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Invisible ink & toad poison: tools of Elizabethan spycraft

Invisible ink & toad poison: tools of Elizabethan spycraft

Released Sunday, 23rd June 2024
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Invisible ink & toad poison: tools of Elizabethan spycraft

Invisible ink & toad poison: tools of Elizabethan spycraft

Invisible ink & toad poison: tools of Elizabethan spycraft

Invisible ink & toad poison: tools of Elizabethan spycraft

Sunday, 23rd June 2024
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not want to detain that letter, but

8:02

you might want to keep the conspiracy

8:04

going until you gather enough evidence until

8:07

you know who is involved in the

8:09

conspiracy. So you might want

8:11

to keep the conversation going and therefore you need

8:13

to repair the letter you might have

8:15

just destroyed. You

8:18

might have shattered the seal because

8:20

a wax was made from a

8:22

very different material shellac, which was

8:24

quite brittle. So you needed to

8:26

have skills in handwriting, in

8:29

house mix invisible inks, house

8:31

mix normal inks, think about the color of

8:33

the different things and afford seals,

8:36

which was a time consuming process as

8:38

well. Oh,

8:40

such a clutch pickup Dave. I was worried

8:42

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8:44

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8:47

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9:03

blinds.com is the go to blinds.com for up

9:06

to 45% off blinds.com rules and

9:08

restrictions may apply. And one

9:10

person in your book who's not shy about

9:12

promoting these skills is Peter Bales. I wonder

9:14

if Pete could we hear from you a

9:16

little bit more about Bales and his skills

9:18

in this world? Well,

9:20

Bales was a scrivener and he was

9:22

expert in handwriting and he was renowned

9:24

for the beauty of his handwriting. Some

9:26

even said that he could imitate printed

9:28

type, that he had so

9:30

much control over his quill. And he

9:34

earned money by copying things for people

9:36

and also by teaching people how to

9:38

how to actually write and ultimately how

9:40

to imitate other people's handwriting. And

9:43

the thing with Bales is that he was quite

9:46

elegant, I think it is safe to

9:48

say. And he was very excited with

9:50

his own skills and his own ability. And he

9:52

was very much a self promoter.

9:56

In 1575 he wrote

9:58

on the size of a small coin. weapons

12:01

and he was very good at faking handwriting.

12:03

He actually said that one of his masters

12:05

had actually seen him do what nobody else

12:07

had ever done before, which is imitate another's

12:10

hand, which is not quite true. But again,

12:12

he was sort of self-promoting in that respect.

12:14

But he was also very good at invisible

12:16

inks. He worked out a bunch of different

12:18

formulas to invisible ink and also was working

12:20

very hard on trying to fake a seal,

12:22

fake a seal quickly because one

12:25

of the problems with the usual simpler methods

12:27

of faking seals is that they

12:29

take quite a long time. And of course, if

12:31

you delay a letter when you're interrogating it, it

12:33

gets to the conspirators too late, they're going to

12:35

get a little bit worried, a little bit suspicious

12:37

and probably disband and the whole thing's going to

12:39

fall apart. But what he tends

12:41

to do is he will say in his letters to

12:44

people like Walsingham and Sessels,

12:46

he'll say, I can do this

12:48

thing, but he won't say how it's done. He

12:51

just says, I can do this. I'm marvelous at

12:53

this, but he won't give any actual information about

12:55

the process that he's using because he knows that

12:57

it's the process that the spymasters want. They don't

13:00

really care about him. They just want the ability

13:02

to do it. And if he tells everyone how

13:04

to do it, it'll all get stolen. And this

13:06

is still where he's looking for personal faith from

13:09

people. He does also relentlessly

13:11

ask them, he says, give me a

13:13

wage and give me an office. Because

13:16

then instead of working piecemeal, I'll

13:18

always be on site. And whenever I'm needed, I'll

13:20

be there. You won't have to suddenly find me

13:23

and I might be down the pub, whatever. It

13:25

says, give me a way to give me an

13:27

office, which he doesn't ever really get until he

13:29

retires and gets a wage and

13:31

is doing something incredibly different than anyway, down

13:33

in Poole where he resides. But

13:36

he is this man who keeps recurring. He's

13:38

in the Babinson plot. He does a little

13:40

bit of work there. He works

13:42

in the aftermath of the gunpowder plot. He's

13:44

brought out of retirement for that. And he

13:46

does all sorts of little things that people

13:49

don't think should have been done at the

13:51

time. Certainly what worked out until later. So

13:53

he's in effect, he's the only one in the queue.

16:00

refill it. It didn't really matter

16:02

whether you started with cold water and

16:04

then refilled with cobras or the other

16:06

way around. But if you then try

16:08

to refill, try to wrong

16:10

substance, you're ending up with an inky

16:13

smear and you have destroyed the entire

16:15

message before you could sort of read

16:17

it. Some of these volumes

16:19

disappear again, others stay forever visible, which

16:21

is of great, of course great for

16:23

the historian because then you can see

16:25

it in the archives. But

16:29

they knew that the correspondence they

16:31

tried to trace were using

16:33

invisible ink and they

16:35

were wanting to open their letters.

16:37

They of course had the problem because

16:40

if they wanted to forge the letter,

16:42

they also had to enforce invisible ink

16:44

writing. That was incredibly difficult. If you're

16:47

writing in invisible ink, you can't really

16:49

see your own handwriting, let alone if

16:51

you try to forge another's. So

16:54

they called in Arthur Gregory, who

16:56

invented what he calls a perspective

16:59

box, a little machine to copy

17:01

invisible ink writing. And we

17:03

don't know exactly how it worked, but we

17:05

have some vague idea. Oh, yes, we do.

17:08

Oh, no, we don't. Oh, yes, we do. It's

17:10

a difficult one in this because Gregory doesn't

17:12

explain his perspective box at all, but we

17:14

know exactly what he did with it. And

17:16

he says what he's done with it. And

17:19

we have evidence from Jim

17:22

Batiste de la Porta's 1558 book

17:25

Natural Magic, where he's explaining

17:28

how you can make letters appear in

17:31

places that they're not. And how you can make images

17:33

appear in places that they're not by

17:35

using lenses and by using mirrors. What

17:37

seems to have happened is that Gregory has

17:39

adapted this for use in

17:42

copying letters. He's adapted one of de la

17:44

Porta's machines for copying letters. And

17:46

so what he's able to do then is

17:49

he's able to effectively to trace the revealed

17:51

handwriting in his invisible ink

17:53

so that he's not doing

17:56

the whole thing blind. This is

17:58

also clever about what he does because there's no they

20:00

would then pass later on when they arrived at

20:02

the destination. We also have people

20:04

who explain how you can

20:06

put a message into an egg. There has to

20:08

be a very small message because it's very, get

20:10

it through the slice in the egg. So

20:13

all of these things that people using the

20:15

size of message to actually smuggle them through,

20:17

get them through enemy lines, if you like.

20:21

Your book is very tactile in terms

20:23

of the way it evokes wax seals

20:25

and the ways that things were smuggled.

20:27

And as historians, you were recreating some

20:29

of these techniques. Can you tell us

20:31

a little bit more about what that

20:33

was like? We did many

20:35

experiments and we also had help from

20:37

MIT libraries for the more complicated things.

20:40

But it's so much fun to sort of

20:42

figure out how you can put a message

20:44

in an egg. It turns out

20:46

you need a lot of vinegar to make

20:49

the shell soft. Then you take

20:51

a razor and you make a little slit in

20:53

the egg. You put in your message and then

20:55

you pop it into water and the shell gets

20:57

hardened again. It's very complicated. We

20:59

destroyed many, many eggs before we cut

21:02

it right. So it just

21:04

shows us how much skill there

21:06

is involved. And even with

21:08

faking a seal, you sort of quickly

21:10

realize if you use gypsum, which is

21:13

one of the things they recommended, how

21:16

long it takes for gypsum to dry

21:18

so that they would have a real

21:20

problem. You could sort of have

21:22

certain seals at the ready if you knew

21:24

there was one suspicious ambassador, you constantly want

21:27

to open his letters, you would have counted

21:29

seals ready. But if you come

21:31

across a letter which is also suspicious and

21:33

you want to cast the seal at that

21:35

particular moment, you need something that

21:37

dries more quickly. And

21:39

then we had these letters of

21:41

Gregory complaining that he was trying

21:44

to solve this riddle, how can I

21:46

find a molding putty that really dries

21:48

quickly? And it turns out that he

21:50

used a lot of toxic metals

21:53

like mercury, quicksilver and to

21:55

reuse the white paint that

21:57

Elizabeth I was supposedly

21:59

using. And he was getting

22:01

ill and he was noticing that he was

22:03

getting ill. He was complaining about an eye

22:06

sort of popping out of his socket. And

22:08

then there's almost this hilarious moment where he

22:10

said to Orsingham, I sort of recommend not

22:13

holding this molding potty in your hands. It's

22:15

not very good for you, my Lord. So

22:18

you can sort of see how dangerous

22:20

this trade is also going to be.

22:23

But I've said it, I mean, Gregory was trying

22:25

all these things. We found that with

22:27

the egg, for example, that if you

22:30

do it with a brown egg, then

22:33

the vinegar bleaches the egg.

22:35

So of course, the colour's wrong. So you can't

22:37

do it with duck eggs either. So

22:40

you have to do specific things that you need to use. Always

22:43

these, I mean, it's very good to survive the

22:45

August actual because that's really what we're trying to

22:47

achieve. It's all about the techniques, all

22:49

about what people do. Why

22:51

trying to do it yourself? You're noticing how

22:54

extremely difficult this is. And

22:57

you have these book of secrets, Delleporta,

22:59

which we mentioned earlier, which sort of

23:01

describes what you need to do. But

23:03

it doesn't, for instance, say you really

23:06

need to use a white egg. You need to

23:08

sort of discover that yourself. It also

23:10

sort of says a horse hair

23:13

is great for detaching seals.

23:15

But to actually make that

23:17

work yourself is still extremely

23:19

difficult. So you realize

23:22

how skilled these different individuals really

23:24

were. The recipes they give

23:26

on, very specific, like they are on the BBC

23:28

for making, you know, poetry or whatever. You

23:30

don't get exact measurements of all the different things. You have

23:33

to work it out yourself. So whoever's

23:35

doing these things has done a lot

23:37

of experimentation. It is kind of fun

23:39

to do this, this stuff at home. The other

23:41

thing it really does teach you is how long

23:43

these things take, how long it takes to

23:46

write out the coded message, you know, a cipher

23:48

message, and how difficult it is to do it

23:50

without making a mistake. And it

23:52

is practically impossible when you get over a certain amount

23:54

of letters not to make a mistake. And it makes

23:56

life very, very difficult. And we've also found

23:58

plenty of. encoded letters which have

24:01

got mistakes in them where people have either

24:03

lost concentration or they've used

24:05

one of the machines they've been using to help them

24:07

encode incorrectly and suddenly a few

24:10

letters go astray and you look at what you

24:12

decode and you just think that makes no sense

24:15

whatsoever and then you think well actually if

24:17

I look at it from this point of view oh no

24:19

that's that's what's happened they've they just got this backwards so

24:22

you realize that these things are

24:24

not constant it's

24:27

not the way that it's shown on TV you know it's not

24:29

like I want to do this and then I do this it

24:31

takes a lot of messing around it takes a lot of time

24:33

and error and so these people

24:35

people like Gregor especially were spending an awful

24:38

lot of time working on these techniques in

24:40

their little laboratories. If

24:43

you had books full of really

24:45

complicated cipher keys and codes they

24:47

tried it to find it a simpler way

24:49

because it still needs to be manageable and

24:51

you still need to be able to

24:53

write it yourself so

24:56

you need to find the perfect balance

24:58

of having a code that protected your

25:00

message on which was also still

25:02

usable in the field. I

25:04

think what you said about mistakes is

25:06

interesting because it's a reminder that there

25:08

were stakes in this game of spy

25:10

craft and intrigue and you know real

25:13

people could be affected by intelligence going

25:15

astray or falling into the wrong hands

25:17

and what you mentioned then Nadine about code played

25:20

such a big part in the Babington

25:22

plot I wonder could you remind listeners

25:24

perhaps if they're not familiar of what

25:26

was this plot and the role that

25:29

code and spy craft played. The Babington

25:31

plot was one of the many

25:33

plots that were designed to really

25:35

overthrow and eventually assassinate Elizabeth the

25:37

first and then put Mary Queen

25:39

of Scots on the throne. It's

25:42

probably the most well-known plot because

25:44

of course it ended with Mary

25:46

Queen of Scots being executed and

25:49

and we use it in a book to

25:51

look at these cipher keys and these codes

25:53

and by looking at them we realize

25:55

that the key players you think oh

25:57

that is is Walsingham and Mary

26:00

Queen of Scots and perhaps other

26:02

other spy chiefs. It turns out

26:04

that the most important players in

26:06

this plot were secretaries. You might

26:08

think of secretaries as mere copyists,

26:11

but in this period they were

26:13

the keeper of secrets. They

26:15

were the people who designed the

26:17

codes, who decoded all the letters. So

26:19

it turns out to be a battle

26:22

between secretaries. We have Thomas Vellipe's code

26:24

breaker on the one side and we

26:26

have three of Mary Queen of

26:28

Scots's secretaries on the other side. They

26:31

are in control of

26:33

the secret information. It

26:35

turns out that there are hardly

26:38

ever mentioned in the history books,

26:40

but Claude now and Gilbert Curl

26:42

turned out to be these key

26:44

players in the plot. It's

26:46

quite astonishing how many different cipher

26:48

keys they had. When they

26:51

intercepted the entire cabinet at the

26:53

end, they found 53 cipher keys.

26:57

But the key that was used with

26:59

Anthony Bamington, one of the plotters, there

27:01

were similar keys with about 20 other

27:04

people. So it must have been incredibly

27:06

hard for the secretaries to remember,

27:08

this is the key I'm using with

27:10

person Y and this is the key

27:12

I'm using with person X. And you

27:15

see the other side also being really

27:17

confused by that. They have

27:19

intercepted a cipher key, but they

27:21

cannot figure out whether this was

27:23

a lady furniture or whether this

27:25

was Bamington. They cross out all

27:27

these names until they found the

27:29

real person who was using the

27:31

key. This also highlights

27:33

how important record keeping was. One

27:36

of the reasons that spying or espionage

27:39

increasingly became a bureaucratic force because you

27:41

had to be in control of all

27:43

these different passages of information.

27:47

And one of the other things

27:49

that we found with this battle between the secretaries

27:51

is that you could see Philip Bez reveling

27:54

in his victory. He

27:56

was really excited that he had won. In

27:59

one letter he'd say, sends doors and he

28:01

says, I hope this is enough information for

28:04

now and curl to get behind. You

28:06

know, and of course, what happens is that now

28:08

and curl aren't hanged, they kind of

28:11

turn Queen's evidence, I suppose, get

28:14

witness protection in modern parlance, and

28:16

they can have brutal off quite happily,

28:18

whereas Mary Queen of Scots loses their head. So

28:21

a big reminder there of the importance of

28:23

many of these techniques in this world, how

28:25

they were used and what they meant for

28:28

real lives. And I wonder if we can

28:30

begin to sort of wrap this episode up

28:32

with a few thoughts from you both on,

28:34

again, that transformation of what your book tells

28:36

us about the evolution of these techniques in

28:38

this period. Perhaps Nadine could become to you

28:40

first on that. As at the

28:42

beginning of the period, you see people

28:45

like Arthur Gregory trying to

28:47

hide his secrets. And

28:49

at the end of the period, when you

28:51

have Oliver Crumble in charge, he sort of

28:53

realizes that it's all well and good to

28:55

have one expert. But if you have

28:57

to sort of locate in London to

29:00

fake a seal, but then take

29:02

that letter elsewhere to break a coat,

29:05

that's quite cumbersome. So Oliver Crumble

29:07

puts around about 10 men in

29:09

the same room, which becomes

29:11

known as a cabinet wire or a

29:14

black chamber later in the period, and

29:16

they each have their assorted tasks. One

29:19

can fake handwriting, one can refold

29:21

the letter, the other works and

29:23

codes, there are linguists that you

29:25

can translate certain messages, and

29:28

they work together and they learn from each

29:30

other, rather than protecting their

29:32

secrets. So their skills can be

29:34

passed on rather than be forgotten.

29:37

It's also important to remember this is

29:39

about control of information. It's all about

29:42

who controls the flow of information. And

29:45

it's no surprise that when

29:47

Cromwell inculcates what comes of

29:49

black chamber, he calls it the

29:51

general post office. So fundamentally,

29:54

the post office, which we all think about, well,

29:56

I mean, we used to, of course, not anymore,

29:58

but we think about it as a an

30:00

institution designed to deliver letters was

30:02

in fact originally an institution designed

30:04

to arrest them and to surveil

30:07

it was it was designed for

30:09

surveillance not for distribution of

30:11

letters. Yes, I always find

30:14

it extremely funny that

30:16

the post office was founded not

30:18

to deliver letters but to intercept

30:20

them and to read people's correspondences.

30:22

What I loved about focusing on

30:25

materiality, we decided to write

30:28

about well-known plots the

30:30

Babington plot and the Gunpowder plot

30:32

because we thought that gives us

30:34

more kind of leeway to truly focus

30:36

on the techniques which is what we

30:39

did. But by focusing on these techniques

30:41

the story slightly changes, becomes more

30:43

complex, more nuanced and different

30:46

actors, more invisible actors suddenly

30:48

come into focus. Absolutely

30:51

and just as a final point, could

30:53

I ask both of you, are there

30:55

any favored spycraft techniques? Either

30:57

of you that we haven't mentioned yet in this episode

30:59

to leave listeners with. Well, my

31:01

personal favorite should not be tried at home

31:04

and it's we find one individual explaining

31:06

how another

31:09

person of his acquaintance, I mean his boss

31:11

actually, has told

31:13

him how you can poison somebody using

31:15

a toad. So

31:17

he explains how you can basically make toad

31:19

salt that you then put on the person's

31:22

food which will then poison. I just think

31:24

that's a fantastic, well, it's pleasant

31:26

for the toad perhaps, but it's a fantastically

31:28

evocative thing. It's like toads are always going

31:30

to, they're always, they're all kind of warts

31:32

in associated with witchcraft. You can also use

31:35

them to poison people and

31:37

we discussed this with a friend of ours,

31:39

a toxicologist, who said yes,

31:41

actually it would work and just a

31:43

few weeks before this happened, somebody had

31:46

met their demise because they decided to

31:48

lick a toad. So don't lick toads

31:50

children, it's not good for you. One

31:53

of my favorite techniques would be

31:55

cross dressing. You have all these

31:57

men turning up in women's

31:59

clothes. to escape the Tower of London

32:01

or another prison, because women were kind

32:03

of unsuspected in this period. But some

32:05

of them were better at it than

32:07

others. One of them forgot to shave

32:09

his beard, for instance, and was caught.

32:13

That was Nadine Ackerman and Pete

32:15

Langman. Their book, Spycraft, Tricks and

32:17

Tools of the Dangerous Trade from

32:19

Elizabeth I to The Restoration, will

32:21

be published by Yale University Press

32:24

on the 25th of June. Thanks

32:26

for listening. This podcast was produced

32:28

by Jack Bateman.

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History Extra podcast

The History Extra podcast brings you gripping stories from the past and fascinating historical conversations with the world's leading historical experts.  Produced by the team behind BBC History Magazine, History Extra is a free history podcast, with episodes released six times a week. Subscribe now for the real stories behind your favourite films, TV shows and period dramas, as well as compelling insights into lesser-known aspects of the past. We delve into global history stories spanning the ancient world right up to the modern day. You’ll hear deep dives into the lives of famous historical figures like Cleopatra, Anne Boleyn and Winston Churchill, and explorations of intriguing events from the past, such as the Salem witch trials, the battle of Waterloo and D-Day. Expect fresh takes on history, helping you get to grips with the latest research, as we explore everything from ancient Roman archaeology and Viking mythology to Renaissance royals and Tudor kings and queens. Our episodes touch on a wide range of historical eras – from the Normans and Saxons to the Stuarts, Victorians and the Regency period. We cover the most popular historical subjects, from the medieval world to the Second World War, but you’ll also hear conversations on lesser-known parts of our past, including black history and women’s history. Looking at the history behind today’s headlines, we consider the forces that have shaped today’s world, from the imposing empires that dominated continents, to the revolutions that brought them crashing down. We also examine the impact of conflict across the centuries, from the crusades of the Middle Ages and the battles of the ancient Egyptians to World War One, World War Two and the Cold War.  Plus, we uncover the real history behind myths, legends and conspiracy theories, from the medieval murder mystery of the Princes in the Tower, to the assassination of JFK.  Featuring interviews with notable historians including Mary Beard, Tracy Borman, James Holland and Dan Jones, we cover a range of social, political and military history, with the aim to start conversations about some of the most fascinating areas of the past. Unlock full access to HistoryExtra.com for 6 months for just 99p https://www.historyextra.com/join/

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