Abstract

By looking into alternative listening practices within the context of Modern Scripted

Audio Drama, both as a medium as well as a contemporary sonic culture, this Audio

paper will attempt to analyse the material qualities of Audio Drama and theorise ways

that these practises may be applied. As well as give insight into how the culture of Audio

Drama can be steered in a more open, accessible, experimental and radical direction.

There is not much of a crossover between sound arts and Audio Drama. By making

these analyses and interpretations, This audio paper will attempt to bridge that gap, and

provide some practical directions and ideas.

Much of the research was done through analysis of relevant sources and interviews with

several figures who work within Audio Drama who each provide a different perspective

on the medium.

The ultimate conclusion is an encouragement to the Audio Drama community, both

listeners and producers, to learn to love and intentionally use “bad” audio and to seek

out productions made by newer creators. The hope being that more marginalised voices

will use audio drama to create politically radical productions and audio drama as a

whole will begin to be made in more experimental ways.

This Audio Paper Included audio from interviews with:

Lee Tomaneli

Marisa Ewing

Amber Devereux

Ella Watts

Quotes read by:

Gregory Carrobis

Avalon Willowbloom

Joe Cruz

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