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conscientious objector, I'm a former libertarian who
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now sits comfortably on the left. Hi,
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I'm Danielle Moody, former educator and
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recovering lobbyist. But today I'm an
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unapologetic, woke commentator on America's threats
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to democracy. And I'm producing. Search
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Sounds, music, radio, podcasts.
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Welcome to Drama of the Week. This
1:50
is the story of something that never
1:52
happened, that never was. This
1:55
is the story of something that
1:57
was made and made well. by
2:00
a workman's hands. And
2:02
this, my sweetheart, is the
2:05
same old story of Tom
2:07
O'Bedlin and his mad maudlin.
2:14
This day, 20th January 1698, was
2:18
I, John Evelyn Ghent, summoned
2:20
to the Lord Chancellor's office
2:22
on a matter of great
2:24
import. Mr.
2:28
Evelyn, please to follow me. Mr.
2:35
Evelyn, great pleasure. Thank you for
2:37
coming at such short notice. I am always happy to serve their Majesty. In
2:40
a matter of great import, yes. Please do,
2:42
sir. The
2:47
Tsar of all Russia, Peter Romanov, has
2:49
come to our city to learn the
2:51
art of shipbuilding. And
2:53
it is considered as the first order of
2:55
policy that we facilitate his wishes. Ah,
2:57
influence in the East, a growing nation.
3:00
I seem to recall relations were friendly
3:02
in the days of good Queen Bess
3:04
and Tsar Iverley. Exactly so, sir.
3:06
And his Imperial Majesty wishes to
3:08
take a house adjacent to the
3:10
royal dockyard of Greenwich. And
3:13
naturally, we thought of
3:15
your fine Says Court. No
3:18
better advertisement for the culture and beauty of
3:21
our fair land? Yes,
3:23
your Majesty would consider it a
3:25
great favour, naturally. Yes,
3:27
yes, of course. And perhaps you
3:30
would escort the Tsar? At your
3:32
service, my lord. And his Imperial
3:34
Majesty awaits at the hay market.
3:36
He will meet you there. I
3:41
have come to meet his Majesty, Tsar Peter
3:43
Romanov. This way, sir. He's
3:45
a sir. Enter. Your
3:51
Majesty. Ah! Ha!
4:00
It's a bloody red! Morning brothers.
4:02
Let the good Lord shine on you. The
4:06
new Prince arrives. Oh yes, an all-master and
4:08
a rumpock reed. I'm not of
4:11
any sort of a workshop. You know that, Abel.
4:13
Civil ton. All of his dead and mouldery men.
4:16
It's a new world now. Yeah, but it's
4:18
the same old judgement day. How
4:20
about this? But Abel, this is
4:22
my workshop. My
4:25
love, without thee I am but poor. Be gone, I'll
4:27
not see thee in all. Away into your fallatory arms.
4:31
You pity sweet, unspectless tom. Who must
4:34
I dwell in unkind shame? And shall I mourn
4:36
in sunny glades? To find my calm o' bedlam. Ten
4:39
thousand feet of my love. I am not
4:41
of any sort of a workshop. I am not of
4:43
any sort of a workshop. I am not of any sort
4:45
of a workshop. I am not of any sort of a
4:48
workshop. I am not of any sort of a
4:50
workshop. I am not of any sort of
4:53
a workshop. To find my calm o' bedlam.
4:55
Ten thousand years I travel. Mad
4:57
mornin' goes with all the
5:00
advice I say. I'll shoot from
5:02
gravel. Yet
5:04
we're listening. Funny boys, funny mad
5:06
boys. Bedlam boys are bony.
5:09
They feel so fair and they
5:12
say they're all right. Let's
5:14
not drink no money. Aaaah!
5:21
They're the ones writing the impression we made. Bonas,
5:23
see your bone eyes. God's
5:30
tis, but where do they grow you? I am Piotr,
5:33
that of Rus. In
5:35
their knees are boys. Asa
5:43
in London, by Mike Walker. Aaaah!
5:49
Aaaah! A bloody bear!
5:53
As we bear in Moscow, keep a
5:55
tight one. The bear is not a
5:57
danger. You are not a bear.
6:00
But you,
6:02
Majesty, are the tsars of...
6:05
Could we
6:07
dispense with the bear, please? He
6:09
drinks too much cladded. He'll be a sore
6:11
head in the morning. Come! We should go
6:13
to your fine house. The
6:18
tsar was massive. Say
6:21
six and a half feet tall. I was
6:23
fearful the coach would overturn. His
6:26
retinue followed in half a dozen other
6:28
coaches and cops. Six
6:30
grenadiers, two cableins, four
6:33
clockmakers. I know, I had
6:35
no idea why he needed four. Competitors,
6:37
servants, an orthodox priest,
6:40
and... And
6:43
then we were off. Yes,
6:51
I like. We have these in
6:53
the roost. Holly, sir. Yeah.
6:56
There are trees, bushes. But
6:59
never have I seen such a holy hedge. You
7:02
are gardeners. I do love it,
7:04
sir. I'm writing a discourse on
7:06
salads, lettuce and other leaves at
7:08
the moment. Leaves? As food. Eret
7:11
leaves. Men eat meat. What
7:14
is this, Sir Eadwin? A
7:16
wheelbarrow, which is used to
7:18
move garden rubbish or soil
7:21
or... Sir Eadwin! Eadwin!
7:24
Eadwin! I
7:28
knew at that moment this was only ever going to
7:30
get worse. However, at
7:32
least he'd be spending time in
7:35
the shipyards. You
7:37
are Master Shipwright Benjamin, favourite of
7:39
the Lord? You'd be the
7:42
Tsar of Roos, then. Excuse
7:45
my surprise. And you
7:47
can call me Ben. What
7:49
do I call you? I don't go much for titles.
7:52
I am Pyotr and I am here
7:54
to learn. And what do you wish
7:56
to learn? Shipbuilding, Master Ben. To make
7:58
navy for you. for my country. Ships
8:01
to trade and carry word of roost,
8:04
the whole world round. A fleet's
8:06
a tall order, but if you're content to
8:08
start with one ship, and
8:11
if you can work hard. I can
8:13
work. Well then, let's get to it. In
8:16
front of you, you'll see some tools. Compass,
8:19
what's your line? Dutch
8:22
ruler, tongue for ship laning,
8:24
one and a half foot. Gouge,
8:27
Dutch ad. Oh,
8:29
claw hammer. Looking
8:32
out over the royal docks, I wished
8:34
the Russian giant well, whilst fearing
8:37
the worst for my beloved house and
8:39
garden. But the
8:41
real story of Sir Peter in
8:44
London is not about
8:46
Goodman Benjamin or anxious man Evelyn.
8:49
It is about Mrs. Letitia Cross,
8:52
actress, and, well, she
8:54
was a rising star of the
8:57
London stage, appearing in Mad Maudlin
8:59
and her tomb the night
9:01
I took the star. God,
9:04
Stig, but where do they grow you? You're
9:07
fine actress, madam, and I
9:09
am Piotr, star of roost.
9:11
I'd say you're the star of Gammon walking in like that.
9:14
You're pretty woman. Oh, and don't get
9:16
the idea you're visiting Mrs. Laycock. I
9:18
am rich. Yeah, not sure what was sovereign
9:20
or to myself. But you are an
9:22
actress and I am a rich man. Do
9:25
you understand these things in England? Well,
9:28
I don't know. Well, you got the
9:30
idea you could walk into a respectable dressing
9:32
room and- A respectable actress?
9:35
I've been in France, madam. But
9:38
perhaps you make joke. What
9:41
do you want? To make love. Oh. The
9:46
door's that way. Go see the corporal of four. Hook
9:48
it, Cully. Friend Evelyn. Oh,
9:51
if you've already got a friend, you don't need me. Uh,
9:53
Mrs. Cross, I'm not supposed to- Tell this
9:55
actress. I will pay 100 gold guineas for
9:58
the pleasure of her bed tonight. Oh
10:01
God, um, that Mrs Cross, His
10:03
Majesty! I heard! Tell this
10:05
star I will have him arrested by
10:07
the Watts for creating my dressing room
10:09
like a punch house. And for you,
10:11
Mr... Mr Evil, in whoever you are,
10:13
do I look like a green goose?
10:15
Enough! I demand to be
10:17
obeyed! Oh God... I demand you put my
10:19
chair down! This is worse than a night
10:21
out with peeps! AAAAAAAAH! You
10:26
will pay for that! The
10:34
Keel Pizza is like a man's
10:36
spine. Everything hangs
10:38
off it. You see, the ship
10:40
lives, or founders... Founders? I do
10:43
not know this word. Sales or sinks.
10:46
And it depends on the keel. What
10:48
would this meet from? Elm. Here.
10:50
It gives us the length we need.
10:53
Six, seven-under-ton vessel. You'll see four
10:55
lengths, scarred end on end. The
10:58
scarf, secured with one-inch bolts, trams,
11:01
sideways. See, the keel
11:03
is thicker here. Yeah, midships, yes.
11:05
English style. 16-inch square, going down, you
11:07
see, to 10 inches, where the stern
11:10
post will rise, and then the bow...
11:12
Curve, like leg of Fritidant! Don't know
11:14
about that, but yes, a curve rising
11:17
at a lower strut. So, forehead there,
11:19
a level here, so the butt can
11:21
fit in the gride. Peter, are you
11:23
with me? It's not
11:26
good morning for me. I am...
11:29
I am sad, Frim Ben. Well, I say
11:31
hard work is the best cure for sadness.
11:34
That's true. When I was boy,
11:36
my aunt wanted to kill me, and I remember
11:38
taking a clock apart and putting it back together.
11:41
I wanted to know how it worked, and
11:44
it was clean somehow. It
11:47
made sense, like mathematics. Not like
11:49
murder, or the heart of women.
11:51
God has the key to hearts.
11:53
Prayer is always the answer, Peter.
11:55
Now, we work. Look here, on
11:57
your knees. Heading!
12:00
Under the keel is a false keel
12:02
to protect it, like God's
12:04
good grace to mankind. Next,
12:07
we look at the stern, and here we have
12:09
oak to cut for the stern post, so take
12:11
a handsaw, and get to
12:13
it. You speak well, friend
12:15
Ben. The best thing is to do something.
12:19
Always do. And
12:24
the great Saha was as good as
12:27
his word, for a few nights later,
12:29
as the theatres emptied, and the anglers
12:31
snared loose wallets, and the dips dipped
12:33
on weary packets. Let's do
12:35
this daily! If you want to take
12:37
us and buy me a challenge! A
12:41
challenge? A challenge? A
12:43
challenge? A challenge? A
12:45
challenge? A challenge? A challenge?
12:48
A challenge? A challenge? Oh my
12:50
God! I give
12:52
you my word, Mrs. Cross. But I
12:55
will act only as a star should, with
12:57
honour. Honor's cheap in England
12:59
now. And my apologies. I lay before
13:01
you like my coat. Won't
13:03
you be chilly without it? In Rus, I
13:06
hunt all night for wolves naked on the
13:08
ice. I'd like to see that. Did you
13:10
shoot the wolves? No, simply
13:12
froze in the personal part. And
13:14
I have a gift for you.
13:16
What gift? I made a chair
13:18
for you. Well, I'll
13:21
be a bornless blower, so you have.
13:24
Squirre away then, may you? Come in
13:26
aboard. Good
13:29
people, I am on for a
13:31
ride with this celebrated giant of
13:33
Russia. If I am back by morning,
13:35
send out the Copacob Sisters and drag
13:37
me on. Come on! See,
13:41
I made for you. You
13:48
made this? For
13:50
the one I broke. But, listen. Well,
13:53
it's very fine, thank you. Am
13:56
I supposed to call you Your Majesty or your huge-ness?
13:58
My name is Sir. My name is Pyotr. Then
14:01
Peter it is. And you
14:03
really are the king of Russia. It
14:05
is the truth. But in
14:08
Russia, the truth changes from one day to
14:10
the next. So who knows
14:12
tomorrow? And why are you here, Peter? To
14:15
learn. To know how to build a
14:17
great navy to defeat my enemies. And
14:19
who are they? Old Rus,
14:21
the past, the way things were.
14:25
I want to make a new country. I
14:28
just spent four Englishmen here to make a new country not
14:30
so long ago. And the game was... Beheaded!
14:33
I know. In Rus,
14:35
they tried to kill me. You
14:37
look like a hard man to kill, Peter. Not when
14:39
I was ten years old. Tell me.
14:41
It is old story. Tell me.
14:44
Please. My aunt
14:46
wanted to rule after the old tsar
14:48
died. And I was in
14:51
the way. She sent her
14:53
soldiers, her siltsie, to kill us. I
14:56
hid in a chimney like an imp. Family,
14:59
friends, teachers, all dead. And
15:02
I swore to myself that when I
15:04
grew and became tsar, I
15:06
would change everything. Make
15:09
a new Russia. I
15:13
offer my apologies. I did
15:15
not mean to speak of such matters, Mrs.
15:17
Letitia. Let us
15:19
talk of other things. Do you have
15:21
fear in Russia? Clowns we have. And
15:23
folk tales and one
15:26
who makes jokes. Comedians, censors.
15:30
But not women on stage. Not stories. Not
15:33
women on stages so long ago, hardly forty
15:35
years. And your theatre? How
15:37
does it go? Oh. Our
15:41
plays are all about love. Go on,
15:44
meats boy. Go on, boys, fall in love.
15:47
Go, losers boy. Go, fines
15:49
boy. Go on, boys, get married.
15:51
And get disappointed and very, very
15:54
boring. But don't do that last
15:56
part. The right is mostly. Oh,
15:59
and you can put cake. kingdoms, orchards, money, revenge, reputation
16:01
and place of love if you like,
16:03
still the same old story. And
16:06
the people? You saw them tonight outside
16:08
the theatre. They love it. Another
16:10
life. A magic box three hours
16:13
away from it all. A holiday
16:15
and they love us. The actors?
16:18
They can read about us in the gazette and then
16:20
they can see us larger than life. Just
16:22
like you. Larger than
16:24
life. We talk together
16:26
well when we don't get angry. When
16:30
we listen. And we don't break the
16:32
furniture. And now,
16:35
good night and farewell sweet prince. Wait!
16:39
You may bring me the chair at my next at
16:41
home. Mrs. Leticia! We have a lot of
16:44
time for you. We are going to
16:46
be here for you. We are going
16:48
to be here for you. No worries. We
16:50
are not going to be
16:52
here at home. We are going to be here
16:54
for you. We are going to
16:56
be here for you. We are going to
16:58
be here for you. We are going to be here for you. Home
17:01
is another country, baris. Here
17:03
we are in the land of Gdipsona
17:06
Barot. I
17:11
had not seen his imperial majesty
17:13
for a blessed few weeks, but
17:15
has host. No. But
17:19
of fear of what might be happening
17:21
to my beloved Says Court in the
17:23
salad garden. I paid
17:25
an early morning visit. May
17:29
this know never in
17:31
your bones. Oh,
17:37
yes! Oh,
17:39
merciful God! What are you
17:41
doing? Ah, friend Evelyn.
17:43
You see, I am making a new door for
17:45
your fine house. Ah! Why,
17:50
majesty, why? To go faster
17:52
to work, friend. I sleep,
17:54
I wake, I walk, I work. I'll
17:57
have no warning, my grenadiers, who clear the mess
17:59
and use. Sir Evelyn, find
18:01
your doorway! Ah! Oh
18:03
no, no, no, do not thank me, it is my pleasure.
18:06
Now, I must go and
18:09
study the future. Sir, the future I am
18:11
building for my country, my
18:13
empire. The
18:17
stairs, the ceilings, the very glass
18:19
in the windows, God give me
18:21
strength! Did ever a nation
18:23
owe a man more? So,
18:29
we have Markhamoth Peter,
18:31
the transom's here, deck,
18:34
wind, helm, ugh!
18:36
You have a pain, Master Beth? Yes,
18:39
no accounting. Helm, port,
18:41
transom, buttocks, rabbits
18:43
and wing, note
18:46
the knees, ugh! Tell me, Beth,
18:48
what ill be? I
18:50
cannot lie, Peter, the devil is afflicting
18:53
my tooth with great pain. Then you
18:55
can rejoice! I do, it will prepare
18:57
me for too much comfort, I
18:59
am sinful. No, no, you can
19:01
rejoice because you have Piotr Alexeyevich
19:03
this morning, who will teach the
19:06
teacher! Wait, but
19:08
a moment! And
19:12
it is simply unreasonable, sir, to
19:14
expect me to suffer this barbarity,
19:18
a hole in the walls. I understand,
19:20
Mr. Evelyn, indeed, I do. And by
19:22
garden, fire pits dug all over
19:24
it, oxen roasted, they
19:27
beat each other with twigs, even the saw.
19:29
Even he. Sit,
19:33
Master Beth, and
19:36
open the mouth. Oh, Lord
19:38
have mercy! What torture is this?
19:40
No torture but mercy. I explain
19:43
this terribly, you wench! Of
19:46
my own fashioning, Ben. My
19:48
courtiers, when they had toothpaste, I
19:50
am the master of teeth. For
19:53
pay sake, someone! I have
19:55
no fear! Their
19:58
Majesty's Government, regardless. this
20:00
relationship as of the utmost importance.
20:02
I understand the new power is
20:04
growing in Europe, and the
20:06
whole balance of nations will change. This
20:09
man is a modernizer. It's
20:11
more, he has no religious affiliations
20:14
with the Catholic powers. We need
20:16
to be his friend, Mr. Evelyn,
20:19
and you are the handheld-out in
20:21
friendship. But as Master Benjamin might
20:23
say, Proverbs 12, 26, the
20:26
righteous choose their friends with care for
20:29
the way of the false friend leads
20:31
them to despair. I think you may
20:33
trust the government, Mr. Evelyn, to
20:36
know what is best for this nation. What
20:39
pain saves any
20:42
pain? Now
20:46
swill the mouth with red wine
20:48
of Moscow. Is
20:50
it medicine? It is the best medicine. How
20:55
is the mouth now, Ben? No
20:57
pain. He's
21:00
gone. Oh, my good Lord, please,
21:02
do you have a rare talent here, my son? The glory
21:04
of God. More red wine? I'm sure
21:06
the friends will approve of our own spirits.
21:09
It is the medicine of Ruth! Now,
21:14
shall we get to near and fatek? Jesse,
21:23
Jesse! Wake up! Wake up! What's
21:26
the thing? Why is it gone? Oh, they'll
21:28
put some soldiers outside and
21:30
a giant wercing and jacking the beanstalk. What
21:33
on earth? Are
21:42
you going to go to the place where they... where they've
21:44
been holding it? Greetings of
21:46
the day, Mr. Latisha!
21:50
Flowers from common garden. You have to bring
21:52
them all. On my knees. I
21:56
offer a tribute to a great actress! Get
21:58
off my island, son of a... By
22:00
the way, tell him to take the flowers.
22:03
You best come in. Now
22:07
sit down and I'll make us some chocolate.
22:09
Lucy, put the cowl on. I think your
22:11
servant fainted. At least you've made
22:13
up fire. I
22:15
have gift for you. One flower. The
22:18
best of all flowers is you are the
22:21
best of all women. Here,
22:24
drink your chocolate. I have
22:26
700 dreams and they are all
22:28
about you. Mmm, chocolate
22:31
is good, but I am
22:33
sad. You are cruel. My
22:36
mother taught me to be careful of men
22:38
and bears and it strikes me, you is
22:40
both. Like bear,
22:43
I have big heart and it
22:45
belongs to Odisha. What are
22:47
you, Peter Romanov? In love
22:49
since I heard you singing your song. Well,
22:51
they do say love is a mighty power. Love
22:54
is greater than all my empire and
22:56
all my armies. You
22:58
know, when you're a bit quieter, you're not so bad. Sometimes
23:01
all I want is a little house,
23:04
a little kitchen, a little Mrs. Leticia.
23:07
My friends call me Letty. Letty.
23:11
Peter, now you
23:14
must go. I have lines to learn and poor
23:16
Lucy to rescue. I can come back. Yes,
23:18
yes, come back quietly. The theater's
23:20
dark this Wednesday, come then. I will bring the
23:22
chair. And you know what this
23:24
is? A brush. That's
23:27
right. And now I sweep you
23:29
out of the door. Oh, that's right. Oh,
23:33
that's right. Good.
23:41
Now, at this stage, Peter, we
23:43
attend to the ports, but to expatics and
23:45
top timbers for our cannon. Most shipwrights advise
23:48
not cutting the top timbers, for it'll set
23:50
up a weakness. You
23:53
attending to me, Peter? Ah, I
23:56
confess, Master Ben. My mind flies away
23:58
to Mrs. Leticia. Cross
24:00
the actress who got says i
24:02
agree with all the immorality in
24:05
front of on his but you're
24:07
a happy man intense. The otherwise
24:10
children known as Been Good Trust
24:12
says. Oh do
24:14
I charm this woman in some
24:17
hospital bed see troubled by the
24:19
demon of lust brother. Moves
24:23
I command for the team and
24:25
does not listening. Castile devil out
24:27
and think on the would we
24:29
use it jumps. You'll come on
24:31
Tuesday night. you can just so.
24:34
Work with the would find out what
24:37
hide within as this thing when one
24:39
is already in the room. With
24:42
him as a specific. Say
24:46
hello to his gifts Seek
24:48
and ye will fund has
24:51
I've seen and as I
24:53
was saying it's no surprise.
24:55
advise.com itself Service fertile Sabha
24:57
with. My
25:01
homies he had long been
25:04
the turban and Russian dame
25:06
said seems a place that
25:08
some trivial matters and the
25:10
loser was to sit naked
25:12
in a wheelbarrow. My full
25:14
Byron's was being held through
25:16
the hinge with science. At
25:24
the heart of every love Jesus Agree
25:27
with. What
25:29
it is a recover who knew but
25:31
I see is the worst. To
25:35
be saved by the great
25:37
saws great passion for Mrs
25:39
Cross. As time passed all
25:41
his attention say sense given
25:43
to be studies with Must
25:45
Benjamin saved by the Lord
25:48
was turned upon one aim
25:50
only and as her next.
25:52
At Home. And is it true
25:54
that the jeweler say upon King
25:56
Lear that. You. have been
25:58
listening to Sir
26:00
John, I'm just with Mrs. Cross. I
26:04
had it on good authority that
26:07
you are Cordelia, in kingly a
26:09
reimagined for the modern tale. Then
26:11
I cannot deny it, my lord. I hope
26:13
you will favour us with your patronage. Puff
26:16
of court. English
26:18
gentlemen, the tsar requires you
26:20
go. But Majesty! In
26:23
street my servants have gold to give away to gentlemen.
26:25
I advise you go now before I help you on
26:27
your way through Mrs. Cross's windows. Your Majesty. Sir
26:30
Cross, your Majesty. You
26:32
have no right. This is my house. And still
26:34
they go. They are my audience. And still they
26:36
go. You
26:38
dare to stand here in my withdrawing room and to...
26:42
Not stand, Mrs. Letty. I
26:44
kneel, a humble man before you. I have
26:46
a gift. What is your
26:49
gift? In ruse, in the
26:51
old way of marriage, the bride's father leads her
26:53
to the altar and takes a knout. Knout? For
26:56
a beating. He beats his daughter. Then
26:58
he gives the knout to the husband. Because now
27:01
it is his job to beat his wife. I
27:03
know a few whites over here wouldn't say no to
27:05
that. For you, I will change
27:07
this. No more knout. For all
27:09
time. Truly? On
27:12
throne of ruse, on my knees. This
27:16
you I, Pyotr Romanov, swear.
27:19
Look in my eyes. Well,
27:24
for once I can see eye to eye with you, Peter.
27:28
And yes, you mean what you say. Now look again. I
27:33
say Pyotr loves
27:35
Mrs. Letty's across. So
27:38
what do you say now? I
27:42
say you'd best get to it. It
27:52
was an early spring that year,
27:54
and Peter and hisletitia spent sweet
27:57
hours together whenever opportunity offered. Oh,
28:00
we can sit here. I have a blanket. And
28:02
I have a picnic basket. Why
28:06
picnic? Oh, it's a
28:08
breeze. I don't know why. There
28:10
must be a reason for everything. We
28:13
can understand that, but unreasoned. The
28:17
toll of Ruth is in constant battle
28:19
between reason and unreasoned. We
28:22
stand before a door to death
28:24
and destruction for a
28:26
city, a new Rome on the
28:28
Baltic Sea. What
28:31
are the bells? Calling the
28:33
people to church. Is
28:35
he a kind God? Your English
28:38
God? Mostly, I think. He
28:40
don't ask too much if they treat him with
28:42
respect. For us, Christ is
28:44
painted on the ceiling of the church and
28:46
his terrible eyes look down on sinful man.
28:49
Nothing escapes the eye of God. No
28:52
sin too small. No secret
28:54
from him. But
28:57
here, Lamb of God. I
29:01
get... No, no,
29:03
you can't! Oh,
29:06
no, no! I
29:10
give to Letty. Oh,
29:13
oh, come back to mama. The
29:19
author is the little father
29:21
of old Ruth. Letty,
29:23
the little mother of all
29:25
England. Hmm. Here.
29:31
Wine. Drink, my dear. Yes,
29:36
it is good to be my dear. Stop
29:39
me if I was matey. Leave some for us. Or
29:42
not. Yes!
29:47
Sing, little mother. Sing
29:49
to Piotr. Yes. Graham.
30:06
Who are you going
30:09
on? Besides
30:22
his brother even Sergio Ramos
30:24
avenger it's houses are friend
30:27
was a shrewd oneself as
30:29
more than and you say
30:31
and you say enough good
30:33
workman's oh those intensive so.
30:36
Clever man might learn more than a little
30:39
about the English fleet is he kept his
30:41
eyes and ears open hand would for said.
30:44
No food or is businesses
30:46
shipbuilding only So he says
30:49
he respects the craft, loves
30:51
it. Does he
30:53
talk about the moment? Cross if
30:55
does for the reason I choose
30:58
not to listen and us what
31:00
he wants Really wants a I
31:02
on something of great value. I
31:05
might cheaper under a bushel basket.
31:07
Both is ah thanks. Monday is
31:09
Friday and so is. And
31:12
when he looks about him and I
31:15
think he say and are three tenths
31:17
and what and buys a say in
31:19
empires or for Daniel eleven to seven
31:22
same. For the sons of
31:24
the King of the know, Throughput
31:26
athletes and armies as I slugged
31:28
over the land. I
31:31
like a truly to. Bar
31:34
fucking have to. underworld. This
31:43
is where you work
31:45
so raise. This is
31:48
my license before I go into
31:50
the green that decides that the
31:52
popcorn. Out is there are to steer.
31:54
Wasn't a mark on the floor. To
31:57
tell us when means that he says
31:59
something into. each other. Bumping
32:03
is good. Up
32:05
there, flies. Flies? Everything
32:07
lowered onto the stage has flown in. Uh,
32:10
Jerry, can you drop Beechey
32:13
head? Ah, big
32:18
cliff. Like real. For the
32:21
next production, King Lear. Yeah, plays about
32:23
the king. An old king, an old
32:25
story. Not so much the modern taste,
32:27
so we've made some changes. In the rules, we
32:29
would not put a king on show. Well,
32:31
we wouldn't put the present king and queen on stage,
32:33
that's for sure. But one day, you
32:36
know, everything is changing.
32:39
And when I have my own theatre company, I'm going to... One
32:43
day. Thank you, Jerry. It
32:49
is my ambition to run my
32:51
own company and my own house. When
32:53
we go back, I will build you a
32:55
theatre at the centre of my city on the Nivah. It
32:58
will be pure city and wetties.
33:03
Is that thunder? It's only props
33:05
for Iacin. It's thunderbolt for King Lear.
33:08
You can't direct that hurricane of the
33:11
spout. Is it a bad omen? It
33:13
will be splendid. Now,
33:17
are you hungry? Always
33:19
hungry for food and for
33:21
a lotion. Then my dressing
33:23
room awaits. And this time,
33:26
you shall be welcome. Never.
33:37
Never. Never.
33:42
But to desire a thing is to
33:44
lose it. Whoa,
33:46
is lost, Lear, son's
33:49
kingdom, son's sense,
33:52
son's cordelia.
34:00
Not the law so green
34:02
hair balls I thought for
34:04
sure and forty thousand maybe
34:06
not the couldn't see. The
34:08
up and clean. Proper.
34:30
Neither could feel his tone. new
34:32
least he's of happiness could persuade
34:35
this critics have to with similar
34:37
reviving this relic to. Pass.
34:41
Business. A.
34:45
Popular cause kidney themselves and their
34:47
public that are in a movie
34:49
success. Stories. To.
34:53
Tell me Mrs Was could do better. Severe
34:55
was I next semester which leads eaves all
34:57
Mrs I. Wake
35:01
Up. Wake Up. So
35:04
many. Am overweight. The
35:08
bank says say that isn't so.
35:10
I'll and my God. Security Intelligences.
35:13
Wish you could it or hate them. Sort
35:15
of the bed immanence. Never
35:18
never Never Never. Opinion
35:20
Editors newspapers as dangerous things
35:23
to me thinks of. Now.
35:25
For he wanted to make your country mooted. Of
35:28
flowers. Silva's laws must be
35:30
so. Well. Maybe
35:32
it was a bad and in. Movie.
35:35
Spoofs has to do with insulting. Had
35:38
to trace rules is what that's
35:40
our says. We're. To King said
35:42
that didn't Then well as miss are evil
35:44
and. He was a week
35:46
seeing a week. King is noting.
35:49
Know. Was a boy face the stoop?
35:51
food? Two. Hundred men who
35:54
wanted my blood. When I was a
35:56
girl as I see wanted let's is randy fast as
35:58
you want a mom made in it. Oh
36:00
man, one that. I can
36:02
name a season many don't are not own
36:05
the fair either. Newton be different
36:07
when you come from loose with brothers. But
36:10
he a name. Of Dispatches.
36:13
The. Still feel big trouble again.
36:16
They are the bus I am tomorrow.
36:18
I must go back and several them. And
36:21
make you princess of my new
36:23
city! Of
36:26
the a dozen princess is on the
36:28
site, I don't want that p I
36:30
want my own say are here in
36:33
London Amount company A Male writers. And. I
36:35
want to be sort of always be
36:37
a bite of Sweden, a stolen of
36:39
sacred Russian lands. Now I will take
36:42
it all back Marvel. Who
36:44
a little mother's know? I
36:46
am. Let's is across Access and that's
36:48
the series is it? To the Sars
36:50
there is no proof of it, only
36:52
has will. Lose his many
36:55
nations are hundred voices. It is my
36:57
destiny to be one voice over all.
36:59
Philby. And the join a Musketeer can piano don't
37:01
like that tie in a like a Different Man.
37:03
With do so liberties, the God
37:05
who looks down, who judges and
37:07
punishes is my goal would and
37:09
I am his chosen. What
37:12
was set apart will be made whole by
37:14
my hand as long as I live. For
37:17
or you do when you say that. First
37:19
that would settle disputes. Food
37:21
once and for always and
37:23
what is happening Filled with
37:25
smoke. From to the people.
37:28
So what you've learned the lesson. The
37:30
past. Isn't dead. I
37:33
am the future. And that
37:35
is a waterfront. Know Still
37:37
right. Right is what I say. thrive as
37:39
wrong. The ban has seven dream for they
37:41
are all of blood and bone and meat
37:44
and bone. And only the
37:46
best that that is one this
37:48
sacred and inviolable. And
37:50
you are a month so. No.
37:53
I am that side and I
37:55
am not. I will go you
37:58
will com know. I will know. I
38:00
offered you the world! Let me
38:02
go, Pia! You belong to me, LaTisha Croft! You
38:06
think they will not give you to me if
38:08
I demand? I am
38:10
sad. You are nothing. And
38:12
this is a knife against your
38:15
heart. I have been sticking big bastards
38:17
since I was 12 years
38:19
old and my God, I'll stick you too.
38:21
So, no! You
38:26
are nothing. I
38:28
look and I see nothing there. When
38:32
we first met, you said
38:34
you'd pay 100-bill giddy for the pleasure
38:37
of my bed. Well, you have
38:39
had a lot of bed and a lot of pleasure.
38:41
Shall we say a thousand? Nothing.
38:44
You are nothing.
38:52
The same old story. We've
38:58
done a fine job there, so we are, Peter. It's
39:01
the foundation of a good ship. Remember to trust the
39:03
wood, trust the feeling, and
39:05
trust these, Peter. Fine
39:11
chisels. Keep an edge on
39:13
them and I'll never let you down. Benjamin, favorite of
39:16
the Lord, you are a good man and a true master. I
39:19
kneel and kiss your feet. A
39:21
handshake would have done it. A
39:23
diamond among men and I give you a diamond to remember. God
39:29
keep thee well. At
39:35
last they were leaving. Hardly
39:37
three months had gone, but it's even. And
39:41
Evelyn, I give you back your fine
39:43
house and your fine garden. Thank
39:45
you. I wanted to make you
39:47
a present of one of my wheelbarrows. I
39:51
Believe we have your own Holly over there in
39:53
Russia. Have
40:00
you like my bad publicity got?
40:02
No. I mean. I
40:05
hope relations between Russia and England
40:07
will be always cordial and of
40:09
so they will be. You have
40:12
you gotten? I have my. We
40:15
can send each other. Let's isn't beams
40:17
and a seeds of men. Flowers Do
40:19
Not come walking in my garden and
40:22
I will not go walking yours after
40:24
all. Thirty One Look at the size
40:26
of your boss and look at a
40:28
size of mine. Is
40:31
now we are just. Wrong
40:39
again money is hop Madam Lang
40:42
was do not deny the signal
40:44
wire his law. That's
40:47
Not a cell phone
40:49
and ah, Ah
40:52
Mrs cause of words if I may.
41:00
Read. Half
41:04
of that mysteries in his life
41:06
bottles from their. Ah, How
41:09
does it go? Sadly, I say how
41:11
old is the thermal Modern lox?
41:13
mood jugs, Court. I.
41:17
Was charged to deliver this
41:19
purse or mutual friend. See.
41:24
That I told him a thousand. Short,
41:26
as soon as he beat you,
41:29
hoped for more. I
41:31
have to take care of. My beloved house has
41:33
virtually a ruined, you know? He'll be of
41:35
room when I dragged him through the courts.
41:37
You must I Some greens. It's hard lawyers
41:39
misread Lin looking to sue the sort of
41:41
must be why know. Why? Bless
41:44
you Mrs. Gross because nothing will come of.
41:46
It. So hear my voice still no,
41:48
I'm angry And and and he'll he'll
41:50
know is the highest Badly. Really?
41:53
Honestly truly. I
41:56
many years older than you ma'am I
41:58
have seen a. And
42:01
a dictator Die. A cruel
42:03
or of brother against brother. I
42:06
have seen a city burn. I've
42:09
known a great place to send
42:11
on the nation and all this
42:13
I have recorded. Of
42:16
the saw I will record nothing.
42:18
This. Is visit to us be as if
42:21
it never happened. If.
42:23
Nobody tells the story. That
42:25
is a story. And.
42:27
Peter and his allies. Of
42:30
lack of cc believes everybody
42:32
says. I want now. I'll
42:35
try to get my house in order to grow
42:37
lettuces. You. Can.
42:39
Slay closes and it won't be long.
42:41
Is that The map? Maudlin As a
42:44
self I hit send you a ticket
42:46
Mr. Evening. Goodbye.
42:49
Goodbye. Mrs. Cross. So
42:55
people went home and Bill is
42:57
navy and for his. Great Northern
42:59
War and one it. And
43:02
made Russia, baker and morton and reform
43:04
the marriage ceremony just like he promised
43:06
and made the bullies caught that the
43:08
it's wilsonville he say he by the
43:10
sea and this and than the other
43:12
and. Anatomists or school
43:15
to marry Hamilton a lethal betrayed him
43:17
fully trust several in why and had
43:19
her head cut off and picked up
43:21
against the cool and next, your own
43:23
head. Supplies. Or
43:26
maybe the phone. Dunno dentistry to
43:28
and then he he threw it
43:30
away. It was nothing to him.
43:34
I reckon I was there a lot of us. are you? May
43:38
never paid off either. Cheap bastard.
43:41
To. Ten
43:45
thousand years I travel.
43:49
Mad Mode lane goes
43:51
without. Saying.
43:56
That will I see funny voice
43:58
on a man. Boys, bedlam,
44:01
boys are bony They
44:04
still go bare and
44:06
they feel you In
44:24
Azhar in London, Peter the
44:26
Great was played by Greg Kolpakci John
44:29
Evelyn by Michael Burtonshaw Ben
44:32
John Lightbody and Letitia
44:34
Cross by Sienna Kelly The
44:37
Foreign Secretary was Josh Bryant Jones
44:40
Lucy was Kitio Sonneville and
44:42
other parts were played by members of the cast
44:46
Musical Accompliment was by Peter Ringrose
44:50
Azhar in London was written by Mike
44:52
Walker from an idea by Michael Crick
44:55
The director was Sasha Yevtashenko
44:59
It was a BBC audio production for
45:01
Radio 4 Hello,
45:10
I'm Greg Jenner, I'm the host of You're Dead To
45:12
Me on BBC Sounds We are the comedy show that
45:14
takes history seriously And we are
45:16
back for a seventh series where, as ever,
45:18
I'm joined by brilliant comedians and historians to
45:21
discuss global history And we're doing Catherine the
45:23
Great of Russia with David Mitchell The History
45:25
of Kung Fu with Phil Wang We're doing
45:27
the Bloomsbury Group for our 100th episode with
45:29
Susie Ruffell And we're finishing with a Mozart
45:31
Spectacular with the BBC Concert Orchestra So
45:33
that's Series 7 of You're Dead To Me plus our back
45:36
catalogue Listen and subscribe on BBC
45:48
You Don't Me, the complete musical,
45:50
is an original drama from the BBC
45:52
telling the story of two young strangers
45:54
who meet online and fall in love
45:57
during the coronavirus pandemic It's
46:00
narrated by me, Stephen Fry,
46:02
with music from the BBC
46:04
Philharmonic Orchestra and the best
46:06
London's prize-winning West End singers.
46:09
Search for u.me, the complete musical,
46:11
wherever you get your BBC podcasts.
46:14
That's the letter U, followed by a full
46:16
stop for a period, then the letters M
46:19
and E.
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