Episode Transcript
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Hi, I'm Dan from Desert Island
0:32
Dicks and this episode features
0:35
comedian Rob Copland. Some
0:37
of you might remember when we
0:39
did the Pawfoot episode that I said I'd
0:41
went and saw Pawfoot do a work in
0:43
progress at a club called the Poodle Club
0:46
in South East London. And that night,
0:48
Rob Copland did a little set as well
0:51
and I thought he was absolutely brilliant.
0:53
So I was really glad to get him on
0:55
the podcast. That's one of the lovely
0:57
things about doing this podcast is that you can see
0:59
people that you think are great and then invite them on
1:02
and have a chat with them. So yeah, it was great
1:04
to sort of have a chat with Rob and
1:06
I think he's really funny. I like this episode
1:08
a lot. It's a nice long one. And
1:11
yeah, he's up in Edinburgh at the minute, but
1:13
I think by the time this goes out, he
1:15
might have finished his run because he was only doing
1:18
a short one. He talks about that a little
1:20
bit right at the end. But yeah, if you
1:22
get the chance to see him when he's back from
1:24
Edinburgh, I really recommend it because
1:26
I think he's very good. So
1:29
anyway, before
1:30
I turn into a complete
1:32
and utter fanboy, I'm going to
1:34
move on and just say thank you for
1:36
downloading this podcast. It means a lot that
1:38
you will listen to it. And if you're
1:40
new to this podcast,
1:42
well, thank you for downloading the podcast.
1:44
It's the same message, basically. We're
1:47
just thankful that you downloaded it. If
1:50
you subscribe, then obviously you will never miss an
1:52
episode. And hey, if you'd like to
1:54
leave us a rating and a review, we like
1:57
that very much indeed. I am a
1:59
needy.
1:59
person as much as anyone else and
2:02
it is nice to hear your feedback and
2:04
nice to see what you like and that kind
2:06
of thing. I've got to be honest, it's quite
2:08
late, it's quarter to eleven at night and
2:10
I've just finished editing this episode so
2:12
I'm quite tired and babbly and I
2:15
think probably it's best for all of us if I
2:17
just shut the fuck up and we
2:19
get into the podcast where it will also
2:21
be me talking but also mostly it will
2:23
be Rob and we'll just have a
2:25
nice time. Look, you get the format of
2:27
the show, it's easy to explain
2:29
so let's get on with it shall we, it's Desert
2:32
Island Dicks with Rob Copeland.
2:48
Hi, I'm Dan Benedictus and welcome
2:51
to Desert Island Dicks, the show that sees you
2:53
marooned on a desert island after a plane
2:55
crash with the worst people and worst things
2:57
imaginable. Who they are and why they're a dick
2:59
is up to our guest and here to share their Desert
3:01
Island Dicks with us today is comedian Rob
3:04
Copeland. How are you? I'm alright
3:06
mate, it's nice to be here with you.
3:09
Well it's nice to have you on. We're not together, that's
3:11
the thing. I'm up in Edinburgh now and I've been living
3:13
by myself for a while, it's nice to speak to somebody.
3:17
Well I'm happy to be
3:18
a nice
3:20
voice for you in your darkest
3:23
hour but unfortunately we are
3:25
going to talk about some pretty bleak stuff,
3:27
obviously the people and things you would least
3:29
like to be stuck with on a desert island. How
3:32
did you find the process of whittling
3:34
down your choices? I've been thinking about it
3:36
for quite a while, it's interesting isn't
3:38
it because there are, there's different
3:41
reasons you might not want to be stuck on an island
3:43
with somebody. There are people in my
3:45
life who are friends but they bring
3:47
out the worst in me and someone
3:48
like
3:51
that, you know the hedonistic side of yourself,
3:53
you know those friends that you just hang out with and get fucked up
3:56
with, like you're thinking well
3:59
would they be a person who you don't want
4:01
to be. But then you're on desert island so you're just like why
4:04
not just get hedonistic until you go crazy and die.
4:06
So there was that you don't want to
4:09
be like oh yeah by the way mate yeah you'd be the
4:11
least person I want to be trapped on a desert island with even though
4:13
we love hanging out. So
4:15
there was thinking about that kind of stuff.
4:17
There's people that you know in the
4:20
comedy circuit or people who
4:22
are like part of your life and you see on a regular basis
4:24
who you might think god fucking hate to be but you
4:27
don't want to name them on a podcast and then bump into
4:29
them and be like I'll
4:29
leave you sorry but I'll be out.
4:34
And then there's like your classic celebrities
4:37
that I bet people say all the time like
4:39
Bear Grylls or Donald Trump
4:41
or blah blah blah blah Boris
4:44
Johnson. You don't want to hit like the
4:47
just like you mean I don't know these people they
4:49
might be hilarious to people
4:52
watch. You know it might be quite funny being stuck
4:54
on a desert island with Boris Johnson because he might be so
4:56
pathetic that you know and you could
4:58
eat him he's porky he'd be
5:00
tasty. It's
5:04
been one of those things that's been at the back of my mind for a long
5:06
time I've been thinking about it a lot and I've got three people
5:09
and I'm proud to put them in my desert
5:11
island of Dickery. Okay
5:14
great well I'm excited to hear
5:16
your choices then and who
5:17
made the list. Who's
5:19
going to be the first person joining you? The
5:22
first person on my list is my
5:25
old maths teacher Mrs Phillips.
5:27
Okay good good I like it when there's like
5:30
a nice sort of I suppose it's like revenge
5:33
is a dish best served cold and this feels
5:35
right when you're talking about an old teacher. I just
5:37
hate to be it's I mean you say revenge
5:40
like I'm getting one over on them.
5:42
I'm stuck on the island with them it's it's going to be
5:44
awful for me that that's the way I've thought
5:46
about it like who would be the worst people to be stuck
5:49
with on this island. Yeah. And my maths teacher
5:51
from year 10 and 11 so GCSE level
5:55
Miss Phillips.
5:56
Fucking cunt of a human being.
5:59
I hope she. I hate her so much
6:01
man. I'm sorry I just used the C word so early
6:03
on. Okay, well
6:05
what was so particularly bad about her? Well
6:08
I had, I have learning difficulties
6:11
and
6:12
going through school was,
6:14
it was so dependent on how
6:16
well I did in the subject on how
6:18
well the teacher could handle my,
6:21
me. And I could find
6:27
a teacher who'd be like, Rob, yeah that's funny
6:29
but come on we're in maths. Or a teacher
6:31
who's just like, get out of my classroom
6:34
right now. And it's like that
6:36
kind of like zero tolerance to
6:40
my energy or my playfulness
6:43
was in equal measures painful
6:46
and difficult. When someone's not
6:48
willing to kind of, come on we're in maths,
6:51
this sucks, we both know this sucks.
6:53
Like, let's try
6:56
and find some joy in it. I remember
6:58
she got, what's it called when you
7:00
almost die? Well
7:03
like a near-death experience. Yeah like an illness
7:05
that people get. She got really ill,
7:08
she got really really ill and she was off
7:10
school for like two months
7:12
and it was amazing. I
7:15
actually got better at maths in those times. We
7:17
had a substitute teacher who was a teacher I
7:19
used to have called Mr Child
7:21
who made maths, weirdly somehow,
7:23
I don't know how, give the man a Nobel
7:25
Prize. He made maths really fun and
7:27
engaging. And with
7:30
Miss Phillips, I remember once Miss Phillips caught
7:32
me, I devised like
7:34
a new technique for zoning out during maths
7:36
where I was like, if I look at the whiteboard and
7:39
just like look at the numbers she's writing on the board
7:41
but don't think about anything. If I just go
7:43
to like an empty
7:45
place in my mind she'll never know
7:47
because I'm looking at the board
7:50
so she can't say shit and
7:53
she, about five seconds in she
7:55
was like, you can't just look at the board and not think about
7:57
anything. Wow.
7:59
So she saw through it. She saw
8:02
through it man. She could read The Matrix.
8:04
She was she was evil. Short hair
8:07
really into cars and Had scissor
8:09
sister earrings The only time I ever
8:11
saw her smile was a night after she'd seen
8:14
this is her sister's live And I was like
8:16
they fucking rule like okay, you have a fun
8:18
side. Let's see it. Let's see it in the classroom She
8:22
just came down on me hard She'd always send me out
8:24
But the worst the worst part about this is
8:27
the thing that like brought her into my mind
8:29
was
8:29
the year I finished uni I
8:32
worked at Tesco's at the checkouts during
8:34
uni and I came back to
8:36
Southampton and was working
8:39
for a short while on the checkouts of my local supermarket She
8:42
came in. Oh, she
8:44
I'm checking her out. I'm doing her beep beep beep
8:47
and I said
8:49
hello, mrs. Phillips and she's like,
8:52
I'm sorry. Who are you? Oh It
8:54
was like that scene in world's end, you know, where he
8:57
he confronts his bully and his bully has no idea
8:59
who he is. Oh
9:01
Man, yeah, that's really nice. Although
9:03
I suppose the other side she could be like ah Rob
9:06
I knew you'd end up working on a checkout or
9:09
something like that, you know Not obviously there's
9:11
nothing wrong with that but she but
9:12
she still she actually still managed
9:14
to say something like that She
9:17
said something like oh, it's good to see you've
9:19
a map what you've amounted to I she genuinely
9:22
said something like that No, oh
9:24
man, what a bitch. I hated this woman so
9:27
much Being to stuck on a desert island
9:29
with her would be health Yeah, no, she sounds like
9:31
a mean person that would just be really difficult
9:34
to live with I mean I hated maths and
9:36
similarly just found it quite difficult and
9:38
challenging with the way my brain works and
9:42
I'm sure that like there were other subjects
9:44
that I disliked But I felt
9:45
like I had a better ratio of like good
9:47
to bad teachers, you know Like I
9:50
was never very into history, but I had some good history
9:52
teachers and some bad ones I felt like my entire
9:54
run of math teachers throughout school was pretty
9:57
bad Like I don't think there was ever one that I really
9:59
enjoyed
9:59
sort of thinking, okay, I hate maths, but this
10:02
guy's okay. Yeah, man, like a maths
10:04
teacher who knows how to have fun is like a, it's
10:06
like finding new on Pokemon is
10:08
essentially impossible. They are
10:10
out there somewhere, but for
10:12
the most part, it's yeah. And
10:15
I, and like, when they're like years and years into
10:17
the profession, and they've just lost the joy or the patience,
10:21
the zero tolerance
10:22
approach to, to Tom
10:25
Foolery in the classroom was the biggest
10:27
thing, you know, like I could be I could
10:29
I before I turn around to speak
10:32
to the person behind me before I'd even
10:34
spoke to them. Rob go stand outside
10:36
for five minutes. This
10:39
is chaos. This is actually
10:41
like chaos for me. So on a desert
10:43
island, that would be difficult, man. Yeah, because I think
10:45
also, I
10:46
don't think like that dynamic
10:49
of teacher student would ever leave,
10:51
you know, wouldn't be like, okay, look, we're on this desert island. We're
10:54
both grown ups now. What are under the bridge and all that?
10:56
How are we going to survive? I think you'd still end up having
10:58
this awkward kind of teacher student relationship
11:01
with them. Yeah, absolutely. Yeah.
11:03
It would, that would be really, really difficult to
11:05
navigate. And the the the
11:08
incident when she forgot who I was and
11:11
stuff like she had a kind of a profound
11:13
impact on my confidence
11:16
in an intellectual and a personal sense. And
11:18
then to not remember me that has
11:21
like that that knocked me for six
11:23
when that happened. So to be on the island, I'd
11:25
be like pacing around. Forget about
11:27
Rob. How can you not remember me? You
11:29
know, I'd be going
11:32
crazy. Come
11:33
on. I was I was second
11:35
row, always talking. How can
11:37
you not remember me? I'd
11:40
be fuming about that for a long time. That
11:42
would be horrible. Yeah, that is one of like
11:44
the really harsh things about bad teachers
11:46
is that it just stays with you forever. And
11:48
they will obviously forget about you because they're
11:51
teaching hundreds of people a year. And
11:53
it just feels like there's no justice
11:56
in that because it's I mean, it's so
11:58
shit being I mean,
11:59
As an adult you can have an annoying
12:02
boss or something potentially and that can like
12:04
make your life quite bad but I think at
12:06
least you have the rest of your life and you're grown up and
12:08
you can do what you want. Just school just feels like you're
12:11
always in this grind of like of
12:14
just putting up with this person and often you know you
12:16
change years and you might still get the same teacher
12:18
and when they sort of follow you around like that it's terrible.
12:21
I would dread the class
12:23
going to her maths lessons and time would seem
12:25
to stand still and if those two
12:28
things transferred across onto the island
12:29
time stands still and I'm dreading
12:32
being around them that that is like
12:35
a like a purgatory.
12:37
Yeah okay well I think it's a really
12:39
strong first choice for the island just even
12:41
thinking about some of my maths teachers
12:44
I can't even remember their names now but
12:46
I can just sort of see their faces and just the idea of being stuck
12:48
with those people on an island just sort of gives
12:51
me the fear to be honest. I'm trying to think like
12:53
what they'd be what she like
12:55
you know with her mathematical skills and
12:57
her penchant for the scissor sisters
13:00
you know maybe you know we could get some like fermented
13:03
coconut water in her and get
13:05
a sing in the scissor sisters like that'd be a bit of entertainment
13:07
but I mean what what
13:10
is she gonna do find the the mean you know
13:12
the mean of how many coconuts are on the island
13:14
and the average the average sea
13:17
temperature throughout the year like what what
13:19
good is maths gonna do you when you're on a
13:22
fucking desert and you're starving
13:24
to death what good are your numbers gonna do
13:26
you're now almost, oops! Fair
13:31
enough well I think it's a strong start so
13:34
it's already a hateful place and you've only picked one
13:37
person
13:37
so who's gonna be joining her who's the next person
13:39
with you on the island? Okay my next one I struggled
13:42
I struggled to I struggled
13:44
with my second one
13:47
first I wrote down John Taffer
13:50
do you know who John Taffer is? I don't know.
13:53
John Taffer presents a TV show that
13:55
me and my girlfriend are obsessed with my
13:57
fiance are obsessed with called
13:59
called Bar Rescue. It's
14:03
basically Gordon Ramsay's Kitchen Nightmares,
14:05
but for bars, and it's great. It's got
14:07
this guy called John Taffer. His parents
14:09
owned the Troubadour when he was a kid, so he's
14:11
like a bar expert. He helps
14:13
struggling businesses. He goes in and he's
14:16
very Gordon Ramsay-esque. He fucking opens his
14:18
eyes nice and wide and he says shit like, what
14:20
does he say? He says, I don't embrace excuses.
14:23
I embrace solutions.
14:26
He gets real angry. He shouts at people.
14:29
He's
14:29
kind of unbearable.
14:33
But there's this side to him that's like
14:35
Gordon Ramsay, and there's an aspect that I quite like
14:37
about tough love, and
14:40
although being firm,
14:43
being fair.
14:45
I kind of thought if he's
14:47
on the island, we'll probably end up
14:49
having a father-son relationship and it'll probably
14:52
be quite good, even though he's a nightmare
14:54
at times. So I crossed
14:56
him off my list. So he's not coming
14:58
onto the island, but he's an honorable mention. I
15:01
basically wanted to mention that because I wanted to talk about this TV
15:03
show. Everybody has to go and watch Bar Rescue on Amazon.
15:05
It's the best TV show on TV. Yeah, I'm
15:07
going to have to check it out now. Then I wrote,
15:10
this one's crossed out as well, but it's another honorable
15:12
mention. Beard Meets
15:14
Food. Oh yes, yes. I've seen
15:17
this person on YouTube. Yeah, so
15:19
he has a beard and he does
15:22
like food eating challenges. Like what
15:24
was it? Man versus food. It's that kind of thing, isn't it? Like,
15:26
God, that's the biggest burrito in the world. It weighs
15:29
as much as a tiger. Can I
15:31
eat it? That sort of thing. Yeah. Not
15:33
only eat it, but eat it fast and with
15:35
my, well, I mean, burrito is a bad example because it's
15:37
okay to eat a burrito with your hands, but he'll
15:40
eat like the UK's biggest
15:42
fry up and he'll eat
15:43
it all with his hands, like fried eggs, lift
15:45
it up with his hands and he's all going in his beard
15:48
and then he's mopping up. He's mopping everything
15:50
up. He's getting it all in a little pile. He's eating
15:52
beans with his bare
15:53
hands. Get the fuck off my
15:55
desk. I love you. You're in big beans with your bare
15:57
hands. What are you doing, man? You're just...
15:59
Spoon! At
16:03
least use the toast as a spoon. The man's
16:05
fumbling beans. It's
16:09
such a weird thing, isn't it? Where we find ourselves
16:11
like a place in humanity
16:14
where like you can earn a living from
16:16
eating too much food with your
16:18
hands and videoing it. Yes. What
16:20
the fuck are we doing? It is. We've
16:23
crossed a point of no return now
16:26
and people are selfie videoing
16:28
themselves in little quiet,
16:30
quiet, quiet. Quite often he goes into these like
16:32
quiet little cafes and they'll be
16:34
just like a family because quite often it's in the UK.
16:37
They'll just be like a family, like, you
16:39
know, aunties and aunties and grannies
16:41
sitting near him and they're like,
16:43
oh, bloody hell. Oh, look at you. And he's
16:45
like, yeah, different from my YouTube
16:47
channel. And just
16:50
just makes an absolute embarrassment
16:52
of himself. It's
16:54
it's intense. And he kind
16:56
of like jokes around about it coming out
16:59
as well, like, oh, this is going to be a bit of a nightmare
17:01
coming through. Some
17:03
of his videos end with like,
17:06
like, you know, like maybe the
17:08
camera's on the ground and you can see his trousers around
17:10
his ankles on the toilet. Like, what?
17:12
What is what is going on, man? We've
17:15
all eaten food. We're familiar with the process
17:17
and the eventual exit. I don't think it's adding much
17:19
to the video here. No, it's it's
17:22
really off putting to watch a man
17:24
scoop beans into his face
17:26
and then talk about it coming through.
17:30
And, you know, being on a desert island
17:32
with that guy, he'd be gobbling
17:34
up all the coconuts. Yeah. Yeah.
17:37
He'd be gobbling them straight up with his bare hands.
17:40
And I bet he is
17:42
friendly. I bet he is fine. But
17:44
with that kind of like OCD
17:47
eating and because it's not he
17:50
can't be he can't
17:53
be normal. None of us are normal. He can't
17:55
have a healthy relationship
17:57
with food.
17:59
He can't have. of like
18:01
he's got something going on. Like you don't end
18:03
up knowing that you can eat that amount of food that
18:05
quickly. Like an anaconda, like
18:08
going weeks without food and then shoveling
18:11
loads of it in. He's gonna have some
18:13
psychological stuff going on that I don't want to
18:15
have to deal with. There's such
18:17
a sort of bleakness about those kind
18:19
of things where it's just like an impossible
18:22
amount of food for no reason
18:24
and you're just sitting there trying to get through
18:26
it. And it's like, you know, I don't wanna bring up all the
18:28
starving people in the world, but is this the best
18:31
thing you could be doing? It just feels so kind of
18:33
just, I think the anaconda metaphor
18:36
is quite good because you know, you just see them like choking
18:39
down a gazelle and you just think there is no
18:41
joy there. It's just like, food
18:43
must be in me now, get in my
18:45
fucking body. How old are you, how old are you
18:47
Daniel? I'm 41. I'm 33
18:50
and I'm just getting to that age where I'm like,
18:52
I need to slow down when I eat.
18:54
I need to chew my food properly. I'll
18:57
tell you what though, I have taken
19:00
something from this guy's videos, beard meat's
19:02
food. When he's, you
19:04
notice when he's like shoveling it
19:06
in and he kind of, for every bite
19:09
he does, he does a sip of water, bite water,
19:11
bite water. And it's supposed to lubricate
19:14
the food on the way through your intestinal system.
19:17
I, that kind of always comes
19:19
into my mind when I'm eating like
19:21
a big meal now. And I'm like, make sure you get
19:23
some drink in there
19:24
as well. I think I might,
19:26
I think I actually wanted, I actually
19:29
think I want him to be my next person. I had,
19:31
I had him crossed out, but
19:33
the more I think about it, the less I want
19:35
to be on the island with him. I
19:38
just think as well, the fact that it's just,
19:40
you know, he has a big beard and it's called
19:42
beard meat's food. And I just think, is
19:44
that your defining characteristic? You know, like some
19:46
people have beards, that's fine. But if
19:48
you're like, hey guys, I'm the guy with
19:50
the beard, you know, it's, it's like,
19:53
do you not have anything else? No, I know exactly
19:56
what you mean. Cause I have a mustache
19:57
and I, I worry that, that
19:59
I, Sometimes I see guys who have
20:01
mustaches and they've built
20:04
the personality around the mustache rather
20:06
than the mustache around the personality. Do
20:08
you know what I mean? So it's waxed up on
20:11
the corners and they're wearing
20:13
like tartan and a waistcoat and they've got a
20:15
walking stick. It's like all of those things, it's
20:17
like the mustache came first and then those things followed. Whereas
20:19
with me it was just like, I don't know, I've
20:22
just weirdly always had a mustache. I was
20:24
born with a mustache. Everyone
20:27
on my island has to have a mustache. I tell
20:29
you what, I
20:29
would hate it if everyone on my desert island had
20:32
a mustache. I recently
20:34
have been working in like a shared
20:37
work office space and I
20:39
sit near a guy who works for another company and
20:41
he has a very similar mustache to mine where it's
20:43
not like a personality driven one, it's just
20:45
a mustache. And for some reason we
20:47
just can't look at each other in the eyes. We
20:51
can't like, we can't
20:53
just have like, I've had friendly conversation
20:55
with pretty much everyone else in the office but for some reason,
20:57
me and him, it's like two magnets
20:59
going like, you know, two negatives. Like
21:03
they can't, we just, for some reason we can't. So
21:05
if everyone on my island had mustaches, we'd all
21:07
be like, Just
21:12
repelling each other. Of the cars I'm able to truly
21:14
connect. Well,
21:19
yeah, I just think like, I
21:21
don't know, I think that you like you say, there
21:23
are people who have who have them and can wear them
21:25
well but sometimes I just feel like it's covering
21:27
up a lack of something else. And
21:29
obviously that is not the case in your, I mean, I'm,
21:32
I currently am very unshaven myself
21:34
but I like to think I've got more stuff going on that
21:37
if I started a YouTube channel I could think of, think
21:39
of something else to call it, you know. Yeah,
21:42
and he probably got a bit hung up on the meats
21:44
food because it's MEATS, like
21:46
beer meats food. I didn't even notice
21:48
that. And there's that double, I need,
21:51
you know, people who aren't, you know,
21:53
semi-professional comedians like myself, will
21:57
hit on a delicate, like a very easy
21:59
breezy part.
21:59
and be like, what's fucking genius, that?
22:05
This is bringing out the worst
22:07
in me, by the way. I feel like I'm being
22:10
cruel. I generally keep it a rule to be
22:12
quite a nice person, but this is, I'm making
22:14
fun of people for doing
22:16
shit puns. But that's okay. I mean, look, we're
22:18
gonna, we're gonna, this is a safe environment
22:20
for you to expunge all your anger.
22:23
And then, you know, we can have a
22:25
happy go lucky Rob Copland afterwards
22:28
once more. Yeah, he's 100% on there.
22:29
He's
22:33
also, I'm jealous of him because he's probably, he's
22:35
probably making a shit ton of cash doing it. He's
22:37
traveled the world with it. He eats,
22:40
I'm a horrible little pig boy. I love
22:42
to stuff my face with food. And
22:45
he eats some really delicious stuff that I
22:47
want to eat. Yeah, I just think everything
22:49
around kind of like competitive eating
22:51
is a bit odd. Like I watched a documentary once
22:53
about him. There was this famous Japanese guy
22:55
who like took America by storm
22:58
and like his dad
22:59
is like a Buddhist priest and was sort of going,
23:02
yeah, obviously I found it quite difficult to
23:04
come to terms with my son's career being
23:06
that it's like a horrible fucking waste
23:09
of food and I'm a Buddhist, you know, but
23:11
eventually I just sort of realized he was trying
23:13
his best at something and that's what he had to find,
23:15
you know, that was his destiny. But then like,
23:18
you know, you'd see like the one guy who
23:20
then, you know, this American guy who could
23:22
then was the only person who could like challenge
23:24
him and eventually kind of usurped him.
23:27
And he was doing like, he had like a regimen
23:30
of like special exercises to like
23:32
strengthen his neck and stuff like this
23:34
that he could like force down the hot because
23:36
a lot of it was like hot dog eating contests and stuff.
23:38
And he was like doing these weird sit up
23:41
moves that he'd invented that kind of helped like
23:43
helped him choke it all down. And he just think fucking
23:46
hell man, like, what are you? This
23:48
is insane. Yeah, that's a lot
23:50
to put your body through. It's kind of admirable
23:53
to see commitment to an art form like that.
23:55
But when it comes to something that
23:57
is seriously off putting
23:59
for nine. 20% of the people who see it
24:01
happening. It's like
24:04
you're actively trying to make yourself
24:06
more grotesque. Yeah. And
24:08
I just think, you know, like the places that offer
24:10
those kinds of foods as well. And it's like, I guess it
24:12
is just a sort of, hey, if we offer like an
24:14
insane fry up, maybe, you
24:16
know, you'll get some publicity for it. But it's like,
24:19
of course, we're going to eat that. Because you've put like five
24:21
packets of bacon on a plate and a loaf
24:24
of bread. It's like, oh, it's Wales's
24:26
biggest bacon, but it's too big.
24:28
Like you don't need all this
24:29
stuff. Yeah. Yeah. It's
24:32
just that's just ridiculous. Yeah.
24:34
I wonder what the profit gain loss
24:37
is on those, how well
24:39
they actually do. They're kind of it's
24:41
kind of like for a chef, it's kind
24:43
of like putting bait out into the ocean
24:46
for like the Moby Dick. Like, do you think
24:48
that chefs kind of like see
24:50
these competitive eaters and they're like, yeah,
24:53
we'll show him. They try and like throw stuff.
24:55
I saw one in America actually of bid, bid
24:57
meets food where he went to, he went to
24:59
a place where they
25:02
did, they did like a really, really, really hot
25:05
ramen. And it was like gallons
25:08
of ramen, but like boiling
25:10
hot because ramen is supposed to be served
25:13
inedibly hot.
25:16
And the spice levels on this thing were like crazy.
25:19
Like, you know, like when it's like Scoville rating
25:21
a million or something, you know, and he
25:25
tried to take on one of those and it's
25:28
such a horrible video to watch because
25:30
not only is he suffering
25:32
and struggling with it,
25:34
you get the sense that the guys who invited
25:36
him in and asked him to do
25:38
it, kind of like bullying him like,
25:41
oh yeah, you're like, you're like gallons of food. How
25:44
about this mate? And it's like
25:46
consumed quickly could potentially
25:48
kill him. And
25:50
he's like
25:54
going through it. Oh God.
25:56
It's, I just find it really
25:58
bleak.
25:59
It's really bleak, competitive eating.
26:02
Yeah, talk about spicy stuff. I've seen it before
26:04
where they're like, oh, this is America's spiciest chicken
26:06
wing and we have to use a gas mask. We have
26:08
to wear a gas mask in the kitchen when we're preparing
26:11
it because the fumes of the chili are so strong.
26:13
I think, I don't want to tell you how to do your job, but I
26:15
think once you're having to wear protective
26:17
gear, like a gas mask to stop you
26:19
inhaling the fumes, maybe you shouldn't
26:21
serve that to people, you know.
26:24
It's just all so stupid and pointless. It's
26:26
such a funny, it's a really funny
26:28
form
26:29
of machoism and alphaism
26:32
to be the man who can stomach
26:35
the hot, you know, like you see it. If you go out for a curry
26:37
with your friends, there will be a bit
26:39
of like, oh, he's got the fucking window, oh,
26:42
he's got the fucking helmet, you
26:44
know. If you look at
26:46
it like that through the lens of like toxic
26:49
masculinity,
26:50
as soon as he opens his mouth and starts talking,
26:53
he's like, he's a beta male.
26:55
He's like, oh, you're right, hey, hey,
26:57
yeah, I'm just gonna eat all of this. And
27:01
not that, you know, I
27:03
like to think that I exist outside alpha or
27:05
beta, because it's a bit of a,
27:07
it's black and white, isn't it? You know, people
27:10
are different in different situations. You know, the
27:13
beard meets food is alpha when he's at
27:15
the food eating competitions, but oh
27:17
God, it's all so bizarre. It's all so chauvinistic.
27:20
Yeah, I think it would be difficult to establish
27:22
a bond with him on the island because it feels like
27:25
you've got that as a talking point. And once you kind
27:27
of go, I kind of think what you do is pointless
27:29
and disgusting. There's not a lot past
27:31
that. So true. Apart from talking about his
27:33
beard, maybe. So, right, so
27:35
we've got Miss Phillips
27:37
and the
27:39
man from beard meets food. Let's just call him the
27:41
beard, I suppose. So this
27:43
is a good, strong couple of dicks
27:46
we've got here. Who's gonna be your third person?
27:48
My third person
27:50
is somebody that I used to, I
27:52
worked with on a couple of occasions. She's
27:56
kind of a British national treasure,
27:59
I found her to be,
28:02
just like, you know when you like
28:05
kind of joke
28:09
or fantasize about celebrities
28:12
being a nightmare, like, man, I
28:15
demand this and I demand that, stop it
28:17
and stop that. So I worked with Angela Rippon. Okay.
28:20
She's an old BBC presenter. I think
28:22
she was a newsreader. Yeah.
28:26
Or she used to present. I
28:28
always get confused with like Gloria Honeyford.
28:30
It's that sort of vibe, isn't it? Like just sort of... Well,
28:32
so her, Gloria Honeyford and Angela
28:35
Rippon, Gloria Honeyford and one
28:38
other. So I worked on this TV show, Rip Off Britain,
28:41
as a runner
28:42
and she was one of the presenters on that.
28:45
And just, you know, like, kind of like imagine
28:47
like the biggest nightmare
28:49
talent when you're working with... She
28:52
was just that. When I introduced myself,
28:55
I tried to be so courteous. So,
28:57
oh, oh, Angela.
29:00
I was like, oh, hello, my name's, you must be Angela.
29:02
I'm Rob. Nice to meet you. And
29:05
she was like, of course I'm Angela. What kind of stupid
29:07
question is that? Haven't you seen the show? And
29:10
I was like, oh man.
29:12
I tried so hard to just be like soft
29:14
and welcoming. Yeah, that's
29:17
just so abrasive from
29:19
the start, isn't it? It's unbelievable.
29:22
She didn't want to try
29:25
and create a dynamic where
29:27
we could work together and have a nice
29:29
time. She wanted to create a dynamic
29:32
where I was the stupid idiot who
29:34
should stay out of her way and
29:38
it sucked. It creates a working
29:40
environment when you're working with toxic people
29:43
where you kind of hate yourself,
29:46
hate them, hate the TV show, can't
29:48
get your head around the power dynamics, can't
29:51
understand why someone would want to abuse
29:53
their power. Just really, really nasty.
29:56
I wonder if it's because she was the sort of person that was like
29:58
quite big in the 80s.
29:59
I think that's like a different kind of fame. You know, if you're used
30:02
to being like one of the main news readers and TV
30:04
hosts, when there's only four channels,
30:07
you know, you're gonna be massive. And I think that, you
30:09
know, probably fucks up some people a little bit.
30:11
But I mean, just being that rude straight
30:13
off the bat, I just think if I was that rude
30:16
to someone, I wouldn't be able to then look at them
30:18
again after like the incident
30:20
had happened. So to then keep working with
30:22
them, how do you fucking just come out with that? I
30:24
don't know. Yeah, I
30:27
remember one time, I've like only ever
30:29
really
30:29
lost my temper with another
30:32
human being who I didn't know like once.
30:34
And it was because I was having a really, really bad day.
30:36
I'd just been rained on. And I was cycling to
30:39
a Stanley Kubrick exhibition
30:41
at the summer hall. And I got
30:43
there, it was tipping with rain. I was soaking wet. I
30:46
locked my bike up to a gate and then I walked into the exhibition.
30:48
And just the guy who like worked on the grounds there was
30:51
like, mate, you can't lock your bike there.
30:53
And I just flipped on him and I was like, ah, why,
30:55
like what's the, it doesn't matter. You okay, well you fucking
30:58
loofy rule. And I was such an asshole
30:59
to him. And then I went around the exhibition
31:02
and I just couldn't enjoy it. Cause I was like, oh my God,
31:04
I'm a piece of shit. I can't believe I just flipped
31:06
at that guy and then left and had
31:08
to go and find him and apologize. And
31:11
Angela was just happy to work
31:14
with me all the time, constantly
31:16
being that shitty person. And
31:19
then also like, I had to go
31:21
and get her lunch. And it's like, how
31:23
can you be so confident that I'm not gonna put
31:27
a
31:27
dog shit in your sandwich? Yeah,
31:30
it's very bizarre. Cause you kind of deserve
31:33
it. I suppose they have such a high regard of themselves
31:36
and the power they wield that they just assume
31:39
that you're gonna be sort of subservient and
31:42
take it and that's fine. I mean, what
31:44
I find, I've worked with similar people
31:46
to
31:46
this and the annoying thing
31:49
is like, I still find my, I don't know if it's
31:51
the same with you. Like I still find myself trying
31:53
to be nice and polite and sort of grease the wheels
31:55
a bit, even though they've just like set out their
31:57
stall as a complete prick. You know
31:59
what I mean?
31:59
And I think, well, it's already a horrible
32:02
working environment for me. So why do I care
32:04
if it is for you as well? But I'm still like, oh, I'll
32:06
laugh at your jokes and get your tea and stuff.
32:09
And then you just end up hating yourself because
32:11
you're like, why don't I just tell this person they're
32:13
a prick? I don't know. It's just such a weird
32:15
way of being in life. Yeah.
32:18
Yeah, that is a really cool
32:21
trick of being
32:23
on the positive side of things that are like,
32:26
it's so hard to step up and be like, like
32:29
as, as like a, because I was like a runner on these TV
32:31
shows to step up and be like, hang
32:33
on a second. You shouldn't speak to me like that. Like
32:36
we're going to be working together all day and I want to have
32:38
a good working relationship with you. So
32:41
but for some reason you just can't vocalize
32:43
those kind of things. You just like,
32:45
yes, yes, boss, I ran off and get the
32:47
sandwich for you. I'm sorry. Yeah,
32:49
it's horrible. I think with these people, it's generally
32:51
the people who are doing the less work, the
32:53
least work out of everyone, but getting paid
32:56
by far the most. And you just think, God,
32:58
you should be walking into work like skipping
33:01
along just so happy or like, you
33:03
know, I'd be so sort of grateful for it. And
33:06
just thinking, God, what if I lost this gig just from being
33:08
a prick for no reason? You know, most
33:11
most people are. Most people really are. I've
33:13
shout out to Alex Horn, who I worked
33:16
with on a TV show called The Button as a runner
33:18
on a Saturday mornings.
33:20
We do. And that could
33:22
have been awful. I had to travel all the way across London
33:24
to get there like bright and early, start record.
33:27
I'm going around getting everybody's breakfasts, handing everything
33:29
out. And Alex Horn was like,
33:31
obviously, he was I think it was like one of his shows.
33:34
He was doing the voiceover stuff. And
33:37
wait, I was waiting on him like hand and foot, but he was just
33:39
so cool. Like he was so
33:41
like, your name's Rob, Rob Cuppland.
33:44
OK, great. Thank you so much, Rob. And how are you doing?
33:46
And everything all right for you, mate? We can get
33:48
you stuff. And like, like just making
33:50
the job a pleasure.
33:52
It's such an easy decision to make
33:54
to be the asshole or
33:56
like, you know, the tyrant or the or the
33:59
or the buddy. And it's like, just
34:01
pick, like, just choose light, just
34:03
choose the light. I just think it's easier
34:06
to just be neutral than be like
34:08
mean. You know, if you just think, oh, I
34:10
can't be bothered to speak to this runner, here's another
34:12
one, I've seen loads of them before, I'm bored, blah,
34:14
blah, blah. But you just think, just be like,
34:16
just be slightly aloof. Or like, you
34:18
know, that's better than just outwardly being
34:20
an idiot, you know. So
34:23
yeah. So true. And I mean, Christ, that energy
34:25
with your old maths teacher as well on the
34:27
island, Rob, I mean, that skin, that's
34:30
not great. Yeah. They probably buddy
34:33
up.
34:33
And I'd be stuck with beard,
34:36
meats, food. It's annoying that
34:39
I don't know his name either. I don't ever
34:41
want to know his name. On the island, he should be called
34:43
beard, meats, food. Every
34:45
time I say it, I'm like. Yeah. And Angela
34:47
Rippon just will never, it doesn't matter how long you're
34:49
on the island, she'll never understand the premise of his
34:52
thing. So let me get
34:54
this straight. You eat food on
34:56
camera
34:57
and that's it. That's it. But really big food.
35:00
Really? Let's get this straight.
35:02
Like for fuck's sake, he's told you. This
35:04
is what he does. What an awful thing to do. What a terrible
35:07
thing to do. Disgusting. Don't you know
35:09
there are starving children in Africa who
35:11
I never help. No.
35:13
No. Yeah. She'd be a nightmare.
35:15
She's very old as well. And I always
35:18
felt that like, because on that show,
35:20
the presenters were elderly ladies who
35:23
also are their target demographic. That's why the
35:25
presenters are old ladies. And
35:28
I'd noticed that they would have this kind
35:30
of defense shield
35:32
up because really
35:34
they should be pottering around a garden center,
35:37
getting tired, having a cup of tea, going home and going to
35:39
bed. They're old ladies, but
35:41
because they're on TV,
35:43
they're like, I'm not old, I'm young,
35:45
I'm sprightly. I can still do it. I can still
35:48
pull it out the bag. And actually
35:50
they're knackered. And when you're
35:52
knackered, you're a bit grumpy. You're in a place
35:54
you don't really want to be. The stories
35:56
are weird. Cause it's like, oh, someone came
35:58
and did my gutters.
35:59
and then they sucked all the money out of my savings
36:02
account. And they don't
36:04
really know fully what's going on. So
36:07
quite often, I feel that they're in a vulnerable
36:09
position. They're about to be on camera. They're
36:12
tired. So
36:15
what they're doing is coming from a place of defensiveness.
36:18
They're kind of like,
36:19
I don't want to be here, so fuck you. And
36:23
it's like, we were on the desert island. That's
36:26
like a ground rule.
36:27
No one can do
36:29
that. None of us want to be
36:31
here. So let's just try and work together.
36:34
Yeah,
36:35
yeah, definitely. And yeah, I just don't
36:37
think that attitude from her is going
36:39
to change. I think she's going to always treat you
36:41
like a showrunner and treat you badly. Your
36:44
math teacher is always going to see you as a pupil.
36:46
Oh, man. So it's you and beard meets food.
36:48
My power dynamics on the island are fucked.
36:50
Yeah, they are fucked. You sit and you watch
36:53
me eat food, boy. You
36:55
sit and you do numbers in silence, boy.
36:59
You run off and get your... I'm
37:01
all like, yeah, I'm all on the receiving end
37:03
of a backhand
37:05
from all of these people for some reason.
37:07
Yeah, it doesn't look good for you, Rob. But
37:09
look. Hi, Dan here. This
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We're going to distract you a little bit from the people
38:31
now because mercifully amongst the
38:33
wreckage of the plane there was some food and drink
38:35
left over. Unfortunately for you it's
38:37
your least favorite food and drink in the
38:39
world. What are they and why they so bad?
38:41
Okay so my worst
38:44
food is one specific meal
38:46
from my life. It is
38:48
a meal that I had while I was on holiday
38:51
with my fiance Una and
38:54
we were in Ireland. Someone
38:57
on her side of the family has a family
38:58
home and it was
39:01
on the west coast of Ireland, really really rural
39:03
and Una bless her got incredibly ill
39:07
on this trip and she was just
39:09
knocked out and I was
39:12
kind of waiting on her hand and foot the whole holiday
39:14
just making sure she was alright. We're talking cold
39:16
flannels on the forehead, opening
39:19
windows to get fresh air so well she couldn't go outside
39:22
and yeah
39:24
she was in a sorry sorry state and
39:26
one day she started to feel a little bit better and
39:28
so I was like I'll cook us up a real real nice
39:31
meal
39:31
and I decided to do like
39:34
pork ribs real slow cooked
39:36
in the oven for ages like all day
39:39
and I like made like a real nice
39:41
seasoning like onions
39:43
in there, garlic in there I
39:45
was so excited about these ribs
39:48
I did a side of like mash and veg
39:50
and stuff and served
39:53
the meal out. Una got out of bed
39:55
like it was like you know seeing her walk around
39:57
it's like she's on the mend sat down and started
39:59
diet eating and as soon as
40:02
I bit into the ribs I realised that I bought
40:04
like a type that were meant for
40:07
I don't basically
40:09
they were just insanely salty
40:12
and they were like a type
40:14
they were in they were like shrunk wrap and
40:17
I think they were meant for a certain type
40:19
of cooking
40:20
or I don't know
40:22
what I bought and I kept like pulling
40:25
the bag out of the bin and looking at it and being like what
40:27
what have I done I spent all
40:29
day cooking these ribs and they were in
40:32
edible they were you could not eat them they were so
40:34
salty I'm trying to think
40:36
what purpose they could have like they just like
40:38
you put put one rib into a
40:40
huge pot of chilli to season
40:42
the entire pot or something it's like is
40:45
that weird I don't know like I can't
40:47
I don't know what if anyone out there knows
40:49
why they'd be that salty I think
40:52
they were supposed to be cooked a certain way or something
40:55
but and then I felt like an idiot for
40:57
not understanding
40:58
that as well and I'm sat there in front
41:00
of this inedible meal that I spent all
41:02
day on and it affected my
41:04
you know made me feel like an idiot and
41:06
I was hungry I was hungry man it's
41:10
so bad like the weight of expectation
41:12
on a long long slow cooked meal
41:14
like that and then to have something so inedible
41:16
as well and it's like you know it's not like
41:18
just you didn't like it very much like you physically
41:21
can't eat it is horrendous and
41:23
imagine that on the island as well you've got that
41:25
beard meats food is trying his best but
41:27
you know you're breaking him down
41:29
because he can't he can't
41:30
do it but that's his thing he has to he has to eat
41:32
it all but you know even he is finding it tricky
41:36
when you started you once you started the clock mate
41:38
you can't stop you know you've
41:40
got Angela Rippon just like giving you withering
41:43
stares because oh Rob
41:46
how could you what have you done this isn't
41:48
how they're supposed to be what did you do you
41:50
silly man yeah yeah miss Phillips
41:52
has got the she's got the packaging of the ribs
41:54
out and she's looking at the salt content on the back
41:57
she's like if
41:57
you've done your maths you would have realised
42:00
I'm like, no! But
42:02
I think as well it's like, you know, like you're
42:04
saying, it's the sort of mystery around
42:06
it as well that makes it so annoying. It's like there's
42:09
no reason that this should taste like this
42:11
and you can't find any explanation that
42:13
makes it better. It's just a really
42:15
annoying, unexplainable, frustrating
42:18
thing. Like, what are you going to do? Like write to the factory
42:20
and ask them what's going on or something like, you
42:22
know, then I'll send you some more ribs.
42:25
Yeah. I
42:27
will, if anyone knows, can you reach
42:29
out and DM me why there would be ribs
42:32
that are so salty that they're inedible?
42:34
Why would they be on the shelves? What are
42:37
they for? Are they for like dogs
42:40
to eat? Is that eating
42:42
dog food? Do dogs need more salt? I don't know. I
42:44
don't know. I don't know. I don't know why I said that.
42:47
No, I like the idea that dogs need,
42:49
you know, like horses and stuff have a salt lick.
42:52
Like some animals have to like take in
42:54
salt. Yeah. Maybe it's
42:56
like that. There are animals that have salt licks.
42:59
What's that all about? Yeah, come and have a lovely big block
43:01
of salt to lick. That'll make you feel better. Now,
43:04
in rib form. Have you salty ribs? Well,
43:08
that does sound like a crap thing to be stuck
43:10
with on a desert island just because, I mean, it's
43:12
even making my mouth feel a bit dry, just thinking of
43:14
the saltiness. So, but what are you going
43:16
to try and wash it down with? What's going
43:17
to be your drink to save the day?
43:20
Wait, it's a good drink or a bad drink? It's
43:22
a bad drink. Sorry, I misled you there with clumsy
43:25
language. It's not going to save
43:27
the day. Yeah, absolutely ruin it. This
43:30
is a drink that was made for me on
43:33
a holiday in 2008 in Turkey on a lads
43:35
holiday.
43:37
We went
43:40
to an all inclusive hotel and
43:42
the bar staff on one
43:44
night said, we'll make you a drink
43:46
that will like fuck you up seriously.
43:49
Because we were like 18, we were like, drink
43:51
it all the time. And
43:53
they made a drink that was essentially just every
43:56
type of alcohol that they have mixed together
43:58
with green food.
43:59
coloring. They called
44:02
it, I think they called it a fuck face and
44:05
they made a pint of it. I think
44:08
about this a lot. It just comes
44:10
to me and I shudder and I just get
44:12
scared. I get really scared about what
44:14
might happen if someone drank all of it. Oh man,
44:16
that's a great name for a drink like that. Yeah,
44:19
it was like petrol. It
44:21
tasted like petrol and licorice.
44:24
Oh man,
44:25
I mean I'll take one Oh
44:27
God, it was really
44:30
really intense and to get around like there
44:32
was like this kind of like sense that you know we
44:34
had to drink it. You know that horrible
44:36
feeling when
44:39
you're younger and that kind of toxic
44:41
drinking culture of someone getting up in your
44:44
face and being like finish your drink,
44:46
neck your drink, scullet, scullet,
44:48
scullet. You know that weird
44:50
peer pressure? Yeah,
44:52
yeah, yeah definitely and so
44:55
was it one drink
44:55
between all of you or did you all have a
44:57
fuck face each? I think I got
45:00
it from the bar and then I brought it back to where
45:02
we were sitting and no one wanted
45:04
to drink it. I couldn't drink it but there
45:06
was part of me that was like you gotta drink this to
45:08
be like legendary or whatever just
45:11
like that really stupid. Oh God,
45:13
I'm getting anxious
45:15
thinking about the drink. Yeah, yeah.
45:18
And the way I got rid of the drink was
45:20
to start like I
45:23
had two empty, I had another cup that was empty
45:25
and I pour it all from like glass
45:28
to glass being like a cocktail
45:30
mixer like whoa but like
45:32
spilling it all all over the shop
45:34
just to get rid of it. Nice.
45:37
Yeah, it's very much in the sort of beard meets
45:39
food drink sort of aesthetic isn't
45:41
it? It's like you know this fry up doesn't need to be
45:43
this big this drink shouldn't have
45:46
all these drinks in it you know like this this
45:48
is not a cocktail this is a bet. Exactly
45:50
yeah this is not a cocktail this is a bet this is not
45:53
this is not like nutrition
45:55
this
45:55
is not something that will help you this
45:57
is a challenge or like
46:00
something that can really hurt you. Like if
46:02
you ate too much food, your stomach could explode.
46:05
If you drank too much alcohol, your heart could stop.
46:08
It wasn't like a cocktail, it was like a loaded gun.
46:11
Do you know what I mean? I'm like holding something that could kill.
46:13
Yeah, and I just think if I was running a hotel
46:16
and I had a bunch of 18-year-old
46:18
English lads in on a holiday, the last thing
46:20
I want to do is give them like the strongest cocktail
46:22
note to man, you know? Yeah, I mean,
46:25
or they were trying to like teach us a lesson, like
46:27
we were annoying
46:29
English tourists and they're like, yeah, this
46:31
will shut them up. Kind of like the ramen
46:33
was for beard, meats, food when
46:35
he went to America and those guys set him up with a ramen
46:37
that could have fucking ruined his life.
46:43
Oh my God, imagine being in an intensive care
46:45
unit and they're like, what happened to him? Ramen.
46:49
So he spent his life around
46:51
food. Ironically, it was the food that killed
46:53
him. Oh, rest in peace, beard,
46:55
meats, food. And
46:59
we never knew his name. He's
47:01
got his,
47:02
instead of like the dates he was born and died,
47:04
he's got like his YouTube subscription
47:07
followers number on his headstone.
47:10
3.5 million.
47:10
A really long
47:12
unwieldy link. Just like carved
47:14
into the stone. Hyperlink.
47:18
Oh man, well, that does indeed sound like a horrific
47:20
food and drink pairing. So, yeah,
47:23
it's working for me. Now, Rob,
47:26
fortunately, you won't be without entertainment
47:28
on the island. The plane's entertainment system
47:30
continues to work, but just your luck,
47:32
it only has two working settings. One
47:35
is your least favourite film of all time and the other is your least
47:37
favourite song. What are they and
47:39
why?
47:41
I wrote, I studied film at university
47:45
and film is like a real, real great
47:47
love of mine.
47:49
It's next
47:51
to stand up. It's one of the most unique
47:54
and interesting art forms in my opinion.
47:59
I...
47:59
I've written down
48:03
anything by Wes Anderson and
48:07
that's a new opinion for me. I
48:09
used to think Wes Anderson was the fucking bollocks.
48:12
I thought he was really cool, really interesting,
48:14
like so unique. But every
48:16
time I watch his films, so my
48:18
favorite kind of films, we're talking
48:21
something like This Is
48:23
England or Short
48:26
Cuts or Magnolia,
48:28
films that show people
48:31
being very human, all of their
48:35
kind
48:37
of, all of the worst aspects
48:39
of ourselves but trying to be the best
48:42
and you know films are kind of like break
48:45
down the human psyche and are
48:47
just you know very human stories, I
48:50
like human stories,
48:51
The Tree of Life, Terrence
48:54
Malick, baby. Wes
48:57
Anderson's films are
48:59
so
49:00
alien to really
49:03
understanding what human beings, I think
49:06
Wes Anderson might be like OCD
49:09
quite far along the
49:12
spectrum of autism and Asperger's
49:15
or like and not that there's
49:17
an issue with that you know, I have ADHD
49:19
and sometimes you know I've got autism in the
49:21
family and I think you know where do I sit on the spectrum
49:24
and but when I watch a
49:26
film I want to have an experience
49:28
where I'm like fucking man, we're
49:31
just human, we're just human,
49:33
we're just complicated beings and we're
49:35
all trying to work it out and that's okay. But
49:38
Wes Anderson's got this kind
49:40
of like,
49:41
this fantasy
49:44
of what people are like and the way they even turn
49:46
their heads isn't human, like it's so
49:49
alien and weird and
49:52
non-organic and
49:55
I've seen making of Wes
49:58
Anderson films and he...
49:59
is so hands-on that
50:02
I reckon the crew hate him. Like,
50:06
he wants to go in and do everything
50:08
himself. He wants to be in control of every last little
50:10
aspect of it. And like,
50:13
sure, every frame does look
50:15
like a dollhouse. It
50:19
is kitsch and cute. But
50:21
like, the stories are just
50:23
like... People who aren't
50:26
really human. I
50:28
don't feel like the people in Wes Anderson films are fucking
50:30
human anymore. Yeah, it's
50:32
weird, isn't it? Sorry, I've gone off on one. No,
50:35
this
50:35
is your space to do exactly that.
50:37
I mean, I think he's interesting
50:39
because it's like when people make albums
50:41
and after a while you go,
50:43
you know, sometimes it's like exactly the same thing
50:45
album after album and that's okay. And sometimes
50:47
you're like, why is this just the same as your last album?
50:50
Like, I don't know why with Wes Anderson,
50:52
it's sort of like... I think because he just sort of go,
50:54
oh, look, there's the little cutaway shot and
50:56
there's that everything's in that font. And it's I suppose
50:58
it's kind of familiar and comforting in some way.
51:01
But it is quite like when the film, when
51:03
the story behind it isn't that good, you
51:06
just kind of think what is all this bollocks? Like the
51:09
French dispatch, I just thought felt
51:11
like a film someone made
51:13
to imitate Wes Anderson, you know what I mean?
51:15
With all these funny little touches and like the
51:17
way it's done. I hated that. I
51:20
hated that film so much. It was not a good film.
51:23
And then it just... So much. That's when it that's when
51:25
everything flipped for me. Yeah, because then at that
51:27
point where you're like,
51:28
this isn't actually a good film, and
51:30
you've just put Wes Anderson stuff all over
51:32
it to make it so to sort of distract us from
51:34
it, you know, and I'm about halfway through, you're like, I think
51:36
this might be shit, actually, you know,
51:38
and I think I would have realised soon, how do
51:41
I not just been looking at all the flourishes? It
51:43
shows it showed that film to me
51:45
showed a real lack of respect for the
51:48
consumer. And
51:50
a real lack of care
51:52
for truth or
51:54
like it's about this, this
51:57
newspaper.
51:58
It's about like this newspaper. and
52:00
I can see when
52:03
you're first coming up with the idea, okay, that's
52:05
a great way to have different
52:07
avenues and we have the sports people and
52:09
we go off and find about all the sports world
52:11
and then there's the political side. That's
52:14
a great way to explore humanity
52:16
and the ecosystem of society. A newspaper,
52:19
that's an amazing way to investigate
52:21
society. But it's not, it's Timothy Chalamet
52:24
smoking cigarettes and these cool shots
52:26
of buildings from the outside where the camera
52:28
goes up and along and
52:29
everything moves at a fucking 90 degree angle,
52:32
up or down and it doesn't
52:35
get under the surface of its own, of
52:38
itself, of the style, its style
52:41
over substance. The last,
52:44
the one before that, The Grand Budapest,
52:46
is like a good film because the structure
52:48
of the film is satisfying. I
52:50
can't remember any of the characters names, I can't remember any of their
52:53
motivations really, but
52:56
the story is exciting. The way it plods along
52:58
is quite good. So it's quite an exciting watch. But
53:01
again, everyone in the film is robotic.
53:06
Oh God, I wanna beat Wes Anderson up. I'm
53:09
not a violent person, but I just wanna shove him around
53:11
and I wanna pull his little
53:13
cravat off him and
53:16
be like, who are you, Wes? Who are
53:18
you? What's going on under the surface? Did
53:20
your parents love each other? Do you
53:22
like yourself? What do you really wanna fucking
53:25
do with your life? No one gives a shit about all
53:27
of this fucking style, brother. Like
53:29
you look amazing, mate, but you're boring
53:32
as fuck. There's a
53:34
friend of mine, Brian Murphy, who was also
53:36
on this podcast a very long time ago. And he
53:38
always says about artists
53:40
and musicians, particularly, the musicians
53:43
should have a
53:44
contract where you get five albums or 10
53:46
years and you have to decide at the beginning
53:48
of your career what it is gonna be. And I feel
53:50
like with Wes Anderson, that could be applied to
53:52
him. I think five Wes
53:54
Anderson films would be a perfect amount. I feel
53:56
like now the longer it's going on, and I do
53:58
enjoy his films.
53:59
from that French dispatch one. I
54:01
kind of feel like the longer it's going on he's sort of like
54:03
becoming like a pastiche of himself and it's
54:06
like you know and you get the thing on YouTube with lots
54:08
of people like sort of doing their day in
54:10
their life in a Wes Anderson style and
54:12
it just sort of feels like
54:14
you know the genie's out of the bottle we know how it works
54:16
now people are doing spoofs you know
54:19
of your stuff and I just feel like how how long
54:21
can it go on for? Yeah yeah
54:25
I want to see him take the camera off the tripod and
54:27
turn it on himself I just
54:29
yeah. Wes Anderson films.
54:32
I mean I would probably enjoy it if it was like
54:35
if the Darjeeling Limited was the film I'd be
54:38
okay but let's make it let's
54:40
make it the French dispatch. Yeah
54:42
because I was gonna offer you a box set of his films
54:44
but I mean some of them are I think a lot better
54:46
than the French dispatch so maybe just having that and
54:48
I think because of the nature of his style you're
54:50
just gonna keep noticing things that are gonna
54:53
grate on you over time you know because there's so many
54:55
little things that will just you know wouldn't
54:57
annoy you the first time but you're like oh just look at
54:59
the way
54:59
they open that bottle of wine yeah
55:01
that's not how you do it yeah fucking hell and cuz
55:03
it's the only thing we have to watch on the island people
55:06
on the island might start saying things like oh look
55:09
at that it's a bit Wes Anderson-y.
55:14
Okay what's your song choice
55:16
gonna be? Okay my song choice so
55:18
initially I've thought of
55:20
like what's a song that I've had stuck in
55:23
my head really badly because
55:25
I have I don't
55:26
know undiagnosed OCD
55:29
or like you with my ADHD and my dyslexia
55:31
and blah blah blah blah blah blah blah blah blah blah blah I'm a bit crazy.
55:35
I've had periods in my life
55:37
where I've had songs obsessively stuck
55:39
in my head and it's actually been to
55:41
a degree where I kind of want to speak to a psychologist
55:44
or a doctor because it's actually causing
55:46
me psychological pain where
55:50
it's just on a look like I don't know if you've ever what
55:52
kind of experiences you've had with drugs but if
55:54
you've done like ecstasy and things
55:56
like that on a come down quite often
55:58
you can have like one
55:59
train of a song stuck
56:02
in your head over and over again to a point where
56:04
you're like, you know, suicide is a way
56:06
out of this, you know, the
56:10
drop, the ultimate drop of life. So I
56:18
thought
56:22
would it be a song
56:24
that has like a hook or a melody
56:26
that gets stuck in my head? So the song
56:28
that when I was a kid that I got stuck
56:31
in my head that I was like, maybe
56:33
I need to speak to my parents about this was
56:35
the Red Hot Chili Peppers song. Is it
56:37
the Zephyr? The Zephyr?
56:40
Is it Zephyr song? Yeah.
56:42
There's a bit in that song where they go,
56:45
take a look,
56:46
it's on display for you
56:49
coming down, but not today. I
56:51
had that bit stuck in my head for like
56:53
a month as a kid. And it was
56:56
like to the point where I was like psychologically
56:58
worried. So
57:02
that song got stuck in my head really bad once. And I thought about
57:04
that being an option. Then
57:06
I thought about, do
57:09
you remember the song Baby Cakes? Oh yeah,
57:11
that's a garagey song. Yeah. Baby
57:13
cakes, you just don't know, know how
57:17
I like it down. Oh, and
57:19
I just wanted
57:20
I thought it would be that because that's like
57:22
a really, really catchy song. But then I put it on and
57:24
I fucking love that tune, man.
57:28
It's UK garage
57:32
is not something I appreciated at the time.
57:34
But my partner Una
57:37
loves UK garage. That was her fucking jam
57:39
growing up. And she puts it on sometimes
57:42
and I fucking hear ladies crew
57:44
coming in. Oh, ladies,
57:47
shout out. I love it
57:50
so much. It's I like
57:52
how I like how British it
57:54
is. I like how it's very, very
57:56
London and it fit anything,
57:59
anything that is
57:59
unashamedly uninfluenced.
58:03
As an artist myself I feel
58:05
it very hard to not be inspired,
58:09
not have the things that inspire me affect
58:11
my work and it's something that I'm always
58:14
focused on always being like to be
58:16
the true Rob Copland, to be the true artist I
58:18
have to cut this out of my act, I have to stop thinking
58:21
like this person, I have to stop like watching
58:23
this person. I mean all those things are
58:25
in the way of pure artistic expression.
58:28
When I listen to UK Garage I'm
58:30
like these people are
58:32
being so pure right now and it's
58:34
wonderful. So, so,
58:37
so, so, Baby
58:40
Cakes is, I can't, I thought it would be on, I
58:42
thought it might be something like Baby Cakes but it's not. Okay.
58:46
My answer is between two
58:48
songs and I think, I
58:50
think my answer is All the Small Things by Blink 182
58:53
and this is coming from
58:55
somebody who has a Blink 182 tattoo.
58:58
Oh, interesting. Okay, so,
59:01
I mean was that, well, explain
59:03
your thoughts behind that then, is that just like for you like
59:05
their one misstep or what is it
59:07
about that song? It's a perfect pop
59:10
song, All the Small Things, it's perfect,
59:13
it is a great, I can, I know why it's
59:16
as popular as it
59:17
is, it makes sense
59:20
but you know what else is really fucking popular? McDonald's
59:23
and it's gross, like no one enjoys
59:26
eating McDonald's, everyone eats it and they're like,
59:28
oh fuck I ate McDonald's. Like
59:31
the things in this life that have the
59:33
biggest mass appeal
59:35
quite often are the fucking worst.
59:38
Yeah, yeah. And it's,
59:40
it's, it's so
59:43
simple as a song. A lot of people
59:45
play it at me because they know I love Blink 182.
59:47
One of the worst pieces
59:50
of music I've ever seen in
59:53
my
59:56
entire life was
59:58
a guy
59:59
An actor, an American actor
1:00:02
who's in the American Pie films, he plays Kevin
1:00:04
in the American Pie films. His name is Thomas
1:00:07
Ian Nicholas, aka
1:00:09
the Tin Man, right?
1:00:13
He performed an acoustic
1:00:15
set at the Boston Music
1:00:18
Rooms in Archway in
1:00:20
London. And I have
1:00:22
a podcast that isn't even released yet,
1:00:24
but I'm recording it. It's called Explaining
1:00:26
the American Pie Universe, and it's me
1:00:29
and a friend explaining every
1:00:31
American Pie movie, scene for scene.
1:00:35
It's going to take us years to complete, but
1:00:37
one day it will be out there. But as
1:00:39
part of research for this, we went and watched Thomas
1:00:42
Ian Nicholas live because he's an actor from the American
1:00:44
Pie movies, and he was performing
1:00:46
an acoustic set. He played
1:00:48
all the small things on the acoustic guitar,
1:00:51
just him. Power chords
1:00:53
and an acoustic guitar. It
1:00:56
was so like I felt so
1:00:58
much shame and embarrassment for
1:01:00
myself, for everyone there.
1:01:02
It was just... That
1:01:06
does sound horrendous. That was the only
1:01:08
song available. I would just never press play. Are
1:01:10
we going to go with his version of it then, do you think?
1:01:12
Would that be fun? Oh,
1:01:15
that's fantastic. That is fantastic,
1:01:17
Dan. I would be
1:01:19
pining for the original. Yeah, something
1:01:22
you hate still better than this version of it. I
1:01:24
know that cringing thing. I watched recently,
1:01:27
did you see that there was like the British Grand Prix
1:01:29
and Damien Lewis sang the National Anthem?
1:01:32
Did you see that? I haven't cringed so hard
1:01:34
at music in a very long time. Who's
1:01:36
Damien Lewis? He's like... He's
1:01:38
an actor. He's an actor and he's in
1:01:41
Homeland. You know that series. Yes, Gingerhead
1:01:43
guy. And for some reason, he and...
1:01:46
I can't remember... There was
1:01:48
one guy accompanying him. I can't remember if it was on like
1:01:50
a saxophone or a piano. But it
1:01:52
was like in this jazzy style
1:01:55
that was kind of like he was trying to be a bit throw away
1:01:57
and a bit kind of fast and loose
1:01:59
with...
1:01:59
timing you know like you know when the people
1:02:02
like hey I'm gonna do some
1:02:04
like smooth jazz style singing
1:02:06
now and it's like oh just
1:02:08
getting the timing all weird like wrong
1:02:10
on purpose I was so
1:02:12
bad but I feel like imagining
1:02:15
that actor from American Pie
1:02:17
doing all the small things on the acoustic guitar
1:02:20
it would be close to that because it just feels like the
1:02:22
most earnest thing you could be doing
1:02:26
He played it he played it he didn't he
1:02:28
didn't like make it his own he just
1:02:29
played it like As
1:02:33
a song it's just Dun na
1:02:34
na na na na na na na na na na
1:02:36
na na na na na na na na na na na
1:02:39
na na na na na na na
1:02:41
na na na na na na na na na
1:02:43
na na na na na na. Like
1:02:49
I imagine if someone was really good
1:02:51
at classical guitar they could
1:02:54
do a version of it where they take the root chord
1:02:56
and then they play like beautiful serenading
1:02:59
kind of
1:03:02
You know, they mess around with it, but this was
1:03:05
just a guy who... yeah had
1:03:09
the tabs for all the
1:03:11
small things and was playing it. It was
1:03:13
just brutal. I
1:03:16
really want to see Damian Lewis doing a soft
1:03:18
jazz version of the national anthem there. Yeah,
1:03:20
you'll have to check it out because it is I mean, I can't,
1:03:23
I don't know if I can bear to watch it again. Honestly, I haven't
1:03:25
had such a visceral reaction. I've been to something
1:03:27
in a very long time, you know, when you like,
1:03:30
I think it was just on Twitter and someone put 30 seconds
1:03:32
of it and I almost couldn't even watch the short
1:03:34
clip. It was so bad. But
1:03:36
yeah, I just think, I mean,
1:03:39
cover versions, they need
1:03:41
to be handled with care. I mean, obviously
1:03:43
we have the greats, you know, some of the best songs,
1:03:46
you know, like all along the watchtower, you
1:03:48
know, it's one of the greatest rock songs. Obviously it's
1:03:50
a cover, but in the wrong hands.
1:03:52
I mean, I don't think anyone needs an acoustic version
1:03:54
of all the small things sung by an actor from American
1:03:57
point. Yeah, man, it was crazy.
1:03:59
He also did a cover of
1:04:02
Bowling for Soup 1985 but changed the lyrics to 1995 and
1:04:05
that was the
1:04:10
year that American Pie came out so
1:04:12
the lyrics were about the characters in American Pie and
1:04:15
he did a cover of Stacy's
1:04:18
Mum but he changed the lyrics
1:04:20
to Stiffler's Mum. Oh no
1:04:22
this is just getting worse and worse.
1:04:25
Dude I can't even tell. This
1:04:27
night was so funny when we went to that show and we were
1:04:29
following him around. We tried to get an interview with him but he didn't
1:04:32
want to interview us because he was too busy chatting up this girl.
1:04:35
It feels like you either
1:04:38
exclusively, you know, you just own the
1:04:40
American Pie thing or you go off and have
1:04:42
a fledgling music career. You can't combine the
1:04:44
two unless you're going to make it funny in some
1:04:46
way which this just sounds so
1:04:48
tragic. So it's making
1:04:51
me feel quite sad thinking about it. Yeah,
1:04:53
yeah it was, it depressed
1:04:56
me as well a little bit. What would you think
1:04:58
would be worse having
1:05:00
just all the small things by him or having
1:05:02
the entire recording of that evening's
1:05:05
music? Maybe just having the one song
1:05:07
would be worse because there's no variation. I
1:05:10
think just the one recording and
1:05:12
it should be my recording off my phone where you
1:05:15
can hear me singing along pretending that I'm
1:05:17
having a good time. Like this
1:05:19
fake version of myself I'm
1:05:20
like, all the small
1:05:23
things. Truth get,
1:05:25
this is crazy too. We're having a good
1:05:27
time.
1:05:28
There'll be so much like
1:05:30
self-loathing and stuff. Yeah,
1:05:33
yeah. OK, well that's going with you
1:05:35
to the island. I think it's a very good choice. And
1:05:38
Rob, finally, the island is
1:05:40
overrun by the biggest dick of all the animals.
1:05:43
Which animal is it and why? This is probably
1:05:45
a very common answer for you.
1:05:48
This is probably a seriously, seriously common
1:05:50
answer. But I'm just going to say Seagull.
1:05:53
OK, yes, I think we have had it, but not
1:05:56
it's not what I don't think is one of the top ones. So
1:05:59
I think we still.
1:05:59
What to say on the topic? They can just fuck
1:06:02
off, can't they? Seagulls can just fuck right
1:06:04
off. I don't know what they add to
1:06:07
our, like, our
1:06:09
food chain. I don't know how much they do
1:06:11
to kind of, I don't
1:06:13
know, just keep the balance. But
1:06:16
I can't see us missing them if
1:06:18
they were all gone. No, no. I
1:06:21
think sometimes when you go to a seaside town,
1:06:23
you kind of like, when you get off the train and you
1:06:25
hear them in the distance, there's a part of you like, oh, I'm
1:06:27
by the sea. And then within maybe 10
1:06:30
minutes, you just think, what is this fucking
1:06:33
avian klaxon going off all the time?
1:06:35
Like, you know, it's like, I
1:06:37
don't know what that... And they're just mean bastards.
1:06:40
Yeah, they are. They're birds
1:06:43
in general seem pretty...
1:06:46
Uh... They're
1:06:50
very, they're very, um... They're
1:06:53
very fucking... I
1:06:55
don't want to say evil, because evil just feels like
1:06:57
the easy grab of a word to say. But
1:07:00
they are, they're rough birds.
1:07:03
Like, they live outdoors... Well... All
1:07:08
animals live outdoors.
1:07:11
They feel like prehistoric
1:07:13
and calculated and simple,
1:07:17
like, intelligent enough. And
1:07:21
there's kind of like birds that kind of, like
1:07:23
a robin. It's like, oh, little robin. But
1:07:25
then there's seagulls and there's crows
1:07:28
and things like that, where you're like, keep an
1:07:30
eye on that.
1:07:31
Yeah. And I think like
1:07:33
a crow, at least sometimes you can sort of... They
1:07:37
seem quite intelligent, as a seagull just seems
1:07:39
just like a bastard. You
1:07:41
know, like you said, they're intelligent enough
1:07:44
to get stuff done, but not to sort of do it with any
1:07:46
dexterity. They just steal your chips, you
1:07:49
know. Yeah. Yeah, yeah, yeah, yeah, yeah. Very
1:07:52
simple-minded, seafood
1:07:54
get food.
1:07:59
same road, it was just across the road, and
1:08:02
there was a flat roof opposite us,
1:08:04
and there was like a whole
1:08:06
generations of seagulls that were born,
1:08:09
raised, and died on that rooftop. There
1:08:12
was carnage up there, there'd be wars,
1:08:14
there'd be orgies, there'd be
1:08:17
everything and anything going on on that rooftop.
1:08:19
Seagulls just getting wild up
1:08:22
there. Yeah, and I think it's weird because
1:08:24
birds are normally something we never
1:08:26
get close to. It's very rare that you
1:08:28
can get more than a few feet away from
1:08:29
a bird, but seagulls have
1:08:32
kind of crossed that boundary. They're not
1:08:34
afraid, like they're in your face, they're
1:08:36
like flying at you and doing a drive-by
1:08:39
and stealing your food and running off or
1:08:41
dive bombing at you and stuff. I
1:08:44
think that's maybe what's so unsettling. Also, they're
1:08:46
massive as well, which doesn't help. One
1:08:48
time, this is when I was at uni.
1:08:50
This is one of the weirdest things that's ever happened
1:08:52
to me, and I think about it quite a bit. We've
1:08:55
been, a
1:08:56
group of us hanging out, smoking
1:08:59
a lot of weed all day, and we
1:09:01
were heading to the pub. We were like, let's go
1:09:03
to the pub, start our evening. We
1:09:05
were walking as a group,
1:09:08
there's like six of us, and we're walking
1:09:10
down a kind of thin back passage, kind
1:09:12
of shortcut. You can kind of only
1:09:17
really walk single file
1:09:19
at a certain point, and we see a
1:09:21
group of kind of like heavy-looking
1:09:24
locals. They look a little bit tough
1:09:27
when you're in a place like that, you're a bit stoned as well.
1:09:29
You're like, oh, we're not going to have a confrontation,
1:09:31
are we? These people look like they could
1:09:34
just say something nasty or something could kick off. As
1:09:36
they get closer, I'm
1:09:39
not at the front, I'm not at the front of the pack, I'm in the
1:09:41
middle of our group. Everyone's
1:09:44
kind of moves to one side,
1:09:46
so there's a row of people coming through
1:09:48
us, like through the middle, and
1:09:50
us kind of parting as they
1:09:52
come through the middle. But there's like
1:09:55
a space at the front of this group
1:09:57
that's like really open, like there
1:09:59
should be a
1:09:59
person walking in that spot, but there's no person.
1:10:03
And as the kind of the body of people
1:10:05
move towards me, I come back,
1:10:08
I get out the way and
1:10:09
I look down and a seagull is
1:10:11
leading this group of guys. Seagull's
1:10:16
like the alpha at the front, like, oh, fucking
1:10:18
boys getting into tonight. Hey, fuck
1:10:21
off. Turned
1:10:25
to everybody, I was like, did we all
1:10:27
see the sea? There was a seagull
1:10:29
leading that group of lads. And they weren't
1:10:32
kind of relaxed enough to be like, oh, he's
1:10:35
not with us. It seemed
1:10:38
like this seagull was the leader
1:10:40
of this group of scary lads. Wow.
1:10:43
Maybe it was, I sort of believe that it's
1:10:46
the next logical step, isn't it? Yeah,
1:10:48
alpha girl. Yeah. Oh, you fucking
1:10:51
up, you fucking do it. Oi,
1:10:54
oi, oi. Just controlling the humans.
1:10:56
Use your human hands to make me some chips,
1:10:59
because that's what we eat. Yeah, exactly. Yeah,
1:11:02
he's got
1:11:02
them up here, mate.
1:11:05
Yeah, I think they're nasty
1:11:07
things. And they're just, it's not like you would
1:11:09
ever tame them. If you're on an island surrounded
1:11:11
by seagulls, you're never going to sort of reach
1:11:13
an equilibrium with them where like they suddenly
1:11:16
understand that if they're patient, you'll
1:11:18
throw them a bit of fish now and again. They're
1:11:20
just going to steal your stuff, make a lot
1:11:22
of noise. And they don't seem to sleep. But when
1:11:24
I lived in Brighton, they were 24 hour
1:11:26
birds. Like they never slept. Like you'd hear
1:11:29
them. They are 24 hour parlours. Yeah.
1:11:31
Yeah. But not in a fun way. Do you think they'd be
1:11:33
tasty? Like if you
1:11:35
caught a seagull and barbecued it? No.
1:11:37
Because I'm thinking like chicken meets fish,
1:11:40
but then fishy chicken is not an ideal
1:11:42
situation. No, no, it reminds me
1:11:44
of a Frey Bentos pie I had once. And I was like,
1:11:46
I think this, I don't know, I couldn't tell if it was like
1:11:49
chicken or tuna. It was like, and
1:11:51
that's kind of how I imagine a seagull meat would
1:11:53
taste. I used to run the social media accounts
1:11:55
for Frey Bentos. And maybe I should have tweeted
1:11:57
that.
1:11:58
Hey, it's what.
1:11:59
seagulls taste like. Do
1:12:02
you seagull bite? Yeah
1:12:05
okay well look I think it's a very fitting animal
1:12:08
to what has been a terrible island
1:12:10
Rob. I really feel
1:12:12
you on this on your choices and I think you've
1:12:14
made a superb selection
1:12:17
of people and things for your own island
1:12:19
hellscape and I just hope it hasn't been too depressing
1:12:21
for you and you know as you say you're
1:12:23
a positive person I hope that you can return
1:12:26
once more to a positive place but
1:12:29
Rob look you're in Edinburgh
1:12:29
as we speak tell us tell everyone
1:12:32
about what you've got going on. I've
1:12:34
not got a lot going on I'm I'm kind
1:12:36
of using this fringe as
1:12:39
a personal boot camp to
1:12:43
work and perform
1:12:45
on in a different way every day I'm
1:12:47
I'm last year I had a like a finished
1:12:51
and prepared show that I was really really proud of
1:12:54
and that did really really well and
1:12:56
I had a great time performing the show pretty
1:12:58
much exactly the same every single day but I'm
1:13:02
in a place with stand-up where I want to grow
1:13:05
and progress and I didn't
1:13:08
write a show this year that I had nothing to write about
1:13:10
or I didn't I just didn't feel
1:13:12
like it and so I'm doing
1:13:14
a short run this year of a kind
1:13:17
of experiment to see what I can
1:13:19
do each day with not
1:13:22
a lot of prep without a lot of
1:13:24
like written material so each
1:13:26
show I think is gonna be me doing
1:13:28
like working on a new 20 minutes
1:13:30
at the beginning like like building that
1:13:32
over the month I mean over the two weeks
1:13:35
so that's kind of like pre-written
1:13:37
jokes and
1:13:38
like that that would be something that I could do at clubs and
1:13:40
festivals or whatever and
1:13:43
then after that it's just gonna be crowd work
1:13:45
and improvise stand-up
1:13:48
and
1:13:49
trying to grow and learn and become a better
1:13:51
comedian nice cool well I
1:13:53
urge anyone who's up in Edinburgh at the minutes go
1:13:55
and check your show out because I
1:13:58
saw you relatively recently
1:13:59
absolutely loved it so yeah
1:14:02
I recommend it. Thank you Daniel. But I hope
1:14:04
it goes really well Rob and thank you
1:14:06
for coming on Desert Island X-Day mate, it's been a real pleasure.
1:14:09
Thanks for having me, it's been really really fun. I'm glad
1:14:11
to put all of this somewhere,
1:14:14
do you know what I mean? It's not good to hang
1:14:16
on to weird rage. No, no, well it's
1:14:18
safely tucked up in the podcast now for
1:14:21
lots of people to enjoy but you can forget
1:14:23
all about these awful people and things Rob. Arigato.
1:14:26
Cheers.
1:14:40
So there you go, Rob Copland there and
1:14:42
I hope you enjoyed that. I had a great
1:14:44
time doing it and yeah like I
1:14:46
say go and check him out if you get the opportunity. That's
1:14:49
one of my sort of, not New Year's resolutions
1:14:52
because it's August but my just
1:14:55
general resolutions is to get out
1:14:57
and see more comedy. I just think why wouldn't
1:14:59
you want to go and be made to
1:15:01
laugh a lot for a couple of hours.
1:15:04
I mean it's a good way to spend
1:15:06
your life isn't it? God knows we've got enough to
1:15:08
be upset about these days.
1:15:10
So that's what I'm gonna do and if I have
1:15:12
any recommendations then I shall of course
1:15:15
tell you or even better get
1:15:17
them on the podcast. If there are people
1:15:19
that you would like us to get on the show then
1:15:21
please do let us know. We're always sending
1:15:24
out emails and reaching
1:15:26
out to people to get on the podcast so
1:15:28
yeah by all means get in touch and tell us who
1:15:31
you think would be a good guest. They don't have to be comedians
1:15:33
they could be anyone at all. You
1:15:36
can email us by going to
1:15:38
dickspod.com contact
1:15:40
or you can get in touch
1:15:42
on Twitter and Instagram at Dick's
1:15:45
Pod and we will try to make your dreams
1:15:47
come true if your dreams are
1:15:49
just to have someone on the podcast. But
1:15:51
yeah we're always up for suggestions
1:15:54
so do get in touch and we'll see what we can do.
1:15:56
Desert Island Dicks has been a sync
1:15:59
clap production.
1:15:59
created and produced by James
1:16:02
Deacon. It was produced and presented
1:16:04
by me, Dan Benedictus. A
1:16:06
big shout as always to the big man
1:16:08
John Deacon. And yeah, I
1:16:11
think that's it. We'll be back with more Desert Islanderics
1:16:13
very soon. Thank you for listening. Goodbye!
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