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Flinging Ourselves Into Fresh Starts ft. Joy Sullivan

Flinging Ourselves Into Fresh Starts ft. Joy Sullivan

Released Wednesday, 3rd April 2024
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Flinging Ourselves Into Fresh Starts ft. Joy Sullivan

Flinging Ourselves Into Fresh Starts ft. Joy Sullivan

Flinging Ourselves Into Fresh Starts ft. Joy Sullivan

Flinging Ourselves Into Fresh Starts ft. Joy Sullivan

Wednesday, 3rd April 2024
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0:00

This episode of For the Love of Gin Hat

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shopify.com/forthelove. Everybody

2:00

it's and Hatmaker here says to

2:02

the for the live podcast welcome

2:04

to the Shell Oh man said

2:06

Days interview. I

2:09

just finished it. I just told her

2:11

that. Was amazing from beginning

2:13

to end like right when I saw

2:15

it. Oh my gosh, she has given

2:18

so much goodness in this interview. She

2:20

pulls a story out at the very

2:22

end and I was like what? Anyway,

2:25

let me back up. Were

2:27

in a series called for The Love

2:29

of Embracing Chains. And

2:31

so we're going a deep dive here into both

2:33

the joy. And. The grease have

2:36

changed and matters change sometimes

2:38

that we choose. And

2:41

sometimes it's changed that chooses us.

2:43

But either way, Here

2:46

we are right like the one

2:48

minute were high kicking was so

2:51

we sometimes like as the scope

2:53

of change washes over us when

2:55

we're choosing it and then. Even.

2:58

Inside that paradigm wiping our eyes like

3:00

oh this brought an unexpected greece that

3:03

I wasn't really ready for and were

3:05

also during the series going to be

3:07

asking the gurus what are the mixture

3:10

Next of change? How do we

3:12

set ourselves up for the best experience

3:14

inside of it. Because for one

3:16

way or another, however, it comes to us.

3:19

Change is sure we're all going

3:21

to experience it. I mean it

3:23

to. Be a health diagnosis, it

3:25

can be somebody that leaves are

3:28

life. Whatever it is, we want

3:30

to know that we can handle

3:32

it When it comes. And

3:35

began creating sort of. This

3:37

saucer toward change. That means

3:39

we are both more able

3:42

to choose it. When.

3:44

It. Should be chosen

3:46

and also more able to handle it

3:49

when it is his ass right and

3:51

so. I mean, lord

3:53

knows, I. Have had changes in

3:55

my life in the last four years. More

3:57

changes than I would have ever signed up

3:59

for. And. More than I would have

4:01

known I can handle. And.

4:03

Of you would tell me on the front edge,

4:06

these are all the things that you were going

4:08

to experience. Discover. Know.

4:12

And have to create. I just don't know.

4:14

It would have insurance information for

4:16

me but looking back when on

4:19

it now I can see this

4:21

posture ward. Resiliency,

4:24

And risk and hope and recreation

4:27

that makes it all possible. So

4:29

guys, let's get to it because

4:31

today we're going to talk to

4:33

such a talent. Seats house change.

4:37

I mean in every way. Like

4:39

I told her, it was a

4:41

yard sell, everything went for sale

4:43

every category and. She.

4:46

Moved into the life set. Seen.

4:49

Do. It. Was time to step

4:51

in to see knew that chains for

4:53

her was mandatory. For her.

4:56

Sanity for her happiness for her joy and

4:58

she made every choice along the way to

5:00

get there. And. She

5:03

writes about the whole thing. That

5:05

joy in the mess that comes with

5:08

pursuing a fresh start in the middle

5:10

of life. Oh man man oh man

5:12

oh man. You guys! Today

5:14

we have Joy Sullivan. To.

5:19

Poet. To. The community

5:21

builder to the author. And.

5:23

So he has a masters. In poetry this

5:26

is no jump from Miami University.

5:28

She served as the poet in

5:31

residence for the Wexler Center for

5:33

the Arts. see leaves International riding

5:35

Retreats. And she's guest lecture

5:38

to in classrooms. From Stanford

5:40

to Florida International. See

5:42

his budget. So.

5:44

It's also the founder of Sustenance,

5:47

which is a community designed to

5:49

help. riders both revitalize and nourish

5:51

their craft by the way listeners

5:53

are you want inspirational decree the

5:55

flights to a right to sub

5:57

stat newsletter called necessary salt And

6:01

her new book is called Instructions

6:03

for Traveling West. It is

6:05

brilliant. And I'm gonna tell her, and you'll

6:07

hear in a minute, how I stumbled upon

6:09

it, bootleg, essentially,

6:12

before it even came out. It

6:14

releases on April 9th. I

6:16

can't say enough good things about it. This

6:18

was last year that I discovered Joy and

6:20

I've since followed every single word she writes.

6:23

And her work has meant so much to

6:25

me. This is the kind of

6:27

poetry I love most. As you know, I have a

6:30

developing and meandering relationship with poetry that

6:32

I've been nurturing for the last four

6:34

or five years. And

6:36

this is my favorite iteration of it.

6:38

And so this whole conversation, you guys,

6:40

I don't think you're ready. I don't

6:42

know that you know what you're about

6:44

to get out of this conversation. Let

6:46

me just say it like this. For

6:49

anybody who is experiencing

6:52

change, who wants to experience

6:54

change, who has any fear

6:57

or experience around leaving and leaping,

7:02

this is your conversation. Like, I'm

7:05

so excited for you to listen to it. And

7:07

by the way, if you would like to watch

7:10

this conversation, we always video record every episode on

7:12

the show. So you can go to my YouTube

7:14

channel and you can watch this conversation

7:16

if you'd like to and

7:18

see the beautiful Joy with her

7:20

clear blue eyes. Otherwise,

7:24

I'm so delighted to be in your

7:27

little air pods. Please enjoy

7:30

this fascinating and deep and

7:32

encouraging discussion with the absolutely

7:34

wonderful Joy Sullivan. Joy,

7:44

I am so delighted to meet

7:46

you, like face to face, to have

7:49

you on the show. I

7:51

have been like this girl, peeking

7:54

like in the windows of your work

7:56

for the last year, going, How

7:58

on Earth did I miss Joy Sullivan? The Way I'm so

8:01

happy to be in your orbit! Thank

8:03

you for coming onto They. Say.

8:05

Good! It's such a pleasure to be here.

8:07

Thank you! It's and. Let

8:09

me tell you. How I found you. Well

8:12

I should have like dug into my

8:14

own story about because I can't remember

8:16

who posted with some other somebody else

8:18

and I'm following that's not you. Posted.

8:22

One of your poems from your upcoming

8:24

but literally not even published at. Not.

8:27

Even out on a self yes.

8:29

And it was the one about

8:31

lead. And I

8:33

mean an emotional states And I'm also in

8:35

a riding space. So I'm I'm in this

8:37

like creative place. Where I

8:40

am thinking some of those thoughts. That

8:42

you penned in that home and

8:44

I screenshot it's I emailed it

8:47

to myself. I saved it in

8:49

my instagram piles. First.

8:51

Of all that pumped cut right through to me.

8:53

Second of all I was like. Whose.

8:56

Joy. And

8:58

I came right over to you. Fall

9:00

as you immediately and I have already.

9:02

Put that little poem in a little

9:04

segment of the book I'm writing right

9:06

now and I'm like, why don't even

9:09

I can even side it yet because

9:11

her books that out assists But I

9:13

will. I Will says you're a real

9:15

talent. Us Safety silly said it

9:17

said say the hear how you found

9:19

needs how they got connected, snacks, home

9:21

and play. Been this late in L

9:23

to meet some other amazing women sell

9:25

and so happy to get connected! For

9:29

my community. Who may be

9:31

need seeds day first? Can you come up

9:33

to like the thirty thousand foot view for

9:35

my community and to separatists who I am

9:38

did my deal this where I'm at. This.

9:40

Is kind of. Why? I'm here and

9:42

then we'll sort of final down into

9:45

some of the big ideas that I

9:47

want. To talk to you about. Low.

9:49

thank you so much so that said it's

9:51

such an honor to be here again we

9:53

need is to a solo then i am

9:55

the author of instructions are travelling less which

9:57

is a book the poll says all about

9:59

leading and leaping. And

10:02

the catalyst for writing that book was

10:05

really going west myself and

10:07

starting this whole process of self-discovery.

10:09

And through that, beginning to take

10:11

a series of leaps in my

10:13

life. So leaving a relationship, leaving

10:16

my corporate job, becoming an entrepreneur

10:18

and now becoming an author of

10:20

poems, right? Which is like getting

10:22

poems in the world, which is

10:24

sometimes a hard thing to do.

10:27

And so that is what I'm up

10:29

to these days. I'm also a community

10:31

founder. It's just really exciting to get

10:33

to connect with other people who are

10:35

in a similar launch or pre-launch phase

10:38

of their life. I think everybody in

10:40

the pandemic began to ask, is

10:42

this all there is? Am I doing the

10:44

things that are meaningful? And so I think

10:46

that's one reason the book really resonates, because

10:48

we all came to this place of life

10:50

is so freaking short. As if we needed

10:52

that reminder again, we got it. And I

10:54

think that the book was trying to grapple

10:56

with what now what next. This

10:59

series that we're in right now on the

11:02

show is about change. And

11:04

you literally just described in one

11:06

sentence about four

11:09

comprehensive, complete,

11:12

see changes in your life. Let's

11:14

go back if you don't mind and

11:18

pick them all. You talked about your corporate job.

11:20

You talked about leaving a relationship. You're going

11:22

to go from some sort of steady, predictable

11:24

space like guess what? I'm a poet now.

11:26

That's my job. It's going to pay the

11:28

electric bill. And then I

11:31

mean, you just touched on it, but traveling west

11:33

is literal. And

11:35

so can you just go

11:38

back a little bit and parse each of

11:40

those out just a little? Because when we

11:42

are talking about making changes, you went for it.

11:44

I mean, you really did. This

11:46

isn't theoretical. You are not

11:48

sort of hypothesizing. What if we

11:51

did? What if we said maybe

11:53

you did the thing? So it's

11:55

fascinating. And I'd love to hear it from your own

11:58

mouth. Really

12:00

started need Pandemic A We're about a

12:02

year Ed and I was working remotely

12:04

at a corporate job and I decided

12:07

to sell like to that somewhere more

12:09

beautiful that Ohio which is where I

12:11

was living at the time. He has

12:13

no effect so Ohio but I just

12:15

wanted to be image really natural and

12:18

wilde spaces. So I started driving west

12:20

and I spent six weeks hiking in

12:22

Sedona fees in the beautiful desert and

12:24

during that time of really had the

12:27

sense of awakening and a sense of

12:29

brought serene. And it was that

12:31

question like am I doing work. And

12:34

I. Was. So a week to me

12:36

again is this week intensely the

12:38

loneliness is like pricks us allies

12:40

and I really began to grapple.

12:42

I just looked at every aspect

12:44

of my life and said could

12:46

there be more and I wrote

12:48

this home in the desert of

12:50

remember the day I thought it

12:53

I i just like bird through

12:55

all my kurds from the day

12:57

traveling. Alone as a woman, I've

12:59

fallen down like the sand dune I

13:01

had almost run out of gas. Them

13:03

is all the things and so I

13:05

got home. As any different this poem

13:08

called Instructions for Travelling Less which begins

13:10

as as you know for see the

13:12

thrill eyes you're homesick for all the

13:14

lies you know, bloody and then you

13:16

add to that the Road as The

13:19

Rising Loneliness and I wrote it sort

13:21

of and like of like trying to

13:23

hide myself up to keep going because

13:25

it's so scary and isolating that be

13:27

like this. Whole days, one that

13:30

sees another person and so

13:32

in by incredible and beautiful

13:34

silence I feel I hate

13:36

against myself. The gift of

13:38

Shireen. What it was that

13:40

my heart, my mind, my body that

13:42

asking for an when. I really listen.

13:44

it's terrified and I heard a lot

13:46

of things that I hadn't won a

13:48

be here as it was that I

13:51

needed to make a radical shift in

13:53

my life and so. You.

13:55

Know it's is the have to be careful what you

13:57

write downs and because. if relief

13:59

proof forms this kind of

14:01

beautiful, terrifying magic. Within

14:04

40 days of writing that poem,

14:06

then I had sold

14:09

my house and was in a car

14:11

with my two cats traveling to Portland,

14:13

Oregon, where I knew absolutely no one.

14:15

And I had called off

14:17

a relationship with a man who wanted to marry me.

14:20

And I was halfway out of my corporate job at

14:22

that point. And what

14:24

is amazing is it's really

14:27

terrifying. But what

14:29

is so interesting to me is, for the last

14:31

three years that I lived in Ohio, I had

14:33

a nightmare every night. I would wake

14:35

up from it at 4 AM in the morning that

14:37

my body was literally decomposing in a barrel

14:40

of water. And the morning I left, yeah,

14:43

right? And the morning

14:45

I left Ohio, that dream never returned.

14:48

I have good thoughts. So

14:51

I think sometimes like. Our bodies know. Our

14:54

bodies know. I did not learn to

14:56

even listen to the wisdom of my own body

14:58

until I would say literally in the last five years,

15:01

I didn't know that she was a source

15:03

of wisdom. I was

15:05

always taught to distrust whatever

15:07

my instincts were or that

15:10

quiet thing, just like hammering. I'm

15:12

like, no, you don't make sense.

15:16

That's not reasonable, right? Like,

15:18

that's not advisable. So

15:20

to hear you tell it like that, all

15:23

in 40 days to have those

15:25

rocks tumbling downhill,

15:28

holy moly. Did

15:30

you have to keep talking yourself into it?

15:33

Or once you committed to the path where

15:35

you like, I know what to do? Honestly,

15:39

well, I'm an anxious, terrified person all

15:41

the time. So the fear was always

15:43

present. But the road appeared. It

15:46

appeared. I don't think that I could have

15:48

not walked down at once. It became obvious

15:50

to me. I was scared, but I knew

15:52

I had to do it because I knew

15:54

whatever had me in its teeth, whatever instinct

15:56

or intuition was pulling me forward, it wasn't

15:58

going to let me down. let me go

16:00

until I followed forward. And

16:03

I think that we forget sometimes, like

16:05

you were talking about this sense of

16:07

instinct and intuition, like, were creatures just

16:09

like the rest of the world? And

16:11

how do the birds know when it's

16:14

time to migrate and fly south or

16:16

move out of a habitat or find

16:19

a safer space? And I think our

16:21

bodies know too. And I think

16:23

that's what I woke up to in this just

16:25

radical way that wasn't gonna let me go until

16:27

I followed. I'm thinking about my listener

16:30

right now whose little heart is

16:32

like drumming in her little chest right

16:34

now going, oh my God, I know

16:36

that voice. I know

16:38

that nightmare. I know that

16:40

sense of feeling trapped and stuck that I

16:42

need to make a change. I'm

16:44

curious, was one of those

16:47

categories harder than

16:49

the others? Yeah,

16:51

for me, it was really letting go of

16:53

the corporate job because I

16:55

had been a high school English teacher

16:57

before that. So as much

16:59

as I loved education, I moved into marketing

17:02

and working at a branding agency in the

17:04

corporate world because I really

17:06

wanted to feel stable after not making

17:08

a ton as an educator. And

17:11

that was very terrifying to me that,

17:13

oh, I had built up this career

17:16

and I had worked so hard to get

17:18

these promotions and for so long and I'm

17:21

six or seven years in and

17:23

suddenly I come to this new

17:25

conclusion that actually this work doesn't

17:27

feel meaningless. We're in the middle

17:29

of a global pandemic and I'm working on email campaigns.

17:32

Is this the work with the capital W that

17:34

I wanna do? And I realized that I actually

17:37

didn't, that it was poetry and language that I

17:39

wanted to really be about in

17:41

the world. And it felt almost too

17:43

terrifying to let myself dream that that

17:45

could be my life. And so I

17:47

think that's for a lot of people

17:49

and it's a very real concern. Financial

17:51

stability is huge and I don't wanna

17:54

be naive in saying it's easy to just

17:56

throw that out the window. It wasn't for me and

17:58

it wasn't for a lot of. people

18:00

listening, it won't be, but I had

18:02

to really bet on myself that

18:04

whatever in me was asking could

18:07

also carry. Why

18:10

did you get Portland? Did you have a reason? Well,

18:13

for your life, what's as far that direction

18:15

as I can get, let's just keep driving

18:17

till we hit water. Well,

18:20

yeah, I can't go any further west

18:22

really. Yeah, exactly. So

18:24

that was pretty far. But also, you

18:26

know, I started dating a bunch of

18:28

different cities, and I was actually going

18:31

to move to Denver often. And when

18:33

I was visiting Denver, someone said, you

18:36

know, I could see in Portland, but I said,

18:38

I'm not moving to Portland. That's so far. That's

18:40

not even a direct flight to my family. And

18:42

then I went and it just something clicked.

18:44

I don't know if it was the ocean

18:47

or the fact that everything is green here.

18:49

But something just felt like, yeah, you can,

18:51

you can see yourself here. And the other

18:53

thing that it did is actually, I didn't

18:55

have any connections here. And while that was

18:58

terrifying and lonely for about the first year

19:00

after I moved, it gave

19:02

me this incredible gift of anonymity. So

19:05

I could sort of become

19:07

anyone I wanted to be within that

19:09

space. And I didn't have any old

19:11

narratives, I didn't have any truly friends

19:13

or connections. It just let me sort

19:16

of bloom open in this way that

19:18

let me experiment and then try on

19:20

a lot of different ideas until I

19:22

found really rooted in where I landed.

19:25

And to be about 36, to

19:27

give yourself that gift is feels really

19:29

special to say, how could I reinvent?

19:31

And so Portland was really, I think

19:34

I could have gone anywhere. I tell people I

19:36

don't think it matters where you go. But

19:38

to be able to give yourself an

19:41

opportunity to really reinvent, that's the good

19:43

stuff. That's the rub. So guys,

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23:36

I want to talk about that idea of belonging in

23:38

just a second at the

23:40

genesis of a lot of Did

23:42

you have people around you who were like,

23:45

I love this for you. This is a good

23:47

decision. I like what you're choosing. And

23:50

or both. Did you also

23:52

have people going, this is so

23:55

outrageous. This is not responsible.

23:57

I'm afraid for you. me,

24:01

it's sometimes the outside voices

24:04

that are the obstacle

24:07

to overcome chosen change. I'm

24:11

curious what that felt

24:13

like to you to hear whatever

24:15

you heard and what did that

24:17

look like? Oh, did

24:19

I love that phrase chosen change

24:21

that's such an honoring of the

24:24

sovereignty that is to make a

24:26

decision. I was raised

24:28

in a household that it was very

24:30

much like you got permission to do

24:32

things. This idea of culpability was linked

24:35

to this idea of sin, which was

24:37

maybe very fearful for a long time

24:40

of making a choice. I

24:42

even talk about this in the book, but

24:44

it's this idea of culpability was really scary

24:47

for me because how do I know that

24:49

I'm making the right choice? So yeah, there

24:51

were a lot of people that was like,

24:53

you know, you had this beautiful life in

24:55

Ohio, you own your own house, you're with

24:58

this really nice man, like what

25:00

are you doing? And why do you feel

25:03

the need to blow that up? Like that's

25:05

a chaotic thing to be about. But I

25:07

would say that the people closest to me

25:09

also recognized that it was

25:11

time. Even my mom was

25:13

just incredibly, she just kept

25:16

saying, I get it, I get

25:18

it. And that's all I needed her

25:20

to say was that like, like instinct

25:22

recognized instinct. And so it was this

25:25

knowing that like, wherever this goes, it's

25:27

really important that you yourself make

25:30

the choice and that you rest that

25:32

you made a choice, be it like

25:34

beautiful or mistake, that the power has to

25:37

be that you begin to choose for yourself.

25:39

And that's, I think, the magic of that decision

25:41

for me. You have the

25:43

incredible benefit right now of a little bit

25:46

of hindsight. This has fleshed

25:48

out in your life now, to some

25:50

degree that you are able to self assess

25:52

and kind of go, all right, what would you

25:54

have gone back and told yourself when you were like,

25:57

clutched in fear that day riding that plane?

26:00

palm and Sedona, lonely,

26:03

unsure, spent,

26:06

and a little frazzled. What advice would you have given

26:08

that girl, knowing what you know now? Yeah.

26:11

Well, I think what I was doing and I didn't even

26:13

realize that I was doing at

26:15

the time was that I was inching towards the

26:18

ledge. And maybe it's good that I didn't know

26:20

I was even headed towards the ledge because I

26:23

don't know if I could have done it. I don't know if

26:25

I would have written that poem if I knew it was

26:27

about to blow up my life, right? I'd been

26:29

in a relationship that I probably needed to leave for

26:31

a while and just had left it because I couldn't

26:33

look at it. So what's really interesting

26:35

and what I tell people who say, I

26:37

don't know how to make a huge leap.

26:40

And I'm like, don't make a huge leap.

26:42

Orient yourself towards the ledge and

26:44

go in incremental little

26:47

shifts. It's just a posture of

26:49

beginning to leap. I think it's

26:51

really a big ask to say,

26:53

blow up your life, do

26:55

it all, jump into the magic dark. That

26:58

can have an interesting urgency. But I think

27:00

that's unrealistic for a lot of people. I

27:02

mean, I'm literally sitting at my writing desk

27:04

right now. And I look out every morning

27:07

and I see these squirrels jumping

27:09

from rooftop to power line

27:11

to power line to pine tree. And

27:13

I've always gotten really fascinated. How do

27:15

these squirrels know that they're going to

27:18

make these leaps, right? They just fling

27:20

themselves off the roof and they always

27:22

get caught. And I did a little

27:24

research about squirrels because I was really

27:26

bugging me. Like, why don't I see

27:28

these squirrels fall? How do they know?

27:30

And what I learned is that squirrels

27:33

don't know. They misjudge the leap all

27:35

the time. But what they do do

27:37

is that they innovate midair and they

27:39

figure out how to catch themselves if

27:41

they misjudge the leap. And they use all

27:43

of that data, they collect all of that

27:46

memory just like they collect acorns to teach

27:48

themselves how to jump further. And

27:50

to me, there's just this expansive metaphor

27:53

present in that about us too. Like,

27:55

you don't have to get the leap

27:57

right every time. You don't have to.

28:00

take the colossal jump. But what is

28:02

one movement? If you want to leave

28:04

your corporate job, can you give yourself

28:06

an exit ramp of nine months and

28:08

say, I'm going to take one step

28:10

every day to move myself closer to

28:13

that ledge. And then I'm going to

28:15

freakin leap, right? But I think it's

28:17

the posture of beginning to leap and

28:19

to stretching those muscles of courage that

28:21

make us ready to go. And then

28:23

once before you know it, you're midair

28:25

and then the sleep gets bigger and

28:28

bigger. People say, well, you're really courageous

28:30

to me a lot. And I think

28:32

really, I don't think that I am.

28:34

I think that I had slowly had

28:36

a posture of beginning to leap for

28:38

a long time. So now the muscularity

28:40

of taking farther and farther leaps just

28:42

gets a lot easier. So I think

28:44

it's really important to not compare yourself

28:46

to somebody who is mid their leap,

28:48

because there were probably a lot of

28:50

scoots to the edge before

28:53

they launched. That's so

28:55

good. I want to talk.

28:58

You're not a stranger to massive

29:02

life upheaval. You've got

29:04

some of this coded into

29:07

your childhood, into your

29:10

experience, you know what it means

29:12

to have literally

29:15

left an entire place,

29:17

a complete sense of belonging where you

29:20

were, and have

29:22

to be in a totally new environment.

29:24

I wonder if you could talk for

29:26

just a moment about growing up and

29:28

about what that looked like

29:30

and when you left and why. And that

29:32

maybe that was a bit of a, of

29:35

the earliest path that you

29:38

learned to walk that kind of came back

29:40

rose back up for you later as an

29:42

adult. Yeah.

29:44

So my family lived in Quebec and

29:46

then Haiti and then Central African Republic

29:48

when I was a girl and we

29:50

shifted a lot. Right. So just like

29:53

you were mentioning a lot of the

29:55

upheaval, it was kind of hardwired into

29:57

me early on. And in 1996, my

29:59

family was actually evacuated from our

30:01

home in Central Africa because of

30:03

warfare and we relocated to Dayton,

30:05

Ohio, which is a culture

30:07

shock, right? An obvious choice. Right.

30:10

You know, and so you

30:12

go from like this beautiful tropical

30:14

jungle to literally the cornfields of

30:16

Ohio and then for me

30:18

just this incredible sense of loss

30:20

and rupture and reinvention, like literally

30:22

having to figure out then how to

30:25

exist in a place where I

30:27

now look like everyone else. But

30:30

I felt so dissimilar.

30:33

I felt even less like I belonged

30:35

than in the place that I had

30:37

come to know as home. So yeah,

30:40

I definitely think that idea of rupture,

30:42

reinvention, starting over again is a survival

30:44

skill that I also learned, but also

30:47

this idea of the page, right? So

30:49

not being able to speak the language for

30:51

a lot of the years growing up

30:53

because we were in different countries, I came to

30:55

the page a lot and then I stayed

30:57

with the page when we came back home

31:00

or to Ohio because that was the

31:02

only place where I felt like I

31:04

could really be understood or know myself

31:06

in the midst of so much culture shock.

31:11

You mentioned it earlier when you talked

31:13

about those lines

31:15

about homes, being homes that crawl the

31:18

lives we're not living, but the second

31:20

sentence is really profound because you said

31:23

you must commit to the road and the

31:25

rising loneliness. And that

31:28

is a tall order. It's

31:30

true, but it's

31:33

a daunting commission at

31:35

the beginning of the road. And

31:38

so having experienced

31:41

so viscerally a sense

31:43

of loneliness, as you just mentioned, having

31:46

left the culture that

31:48

you knew where even there

31:50

you of course you were obviously

31:52

different, but you had formulated a real

31:54

sense of home. And then to come

31:56

to Ohio and be like, I literally don't. Where's my

31:59

place? only imagine, I'd like

32:01

to hear you talk a little bit

32:03

about what you

32:05

mean by the

32:07

important role of loneliness in

32:10

this whole, whole gamut.

32:12

Why does that matter? Why is

32:14

loneliness one of the ingredients? Yeah,

32:18

it's so interesting because that

32:20

was the the dark gift

32:22

of the pandemic was the

32:24

supreme sense of loneliness. And

32:27

obviously we don't want to have to

32:29

always stay in loneliness, but I think

32:31

sometimes we reject it or ignore it

32:33

and we don't see it as the

32:35

phenomenal teacher that it is. And for

32:38

me what loneliness has really offered throughout

32:40

the pandemic and then throughout like literally

32:42

multiple times of my life moving to

32:44

some place where I either don't know the

32:46

culture, I don't know anyone, or I don't speak the

32:48

language is that you develop this

32:50

intense sense of having to listen

32:53

to who you are and

32:55

what it is that you need. And sometimes

32:57

it's in that unbearable stillness that

32:59

we give ourselves a chance to

33:01

really hear whatever it is that's

33:03

asking to come out. And sometimes

33:06

I just feel like if you're like

33:08

me it gets lost in that nine

33:10

to five the blare of everyday life,

33:13

right? That din that's you know in

33:16

traffic jams and buried in

33:19

office meetings. And sometimes what

33:21

loneliness gives us is this

33:23

opportunity to really hear like what is

33:26

the other life? What is the next

33:28

stage? What is the evolution that is asking

33:30

me to be born? And I think you

33:33

know nothing is as lonely as the

33:35

desert in December and just

33:37

getting to go to this place of utter

33:40

stillness geographically, but also as

33:42

a metaphor within myself was just this

33:44

opportunity to hear myself in a way

33:46

that I never had before. So I

33:48

think you absolutely the loneliness of the

33:50

road is something you just have to

33:52

like sign up for as part of

33:55

the evolution. I

33:58

Want to talk to you in a second.? About

34:00

the craft. Of poetry and

34:02

your particular gift for it. But before

34:04

we get to that I wonder if

34:07

weekend dive over here for a second

34:09

on some of these conversations about in

34:11

the midst of all this was. His

34:13

blue are who, what you want to

34:16

bring to bear in the world Like

34:18

these really big questions. That you

34:20

were asking and then answering

34:22

with your choices. There's also

34:24

this. Page.

34:27

And structure right in the

34:29

middle of it of the

34:31

see mill experience in the

34:33

midst of. All. This

34:35

change all these other North Stars

34:37

that you are following and you

34:40

have. A Really. Specific.

34:43

Background. Your childhood,

34:45

Your faith structures that you

34:47

grew up inside. As kids,

34:50

you just sort of. Talk.

34:52

About what those were, What did

34:54

you grow up in? What sort

34:57

of spiritual environment? And then some

34:59

of the messages that you gleaned from know.

35:03

It's a human. But also as a

35:05

girl. Yes, Absolutely

35:07

so My parents were at

35:09

this mysterious my dad was

35:11

a general surgeon and also

35:13

thought we were there in

35:15

Haiti and then also Central

35:17

Africa. My parents were there

35:20

as missionaries and sell spaced

35:22

into. That was a lotta

35:24

messaging about sender about obviously

35:26

what it meant. To lead a

35:28

special place. And also this

35:30

sense of like what it meant

35:32

speak and a think I've really

35:34

coded that insert my face you

35:36

what it meant to be good

35:39

woman, good girls and is that

35:41

isn't a message that's only present.

35:43

Certainly. In more traditional evangelical

35:46

it songs, but it's. certainly

35:48

a message that women in turn allies

35:50

and that there's only one way to

35:52

be good and it said here to

35:54

said have a very specific life tasks

35:56

and expression of oneself i think well

35:58

it's hard for me is if I

36:00

got into my 20s and my 30s,

36:03

I didn't have the life that I sort of

36:05

felt like I had art always should have had

36:07

based on, you know, what a woman was supposed

36:09

to get, husband, kids, right,

36:11

the stability of the white picket

36:14

fence, etc. And what's been interesting

36:16

is when I sort of recreated

36:18

or fractured some of those stories

36:21

culturally and religiously that I had

36:23

been given, my life just expanded

36:25

into possibility because it had never

36:28

occurred to me that a woman could be

36:30

really, really happy if she didn't

36:32

choose those things. That was even an option,

36:34

that you didn't have to feel this intense

36:36

sense of shame or grief that maybe that

36:39

was not the life that was going to

36:41

be given to you. And something really magical

36:43

happened for me when I was able to

36:46

let go of shame or grief that I

36:48

hadn't gotten those things. At the end of

36:50

the day, I wasn't even sure that I

36:52

actually wanted them. But it

36:55

was this idea that, you know, good

36:57

Christian girls get certain things. And

36:59

what's so powerful for me about

37:01

the page is you

37:04

get to subvert or crack open a

37:06

story and figure out what you want

37:08

to reinvent for yourself. And so part

37:10

of the book is even looking at

37:13

that character of Eve and sort of

37:15

cracking open her story and saying, what's

37:17

here in the margins? What's

37:19

here if we would reinvent

37:21

the story and tell it a little

37:24

bit differently? And so, yeah, I think

37:27

that's where I've sort of netted out and

37:29

how to unpack from a linguistic perspective

37:31

some of the stories that I was given

37:33

as a child and begin to deconstruct. And

37:36

what do you see in the

37:39

margins of that story? How

37:41

do you envision that being

37:44

reinvented, reimagined even?

37:47

Yeah, so in the middle of the book,

37:49

it kind of does this funny rupture, this

37:51

sort of, it begins with this very Edenic,

37:54

pre-pandemic, idyllic childhood

37:56

world, and then it moves into this

37:58

sense of right. or cracking. And

38:01

in the interlude of the book, the

38:03

book departs from the usual themes of

38:06

reinvention, travel, going west, and it tells

38:08

this story in about 10 or 12

38:10

poems about Eve. And it's called that

38:13

interlude in the book is called Westward,

38:15

a Woman Box. And

38:17

I was so fascinated by Eve because

38:19

in my religious background, we

38:21

always heard that, you know, it

38:24

was all Eve's fault. She messed

38:26

up. She's responsible for the downfall of

38:28

humankind. I was in

38:30

an airport once walking and I saw

38:32

this woman with a piece of fruit

38:34

in her hand. And I in

38:36

my little brains, I was like, God, I

38:39

wonder if that was Eve and to reimagine

38:41

her as this like almost

38:43

jet setting woman who was traveling

38:45

throughout time, she's literally the first

38:47

woman to leap West to

38:49

see her not as a fall, but as a

38:52

leap was a lot of

38:54

inspiration behind this

38:56

book and behind my own life of

38:59

could I could I take the

39:02

stories, the narratives, the expectations placed

39:04

on women? And could I totally

39:06

subvert them to see what's possible

39:08

for me and my own expression?

39:10

And could I use my own

39:12

language to tell that story a

39:14

different way? So

39:16

good. It's such

39:18

a generous reading.

39:20

It's such a generous projection.

39:24

And for me

39:27

and a lot of people like me in

39:29

this community who grew up in faith spaces,

39:31

most of us kind of conventional traditional

39:34

gender roles, all the whole thing, you know.

39:36

And of course, as you know, in

39:38

our world, our aspirations were

39:40

to be the tip top rung on

39:42

the ladder was to be a missionary. So

39:44

you did it. You had

39:46

the top rung. Like that was

39:49

the pinnacle of faithfulness. And, you know,

39:51

it was this idea that sacrificing

39:54

whatever you actually wanted

39:57

was the way to please God. So

40:00

if that meant I don't want to chase a

40:02

dream here, I don't want to live in a

40:04

little cozy community with like best friends, like that

40:07

was almost indulgent. And

40:09

so it is resonant

40:12

to hear you talk about rupturing

40:15

that narrative and imagining what

40:17

it can look like in a joyful, fulfilling

40:20

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43:45

podcast. I

43:48

want to talk to you about one other Remember how explosive I mean

43:50

he looks every week but especially against us.

43:52

Yep. you wrote a poem called, I Took My Body Out To Dinner. It's so good. It's

43:55

so good. And

43:57

you talk about this idea. and

44:00

also the challenge of women

44:04

belonging to themselves, first

44:06

and foremost and forever. This

44:09

is a very new lesson for

44:11

me that I have learned in the last four

44:13

years, which for me felt

44:16

revolutionary. I wonder

44:18

if you can talk a little bit about it and

44:20

what you have learned and discovered

44:22

about treating yourself

44:25

and your body and your soul

44:28

with such great care. Yeah,

44:31

that's such a lovely question,

44:33

Jenna, and something. I feel like, God, I'm

44:36

almost 40 and it's still something like, how

44:38

am I learning this so late in life?

44:41

It's just like radical to finally

44:43

feel like you begin to hold a

44:45

different space for yourself than

44:47

you have previously, especially as a younger

44:49

woman. And for me,

44:52

I have never understood the concept of

44:55

self-care and self-love. It's super irritating when

44:57

my therapist tells me to talk nicely

44:59

to myself that has never resonated or

45:01

understood. I understand the concept, but I

45:04

don't understand how to do it in

45:06

practicality. And what really

45:08

shifted for me, I think

45:10

in stories and I think in metaphors. And

45:12

a couple of years ago when I still

45:14

lived in Ohio, what really expanded

45:16

this idea of self and sovereignty and

45:19

self-love was I lived across from a

45:21

house that had two dogs and

45:23

they kept these young dogs on their porch

45:26

in cages. And it took

45:28

me a couple of weeks to realize that

45:30

these dogs were not being well treated. And

45:32

then eventually, the more I watched, I began

45:34

to really wonder and later

45:37

realize that these dogs were being groomed for dog

45:39

fighting. And there were two dogs. There was a

45:41

shepherd mix and then there was a pit bull.

45:44

And they would keep the

45:46

shepherd always in the cage and they wouldn't feed it.

45:48

And then they would feed the pit bull in front

45:51

of it. And it was a really

45:53

heartbreaking, very traumatic experience.

45:55

But to watch that shepherd

45:58

mix learn. time

46:00

and time again. I

46:02

will not be fed, I will not be loved,

46:05

I will not be honored. I

46:07

can't bite because my jaw is gonna

46:09

be bound. And so eventually,

46:11

I mean, there was a happy story.

46:13

I ended up repeatedly

46:15

and very dramatically calling the Humane Society.

46:18

They ended up getting the dogs

46:20

out. My friends invested the shepherd

46:22

mix. And to see that dog

46:24

transformed, it took a really long

46:26

time because that dog was hardwired

46:28

to accept abuse as a norm.

46:31

But to see that dog after weeks

46:33

of being praised, weeks of being loved,

46:35

weeks of being fed, turn into a

46:38

different animal. And why

46:40

do I tell that story is

46:42

because that just unlocked something in

46:44

my brain that struggles with this

46:46

concept of how do I really

46:49

be good to myself. It

46:51

was, I don't put her in

46:53

the cage. I don't ask her

46:55

to accept scraps. I don't bind

46:57

her jaw when she needs to

46:59

bite. And that idea

47:01

of like, we're all kind of creatures,

47:03

we're all animals in the end, and

47:06

what we're fed we metabolize. And so

47:08

I just gained after that,

47:10

like really traumatic experience of

47:12

witnessing an animal continually mistreated

47:14

and then having to work

47:16

really hard to try

47:18

and get the animal out of that

47:20

situation. I realized if I

47:22

don't do that with the sovereignty of

47:24

my heart, I'm also in a cage.

47:26

And if I let myself continually accept

47:28

mistreatment, if I take crumbs and

47:31

call it a meal, if I don't exit rooms

47:33

where I'm not called beloved, then

47:35

I'm doing the same thing. I'm internalizing

47:37

the same messaging than that dog was.

47:39

And it just really shifted for me.

47:42

That is the image that always comes

47:44

in my mind when I begin to

47:46

feel myself in a situation that doesn't

47:49

honor the self. So I don't know,

47:51

some people find affirmations really helpful. Some

47:53

people are able to talk lovingly to

47:55

their self, but for me it was just

47:57

this idea of Get the dog out of the

47:59

cage. Don't. Learn that the

48:01

highest. Have to move in the world. That.

48:03

Is very powerful. I'm

48:06

what a metaphor And

48:09

so now. You've

48:11

done it. You've done nothing.

48:13

You have released yourself from

48:16

every cage really and I

48:18

can only imagine. I am

48:20

lucky enough to have made

48:22

friends with a handful of.

48:26

And I have famously.

48:29

Grew up, I struggled to understand

48:31

poetry. Not like understand why it's

48:33

precious. A meaningful, literally. understand. That

48:35

takes my brain about. Or some sort

48:38

things I don't understand what is known

48:40

for. It's I'm logical and I'm. kind

48:43

of analytical I thought was to the going to

48:45

say herbs and so. It's

48:47

been like my great delight. A handful of

48:49

years ago I was like I. Have

48:52

heart. I am a

48:54

writer. I love love.

48:56

I love metaphor. I

48:58

can understand. Poetry. And so I

49:00

started. Like immersing myself in that like that's

49:02

it. let's go soccer. Not like as all

49:04

hell with all the time the my whole

49:06

feel. Is going to be to poets

49:09

and poetry and fall So many

49:11

and I have just. Been

49:13

so delighted to become

49:15

sort of a weekend

49:17

and like enlightened and

49:19

included. In the world of

49:22

poets which is such a lovely. World.

49:24

It's such a lovely world,

49:26

so I'm guessing that this

49:28

was the world that you

49:30

understand is understood. In. Language like

49:32

this In terms like your whole

49:34

life. Have you been a poet's

49:36

ensure? a kindergartner? I

49:39

would love to see yes but no

49:41

he said now see the state as

49:43

I wrote without feeling that the stories

49:45

that I wrote but what I will

49:47

say is I wasn't a poet early

49:49

on as the kinda poetry li later

49:51

in life I went to grad school

49:53

for poetry when i bought twenty five

49:55

that not written many poles previously when

49:57

I first came the page that actually

49:59

ensure. But still it back on

50:01

our earlier conversation, I was in such

50:04

in Central African Republic and I didn't

50:06

speak the language. Yes, and so my

50:08

mother would let me bring a notebook

50:11

and pen and I would write for

50:13

three or four hours. And so again.

50:15

I've seen poetry always or the page

50:17

always as this way to reconnect with

50:20

the south and unites you older sisters.

50:22

We were both family. I was often

50:24

interrupted or drowned out in Congress a

50:27

sense. The Pays was a space where

50:29

I could. Be interrupted. I

50:31

could see a stay my own truth

50:33

in my own language and the to

50:35

zenith of that the sovereignty of that

50:37

getting to. Tell your story with your

50:39

words. With whatever name you choose

50:42

for cel I see it is just

50:44

as poetry this beautiful a to access

50:46

not only felt that to see the

50:48

world in a really rich and expensive

50:51

way. I

50:53

love to hear that you

50:55

have a obviously the in

50:57

a gift for it for

50:59

language and ideas kind so

51:01

interesting for me How poetry.

51:05

Is for me. I have

51:07

learned that it acts as

51:09

a portal. It is able

51:11

to unlock something and me

51:13

that just isn't the. Best.

51:16

Most instructive language can't.

51:18

Do it. Kind of like you said

51:20

earlier with a therapist to keep saying

51:23

say my force yourself with i know

51:25

what you are saying but I can't

51:27

give that a lance. I cannot get

51:30

the key to turn a lot until

51:32

I read a poetic version of that

51:34

moment and the sudden like bear it

51:36

is it finds it's way and it's

51:39

such a powerful medium. And

51:41

it matters. Poetry matters either.

51:43

sustenance say that foolishly like

51:46

allows. Us to put like it's

51:48

only medium. To. Clean up We

51:50

had sublets of think it's the only

51:52

place that than hold the unstable that

51:54

is the definition of home. it's

51:56

the only space that we had that

51:58

holds not which cannot spoken in any

52:01

other art form. And so all

52:03

of the ache, all of the beauty,

52:05

all of the impossibility of being alive,

52:07

that's what poems are for. That's it.

52:10

And your book's about to come out. And

52:13

everyone's going to get to see for themselves what

52:16

it is that we are talking about, what it

52:18

is that you put on the page. And

52:21

I mean, who can't understand the

52:23

themes of leaving and leaping? Who?

52:27

Especially, I'm a decade older than you. I'll

52:29

be 50 this year. I

52:31

don't know anybody in our age

52:33

range that hasn't dealt with massive

52:36

change by choice or by force.

52:38

Either way, there we are. And

52:41

what it means to take leaps.

52:43

And so it's just beautiful. I'm

52:45

so excited for everybody to have it. I'm

52:48

so proud of you for all the work that

52:50

it took to get it there. I know

52:53

that's work. Yes, poets live

52:55

up in their little beautiful headspace,

52:57

but also it's work. It

53:00

is work to craft that thing

53:03

into the final finished product.

53:05

And so I'm excited for you.

53:08

And I hope that its release is

53:11

everything that you hope it will

53:13

be, that it's meaningful and

53:15

it's a connective tissue between

53:18

all your readers and everyone who's going to find

53:20

you and that it

53:22

serves them well. So this is my last

53:24

question about this. And then we'll wrap it

53:26

up here. What are you

53:28

hoping? And I know you're not

53:31

writing a template. You're not handing over a formula.

53:34

I know that you're not. That's not what poetry

53:36

is. But even

53:38

inside of your craft, your medium,

53:40

what are you hoping that

53:43

your reader closes that last

53:45

page and feels or

53:47

knows or walks

53:49

away with? Thank you for

53:51

all those kind words. I Would

53:54

say the thing that I always tell people

53:56

is I'm a poet, not a preacher. And

53:58

My job is not to give. Any

54:00

faith hit by a to actually name

54:02

the eight am I think it's a

54:04

reader At the end of this book

54:07

feels like they closer and they have

54:09

felt like they finally have language which

54:11

for so long and my life has

54:13

struggled to find a family of language

54:16

to Philly begins to the fine for

54:18

themselves, work wherever it is there. had

54:20

it and were pretty a graphical or

54:22

the West as metaphor symbolically for oneself.

54:25

Whatever. It is that they feel

54:27

a little more in touch with that

54:29

in scenes. With that it's intuition with

54:32

that life that maybe they haven't had

54:34

the space to holders see. Get it?

54:36

They just feel a little bit closer

54:38

to that. I think. Healthy. Really

54:41

pleased. Yeah, well I can

54:43

tell you as a reader who

54:45

accidentally stumbled. On one of your palm

54:47

out from a book that wasn't even

54:49

really sad and then put on the internet.

54:52

That's exactly what it it's me and here we

54:54

are. I. Pulled that thing out

54:57

of sight guys. it just a minute.

54:59

so long it's not belong at all.

55:01

And. It did that thing

55:03

for me and so we use is

55:05

how my community where's the best place

55:07

to follow you, where to find you

55:10

were. Can they get this buckets right?

55:12

A very second is up for. Preorder

55:14

but it comes on April ninth. Where are you

55:16

sending people to? the I Can do the same?

55:19

Yeah. Absolutely! seat in order s England,

55:21

Random House, dotcom it's You can also

55:23

follow me. I'm only on Instagram these

55:25

days so and so a solid and

55:27

how it is where you can find

55:29

me. and yeah I hope you love

55:31

the but I'm really excited to get

55:33

Susteren. Yeah, me too.

55:36

Okay, this is literally the. Last quarter and

55:38

twenty get. Everybody every series,

55:40

every guest. this is Barbara. I'm sailors

55:42

question that she put on one of

55:44

her box and she's been one of

55:46

those like spiritual guidance for me for

55:48

a lot of years. Answer.

55:51

However, you want to I literally to

55:53

be like nonsense or it could be

55:56

like the Presses poets thoughts like everything

55:58

in between. Her question is. What is

56:00

saving your life right now? Love

56:03

that question. Outside of my therapist,

56:05

I would say, I recently,

56:08

I love sad music

56:10

and I recently changed all the,

56:12

swapped all the sad music on

56:14

my Spotify for an upbeat indie,

56:16

energetic mix and it's awful and

56:19

it's getting me out of bed. So when

56:21

you're really stressed out about releasing a book,

56:24

you just gotta only listen to upbeat things.

56:26

It's literally waking me up in the morning.

56:28

That is such a funny answer. I

56:31

love that so much. My oldest son, Gavin, who just got

56:33

married this weekend, he only

56:35

and exclusively listens to sad music.

56:37

I mean, it's endless. The playlist

56:39

or Legion, they are this long, every

56:42

one of them and it just tickles me so

56:44

much that you're like, you know what? That's it,

56:46

happy songs. Let's go Taylor Swift. Let's

56:49

just re, let's swap it

56:51

out. That's amazing. I commend your

56:54

knowledge of your own brooding heart

56:56

to be like, uh-oh, I need to get up

56:58

in the top half the glass. I'm about to

57:00

release a book. Exactly,

57:03

yeah. I was like ride or die. We gotta

57:05

write this a log. That's

57:07

exactly right. That's

57:10

so fantastic. Well, I'm so excited for you

57:12

and grateful that I

57:14

have found you and found your

57:16

work and I'm thrilled

57:19

that the rest of the world is going

57:21

to have access to what it is you

57:23

do. And I'm so excited for you and the

57:26

special brand of magic that you bring to

57:28

the page. And I am so

57:30

looking forward for you to

57:32

begin to hear in

57:37

a new scale and scope, what your words

57:39

are meaning to

57:41

people that cannot be replicated. It

57:45

is so overwhelming. It's so over the

57:47

top when your readers start saying they

57:50

take what you said out of your pen

57:53

and your experience. And I'm so

57:55

excited that you could not have even imagined

57:57

like you could it. And they'll tell you,

57:59

they'll Tell you. that's about what this means to me in

58:01

this moment in. this is why, and it's. Stunning. and

58:03

it never gets old. And it is

58:05

so special. And the fact that we

58:08

get to write words that mean something

58:10

to people is such a gift. we

58:12

are lucky. So. I'm.

58:14

Excited for your. Bank. Account

58:16

rather show today. Oh My. God. Thank

58:19

you So I said this isn't such a pleasure at

58:21

a really so It's added to the have. A

58:35

right. I. Mean,

58:37

what'd I tell you? What? Did

58:40

I tell you the dogs story?

58:42

I just found that. Inspiring.

58:46

That is joy and that's how see

58:49

his and that's how she writes and

58:51

I think I could see you are

58:53

going to. Want instructions for traveling west

58:55

in your hand? Again,

58:58

like to her points on a

59:00

preacher. it's not a formula, but

59:02

it is. It

59:04

is nonetheless. This beautiful

59:06

path. To. Get a peek in on.

59:08

And draw inspiration from how wonderful. And so

59:11

if you go over to June, hatmaker.com and

59:13

Podcast have all have this whole episode. The

59:15

have the show notes of links to everything

59:17

so you can follow Joys you can find

59:20

her book. And

59:22

you can share. This isn't as a good. Cerebral

59:24

episode as Joy was

59:26

talking. I kept thinking

59:28

of the people I wanted to send this

59:31

to sell. we love it when you do

59:33

that and we love you. Thanks for subscribing!

59:35

First of all, and being like such incredible

59:37

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59:40

and we're us. We read all of

59:42

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59:44

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59:46

Social like we sweet home those for

59:48

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59:50

can't say. How. Much we appreciate your engagement. and

59:52

how much we appreciate you so don't

59:54

miss anything else in this incredible series

59:57

on change and will seen as a

59:59

day The

1:00:10

For the Love Podcast with Jen

1:00:12

Hatmaker is a presentation of Odyssey

1:00:15

and produced by 4Eyes Media with

1:00:17

Laura Knightling, producer, Abby Stevens, production

1:00:19

director, Greg Riech DeMario, production assistant,

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and Lauren Winfield, researcher. Odyssey's

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executive producers are Jenna Weiss-Berman

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and Leah Reis-Dennis. Special

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thanks to the team at

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