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Jonathan Tetelman Trades the Nightclub for the Opera House

Jonathan Tetelman Trades the Nightclub for the Opera House

Released Tuesday, 25th June 2024
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Jonathan Tetelman Trades the Nightclub for the Opera House

Jonathan Tetelman Trades the Nightclub for the Opera House

Jonathan Tetelman Trades the Nightclub for the Opera House

Jonathan Tetelman Trades the Nightclub for the Opera House

Tuesday, 25th June 2024
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I could be, you know, a fly on the

18:02

wall and see what's going on. Is that world

18:04

constricting a little bit like classical music in terms

18:07

of the audience and... I think in the United

18:09

States, yeah, a lot, because, you know, it's all

18:11

privately funded, you know, and the money, it's hard

18:14

to get now, I think, you know, it only gets harder

18:16

with the arts and the way that in

18:19

politics we portray the arts, unfortunately. I

18:22

think in Europe, that's why we're mostly

18:25

over in Europe, you know, I have a

18:27

lot more opportunity. A lot of state-sponsored programs.

18:29

I mean, every little city, every little town

18:31

in Germany has an opera house, and they're

18:34

all at a reasonable level. And then you

18:36

have places like Berlin and Munich and Hamburg

18:38

and Frankfurt, and, you know, you

18:40

can make an easy living over there. And then

18:42

you could just fly one hour to Vienna or

18:44

two hours to Milan and sing internationally.

18:48

How would you describe the difference between audiences

18:51

in the United States and Europe? You

18:54

know, there is a difference. I would say the

18:56

typical United States audience, I would say, you know,

18:58

you probably have 20, 25%

19:01

of the people are regular opera goers that

19:03

really know the piece. In Europe? In

19:05

the United States, I would say about 20%. They

19:07

know the piece, you know, they go all the time. And

19:10

then the rest is kind of people that

19:12

are going there because they like opera and

19:15

or first timers and stuff like that. So I think

19:18

the enthusiasm for

19:21

the opera in the United States is always pretty

19:24

good, you know, unless it's

19:26

a real train wreck, you know, you never, you're

19:28

never, I basically say

19:30

the Met, you know, you always see a standing ovation

19:32

at the end of the night because they're always very

19:34

happy. A lot of places in New York to see

19:37

that. Exactly, you know, and but I would say in

19:39

Europe, you got to really work for that, especially places

19:41

like London, you know, I think that the personality of

19:43

the people is a little different. So to

19:45

get people on their feet in Covent Garden or

19:47

at the Coliseum, it's much more

19:50

difficult. And then in Italy, well, then

19:52

we'll keep going. Well, actually, we'll go

19:54

to Germany next. Germany, you know, I

19:56

think even getting an applause after an

19:58

aria is extremely difficult. I

22:00

thought the stars have aligned to make

22:02

this role suit me perfectly

22:04

right now. I love singing in

22:06

French. I love Massenet, the way

22:08

it lies, the character, the fact

22:10

that the psychological drama in this

22:12

opera, where these two people completely

22:14

changed places with each other. To

22:21

hear more of my conversation with

22:23

Renee Fleming, go to hearsethething.org. After

22:27

the break, Jonathan Tettleman shares the story

22:29

of meeting his wife on

22:31

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will fix it. grew

28:00

up as a singer. Actually, it was discovered

28:02

by Leonard Bernstein, his talent. And he's also

28:04

Jewish, he's part of my tribe, so I

28:07

appreciate that. But he's really

28:09

old school Italian kind of conductor. All

28:11

of his training was in Italy, and

28:13

he knows the pieces better

28:15

than, I think, almost anyone. I

28:18

mean, he's an unbelievable maestro.

28:20

He's a little

28:22

temperamental, but I think that that actually comes

28:24

in your favor when you get on stage

28:27

and you have somebody to support you and

28:29

help you deliver when you need it. Now

28:31

you were born in Chile? Yes. And

28:33

you left there when? Six months old. And

28:36

your parents took you or you were... Well,

28:38

they adopted me, but... Oh, they were adopted

28:40

by... They didn't take me, but... So you

28:42

never met your birth parents? Never. And do

28:44

you know anything about their history? No. Your

28:46

adoptive parents are Jewish? Yes. Do

28:48

you want, you know, Chilean Catholic or something? Probably

28:50

was. Wasn't it Chileans? I know, were Catholics. It

28:52

was, I mean, I'm sure. I was from Castro,

28:54

and that's like the Catholic capital of Chile. Right.

28:57

But you were raised Jewish by your parents? I was. Yeah.

29:00

So no connection to

29:02

Chile, no feelings about Chile, no... No.

29:04

I mean, I will actually be doing

29:06

some sort of South American tour next

29:09

year. I am planning

29:11

to go to my place of

29:13

birth. There's actually a beautiful theater

29:15

nearby called Teatro del Lago, and

29:18

it's this theater on the lake, obviously.

29:20

And then I'll maybe sing in Santiago,

29:24

Buenos Aires, Peru, Montevideo,

29:28

just kind of re-enter my South American

29:30

heritage. The South American circuit. Exactly, exactly. But

29:32

I really wanted to do this, and I've

29:34

been waiting to do it. I was planning

29:36

actually doing it this summer, but unfortunately, my

29:38

wife's visa is issues. We

29:41

cannot leave... Where's she from? She's Romanian.

29:43

But that's why the Romanian connection. And

29:45

that's the Romanian connection. And they

29:47

won't let her leave the country until she has her

29:49

green card. So here we are, stuck

29:51

in the US of A. If anybody can sing their

29:53

way to their wife's green card, I have faith in

29:56

you. Amen. I have faith you're going to go to

29:58

the White House, sing in the White House. I'm

30:00

sure I'm not the first one. There's anything I can

30:02

do for you there, Jonathan. You're like, as a matter

30:05

of fact, Mr. President, that's right. there was a little

30:07

favor you could do for me. Now, what's

30:10

one of the strange, I mean, opera is

30:12

so complex. I watched that

30:14

documentary about the ring and

30:16

Levine conducted that. Yes. And

30:18

they showed those big, big paddles, those

30:21

seesaws, and that whole crazy thing. Yeah.

30:23

And they showed the rehearsals, they would stop. And

30:26

the women would go sliding down those little parks.

30:28

Like they were in Washington Square Park. They'd be

30:30

like, zip off the stage. What's the craziest thing

30:32

that ever happened to you during a show? Did

30:35

any wacky things ever happen to you when you

30:37

were doing a show? Well, I've definitely injured myself

30:39

a few times. I've done the opera, Tosca, and

30:41

always in that opera, there's the death of

30:44

Cavarodossi, where he gets killed by firing squad.

30:46

And before I really actually knew how to

30:48

fall, I was falling and falling and falling,

30:50

and then eventually I had this enormous bruise across

30:53

my entire leg and up my back. And I

30:55

kept, because I just kept falling on my hip

30:57

every night. And by the last

30:59

show, I was like hobbling the entire opera.

31:01

It was horrible. But then I

31:03

learned, you know, how to actually do it correctly. I

31:06

did a play once, and I'm banging my hand on a table.

31:09

I'm punching, I'm doing Streetcar Named Desire on Broadway,

31:11

and the line is, remember what Huey Long said,

31:13

every man is a king. And I am

31:15

the king around here, I bash the table. It was a hickory table.

31:19

With the hardest fucking wood, it was the wood they made,

31:21

like Washington's coffin out or something.

31:23

Punched back harder. I had

31:25

the wood exactly at the table, hit me. And

31:27

I literally get, I crush my knuckle, I

31:30

kill my nerve from in between my pinky

31:32

finger and the next finger over. I crush

31:35

the nerve wrapping up in behind, through my

31:37

forearm, wrapping up like the sciatica of your

31:39

upper trunk. Unbelievable. And it goes, wraps around

31:41

my bicep, and I couldn't do one pushup.

31:44

I went down, and my chest

31:46

muscle just died. Well. Because it

31:48

comes out of the air, down your arm, anyway. Like

31:50

if you do pushups. Yeah. You're,

31:52

you know, exerting the same system. And this happened

31:54

to me, and my hands started to turn black.

31:56

Blue. Black. My goodness. Now, is

31:59

your wife an opera singer? No, she's not.

32:01

We actually met on Tinder in London. She

32:03

was working for the Soho House. She was

32:05

a manager of a restaurant at the Ned.

32:07

I can't believe you're so desperate. You're on

32:09

tour. Oh, my God. You know, I

32:11

was just, I just was there to make friends. You were

32:13

lonely and bored. I was so lonely. You fucking named that.

32:16

You know, it was like one of those Tinder

32:18

stories that actually walked out. Who am I?

32:20

In your hotel room, who am I? Swiping. Oh,

32:23

swiping. Am I that? I don't

32:25

know. Super swiping, actually. So you met her? We

32:27

met. Yeah, we met. What's it like for you

32:29

when you're on Tinder and you meet the person,

32:32

either they're what you hoped they would be or they're not? I

32:34

mean, I think she was more

32:36

the person that I expected than

32:38

I was the person that she expected. What does

32:40

she expect? Well, you know, I had some nice

32:42

pictures and all these things, you know, you've seen

32:44

me on the camera. You've seen me

32:46

in the real life. You know, there is difference. So I

32:49

think that, you know. A slight difference. A slight difference. The

32:51

guy, the guy. I also had a little bit more weight

32:53

at that time. So, you know, it was a little bit

32:55

more. You're more powerful. A little power. Yeah, I like that.

32:58

I like that. I was very powerful. Well, you do. You

33:00

look like you could be playing defensive end for

33:02

the Cowboys. I don't know about that. On video.

33:04

In person, you could be playing tennis at Yale

33:06

or something. That's good. That's good, yes. I

33:09

get a lot of, I get a lot of Federer,

33:11

actually. That's my doppelganger. So when

33:13

you meet the woman, your wife, who the woman

33:15

who you're gonna eventually partner with and have a

33:17

baby, are you married? You're married. We're just gonna

33:19

marry. She is your wife. We got off the

33:21

plane at JFK, drove down to West Virginia and

33:23

got married the next morning. Why

33:25

West Virginia? Because you can get a marriage license

33:27

day of. And we wanted to

33:29

submit everything as fast as we could to get

33:31

the green card stuff going. Born in Chile, raised

33:34

in Princeton, with my wife in Romania, get married

33:36

in West Virginia. That's right. And now we're gonna

33:38

be moving back to Berlin next year. So, yeah,

33:40

that's where we'll be living. We'd love that to

33:42

be home. For now. Why? A

33:45

lot of work. Yeah, it's the work.

33:47

It's just the, it's simple, it's more

33:49

simple there. We can go to her

33:51

family very easily. It's only two hours.

33:53

I can go to basically anywhere in

33:55

Europe within three hours. And,

33:58

you know, it's just. That's

34:00

where the opera really is. You have three

34:02

major opera houses right in that city. Then

34:04

you have, obviously, the Berlin Philharmonic, and then

34:07

also universal music is there. So for me,

34:09

it's almost a no-brainer. And

34:11

the education is very good and free.

34:14

Do you see yourself doing this for the rest of your life?

34:16

I mean, like in my own case, I

34:18

did this for 40-something years, and now I'd rather

34:21

stay home more than work. I'm

34:23

happier staying home than working. I used to

34:25

go to work. I was very enthusiastic. I

34:27

worked rather than just let one off the

34:29

other for a 20-year period, and all I

34:31

cared about really was work. But I cared

34:33

about my family and so forth, but I

34:35

really didn't hesitate to go out and grab

34:37

the jobs while they were there. And now

34:39

I'm just not as interested. I understand. You

34:41

know, I think I would like

34:43

to do other things eventually. I

34:45

would like to do a lot of

34:47

things. I'm interested in actually acting itself.

34:50

My producers and I were like, what about acting?

34:52

When are you going to go into that? I

34:54

am interested, you know, and I'm kind of a

34:56

big fan of Mario Lanza. And this

34:59

kind of tradition of these great

35:01

singers in film, I think that that's kind of,

35:03

it's a missing element to the world right now.

35:05

I think that that's, it could be a draw

35:07

for an inspirational thing for

35:09

a lot of young people to really

35:11

connect with this music that is so

35:15

meaningful and so connecting. I think we

35:17

should develop a TV series for

35:19

like a Netflix or Apple or one of these people

35:21

or Amazon Prime, where it's about the world of opera.

35:23

And it's a narrative. You play a character. I mean,

35:26

it's a cooler world than most people know. Most

35:28

people think opera, okay, they're just talented. They

35:30

just get on that stage, they sing. They

35:33

make them, they do that thing. I

35:35

don't want to know really about that, but yeah, it's

35:37

that thing. But actually it's a kind of normal

35:40

life mixed with this life of just like going

35:42

from job to job, place to place, person to

35:44

person and role to role. Every

35:47

new place is a new experience. It's actually

35:49

very exciting. Well, I mean, as you probably

35:51

can guess, if we did the TV series

35:54

with you and the lead as the opera

35:56

singer, you'd be this incredibly

35:58

handsome, gifted opera singer. This

37:39

is it. Your moment. This

37:41

is your time to make your comeback

37:43

with Purdue Global. When you come back

37:45

with a Purdue Global degree, you create

37:48

opportunity for yourself, your family, and your

37:50

future. It's a degree you can be

37:52

proud of, a degree that employers will

37:54

trust and respect. Purdue Global offers

37:56

working adults like you over 175 flexible degree programs

38:01

to meet your specific career goals.

38:03

These include associate, bachelor's, master's, and

38:05

doctoral degrees and certificates. Purdue Global

38:07

degree programs range from nursing to

38:09

business to communication and more. Whatever

38:11

your interests, we have the degree

38:13

that will move you forward. You

38:16

have the knowledge. You have the experience. Now

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38:21

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38:23

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know you're worth it. We do too. So don't

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your comeback today at PurdueGlobal.edu.

40:00

Do Plastic is

40:22

Advice for the Next Generation

40:24

of Opera Singers What's

41:23

an opera rehearsal with no singing? What do

41:25

they do? Well, we just do staging. I

41:27

mean, staging and logistics. Choreography. Choreography. If you're

41:30

lucky, you have a good director and you

41:32

have a good collaborative team of people that

41:34

can act, then you can develop things even

41:36

more, you know. It just depends on

41:38

who you get. And that's the thing about opera is you

41:40

don't really know who you get until you get

41:42

there. What do you like to do with your spare

41:44

time? I mean, do you feel that you can go clubbing

41:47

and enjoy life to the fullest or do you

41:49

have to really, really... Are you like Jake Lamotta

41:51

asking for a piece of ice?

41:54

You know, I never need

41:56

to go to another club. I think I'm all

41:58

set. Right now, you know, we're preparing our

42:00

wedding reception because, you know, we got married

42:02

in a hurry. Who have you hired to

42:04

sing there? Who's singing there? Actually, we have

42:06

an open piano cocktail hour. So all of

42:08

my buddies and whoever wants to get up

42:10

will have a pianist so they can just

42:12

get up and do their thing. Are most

42:14

of your friends in the business? Yeah, I

42:16

would say. Or they're in some

42:19

way interested in singing, which is really weird.

42:21

My whole wedding party, I'd realize that every one

42:23

of them is an opera singer or wants to

42:25

be one. Oh my God, oh

42:27

my God. So what do you do? What do

42:29

you like to do on a night off? I

42:32

mean, we don't take many nights off, you know,

42:34

we're mostly at home, just like hanging with the

42:36

kid and playing with her. You know, it's an

42:38

important time right now, you know. We really enjoy

42:40

spending time with our daughter. But, you know, when

42:42

we're on tour, you know, we have actually, we

42:45

don't really want to stay home, you know, we want

42:47

to see the cities. So when we're in Italy, you

42:49

know, we want to see all the churches, we want

42:51

to see all the museums. We just want to walk

42:53

around. We were in Palermo recently and, you know, we

42:56

would go to the market every day and get fresh

42:58

fish, fresh groceries, everything, you know, that's like, it's a

43:00

different type of life. A European life. Very cool, actually,

43:02

because, you know, and get to practice a little Italian.

43:04

Are any of your parents or either of your parents

43:06

willing to go on the road with you for these

43:09

luxurious trips? So you can have the kids and take

43:11

care of the kids? They're a bit too willing. I

43:16

want you to be my son. I'm like,

43:18

son, where are we going? We're going to go

43:21

to Milan, dad. They'll

43:23

find us. Milan, you're kidding. That's

43:25

where you're going? They usually come

43:27

and they spend maybe three to

43:30

five weeks with us at a time, which is really nice.

43:32

It's nice that they come in handy. Yeah.

43:34

Especially when in easy situations. I don't have

43:37

them forever. So it's wonderful to have them,

43:39

you know, at any moment. What

43:41

are you doing next? Well, I'm doing butterfly

43:43

at the Met now. You're rehearsing

43:45

now. We're rehearsing now. Actually, I'm supposed to

43:47

sing tomorrow, but I'm not feeling well. So

43:49

I think I'm not going to sing tomorrow.

43:52

And when you make that call with them,

43:54

it's a tough call. You know, I think

43:56

I think it's they appreciate it.

43:58

And I think that a lot of singers. Struggle

44:00

making that call because they feel like oh if

44:02

I cancel you know they'll they won't hire me

44:04

again They'll think I'm unreliable But I actually think

44:06

it's an important so in order for everybody else

44:09

to move forward during the rehearsal Right

44:11

not be held up by you per se even

44:13

though. It's well now. We're in the performances so

44:15

you're running Oh, we're running. We're running tomorrow opening

44:17

night But you know tomorrow's the opening night opening

44:19

night, and I'm not and I'm not there You

44:22

know I just know that I'm not going to

44:24

be at I usually have an

44:26

understudy obviously We have an understudy and if I'm not not 90%

44:28

I don't sing I

44:30

actually sang the HD broadcast last week completely

44:32

sick I had no voice and luckily I

44:34

had a great doctor who Prescribed

44:36

me some wonderful Western medication to get me

44:38

through the show, but otherwise I would have

44:40

had nothing Now watches

44:43

what is your thing about collecting watches?

44:45

You know I kind of mostly collect

44:47

Omega watches I actually really like the

44:49

Omega Doctor who prescribed

44:52

me some wonderful Western medication to get me

44:54

through the show, but otherwise I would have

44:56

had nothing Now watches

44:58

what is your thing about collecting watches?

45:01

You know I kind of mostly collect

45:03

Omega watches I actually really like the

45:05

Omega History of Omega there's

45:08

so many different types of Omegas They're probably one

45:10

of the more interesting brands I think because they

45:12

didn't really set out to be like oh This

45:14

is a luxury brand or whatever you know they're

45:16

they're really a lot of them a lot of

45:18

them I have are like officer watches or kind

45:20

of daily wear watches, and then they kind of

45:22

they did the James Bond stuff So their history

45:24

is very interesting. I think it's very Rooted

45:27

into like people that want to collect watches. They

45:29

don't make them $50,000

45:32

you know they make them under 10 grand typically, so

45:34

I think it's a it's a good brand to connect

45:37

myself, too I wish they'd give me a call you

45:39

know Omega Hello

45:42

swatch group. How many guys can sell watches and

45:44

sing Madama butterfly? That's right well

45:46

I mean you're running at the Met

45:48

and Madame butterfly for how long? Until

45:52

May 11th. That's the HD broadcast

45:54

actually So that's that show

45:56

will be that will be broadcast. Yes, so live

45:58

it'll be a live broadcast And

46:00

when you do that show, typically, because this

46:02

is something I'm rather ignorant about, it typically

46:05

runs how many performances? Typically, I

46:07

would say a run is anywhere between

46:09

five and 12 shows. No. It

46:12

depends. So my

46:15

rendine was eight, and the

46:17

butterfly is five. No. Yes.

46:19

It's only five shows. That's right. Well, if it's

46:22

in May, it's a... Labor of

46:24

love. Right. You can't sing every

46:26

night. You can't. You have to

46:28

sing, I mean, at the most, once every other night,

46:30

but you really need two days off to rest the

46:32

voice. Is that what you have now? I have that

46:34

now. At The Met, that's what they give

46:36

you. And it's really... it's a luxury.

46:39

In Europe, you don't always get that. It's

46:41

a lifestyle, you know? You come to expect it,

46:43

that this is what you do. With

46:59

his rendition of a look of

47:01

that lustelé from Puccini's Tosca. I'm

47:04

Alec Baldwin. Here's the thing as brought

47:06

to you by iHeart Radio. Frrrr...

48:00

Racha. Oh

48:07

dolce, Vati, Oh

48:12

L'amvina Carrece,

48:16

L'acri of L'amvina

48:22

L'amvina L'amvina

48:26

Si Su

48:39

Mani Percentre

48:41

Sonia Su

49:00

Mani Percentre Soni

49:03

000 Did

49:33

somebody say free Diamond bracelet? That's right,

49:35

Diamond's direct is expanding about their best

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offer yet. Make any purchase this month.

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