go,

56:45

take a look,

56:46

it's on display for you

56:49

coming down, but not today. I

56:51

had that bit stuck in my head for like

56:53

a month as a kid. And it was

56:56

like to the point where I was like psychologically

56:58

worried. So

57:02

that song got stuck in my head really bad once. And I thought about

57:04

that being an option. Then

57:06

I thought about, do

57:09

you remember the song Baby Cakes? Oh yeah,

57:11

that's a garagey song. Yeah. Baby

57:13

cakes, you just don't know, know how

57:17

I like it down. Oh, and

57:19

I just wanted

57:20

I thought it would be that because that's like

57:22

a really, really catchy song. But then I put it on and

57:24

I fucking love that tune, man.

57:28

It's UK garage

57:32

is not something I appreciated at the time.

57:34

But my partner Una

57:37

loves UK garage. That was her fucking jam

57:39

growing up. And she puts it on sometimes

57:42

and I fucking hear ladies crew

57:44

coming in. Oh, ladies,

57:47

shout out. I love it

57:50

so much. It's I like

57:52

how I like how British it

57:54

is. I like how it's very, very

57:56

London and it fit anything,

57:59

anything that is

57:59

unashamedly uninfluenced.

58:03

As an artist myself I feel

58:05

it very hard to not be inspired,

58:09

not have the things that inspire me affect

58:11

my work and it's something that I'm always

58:14

focused on always being like to be

58:16

the true Rob Copland, to be the true artist I

58:18

have to cut this out of my act, I have to stop thinking

58:21

like this person, I have to stop like watching

58:23

this person. I mean all those things are

58:25

in the way of pure artistic expression.

58:28

When I listen to UK Garage I'm

58:30

like these people are

58:32

being so pure right now and it's

58:34

wonderful. So, so,

58:37

so, so, Baby

58:40

Cakes is, I can't, I thought it would be on, I

58:42

thought it might be something like Baby Cakes but it's not. Okay.

58:46

My answer is between two

58:48

songs and I think, I

58:50

think my answer is All the Small Things by Blink 182

58:53

and this is coming from

58:55

somebody who has a Blink 182 tattoo.

58:58

Oh, interesting. Okay, so,

59:01

I mean was that, well, explain

59:03

your thoughts behind that then, is that just like for you like

59:05

their one misstep or what is it

59:07

about that song? It's a perfect pop

59:10

song, All the Small Things, it's perfect,

59:13

it is a great, I can, I know why it's

59:16

as popular as it

59:17

is, it makes sense

59:20

but you know what else is really fucking popular? McDonald's

59:23

and it's gross, like no one enjoys

59:26

eating McDonald's, everyone eats it and they're like,

59:28

oh fuck I ate McDonald's. Like

59:31

the things in this life that have the

59:33

biggest mass appeal

59:35

quite often are the fucking worst.

59:38

Yeah, yeah. And it's,

59:40

it's, it's so

59:43

simple as a song. A lot of people

59:45

play it at me because they know I love Blink 182.

59:47

One of the worst pieces

59:50

of music I've ever seen in

59:53

my

59:56

entire life was

59:58

a guy

59:59

An actor, an American actor

1:00:02

who's in the American Pie films, he plays Kevin

1:00:04

in the American Pie films. His name is Thomas

1:00:07

Ian Nicholas, aka

1:00:09

the Tin Man, right?

1:00:13

He performed an acoustic

1:00:15

set at the Boston Music

1:00:18

Rooms in Archway in

1:00:20

London. And I have

1:00:22

a podcast that isn't even released yet,

1:00:24

but I'm recording it. It's called Explaining

1:00:26

the American Pie Universe, and it's me

1:00:29

and a friend explaining every

1:00:31

American Pie movie, scene for scene.

1:00:35

It's going to take us years to complete, but

1:00:37

one day it will be out there. But as

1:00:39

part of research for this, we went and watched Thomas

1:00:42

Ian Nicholas live because he's an actor from the American

1:00:44

Pie movies, and he was performing

1:00:46

an acoustic set. He played

1:00:48

all the small things on the acoustic guitar,

1:00:51

just him. Power chords

1:00:53

and an acoustic guitar. It

1:00:56

was so like I felt so

1:00:58

much shame and embarrassment for

1:01:00

myself, for everyone there.

1:01:02

It was just... That

1:01:06

does sound horrendous. That was the only

1:01:08

song available. I would just never press play. Are

1:01:10

we going to go with his version of it then, do you think?

1:01:12

Would that be fun? Oh,

1:01:15

that's fantastic. That is fantastic,

1:01:17

Dan. I would be

1:01:19

pining for the original. Yeah, something

1:01:22

you hate still better than this version of it. I

1:01:24

know that cringing thing. I watched recently,

1:01:27

did you see that there was like the British Grand Prix

1:01:29

and Damien Lewis sang the National Anthem?

1:01:32

Did you see that? I haven't cringed so hard

1:01:34

at music in a very long time. Who's

1:01:36

Damien Lewis? He's like... He's

1:01:38

an actor. He's an actor and he's in

1:01:41

Homeland. You know that series. Yes, Gingerhead

1:01:43

guy. And for some reason, he and...

1:01:46

I can't remember... There was

1:01:48

one guy accompanying him. I can't remember if it was on like

1:01:50

a saxophone or a piano. But it

1:01:52

was like in this jazzy style

1:01:55

that was kind of like he was trying to be a bit throw away

1:01:57

and a bit kind of fast and loose

1:01:59

with...

1:01:59

timing you know like you know when the people

1:02:02

like hey I'm gonna do some

1:02:04

like smooth jazz style singing

1:02:06

now and it's like oh just

1:02:08

getting the timing all weird like wrong

1:02:10

on purpose I was so

1:02:12

bad but I feel like imagining

1:02:15

that actor from American Pie

1:02:17

doing all the small things on the acoustic guitar

1:02:20

it would be close to that because it just feels like the

1:02:22

most earnest thing you could be doing

1:02:26

He played it he played it he didn't he

1:02:28

didn't like make it his own he just

1:02:29

played it like As

1:02:33

a song it's just Dun na

1:02:34

na na na na na na na na na na

1:02:36

na na na na na na na na na na na

1:02:39

na na na na na na na

1:02:41

na na na na na na na na na

1:02:43

na na na na na na. Like

1:02:49

I imagine if someone was really good

1:02:51

at classical guitar they could

1:02:54

do a version of it where they take the root chord

1:02:56

and then they play like beautiful serenading

1:02:59

kind of

1:03:02

You know, they mess around with it, but this was

1:03:05

just a guy who... yeah had

1:03:09

the tabs for all the

1:03:11

small things and was playing it. It was

1:03:13

just brutal. I

1:03:16

really want to see Damian Lewis doing a soft

1:03:18

jazz version of the national anthem there. Yeah,

1:03:20

you'll have to check it out because it is I mean, I can't,

1:03:23

I don't know if I can bear to watch it again. Honestly, I haven't

1:03:25

had such a visceral reaction. I've been to something

1:03:27

in a very long time, you know, when you like,

1:03:30

I think it was just on Twitter and someone put 30 seconds

1:03:32

of it and I almost couldn't even watch the short

1:03:34

clip. It was so bad. But

1:03:36

yeah, I just think, I mean,

1:03:39

cover versions, they need

1:03:41

to be handled with care. I mean, obviously

1:03:43

we have the greats, you know, some of the best songs,

1:03:46

you know, like all along the watchtower, you

1:03:48

know, it's one of the greatest rock songs. Obviously it's

1:03:50

a cover, but in the wrong hands.

1:03:52

I mean, I don't think anyone needs an acoustic version

1:03:54

of all the small things sung by an actor from American

1:03:57

point. Yeah, man, it was crazy.

1:03:59

He also did a cover of

1:04:02

Bowling for Soup 1985 but changed the lyrics to 1995 and

1:04:05

that was the

1:04:10

year that American Pie came out so

1:04:12

the lyrics were about the characters in American Pie and

1:04:15

he did a cover of Stacy's

1:04:18

Mum but he changed the lyrics

1:04:20

to Stiffler's Mum. Oh no

1:04:22

this is just getting worse and worse.

1:04:25

Dude I can't even tell. This

1:04:27

night was so funny when we went to that show and we were

1:04:29

following him around. We tried to get an interview with him but he didn't

1:04:32

want to interview us because he was too busy chatting up this girl.

1:04:35

It feels like you either

1:04:38

exclusively, you know, you just own the

1:04:40

American Pie thing or you go off and have

1:04:42

a fledgling music career. You can't combine the

1:04:44

two unless you're going to make it funny in some

1:04:46

way which this just sounds so

1:04:48

tragic. So it's making

1:04:51

me feel quite sad thinking about it. Yeah,

1:04:53

yeah it was, it depressed

1:04:56

me as well a little bit. What would you think

1:04:58

would be worse having

1:05:00

just all the small things by him or having

1:05:02

the entire recording of that evening's

1:05:05

music? Maybe just having the one song

1:05:07

would be worse because there's no variation. I

1:05:10

think just the one recording and

1:05:12

it should be my recording off my phone where you

1:05:15

can hear me singing along pretending that I'm

1:05:17

having a good time. Like this

1:05:19

fake version of myself I'm

1:05:20

like, all the small

1:05:23

things. Truth get,

1:05:25

this is crazy too. We're having a good

1:05:27

time.

1:05:28

There'll be so much like

1:05:30

self-loathing and stuff. Yeah,

1:05:33

yeah. OK, well that's going with you

1:05:35

to the island. I think it's a very good choice. And

1:05:38

Rob, finally, the island is

1:05:40

overrun by the biggest dick of all the animals.

1:05:43

Which animal is it and why? This is probably

1:05:45

a very common answer for you.

1:05:48

This is probably a seriously, seriously common

1:05:50

answer. But I'm just going to say Seagull.

1:05:53

OK, yes, I think we have had it, but not

1:05:56

it's not what I don't think is one of the top ones. So

1:05:59

I think we still.

1:05:59

What to say on the topic? They can just fuck

1:06:02

off, can't they? Seagulls can just fuck right

1:06:04

off. I don't know what they add to

1:06:07

our, like, our

1:06:09

food chain. I don't know how much they do

1:06:11

to kind of, I don't

1:06:13

know, just keep the balance. But

1:06:16

I can't see us missing them if

1:06:18

they were all gone. No, no. I

1:06:21

think sometimes when you go to a seaside town,

1:06:23

you kind of like, when you get off the train and you

1:06:25

hear them in the distance, there's a part of you like, oh, I'm

1:06:27

by the sea. And then within maybe 10

1:06:30

minutes, you just think, what is this fucking

1:06:33

avian klaxon going off all the time?

1:06:35

Like, you know, it's like, I

1:06:37

don't know what that... And they're just mean bastards.

1:06:40

Yeah, they are. They're birds

1:06:43

in general seem pretty...

1:06:46

Uh... They're

1:06:50

very, they're very, um... They're

1:06:53

very fucking... I

1:06:55

don't want to say evil, because evil just feels like

1:06:57

the easy grab of a word to say. But

1:07:00

they are, they're rough birds.

1:07:03

Like, they live outdoors... Well... All

1:07:08

animals live outdoors.

1:07:11

They feel like prehistoric

1:07:13

and calculated and simple,

1:07:17

like, intelligent enough. And

1:07:21

there's kind of like birds that kind of, like

1:07:23

a robin. It's like, oh, little robin. But

1:07:25

then there's seagulls and there's crows

1:07:28

and things like that, where you're like, keep an

1:07:30

eye on that.

1:07:31

Yeah. And I think like

1:07:33

a crow, at least sometimes you can sort of... They

1:07:37

seem quite intelligent, as a seagull just seems

1:07:39

just like a bastard. You

1:07:41

know, like you said, they're intelligent enough

1:07:44

to get stuff done, but not to sort of do it with any

1:07:46

dexterity. They just steal your chips, you

1:07:49

know. Yeah. Yeah, yeah, yeah, yeah, yeah. Very

1:07:52

simple-minded, seafood

1:07:54

get food.

1:07:59

same road, it was just across the road, and

1:08:02

there was a flat roof opposite us,

1:08:04

and there was like a whole

1:08:06

generations of seagulls that were born,

1:08:09

raised, and died on that rooftop. There

1:08:12

was carnage up there, there'd be wars,

1:08:14

there'd be orgies, there'd be

1:08:17

everything and anything going on on that rooftop.

1:08:19

Seagulls just getting wild up

1:08:22

there. Yeah, and I think it's weird because

1:08:24

birds are normally something we never

1:08:26

get close to. It's very rare that you

1:08:28

can get more than a few feet away from

1:08:29

a bird, but seagulls have

1:08:32

kind of crossed that boundary. They're not

1:08:34

afraid, like they're in your face, they're

1:08:36

like flying at you and doing a drive-by

1:08:39

and stealing your food and running off or

1:08:41

dive bombing at you and stuff. I

1:08:44

think that's maybe what's so unsettling. Also, they're

1:08:46

massive as well, which doesn't help. One

1:08:48

time, this is when I was at uni.

1:08:50

This is one of the weirdest things that's ever happened

1:08:52

to me, and I think about it quite a bit. We've

1:08:55

been, a

1:08:56

group of us hanging out, smoking

1:08:59

a lot of weed all day, and we

1:09:01

were heading to the pub. We were like, let's go

1:09:03

to the pub, start our evening. We

1:09:05

were walking as a group,

1:09:08

there's like six of us, and we're walking

1:09:10

down a kind of thin back passage, kind

1:09:12

of shortcut. You can kind of only

1:09:17

really walk single file

1:09:19

at a certain point, and we see a

1:09:21

group of kind of like heavy-looking

1:09:24

locals. They look a little bit tough

1:09:27

when you're in a place like that, you're a bit stoned as well.

1:09:29

You're like, oh, we're not going to have a confrontation,

1:09:31

are we? These people look like they could

1:09:34

just say something nasty or something could kick off. As

1:09:36

they get closer, I'm

1:09:39

not at the front, I'm not at the front of the pack, I'm in the

1:09:41

middle of our group. Everyone's

1:09:44

kind of moves to one side,

1:09:46

so there's a row of people coming through

1:09:48

us, like through the middle, and

1:09:50

us kind of parting as they

1:09:52

come through the middle. But there's like

1:09:55

a space at the front of this group

1:09:57

that's like really open, like there

1:09:59

should be a

1:09:59

person walking in that spot, but there's no person.

1:10:03

And as the kind of the body of people

1:10:05

move towards me, I come back,

1:10:08

I get out the way and

1:10:09

I look down and a seagull is

1:10:11

leading this group of guys. Seagull's

1:10:16

like the alpha at the front, like, oh, fucking

1:10:18

boys getting into tonight. Hey, fuck

1:10:21

off. Turned

1:10:25

to everybody, I was like, did we all

1:10:27

see the sea? There was a seagull

1:10:29

leading that group of lads. And they weren't

1:10:32

kind of relaxed enough to be like, oh, he's

1:10:35

not with us. It seemed

1:10:38

like this seagull was the leader

1:10:40

of this group of scary lads. Wow.

1:10:43

Maybe it was, I sort of believe that it's

1:10:46

the next logical step, isn't it? Yeah,

1:10:48

alpha girl. Yeah. Oh, you fucking

1:10:51

up, you fucking do it. Oi,

1:10:54

oi, oi. Just controlling the humans.

1:10:56

Use your human hands to make me some chips,

1:10:59

because that's what we eat. Yeah, exactly. Yeah,

1:11:02

he's got

1:11:02

them up here, mate.

1:11:05

Yeah, I think they're nasty

1:11:07

things. And they're just, it's not like you would

1:11:09

ever tame them. If you're on an island surrounded

1:11:11

by seagulls, you're never going to sort of reach

1:11:13

an equilibrium with them where like they suddenly

1:11:16

understand that if they're patient, you'll

1:11:18

throw them a bit of fish now and again. They're

1:11:20

just going to steal your stuff, make a lot

1:11:22

of noise. And they don't seem to sleep. But when

1:11:24

I lived in Brighton, they were 24 hour

1:11:26

birds. Like they never slept. Like you'd hear

1:11:29

them. They are 24 hour parlours. Yeah.

1:11:31

Yeah. But not in a fun way. Do you think they'd be

1:11:33

tasty? Like if you

1:11:35

caught a seagull and barbecued it? No.

1:11:37

Because I'm thinking like chicken meets fish,

1:11:40

but then fishy chicken is not an ideal

1:11:42

situation. No, no, it reminds me

1:11:44

of a Frey Bentos pie I had once. And I was like,

1:11:46

I think this, I don't know, I couldn't tell if it was like

1:11:49

chicken or tuna. It was like, and

1:11:51

that's kind of how I imagine a seagull meat would

1:11:53

taste. I used to run the social media accounts

1:11:55

for Frey Bentos. And maybe I should have tweeted

1:11:57

that.

1:11:58

Hey, it's what.

1:11:59

seagulls taste like. Do

1:12:02

you seagull bite? Yeah

1:12:05

okay well look I think it's a very fitting animal

1:12:08

to what has been a terrible island

1:12:10

Rob. I really feel

1:12:12

you on this on your choices and I think you've

1:12:14

made a superb selection

1:12:17

of people and things for your own island

1:12:19

hellscape and I just hope it hasn't been too depressing

1:12:21

for you and you know as you say you're

1:12:23

a positive person I hope that you can return

1:12:26

once more to a positive place but

1:12:29

Rob look you're in Edinburgh

1:12:29

as we speak tell us tell everyone

1:12:32

about what you've got going on. I've

1:12:34

not got a lot going on I'm I'm kind

1:12:36

of using this fringe as

1:12:39

a personal boot camp to

1:12:43

work and perform

1:12:45

on in a different way every day I'm

1:12:47

I'm last year I had a like a finished

1:12:51

and prepared show that I was really really proud of

1:12:54

and that did really really well and

1:12:56

I had a great time performing the show pretty

1:12:58

much exactly the same every single day but I'm

1:13:02

in a place with stand-up where I want to grow

1:13:05

and progress and I didn't

1:13:08

write a show this year that I had nothing to write about

1:13:10

or I didn't I just didn't feel

1:13:12

like it and so I'm doing

1:13:14

a short run this year of a kind

1:13:17

of experiment to see what I can

1:13:19

do each day with not

1:13:22

a lot of prep without a lot of

1:13:24

like written material so each

1:13:26

show I think is gonna be me doing

1:13:28

like working on a new 20 minutes

1:13:30

at the beginning like like building that

1:13:32

over the month I mean over the two weeks

1:13:35

so that's kind of like pre-written

1:13:37

jokes and

1:13:38

like that that would be something that I could do at clubs and

1:13:40

festivals or whatever and

1:13:43

then after that it's just gonna be crowd work

1:13:45

and improvise stand-up

1:13:48

and

1:13:49

trying to grow and learn and become a better

1:13:51

comedian nice cool well I

1:13:53

urge anyone who's up in Edinburgh at the minutes go

1:13:55

and check your show out because I

1:13:58

saw you relatively recently

1:13:59

absolutely loved it so yeah

1:14:02

I recommend it. Thank you Daniel. But I hope

1:14:04

it goes really well Rob and thank you

1:14:06

for coming on Desert Island X-Day mate, it's been a real pleasure.

1:14:09

Thanks for having me, it's been really really fun. I'm glad

1:14:11

to put all of this somewhere,

1:14:14

do you know what I mean? It's not good to hang

1:14:16

on to weird rage. No, no, well it's

1:14:18

safely tucked up in the podcast now for

1:14:21

lots of people to enjoy but you can forget

1:14:23

all about these awful people and things Rob. Arigato.

1:14:26

Cheers.

1:14:40

So there you go, Rob Copland there and

1:14:42

I hope you enjoyed that. I had a great

1:14:44

time doing it and yeah like I

1:14:46

say go and check him out if you get the opportunity. That's

1:14:49

one of my sort of, not New Year's resolutions

1:14:52

because it's August but my just

1:14:55

general resolutions is to get out

1:14:57

and see more comedy. I just think why wouldn't

1:14:59

you want to go and be made to

1:15:01

laugh a lot for a couple of hours.

1:15:04

I mean it's a good way to spend

1:15:06

your life isn't it? God knows we've got enough to

1:15:08

be upset about these days.

1:15:10

So that's what I'm gonna do and if I have

1:15:12

any recommendations then I shall of course

1:15:15

tell you or even better get

1:15:17

them on the podcast. If there are people

1:15:19

that you would like us to get on the show then

1:15:21

please do let us know. We're always sending

1:15:24

out emails and reaching

1:15:26

out to people to get on the podcast so

1:15:28

yeah by all means get in touch and tell us who

1:15:31

you think would be a good guest. They don't have to be comedians

1:15:33

they could be anyone at all. You

1:15:36

can email us by going to

1:15:38

dickspod.com contact

1:15:40

or you can get in touch

1:15:42

on Twitter and Instagram at Dick's

1:15:45

Pod and we will try to make your dreams

1:15:47

come true if your dreams are

1:15:49

just to have someone on the podcast. But

1:15:51

yeah we're always up for suggestions

1:15:54

so do get in touch and we'll see what we can do.

1:15:56

Desert Island Dicks has been a sync

1:15:59

clap production.

1:15:59

created and produced by James

1:16:02

Deacon. It was produced and presented

1:16:04

by me, Dan Benedictus. A

1:16:06

big shout as always to the big man

1:16:08

John Deacon. And yeah, I

1:16:11

think that's it. We'll be back with more Desert Islanderics

1:16:13

very soon. Thank you for listening. Goodbye!

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