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Introducing… Young Again

Introducing… Young Again

Released Tuesday, 19th March 2024
Good episode? Give it some love!
Introducing… Young Again

Introducing… Young Again

Introducing… Young Again

Introducing… Young Again

Tuesday, 19th March 2024
Good episode? Give it some love!
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Episode Transcript

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0:00

This is the BBC. This

0:30

is the BBC. This

1:00

is the BBC. Interesting.

2:00

camera and I loved finding out about how

2:02

things were put together so I made this

2:04

little film which you know my wife came

2:07

up with a title not me so she

2:09

was executive producing even then and I

2:13

didn't even know you could get an Oscar for a short film

2:15

I didn't know there was such a thing and

2:19

it was the Scottish Film Council who

2:22

had given us I think a 22,000 pounds

2:24

or whatever it was to to make

2:26

the film and they called and

2:28

said well it's been nominated for an Oscar so

2:31

suddenly we had to we were we were we

2:34

were heading off to LA and yeah yeah and

2:38

it was all a little bit the

2:40

out of townhouse yeah you know

2:42

we didn't really know how to behave

2:45

but we were very it's

2:48

fantastic you know because you just see all

2:50

these movie stars so how did you behave

2:52

demurely right and with the

2:54

light I

2:57

can remember you see we didn't

2:59

really understand how things worked so

3:01

we would actually we were in our hotel

3:03

on the evening in the evening of the

3:06

Oscars and I got a

3:08

call from Bob Weinstein I like

3:10

to call this is Harvey's brother he's running the

3:12

film company with saying have you got your speech

3:14

ready have you got your speech ready for tonight

3:18

yeah because you're gonna win you're gonna come

3:20

and see me tomorrow right and they were sort

3:22

of in sort of trying to get us to

3:24

go and sell you know to

3:26

go and work with them but of course and then

3:28

he said you got to come to our party afterwards

3:30

which was the party the Weinstein party was the party

3:32

after the Oscars but of course we didn't know that

3:35

so we were certain thanks very much Bob but we've

3:38

actually got we're gonna meet some people from a burger

3:40

or something after it you know so all of that

3:42

stuff we didn't know you didn't do the networking because

3:44

if you are walking around on that night yeah with

3:46

an Oscar in your hand people don't say what did

3:49

you get it for though you're just a person with

3:51

an Oscar in their hand that's you can go anywhere

3:53

in that time on that night yeah yeah

3:55

but you didn't but we didn't The

4:00

funniest thing was coming home because we

4:02

had we'd sort of cobbled

4:04

the money together to

4:06

get to get out there and various people you

4:09

know you know scotch film because it had helped

4:11

and BBC and stuff but it wasn't a big

4:13

we weren't there with a lot of money and

4:16

so we were traveling in economy but

4:19

we got when we flew back and

4:22

I went into the BA chicken desk in

4:26

LAX I thought well I'll just go up

4:28

to the desk and check in and I'll

4:30

pull up my Oscar on

4:33

the desk and see what happens which

4:35

I did and they just and I

4:37

was embarrassed doing that okay but not

4:39

as embarrassed as they were because they

4:41

went I'm really sorry the flight's full

4:43

we can't really do anything but

4:46

they gave us a bottle of champagne okay and then we

4:48

got on the flight with our with our Oscar but of

4:50

course we were like it was like that scene in the

4:52

Titanic you know when they go they go down and

4:55

they discover there's all these Irish

4:57

people make people of mixed cultural

4:59

heritage head to America so we were

5:02

in economy but at the foot of

5:04

it but somebody saw that we had an

5:06

Oscar because we had it out so we

5:08

passed it back everybody said an accordion should

5:10

have come out and then you know people

5:12

could have done you know Irish dancing. It's

5:15

very interesting to me that you decided not I mean

5:17

obviously at that point when you were making that film

5:19

you didn't know it was going to be nominated and

5:21

win an Oscar but was that

5:23

a time in your life when you thought you

5:25

know this acting thing it's not it's not all

5:27

that oh for sure right so you wanted to

5:29

be a director right right then yeah absolutely and

5:31

I loved you know directors and I

5:33

loved you know looking at Ridley

5:36

Scott's storyboards okay seeing looking at

5:38

David Lynch and you know there

5:40

are those such creative people and

5:42

I thought in a way that

5:44

my my skill set was probably

5:46

more suited to that because

5:48

I'd been to arts school I could draw and

5:50

I could visualize things but I also had some

5:53

acting experience so I could understand the

5:55

actors situation so I thought I was so sure in

5:58

and do you feel do you wish you

6:00

had made more of that night or are you quite

6:02

happy you went for the burger with you? Do you

6:04

think, you know, I could have networked more, I could

6:06

have used that moment, I could have... Well, a surprise

6:08

for the burger is just

6:11

the chart show version of the story. The

6:13

real version is that we ended up at

6:15

the Weinstein's part. Oh, you did? Yeah, because

6:17

somebody said you really should go there. Okay,

6:19

good. So we went there and

6:22

saw all the hottest stars of the day

6:25

in real life and God, they're beautiful. They

6:27

really are. I mean, it's unbelievable. You'd never

6:29

see it, I've never seen anything like it.

6:31

I mean, they are just genetically

6:34

sort of perfect, absolutely

6:37

beautiful and fun. And

6:40

very well dressed. Very, very well dressed. And of

6:42

course, if you've got an Oscar there, we'll talk to

6:44

you. Yes. Even if it's just for a little short

6:46

film. But then, but you see, that was confusing. You

6:49

wouldn't know, I didn't want an Oscar for being an

6:51

actor, which would have been, would

6:53

have then propelled me into all these other... I

6:55

want an actor to have been a director. But

6:57

you wanted to be a director. I wanted to

6:59

be a director, yeah. And in common with very,

7:01

very many people who have scripts and development and

7:03

who are, you know, courted

7:05

by film companies, who are considered to be the

7:07

next big thing, you know, this guy obviously has

7:09

got creativity, he's interesting, bit of an edge, all

7:11

that stuff. It didn't work out. The Weinstein thing

7:14

didn't work out. You think you're

7:16

the next big thing, because they're talking, they're using

7:18

sums of money that you're not, you're not used

7:20

to. But to them, that's not

7:22

huge sums of money. So you're sitting in meetings

7:24

and people are saying what? What

7:27

have you got? What ideas have you got? What do you

7:29

want to do? We want you. We want to be in,

7:32

we want to be in the Peter Capaldi business. Oh

7:35

my gosh, did they? Yeah. And I had

7:37

a script that I worked

7:39

on a bit and then they started, there was

7:42

a kind of slight bidding war that started between

7:44

a couple of companies about that. But

7:46

we ended up with Merrimax and I thought, well, that's me away

7:49

because they paid me a lot

7:51

of money for the script and then we

7:53

were going to make it and spent a year

7:55

kind of working on the script and then they

7:57

decided not to make it. Which is entirely normal.

8:01

That is something that happens a week in,

8:04

week out, hundreds of writers and directors but

8:06

if it's happening to you it must

8:09

be an intensely, first of all

8:11

I'm guessing intoxicating, we want to

8:13

be in the Peter Kabalpe business,

8:15

intoxicating and then feel

8:17

like you're kind of dropping in a list that's

8:19

only going to the basement. Yeah because it's over.

8:22

It's over. It's over. And

8:24

you're 37 or whatever. And a year after the

8:26

Oscars, because it was

8:29

Oscar Day, I still get a slight shift.

8:35

I was standing in a field in Rickmansworth

8:38

up to my knees in mud directing

8:41

a dog food commercial, not a

8:43

national dog food commercial, a local,

8:46

for a local television station because

8:48

they didn't make my script, I

8:51

didn't have an acting career because I turned my

8:53

back on all that and

8:55

the door sort of did slam quite fiercely

8:57

on that. I had

9:00

no work so I had to divvy

9:02

around with my little short film that won an Oscar as soon

9:05

as there's any work I could get and

9:08

so I got a job from an advertising agency directing

9:10

a couple of commercials and they

9:13

weren't big expensive ones, they were

9:15

little cheap ones but I thought wow that's show

9:17

business and of course the Americans, you know Americans

9:19

are lovely, they're

9:22

lovely to you when you're successful but when you're

9:24

not, it's really over, they have

9:27

no time for you. What would you

9:29

tell yourself if you could go back and have

9:32

a conversation with the guy up these auster's in

9:34

mud directing the pet food commercial? I would say,

9:36

and I think this is absolutely, and I've thought

9:38

about this because

9:41

it's what happened. You know one of the things is

9:43

when you talk about going back and giving yourself advice,

9:46

most of the time it would have been... Well you

9:48

wouldn't have listened to anything. I wouldn't have listened to

9:50

any way if this... That ruins the show. Let's not

9:52

talk about that. But

9:56

there are occasions when things happen when you call well...

10:00

I'd known I would have

10:02

behaved differently. And the

10:04

consequence of that event

10:07

of winning that Oscar and

10:09

all of that stuff and how wonderful that was and

10:12

then it all ebbing away was

10:14

that I sort of went into grief. You

10:18

know, I kind of... For your imagined future. Yeah.

10:21

Yeah. And also for

10:23

making a living because there was no,

10:25

I wasn't making it. I wasn't. My

10:28

hotness was over. Yeah. It

10:30

was still cold. I was still cold and

10:32

I was lucky to get a dog food commercial.

10:36

But what happened that was bad and I

10:38

would have advised myself against

10:40

was that I misplaced

10:43

my mojo. Okay. And

10:45

I just went into grief. I just

10:47

thought of... Wow. Okay. I

10:50

kind of... No, I understand what you're saying. I

10:53

don't know who I am or what do I do here? What

10:55

do I do here? Just like a year

10:58

ago, I was a big short or

11:00

the edge of big shortary and now I'm not.

11:03

And now I haven't got a job and I've got

11:06

a family and how does this all work

11:08

now? Why do they

11:10

don't want to give me a good act? I can't get a good

11:12

acting job. And

11:16

I could have, I guess, put my shoulder

11:18

to the door and just sort of tried

11:20

to get

11:22

my scripts... All the scripts get tied up.

11:25

Every time you work with an American company,

11:27

they tie up legally. So

11:29

they're there. They've got your

11:31

property. I

11:33

couldn't do anything and I sort of did

11:36

lose my sense of having

11:38

any creative force. So

11:42

I would say to myself, who cares? That's

11:44

what I would say. Who

11:46

cares? It's just a thing that happens. Wear it

11:49

lightly. Yeah. It

11:51

doesn't matter. Don't waste your time

11:54

worrying about it or grieving over it. It's nothing. That's

11:57

not a bad thing to happen to. It's just a great thing.

12:00

in your life and to have that experience, you

12:03

know, to have the experience of being exposed

12:05

to all those wonders and that delight and

12:07

then to have it taken away. Well that's,

12:09

you know, life. Thanks

12:13

for listening and if you like what you hear,

12:15

subscribe to Young Again on BBC Science.

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