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Secrets is a production of iHeartRadio.
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I'm Dani Shapiro and
2:48
this is Family Secrets.
2:51
The secrets that are kept from us, the secrets we
2:53
keep from others and the secrets we keep from ourselves.
3:02
My guest today is Dina Gashman, journalist and
3:06
author of the recent essay collection, So
3:10
Sorry for Your Loss. Dina's is a story
3:13
of the long reach of our family. She
3:15
is a story of the long reach of our family.
3:19
Dina's is a story of the
3:21
long reach of a buried family
3:23
secret through the generations and
3:25
the desire of one tenacious woman
3:28
to understand what really happened
3:31
and how to make it right, or
3:33
at least as right as
3:35
possible. I
3:39
was born in Fort Worth, Texas. We moved to
3:41
Houston when I was in third grade and
3:45
my parents were high school sweethearts. So
3:47
my family goes back in Texas generations.
3:49
So my childhood was actually
3:52
pretty wonderful. I was
3:55
outside all the time. This was pre-technology
3:57
different. So, you know, my sisters and
3:59
I were all. I was outside making
4:01
mud pies and had very loving parents,
4:03
and I was close with my, those
4:05
sets of grandparents. So we were all pretty physically
4:08
close together. So I was spending the night with them all
4:10
the time, but it was
4:12
actually very happy and wonderful.
4:15
And I don't think there
4:17
was much that I knew about my
4:19
grandparents, except that they were just wonderful
4:21
people. I didn't really, obviously as a
4:23
kid, pay attention to their stories.
4:27
And you were the oldest of four? Yes,
4:29
yeah, oldest of four girls. So
4:32
growing up in the first the
4:34
Fort Worth area and then the
4:36
Houston area, what were
4:39
the expectations of the kind
4:41
of person you were supposed to grow up to be?
4:44
I think the expectations were, I'd
4:46
be a cheerleader, be on the drill team,
4:48
very kind of Texas view of the world.
4:50
And I was not going in
4:52
that direction at all. I was very
4:54
creative, wanted to be a writer. I always loved
4:57
school, but I just rebelled by wearing combat boots
4:59
and all that kind of stuff. But I
5:01
think the expectations were, you get married, you have
5:04
a family. And my parents knew pretty
5:06
quickly that I was probably going to go in
5:08
a different direction or maybe even leave Texas. And
5:10
they didn't discourage me from
5:12
that. But I think in general, it was more
5:15
just like, you get married, you have children. Women
5:17
didn't necessarily work that much, honestly. My
5:20
mom was a stay at home mom.
5:22
So that was kind
5:24
of the world that I was brought up in. And I
5:26
think I rebelled against it probably around junior high. And
5:29
even though you adored your mom,
5:32
you also had that adolescent rebellion feeling was, I
5:34
don't want to grow up and have your life.
5:37
At the time, yes, I very much
5:40
saw my mom as this woman who
5:42
had never really left Texas. And who
5:44
had kind of, I viewed, I guess
5:47
her life is small and I feel terrible saying that,
5:49
but as a teenager, I did. I just thought, I
5:52
want to go to Paris, I want to go to New
5:54
York, I want to have this big life. And I
5:57
remember getting in a fight with her when
5:59
I was in high school. I said, you know,
6:01
you're just a housewife. And I
6:03
apologize for that, probably literally until
6:05
our dying day. And she would always
6:08
laugh it off. But I felt horrible. But at
6:10
the time, I meant I was very much steering
6:13
myself away from being like,
6:15
quote unquote, just a housewife and living
6:17
in the suburbs like that seems horrible to
6:19
me. So I definitely repel against it. Hovering
6:24
over Dina's childhood was a story.
6:27
Well, not exactly a story,
6:29
more like family lore or a
6:32
legend, something about a
6:34
fire. Though the
6:36
details were super hazy, it was
6:38
always there in the background, part of
6:40
the music of her life. As
6:42
a teenager, some of the details began to
6:45
emerge. At
6:47
some point, I think in high school, I heard the
6:49
story of a fire. And
6:52
it just took shape in
6:54
my imagination. And I never asked
6:56
about it. But I
6:58
had heard the story of a fire
7:00
that happened on my mom's side. And
7:02
I knew a woman had committed arson,
7:04
but I didn't inquire any further. And
7:07
also at that time, when I was in
7:09
high school, I remember my mom telling me
7:11
that my great aunts on her side traced
7:14
our lineage. And this is before 23andMe. So
7:16
it was literally typewritten pages that she handed
7:18
me. And I was so excited
7:20
because I was sure in the pages, I was like,
7:22
you know, there's going to be some woman that like
7:25
fought in the front lines of a battle dressed as a man
7:27
or like marched for women's rights in the
7:30
20s. I just was so sure that as
7:32
opposed to the housewife that I didn't want to
7:34
become that there'd be some woman that I could
7:36
maybe like hinge my identity on. And so I
7:38
got the papers and there wasn't anything. There
7:41
wasn't anything. It was very basic stuff. And this
7:43
would have been in the
7:46
90s? Yeah, early 90s. So
7:49
those pages just sort of sat
7:51
around for a long time. It was a dead end. Yes.
7:54
And I actually still have them. I somehow held
7:56
on to them through those all over
7:59
the country. And But it was it
8:01
was it that in it and at that time I don't I
8:03
think I was just looking for some kind of heroin And it
8:05
just was you know your family goes back to the Mayflower and
8:07
you know that kind of stuff and so but I held On
8:09
to them for whatever reason What do
8:11
you think that was about the feeling
8:13
of you know wanting hoping you know
8:15
needing for there to be a Role
8:19
model in a way is sort
8:21
of within your family tree someone
8:23
that would maybe help
8:25
make sense to you of you Yeah,
8:28
I think a lot of it Maybe was just that
8:30
I did feel very different where I grew up because
8:32
when we moved to Houston It was
8:34
all about the status quo Very
8:37
homogenous like everyone has the same person
8:39
everyone You know it just felt like
8:41
everyone had to follow in a certain
8:43
line and that just felt so wrong
8:45
to me I couldn't even imagine
8:47
doing that and I and I wanted to push
8:49
against it because I could very
8:51
easily fall into that right and I
8:54
think it may have been about something bigger and
8:56
something wilder and maybe it would have made me
8:58
understand myself in that way It's
9:03
so interesting the way that I think so
9:05
often we feel the need to Place
9:08
ourselves within a narrative You
9:11
know as opposed to just doing
9:13
sometimes what you know we
9:15
have to do which is just make the narrative
9:17
Forge the narrative start the narrative But
9:19
just that feeling of sort of already
9:21
being part of a story that has
9:24
begun before yeah I
9:26
wanted out of Texas the South so I left for
9:28
UCLA and I loved it And I thought I would
9:30
never leave and I certainly thought
9:32
I'd never come back to Texas that was
9:34
not even a faint
9:37
idea So I went
9:39
to school. I studied English stayed in California
9:41
for many years I had you know all
9:43
kinds of jobs that would hopefully get me
9:45
to that writing life that I always wanted
9:47
and so Waited tables had
9:49
temp jobs, but always wrote it was always kind
9:52
of part of what I was doing and Then
9:55
I lived in New York for a little bit back
9:57
to LA and all of those
10:00
years when you moved around, you moved cross-country, you
10:03
kept with you those
10:05
pages. The, you know,
10:07
typewritten pages of family
10:09
history, genealogy, they never got
10:11
lost. They were important enough to
10:13
hold on to. Did
10:16
that story also sort of
10:18
reside in you somewhere, just as like this
10:21
sense of this mystery that you hadn't been
10:23
able to solve? It did. I
10:25
mean, that story of the fire, I
10:27
loved how it was in my imagination, honestly, and I've
10:29
asked myself all the time, like, why did I not
10:32
ask my mom? You know, I had plenty of time,
10:34
or my grandmother, why did I
10:36
not sit them down and say, okay, what happened? Right, because
10:38
I knew that there was this story of a fire, but
10:41
my only answer, I guess, is that I just, I liked the
10:43
way it was in my mind, but I
10:46
did, I carried that with me for years. And
10:48
every once in a while, I would kind of
10:51
think about it and imagine it. I think
10:53
when I was in college, actually, I saw
10:55
Terrence Malick's film, Badlands, which in
10:57
that film, there's
11:00
this very cinematic, operatic
11:02
fire scene, and
11:04
it's, you know, the main character's father
11:06
is horrible, so she burns
11:08
down the house, and somehow that scene
11:10
and that movie, which I loved, became
11:13
part of this family lore
11:15
in my imagination. So I
11:17
told myself that it was my grandmother that did
11:20
it, and she burned her childhood house down to
11:22
save her and her sisters and her mother, because
11:24
my great-grandfather was an alcoholic, which
11:26
he was, but I don't know if he was
11:28
a bad guy, I just know he was an alcoholic. So I
11:30
just created this thing of, it's kind of
11:33
like Badlands, and it's this big,
11:35
operatic fire, and my grandmother did it, and
11:37
no one was hurt, but she was the
11:39
rebel. And so I just kind of
11:42
let it sit there in my mind for
11:44
years, but I thought about it often, and I thought
11:46
about writing about it often, but I never did. When
11:49
you saw Badlands, did it
11:51
fit together with the vision
11:54
of the fire that you had already been
11:56
carrying around with you? Was it already sort
11:58
of this in your imagination? in your inner
12:00
life, was it this big operatic
12:03
thing, or did it sort of supplant
12:05
that in some way? I
12:08
think when I saw the film, that's what it became.
12:11
It just gave me a visual that
12:13
I could cling onto, and Terrence
12:15
Malick is from Texas. Like there were, you know, sort
12:17
of things that overlapped that felt
12:19
like I could kind of hold onto it, and
12:22
they just blended together in my mind. But I do
12:24
think the film probably influenced what was going on in
12:26
my head. Eventually,
12:31
Dina does find herself back in Texas.
12:34
Her grandmother passes away, followed by
12:36
her great-aunt's and then her mother.
12:40
It's during this period of grief and
12:42
loss that Dina feels a pull to
12:44
return to Texas. The
12:47
irony is not lost on her. She
12:49
has become the very thing she had judged
12:51
and run away from, a suburban
12:54
Texas mom. In
12:56
taking on this role, Dina rethinks
12:58
her own mother's life. Also,
13:01
she misses her terribly. You
13:05
know, my mom died in 2018, and
13:07
that really was, you know, the pull for me
13:09
to come back, and I really needed my roots.
13:11
But I think losing my mom, and I think
13:14
most people that have lost someone they deeply love,
13:16
one of the things that's really hard for me
13:18
is realizing that when you lose someone, then you
13:20
lose their stories, right? You can't ask them ever
13:22
again, and that's just hard
13:24
to live with. And I, you know, I
13:27
never asked my mom, I never asked my
13:29
grandmother about this story, and I
13:31
just think to myself, like, why didn't I?
13:33
Like, now if they were here, I would sit
13:35
them down and just say, tell me everything.
13:37
So I think losing my mom really pushed
13:39
me to look at this story closer and say,
13:42
like, let me just figure this out, because
13:44
I can't ask her anymore that the stories
13:46
are gone. Like, basically, I'm the
13:48
oldest female on that side now, I think,
13:50
which is a strange thing
13:52
to realize, but they're all gone, that whole
13:54
line of women. So I think that really
13:57
kind of kicked me into gear to say, like, okay, maybe I
13:59
need to... asked the question finally.
14:02
You know, I asked my dad first because he was
14:05
new my mom and her family since he was a
14:07
teenager so I figured he'd be reliable, but his you
14:09
know, his response was I'm pretty sure it happened. And
14:12
he was like, I think it was your great aunt Inez, but
14:14
that's kind of all I got from him. We'll
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for more details. Hi.
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I'm Sarah, Jake Roberts. With
17:38
few details from her father, Dina starts
17:40
to dig. She gets
17:42
in touch with all sorts of
17:45
family members, determined to get information
17:47
about her great Aunt Inez. In
17:49
her excavation, she finds out about
17:51
something, or rather, someone
17:54
she hadn't known existed. Aunt
17:57
Inez had a son, Steve. Oh
18:01
man, well, you know, first I'd asked
18:03
my cousin and, you know, nobody knew anything. My cousin
18:05
didn't know anything. My uncle didn't know anything. Some
18:08
distant relative in Arkansas that I called
18:10
didn't know anything. And
18:13
then when I found out about Inez's son
18:15
and I thought after all of these years
18:17
and then all of this time digging, I
18:20
thought, oh my gosh, I'm going to get his number. And wouldn't it
18:22
make sense to just call him immediately? But I got the number and
18:24
I just kind of froze and I
18:26
put it in my desk and it took me about
18:28
two weeks to make the call. I was very nervous
18:32
because I didn't know the guy. And
18:34
to call somebody up and say, hey, you know,
18:36
did your mom commit arson? It's
18:38
extremely awkward. And as
18:40
a journalist, I ask questions all the time. With
18:42
the hard questions, I have to really get myself
18:45
into that zone. So I sat on it for
18:47
about two weeks and it was scary.
18:49
I mean, my heart was racing, but
18:51
he was so sweet and so gracious. But
18:53
you know, I said, I heard
18:55
this story that your mom maybe committed arson.
18:57
Did you know anything about that? He had
19:00
no clue. And he he told
19:02
me that he didn't even know that his
19:04
mom had been married before his father until
19:06
he was 18 and they told him. So that just shows
19:08
you that even her being married
19:10
before was a secret. Yeah, a secret.
19:13
And so, you know, I asked his permission. I
19:15
said, are you OK if I kind of dig
19:17
further into this? It was a
19:20
scary thing to ask and kind of surprising
19:22
that he wouldn't know about this huge
19:24
thing in his mom's past. He did give me permission to
19:26
kind of dig deeper,
19:28
which I appreciated. You
19:30
know, I'm interested too in making the
19:32
distinction between like, yes, you're a journalist
19:34
and you're used to asking
19:36
hard questions and you have to kind of gear yourself
19:39
up to ask them in the line of work.
19:43
But I would imagine that it would have felt different
19:46
to be asking these questions
19:48
when you're dealing with something that
19:51
is as personal as a
19:53
family story. Yes,
19:55
it adds a whole other layer of for
19:58
one thing, I don't want to bring something. up with this
20:00
guy that I don't even know. This
20:03
guy in North Texas who, yes, he's related to me,
20:05
but I don't want to
20:07
call him and then just dig
20:09
up things that maybe he doesn't want to think about
20:11
or doesn't want to have
20:14
in his life. I guess I had to feel like
20:16
it was worth it to even go there. And I
20:18
think that's when my dad, who had told me, he
20:20
thought it was my nose. When I told my dad this, he
20:23
said, maybe you should just kind of leave this alone. But
20:25
I just couldn't. I had
20:28
his permission. And was your dad's
20:30
feeling, let sleeping dogs lie,
20:32
kind of why stir up something
20:34
that is ancient history kind of
20:36
feeling? I think it's
20:38
that. And then just my dad's a pretty
20:40
sensitive person. So I think he was probably
20:42
thinking of Inez's son. And just
20:44
maybe you don't want to do this to somebody that
20:47
is not asking these questions. And that is
20:49
the hard thing about finding out
20:51
a secret or being a journalist or
20:53
trying to look into these stories is
20:56
you almost have to think, OK, well,
20:58
is this my story to tell? And I did grapple
21:00
with that when my dad said, you know, maybe you
21:03
should leave it alone. I thought, OK, is
21:06
this my story to tell? This is this other guy's
21:08
mother. It's not my mom. But I just felt like,
21:10
you know, these are the one in my family that
21:12
I eventually came to the conclusion that it is. It
21:14
is my story to tell. Yeah, that
21:16
makes a lot of sense to me. I
21:19
mean, both the grappling with it and the questions.
21:21
And it sort of fell on you. He
21:23
just simply didn't know. But that
21:25
didn't make the story not a
21:28
true story. It didn't erase the story.
21:31
Right. Dina
21:35
is, at this point, a working mom with
21:37
a young kid. She's living a
21:39
rich and busy life in Austin. Still,
21:43
she doesn't lose her drive to solve
21:45
the mystery, to close the chapter, to
21:47
understand what happened the night of the
21:49
fire and in its aftermath. The
21:53
other thing that really pushed me is
21:55
I pitched this to some editors at
21:57
Mother Tongue magazine. I had never met them. one
22:00
of those meet and greet kind of
22:02
zooms and they asked, you know, the question, is there
22:04
anything you've been burning to write? So it
22:06
was just the perfect timing. Interesting choice
22:09
of words too. Right. Exactly.
22:11
And, you know, editors don't often ask that. So
22:13
it's a magical question to get as a writer.
22:15
And I, and I hadn't prepared a pitch. I
22:17
just started going off about my great aunt and
22:20
saying like, this is what's going on. And I
22:22
always thought about it. And I
22:24
don't know what the outcome's going to be. I don't know if
22:26
I'm going to really find any true evidence, but I need to
22:28
go on a road trip and they were like, go for it.
22:30
And so then I sort of had, then
22:33
I had to do it. And, you
22:35
know, from that on, it became extremely important
22:38
and I, you know, I've never really
22:40
done investigative work before. So, I mean,
22:42
I had like a little board with
22:44
pictures up and things like that. So
22:46
it became a huge part of my
22:48
days for sure. And you
22:50
brought in a genealogist
22:54
slash genealogical detective in a
22:56
way, right? I
22:58
had, yeah. So I had looked
23:00
on, you know, ancestry.com, which you don't really find
23:03
that much there. And I talked to a lot
23:05
of small town historians because I knew that I
23:08
ness had lived in Fort Worth and then
23:10
also in Wichita falls, which is North Texas.
23:12
And so I, I talked to small town
23:14
historians up there who were very helpful as
23:16
far as census records and marriage
23:18
records and things like that. So they were sending
23:21
me those kinds of things, but I just, we
23:23
weren't finding any, a news story or anything about
23:25
a fire. And so I was
23:27
about to give up and I remembered
23:30
there's this group called the Texas
23:32
Genealogical Society. They do a conference
23:34
every year. And so I just thought, okay, let me
23:37
find somebody on their board who's in North Texas. And
23:39
let me just give it one last shot. I mean,
23:41
I was about to be write the article and say,
23:43
I didn't find out anything, but
23:45
it was a great try, you know, and that was going to
23:47
be a great article. So I emailed
23:49
this woman in North Texas and I just sent
23:51
her everything I had. I said, here's marriage records,
23:53
here's social security. Here's an address that
23:55
she lived in. And I sent it off one night, just
23:57
thinking, okay, this is, this is kind of my. last
24:00
shot, right? This is kind of my Hail Mary. I don't know what
24:02
else to do. And then
24:04
I woke up in the morning to like six
24:06
emails from this woman. The subject lines were like,
24:08
found it, she's guilty, she did it. I mean,
24:11
it was crazy. And
24:13
so I opened these emails and it
24:15
was news clippings that she had found
24:17
from 1946 with
24:20
the most film noir kind of
24:22
headlines like, brunette, burns out, blonde
24:25
at rival, bible's house.
24:27
So they were basically framing my great Anna's this
24:29
like brunette femme fatale. And there
24:31
it was, it was crazy. It was right in front of my family.
24:34
I mean, I still get chills thinking about it,
24:36
that this thing that had lived in my
24:39
mind for decades, it was right
24:41
in front of my face in the
24:43
newspaper that she had burned down a house.
24:47
And until that moment, were you sure that
24:49
it was true? And were you sure
24:52
that it was her? Because my
24:54
sense is that there was some question
24:56
in your mind from early on when you first
24:58
heard word of the lore
25:00
of this fire of really just
25:03
not even being sure A, that it happened
25:05
and B, who said it if it did.
25:07
So that moment, what was that like? I
25:11
was not sure at all until that moment. I thought
25:13
it was one of those things, you know, because sometimes
25:16
we just create stories in our minds. You know, I
25:18
think most people do this where you have like a
25:20
memory and you're like, did that actually happen? Or did
25:22
I make that up? And so I
25:25
really didn't know. I didn't know if it was her. I
25:27
didn't know if a fire happened or if this was just
25:29
some family legend that somehow,
25:32
you know, just endured over these years. So
25:34
it really wasn't until that moment that I
25:36
thought, wow, this actually is part of my
25:39
family story and part of my story.
25:41
And, you know, it was several clippings.
25:43
And, you know, the more
25:45
I dug in, it was that there
25:48
was so much more to it. I mean, that she
25:50
had been married to this guy. They divorced. He was
25:52
abusive. That she didn't just try
25:54
to burn the house down once. She went back three
25:56
times. That she was sent to
25:58
the North Texas state house. hospital. When
26:01
is the first time that you actually saw
26:03
her, like saw an image
26:05
of her as part of the
26:07
clippings and the lurid headlines? Well
26:10
that was interesting because the clippings that the
26:12
genealogists sent me were just, you know, headlines.
26:16
And I didn't see a picture until one of
26:18
the historians, like that same week,
26:20
because we were all kind of emailing a lot during
26:22
that week, and one of the historians
26:24
emailed me and she's like, I'm sure you've seen this, but
26:26
I found this on eBay, and it
26:28
was the actual crime photo. I think that,
26:31
you know, on eBay it was for sale,
26:33
like true crime photo. It
26:35
was a black and white photo of Inez in
26:38
what looks like prison clothes, and she's sitting
26:40
there and she has a black eye, and
26:43
she's kind of smiling. And
26:45
it said, you know, Inez Berger, which was her
26:48
married name at that time, arrested for arson. I
26:50
mean, that was the first time I saw her
26:52
face, and she looked like my grandmother. Crazy,
26:54
and my mother. Seeing her there,
26:57
but then with a black eye, and with this, almost
26:59
like a little bit of a
27:01
triumphant smile, it was just, it was unbelievable to see
27:03
that. So I bought it for like $19 on the
27:05
spot. But
27:08
that was the first time I saw an image of her
27:10
at that time. We'll
27:20
be back in a moment with more family secrets.
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see.com for more details. Hi.
30:34
I'm Sarah, Jake Roberts. Dina
30:38
does what so many of us do when
30:40
we're trying to figure something out. She
30:43
gets into her car and drives. She
30:47
heads out on a road trip to
30:49
Wichita Falls and Fort Worth to visit
30:51
the North Texas State Hospital where Inez
30:53
had been sent. The
30:55
visit is powerful and illuminating. It's
30:58
a very different place today than it
31:01
was back then. So
31:04
when she was there, I think it opened in the 20s or 30s and
31:07
yes it was created to be one of these
31:09
places where they're like milking cows and picking carrots
31:11
and that's not to say that it was a you
31:14
know idyllic place because when I went there in
31:16
the lobby they have the electroshock
31:18
machines they used in that era. They had you
31:20
know all this I mean they're showing
31:22
the history of the place. So it
31:25
was meant to be you know let's rehabilitate
31:27
these people and I can
31:29
only imagine what it was like for her there
31:31
and I know that she was sent there because
31:33
well I don't know for sure but in the
31:36
news paper articles or the news articles it
31:38
would say that nine people
31:41
testified that she was not of sound mind
31:44
and one of them was of my great-grandmother that said that and
31:46
I imagine and this is one of those things I'll just have
31:48
to you know keep in my imagination but
31:51
I would think that they said that so that
31:53
she would go to a state hospital instead of
31:55
to jail. That's just my thinking
31:57
of why they would do that but So
32:00
yeah, she was sent there and I don't know for how long
32:02
as I can get the records. But going up
32:04
to this place, I mean, it's these old brick
32:06
buildings. I mean, half of them
32:09
are condemned. It's a pretty sad place. Well,
32:12
and she was released on bail the first
32:14
time that she was sent there, right? So
32:16
this is where the story, it's almost becomes
32:18
like a dark comedy in a way. Because
32:21
I mean, no one bad sides. But
32:24
so she went to his house and I did
32:26
go visit the house, or
32:28
the house that's on that site now. So
32:30
she went to the house and tried to burn it down a first
32:32
time and it didn't work. She went a
32:34
second time and it didn't work, but she and she got arrested.
32:37
And she was released on bail after
32:39
that second attempt. And
32:42
supposedly from what the newspaper said, after the second attempt, she
32:44
got in a cab, went straight back and burned it down.
32:48
But she was determined, she was not happy.
32:50
And so after that third attempt is when
32:52
she was arrested and then sent us to
32:54
the state hospital. And
32:56
so would it have been after
32:58
the third attempt that she, that photograph was taken of
33:00
her with the black eye and the kind
33:03
of small triumphant smile, or there's no way
33:05
to really know that? Yeah. So it was
33:07
after that third attempt when she was officially
33:09
arrested and then put on trial. And the
33:11
smile was she had done it. Yeah.
33:13
I mean, that's the crazy thing. I mean, I still have
33:16
that picture in my office. You know, I've stared at
33:18
that picture a lot because it's
33:20
such a mysterious thing.
33:22
But yes, I think, you know, her quotes,
33:25
I mean, if you've ever looked at 1940s newspapers, they're
33:28
horrifying and hilarious. That's just the
33:30
way that they phrase things. Unbelievable.
33:32
But some of her quotes were
33:34
that, you know, I don't regret
33:36
it at all. My ex-husband beat me. And when you
33:38
do the same thing and, and
33:41
I could only imagine that, yes, she, she
33:43
didn't want to kill him. I actually, I'd actually
33:45
also talked to some forensic psychologists and
33:48
they say it's significant that
33:50
every time she went, nobody was there. Like,
33:52
I don't think she was trying to kill him. I
33:55
think she just, especially being a woman at that
33:57
time, that was kind of all
33:59
she had. I mean, they didn't have a lot
34:01
of money. She's not like she knew powerful people. Her
34:04
only way to say
34:06
this guy is abusing me and I'm
34:08
pissed is to burn his house down.
34:11
And it's pretty sad when you read
34:13
the papers. The guy wasn't really
34:16
made out to be a bad guy at all, which it's
34:19
not perfect now, but it's so different now that I
34:21
don't think he would just be painted as some husband.
34:24
Poor guy got his house burned down, but at
34:26
the time, she was the bad person, which is
34:28
crazy. And
34:30
nothing is made of the fact that she has
34:33
evidence of being hurt. No,
34:36
I mean, I think one article mentioned
34:38
it, but not even in a, you know, it was just
34:40
kind of like, I know, it's with a black eye, said
34:42
this. So
34:45
that was another thing that really struck me,
34:47
especially seeing the photos and reading those quotes
34:49
is just women at that time.
34:51
I mean, had very
34:54
little recourse when it came to that kind
34:56
of abuse. And you know, the other mystery
34:58
that I'll just say that I may never
35:00
find out is they had
35:02
been divorced and he had been remarried, yet he
35:04
was still abusing her. So like, were they having
35:06
an affair? You know, that's something that I, I
35:09
don't know how I would ever find that answer,
35:11
but that's another sort of part of the mystery
35:13
is, well, why were they still, well,
35:16
what was going on with those two? And then
35:18
the state hospital was, I, you know, got
35:20
a tour and I talked to the president
35:23
at the time. And he told me that
35:25
women in that era would be dropped off for
35:28
much less than arson. And one of these, one
35:31
of the things he said to me was, you
35:33
know, things like menopause, which is just, you know,
35:35
husbands would just literally drop women off at the
35:37
gates of this place. Well, like, okay, dear, you
35:39
know, spend the next 18 months
35:42
here and I'll pick you up. Yeah, can't take
35:44
your mood. So, you know, just go into this
35:46
mental hospital place. There's no way
35:48
of knowing how long she
35:50
was there. And I mean,
35:52
you do know that when
35:54
she, at some point after she
35:57
got out, she remarried and she.
36:00
married Steve's father and they had a long
36:02
happy marriage and they had this
36:04
son. There's so much that is
36:06
available to us now in terms of being
36:09
able to ask institutions for
36:11
records, to understand what happened.
36:15
Do the records exist or are they lost
36:17
to history? Well, if they
36:19
do exist, I mean that's the part where I
36:21
did hit a dead end is the story still
36:23
stays. I mean, I feel like there's more to
36:25
tell, there's more to find out. Like
36:28
how long was she there or what the records would
36:30
say and I reached back out
36:32
to her son. Well the first
36:35
time I reached back out is when the articles came
36:37
out and I just said, I said, you know, I
36:39
did find some things out. Do
36:41
you want to read this? And I sent
36:43
it to him before publication and he said, no, not
36:45
right now. He said, when it comes out, maybe
36:47
you could send it to me on the side. It's like he just
36:49
didn't want to know. And then when
36:52
I did send it to him, he did read it and he
36:54
just said something like, you know, this is a different
36:56
kind of read for me. He said
36:58
he has very mixed emotions and I'm pulling
37:00
up the email. He said, I will consider
37:03
her a person of courage. And
37:06
he said, I appreciate your writing and research. And
37:08
then I reached out to him pretty recently because
37:10
I wanted to see if I could talk to
37:12
him further and maybe because he's the only person
37:14
that could get the records released. And
37:17
he just said no. He was very
37:19
sweet, but he just said no. And from
37:21
there, I can't really do much because he's
37:23
the only person that could unlock that. There
37:27
can really be a point in life where
37:29
it's too much, where
37:32
the idea of re-understanding
37:35
or re-ordering or rethinking
37:37
your history, when
37:39
there is nothing to be done about
37:41
it, there's
37:44
no conversation to be had, that
37:46
kind of reckoning is just more than somebody
37:49
feels that
37:51
they can bear. If we
37:53
go back to the idea of narrative, it does not
37:55
fit into the narrative of, you know,
37:57
this was my life, this was my mother, this was
37:59
my father. this was our history. Yeah,
38:02
and I think he's probably in his 70s now, and he
38:04
probably just is like, you know what, I don't need to
38:06
go there. I don't need to unearth
38:10
things. And, you know, my motivations are very different.
38:12
I mean, I'm thinking about, you know, a
38:15
lot of it is about women and
38:18
what women have endured. And, you know, going back
38:20
to even when I was in high school and
38:22
searching for that kind of specifically female heroine, I
38:24
mean, I didn't get those pages in high school
38:26
and think, like, where's the guy? Like,
38:28
where's the guy that did something great? Like,
38:30
it had to be a woman. And so
38:33
I think that, yeah, for him, he's living
38:35
his life, he's working, he doesn't need to
38:37
know more. Whereas I'm
38:39
sitting here going, I want to know everything. Where
38:42
does it end up sitting with
38:45
you? And, you know, how does it
38:47
end up feeling to you? I mean, you
38:49
made a piece of work out of it, you know, that exists
38:51
in the world, but perhaps more
38:53
important, you were
38:56
able to find that
38:58
person, someone who
39:01
didn't sit back and
39:03
just contend with her a lot
39:05
in life. And I mean,
39:08
even divorce was pretty unusual in those
39:10
days. Whatever the circumstances of
39:12
their divorce was, she
39:14
was definitely trying to get out of there. Yes. So
39:17
what has that done for you in terms
39:20
of just a feeling that you were right
39:22
all along, there was somebody
39:24
in that family tree of
39:26
yours, there was a woman who
39:29
walked a different path than the
39:31
path of all of the
39:33
other women around her. I think
39:35
it's two things. It's the
39:38
fact that, yes, I am related to somebody, and
39:40
I'm sure there's people on that
39:42
I don't even know about that I'm related to that did
39:44
things like this, but a woman
39:46
that, you know, she didn't necessarily do the
39:48
thing that I was thinking about back in
39:50
high school, right? She didn't challenge government over,
39:53
right in the war. She
39:56
did something very different than that,
39:58
but extremely brave. And when I went to
40:00
the house and, you know, we were just
40:02
outside looking at it, I just thought, that's
40:04
terrifying, actually. Walking into someone's house three times
40:07
with a match, it's
40:09
not a small thing to do. I mean, that's, it's
40:11
a huge thing to do. So
40:14
it's made me look at all the women in my
40:16
family, I think, in a different light. And, you know,
40:18
it kind of colors everything. My mom,
40:21
my grandmother, and just realizing
40:23
that it doesn't have to be
40:25
some big thing that a person does to
40:28
make them credible or
40:30
someone that can inspire you. You
40:32
know, even my mom, the way she lived her
40:34
life, every human has hard
40:36
things to deal with. And, you know, my
40:38
mom certainly did, my grandmother certainly did. And
40:41
seeing those things is heroic. I think my
40:44
great aunt has helped me understand that a
40:47
little bit better and just, I guess, elevating
40:49
all the women in my family in a way
40:51
of, you know, just understanding that any moment in
40:54
life can be hard. It
40:56
doesn't have to be grand, if that makes sense. Yeah,
40:59
that's beautiful. It totally makes sense. And you're
41:01
the mother of a son, but you also have nieces. This
41:04
is something that you feel
41:06
is part of the legacy that
41:09
you are able to pass on
41:11
to that generation. Yes, definitely
41:14
my nieces and my son, too. Like, I mean, I'm
41:16
going to be six now. I'm
41:18
not going to tell them yet. But eventually, yes,
41:20
to tell them that, like, you had this person
41:22
in your family who really stood up for herself
41:25
in an extremely brave and bold way,
41:27
not that I'm condoning arson, but for
41:30
her to do that in the 40s and
41:32
say, I don't regret it, is a very powerful thing. And
41:35
one of the things that I keep thinking since writing
41:37
the piece and finding all this out is just, I
41:39
wish I could just sit her down and say, you're
41:41
amazing. Like, this didn't have to be a secret. This shouldn't have been something that
41:43
was shameful. This shouldn't have been
41:46
something that, you know, my grandmother and her sisters
41:49
and my great grandmother felt like
41:51
they couldn't share, that
41:53
it's really that I admire her.
41:55
And I still have, you know, I still have her
41:57
photo in my office, and I sometimes don't. look at
41:59
it and just out loud or like, you're a badass.
42:02
Like, I just wish she could have known that
42:04
or felt that instead of feeling ashamed of it,
42:06
which she obviously did because she didn't tell anybody.
42:09
You know, I always do remember my mom saying that
42:11
my grandmother, we called her Mamaw, she would say, you
42:13
know, Mamaw and her sisters, they had it hard. And
42:16
you know, it wasn't easy for them growing up and
42:18
she would say like they had to be pretty tough. So
42:21
I think maybe that has something to
42:23
do with how this all turned out. Yeah.
42:47
Family Secrets is a production of iHeartRadio. Molly
42:50
Zakur is the story editor and
42:53
Dylan Fagan is the executive producer. If
42:56
you have a family secret you'd like to share, just
42:58
leave us a voicemail and your story could appear
43:00
on an upcoming episode. Our number
43:02
is 1-888-SECRET-0. That's
43:06
the number zero. You can
43:08
also find me on Instagram at
43:11
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