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learn more. I
2:01
don't welcome back to the didn't
2:03
have a Girl but Club podcast
2:06
will I have been looking forwards
2:08
had this month. For. This
2:10
book and this author since last
2:12
summer. When am I save her books?
2:14
I read last year a handsome. Is
2:17
this month. We. Are
2:19
reading? Take my hand. Wow
2:22
sir. It's.
2:25
Historical fiction. Just going back
2:27
to the seventies. I don't want to say too much,
2:29
but I read it last year and you'll hear me
2:31
tell her this, but I read that last year at
2:34
me camp. And. I just cannot quit thinking
2:36
about I talked about it's everybody who would listen. I
2:38
had asked my book club. Team before
2:41
I was finished with it. To.
2:43
Figure out how to get into book club. It's
2:45
like that. It's that said, if
2:47
a month it is powerful and
2:49
palpable. and it's literally the Unforgettable.
2:51
It's funny, because as I was
2:53
interviewing Dolan today, About say about
2:55
the author. I have not read that
2:57
book since last July. like that's when I finished.
3:00
I have not picked it back up again even.
3:02
Though it's in my book club society
3:04
where he but I remember every fit
3:06
of it. Every bit of
3:09
it. I remember dialogue. I remember
3:11
everything about every character. and it's
3:13
just. Memorable.
3:16
This is a really gifted writer
3:19
we have today. says she's gonna
3:21
tell us about. How this
3:23
story came to be house he learned
3:25
about the original history behind it. It's
3:27
a true. Story obviously sits
3:30
in allies and what
3:32
she discovered. It was something I'd
3:34
never heard us. And it's Massive. And
3:37
he did system massive story in American
3:39
history and until I read take My
3:41
Hand, I didn't even know about it.
3:43
And it went down the year before
3:45
I was born. So it's not even
3:47
like it's that ancient of history, right?
3:49
And so I'm getting had myself. We're
3:51
talking today with Dolan Perkins, Valdis, and.
3:54
What a novelist see as. Her
3:56
day job with Susan associate
3:58
professor. of literature at
4:00
American University up in DC, which
4:02
is where she lives with her family. By the
4:04
way, Take My Hand is not her first New York
4:07
Times bestselling book. She also wrote
4:09
The Amazing Winch, and
4:11
she also wrote Balm. But
4:14
today we're talking about Take My Hand, which, by
4:16
the way, well
4:18
deserved, won the 2023 NAACP Image
4:20
Award for
4:24
outstanding literary work in
4:27
fiction. Of course it did.
4:30
Like, just of course it did. Okay, I'm
4:32
gonna give you the very high level
4:35
about this book, because you're gonna wanna
4:37
listen to this conversation. I really loved
4:40
her. She is delightful and like engaging.
4:42
Here's the high level of Take My Hand.
4:44
So this is a novel set in
4:48
historical fact about a
4:50
black young nurse in
4:52
post-segregation Alabama who
4:55
ends up blowing the whistle on abuse
4:59
done to her patients in
5:01
the form of non-consensual
5:04
sterilization. And
5:07
not just on women, but
5:09
as you'll see in this book, on girls, particularly
5:12
black girls, poor
5:14
girls, disabled girls, or
5:17
a combination of those. So
5:19
the story begins when Syville Townsend, who's
5:22
our young nurse, she's fresh out of nursing school,
5:24
and she's got big dreams to make a difference.
5:26
She's like all heart. And
5:28
then very quickly she gets a dose of the
5:30
real world and has to figure out what to
5:33
do with what she's seen. All a
5:35
true story. It is infuriating,
5:38
it is outrageous,
5:40
it's heartbreaking, it's
5:42
heartwarming. This book took
5:44
me on a rollercoaster. And I felt everything.
5:47
I was telling Dolan that I remember specifically
5:49
sitting on the front porch of my original
5:51
house during me camp last year when
5:53
I was reading it with my coffee next to me that
5:55
wish had gone cold with tears just
5:58
streaming down my face. It's like that. So
6:00
this is a book you're going
6:02
to want to read, but first of all, listen to
6:05
this conversation because you are going to love this
6:07
author as much as I did.
6:09
So without any further ado, please
6:11
welcome the delightful Dolan
6:14
Perkins Valdez. I'm
6:21
genuinely delighted to have you on the
6:23
show, Dolan. Thank you for
6:25
being here. Thanks for your time. I'm
6:28
thrilled to meet you. Thank
6:30
you. I'm so happy to be here. So
6:34
I do this thing every year.
6:36
It started almost four years ago when I lost
6:38
my marriage. I've been married for like 26 years,
6:40
and so I've never really even been an adult
6:42
by myself. And in
6:45
sort of a weird twist of events, I
6:48
ended up in Maine in
6:50
a little town by myself,
6:53
solo travel for three weeks, right
6:55
on the coast at Bar Harbor. And it
6:57
was so restorative and regenerative that I
6:59
have done it every summer since, just
7:02
travel by myself to some little tiny
7:04
small town that's darling. And
7:06
it's just, I walk everywhere,
7:08
like ride a bike. And it's just
7:10
this really, life kind of comes down
7:12
to the small space for three or four
7:14
weeks. It's amazing. I love that. Here's my
7:16
point. I was in this little
7:19
sweet town on the Delaware River, just
7:21
a walkable, sweet, old New England town.
7:24
And I cannot remember how it got in
7:26
my hands, but I brought, take my
7:28
hand with me. I had a stack of
7:30
books. And when I tell you, when I
7:32
look back at pictures, I'm tickled. I have that
7:34
book everywhere I went, every restaurant, every
7:37
little library, by the banks of the
7:39
river. I mean, I did not put
7:41
that book down until I finished it. It was
7:44
phenomenal. I had texted my book club team
7:46
before I was halfway done and said, figure
7:49
out how to get this book in book club. Like
7:51
this is 100% a book
7:53
I want to bring to my readers. And so
7:55
it's just marvelous. Thank you. That's
7:58
wonderful. I love imagining. you
8:00
being in that small town and taking a book
8:02
with you everywhere. Oh, tears pouring
8:04
down my face. I mean, I
8:07
was transported. I might've been in New
8:09
Jersey, but in my head, I was in the Deep
8:11
South. You're such a good
8:13
writer, not just a good storyteller,
8:15
but also a good writer as
8:17
your storytelling. I
8:20
was just absolutely captivated
8:23
with this book. It deserves every
8:25
award it has received, and
8:28
all this press. Congratulations.
8:31
You honor this work.
8:33
Thank you. There's nothing
8:35
else to do, but just tip my hat to
8:37
it because it was so good. Let's
8:39
start here. Thank you for letting me monologue here
8:41
for a minute and tell you how I felt about your book. Before
8:44
we dive into the story,
8:48
can you just for a moment
8:50
talk to my listeners about you,
8:53
and where you are in the world? How
8:55
is it that you came to be a
8:58
novelist? The rarest there, it's
9:00
hard to be a novelist, period. It's
9:02
hard to get published more. It's hard
9:04
to win awards, never. You've
9:07
captured some really rare space here. I'm
9:10
from Memphis, Tennessee. I was born and raised
9:12
in Memphis. We call it the Mid-South, but
9:14
in many ways, like the Deep South, because
9:16
we're right off the border of Mississippi
9:19
and Arkansas. I
9:23
was raised really in the
9:25
bosom of an African-American community
9:28
that nurtured me, and I grew up listening
9:30
to a lot of old stories. I
9:33
was the child who was curious,
9:35
who wanted to hear them. My
9:38
grandmother taught me how to crochet, and
9:40
I would sit with her and crochet and listen
9:42
to her talk. My grandmother was born in 1909.
9:47
I feel that it
9:49
was natural to be a storyteller. I
9:51
had a lot of storytellers in my
9:53
family. We sat on the porch a
9:55
lot, and there were certain family members
9:57
who were known for being the breath and tour.
10:00
and sure few could not
10:02
move they had me gripped
10:05
with their stories they would tell. So
10:08
storytelling I think it's a tradition in a
10:10
lot of communities but actually writing it down
10:12
actually getting published actually sharing it with the
10:14
world is as you say that next step.
10:16
But I often think about those long summer
10:19
days of us sitting out on the porch
10:21
and I think about my grandmother telling
10:24
me stories and my grandfather who
10:26
was from Mississippi and even my
10:29
mother now who still lives in
10:31
Memphis and she's definitely a southerner and
10:33
so I feel very
10:36
fortunate that I have
10:39
had these elders in my life and that
10:41
I'm able to tell the story
10:43
but it was also really important to me
10:46
that anybody in my family and anybody
10:48
out there could read them too and
10:50
so I always aspire
10:53
to speak in the language of
10:55
the South and to not try to
10:57
go over anybody's head and talk in
10:59
circles as they might say. I really
11:02
want to speak directly to not only
11:04
my people in the South but just to
11:06
like the American readers right like I want
11:08
to hear me I want them to understand
11:11
it and I want them to have to run
11:13
to a dictionary I wanted them to just be
11:15
able to be lost in the story. You
11:18
definitely got the storytelling Jean from your
11:20
family did you know early on that
11:23
you wanted to be a storyteller in this
11:25
way in this format as a writer as
11:27
a novelist? No of course not because I
11:29
didn't know any writers yeah I
11:32
mean all writers were dead I was a
11:34
reader and I remember thinking I could do
11:36
that but never did
11:38
that translate into thinking
11:41
of any way to do that or any past
11:43
right and definitely not thinking I could earn money
11:46
at it. Oh right. Who knew right and who
11:48
knew and so I live in DC now and
11:50
I do a lot of writers in schools visits
11:53
and I think young people still have
11:55
never met a living writer. I remember
11:57
one time here in DC I was at
11:59
Anacostia High school and there
12:01
was a young man in the front row who slept throughout
12:04
my whole presentation. We had brought books, I was probably
12:06
got a complimentary copy of the book and
12:08
at the end of the class he woke up, he
12:11
turned the book over, he saw my picture, he looked
12:13
at the picture, he looked at me and
12:15
he said, that's you. Oh gosh,
12:19
Miracose is everybody. He tickled
12:23
me so much. He wanted to
12:25
engage me, he wanted to carry
12:27
my bag to the car. That's
12:30
the whole presentation because it really
12:32
never occurred to him that the writer
12:34
of the book would be there. Yeah,
12:37
you know, and so I love those
12:39
moments because it was
12:41
the same for me, that moment
12:43
of discovery, that it was revelatory
12:45
to actually meet people who
12:47
had written books that I read. How
12:50
did your early writing experiences
12:52
come to be? What did that
12:54
look like? How long did
12:56
you sort of check out the stories
12:58
before something really caught traction and like
13:00
what did your early career look like?
13:03
How did it take shape? Well,
13:05
so in college, I had the
13:08
urge to write, I should say, although
13:10
I didn't know what the path would
13:12
look like. And I had this roommate who
13:14
I recently just sat back in touch with,
13:16
Susie, who was going to be art major.
13:18
And Susie said, you should write a short story and
13:21
publish it. And I didn't know how to do that.
13:23
So at that time, and I'm dating myself a little
13:25
bit right now, they had those
13:27
romance magazines in the drugstore and it
13:30
was like true romance, true confessions and
13:32
stuff like that. And I think they were published by
13:34
Conde Nast for some publishing group like that. And I went
13:36
and bought one. And in the back, it said, if you
13:38
have a short story, send it to this address. And
13:40
I wrote a short story and I sent
13:42
it. It mailed it. A lot of us didn't
13:45
have computers back then. So, you know, you went
13:47
to a computer lab and they
13:49
published it and my name is on there
13:51
and they paid me $130. I
13:55
mean, rolling in it. The
13:58
freshmen in college, can you believe it? No,
14:00
no, you could have told me nothing.
14:02
Yes, for something that I
14:04
did for fun that I never expected and
14:07
so I Then
14:10
thought well, maybe I could try
14:12
this that was the beginning really.
14:15
Yeah, were you studying? Literature.
14:19
Nope wasn't studying literature I was a reaper
14:21
when I grew up in Memphis if you
14:23
were smart you were one of two things
14:25
You were either a doctor or a lawyer.
14:27
Sure. And so I thought I would be
14:29
a lawyer because math and science were not
14:31
my jam So the only
14:33
other path was to be a lawyer or a
14:35
teacher. I didn't think about being a teacher That
14:37
was another path that was open So
14:40
I still thought I was going to law school, but
14:42
when I thought that $130 check I
14:45
just remember being over the moon about that. It
14:48
was a lot of money when I was in
14:50
high school I worked at the mall in this
14:52
little store and I would make that for a
14:54
week's work, you know I made $4.25 an hour
14:56
and that was you know, that was hard work
14:59
working at that store So I
15:01
got that check and I couldn't believe it was
15:03
like to open the whole world and that's really
15:05
you know How it's done and
15:07
now you're in DC and you're
15:10
on staff in American, right? Correct.
15:13
Yeah, my daughter went there her freshman year of
15:15
college and I remember walking on
15:17
that campus for her Visit
15:19
just going what's this beautiful place?
15:22
I've never been there just such a
15:25
stunning Campus such incredible
15:27
staff amazing student body like a
15:29
really vibrant place for the next
15:31
generation And I love being here
15:33
late at night Like I'll work
15:35
late in my office sometimes and
15:38
when I come out the campus
15:40
is so alive the students are
15:42
all my bizarre They're playing frisbee. There's
15:44
music playing like a food truck going. I
15:46
love campuses in general It's probably why I'm
15:49
still on campus so that I never have
15:51
to leave college if there was a job
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description written for women I think holding all
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wanna talk about this book. I wanna
17:55
start with Sybil because obviously she's the
17:58
heartbeat of the story. And.
18:01
I. Get the chance to. Talk
18:03
to a lot of novelists such as on
18:05
my favorite seeing list that I get to
18:07
do in my work. But. It's
18:09
always fascinating because every once creative process
18:12
is. All. Over the place. There is
18:14
not one way to write a novel.
18:16
There's not one way to sort of
18:18
process, information or outset a book and
18:20
self. I always am fascinated with everyone's
18:22
creative. Process, but I know that
18:24
a lot of times. Lead
18:27
characters are primary characters
18:29
are influenced by someone
18:31
that the author new
18:33
or an amalgamation. As
18:36
some people that the author
18:38
new and some serious this
18:40
you had any real life.
18:42
Inspiration Er inspirations for
18:45
the character of Civil.
18:48
Civil isn't. There.
18:50
It is is actually all of my
18:52
main characters. Are me or sizes
18:55
me? They're. All.
18:57
Girls. Who are smart? But
19:00
who make bad decisions? You
19:02
know and when I was growing up they
19:04
call the haven't booked sense that not like
19:07
common sense. As. An
19:09
insult me alone some realize. Actually, I have both.
19:12
Yeah, but you know I
19:14
do recognize. Lay the
19:16
smart girl. Who. Doesn't
19:19
always. Make. The right decision?
19:21
right? She makes mistakes. And
19:23
that's all of my Lizzie who
19:26
was in my first book. Now
19:28
you know, civil. And so
19:30
yeah there are. Certain. Aspects
19:32
of me so far they have all
19:34
been young women, For. The all
19:36
sort of like my younger self.
19:38
civil name how ever have borrowed
19:41
from a friend of mine is
19:43
from Bolivar, Tennessee. as a sister
19:45
named civil seen on that when I was
19:47
in the early twenties. And.
19:50
The first time and or so much as a
19:52
sister named Civil and that her mother named her
19:54
after from the phrase civil Rights and she had
19:56
been born. In the fifties. And
19:59
I said it wasn't. The had a character with
20:01
that name base and I said jokingly
20:03
and we can I laughed about it
20:05
and then when I started writing this
20:07
book I realize this is my civil.
20:10
Have never have observed in love with somebody
20:12
that name and this is her. Appearance:
20:14
I can't imagine her than the other main. Now
20:17
that's who she is like there's no
20:19
alternative. For her. So you've nailed it. He
20:21
saved her for just the right story and
20:23
I want to talk about that because. Obviously.
20:27
You are riding a fictional.
20:29
Story about real historical
20:32
events. And so that's a tricky needle.
20:34
The Threads: Historical fiction as always. Tricky
20:36
because. On one hand,
20:39
You're required to honor the
20:41
truth. And the story
20:43
and the facts. But over
20:45
here. It's creation, It's
20:47
invention, It's speculation even. And
20:50
so the coming together. Of it's
20:52
who always cells like a really special skill set for
20:54
me when someone can do it well and you dead.
20:56
And so can you talk a
20:58
little bit about. Your
21:00
research process for this. Book
21:03
and then secondary. I'd
21:05
love to hear any that
21:07
was. Surprising.
21:10
During the research. Process
21:12
specifically in a wealth. Vs.
21:14
Weinberger and if you what mind telling
21:16
everybody just a little bit about that
21:18
case just in case are new to
21:21
this conversation.or tequila. says. A lot
21:23
I threw throw a whole lot at you.
21:25
Good luck. Well. I'll start with
21:27
the case. Ralph. The Weinberger A
21:29
was the case. and now we're talking about
21:31
real life, not in the book Because I
21:33
will say that I had no problem departing
21:35
from the actual historical record at all. but
21:37
in real life. The. Case with
21:39
far in losses in D C
21:42
Federal District Court Far lawyer named
21:44
Joe eleven. He. Was twenty
21:46
nine years old at the time and
21:48
he had been contacted by the social
21:50
worker of the royal family. A.
21:53
Social workers name is Jesse Blinds. And.
21:55
see had grown close to
21:57
the family and when she
22:00
discovered that the girls had
22:02
been sterilized. She was distraught.
22:04
She was angry. She was
22:07
livid. And she
22:09
went to her husband, who was a
22:11
military officer, and he advised her
22:13
to go to his commanding officer to figure out
22:15
what she didn't know what to do. And she
22:17
went to her husband's commanding officer, and he referred
22:19
her to Joe Levin. And she sat
22:21
in his office all day long until
22:23
he came back, and she told him about
22:26
the case, and he decided to take it.
22:29
Very quickly, Joe realized that this was
22:31
not just the Ralph family involved, but not
22:33
only were there multiple patients at the clinic
22:35
who had been sterilized without their consent, but
22:38
there were women all over the
22:40
country who were being coerced
22:42
into sterilization. People started calling
22:44
him from California, from Georgia, from
22:46
Texas. And so he dropped the
22:48
initial lawsuit, and it became a
22:50
class action lawsuit with Ralph
22:52
as the name native. And
22:55
Senator Ted Kennedy heard about it. We all
22:58
know that he spent his whole career fighting
23:00
for health care, and he
23:02
was investigating ethics around
23:04
health care because a lot of the women who had
23:06
been victimized were women on public
23:09
assistance. And so
23:11
he held this special committee hearing.
23:13
In Washington, DC, he invited the
23:15
Ralph's parents. In real
23:18
life, both of the parents were there in the
23:20
house, and they went to DC, and
23:22
they testified alongside Joe Levin. It
23:25
was a huge court case, and that was
23:27
the thing. The book did start with me
23:29
learning more about this court case. And the
23:32
reason I decided to write a book, because I
23:34
thought, how do I not know more about this?
23:36
Because it was all over the news. I mean,
23:38
in every major newspaper, it was in the New
23:40
York Times, The Washington Post, Chicago
23:42
Tribune. They were on the nightly news,
23:45
the NBC nightly news. There was a
23:47
whole TV segment devoted to this case.
23:49
It was in Time magazine. It was
23:51
in Jed. It was in Ebony. And
23:54
it happened right on the heels
23:56
of Roe v. Wade. So
23:58
it was a monumental year. But
24:01
of course, it also was the same
24:03
year that Nixon, President Nixon, got into a
24:05
little bit of trouble. So there were a lot of things
24:07
happening in 1973. But
24:10
what was clear to me was that
24:13
this was a story that needed to be told.
24:15
I discovered that the Ralph sisters
24:17
are still alive. And I
24:19
thought to myself, they're just
24:21
living their lives. They were still living in
24:24
public housing. And nobody knew.
24:26
And to me, they were American heroines.
24:28
They are American heroines who needed
24:30
to be recognized. Because
24:32
the case changed everything.
24:35
It was a monumentally important
24:37
case in terms of forcing
24:39
doctors to be more careful about
24:42
sterilization consent. And
24:44
to this day, we have for women who are on
24:46
public assistance, there's a 30 day wait period
24:48
before they can be sterilized.
24:51
And some I've spoken with some physicians
24:53
who are OBGYN who regularly use that
24:55
consent form who did not know about
24:58
the Ralph case. In fact, I would go so
25:00
far as to say the majority
25:02
of OBGYNs in our country don't know about
25:04
this case. Because I've been speaking
25:06
to med schools. And some of them thought
25:08
it was unfair that women on public
25:11
assistance had to wait 30 days and women
25:13
with private health insurance don't. And
25:15
I said, well, part of the reason they have to wait
25:17
is because doctors abuse them. So
25:20
this was a monumentally important
25:22
case. And I thought everybody needed to know
25:24
about it. But I
25:27
also am a fiction writer. And I thought,
25:29
one, I can't have my case going off to DC.
25:32
I need everything in Montgomery. So
25:34
I reached out to Joe Levin, who's also
25:36
still alive, whose memory is just as sharp
25:38
as ever. I think he
25:40
might be 80 years old now. And
25:43
he still remembers everything. And he's retired
25:45
now. He's a beautiful person. He
25:47
told me that the case happens in DC. And I
25:49
said, well, is it possible that the case could have
25:51
happened in Montgomery? And he said, well, it's possible, but
25:54
it didn't. It happened in DC. I'm like, yeah, but
25:56
is it possible that you could have argued the case
25:58
at Montgomery? He said, yeah, but it didn't. I'm
26:00
like, what's it possible? Finally
26:04
said yes, it was possible because there's
26:06
a federal court, our district, the middle
26:09
district of Alabama federal court is in
26:11
Montgomery. So that was all
26:13
I needed to know. Right. So I changed
26:15
things. Another thing I did was I made
26:17
the girl slightly younger because I
26:19
wanted to really emphasize the exploitative nature of what
26:21
happened to them because the Ross sisters were 12
26:23
and 14. And
26:25
I know how some people think of that girl
26:27
as being mature beyond that age. There's still girls,
26:29
you know, I wanted to make them
26:32
slightly younger, 11 and 13, just so
26:34
people really knew they were children. Yeah. And
26:36
then I also thought, okay, what
26:39
would really be painful for the family is if the
26:41
mother had passed away and the girls
26:43
were even more open and
26:45
vulnerable to being exploited, but in real life, she
26:48
was alive. She wasn't alive. Yeah. When
26:50
I was reading, take my hand, I remember.
26:55
Flipping to the back, like, is
26:57
this real? Stunned that I'd never
26:59
heard of it. It's so
27:01
big. It's so important. And
27:03
whereas like Robie Wade has
27:05
like national conversation around it,
27:07
I'd never heard of it until I read your
27:10
book. I couldn't believe it. I interneted everything
27:12
I can find about
27:14
the original story. And it's
27:16
like, we've lost it and you have
27:18
brought it to us. Yeah.
27:20
It just, it just feels shocking. I mean,
27:23
it doesn't. It's not shocking. It's in keeping
27:25
with American history, which continuously gets
27:27
either erased or whitewashed, of
27:29
course. So it isn't shocking.
27:32
Well, I think the word is
27:34
outrageous, right? Like it's outrageous that
27:37
this was swept under the rug and
27:39
it brings to light so
27:41
many issues, not only around
27:43
gender and race, but also
27:46
around class because the
27:48
Ralph family was poor, you know,
27:50
and then also around disabilities because
27:52
the younger sister in real life
27:54
was disabled and is disabled. And
27:56
it's very thing that we need
27:59
to be talking. about because the
28:01
Ralph sisters embody all of
28:03
the vulnerabilities that are
28:05
exploited when we make decisions for women, right?
28:08
That's good. And so they really just, they
28:10
embody all of that. So to me, it
28:12
was like the perfect thing to
28:14
be talking about. Although when I started
28:16
writing the book in 2016, I had
28:18
no idea that Roby Wabe would be
28:21
overturned two months after the book came
28:23
out. Like I wasn't speaking to that
28:25
specifically, as much as I was speaking
28:27
to thinking about what it could look
28:29
like when you've got the state heavily
28:31
involved in making these decisions. Like who
28:33
is worthy and who is not worthy
28:36
to be a mother? The deeper questions
28:38
of the novel, they're haunting. And
28:40
it's, it is disorienting
28:42
to be sitting here in modern
28:45
America and realize we are going backward. We
28:48
are going backward on this right now and women
28:51
are still vulnerable. And
28:54
we still are having our own
28:56
agency taken from us. It's
28:59
a book based in fact from the seventies
29:01
and it's still current. And that's a terrible,
29:03
terrible commentary. I want to
29:06
talk about the Fed
29:08
really funded family planning
29:10
clinic where civil works NPR
29:12
said this book
29:14
is a haunting tale of how
29:16
the actions of government agencies aren't
29:18
innocent of racism, injustice, or
29:20
abuse, emotional and physical of
29:23
black people in America. And
29:26
the clinic site was so obviously important to
29:28
the story and wasn't
29:30
one of its kind. You mentioned earlier,
29:32
this wasn't a singular case as it
29:35
came to light. This was widespread across
29:37
the landscape of America. And so I'd
29:39
like to hear you talk a little bit about what
29:42
you learned, what you invented
29:44
about the clinic, like
29:46
the one that civil worked at
29:49
and sort of the
29:51
location of the story in that
29:53
specific type of place. Well,
29:55
you know, the clinic actually existed and
29:57
the agency. in
30:00
town that funded the clinic
30:03
was the same agency that
30:05
provided food stamps. And
30:07
so when I had these conversations
30:09
with Joe, Joe Levin, he said
30:12
to me, you have to remember
30:14
how powerful these
30:17
government representatives were in the lives of
30:19
these people, right? Not only did they
30:22
control your food, if you lived in
30:24
subsidized housing, they could affect your housing.
30:27
So you're talking about food and
30:29
shelter being sort of
30:31
at the mercy of these government representatives.
30:33
So when they came in and they
30:36
said, we're taking your daughters for birth
30:38
control, you didn't question
30:41
them, right? Because you were
30:43
afraid of them. And
30:45
so that was something that Joe taught
30:47
me. And then I really tried
30:50
to capture, particularly for Sybil, who finds
30:52
herself in that position of power. And
30:54
one of the things I wanted for
30:57
us to understand as contemporary readers
30:59
is that many of us are
31:01
in those positions of power. We
31:03
need to be very mindful of
31:05
that. And we don't need
31:07
to forget the power and
31:09
equity and the power and balance when we
31:11
are helping people, right? And
31:14
so it really caused me to
31:16
think more carefully about my own
31:19
actions. The clinic itself had eight
31:21
nurses who, my understanding from a
31:23
newspaper article that I read, there
31:25
were eight nurses who worked there.
31:28
There was a white woman who led
31:31
the clinic. She was the
31:33
original named defendant. She
31:35
in the clinic and the original case before it
31:37
became a class action lawsuit. And
31:39
she said to the paper in defense of herself that
31:42
it must have been okay to sterilize the
31:44
girls because all eight nurses who worked at
31:46
the clinic were black. And
31:48
I thought, what? That
31:51
was how really I started to think
31:53
about Sybil because I thought, okay, so
31:56
these women who worked at the clinic, which
31:59
was in April, predominantly black neighborhood,
32:01
hit somehow become
32:04
complicit in this. And
32:06
I wanted to explore that. And I
32:08
thought, this is a good moment
32:10
for us to be thinking about what it
32:12
means to be a person with resources, no
32:15
matter what your race, and to be
32:18
a person who's in these positions of power. I
32:20
spoke with one woman who talked about she was
32:23
a patient at that clinic, and she
32:25
described the interior, I mean, it had been a
32:27
house of like bungalow style house, it had been
32:29
converted into a clinic. And
32:31
she had gone to that clinic, she was young and
32:33
she was pregnant. And they told
32:35
her that even though abortion had been
32:37
legalized by Roe v. Wade, you still
32:39
couldn't get access in the state of
32:41
Alabama. And if she wanted
32:43
to terminate her pregnancy, she was going to have
32:46
to go out of state. Wow. So
32:48
there were a lot of women in the community went
32:50
there. And the woman who shared the story with me
32:52
was a white woman. So I assume they had lots
32:54
of different women coming in that door. I
32:57
thought to myself when she told me that
32:59
story, that they were doing both good and
33:01
bad work. You know, like,
33:03
on one hand, they were providing birth control,
33:05
they were providing counseling, they were doing health
33:07
exams, they were doing breast exams,
33:09
things that women need. But on the other
33:12
hand, if someone, you know, were to come in and
33:14
they were disabled, or they already had five children or
33:16
something, they were coercing them to
33:19
get to the ligation. I
33:22
really appreciate the way
33:24
that you left all that
33:26
complexity in the story, because
33:29
it particularly in hindsight, it
33:31
feels so clear. It just feels
33:33
like such an obvious case
33:36
of right and wrong and good and bad.
33:39
But you didn't write it like that
33:41
nor the characters, you made them complicated.
33:44
And I found myself feeling
33:47
more than one way about several
33:49
of them. Mrs. Seager and Sybil
33:52
herself, frankly, and the
33:55
girl's dad. You
33:57
gave us a lot of meat. on
34:00
the bones that we kind of had to chew
34:02
on. And so, and
34:04
imagining that that is a
34:06
value to you as a novelist,
34:08
which is in some
34:11
ways not telling your reader exactly what
34:14
to think and feel with such obvious
34:17
polarized characters, but rather giving
34:19
us some gray. Was
34:21
that a choice? Was
34:24
that challenging to leave some some nuance
34:26
in there that maybe wasn't favorable to
34:28
some of our characters that we're supposed
34:30
to love and did we did love
34:32
them? I have a friend Catherine Ma who's a writer
34:35
and a long time ago I had submitted the story
34:37
for workshop and she was in my workshop with me
34:39
and she said, so Lynn you
34:42
have to bruise your characters.
34:45
Oh gosh. All of my
34:48
characters were so perfect on the page.
34:50
I never forgot that Catherine told me
34:53
that and I then
34:56
began to think about
34:59
how each of us is flawed.
35:01
And so, for example, in the
35:03
book, Sybil's father who tells
35:05
her when you get to that house where those
35:08
country people live don't get out of your car. Okay.
35:10
And she says, well daddy, how
35:12
am I supposed to give
35:15
them their medicine? How am I supposed to treat them if
35:17
I don't get out of the car? And
35:19
she says, well you know. And what was the kind of thing
35:21
my daddy might have told me? My daddy might have said like
35:23
don't get out the car. Or like
35:25
I might want to go somewhere and my daddy would
35:27
say I'll pick you up. And I would say, daddy
35:29
I'm 19 years old. I'd be
35:31
home from college and he'd say it
35:33
doesn't matter. I'm gonna pick you up. Where do
35:35
you want me to pick you up? He was
35:37
always overprotective, but sometimes it was a
35:40
little bit of a elitism that would come out at
35:42
my dad and I wanted that to be the
35:44
case with Sybil's dad. And then, for
35:47
example, with Mrs. Seeger. When
35:49
I read about her in the papers,
35:51
I knew that she had done a
35:53
horrific thing and she was very, in
35:56
some ways, unapologetic about it. And I
35:58
realized that she... believe
36:00
she was helping, like in real life. I
36:02
forget what her real name was. I think
36:04
her real name was Dixon. That
36:07
woman believed that she was helping.
36:09
She believed that she was keeping babies from
36:11
being born into poverty. And I tried to
36:13
flesh out those arguments in the book between
36:15
Sybil and Alicia. There is an issue with
36:17
teenage pregnancy. There is an issue with poverty.
36:20
There is an issue with children who
36:22
are, you know, going hungry, that kind of thing. And I
36:25
wanted to kind of just reveal that how
36:27
they got caught up into this. And
36:30
then I came upon the
36:32
obituary of, and this is what I think
36:34
as historical fiction writers, we got to just
36:36
come through the archive, because you just never
36:38
know what, it might not be something that
36:40
you put in the book, but it might
36:42
be something that really just provides you with
36:44
some kind of inspiration. So I found the
36:46
obituary for the real head nurse. And
36:49
it said she had five children, I mean,
36:51
with a big obituary in the paper, and
36:54
she was beloved. She had a family. She
36:56
had five children, she had grandchildren, she was
36:58
a member of her church. You know, she
37:00
was a community person. And I said, how
37:03
do I kind of highlight that? And
37:06
I brought her daughter, I created
37:08
that scene where Sybil meets her
37:10
daughter, and Sybil likes her daughter.
37:12
And her daughter is like, she
37:14
knows what happened. She's seen some of the things
37:16
that some niece has done up on the internet.
37:19
And she's horrified by it. And she
37:21
wants to, the woman she knew was
37:24
different than that. And she's got some kind of
37:26
assurance like, was my mom a bad person? Was
37:28
she? And Sybil can't answer
37:31
that question simply, because the answer
37:33
isn't simple. You know?
37:36
And so that's kind of like, seeing
37:38
that obituary in the paper made
37:40
me think, well, the narrative
37:42
itself would not allow me to
37:44
get into Mrs. Seeger, but maybe
37:47
I could go through the next generation who
37:49
knew her as a different person.
37:51
Looks so good. And who are trying to
37:54
make sense of it. And I think that
37:56
sort of American, you know, the American story
37:58
really, that we... trying to make. And
38:01
actually, my new book is about like, how
38:03
the things that our forefathers and foremothers
38:05
did, we have to grapple with, right?
38:08
Like, as descendants, we have to kind
38:10
of pick up the pieces. And
38:13
so I wanted to figure out a
38:15
way to show that Missy her
38:17
possibly and probably and did have
38:20
a family who
38:23
loved her. That's the kind
38:25
of stuff I'm talking about. That's
38:27
what sat with me for days,
38:30
just thinking I could
38:32
help but transport that into
38:34
a modern context and
38:37
think about how many
38:39
people this living day
38:41
are at the helm
38:44
of harmful and
38:46
racist or misogynistic policies
38:49
or practices out in the wild.
38:52
And then who go home and
38:54
like make mashed potatoes and their
38:56
kids read to their
38:58
kids at bedtime and otherwise are
39:01
beloved in their life. I think
39:03
I've had a lot whenever I see
39:05
someone in the news who's done something terrible,
39:07
I immediately look up their family and I
39:09
just look at them. And I wonder about
39:11
them and I pray for them
39:16
even because I just know that people have
39:18
many different sides. Wow.
39:20
That comes through and take
39:22
my hand. You kind of force us
39:25
to reckon with some of
39:27
those incongruencies. Because my preference
39:29
just as a person that lives in the
39:31
world, I like tidy stories like it's
39:33
all good or it's all bad.
39:35
And everybody should be in agreement
39:38
on this. And something certainly are.
39:40
I mean, we have a moral imperative here
39:42
that is not up for debate at all.
39:44
But you create nuance around it,
39:47
which is both wonderful
39:49
and frustrating that that is how that's how
39:52
it is. And so it made me,
39:54
of course, also wonder and
39:56
think about what's
39:58
our generation. issue
40:01
here. Where are we on
40:03
current policies
40:05
and practices that are
40:07
harming, harming our neighbors,
40:10
deeply harming them on our
40:12
watch? Like to your earlier point,
40:15
what's my power? Do
40:17
I have any? How do I use it?
40:19
What will I be proud of 40 years from
40:21
now? You know? And so these
40:24
are the bigger questions you gave us in this
40:26
story. And I can
40:28
tell you that this is my, of course, my
40:30
book club. It's our February book. I
40:32
am so looking forward to the
40:34
conversations that your book spurs on
40:36
in our community, as we sort
40:39
of grapple with the characters, the
40:41
history. It's going to be on
40:43
fire this month. Thanks to you. Y'all, I
40:46
am excited about this. I'm planning
40:48
a Nashville trip this spring. You know I
40:50
love that town. Planning and
40:52
researching trips is my jam. 90s
40:55
country music is my other jam.
40:57
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43:36
I have just a couple of
43:39
questions left. Now you led with
43:41
it. So I'd love to hear
43:43
what you're working on and where
43:45
your brains at right now. What kind of world
43:47
are you immersed in? Well it's coming
43:49
out. It's expected to come out in April
43:51
of 2025 so we still have a little
43:54
bit of time. It's set
43:57
in North Carolina. It's another historic
44:00
dual timeline, but it has a little
44:02
bit more of a contemporary timeline. And
44:05
it's really about families
44:08
and land and what
44:10
land means to
44:12
a family. In some ways it's sort of
44:14
the most southern book
44:17
I've ever written because I
44:19
feel like in southern literature and in southern
44:21
culture land is so important. It's
44:23
about like the younger generation sort of getting
44:25
away from that and I remember when my
44:27
dad first came to visit me here in
44:29
DC we live in a row house and
44:32
he was like where's the land, where's the yard? And
44:34
I'm like we don't have a yard. And he said
44:36
you don't have a yard? He
44:38
did not understand why people pay all
44:41
this money for these row houses and they
44:43
don't even have a yard. Because
44:45
for black families land was
44:48
everything. It was upper ethnicity,
44:50
it was legacy, it was
44:53
culture, it was where you
44:55
could possibly grow your food, it was a
44:58
refuge from the rest of the world and
45:00
so I really wanted to kind of explore
45:02
that in the book like what does
45:04
land mean now to this generation? What
45:07
is the historical decade? The
45:10
historical decade is the 1880s. Oh
45:13
way back, yeah yeah. Oh
45:15
that's great. So it's
45:17
written, it's done. It's in editing
45:19
right now. Yeah it's written, but it's been editing.
45:22
Does it have a title? Yes but I'm not
45:24
telling it. But we can't say it. Yeah we
45:26
just came up with the title literally like two
45:28
days ago so I'm not even sure that I
45:30
can say it. They didn't tell me. But the
45:32
team just to prove the title. So it is
45:34
the title but I didn't ask whether or not
45:37
I could disclose yet. So I'll just keep it
45:39
in the moment until they tell me you can tell me.
45:41
This is very exciting. I can't wait to read
45:44
it. It's such a labor to bring a
45:46
book into the world and so when you
45:48
finally get to present your baby, your born
45:50
baby to the world, you're like love her.
45:53
She took a lot of work. It's a lot of
45:55
work. It's a lot of work. When
45:58
did you start that book? What's your like process?
46:00
Well, usually it takes me five years
46:02
between books. I've been telling myself that I'm going
46:04
to stop saying this, that I'm a slow writer.
46:06
Like that's what I've been saying to myself for
46:09
the last 20 years that I'm a slow writer.
46:11
And I'm going to change that narrative. I like
46:13
this. Really? What I am is a mom with
46:15
responsibilities. That's what I say less.
46:17
So, but I started
46:20
it probably in spring
46:22
of 22. Okay. So
46:24
this is actually quite fast for
46:27
me. Yeah. Yeah. I think
46:29
that's fast. So fast, but I can't
46:31
even, it's like, I don't
46:33
even know how it happened, but somehow.
46:35
Yeah. Oh, well, I can't wait.
46:38
I will pre-order that so fast. Take my
46:40
money. Thank you. Last question. We
46:42
always love it because writers are readers,
46:44
of course. And so we've
46:46
gotten some of our best recommendations
46:49
on books from our
46:51
authors and book clubs, some of them that
46:53
have turned into future book club books. So we
46:55
would just like to hear a couple of books
46:57
that you are loving right now that you've either
47:00
recently read, or if you want to pick
47:02
a classic favorite, that's fine
47:04
too. Okay. Well,
47:07
one book, I can't pronounce the author's last
47:09
name, so I don't want to mess
47:11
it up, but it's a novel called Brotherless
47:13
Night. And it's set in
47:15
Sri Lanka and it's about the Tamil Tigers
47:17
and the Tamil liberation
47:19
front and the civil war there.
47:21
I also read Symphony
47:24
of Secrets by Brendan Slocum. He's
47:26
a classical musician who writes these
47:29
mysteries, these dual timeline historical mysteries.
47:31
His first book was called Island
47:33
Conspiracy, and this
47:35
is called Symphony of Secrets. I
47:38
like that title. Yeah, it's really
47:40
good. I also read a book by
47:43
a local DC author, new to me.
47:45
Her name is Angie Kim, and
47:47
a book is called
47:50
Happiness Falls. Oh, yes,
47:52
which another great title. Very,
47:55
very good book. What's
47:57
that genre? say
48:00
it's a mystery. It's about a father
48:02
who goes missing. He's out on a
48:05
hike with his son who was nonverbal
48:07
and has a rare form
48:09
of autism. And the very first chapter,
48:11
the son returns without the father. And
48:15
they have any way of interrogating the
48:17
son on the hike. And that's the
48:19
first chapter I was like, whoa, she
48:21
did not mess around on here. Yeah,
48:23
right up in that book. That's
48:26
compelling. It was really, it's really good.
48:28
Yeah, great. I wrote them down. Thank
48:30
you for those awesome suggestions. I love
48:32
a good mystery. Yeah, love a good
48:34
mystery. I just love a page turner
48:36
like I want to fall into a
48:38
book and not come back for a
48:40
little while. Yeah, yeah. Oh, gosh, me
48:42
too. That is literally what take
48:44
my hand was for me. I fell so
48:46
hard into your book. And
48:48
just I'm not I
48:51
lived I have this memory of sitting on
48:53
the porch on my little rental house in
48:55
New Jersey with my coffee. That's how I
48:57
started every day until I finished
49:00
your book, like book, coffee, porch,
49:02
beautiful. And I mean, I
49:04
just sat there with tears like, pull my
49:06
face out of my face. And yeah, I
49:08
mean, that's what a good book does. It
49:11
just takes you right into it. I mean, well, sometimes it
49:13
depends on the mood you're in, right?
49:15
Like, yeah, sometimes I want that emotional
49:18
read other poems I want to laugh.
49:20
Yeah, sometimes I want a
49:22
good old fashioned romance, you know, it just
49:25
depends on I'm a broad reader. But I
49:27
will say like the books that I remember
49:29
are books like that. They make it
49:31
pull me in emotion. Those are very, so much I
49:33
can't remember everything I read. You have about a book
49:36
you already read and you're like, you get home and
49:38
you realize you already read that book so many times.
49:40
And I'll be like five pages and going,
49:42
this is feeling familiar. So
49:45
many times. Or the also the
49:47
opposite. When I'm on an interview, and somebody
49:49
asks me, what are you reading lately that
49:51
you love? And even though I have just
49:53
read 12 books, I cannot think of a
49:55
book I've ever read in my lifetime. And
49:58
not one not a single title. in
50:00
my phone and say, wait a minute, look in
50:02
my phone what I read. Totally. I did
50:05
the exact same thing. I keep a running list
50:07
because I just can't remember anything. But anyway, I
50:10
am so delighted to have met you. Thank you
50:12
so much for writing such a beautiful story for
50:14
us. And I will tell you
50:16
that we will be lined up to get
50:18
your next book. Thank you. Lined up out
50:20
the door. You are such
50:22
a marvelous writer, such a good storyteller.
50:24
That's fantastic. And you are so warm.
50:27
I can see everybody loves you. Thank
50:29
you so much. That's so
50:31
sweet. Have the best day. You
50:33
too. Bye. Special
50:58
thanks to the team at Odyssey,
51:00
Laura Curran, Melissa Wester, Matt Casey,
51:03
Kate Hutchinson, Eric Donnelly, Erin Constantino,
51:05
Kurt Courtney, and Hilary Shuff. Listen
51:08
and follow For The Love and Odyssey podcast
51:10
on the Odyssey app or wherever you get
51:12
your podcasts. This
51:25
is a production of 4 Eyes Media.
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