Episode Transcript
Transcripts are displayed as originally observed. Some content, including advertisements may have changed.
Use Ctrl + F to search
0:01
It is so warm in my neighborhood today
0:04
that I thought I would just
0:06
get some water in this little
0:08
pond and cool
0:11
off my feet. In
0:13
May of nine, Mr
0:15
Rogers Neighborhood has only been on TV for a little
0:18
more than a year. Mr Rogers
0:20
arrives to his house carrying a
0:22
kiddie poole. Let's now go get
0:24
the water, all right? Of
0:27
course, it's not a hot summer day.
0:29
Mr Rogers has taped in a sound stage at w
0:32
q E D in Pittsburgh, and the episode
0:34
aired early in May, so it was probably taped
0:36
somewhere around mid April, if not earlier.
0:39
Some children think that when you grow up, you
0:43
don't really care for cool water
0:45
on your feet on a hot day. And I
0:47
can tell you, as a Pittsburgh native, April
0:50
in Pittsburgh is not summer,
0:52
but I do. Yeah. So
0:56
why is Fred so hot? Oh?
0:58
There's Officer Clements. Officer Clemmons,
1:00
come in mine, want you
1:03
down. Officer Clemons is
1:05
the friendly neighborhood cop who stops by now
1:07
and again for a visit with Mr Rogers, and
1:10
he's black. Not
1:12
only is it unusual to have a black authority
1:14
figure on TV in the late nineteen sixties,
1:17
but his role makes Officer Clemmens
1:19
the only black recurring character on
1:21
all of children's television at
1:23
the time. It's so warm, I was just
1:26
putting some water on my face. Oh it, sure
1:28
is. Would you like to join me? It looks awten
1:30
enjoyable. But I don't have a towel or
1:32
anything. You share mine? Okay?
1:35
Sure. Francois removes his
1:37
tall military boots, rolls up
1:40
his pants, and Mr Rogers
1:42
gently soaks Francoise feet with
1:44
the hose that feels better already.
1:52
A few years before this into,
1:55
a group of black teenagers protested
1:57
segregation at a Florida motel. They
2:00
didn't do it by picketing or by sitting on the
2:02
lobby floor. They protested
2:05
by jumping in the motel pool for
2:07
swim wool water
2:10
on a hot day. M
2:13
hmm. The motel's owner,
2:16
James Brock, responded by pouring
2:18
what he said was muriatic acid
2:20
into the pool with the intention of
2:23
burning the protesters the
2:26
teens. They were later arrested
2:28
by Florida police. Swimming
2:32
pools remained a hotly contested space
2:34
throughout the so called Civil rights era, and
2:37
that probably is why
2:39
Fred Rogers was so hot in
2:42
April in Pittsburgh in
2:44
nineteen sixty nine. Is
2:47
that enough? Well?
2:53
I know how busy you are, but
2:55
sometimes just a minute like this well
2:59
really make a difference. That
3:05
we have great boots to fill office
3:08
with. Clemon, thanks
3:10
for stopping by so long, Have a
3:13
good day, bye bye. Great
3:16
to live in a neighborhood with special people
3:18
like Officer Clements. I'll
3:22
bet you there weren't ten white men in this country
3:24
who would share a towel with a black man. Here
3:27
in America, being black sometimes
3:31
really presented a problem. And those swimming
3:33
pools people were behaving
3:36
in a very, very
3:38
unkind way. And I talked to
3:40
Fred about that, how helpless they
3:44
made me feel, and
3:47
he said, we'll
3:49
see, We'll see what we can do. Francois.
3:55
We hear a lot about empathy these days. The
3:58
word is everywhere, really, t
4:00
shirts and toad bags and Instagram
4:02
accounts, all reminding us that we can choose
4:04
empathy, as if that's all it takes
4:07
to fix a world that so often feels
4:09
broken. But if we want
4:11
to change the world, then
4:13
we have to take our empathy and
4:15
do something with it. I'm
4:20
Carvel Wallace and This is Finding
4:23
Fred, a podcast about Fred Rogers
4:25
from I Heart Media and Fatherly in
4:27
partnership with Transmitter Media.
4:38
The entirety of the episode in
4:40
which Fred silks Francoise feet
4:42
is incredibly simple, but
4:45
it's also incredibly powerful.
4:48
Fred was a master of modeling good behavior
4:51
for kids because he knew just how
4:53
effective modeling could be.
4:57
Here he is in an interview from
5:00
I was at this nursery school and
5:02
the director had invited
5:05
this man to come
5:08
and sculpt in
5:12
front of the children. She
5:14
said, I don't want you teaching sculpting.
5:17
I want you simply to sit
5:20
with the children and do
5:22
what you feel you'd like to do with
5:24
the clay. Well, the
5:27
kids started using
5:29
clay that medium in
5:32
the most wonderful ways,
5:35
And that wouldn't have happened if
5:38
this gifted sculptor
5:41
hadn't loved clay right in
5:43
front of them. This idea
5:45
of just doing what you love in
5:47
front of people as a way of teaching it,
5:49
of spreading it, loving the clay,
5:52
as Fred would later call it, has
5:54
been sitting with me since I first heard it.
5:57
It echoes ideas I've heard in so many
5:59
disparate context. Show Don't
6:01
Tell attraction rather than promotion.
6:04
So in that sense, it's a timeless, almost
6:06
interfaith concept like love that
6:08
neighbor, or do one too others And
6:10
the other thing about it is that rather than pushing
6:13
me to become some hero, some
6:15
great leader of men, the idea
6:17
of loving the clay just calls
6:19
on me to be the best version
6:22
of myself that I can be and
6:24
then to let that be seen.
6:27
My favorite like recurring Mr. Rogers
6:29
moment is him feeding his fish.
6:32
This is my friend Eve Ewing. Eve
6:35
is a scholar and a writer and a professor
6:37
and a poet and a comic book writer.
6:39
She's like everything, you don't just be
6:41
writing, you know, I just write like essays and stuff
6:44
as well, and about those fish.
6:47
Must feed the fish. Whenever
6:49
he feeds the fish, there's like this little jazz piano
6:51
riff that plays give them
6:53
a little food, mimicking
6:56
like the actions of the fish as they go
6:59
up and like open their mouths to get the food.
7:02
Seeing this adult engage
7:04
in this small moment of caring for
7:06
another living creature that
7:08
requires just like a pause of
7:11
patience and quiet is
7:13
just so beautiful to me. He was
7:15
showing us how to be good, not
7:18
just through saying like be
7:20
good, don't do drugs, don't rob
7:22
people, or whatever, but actually
7:24
just like doing it, like feeding the fish
7:27
or helping your neighbor with something,
7:29
or being nice to somebody that you
7:32
know that other people are maybe not nice to all the time.
7:34
Tell me more about the role that Fred Rogers
7:36
played in your childhood. I know that you're
7:38
calling him Fred for this podcast, but I can't bring
7:40
myself to do that. I haven't
7:42
bigivener, he never got it and get no permission to call
7:45
this to rob By his first name. Well, you
7:47
know, that's a lot. I
7:50
think he's just you know, somebody that
7:52
I can say that's always been there
7:54
in my life in the same way
7:56
that Maria and Gordon from Sesame Street
7:59
have always been there. There's a way in which
8:01
that can sound like kind of sad that
8:03
these TV adults played
8:05
this role in my life. But my
8:07
mom was working full time out of
8:09
the house and my dad was
8:11
home with me. And he will say
8:14
quite proudly and candidly that his
8:17
strategy was to basically like have
8:19
me watch PBS all day, and
8:22
he will attribute much of my success
8:25
as an adult to this parenting strategy.
8:28
But I think that I think as an adult, I've
8:30
come to realize that that was very intentional,
8:33
That these were adults entering
8:36
my life that I could view as like trustworthy,
8:39
carrying adults, even if I didn't know them
8:41
personally. That that I see that now in
8:43
retrospect as like a form of public
8:46
intervention or like a public
8:48
service. That was very intentional. M. Fred
8:55
Rogers was one of the first makers of TV You to recognize
8:58
that it could be a constant positive
9:00
presents for kids who didn't
9:02
always have that at home. He
9:05
liked to say that attitudes are cut,
9:08
not taught. It's
9:10
what happens when you watch someone love
9:12
the clay in front of you. And
9:15
he didn't just demonstrate how to work with the
9:17
clay, or tie your shoes or draw with crayons.
9:20
He actually showed kids that doing the right
9:22
thing can make them feel good.
9:26
One thing I've learned in my forty five years on this
9:28
planet is that doing the right thing does not always
9:31
feel good. Sometimes it can take a lot
9:33
of effort to overcome habit or
9:35
instinct to do the right thing. One
9:38
of the key ways that Mr. Rogers showed us
9:40
how to be good was accepting people.
9:43
Accepting people as they are, and
9:45
that for me is one of the most difficult
9:48
lessons from Fred Rogers. It's
9:50
particularly difficult these days with
9:52
Nazis marching in the streets and
9:54
conspiracy theorists on cable news.
9:57
If being good means accepting those people
9:59
as they are, well, first, I'm
10:02
not sure if I can do it. But am
10:04
I supposed to do it? Is it
10:06
supposed to feel good? I
10:09
have been thinking a lot about just how
10:12
to understand this moment and
10:15
also how to understand where
10:17
Fred fits into that. And one specific question that
10:19
I've been asking everyone is that Fred
10:21
has this. Uh not now I
10:23
feel self conscious calling Fred, but
10:26
Fred has this. I know your parents are not
10:29
raised you to call. We're
10:31
going to let that go. We're gonna
10:34
have to edit this impost um. There's
10:37
this thing about I like
10:39
you the way you are, or it's
10:41
you I like, it's you I like and these
10:43
are these are really and this is a really fascinating
10:46
for me theological concept. I even
10:48
ask my therapist about this, and I was like, what
10:50
about the bad people? Like?
10:53
What about
10:56
And I wonder how you parse that out? The idea
10:58
that we are not septing
11:00
and tolerating of certain people's behavior because it
11:02
does harm the least of us man.
11:04
That's so tricky. Um.
11:07
I'm not a theologian, although I've spent a lot
11:09
of time around theologians. So my non
11:12
theologian reading of that is that's
11:14
the idea of grace. That's what grace is, right,
11:17
the idea that God's love is unconditional,
11:20
and that you're great just
11:22
the way you are, just just by being you.
11:25
That's enough. Now, I think
11:27
that there's a subtle
11:29
difference between that
11:32
idea and saying that everything
11:35
you do is fine. Right,
11:37
So to me, what
11:39
I hear when I hear it's you I like or the
11:41
idea of loving people unconditionally is
11:44
that. I don't believe in monsters.
11:46
I really don't. I don't believe
11:49
that the vast majority
11:51
of people who do harm do
11:54
so because they're inhuman. I
11:56
I believe that people harm
11:59
others for so many complicated
12:01
reasons that usually have to
12:03
do with some variation of they
12:05
themselves have been harmed and have never been
12:07
given any opportunity to heal from that
12:09
harm, or because
12:11
our society disregards others because
12:14
they're considered marginal. Now
12:16
that being said, uh,
12:18
you know, as the old saying goes like Jesus
12:21
loves you, Jesus forgives you. That doesn't mean I have to
12:23
you know, Mr
12:26
rogers ministry doesn't have to be everybody's
12:28
ministry. So Mr Rogers is a person
12:30
who came out and said, I love everybody
12:32
unconditionally, and that's not something everybody
12:34
is able to do. And that is okay.
12:37
You know, I think that that's fine. Accepting
12:42
people as they are is a lofty
12:44
goal. Not everyone
12:47
is able to do that. I guess most
12:49
of us can't always do that, and
12:51
sometimes it's way more complicated
12:54
than just accepting someone. How
12:56
do you accept someone when the thing
12:58
that they're doing is hurting
13:00
you or hurting your family
13:03
or your community. We'll
13:07
be right back. Fred
13:24
Rogers was a master of loving the clay,
13:26
of demonstrating and modeling the graciousness
13:29
and neighborliness that he wished
13:31
to see in the world, and he
13:33
did it on TV, where millions of children
13:36
could mimic what Fred was modeling, but
13:38
they could also learn how to love the clay
13:40
in their own way. Even
13:43
though Mr rogers neighborhood belonged to
13:45
Mr Rogers, Fred also
13:48
had dozens and dozens of television
13:50
neighbors, each of whom demonstrated their
13:52
own gifts and talents for
13:54
the toddler audience. I have never
13:57
not saying I've
13:59
always been a to sing a song. It was all
14:01
at first, you know. It's kind of like a trick. My
14:04
aunts and uncles and cousins would ask me
14:06
to sing and Mr Rogers Neighborhood
14:08
Francois Clemens played the police
14:11
officer, the singing police
14:13
officer. My nickname was Buttercup,
14:15
and the older I get, the more I love that name.
14:17
A little Buttercup. And they used
14:19
to say, body, Cup, come over here, child and
14:21
sing this song for me. And I
14:24
would come over. I sing for my aunt Clara, my
14:26
ant Hattie, my aunt Emma. Clemens
14:28
is something of a phenomen a Grammy
14:30
winning singer of opera and jazz. He founded
14:33
the Harlem Spiritual Ensemble, which
14:35
preserves and performs traditional American
14:37
Negro spirituals. Francois
14:39
was part of Mr Rogers Neighborhood for more than twenty
14:42
years, but that footbath episode
14:44
in nineteen six nine made him
14:46
an icon. I had no idea
14:48
that scene would have that kind of an effect.
14:52
Everywhere I went, people
14:55
wanted to tell me their private story
14:57
about that scene. Somewhere
15:00
having discussions in their homes and
15:03
that scene came on. They said, Mom, look, Mom,
15:06
Dad, look dad, there's Francois and Mr.
15:08
Rogers with their feet in the same pool.
15:11
One's black and once white. Yes
15:16
they are, aren't They and
15:18
their friends. But
15:21
long before he met fred Francois
15:24
was like a lot of the kids who would eventually grow up
15:26
watching Mr. Rogers, He was
15:28
lonely. Francois told
15:30
me that his parents were clinically depressed, so
15:33
we learned to look to other people
15:35
for affection and care. Some
15:37
of the things people say, Oh, there's nothing like a mother's
15:40
love, Oh there's nothing like family.
15:43
I questioned that from a
15:45
very very young age. When
15:48
my parents did not act right in
15:51
the sense of trust and love
15:53
and nurturing, I
15:55
turned to a teacher,
15:58
or to a social worker, or
16:00
to a parent of one of my peers.
16:03
They responded to me in a way
16:05
that I thought my parents should have. But
16:08
some of that care was a little bit more like charity
16:11
than love, and growing up in
16:13
America in the eighteen fifties meant that help
16:15
was sometimes suffused with racism.
16:18
The truth is the simple answer is I was
16:21
two people in one and
16:24
that was the one that was
16:26
very sad. And to know that there are people
16:28
who disliked me, who pushed me away
16:31
simply because of my color, I could
16:33
not deny it. I didn't try to deny it. But
16:36
then there were those who said, oh,
16:39
you need a new suit, Come come with us.
16:41
We're gonna go buy you a new suit. Or
16:43
they said, look at that boy's shoes. Come
16:46
on, we're gonna we're gonna take you downtown and buy you
16:48
a pair of shoes. It
16:50
would have confused the
16:53
average kid, but since my parents weren't doing
16:55
it, and I knew that I needed a new suit,
16:58
I had a sense of one to dress
17:02
decently and be clean. So in
17:05
my mind I said, I have
17:07
to wait and see what they're gonna do. Who
17:09
these people are they gonna push
17:11
me away? Are they gonna see
17:13
to it that I have a winter coat.
17:16
Francois was singing at a church the first
17:19
time he encountered Fred. When
17:21
he invited me to come onto the program
17:24
and to have a regular singing
17:27
part, I said, Fred, I
17:29
will be very happy to be on your
17:31
program as long as
17:34
it doesn't interfere with
17:36
my singing, and
17:39
he looked at me and he told me, lady,
17:41
he said, Francois, that
17:44
is the moment that I loved
17:46
you, because
17:49
you were not gonna kiss my ass,
17:52
and that's what everybody else was doing. Those
17:55
are his words. Officer Clemens
17:58
first appeared in the neighborhood in August of nine.
18:01
He says it took a while for him to get
18:03
used to working with Fred Rogers. He
18:06
was a very unusual
18:09
positive energy. It was not negative,
18:12
but it was just so damn unusual. And
18:14
by that I mean those puppets. Uh
18:18
caused me a lot of hours
18:20
of thinking, what on
18:22
earth was a grown man doing
18:25
plan with those puppets. I'm a ghetto
18:27
boy, that was. I knew some black men who
18:31
well halfway trying to act right, but
18:33
I never knew none who could play with
18:35
no puppets, you know. So I
18:38
could, I just couldn't wrap my head around it. And
18:40
so I was looking at him. I was
18:43
looking at him carefully. But ultimately
18:45
Francois found in Fred a kindred
18:47
spirit, a willing, creative
18:50
collaborator, and a true friend
18:52
who loved him in a way that Francois
18:54
hadn't quite experienced. Before Fred
18:57
Raw just recognized something
19:00
in me before I did. When
19:02
I got with Fred and he began to do these
19:05
little extra things, that
19:08
was over and beyond the call of Judy. I
19:12
I was confused by that. Why is this
19:14
white guy sticking with me?
19:16
Why is he so persistently wonderful?
19:19
So when he said you're
19:21
special, and you know
19:23
how just by
19:26
being you and
19:28
I like you who
19:32
just the way you are? Can
19:35
you make every day a special day?
19:40
One instance in particular stands out to Francois
19:43
many years later. Mr Rogers
19:45
was rapping the show the way he always rapped the
19:47
show, changing his shoes, removing a sweater.
19:50
You've made it a special day for me, you
19:53
know how, by just your
19:55
being yourself. Yeah,
19:59
there's only one person in the whole
20:01
world like you, and
20:03
I like you just the way you
20:05
are. See Tom, I don't
20:08
even know how to explain it, except we had
20:10
locked eyes all the way across
20:12
this big studio, and
20:14
I dared to say to myself, he's talking
20:17
to me, But
20:19
he talks. He says that every every time I
20:21
come to a show that he's filming, he's
20:24
saying that. Why was he saying that to me
20:26
today? There
20:28
was something in his voice, something
20:31
in his eyes. It was important
20:33
to me to ask him, Fred,
20:37
were you talking to me? I
20:41
had never had somebody say that to
20:43
me in my whole life. Oh
20:45
Lord, I can't tell you. When he said, yes,
20:49
yes, I've been talking to you for two
20:51
years and you
20:54
heard me today, that
20:58
was such a the lines
21:01
explosion. I can't
21:03
explain it any other way. It
21:06
was inside of me, it was outside of me, it
21:08
was in him, it was in our eyes. I
21:11
saw divinity. That's
21:13
the only thing I can tell people. I
21:15
have never experienced anything like
21:17
it since. And I
21:20
just collapsed in his in his arms.
21:30
For Francois, the prospect of being accepted
21:33
fully and completely was
21:35
a near religious experience,
21:38
But it was also a complicated one because
21:41
Francois had a secret,
21:44
a big secret that he had been
21:46
keeping from almost everyone. Would
21:48
Fred accept him even if he knew
21:51
that secret too, Would Fred
21:53
truly like him just the way that
21:55
he was. I
22:00
remember calling Fred on the telephone. I said I've
22:02
got to tell you something, and
22:04
he said yes, And
22:06
that's when I really said to him,
22:09
I'm gay. Fred. He
22:14
said to me, I will
22:17
always love you, Francois. So
22:20
that's not what we're discussing. What
22:24
we are discussing is
22:26
the role that you will be able to play
22:28
on Mr rogers neighborhood. And
22:31
what does it mean if
22:34
you choose to come out. Fred
22:37
Rogers loved and accepted Francois
22:39
Clements and in nine
22:41
it was a radical act to show a black
22:43
man and a white man sharing a footpath, but
22:46
having an openly gay man performing
22:48
on a children's show that felt
22:50
to Fred even riskier. And
22:52
the thing that he impressed upon me was the
22:57
advertisers there would
22:59
be a normal pressure on them
23:02
from certain corners in our society
23:05
that condemn homosexuality.
23:08
And the thing he said to me was, France, while they're
23:10
going to say terrible things about
23:13
you and about
23:15
me and about
23:17
our program.
23:22
And he said, all of our work,
23:26
all of our valuable work and research
23:29
will be lost. Is
23:32
that what you want? And
23:37
I, of course no, of course not.
23:41
Then he said you you cannot come out. You
23:45
come out. They will not tolerate, they
23:48
will not tolerate a gay person, and
23:51
especially on a children's television
23:53
program. It simply could not be done. How
23:58
did that make you feel? It
24:07
was one of the lowest, one
24:12
of the lowest moments of my life. Realizing
24:14
that, I
24:16
think that was the moment I decided to go back
24:19
into the closet and stay. Francois
24:23
had spent years learning to love and
24:25
accept himself, and here
24:27
he was presenting a crucial part of
24:29
that self to Fred. And though Fred
24:31
reiterated his unconditional love for
24:33
Francois, he still didn't believe
24:35
that the wider world was ready to accept
24:38
Francois just the way he
24:40
was. Fred
24:42
was faced with the question of weighing the needs of
24:45
his friend with the preservation
24:47
of his own larger mission, reaching
24:50
as many children as possible. There
24:52
were those in the black community, Oh
24:55
my goodness, who said to me, how
24:57
important it is that there's
24:59
a face on that children's
25:01
show appearing fairly regularly.
25:04
Francois the
25:06
ghetto kid needs to know that
25:08
they too can go from the ghetto to Mr.
25:11
Rogers neighborhood. They
25:13
they really impressed upon me how
25:15
important it was that there would
25:17
be no scandal,
25:21
no disgrace to the race. Boy
25:25
did I I zipped it up then, So,
25:27
even though there were things
25:30
going on a stone wall, I
25:33
absolutely did not have the luxury
25:37
of coming out. If I were going to
25:39
be continue
25:41
on Mr. Rogers Neighborhood. And
25:44
I've said this too many people who
25:47
tried to say, well, he rejected you, and he
25:49
would didn't want you on the program, and this is that
25:51
blah blah. I can't tell you how much
25:53
I thought about that. I
25:58
say that was there was a period of time with when
26:00
it was obsessive. I can't
26:02
be myself, I can't have a normal life.
26:05
What a sacrifice. Francois
26:10
Clemens made an enormous sacrifice
26:13
in a very real sense. That sacrifice may
26:15
have been responsible for thirty years
26:17
worth of Mr. Rogers Neighborhood, because
26:20
who's to say how long a show with a gay
26:22
black man would have even stayed on the air
26:24
in the late nineteen sixties. And
26:26
there's another irony that for
26:28
all of Fred's stated commitment to
26:30
commercial free television for kids, he
26:33
still felt worried about protecting advertisers
26:36
from the pressure of Francois coming
26:38
out. So
26:40
where did that leave Francois. He
26:44
had to swallow his pain and
26:46
he had to carry it. He
26:49
had to accept this denial of honesty as
26:51
the price of being a part of a work
26:53
like Mr. Rogers Neighborhood that did
26:55
do so much good for so many people.
26:59
Fred Rogers of meant liberation
27:01
for Francois Clemens, but not complete
27:04
liberation that would
27:06
be for Francois to find on his own.
27:10
But he did learn from Fred. For
27:12
nearly three decades, he watched Fred
27:14
love the Clay, demonstrate practical
27:17
care and real goodness, and he saw
27:19
how the transmission of that care through millions
27:21
of TV screens could have a domino
27:23
effect. And he decided that that
27:25
result was too good to
27:28
endanger what
27:31
I have made the same kind of personal
27:33
sacrifice, would
27:35
you? Francoise
27:45
professional singing career took more and more
27:47
of his time. His final scene on
27:49
the show was in and he hadn't
27:51
appeared dressed as a police officer in almost
27:53
a decade. But in that last episode,
27:56
he showed up at Mr Rogers porch just
27:58
as Fred was starting to
28:01
soak his feet. H
28:08
you know, I've been sitting here thinking about
28:11
different ways people have of showing
28:13
love to each other and to themselves.
28:17
I like to think of things like that, he
28:21
Fred French or
28:23
Clemens. Hi, welcome, thank you,
28:26
How you doing fine? How are you today? My
28:28
feet were tired, so I thought I'd just soaked
28:31
them for a while in this water. Does
28:33
it make him feel better? It does? Would
28:35
you like to try? Sure? It
28:42
does feel good? I
28:44
was thinking about many
28:46
different ways of saying I love you.
28:51
Singing is one of my ways of saying I love you. Oh
28:53
I know that. Do you have time
28:56
to to give a song to
28:58
my friend and me? I sure do. There
29:01
are many ways to say
29:04
I love you. There
29:06
are many ways to say
29:09
I care about anyways,
29:13
so many ways, many
29:16
ways to say
29:19
I've sung it a million times
29:22
and I still love it. There's the singing
29:24
way to say I love
29:27
you. I get such a
29:29
dose a Fred love.
29:32
That's what I call it. I'm so blessed,
29:35
I'm very grateful. Many ways
29:38
to say I
29:42
love you.
29:48
I'm so proud of you. Friends. Oh,
29:50
thank you Fred. Next
29:56
time they called it Fred time.
29:59
He slowed a pace down and
30:01
that gave him the opportunity to express
30:05
his love and care for other people and
30:07
reach out and touch our hearts as
30:09
well. Finding Fred
30:11
is produced by Transmitter Media. The
30:13
team is Dan O'Donnell, Jordan Bailey,
30:15
and Mattie Foley. Our editor is
30:18
Sarah Nick's editorial help from Michael
30:20
Garoffalo. The executive producer
30:22
for Transmitter Media is Gretta Cone. Executive
30:25
producers at Fatherly are Simon Isaacs
30:27
and Andrew Berman. Music by Blue
30:29
Dot Sessions and Alison Layton Brown
30:32
And thanks to the team at I Heart. I'm
30:35
Carvelo Wallace. Thanks for listening.
Podchaser is the ultimate destination for podcast data, search, and discovery. Learn More