Episode Transcript
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0:00
Family Secrets is a production of I Heart
0:02
Radio. Lacey Schwartz
0:04
was born into a Jewish family who lived in Woodstock,
0:07
New York. Her twenty sixteen
0:09
documentary, Little White Lye,
0:12
begins with glimpses of home movies Lacy
0:15
as a young child surrounded by her
0:17
family. This is in the late
0:19
nineteen seventies. Her mom
0:22
is fair with big blue eyes. Her
0:24
dad is dark haired, intense looking, brooding.
0:28
Actually, her parents look kind of cool, hippieish,
0:31
like a young James Taylor and Carly Simon,
0:34
which is appropriate since this is Woodstock.
0:38
And then there's Lacy. What
0:40
the viewer notices instantly is that the child
0:42
is black, but no
0:44
one in her family seems to notice or take in
0:46
this fact. I can't
0:49
stress how obvious it would be to anyone
0:51
looking at this family that there is no
0:53
way little Lacy, a beautiful
0:55
girl, was caramel skin, dark eyes,
0:57
kinky hair, and decidedly African
1:00
American features, is the daughter
1:02
of her two very white parents. I
1:05
mean, maybe she's the daughter of one of them, but
1:07
both out of the question. Except
1:11
this is a story in which what people
1:13
wish to believe will themselves to
1:15
believe, becomes what they actually do
1:17
believe the story of a family
1:19
who raises their only child to
1:21
believe that she is something other than who
1:24
she is. I'm
1:34
Danny Shapiro, and this is
1:36
family secrets, secrets
1:38
that are kept from us, secrets we keep
1:40
from others, and secrets we keep
1:43
from ourselves. So
1:46
did you have any sense
1:49
at all growing up that
1:52
something didn't quite make sense? Absolutely?
1:55
I mean I solely because the way
1:57
I loved from the time I was very
1:59
very um. I either have memories
2:02
of being questioned about the way
2:04
I love and why I looked the way I did because
2:06
I did seemed to like fit in with
2:08
my family and surrounding and I
2:10
looked different than other people, And it also
2:12
became almost like a little bit of family lore
2:15
that you know, the first vacation, at least
2:17
I was aware that we went on as a family and we went
2:19
to Puerto Rico, and as an infant,
2:22
you know, people thought I was Puerto Rican. So
2:25
it was always very clear that
2:27
people thought I looked different from my
2:30
parents. I know something
2:32
about growing up with a profound disconnect
2:34
between who I was told I was and
2:37
the truth that stared back at me in the mirror
2:39
every day. A couple
2:41
of years ago. As nothing more than a whim,
2:44
I spit into a plastic file and
2:46
sent a d n A sample to one of those genetic
2:48
testing companies. When
2:50
I got my results, I found
2:53
out that my dad wasn't my dad.
2:56
Half of my family tree was locked off at
2:58
the roots. The person I
3:00
thought I was was not the person I
3:02
actually was, at least not biologically.
3:06
At a time when I was in the midst of my freak out,
3:08
a friend told me about Lacey's film.
3:11
I watched mesmerized as
3:14
a beaming black girl held the Torah
3:16
on her bot mitzvah, her parents proudly
3:18
looking on as she read from
3:20
the Hagada at the pass Over table with her
3:22
family, as she laughed as a toddler
3:25
on her mother's lap. My
3:27
family knew who they were, and they defined
3:30
who I was, the adult, Lacey
3:32
narrates. I
3:37
was raised in an Orthodox Jewish family on
3:40
my father's side. It was a lineage
3:42
that stretched back into the shettles of Lithuania
3:45
and Poland. My cousins
3:47
all look unmistakably Jewish. In
3:49
fact, some of them wear the black hats
3:51
and long beards of Hassad's. I
3:54
grew up in a Kosher home, spoke fluent
3:56
Hebrew, and attended a yeshiva at
3:58
Jewish day school. And every
4:01
day of my life I was told that
4:03
I didn't look Jewish. I was very
4:05
fair and blue eyed. But it wasn't just
4:08
that I didn't look Jewish.
4:10
It was that I did look like something
4:12
else, like I came from another part
4:14
of the world altogether. But
4:17
in my family, we laughed off this strange
4:19
genetic twist of fate that had me
4:21
looking like Swiss miss wandering over from
4:23
the Alps and into the dusty shuttle. It
4:26
was a source of amusement and hilarity.
4:29
I mean, when I was three years old,
4:31
I was the child in the Kodak Christmas poster.
4:34
Literally, I was the little girl
4:36
wishing the entire world a merry Christmas.
4:40
As the end credits rolled in Lacy's film,
4:42
I turned to my husband Michael, so
4:45
I said, the level of denial in
4:47
her family was really extreme, not
4:49
like what happened in mine. Michael
4:52
paused and looked at me. Yeah,
4:54
no, pretty much the same, he
4:57
said. There's
4:59
all different kinds the secrets of families kind of, but a
5:01
lot of times it's because people's existence. They're like
5:03
stigmatized. People don't want to
5:05
talk about having affair, they don't want to
5:07
talk about being inter at all, they don't want
5:09
to talk about the fact that maybe they are partning
5:11
before our marriage. There's all
5:14
different kinds of things that people
5:17
lie about, absolutely, and
5:19
we're also living in a moment in time where a
5:22
lot of those lies or
5:24
very closely kept secrets are tumbling
5:26
out because of the combination
5:29
of the Internet and DNA
5:31
testing, where people find out all sorts of things
5:33
that were meant to be kept secrets
5:36
to the grave. Yeah. No, absolutely
5:38
mean. I have a bunch of friends through through genetic
5:41
testing, the kind of over the kind of generic testing,
5:43
has found out that they are not their
5:45
parents child. There
5:48
was within my family a kind
5:50
of the story that was told was that my
5:52
father had a dark skinned Sicilian grandfather
5:55
who I had never met, had passed
5:57
away about her Warren by looking
5:59
at family photos, that was who
6:01
I looked like. It was darker as
6:04
features and c around, and that it was
6:06
kind of its idea like re set of gene And
6:09
that was a story that was repeated
6:11
and kind of was passed on and
6:13
would come up at various
6:16
moments, so I would say
6:18
that, you know, for me and becau's really worth knowing
6:20
that, in in terms of my own time, I was denial that my denial
6:22
was very much learned, you
6:25
know, it was something that was passed on
6:27
to me. Lazie
6:29
grows up in a self described bubble in
6:31
Woodstock. Despite its fame,
6:34
it's a small town, mostly white.
6:36
No one really challenges her or her parents
6:39
about what is glaringly obvious.
6:41
But then, as bubbles do, hers
6:44
begins to Expand we're
6:48
going to take a quick break. We'll be back in
6:50
a moment. When
6:57
Lazy enters middle school and then high school,
7:00
she's bussed to a much larger town, and
7:02
it's then that she begins to get the questions
7:05
and deep down to question herself.
7:08
There's a moment in your film, if I were
7:10
call it correctly, where there's a sense that
7:13
the African American kids in that school are
7:15
looking at you like you're one of us, Like
7:18
what's up that this isn't making
7:20
you know, like we we recognize you exactly.
7:25
Part of that was understanding how you know, I had
7:27
come to convince myself to believe that
7:29
I would still I kind of push back
7:31
a rationalize against it, but I would say
7:33
that probably around high school
7:35
is when kind of stuff,
7:38
or maybe even middle school was when I realized
7:40
that you dine you the truth but wasn't willing
7:42
to admit it. And I think I went through most of my adolescens
7:44
in that phase. The phase
7:46
Lacy is talking about here has been coined
7:49
by the psychoanalyst Christopher Bolas as
7:51
the unthought known, what
7:54
we know deep down but cannot
7:56
bring ourselves to think. Sometimes
7:58
we spend our whole lives in
8:01
the unthought known, and
8:03
sometimes life intervenes and
8:05
we're confronted with knowledge that we can no longer
8:08
bury from ourselves. When
8:11
Lazy is sixteen, her parents,
8:13
who had been having issues, split up. This
8:16
fissure in the foundation of her family is
8:19
the first step in a fissure inside
8:21
of Lacey. She can't articulate
8:23
it, but she knows that something doesn't
8:26
make sense. The fall of her
8:28
senior year, when she applies to colleges,
8:31
she leaves the box that would identify her
8:33
ethnicity unchecked. Back
8:36
in those days, I don't think college
8:38
is still do this. Lacey would have sent
8:41
a photograph along with her application. So
8:45
Lacey is admitted to Georgetown as
8:47
a black student. Do
8:50
you remember anything about that moment? Was
8:52
that a conscious choice?
8:55
Was that a moment of I really just
8:57
don't even know what to put here? Or you tell
8:59
me, like you know, it almost
9:01
feels like a challenge, like you tell me who who
9:04
am? I? And I've spent to a fair amount
9:06
of time analyzing this and discussing
9:08
it with the people that were close to me. But I think in
9:11
retrospect that what I was,
9:13
even if it was, as you said, the
9:15
the unknown truth or what was that you said,
9:18
what was that crazy? The unsought known,
9:20
the unsought known? And that was really
9:22
so my parents went around was six team a junior
9:25
year in high school, right, So I
9:27
was sending in my applications
9:29
more or less that summer fall afterwards.
9:32
At that point I was really
9:35
my bubble was popped, and so I think seeped down
9:37
at that point. I didn't know the truth, but I was
9:39
very much prioritizing the issues
9:41
I was dealing with my life. But
9:44
at the same time, largely around I wish with one
9:46
person, a guy that I was dating
9:48
at that time, who had already
9:51
gone off to college, who he himself
9:53
was also bi racial black and
9:55
had come from the same sound as me and was just saying,
9:58
like, yo, it's one thing that you think
10:00
walking around in this relatively small community
10:02
that we grew up in and saying
10:04
that you're white or you know, identifying
10:07
as such. But you know, when you go out into
10:09
the bigger world, like people are going to laugh at
10:11
you, like it doesn't add up. And
10:13
so I was conscious enough to know at that point
10:15
that there were things that weren't adding
10:17
up, But I wasn't prepared
10:20
to really do the deep dive at that point under
10:22
my you know, but still the time my
10:25
parents root, I wasn't in the
10:27
proximity of my parents ready to do
10:29
that diving a cigarette like, well, then who am
10:31
I if I am not the daughter
10:33
of both of my parents. Lacy
10:36
goes off to college and begins to try on her
10:38
new identity, living in what she
10:40
describes as a racial closet. She
10:43
doesn't say a word to her mother, she
10:45
doesn't say a word to her father. It
10:48
isn't until she's been away from home for her entire
10:50
freshman year that she broaches the
10:53
subject with her mother for the first
10:55
time. So I went
10:57
to my mother and was life with then I wanted as a truth,
10:59
like why do I the way I did, and my
11:01
mother, as she tends to, kind of comes in haunt
11:04
and took a whisle me pushing her
11:06
for her to finally kind of sit down and really have the conversation
11:08
about what occurred around me being
11:11
conceived and how likely it was that
11:13
my father was not my biological boma.
11:17
So by the time I
11:19
found out and really fundamentally
11:21
again, it was more a confirmation process
11:24
than it was a revelatory
11:26
process, because by the time I went to
11:28
my mother and stop to her, I was ready
11:30
just to have the imformation firm so
11:32
I could confirm my own
11:34
identity and be able to figure out who I
11:36
was. Lacy's mother
11:39
does not want to talk about it. At
11:41
first, she denies it, but eventually
11:44
she tells Lazy the truth her
11:46
mom had had a long affair was an African
11:48
American man named Rodney, a
11:50
friend of the family that Lacy has known
11:52
growing up and who Lacy resembles
11:55
to such a point that friends have pointed it out,
11:57
and so kind of at that point she shared
12:01
the information and shared what is basically
12:03
outline it. It's not that she had had a
12:05
relationship with my biological father, and
12:07
there was a very good chance that I was to his child,
12:10
and for me, I mean again, based on the side
12:12
that I really physically looked
12:14
fairly somewhere at him, it seemed pretty
12:16
obvious what the truth was. Once
12:19
Lazy has the truth of her identity confirmed,
12:22
you'd think she'd pay her dad a visit go
12:24
talk to him. Lazy's
12:26
mom tells her that the two of them have never discussed
12:29
it. My parents never talked
12:31
about the truth to this day. They haven't actually really
12:33
pull out had a conversation about the truth
12:36
for a long time, obviously because my mother. But now
12:38
at this point, my father guys made it clear
12:40
to her that he doesn't want to sit down and talk it
12:42
out, that he just doesn't want to talk to her about it. And
12:44
they had never had a moment with
12:47
each other when you were born
12:49
or in your childhood. There wasn't that
12:52
when when he moved
12:54
out, like when they were pretty much in the processive him
12:56
moving out. One one moment he said, you
12:58
know, I know, Lazy not my biological
13:01
child, and the point her, you know,
13:03
she cried and cried and said I'm sorry, I'm sorry,
13:05
But they didn't actually have a competition like that was
13:08
the expect of the competition. How
13:10
long after the hemming
13:13
and hawing with your mother and then finally her admitting
13:16
to you that it was possible. How
13:18
long before you then ended up speaking
13:20
with your father about it? A decade?
13:24
A decade? We're
13:28
going to pause for a moment. You
13:36
know, Sometimes I wonder what I would have done
13:39
if I had found out the truth about me and my dad
13:41
while he was still alive. Now
13:44
it's easy for me to wish I could talk to him,
13:47
to wish I could ask him what he suspected
13:49
or whether he flat out new and
13:52
if he did know whether it mattered. But
13:55
would I have been able to sit my father down,
13:57
look him in the eye and have that
13:59
moment into saying I am not
14:01
your biological daughter. For
14:04
me, I think it was really about
14:08
living for a long time in fear
14:10
that if I spoke the truth
14:12
about my race, which was directly linked
14:15
to my fraternity, that I
14:17
would be at risk of losing my father,
14:21
And so I always telling my father was my father, and I
14:23
was scared of losing him, And it
14:25
took me a while to come
14:28
to accept that I actually
14:31
only now realized that I probably
14:33
was never really at risk of losing him, But
14:36
I actually had to accept that
14:38
I had to be willing to move
14:40
forward regardless of the potential
14:43
of losing him, because I couldn't live
14:45
my life under these secrets
14:47
and be able to move for with my life in
14:50
a healthy manner. And then
14:52
after I was came to that realization
14:54
and acceptance and actually didn't
14:57
move forward, I came to
14:59
realize that when I kind of sent my own
15:01
boundaries and owned my own truth, that
15:03
in fact, my father was
15:06
fundamentally still going to be there. Like
15:08
I literally thought there one or two things was going to happen.
15:10
Either he and I were going to totally like
15:13
sit down and working all out beyond the same page,
15:16
or we were going to have nothing to do with each other. And
15:18
I didn't realize that there was a middle
15:20
ground between those two, that we could actually have
15:23
live our own separate realities
15:25
but still being in each other's lives, which is what
15:27
exact happened. And
15:30
it also took me a while to really accept
15:32
the fact that nobody except for me was
15:35
going to actually bring up these conversations that
15:37
in and of itself was something I had to
15:39
come to terms with. It's like why won't they
15:42
whether it was like send the family and my father, why don't think
15:45
forward was having the conversation but realizing
15:47
that, you know, this is my life and
15:49
I couldn't be a victim within my own life, and so
15:51
if this was something I needed to do, I needed to take
15:53
responsibility and do it. The
15:57
discovery of such a massive secret
15:59
that was always hiding in plain sight is
16:01
one thing. The work of
16:04
metabolizing it is another. It
16:06
isn't easy to digest a new truth
16:09
about yourself that changes the very
16:11
nature of your identity, and
16:13
in Lacey's case, this is complicated
16:15
by the fact that there's a politicized racial
16:18
identification going on. She
16:20
has to reconcile being black with a
16:22
lifetime of believing she was white. She
16:25
has to come to an understanding of what it means
16:27
to be both black and Jewish.
16:30
If you think about it, identity
16:32
is usually something that we're born with and grow
16:34
into, but what about when
16:37
it isn't so. Lacey
16:39
embarks on making her documentary
16:41
first thinking that she's going to explore
16:43
dual identity, what she calls
16:45
two iconic identities, being
16:48
black and being Jewish, But
16:50
as she begins working on the film, she realizes
16:53
that while it's a good idea. She doesn't quite
16:55
know what the story is until
16:58
she realizes that she and
17:00
her family is the story. And
17:03
one of the things I think is most interesting about
17:05
this is that the art form Lazy chooses
17:08
film is a visual, clear,
17:10
direct medium, one in which Lacey
17:12
would be pointing the camera at her parents who
17:15
never ever wanted to talk about
17:17
this, and essentially pushed them
17:19
to talk. Like,
17:21
you didn't make an opera out of it. You make a
17:23
book out of it. You to make a play out of it, or
17:25
a poem out of it, or a podcast out of
17:28
it. You made a film.
17:30
It's like, in a way, what it feels
17:32
like to me is you were saying, I'm
17:34
going to pin this down as much as it can be pinned
17:36
down, because it wasn't pinned down
17:38
for all of those years.
17:41
It really is like a coming out product. You
17:44
know. I had literally lived in regi Ploset
17:46
where it was out and about in my world
17:48
and kind of you know, identifying a
17:50
certain way that I would come home and I with whitewash
17:52
and my existence and I would tell France, you know, remember
17:54
my we don't talk about me
17:57
being black at home from the just
18:00
I had to live it and therefore capturing
18:03
the living of it. Just made sense
18:05
to me just to go through it and
18:07
just hold myself accountable to really
18:10
not only living through it, but then actually going
18:12
back and processing it. And this just
18:14
felt like the way that made the most soundsels
18:17
I was really living out experience, and
18:19
doing a documentary was really capturing what
18:22
was happening in real time at that moment. Right
18:24
Also, it gives you permission and
18:26
forces you in a certain way to ask
18:29
the tough questions to go there, to
18:31
keep your mother in the chair, to have that conversation,
18:34
to have that conversation with your father um
18:36
which no other art form would afford you. Until
18:38
I uncovered my family's secrets, I was never going
18:41
to learn to live with my joy
18:43
identity being black and Jewish, and I was never going
18:45
to be able to internally integrate my identities
18:48
until I was willing to go through the process
18:50
of moving past my family secrets.
18:56
I suppose that it's core this is a
18:58
story about the extraordinary a capacity
19:00
that we human beings have to believe
19:02
what we want to believe, to bury
19:05
our own secrets, even from ourselves,
19:07
and at the same time the capacity
19:10
we also have to shed those
19:12
secrets to move past them
19:14
and become holy ourselves.
19:17
You now have five year old twins,
19:21
is that right? So in your family
19:23
life, how does being black
19:25
and Jewish play into the
19:27
way that you think about raising your
19:29
kids and dual identity and is
19:31
this kind of an ongoing story in a way
19:34
for you part of what you think about
19:36
as a mom as having kids of your own
19:38
now totally, I mean, I think I'm infertan
19:41
ways. I think I'm very typical, which is that like
19:43
identified with the Jewish, I've always practiced
19:45
in my own way my whole life.
19:48
But now I'm figuring out what that means in my family
19:50
and my husband, who was raised in Baptist Church.
19:52
We are raising the kids Jewish, but we're
19:55
figuring out what that means, you know, my husband is not Jewish.
19:57
But also to know who they are on every piece of it.
19:59
I mean, I think that for us the
20:01
thing that helps us that our world are
20:03
not divided in that space. Like my in law
20:06
is even expressed, you know interest in coming
20:08
to synagogue. We have a church with them on
20:10
some of the big holidays. I think that you
20:12
know, we wanted to know who they are completely and
20:14
totally, but we're still figuring it out. I mean, I
20:16
think everybody is figuring out. Previously,
20:24
when I wasn't like kind of speaking
20:26
my truth and owning and and I hadn't had the conversation
20:28
with my family, I lived with a lot of anxiety
20:31
about things being revealed. And you can
20:33
see some of those moments within the
20:35
film and the tension that I was living with and
20:38
I don't live with them anymore. That is
20:40
actually gone from my life, that
20:42
that anxiety has been relieved, And
20:44
so there are a very physical difference
20:46
in terms of how I lived my life now and how I
20:48
was putting it before, Like the apprehension
20:51
and anxiety around this
20:54
secret being will be able to talk about
20:56
our reference is now gone,
20:59
and I feel that physical difference.
21:10
I'd like to thank my guest Lacey Schwartz
21:13
for sharing her story with us today. You
21:15
can find out more about her documentary at
21:18
Little White Lie. The film dot com.
21:22
Family Secrets is an I Heart Media production.
21:24
Dylan Fagan is a supervising producer,
21:27
Andrew Howard and Tristan McNeil are the audio
21:29
engineers, and Julie Douglas is
21:31
the executive producer. If
21:33
you have a family Secret, you'd like to share. You
21:36
can get in touch with us at listener
21:38
mail at Family Secrets Podcast dot
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com, and you can also find us
21:42
on Instagram at Danny Writer, and
21:45
Facebook at Family Secrets Pod and
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Twitter at fam Secrets Pod. That's
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FAMI Secret Spot. For more about
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my book, Inheritance, visit Danny Shapiro
21:54
dot com
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