0:00

Gang. Forgive me for the way I'm

0:02

dressed. I know we're recording to Zach. You look

0:04

spiffy, Joel. You look wonderful. Daniel,

0:07

you are a lifesaver and

0:10

you look great. You look healthy. You look like you're having

0:12

a lot of fun in New York. With your blurred

0:15

background.

0:16

We're doing okay.

0:17

I have been in my

0:19

animation studio for three days.

0:22

The wife has not seen me. I've

0:24

been I haven't showered. Really. I

0:28

had my buddy elder Son come

0:31

from He's worked in many studios

0:33

before, and he's come to the crib and

0:36

he's officially hung lights for me.

0:38

My animation. We finished

0:41

at We were supposed to record

0:43

it one point thirty. We finished at

0:45

one twenty nine, and I gathered

0:47

everything and ran up at been this motherfucker

0:50

and I I was late. But hey, I'm

0:52

gonna tell you something right now. You ain't never gonna

0:55

see like. Look, I've learned so much in

0:57

the past three days about lighting, which

0:59

is something Zach, I know you know

1:01

a little bit about I

1:03

don't know if you know anything about it, Dan l I don't know

1:05

if you know anything about it, Joelle, but it

1:08

means so much to.

1:11

You.

1:11

Know, creating something and

1:16

or it just looks flat and depth

1:18

of field and all of that stuff. All of these things

1:20

fall into play, and it's

1:22

been an awesome experience. And thank

1:25

you for letting me share that. I

1:27

can see how excited you. We're glad that

1:29

my wife said that shit too. She was like, I can see how

1:31

excited you are. I walked by and you sounded

1:33

like a little fucking geek.

1:38

Well, not everyone has a passion that

1:40

they love as much as you love stop motion animation.

1:43

So I think we're all very happy for you. Thank

1:45

you very much, even if it makes you fifteen

1:47

minutes late with no idea.

1:50

I deserve it. I deserve it.

1:52

The audience is lucky that we're not going to give them

1:55

the full Sarah Chalk experience. We're

1:57

going to cut out the fifteen minutes you just needed

1:59

to help set stop recording.

2:01

Thank you.

2:05

Tell me about it. What have you been doing.

2:07

I've been directing the TV show Shrinking, and

2:11

it's really fun and great.

2:13

I really loved it. The episodes are so I

2:15

directed episodes three and four this year and

2:18

I'm done. I'm gonna start editing next week. And I

2:20

had so much fun.

2:22

Tony Harrison's board anecdotes or anything.

2:24

I'll tell you his story. You'll laugh at that. I he's

2:27

he really likes me, and he's very nice

2:29

to me, and we get along. This

2:31

time, I bonded with him more and he

2:34

it's I still get giddy when he says my

2:36

name, which is just funny because just

2:40

Zach went. But when he calls across the set

2:42

and he has a question.

2:43

He's like Zach.

2:44

I'm like, oh my god, he says my name. But

2:48

I'll tell you a funny story. I was wearing these really loud

2:51

Gucci shoes sneakers that I had

2:53

bought in Vegas after I lost in Blackjack.

2:56

I was with Bill and I got crushed in Blackjack,

2:58

and I was like, feeling like such

3:00

a loser. I was like, I'm gonna go buy stupid expensive

3:03

sneakers. And I went and bought these

3:05

very loud Gucci sneakers because I do

3:07

I don't really dress I don't dress flashy

3:10

at all. I wear just pretty much the same three things every

3:12

day. But I do like loud, fucking weird

3:14

sneakers anyway. So I'm wearing these

3:16

on set and Harrison goes, what's the story

3:18

with these sneakers,

3:22

and I go, I was actually in Vegas with Bill

3:24

and he won like all this money in blackjack

3:26

and I got crushed and I was like bummed

3:29

out. So I went and bought these at the Gucci

3:31

store and he goes and those cheered

3:33

you up.

3:40

He's

3:45

real Harrison.

3:46

Yeah, Harrison didn't understand. I'm

3:48

sure Harrison understands retail therapy.

3:50

He just didn't understand why those particularly

3:53

loud Gucci sneakers were retail therapy.

3:55

Yeah, but you're getting to know the real Harrison for

3:58

it. Everybody knows. Everybody else who

4:00

doesn't have the privilege of getting

4:02

to hang out with him frequently knows the

4:04

freaking persona. You know what I mean,

4:07

You're seeing vulnerability and all that stuff.

4:09

That's I envy that. I envy that about.

4:11

I envy that because you got that with Morgan,

4:13

you got that with Harrison. Yeah, you

4:16

know what I mean? You you Michael

4:18

Michael Caine, Yeah, fucking you

4:21

know the list, like.

4:24

Work with some legends. I gotta say, Harrison's

4:26

just so cool, and he's so good on the show. The scripts

4:28

are so good this year, and he's

4:31

just incredible and and what's cool

4:33

about an actor like that is, you know, first time

4:35

through, they're basically like

4:37

where do you want me to stand? Pretty much this time

4:39

it was more like, felt way more collaborative,

4:42

like what do you think should it be more of this or this? And

4:44

that's just that's when it gets really cool.

4:47

I love it. That's so cool,

4:49

bro, Yeah, that's so fucking

4:52

cool. I mean, we can't talk about some of

4:54

the stories that you told me off camera, I

4:56

mean off but

4:59

just some of the things you've said, just you

5:01

know, I've already gone to friends and

5:03

been like and then Zach said he said this, and

5:06

fucking when Zach told me that, oh my god,

5:09

my heart melted, like just it's just

5:11

so fucking awesome, and I go, yeah, I'm

5:14

really happy for you, but also fuck

5:17

your sound machines. Zach. I wanted

5:19

you to come.

5:20

I wanted you to come visit, but that just never seemed

5:22

to work out.

5:23

No, I don't think I could handle

5:25

myself.

5:26

Yeah, I don't know that you'd behave either. The

5:28

other thing is I want to just say to the words,

5:30

have a movie coming out. I think when this airs,

5:33

it'll be out. It's a movie.

5:35

It's gonna be I think it's in like

5:37

fifty theaters in the US, but in a lot more

5:39

in Canada. It's a movie I made with Vanessa Hudgens

5:42

called French Girl. And

5:45

but anyway, you most likely

5:47

will be able to get it on demand wherever you buy

5:49

a rent movies like iTunes or Amazon or

5:51

whatever. And it's really cute. It's like to Meet the Parents

5:53

kind of romantic comedy where

5:57

I'm going to propose to my girlfriend.

6:00

I'm absolutely in love with her, and

6:02

she's French Canadian and she gets a job offer

6:04

in her home city of Quebec City, and

6:07

I think, oh, that's where I'll propose in

6:09

front of her whole family. I'll make it so dramatic

6:12

and romantic, and we go up there.

6:14

And while I'm up there meeting her French, beautiful

6:16

French family that live on a farm and

6:18

they're lovely people, I'm a little bit of

6:21

a fish out of water. I don't speak any French. And

6:24

while I'm there, I learned that the woman who's

6:26

offering her this chef position, played

6:28

by Vanessa Hudgens, used to be her

6:30

lover and she

6:33

wants to get my girlfriend back.

6:35

And so it becomes like Vanessa and I competing

6:38

over this amazing, beautiful French woman.

6:40

Why y'all gotta compete?

6:42

Hilarity ensues, Yeah, why

6:46

y'all gotta compete? Well,

6:48

I don't think either one of us wants to share the amazing

6:50

woman.

6:51

I'm not a sharer either. I'm not gonna lie.

6:54

And anyway, it's really cute, it's really funny.

6:56

It's kind of meet the parents' tone because

6:58

everything I try and do goes wrong, and I

7:01

think you'll like it.

7:02

Chela is a door, very

7:05

fun. Yeah, I can't wait to see it.

7:07

I get to you a lot of physical comedy, which I haven't

7:09

done since Scrubs, and that's fun.

7:11

So now you

7:13

shot this a while ago, too, right.

7:15

Yes, shot it a while ago, yes, but

7:17

it's finally coming out. It's good. Vanessa

7:20

is really hot and funny in it,

7:22

as always, as always, she's

7:26

great and Nedda tic

7:28

tic boom. Yes, what

7:31

do you think is speaking of Vanessa? And only because

7:34

she was hosting the Red Carpet. The oscars

7:36

were really great this year, weren't they They were great?

7:38

Oscars were fine.

7:39

Well, I'm gonna say something really quick.

7:41

Oh boy, this sounds controversial.

7:44

It's not controversial, Okay,

7:47

two lights out moments

7:50

and the Oscars, I think

7:52

there were. It was lights out seeing

7:56

it coming out with the freaking thing, lights out,

7:58

hilarious. You can't sit here and tell

8:00

me you didn't laughing, funny,

8:03

very funny. And then gossling coming

8:05

out there and doing kin I don't

8:07

can fuck with anybody, says, lights

8:09

out, both of them.

8:10

Not that hilarious. You crushed that. But also

8:13

there were other moments. Billy Eilish's performance I

8:15

thought was I was credible.

8:16

Just right, But I wasn't laughing like

8:19

I was laughing watching those two things.

8:22

I you know, I

8:25

expect to see great, dramatic

8:27

and heartfelt performances like

8:29

the you know, the there

8:31

was a standing ovation for the for

8:34

the Memoriam, you know what I mean.

8:37

You know what I mean. I expect to see grand

8:40

you know, dramatic. It's the Oscars.

8:44

It's rare that you laugh your ass off

8:46

like that. Yeah, where you were you giggling

8:48

so hard at what's

8:50

going on?

8:51

I'm just telling you a goose pumpy moment for me,

8:53

I agree, those were hilarious moments. But when Billy

8:56

and Phineas were singing and

8:58

then and it was just very simple, right, and then

9:00

they had yet to reveal that there was an orchestra

9:03

back there. And then so they were spinning

9:05

on this little simple turntable, and then the stage

9:08

opened up to reveal Ricky

9:10

Minor and the orchestra, and I got

9:12

goosebumps all over my whole body. It was so

9:15

good.

9:15

First of all, shout out Ricky Minor.

9:18

Yeah, Ricky

9:20

Miner's got a monopoly on those award shows.

9:22

I love him.

9:25

Is for people.

9:25

Not oh, he's a famous conductor

9:27

and producer, but he seems

9:30

to always have the Whenever there's a big

9:32

award show and a big ass orchestra, he's usually

9:34

the one conducting the orchestra.

9:36

Not only that, he's just an incredible person

9:40

when he seems me he is always

9:43

so nice and loving. And

9:46

I just I really shout

9:48

out Ricky Minor.

9:49

I just don't really want he Minor listens to the podcast,

9:51

but maybe now someone will know.

9:54

He's his favorite podcast. I've already he

9:56

told me it was.

9:59

Yeah, there were a lot of good I love the sort

10:01

of style of having the actors come out

10:04

and say something nice about each of the nominees.

10:07

That was so elegant, beautiful,

10:09

so lovely and moving, super

10:12

moving, and also just like a great opportunity

10:14

for every nominee to

10:16

be honored by another person who's receiving

10:18

award, but also for the winner to then be congratulated

10:21

and kind of like welcomed into that club.

10:23

Just being like congratulations. It

10:25

was beautiful. I really loved it.

10:27

And for the losers to wish

10:30

that they were welcomed.

10:32

I like what Daniel said,

10:34

You're still honored in a way.

10:36

Divine Joy

10:39

Randolph is that her name?

10:40

That's correct?

10:41

When she started crying because

10:44

what Lupina and Young said, Oh my gosh, that was

10:46

one of the most moving moments of the night. I thought.

10:48

When she was already classmates at Yale,

10:51

I think divines one year under Lapida

10:54

and so yeah, when they were able to especially when

10:56

they were able to have these emotional ties

10:58

and relationships to one another like amazone,

11:01

Yeah yeah, but in the way

11:03

that they were able to give it to a friend so a Frank could give it to

11:05

her, like, it just made everything much more emotional and sweep.

11:08

Yes, Emma is

11:11

Emma.

11:12

I gotta say, Emma. If there's one

11:14

person, a young person

11:16

who deserves two oscars already, it's

11:18

Emma Stone. She is so fucking good.

11:21

She's really good and Donald.

11:23

I know you'll never see that movie, but you're missing

11:25

them. One of the most amazing performances ever. I

11:27

wish I could tell you there was lightsabers in it, so you'd

11:29

at least peek at it.

11:31

Is there music.

11:32

There's beautiful music, strange,

11:35

bizarre, awesome music and gorgeous

11:37

set design.

11:38

Will be Wan.

11:39

Isn't it for some reason like Alice in Wonderland.

11:41

No, it's sort of a Frankenstein story. It's basically

11:44

about about how a

11:46

guy, Willem Dafoe, creates

11:49

a young woman.

11:50

It's kind of like, now I want to see this movie.

11:53

It's kind of like my movie.

11:54

We always joke about weird science.

11:56

It's like a modern day artful weird science.

12:01

I am now interested. I would like to see this movie.

12:03

And it's on Hulu. You can watch it. Yeah,

12:06

it's really good. I highly recommend it. And

12:08

just the design, I mean it won all the design awards

12:10

as it should. The costumes, these

12:12

make up, these sets. You're gonna

12:15

think like, wow, is this all cgi? I

12:17

can't believe someone would have built all of this. It's

12:19

all built on stage in Hungary.

12:21

I believe.

12:23

Rgo Lamos is just a

12:26

guy.

12:27

Interesting I saw, but I got so into it that I watched her

12:29

behind the scenes, which I'm sure anyone listening

12:31

can track down on YouTube. And it was just about

12:33

how they built these sets which were enormous

12:36

and like Emma Stone's interviewed and she says,

12:38

you could get lost in these cities

12:41

and they're all on stage, like enormous stages.

12:44

Really cool.

12:46

That reminds me of how much how

12:48

big Star Wars sets. Oh god,

12:50

it used to be before the CG

12:53

and the volume and all of that.

12:55

Stuff, the whole city for and

12:57

or.

13:00

Yeah, but that's it is huge.

13:02

That was an exception.

13:04

Yeah.

13:04

So as you say, bring it back, it's going back around and

13:07

coming back.

13:07

Are you excited about that?

13:09

I am very excited.

13:10

I like all of it. I'm gonna be honest with you. I still love

13:12

it. Even though it's on, even though it's on a television

13:14

screen behind the actors,

13:17

I still love it. It's still it's

13:19

still Star Wars to me.

13:20

Has anyone seen done too?

13:22

Yes?

13:23

No, And I really want to see it, but I'm

13:25

waiting for it to because

13:27

I have a thing about going to theaters. Now.

13:30

Man, it just doesn't.

13:31

I mean, I, yeah, I see Doune too

13:33

in a theater. I'm gonna go see in the theater.

13:35

Theater, Donald, it's not that expensive. What's

13:37

you're done several times?

13:39

What's your fear?

13:41

My fear about movie theaters.

13:44

It's not my fear. I don't have a fear about

13:46

it. It's just COVID set off

13:48

something completely different in me when

13:50

it comes to that ship.

13:52

And I still master movie theater.

13:54

I don't like I want to be comfortable too,

13:56

though.

14:00

I'm gonna go see it. I'm gonna go see it in some giant

14:02

imax either, you.

14:04

Know what I mean. And I'm gonna be honest with you. Back

14:07

in the day, I would try and get seats that were

14:09

separated from people anyway,

14:11

And now you can't do that regardless,

14:14

you know what I mean. Like, if I want to sit

14:16

two rows over, I mean a seat

14:18

over at the if there's three

14:20

seats or four seats and I want

14:23

to sit in the middle of those four seats, I

14:25

can't do that shit. And you used to be able

14:27

to do stuff like that.

14:28

Well, go if you go to a

14:30

day screening, I

14:33

think a week day, but.

14:34

Dune, this is gonna be like one of the number one. It's

14:36

got to be one of the number one.

14:38

No, but I'm sure that if that's your biggest concern,

14:40

I'm sure you could find a weekday, early

14:42

morning screening where you don't have to sit on top

14:45

of people.

14:45

I'm animating, man, didn't you hear

14:47

how we started this shit? I

14:49

just want to wait until it comes out

14:51

and I can watch it on my big screen at home

14:54

with the sound machine and

14:56

pop some popcorn and enjoy it that way. I

14:59

mean, you see where I'm sitting.

15:00

Okay, I go off off, I get

15:02

it.

15:03

Dad my

15:06

dances every time every just

15:08

like my dad. He's like, no, wait till it comes. I got a big

15:10

screen downstairs. I don't need the movie theater.

15:12

I don't need it anymore. I

15:14

don't need it dates happening in

15:16

this house.

15:17

What's sad though? It is like what's sad

15:19

though? Is like I hear you, and a lot

15:21

of people listening agree with you. I just

15:23

it's just so sad, like we were all

15:26

everyone in the movie industry is like clutching on, like,

15:28

well, at least we have these big ten polls where people

15:30

will still go to the theater and now people

15:32

are being like, nah, my TV is big enough, fuck

15:34

it, and we're watching the

15:36

death of the movie theater in real time. It's

15:39

a it's a tough thing, but anyway, it is what

15:41

it is, and at least there's lots of good entertainment.

15:44

And it'll just shift to

15:46

to your home TV and

15:49

will always have the ballet.

15:50

I'll always have the balet. Everything

15:54

was beautiful.

15:56

I want to play the audience a song. It's

15:59

one of the most beautiful things has it ever heard.

16:01

I sent this to you guys in your d MS, and

16:04

it's just it's just it's

16:08

become a very important song to me in my life,

16:12

and I wanted to share with you guys. Okay,

16:15

hold on, I got to cue it up everyone this. I want

16:17

to give a shout out to the Instagram

16:19

account there. I ruined it spelled

16:22

t h e r E.

16:25

I ruined it. Okay, this

16:27

is Donald. This goes out to you.

16:31

I like big butts.

16:32

I cannot lie

16:36

you other brothers.

16:37

Canton night.

16:40

When a girl walks in with an

16:42

any pity, waste.

16:45

And a round thing in

16:47

your face, you

16:50

get strong because

16:52

you notice that but wor stuff.

16:56

You pull up to.

17:00

Deep in the gen.

17:02

She's wear rich.

17:07

Ju all

17:11

that jump inside that trunk. Hey,

17:14

Hey, I'm a gad cat.

17:17

Can't you try? Can

17:20

you trunk up? There?

17:23

You go? It goes on and on. But that's uh, I

17:25

think that's that's what's an important thing for us all

17:27

to hear.

17:28

I'm glad you played it. I feel culturally

17:30

enriched.

17:31

Amen. All right, let's get in a season

17:33

nine dollar counter sent.

17:36

I don't want to.

17:37

I gotta do it. You gotta we

17:39

gotta do it. Do it, do it,

17:41

do it?

17:42

You honor me?

17:42

Do it?

17:47

My six seven stories that

17:50

show we made about

17:53

a bunch of times and nurses in

17:55

Canada, he said, he's

17:57

the stories netlik

18:00

knowe

18:03

here yea.

18:11

All right, Welcome to season nine. Everyone,

18:14

I'm sure has a lot to say.

18:17

Please leave them in Joel's inbox.

18:19

She's been waiting.

18:20

Yeah.

18:21

iHeart at gmail dot.

18:23

Com, RBS, iHeart at gmail

18:25

dot com. I want to hear

18:27

what you have to say about season nine.

18:29

Go ahead, Donald, I want to start with Daniel

18:31

and Joel first, okay,

18:33

and what they thought, because I feel like

18:38

I'm I I need to. I don't

18:41

want to. I don't want to start.

18:42

I would rather I can start I mean, but go ahead,

18:44

Joelle, what do you have to say broad

18:47

strokes? Joel, you don't have to keep I got, well

18:50

it's a long podcast. You can you don't have to keep

18:52

it brief.

18:52

Yeah, okay.

18:55

I think it was so lovely to

18:57

see Zach opening up. You're like, wow, this you'll

19:00

so familiar, how lovely, the

19:02

eagle grand the shouting

19:04

from the hospital so cool. And

19:07

then as soon as they were like, it's a different hospital,

19:10

I said.

19:10

Skirt, this is scrubs.

19:12

Where are we?

19:12

What's happening?

19:13

I miss the dirty hospitle new and clean,

19:16

and it's so big and like lush and green like this.

19:18

It doesn't feel right.

19:19

And immediately I heard Bill in the back of my mind being

19:21

like, it's a different show. It's a different show.

19:23

Think of it.

19:24

It's a different show. And I said, okay, if I try to lean

19:26

into that. I like the Lucy

19:28

character. She's fun on punch

19:31

Cole in the face.

19:31

I don't like him. It's

19:34

a horrible person.

19:37

I'm intrigued by des relationship with

19:39

the guy that Cox

19:42

eventually calls his number one. Cox says, a straight

19:44

up teacher, fascinating. There

19:47

was like a lot of as I was watched its like, there's so much stuff

19:49

that works. I just don't

19:51

think it had found his footing in the pilot, which is very common

19:54

for TV. So if I were watching this fresh,

19:56

I would be like, I will watch another couple

19:58

of episodes and see if they find their groove.

20:01

I like what's being set up. It does

20:03

not feel like Scrubs, even though I see

20:05

the Scrubs cast Sarah putting

20:07

her boobs on your head. I mean, I almost

20:10

on the floor.

20:10

They're heavy, I said, they're heavy.

20:14

That's a weird moment.

20:16

Well, I'll jump in. I want to

20:18

say something just to start off season

20:20

nine, and I really did feel this when I watched

20:22

it, to say, when we dis

20:25

season nine, we are never ever

20:28

meaning to diss any of these wonderful

20:30

actors, because I think I wanted to just

20:32

start out by saying one of the things I got right

20:34

off the bat was, Gosh, these new

20:37

kids quote unquote are so funny

20:39

and so talented and so

20:41

pretty, and they're all really, really

20:44

talented people. It was a kind of herculean

20:47

task for them to try and step

20:50

into the roles of a beloved

20:52

ensemble that I've been doing it for eight years and

20:55

it's a big ask, but

20:57

nonetheless they were put in that position. I

20:59

think Carrie Boshe is adorable

21:02

and lovable and funny. But

21:05

yeah, as a viewer, I'm watching it going

21:07

why is this so clean? And why

21:10

what is this environment?

21:11

Like?

21:12

It's funny? We know how that that that line from

21:14

Madam Webb was getting dragged so much they

21:16

even mentioned it the oscars. What

21:18

was that sentence? It was like when you were she was

21:20

my mom, when she was a doctor?

21:22

Do you know that sense amazon rainforest?

21:25

Oh gosh, I.

21:26

Don't have the line, Dan All, they'll find

21:28

it, But it was like it was like the reason they're making

21:30

fun of it is because it was like so much exposition,

21:33

like condensed into one quick

21:35

moment. And that's why I felt like that JD

21:37

had one line that was like that. It was like explaining

21:40

why we're in this weird environment

21:42

and and and why I everyone

21:45

now works at a school and

21:48

like and then and they tore down the hospital

21:50

and they all work and we all work in a school now.

21:53

I don't know, it's just weird, right, I have the line?

21:55

What's the line? So it was a joke from John mulaney.

21:57

He said with that sound we wouldn't have been able to hear such

21:59

classical line says you're going to need a bigger boat,

22:01

or I'll have what she's having. And he

22:03

was in the Amazon with my mother when she was researching

22:06

spiders just before she died.

22:08

Yeah, that's like making

22:10

fun of them for like cramming all his exposition into

22:12

one sentence. But anyway, that's

22:15

my first impression is that, you

22:17

know, Carrie Bisa and Franco and Eliza

22:20

Koop and all all this gang, they were really

22:22

they're really talented, Mickey Wheeland,

22:24

They're all really funny and talented. It was

22:26

just a big ask of them.

22:29

Donald, go ahead, Anniel,

22:31

do you want to go?

22:33

I'll very briefly echo some of the thoughts I'm hearing here,

22:36

like I think the only thing I'll add is that seeing

22:38

a lot of these actors when they're particularly

22:41

young, seeing a very young Dave Franco, when we

22:43

have seen him like grow up so much over the years

22:45

in between this time was definitely like a oh, look

22:47

at that. And seeing you guys

22:50

again in this kind of out

22:52

of place but still in place.

22:55

It was almost like an uncanny valley where

22:57

it's like, as Joelle said, it's like it is

22:59

Scrub, but it's also kind of

23:01

not like it is, you guys, and it's so

23:04

many of the main players. It felt so familiar

23:07

and yet so distant, which was I

23:09

think, you know, as Bill was saying,

23:11

try and think of it as a spin off, think of it something new.

23:14

But there was so much that was reminiscent about

23:16

it that the strangeness made me feel

23:18

even farther away from it than it did make

23:20

it feel familiar. Yeah, and

23:24

I think, like we said when we were talking

23:26

about doing a spin off or like what the

23:28

spinoff would be many episodes ago, it's

23:30

like it's a big ask to just,

23:34

all of the sudden, introduce a bunch of new people and

23:36

expect it to hit as hard as it did, even

23:38

with so many of these familiar faces, And like

23:40

you're saying, great actors, it was a big

23:43

ask. It was a big ask of the audience. And

23:47

yeah, I don't know if I don't know if it landed properly.

23:49

All right, they did something that never works,

23:52

all right. I echo everything

23:54

you guys said. It was absolutely

23:56

everybody on this Bad Boy it is talented,

23:59

everyone is you know, you know what I mean. But

24:02

they did something that never

24:04

works, and every show on television

24:07

does it. When they're trying to survive, they

24:09

try to fucking Sam that shit

24:12

or cousin Oliver that shit, and

24:14

it never works.

24:17

And that's what I'm ready.

24:19

To explain, that reference to young people that don't get

24:21

a difference reference.

24:23

So when shows get old and the

24:25

kids get older, and people and

24:29

networks feel like the

24:32

audience can't relate the audience

24:34

that we want to watch, the show can't

24:37

relate anymore. Writers

24:39

are forced to create a

24:42

new character to bring life to the

24:44

show, and for

24:46

some it's Sam. On different strokes.

24:49

There was Arnold and Willis

24:51

and Kimberly when they were kids, and

24:53

that's what the show was about them

24:56

being kids. But when they got older,

24:58

it was like, we can't write the same story, Like

25:00

Arnold can't get kidnapped anymore. He's

25:03

nineteen years old, you know what I mean.

25:05

They bringing a young, cute kid.

25:07

So they bring in a young cute kid and they let

25:09

all of those stories happen to that kid. And

25:11

that's what they tried to do with Scrubs.

25:14

They felt like, for some reason, the

25:17

audience can't relate to these guys going

25:19

through these stories. Anymore. It was really

25:22

about when they were Scrubs was really

25:24

new and fresh, when they were young and

25:27

they were energetic, and they were and

25:29

they were and they were and they didn't

25:31

know all the answers. Let's recreate

25:34

that again. Even better, Let's

25:36

throw them in a school and turn it into

25:40

a classroom setting head of the class,

25:42

and we'll bring back all of our favorites to

25:44

teach these kids right that shit

25:47

doesn't work. Now.

25:48

Were you and Johnny c the only regulars

25:52

from the original cast or was Sarah?

25:53

Yes?

25:54

I think Sarah and.

25:55

I comes back and does like

25:57

six episodes. You do six episodes

26:00

when you leave, Sarah comes, there's

26:03

six episodes where it's you and you're

26:05

still narrating the show, trying

26:07

to keep everybody there right, and then

26:10

you leave and it's all thrown on to Carrie

26:12

BChE and and

26:15

I'm gonna be honest with you, guys, it's

26:18

a big ask. Yeah, it's not the

26:20

same show.

26:21

But she's very charming and able.

26:25

I love her fucking jumping over the counter and

26:27

doing that stuff.

26:28

She's I

26:30

like to think I discovered Carrie Bouche, but

26:33

I but Bill would probably fight me on that because

26:35

I cast her in a pilot that my brother

26:37

Adam wrote, and it probably

26:39

didn't get picked up, but we shot it and we cast her

26:41

and she was so good in it. And I

26:44

feel like I must have mentioned her and showed

26:46

Bill the pilot. He would probably

26:48

have a different answer for that, but I think that. But

26:51

anyway, I always thought she's so so

26:54

charming and interesting.

26:55

You know.

26:56

Another thing that came to my mind is do you remember him in Groundhog

26:58

Day when he naturally falls

27:01

on the ground in a romantic way with it's

27:04

Annie mccarwell, right.

27:06

Yeah, and then when his con

27:08

is finally working, Yes.

27:09

And then he tries to like recreate

27:11

it and it's so cringe it doesn't happen naturally.

27:14

Do you remember that?

27:14

Yeah?

27:15

That That's kind of how I felt watching this.

27:17

I felt like we're trying to like cringely

27:20

recreate like something that was

27:22

working. So you and I doing an eagle

27:25

like and saying eagle twice and screaming

27:28

from across the parking lot, just like we did when

27:30

when you came back from your honeymoon.

27:33

It just felt like we were doing that that Groundhog

27:36

Day of trying to like recreate something

27:38

that had been magical.

27:40

All right, I might say one last thing and then you're

27:42

going to be mad. You guys are gonna be mad.

27:44

I'm not gonna be mad. We want your honesty.

27:47

The show got better when it was just focused

27:49

on us. Also, like what hundred

27:52

I didn't give two craps about the interns or yeah,

27:55

no you were.

27:55

But you have to look at it from a non biased

27:57

point of view.

27:58

Do you think you were just was just going into this.

28:00

If I was just coming into this show and I had never

28:02

seen Scrubs before in my life, right,

28:05

and this was the first introduction, I'd be

28:08

like, oh, wow, this is a really cool show. These guys are

28:10

great. But after

28:12

nine, after eight years, and then going into

28:15

this and then bringing back the same people

28:17

and then saying it's Scrubs with Bill's

28:20

right, that was the mistake. They should have called

28:22

that ship something else.

28:23

Yeah, med School just maybe we should have been.

28:26

Maybe we shouldn't have been in it. Maybe

28:28

driving down to.

28:29

Sunset Boulevard today and there was like a billboard

28:31

for the New Law and Order with Tony Goldwyn, and then

28:34

there was a bill a separate billboard for SVU,

28:36

and then there was a separate billboard for another

28:39

one. Yeah, and I was like, uh, there's

28:42

like so many law and orders and like it could have

28:44

that would have that wouldn't have better. Yeah, it would have been

28:46

a better route to be like med School. Yeah,

28:49

and Bill Bill Bill has said

28:51

he tried so hard for that, but they didn't want to do that because

28:53

they were worried about the branding of it. O.

28:56

I would have been dope, then you can compete

28:58

against your own show and stuff like that, Scrubs,

29:01

Scrubs, Med School. Then you have the crossovers.

29:04

Yeah, that would have been fire Man. It didn't work.

29:06

It didn't work like that. Also an another

29:08

variable that was, you know, changing the environment so

29:11

drastically, I think in addition to

29:13

it being you know, for those of you who listened, all

29:16

eight years of Scrubs were filmed at an actual abandoned

29:18

hospital. This is the first season that was shot

29:20

on sets. So when

29:23

you're when you see the outdoor area, that's

29:25

actually the back lot of.

29:28

The back those are those are office buildings

29:31

on Culver City Studios.

29:33

On the Culver City Studios.

29:34

I think it's now Amazon, right, Yeah,

29:36

that's the new That was the new buildings

29:39

that they had built for the people that worked

29:42

and the other side where we filmed

29:44

like the quad and all that stuff was where like

29:46

Gone with the Wind and all of that shit was

29:49

filmed.

29:50

Uh, and that used to be that used

29:52

to be the bag the offices.

29:54

I think pieces of Wizard of Oz maybe were shot there.

29:56

Like it's an old lot along

29:59

with next it is Sony, which which

30:01

definitely had some Wizard of Oz. I'm not sure what falls

30:04

where, but yeah, lots of old classic movies.

30:06

And then then it was called the Culver City

30:09

Lot and now I think it's been bought by Amazon

30:11

if I'm not mistaken.

30:13

It was Culver Studios when we were there.

30:14

Okay, and that's where Bill shot Cougartown

30:18

and that's why it was moved there so Bill

30:20

could kind of run back and forth.

30:22

Between run back

30:24

and forth.

30:24

Well, I think he didn't do much running back and forth.

30:26

But in theory he could overread

30:29

Cougartown like this.

30:30

He could oversee Cougartown. But

30:33

anyway, when you're seeing all those exterior shots, that's like,

30:35

yeah, Donald's right, it's not even a backlot. It's just like it's

30:38

just like that was just the outdoor area of this

30:41

lot. And then all the interior stuff

30:43

was was were sets on a stage and

30:46

also in addition to that, it was we had

30:48

shot eight years on sixteen millimeter film

30:50

and I believe this this was the first time

30:53

the show moved to HD

30:55

video, So all of those factors

30:57

make it have quite a different look.

30:59

You know.

31:01

The look was a bigger factor than I anticipated.

31:04

It really makes a difference. It's a

31:06

huge, huge difference.

31:08

Well yeah, my big laughs, my big

31:10

laughs. Okay, stories that I'm

31:13

interested in.

31:13

Wait, We're going to go through the whole show and I'll just do your

31:15

highlights.

31:16

My bad. I thought we were.

31:18

I mean, I don't like the way I looked either.

31:21

You don't like the way you looked? Yeah,

31:24

I just I just you know, I

31:26

could tell you, talk to you about the way I looked. I had

31:28

fake like all right, so my teeth are not real.

31:31

They're not the teeth that I were born with. I've

31:33

got veneers and I'm I've

31:36

but this was going through the process

31:38

of it, so at this point I had like fake

31:43

like not even veneers. So

31:45

it's like that gel that they put yeah,

31:48

kind of pretty much, but it's like the gel that they put

31:50

in your mouth and then they shape your teeth to

31:52

make it look like you have teeth and stuff like that. And

31:55

so when I look at this, all I see is

31:58

the and you have to have this wash because

32:01

they've this is back in the day, because they've grinded

32:03

down your teeth and your gums are like exposed

32:06

and stuff like that. And so when I look

32:08

at that, all I see is just the smell that

32:11

I was going through at that time.

32:12

How long did you have to have a smelly teeth?

32:16

It was for like a good three months and

32:18

stuff like that. So while we were filming

32:20

this, and then towards the end, I get my

32:23

permanent jump offs in.

32:25

I think, will you let us know when we were

32:27

watching these when you have.

32:28

Your when it skips over, Oh, you'll be able

32:30

to tell because the smile gets so big.

32:35

Should we take a break, Dew, great idea,

32:37

Zach, all right, we're gonna take a break. When we come back, we're

32:39

going to talk about how much Donald loves season

32:42

nine, what you're trying to get into

32:44

one day, or what you're.

32:46

Trying to do.

32:48

We'll be right back. Well,

33:02

there's not a lot of us in this episode. Let's

33:04

talk about who is there. You got Dave

33:06

Franco. You got Carrie Masha, You've got Eliza

33:09

Coop, You've got Nicky.

33:11

Wheelan, you got Michael Winslow.

33:15

Michael his real name.

33:17

That's gonna sound what.

33:18

That's what I called him. So I got a

33:21

I got a great story about that too. His

33:23

name is Mike Mosley.

33:25

Mike Mosley.

33:26

He did a great too, but but I thought his last

33:28

name was For some reason, I confused him

33:30

with Michael Winslow, and so I started

33:33

calling him Winslow on set. You know, Michael went

33:36

cringe right, no doubt. So he

33:39

throws a party and I'm

33:43

old man at this time, but I'll give fuck

33:45

I'm like thirty seven, and

33:47

he doesn't invite any of the older people.

33:50

I don't get to invite Zacherson, and I'm pissed

33:53

off. But he invites all the young motherfuckers

33:55

but he doesn't invite the o G cast. I'm like this mother

33:58

right, And I go to a live I go to Eliza

34:00

Cooper and I go, yo, hold on, Eliza, you

34:04

got invited to Michael Winslow's party.

34:07

And she was like, who I said,

34:09

Michael Winslow, you know the dude that place

34:11

drew And she goes,

34:14

you mean Michael Mosley

34:17

and I go, oh, I

34:19

go, yeah, well he didn't invite me to the party. You've

34:23

been calling him Michael Winslow.

34:24

Oh my god, did

34:27

you ever did you ever take ownership of

34:29

that and apologize?

34:30

I was like, motherfucker, why didn't you correct me and

34:32

say my name

34:34

is fucking Michael Moseley. He's

34:37

like, I didn't realize that you were calling

34:39

me Michael Winslow. Like, mother fin

34:41

you out so full of shit Winslow.

34:45

It's like how motherfuckers call me clueless.

34:47

Last, in the spirit

34:49

of us trying to recreate moments

34:52

all our groundhog Day, I thought when we hugged

34:54

and well, I say, you smell

34:56

like you've been in prison, that was.

34:58

Not funny at all.

35:00

And also it was when

35:02

you.

35:02

Know what our hug was like like

35:05

seasons one through eight, It used to be like we

35:07

did two guys who love each other. This was like these two on a

35:09

fuck Yeah.

35:11

Dude, I'm knocked over the

35:13

stunt man to get

35:16

to you.

35:17

It was too much. The look of the smelling

35:19

you is like, like, yeah, too much.

35:23

I think she comes by and she goes to you guys, But

35:26

I think that's the joke also because she's like, you

35:28

guys need a room. It was,

35:30

but we skipped so much. See, this is what I'm

35:33

talking about. This is what I'm talking about.

35:35

The show gets funny to

35:37

me right when my

35:39

head is on the motherfucking on

35:43

the damn thing. That's when I was like, all

35:45

right, this is funny.

35:46

The white mannekin. It's funny when you give all your students

35:48

an f because they're white.

35:50

Yeah, that's when

35:52

I started laughing, this is funny.

35:54

Well raise your hand if you're white.

35:56

Yeah, that

36:03

was funny that.

36:06

Yeah.

36:08

We have a little guy love reprise right after

36:10

that.

36:11

Yeah, then we run each other.

36:13

We said, I seem like a prisoner. And then then

36:15

someone is like, well, how long has it been since you guys seen

36:17

each other? We carpooled here this morning. Then

36:23

we see the new title sequence, which is

36:25

really weird. I don't think I've ever seen it.

36:29

That's nice. I remember shooting it.

36:30

It's not bane. I remember shooting it

36:32

too. I remember being like, why do I have to be in this? I'm

36:35

not even in the show anymore.

36:36

Six episodes.

36:38

But then it's it's it's Wahs and

36:40

the artist named wa was It's not laslow

36:43

Bane. It's not Chad from laslow

36:46

Baine singing his own song.

36:48

It's very melancholic all

36:51

of a sudden, like they're trying to do I

36:54

don't know, man, it said, Listen, I'm not hating on the

36:56

show. I just feel like it was the room

36:58

being honest. It was I

37:00

think, and I'm not gonna lie. I laughed

37:03

a couple of times. It just didn't feel

37:06

like it's just

37:08

branded wrong. I agree with that

37:10

the branding should have been.

37:12

Yeah, well, let me give you a little thing. On the title

37:14

sequence, it's a new version covered

37:16

by singer songwriter Waz, who was featured

37:19

before on Scrubs in My Full Moon

37:21

and who was also responsible for the music in Bill Lawrence

37:23

this other show, Cougartown. The chest

37:26

X ray in the title sequence is no longer backwards.

37:29

And also Bill Lawrence managed to sneak

37:31

in Med School like he wanted in an attempt

37:34

to position the new season as a spin off.

37:37

That's what it should have been, right then and there. It should

37:39

have just said in Med School and not Scrubs.

37:42

And I don't think. I don't think we

37:45

should have been in it. That's

37:47

just me from We're from where we're

37:49

at right now. I think we're so distracting

37:52

to the audience. This is why we're

37:55

so distracting to the audience, you

37:58

know what I mean, the one person that could be

38:00

there. You keep Eliza, and you

38:02

can even bring in Kelso. But

38:05

we're so distracting to the audience

38:08

that it makes it so that it's like, wait, is

38:10

this scrubs or is this or

38:12

is this med school? Who am I supposed

38:14

to follow you doing the monologue

38:17

and her doing the monologue? It's confused.

38:19

It's you know what I mean, as a watcher, it's

38:21

like, Uh.

38:22

The idea was to pass the torch and to

38:25

warm up the audience to Carriebousche, and

38:27

then little by little JD fades out. That was

38:29

the that was the plan.

38:33

We're really heavily in this story. In the

38:35

beginning of it, though, I.

38:36

Laughed the janitor quits

38:38

when he finds out that JD's not really coming

38:40

back.

38:41

A lot of people know this, but he was

38:45

contracted to do the middle Yeah,

38:48

but I'm saying story wise, it's funny when they do that.

38:50

I laughed at that little flashback when when you

38:52

tell him that I'm never coming back.

38:54

You he just puts them and he puts them up.

38:57

It doesn't it doesn't track.

38:58

But yeah, he just hands off the mop

39:00

and leaves. His whole goal, his whole reason

39:02

for staying at the hospital.

39:04

Was the torture. Left you left in the

39:06

last episode.

39:08

Right, No, there's a flashback. It's

39:10

not saying recently, it's saying after flashback.

39:13

But it doesn't track. So you're

39:15

saying the day you left, the day you were out to out

39:18

after all of that ship.

39:21

That's what happened. That's what's funny about it.

39:24

No, they could have just said they laid his ass off.

39:26

They said something like that. That would

39:28

have been I think it's funny that he leaves. It

39:31

doesn't track because.

39:33

He's His reason for being was

39:35

the torture JD. When he doesn't have JD, he's like, fuck

39:37

this, I retire.

39:38

He was there before JD. The whole conversation

39:42

about the episode about how he the

39:44

group's always changed and everything

39:46

like that.

39:46

I know, but like, just like, just

39:49

like JD was Cox's favorite

39:51

student, JD became

39:53

the Janitor's raison debtra

39:56

his reason for existing.

39:59

He committed his whole life to torturing

40:02

JD. And when JD was gone. He was like, I'm

40:04

going to retire. O. Fuck this place.

40:08

There's so many people. He sold the scroll

40:10

arm.

40:11

Hand with Stephen. He does

40:13

Stephen, Stephen who

40:18

whatever? We didn't do we ever find out what happened

40:20

Stephen. Okay,

40:24

So JD has Stephen somewhere. Okay,

40:27

so let's get in some more of this. Cox

40:29

has has numbers.

40:32

Was that seeing him in front of all of those people, man doing

40:34

the freaking monologue now is good as he's in

40:36

a as as if he's in a perscenium.

40:39

I was good. I thought. I thought that set, by the way,

40:41

was good. Was if you're going to do a college classroom

40:44

set, that was a really good looking set by Cabin

40:46

McMullen. And I thought Johnny

40:49

did a good job with that monologue.

40:50

Obviously, I I

40:52

was pissed off after I saw his office,

40:55

I mean his uh, his classroom, and

40:57

then I saw my classroom the

41:01

size of a shoe box.

41:04

Well, I think the idea is that he gets

41:06

to freaking he gets the freaking

41:09

hole. Yeah, that

41:11

was good though, I mean was that was he did a really good job.

41:13

And then we see me meet so he Cox

41:15

gives different numbers to the

41:19

med students, and he gives Kerryebsha nineteen,

41:21

meaning her ranking is nineteenth

41:24

from his favorite. And

41:27

we meet the beautiful Australian actress

41:30

Nikki Wheeland, who doesn't have much to do in this first

41:32

episode.

41:33

But nobody can understand what.

41:34

Nobody can understand her. That's kind of funny.

41:37

What is she saying?

41:38

He has no idea what she's saying. Drew

41:41

and Eliza we established they have.

41:44

There's a lot of sex in this episode.

41:46

They established their relationships

41:49

quite early.

41:50

I know.

41:50

I think they really wanted to say in the pilot, like, guys,

41:53

there's gonna be lots of sex, please stay tuned.

41:56

Sex with a lot of young people.

41:58

Hey, guys, young people will be banging. Please

42:00

stay tuned.

42:04

Tonight on a very special episode of

42:06

Med School. There will be banging.

42:08

Yes, tonight, there'll be some jokes and banging

42:11

on SCOF. So

42:16

you've got Carrie Bouchet hooking up with Dave Franco,

42:18

And how fucked up is it that Dave Franco takes

42:20

a secret picture of her bending

42:23

over and prints it and

42:27

then just carries it around and carries

42:29

it around.

42:30

Okay, so I was confused. Is he carrying

42:33

it around to show

42:35

people we never know, or

42:37

is he carrying it around because he

42:42

never wants to forget the moment? I mean, is

42:44

it a central Like first of all, one,

42:46

two, his ass should be in

42:48

jail for shit like that, right, don't

42:50

you go to jail for stuff like that?

42:53

Well you can't.

42:55

Yeah, First of all, it's so fucked up.

42:57

And then the only thing I hated more than that was

42:59

the fact that when Jad finally has

43:01

a good teacher moment, he becomes he's

43:03

very you know, empathized with Carrie Bouchet obviously

43:06

because he was in her spot. That's the whole point of handing

43:08

off this journey to carry Boschet's character. And

43:11

then he leads her off and then sneaks a look

43:13

at the picture again. It was so like I

43:15

was like no, I was like, no,

43:18

that is not the way. First

43:22

of all, how does he recognize her if it's a picture

43:24

of her bent over?

43:27

Right?

43:27

She says, this is a picture of me, and

43:30

then I think JD responds to that.

43:33

Okay, But but just for Clarity's

43:35

sake, I know it was a comedy and everything,

43:37

but when we see Cole take the picture and

43:39

she's bent over, like she's putting her socks

43:41

on or whatever. So it

43:44

doesn't really make sense that she would be able to.

43:46

I mean, that's what I'm trying to say. It's collogy.

43:49

Now. The way the show looks it does feel very

43:51

national lampoon ish, old

43:54

school lampoonish.

43:56

He does have lampoonish vibes, Yeah,

43:58

lampoonish, Spottish.

44:03

Now, JD. I really didn't like JD as a

44:05

teacher. I know that's supposed to be the joke that he's like

44:07

so performative and lights camera teach.

44:10

It's like so much and none

44:12

of the students are into it. Understandably,

44:16

there was a cool fantasy when camera

44:20

teach. What I

44:23

w It's funny because he's supposed

44:25

to be like bad at it, which we're supposed to go, oh,

44:28

I see JD's not good at

44:30

this. But I was kind of cringing,

44:32

like, oh, he's annoying. I don't want

44:35

to be I don't know, but what what hold on?

44:38

Lights, camera teach. He's

44:40

not teaching for

44:42

the students, he's teaching for him.

44:45

He's freaking I'm fucking on stage. He's

44:47

on stage at this moment.

44:49

JD's imagination there isn't a full camera

44:51

crew.

44:51

Yeah, absolutely, he's

44:54

living in a musical theater. He has

44:57

to come up with a sign for when to take them to

44:59

diagnosity. He comes up with Sam.

45:02

Yeah, he's living his dream as a performer

45:04

in front of that giant classroom.

45:06

Oh my god.

45:08

Now I did like the fantasy of I

45:10

thought it was shot well. When Carrie leaps over

45:13

the Yeah, and Johnny c who

45:15

would totally be cast as a sheriff

45:17

on a man hunt, totally southern

45:20

sheriff on a manhunt with dogs. Johnny

45:23

would get that part.

45:26

I thought that, say less, Johnny, would you

45:28

want what?

45:30

Oh?

45:31

A state trooper on a manhunt with

45:33

a dog?

45:34

Yeah, I'm there, stay less, Can my biceps

45:36

be out?

45:37

I'm there?

45:40

Can the Can the shirt around my biceps

45:42

be very fitted? Okay, I'll

45:44

get the next flight out there.

45:46

I am on my way. Where are we feeling? New

45:48

Mexico? On my way?

45:50

I've worked there. I'm on my way.

45:52

Are we staying the Andolous? I'll

45:55

be there.

45:56

So what's it called the there's

46:02

like two hotels in New Mexico in Albuquerque

46:05

where actors always stay. Is that what the one that you're talking

46:07

about?

46:07

The andolous.

46:09

I think that maybe what I stayed in too.

46:11

That's the one everybody says, with the courtyard downstairs

46:13

with the little booths all around.

46:16

And I think, so you stay

46:18

stayed in another one, that's the one

46:20

I stayed in one that was kind of nice.

46:23

This was nice. It's nice, or it was when

46:25

I was there, the fourth Star hotel.

46:28

Let's take a break.

46:29

We'll be right back after these fine

46:31

words. Okay,

46:39

So Lucy sleeps with cold. We got the picture.

46:42

Oh, I liked.

46:43

I laughed at that when I said to Cox, stay

46:45

open for business in here in

46:47

your heart cage.

46:49

I liked. I liked that. JD's wearing the

46:51

jacket from Dangerous Minds?

46:54

Yeah, so how did JD get the jacket from danger

46:56

sions?

46:56

We never learned that back probably wanted out an auction. Michelle

46:59

Fifer probably hadn't auction, but

47:01

he was auctioning off and on.

47:04

But he adds the professorial. Uh,

47:07

why do professors always have those?

47:09

Someone tell me about it? Why that is a trope? Why

47:14

do professors always no?

47:16

But what is the what is the reason?

47:19

What is the reason? On their table, they're on the desk

47:21

talking to the kids grading

47:25

with their heads down.

47:26

I just want to know why we associate

47:28

elbow patches with professors.

47:31

It has to be because the elbows are on the

47:33

desks all the time. So

47:37

uh.

47:37

Based on a little cursory web search, it looks like

47:39

the stereotype started because tweed was a

47:41

relatively cheap, but warm material,

47:44

and professors were a relatively poorly

47:46

paid class of professionals, so they kept wearing

47:48

them until the elbows were out, and then they patched them.

47:52

Okay, well that's that makes sense, But now

47:54

it's become just a thing. If you're going to play

47:56

a professor, you better have some elbow patches on. So

48:01

but JD when he bought her Michelle

48:04

Pfeiffer's Dangerous Mind's coat,

48:06

it didn't have elbow patches, so

48:08

he added them.

48:09

Yeah, his leather is the leather jacket,

48:12

right, No, the.

48:13

Leather patches probably sweded.

48:15

Probably, I'm talking about the jacket.

48:18

She wears a leather jacket in that I'm I'm

48:20

confusing it with freaking La la land.

48:22

She wears a leather jacket, the red leather jacket

48:26

or the audition confused?

48:28

Oh, for the audition, that's Dangerous

48:31

Minds meets.

48:32

Oh when she does the Dangerous Minds audition.

48:35

That's it's so funny. What does she say

48:37

about?

48:37

No you you you be chilling? You, you

48:39

be bucking? Yeah,

48:42

you be tripping? Yeah? Why you be tripped?

48:44

Lady?

48:44

Why you be tripping?

48:46

No?

48:46

No, such you be

48:49

tripping?

48:54

And I love that the casting director is like, it's

48:56

actually it's.

48:57

An actual casting director that's reading

48:59

with her.

49:00

Yeah, Hey lady, you be tripping? No,

49:03

no, Jamal, lady,

49:06

why you be tripping? And

49:09

I think the character's name is Jamal?

49:11

Right, but lady,

49:13

why you be tripping? Right?

49:17

It might be I don't know, can you look

49:19

that up? Guys does play casting

49:22

director in?

49:24

But why do you be tripping? That's it's

49:26

a hilarity. No, I

49:28

want to say it's like no raheem, but it's probably

49:30

no Jamal.

49:31

It's something like, I think it's Jamal, No Jamal,

49:34

you be tripping?

49:35

You be tripping?

49:39

That ship's hilarious. And

49:42

anyone who's an actor who's been out here in

49:44

this town that the reason

49:46

that is so funny is because a some

49:49

casting directors will will read like

49:51

that to you, and you're like, you have to act

49:53

off of it and to the idea

49:56

of like, you know, just

49:58

doing it of her auditioning for a d Dre's

50:00

minds like role was just so funny.

50:04

Damn, I don't know if I'm open TikTok. You

50:10

know they're about to ban this sucking app anyway.

50:13

That's gone, dude, TikTok

50:16

about to be gone.

50:17

Can you play it? Play it in the Yeah, I

50:19

got to kill I got you hold on, Daniel's going to play

50:21

it for us.

50:23

This is my classroom.

50:25

You don't like it? The doors from my left lady,

50:27

Why you be tripping like that? No,

50:30

Jamal, you

50:33

be tripping. But

50:41

you know it's so good about a stone room. She sold

50:43

the ship out of.

50:44

It, like you were like, this

50:47

is where this is where I get pissed off. In the beginning

50:49

of the movie, that first audition she goes

50:51

to where she's studying it. In the we're doing

50:53

La La Land all of a sudden, I digress. But anyway, the

50:56

beginning of the movies, we

50:59

watch podcast when she goes to the

51:01

freaking audition and she's

51:03

freaking standing there and she's talking

51:05

to like her lover on the phone

51:07

and she's like, Yo, so you're gonna when are you gonna tell

51:09

her, you're gonna tell your wife in such

51:12

and such that we're together, or when you and he's and

51:14

he has to change your heart, and she

51:16

and and she has to play it off

51:19

like she's happy, but she's crying and

51:21

she's crushed, and the casting director

51:23

is not paying attention. She's killing

51:25

it in that scene, she's destroying

51:28

it, and the casting director doesn't

51:30

see it. That's just so frustrating.

51:32

But I know, like during that movie, if you're supposed

51:34

to think that she's a

51:37

great actress early on or

51:39

not, because I think you're supposed to be

51:41

see for one woman show, it didn't look

51:43

that great, right.

51:45

No.

51:45

I think the thing is that's the whole thing. There

51:48

are so many great actors out there, and until

51:51

you get your break, until somebody's willing

51:53

to take a chance on you, you're not going to get

51:55

that work right, right. And so here she

51:58

is killing all of this shit. She's in

52:00

there fucking crushing it, and all these other

52:02

people suck and she's fucking nailing

52:04

it, and the cast and director's got fucking

52:06

Joe Blow on their mind

52:09

and is not thinking of them, right, And same

52:11

thing with you know what I mean, Same thing with the director directors

52:13

like, yeah, she's different, She's not the one. You

52:16

know, I'm really into this girl. I'm not into

52:18

this girl. Fuck this, let's go with you know what

52:20

I mean?

52:20

Like it's it's and then and then to your point,

52:23

when she has that audition where she sings

52:25

that audition song, someone

52:28

she's so dropped into what they were looking

52:30

for. That someone then takes a chance on her,

52:32

and her career takes off, and it.

52:34

Takes off, and it's like finally I see

52:36

you, and then everybody sees her.

52:37

Now do you need to go into your loud monologue

52:40

about how there's plenty of jazz clubs in Paris?

52:42

And Ryan Goslin could have gone there.

52:44

No, no, no, because Ryan's just can now it's

52:46

all good, all right.

52:48

I really missed the era of you drunk

52:50

tweeting about Lawa Land while you were on airplanes.

52:53

That was a phase.

52:54

I watched that movie because I listen, man,

52:56

that movie.

52:57

I would love back when I was on Twitter donalds

53:04

Alane again because he's fucking he's

53:06

writing tweets like there are plenty of jazz

53:08

clubs in Paris. I don't know why he didn't

53:11

follow her.

53:13

No, because he didn't need to. I don't look now.

53:15

I look at it and I'm like, look in

53:17

my eyes. This story is it's

53:20

the journey, right, everybody has a different

53:23

journey, and he's two connected at one point. But

53:26

I did want them to be together in the Beautiful

53:29

Beautiful, And he's so happy at the end

53:32

of the movie. Also, so it doesn't matter.

53:34

I don't know that he's happy at the end of the movie.

53:36

He had exactly what he wanted, you know what I mean. But

53:39

he didn't want her back then either, Yes he did.

53:41

You don't think his heart was breaking and she walks out of

53:43

the club.

53:45

No, he would have made it to the show. He would

53:47

have made it to the show if he wanted her.

53:49

No, when she walks out of the club after he would

53:51

have made it.

53:51

To the show. He would have told just a legend

53:53

to kiss my fucking ass. I

53:56

gotta go see my decision he needs

53:58

way more important. That's the decision he made

54:01

then. But years later, when

54:03

she comes with her husband to the jazz

54:05

show and Lee is about to leave and at

54:07

the door has that fantasy and

54:10

they make eye contact, I think

54:12

he realizes that she's the one that got away,

54:14

and he's so sad that she's walking on. I think

54:16

they both realized what life could

54:19

have been for them if they would have stayed together,

54:21

and how happy they could have been. But

54:24

I think when they look at each other, they're

54:26

both in a really good space.

54:28

I disagree. I think, do you guys

54:30

have that interpretation of it?

54:32

I like that it's kind of ambiguous. I've had It's

54:35

nice to my father, rest.

54:36

In peace, used to love a good end of Lalla Land

54:38

debate, but I don't. Sorry,

54:40

Joell, what's your interpretation? My interpretation was always

54:43

that that they both melancholic.

54:46

Okay, my interpretation used to be your interpretation.

54:49

It did, but I've watched it a few times

54:52

since he's

54:54

really.

54:56

What do you think?

54:57

Since I my thought

55:00

initially was that he

55:02

was sad but happy for her,

55:04

and she was like, Wow, that would have been interesting if

55:07

I stayed with him, But life turned out pretty sweet for

55:09

me. She was good, like she

55:11

seems like, in such a great place at the

55:13

end, and he.

55:14

I think Chazelle went out of his way to make

55:16

that husband not exciting

55:18

and not as sexy and not as interesting

55:21

as Ryan's character was.

55:23

Yes, but don't know anything about him.

55:25

Here's a secret reveal to all.

55:26

There is a ton of romance, and I really feel

55:28

like there's a lot of a lot of romances

55:31

end with Okay, I could have been with this exciting

55:33

person, but they wouldn't have been the healthy person for

55:35

me. So I went with this person who's more subdude,

55:38

but who gets me and is very supportive and has made

55:40

my life better, you know,

55:43

And that's kind of the fame I got with him. Like, no, he's not as

55:45

like hot and exciting and like fun

55:47

as she had with Ryan, but he's stable

55:50

and she was able to have.

55:52

His character's name it is Sebastian.

55:55

I'm sorry, that's a Sebastian.

55:58

I've really been there for her. He

56:00

loves her, and because of that, she was able to have the career

56:02

that she wanted.

56:03

Daniel, what are your thoughts?

56:05

I'm tempted to agree. I mean, you know, it's

56:08

it's the sexy thing to want her to

56:10

be with Ryan Gosling. It's the sexy thing

56:13

to have that fiery sorry Sebastian

56:15

Park to do a Sebastian.

56:17

It's the dangerous thing. But that's

56:20

not life. Sometimes that's not life.

56:23

Have thought that would have been the worst thing ever if

56:25

she was with him, if you really think about it, as self

56:27

centered as he was as well, you

56:29

know what I mean, Like she would have she needed somebody

56:32

who's not going to be heartbreak.

56:34

The way they look at each other at the end.

56:36

O, thank so much, so so much

56:38

what might have been between the two.

56:40

I think that makes a better movie. It's too together.

56:43

I don't want the I

56:45

don't want the I don't want the ending to be any different.

56:47

I'm just I love the ending. I think it's brilliant

56:49

in that it gives the audience this discussion,

56:52

and they can have this discussion this many years later.

56:54

This, I just my personal interpretation

56:57

is that they that there was a longing

56:59

for what could have been.

57:01

We could do how about this? How about this? Let's

57:04

do the Notebook.

57:05

At the end of the Notebook as well as I

57:07

know Lala Lane, oh, you.

57:08

Just do it like this. At the end of the movie the Notebook,

57:11

she's with the dude that

57:13

she you know, fell in

57:15

love with on the lake, that, you know

57:17

what I mean, instead of the other guy,

57:20

right, the one that was the good guy right at

57:23

the end. It's not like her

57:25

life would have been that much different.

57:27

I think she would have still now gone back

57:30

to uh. She

57:32

would have had a great life with him in

57:34

the Notebook, she would had a great life with that guy. She would

57:36

have had a great life with the Ryan

57:38

Goslin character and this one in

57:41

La La Lande. I feel like it's the same

57:43

thing. She would have had a great life with this dude

57:46

and she would have had a great like she's having a great

57:49

life with the guy. There is

57:51

no wrong answer at the end for

57:53

her. For him, it's a

57:55

fucking huge difference, bro. And that's

57:58

why you're saying, I don't know if he's happy

58:00

or not. The difference at the end is in

58:03

his mind. Holy shit, we

58:05

would have been I would have been jay z I

58:07

would you know? To her Beyonce instead,

58:11

I'm fucking underground backpack

58:13

rapper. And who's still in the

58:15

club.

58:16

But he has club, he has

58:18

his own jazz club. What are you talking about?

58:20

Yeah, but he don't got his own label. You know what I'm

58:22

saying.

58:24

And that's not my interpresion at all. I'm sorry,

58:26

audience will stop.

58:27

Some metation is the temptation? Listen?

58:29

My point is you talk about La land.

58:31

Oh really, this podcast?

58:34

What if this potat just became one hundred percent each

58:36

week we talk about No,

58:42

I just I just on that he's

58:44

got his own jazz club. He's happy. I'm

58:47

sure he's like hooking up. I'm

58:50

saying he's content with his career,

58:53

his dreams come true. He owns the jazz club.

58:55

But then the love of his life walks

58:58

back in with her husband, and I always felt

59:00

that he was crushed. Okay,

59:02

Yeah, and

59:05

then he dropped the ball by not going to Paris

59:08

and by not going to her one woman show.

59:10

He didn't he wasn't invited.

59:14

Well, he fucked up by not going to the one woman

59:16

show for sure. That's where he To

59:18

be fair, I'm glad did not to sit through that woman show.

59:20

It didn't look that great.

59:25

Okay, she

59:30

became a movie star because of it, right,

59:33

But that doesn't mean a genius talented

59:35

actress necessarily writes the best

59:37

one woman show that you have to sit through for two hours

59:39

and be like, it looks like you're having so much fun up there.

59:43

To Pasadena or something like

59:46

that. I don't know. All right back to we'll

59:48

take a break and then we're going to finish our summary. We'll

59:50

be right back after this. What you're

59:52

trying to get into one day or

59:55

shoe what you're trying to do?

59:57

Advertisements and

1:00:07

we're back, all

1:00:09

right? Likes a little assfl They don't even act like you

1:00:11

don't okay, I think there was a lot of

1:00:13

ass play in this episode.

1:00:15

How do you know there's ass play?

1:00:17

I'm just guessing, Okay,

1:00:19

I'm assuming, I'm assuming making an

1:00:22

ass out of you and me.

1:00:24

I'm okay. So Drew Cox

1:00:26

says he's going to take a look. By the way, Beard fa Say still

1:00:29

works at this hospital. I saw.

1:00:30

I have to say, so of these people in the background

1:00:33

are playing interns and they were interned

1:00:35

when we were interns, So there's

1:00:37

something wrong.

1:00:38

Well, Beard fa Say is definitely a doctor,

1:00:40

he's not an intern, and he's still.

1:00:42

Well Sean is an intern and

1:00:45

he was. And then what the fuck is Reggie in the purple

1:00:48

Scrubs doing in the in the rounds?

1:00:51

Maybe maybe he decided to become

1:00:53

a med student.

1:00:55

But why does he still got the purple on?

1:00:57

I don't know. It was probably like them not know

1:01:00

the rules of the different scrubs colors episode

1:01:02

one or something.

1:01:03

I don't know. Boy, they're already crossing, They're

1:01:05

already crossing the line.

1:01:07

Cox takes an interest in Drew.

1:01:09

And let's say why he takes

1:01:11

an interest in Drew Cox does not.

1:01:14

Cox likes to pick on the weaker ones, the

1:01:16

weaker, the weaker, uh,

1:01:20

insecure uh

1:01:22

interns. Cox has always

1:01:24

enjoyed picking on and he's

1:01:29

doing it to Lucy

1:01:31

carry Bhay's character. And Drew sees

1:01:34

it and decides to jump

1:01:37

in the way and be a shield for Lucy

1:01:40

and be like a big brother to stop Cox's

1:01:43

rage on her and turned the attention

1:01:45

elsewhere because he's been in

1:01:47

jail and he's you know,

1:01:50

we learned that his backstory is that he dropped

1:01:52

out of he dropped he flunked

1:01:54

out or he.

1:01:56

Like I think he had dropped out or flamed out, meaning

1:01:58

just emotionally couldn't handle. Because there's a lot of references

1:02:01

to how hard is the am Men student, and there's some there's

1:02:03

some there's a couple of references to like,

1:02:05

you guys aren't going to last and and and

1:02:08

so he flamed out and then for some reason he was

1:02:10

in jail.

1:02:12

Yeah, there's something that he did.

1:02:13

I don't know if we ever learned that. In these twelve episodes,

1:02:16

we'll find out.

1:02:17

Maybe we'll see, But Joe

1:02:19

seems to get a kick out of him.

1:02:21

And then JD, as we said earlier,

1:02:23

finally talks to Lucy. And that's kind of nice because he

1:02:25

feels like he's a really bad teacher. He doesn't get invited

1:02:27

out to party with them. They don't come to his beer

1:02:30

party in the classroom. Only

1:02:33

Turk shows up and JD has these glow

1:02:35

stick necklaces to wear, and

1:02:37

Turk won't even wear the glowstick necklaces.

1:02:40

And then they go on to walk and the that's

1:02:43

kind of off brand though.

1:02:44

Yeah, I feel like Turk would have rock the glowstick necklace.

1:02:46

Oh yeah, it's him and JD. They're on about they're

1:02:48

outside. I love that term,

1:02:51

by the way, what yeah sad

1:02:53

outside said like if you want to instead of what

1:02:55

you're trying to get into, Yeah, you want to go outside.

1:02:59

That's a term.

1:03:00

That's the new. Remember when you was a kid and used to say that to

1:03:02

people, Yo, you going outside? Uh huh,

1:03:05

that's back. But for adults, we

1:03:07

outside, Yo, we outside, Yo meet

1:03:10

us outside, were coming out of we outside you

1:03:13

And when you outside, you got you gotta be really outside.

1:03:16

According to Beyonce, because if you're not that, you're not

1:03:18

that outside, right.

1:03:22

I'll start using that because I like what you're

1:03:24

trying to get into.

1:03:25

I need to. I still like what you're trying to get into.

1:03:27

Don't get a twisted So when you when I text

1:03:29

you to do something, you want me to say, do you want to go outside?

1:03:33

I maan, if you could find a funny way to say it, you're.

1:03:35

Trying to go outside?

1:03:36

Yeah?

1:03:42

I always think about you, and I'm like, if it just

1:03:44

feels like you're not trying to get into.

1:03:45

Anything, I'm not trying to r s v P.

1:03:49

Yeah, you didn't rs VP on my birthday.

1:03:51

I'll be at your brunch. Bro. I'm

1:03:53

fucking skipping Vegas to go to your brunch.

1:03:55

Bro. Why were you going to guess my kid got

1:03:57

made hoops basketball? I'm skipping

1:03:59

that it to be at your brunch.

1:04:02

Bro.

1:04:03

He's gonna take them. He's

1:04:05

not ask some other parents to take

1:04:07

them.

1:04:07

Man, come on now, really, parenting

1:04:11

one O one, you can't.

1:04:13

You can't have other parents that you trust.

1:04:15

You sleepovers either.

1:04:17

Sorry, guys, because of his nut

1:04:19

allergy.

1:04:21

That's one reason these motherfuckers

1:04:23

I don't know. These motherfuckers they know that they know that

1:04:25

they might know the kids. I don't know.

1:04:27

These does want to have a.

1:04:31

I mean, if you want to have if your kids

1:04:33

want to sleep over here, that's cool. But there's

1:04:35

no way I'm letting my kids sleep over your house. I'm

1:04:37

sorry. I've even I've even I've

1:04:39

even I've even designed my house so

1:04:41

that if my kid wants to have friends over, it's

1:04:44

fun for the kids when they get here and they can have fun.

1:04:46

Have a question.

1:04:46

She's not going nowhere, and she's not going nowhere

1:04:49

to go. I'm sorry, very if

1:04:51

there's a select few, there's a very

1:04:54

select few, and you have to and

1:04:56

my wife has either vetted, like.

1:04:59

Straight up, man, vetting's important,

1:05:01

you got a vat no.

1:05:03

But even vetting, even vetting doesn't necessarily

1:05:05

crack the service. Anybody could be anybody

1:05:08

in an interview, you know what I mean, I could be

1:05:10

somebody else. I'm i fucking somebody else

1:05:12

in every interview that I go with.

1:05:13

So your kids will never your kids will never

1:05:15

be allowed to sleep at a friend's.

1:05:17

House, not until they're much older.

1:05:19

So those poor kids are like, I just want to go to a

1:05:21

movie and sleep over my friend's house. No,

1:05:24

go to a movie.

1:05:25

No, you can go to a movie. I'll

1:05:28

take you to a movie. If that's the case. I don't mind

1:05:30

that shit. You're not sleeping over them. I'll

1:05:32

be picking you up. There

1:05:35

you go, all right, un everybody starts

1:05:37

to go down. Guess who's coming to get you? What

1:05:40

time you're going to bed? You don't know. I'll

1:05:42

be there at eight thirty, nine

1:05:45

thirty the latest.

1:05:47

That's what's up. That's

1:05:49

what's up. That, my friends,

1:05:52

is what's up? So we

1:05:54

Joel organized a debate between

1:05:56

some fans. Hell, Joelle,

1:06:00

how did this work out? What happened?

1:06:02

So we asked you guys to send you your voicemails

1:06:04

to scrupsiheart atgmail dot com,

1:06:07

picking an episode and whether you loved

1:06:09

it or you hated it. So we got a ton

1:06:12

of emails, a handful of voicemails.

1:06:14

If you want to send in for any future episodes,

1:06:16

just make sure you put like which episode it is in

1:06:19

the title. So we have one positive

1:06:21

person in one who is not feeling

1:06:23

season nine.

1:06:24

All right, let me ask you a question before we continue. Were

1:06:26

these people saying the whole season or specific

1:06:29

episodes?

1:06:30

I reach out to them and ask them to record

1:06:32

specifically on season one episode

1:06:34

one.

1:06:34

So that's okay.

1:06:35

So if you're going to something different, if you're gonna submit

1:06:38

going forward, what we'd

1:06:40

like you to do if you want to be on the air is

1:06:42

pick a specific episode and put

1:06:45

in the subject heading to Joel, this

1:06:47

is about season nine episode four.

1:06:50

Here's why I love it, Here's why I hate

1:06:52

it. Maybe put season nine episode

1:06:54

four love or season nine episode

1:06:57

four hate, just to make it simple for Jewell,

1:06:59

because she's a very busy woman, very smart, and

1:07:03

and Carmen who helps us.

1:07:05

Carmen, shout out Carmen.

1:07:06

And what's the max time, Joell?

1:07:08

Like three minutes.

1:07:09

Maxe minutes max?

1:07:11

Anyone audio audio?

1:07:13

Okay, So this

1:07:15

is for Scrubs season nine,

1:07:18

episode one. We'll start with Aaron.

1:07:20

She was not a fan.

1:07:22

Oh Aaron, Okay, go ahead,

1:07:24

Hey.

1:07:25

Zach, Donald, Joel,

1:07:27

and Daniel. My name is Aaron Fodorco

1:07:30

and I'm calling on behalf.

1:07:32

Of all season nine haters.

1:07:35

Specifically, I'm going to talk about why

1:07:38

I hated season nine episode

1:07:40

one so much. It

1:07:43

is the biggest tease of

1:07:46

my entire life. To

1:07:49

me, what made Scrubs so

1:07:51

perfect was

1:07:54

the fact that Jad

1:07:57

was casted perfectly by Zach Raft.

1:07:59

Thank you, and anyone who knows me

1:08:01

knows I love Zach Brath.

1:08:05

So season nine was an absolute

1:08:07

keeyas because it gave me exactly

1:08:09

what I wanted.

1:08:10

From the start.

1:08:10

I got an opening monologue about

1:08:13

how he talks about Sacred Heart

1:08:16

and his time there, and

1:08:18

from that moment he has one

1:08:20

of the funniest episodes I

1:08:23

have seen from him in a long

1:08:26

time.

1:08:26

Wow.

1:08:27

Some examples are the

1:08:30

entire scene where JD and Turk

1:08:32

are trying to find each other in

1:08:35

the hospital and the eagle

1:08:37

scene where they are running around the campus

1:08:40

and they run into doctor Cox. But

1:08:42

I think the funniest thing about

1:08:45

this episode is when JD

1:08:48

says to doctor Cox, stay

1:08:51

open for business in your heart cage.

1:08:54

That is probably the hardest I've

1:08:56

laughed this entire

1:08:59

season of Scrubs, and it

1:09:01

is a shame that it was given

1:09:03

to me in season

1:09:07

nine, episode one. And

1:09:11

finally, what made

1:09:13

Scrubs work was the

1:09:16

chemistry that was built between the core

1:09:18

cast over eight

1:09:21

seasons, and

1:09:25

Bill Lawrence gave us exactly

1:09:28

that in season

1:09:30

nine, episode one. Scrubs

1:09:33

is synonymous with JD, which

1:09:36

is anonymous with Zach Brath and

1:09:38

The only thing that season nine left

1:09:41

me wanting more of.

1:09:43

Was Zach Brath JD

1:09:47

and Zach Brath in the same

1:09:49

way that Christopher Walkin needed more

1:09:51

Cowbo.

1:09:53

I believe it even nine of Scrubs to have

1:09:56

worked better, it

1:09:58

had to have been named something completely

1:10:01

different. And

1:10:05

the only reason that I am able to forgive

1:10:07

Bill Lawrence for Scrubs

1:10:12

is that he created ted Lasso.

1:10:15

Thank you, guys, Love you guys. This

1:10:17

is absolutely amazing. Thank you for letting

1:10:19

me talk my shit on season

1:10:22

nine. I've been waiting

1:10:24

a lifetime to do this.

1:10:29

What's your name again, name Aaron?

1:10:31

Thank you so much. Thank you for the very nice

1:10:33

words about me and

1:10:37

well said. I think she mentioned a couple things

1:10:39

we mentioned, although she happened to love the moment when

1:10:41

we did an eagle and you know

1:10:43

what I think.

1:10:46

I think this is probably one of the

1:10:48

best ideas in a long

1:10:50

time. And this is why

1:10:54

if Star Wars did this, this would be great. People

1:10:57

got to air out their fucking you know.

1:10:59

What I'm saying, grievances, you

1:11:02

know what I mean, and not be.

1:11:04

Penalized for it and not judged

1:11:06

for it or whatever. You know what I mean. A

1:11:08

young lady expressed everything

1:11:11

she wanted to express. She

1:11:13

has a very she's very fond of you,

1:11:15

Zach, obviously. So I don't think the show would have worked.

1:11:18

I don't think the show would have worked. Regard

1:11:22

if you had, if you would have been in All six, I

1:11:24

mean thirteen or twelve, I bet

1:11:27

you she would have loved it. So I

1:11:30

will say this is a great

1:11:32

way. As long as

1:11:34

you don't hurt nobody's feelings, I'm all for

1:11:36

it. I'm sure. I'm sure there have people

1:11:38

that said some shit like and this, I

1:11:41

say something about this asshole and.

1:11:47

Make Does this make you want to go? Do

1:11:49

you wish now that you could go on a Star

1:11:51

Wars podcast and say the grievances

1:11:53

you have about something you don't like in Star Wars?

1:11:55

Everybody knows my grievances. Fucking

1:12:01

fucking Star Wars knows my grievances.

1:12:03

I don't think I'm gonna ever do a Star Wars

1:12:05

again.

1:12:06

Because you think you've hurt someone's feelings.

1:12:08

I might have hurt someone's feelings.

1:12:10

Dave Feloney, do you think that, Davey

1:12:13

No way. I've heard just like you say fuck

1:12:16

your sound effects machine.

1:12:17

Do you think no definitely

1:12:19

feel like whoever was involved with the sequel

1:12:21

trilogy might be like, I

1:12:24

don't like like, I don't like Donald

1:12:26

Faison anymore.

1:12:28

You sure they love you. Although

1:12:31

when we were at the Pineo, you

1:12:33

did give love to Kathleen Kennedy's twin

1:12:35

instead of her.

1:12:36

That may have heard. And I was being fake

1:12:39

too when I did it too, And I deserve that also,

1:12:41

boy, and I was, and I deserve that.

1:12:44

If you have an identical twin and you're hosting

1:12:46

a giant premiere, I'm sure a lot of people are gonna

1:12:48

get confused. She should wear a T shirt that says I'm

1:12:50

not Kathleen Kennedy.

1:12:52

Yeah, but also I shouldn't have went up to Kathleen

1:12:54

Kennedy and or who I thought was Kathleen

1:12:56

Kennedy and lied my ass off on how

1:12:59

much I enjoyed the movie because I really

1:13:01

didn't.

1:13:01

Well, now you're definitely not gonna be all

1:13:05

right, Joell, Let's hear the person who loves Season

1:13:07

nine, episode one, Dan,

1:13:09

I'll take it away, got you? Here

1:13:12

is here is Samantha?

1:13:16

He y'all.

1:13:16

My name is Samantha and I'm from North Carolina.

1:13:20

Episode one of season nine is my favorite.

1:13:22

Because it gives you a sense of normalcy.

1:13:25

You have right off the bat, JD

1:13:28

walking in doing his inner monologue

1:13:30

thing.

1:13:31

We have Elliott over here yelling

1:13:34

at Med students in our high

1:13:36

pitch, cute little voice, cute

1:13:38

little pregnant belly Turk,

1:13:41

he's.

1:13:42

Being a silly old self.

1:13:44

We've got doctor Cox with his

1:13:47

egotistical, diabolical

1:13:49

cutthroat itself telling

1:13:51

these med students You're gonna kill

1:13:54

somebody, and you still

1:13:56

like. And then you got j D and Churk

1:13:58

acting like we've not seen each other

1:14:01

in what I'm guessing years,

1:14:04

but they just carpolled to school together.

1:14:07

But they're running to each other.

1:14:09

And it's like a flashback in

1:14:11

a sense from their honey like or

1:14:13

Carla and Turks honeymoon, and

1:14:15

I guess Judi and Turks honeymoon.

1:14:21

We were together.

1:14:22

But I also like the med students.

1:14:25

You have Lucy, Drew

1:14:28

and Cole. They all

1:14:30

bring this weird little trio

1:14:34

dynamic that you

1:14:37

had with Elliott,

1:14:40

Turk and JD. And

1:14:44

it was kind of like a warming

1:14:47

you up to a new thing. Also,

1:14:50

like the fact that Joe was

1:14:52

brought over. Joe was probably one

1:14:54

of my absolute favorites in season

1:14:56

eight, like she had

1:14:59

this just

1:15:01

dark self about her, and I

1:15:04

feel like I have a dark side, like

1:15:06

dark self, like dark humor, and

1:15:10

I love that about her, Like she just cracks

1:15:12

these dark jokes to kind of

1:15:14

deal with things, and I feel like I

1:15:16

do the same thing, so I basically

1:15:18

connected with that.

1:15:20

So her coming over was

1:15:22

a nice adjustment as well. But

1:15:25

honestly, my.

1:15:26

Favorite part that still actually made

1:15:28

everything still feel normal was

1:15:31

when doctor Cox took

1:15:33

on Drew.

1:15:34

As his number one.

1:15:36

And of course, you know how JD gets

1:15:39

when Doctor Cox takes any interest

1:15:41

in anybody else, he gets so jealous.

1:15:44

And I absolutely love that shit, because

1:15:47

it's either doctor Cox just likes to fuck

1:15:49

with him about it or

1:15:52

he just well, doctor Cox just knows

1:15:55

who's going to be a good doctor and

1:15:57

so he takes on that person, and and

1:16:02

even j D knows that, but he

1:16:05

still gets jealous because he

1:16:07

never gets that affection from

1:16:10

doctor Cox. I

1:16:13

feel like it was just a great transition into

1:16:16

season nine, And to be honest,

1:16:18

I liked season nine.

1:16:19

I'm probably gonna be one of the only

1:16:22

ones that do.

1:16:23

But I enjoyed the season, and

1:16:25

I enjoyed this podcast, and I

1:16:28

want to say thank you guys so much for

1:16:30

this opportunity. Thank you Joe, Well and

1:16:33

Donald and Zach. I love y'all so much.

1:16:36

And hey, Daniel nice, I thought

1:16:38

she was.

1:16:38

Gonna skip you down, but you gotta shout.

1:16:40

Out wonderful thank

1:16:42

you again so much.

1:16:44

Very sweet Samantha. Right, thank

1:16:48

you Samantha very much, and go

1:16:50

ahead, don.

1:16:51

I You know, I once again think

1:16:54

that this is something that a bunch of companies,

1:16:58

and especially tentpole

1:17:01

shows and movies should do. You should

1:17:03

have the opportunity to as

1:17:05

long as you don't hurt anybody's feelings, the

1:17:08

positive and the negative, what works

1:17:10

and what doesn't work, you know what

1:17:12

I mean?

1:17:13

That achould be an interesting way to review

1:17:16

a movie because it's like what Ciskel and Ebert

1:17:18

used to do. You know, remember that great show where

1:17:20

they would like pash it out sometimes because

1:17:23

now now things are just rotten tomatoes. I was listening

1:17:25

to Samantha, and I'm thinking, like I would

1:17:27

love to hear like people do it like I

1:17:29

mean a pro and con of the film, Like let

1:17:31

me hear the person who loved it and then the person who didn't

1:17:33

like it. And there are reasons like as opposed

1:17:36

to just like someone's blanket statement. That was

1:17:38

interesting.

1:17:38

Yeah, as long as you don't disrespect anything.

1:17:40

Yeah, and be respectful as both of those as both

1:17:43

of those women were respectful.

1:17:44

Yeah, that's what's up.

1:17:47

Well, No, I did I

1:17:49

think in the in the macro when I zoom

1:17:51

out, I did not dislike it as much as

1:17:53

I thought I was going to.

1:17:55

I will agree with you.

1:17:57

The leads are clearly charming. I mean,

1:18:00

not us, The new leads are clearly charming

1:18:02

people. And was written

1:18:04

by Bill Lawrence. It was directed by Michael Spiller, who's

1:18:06

a wonderful director. And there's

1:18:09

it. That is episode one of season

1:18:11

nine. Everybody donald

1:18:14

is going.

1:18:15

To be interesting. This is going to be interesting because

1:18:19

you know, you get it, I get it. The gripe

1:18:21

is what a difference in

1:18:23

name makes. You know what I mean by

1:18:25

naming it Scrubs, everybody

1:18:27

has beef. I really do believe that

1:18:30

if it wasn't called Scrubs and

1:18:32

it was a spin off of Scrubs

1:18:35

and intended to be a spinoff of

1:18:37

Scrubs, like if it looked like a

1:18:39

spin off book, you know what I mean, it would

1:18:42

be way

1:18:44

more successful and people would have gravitated

1:18:46

towards It was because I laughed, right,

1:18:50

I laughed because I laughed a couple of times

1:18:52

out loud. And there are Scrubs episodes

1:18:55

where I didn't laugh at all and you laugh it.

1:18:57

Did you laugh at stay open for business?

1:18:59

In your heart?

1:18:59

Came dude? I laughed at

1:19:02

us. I'm not gonna lie. I laughed at the guy

1:19:04

love shit and me knocking dude over.

1:19:06

I laughed at your face is so funny.

1:19:09

The determination to hug you. I

1:19:11

did not laugh at the prison line, but I

1:19:13

laughed at everything else. You know what I mean?

1:19:14

You know it's good. One thing I thought as we were listening

1:19:17

to these women's

1:19:19

opinions was like, this exercise

1:19:21

might be informative if and when we do

1:19:24

a Scrubs reunion,

1:19:27

like to help us not fall in

1:19:30

well a bill, but us as well, to not

1:19:32

fall into pitfalls. You know, how

1:19:34

can we make that something

1:19:36

new and fresh and different while

1:19:39

still giving the audience something they want, which is

1:19:41

seeing everyone and all the characters and where

1:19:43

they are these days.

1:19:44

The other question is do you bring back the people

1:19:48

from med school? No? No, but

1:19:52

they're all huge stars now, all of them.

1:19:55

All of them are big stars Sarry

1:19:58

Dave. We'll

1:20:01

see we're gonna introduce We're gonna introduce a couple

1:20:03

of other characters.

1:20:04

I love that Rob Maschio makes a little

1:20:06

cameo with.

1:20:08

Credits.

1:20:09

Rob will definitely be in the in the new incarnation.

1:20:13

I would love to see.

1:20:16

He's gonna have to get in shape. I don't think he's got that body

1:20:18

currently.

1:20:20

He looks pretty good in the pictures.

1:20:22

I'm just saying. I'm just saying that

1:20:24

I think Rob would be the first to say, if you

1:20:26

want me in the banana hammock, I need to go to the gym.

1:20:29

No, because the banana hammock is going to be full. No,

1:20:33

if this it matters right,

1:20:35

It's not about it's not about

1:20:37

the physique.

1:20:38

We know that he's we know that, we know

1:20:41

that he's got a third leg. We

1:20:51

made about a bunch.

1:20:53

Of a

1:20:57

story.

1:21:00

Should know.

1:21:02

So Gadder round you here, up,

1:21:04

Gadder round you here.

1:21:06

Up.

1:21:06

Screetcha mi ando

1:21:10

mm hmm