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Hit Parade. The our

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hooray plus thanks and

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now please enjoy part 1

2:16

of this Hit Parade episode

2:27

welcome to hit parade.

2:29

a podcast of church history

2:32

from sleep magazine about the hits

2:34

from coast to coast i'm christmas

2:36

lamping short analyst pop critics

2:38

and writer of sleep wise the song number

2:41

one series on today's show

2:43

thirty seven years ago in the

2:45

summer of nineteen eighty five

2:48

british art rock goddess kate

2:50

bush issued the first single

2:52

from what would become for best

2:54

selling studio albums pounds

2:56

of love the song a

2:59

cross between and intimate meditation

3:01

and thunderous anthem was

3:03

called running of in

3:09

a career that had already generated

3:11

string of hit singles and

3:13

albums in her uk homeland

3:16

since the late seventies bush

3:18

had as of eighty five yet

3:21

to score major pop hit in

3:23

america this song who's

3:25

full title was running

3:27

up that hill parentheses

3:30

a deal with god would

3:32

finally change that by

3:34

the fall of that year it would

3:36

crack the top forty be

3:38

birds forty one however

3:46

even a song as powerful

3:48

as this was could only do

3:50

so much to break kate

3:52

bush in the us running

3:55

up that hill topped out at

3:57

number thirty on the chart

3:59

by november eighty five unable

4:01

to get past current hits by the likes

4:04

of dire straits staying

4:06

in the com as

4:11

, speak in june twenty

4:13

twenty two running up that

4:15

hill is back on the hot one

4:17

hundred only this time

4:19

is doing considerably better

4:22

just before we recorded this episode

4:25

running up the hill not only

4:27

read debuted on the hot one

4:29

hundred all the way up at number

4:31

eight this week didn't leaps

4:34

to number for at

4:36

age sixty three kate

4:38

bush has her first ever american

4:41

top ten hit us ah

4:49

what changed in those thirty

4:51

seven years did bushes

4:53

american audience growth surely

4:57

did , song become more resonant

4:59

to younger generations probably

5:03

but the main thing that catalyzed

5:05

this come back was the screen

5:08

that's flickering in your living room

5:10

or den television

5:13

and t v has been making

5:15

songs hits for a long

5:17

time

5:27

snores made leaker my

5:34

hands are

5:38

teenagers home and pop

5:41

stars literally means

5:43

by tv

5:50

hop songs expressly reason

6:01

he went a step further resurrecting

6:04

songs that had sealed first time

6:06

and making them into second

6:08

chance smash

6:15

oh because

6:18

when song fuses with characters

6:21

we let into our homes each week

6:23

that song starts to seem like

6:26

a family friend to

6:38

and in the twenty first century

6:40

music licensing to t v

6:42

has become big business

6:45

it's the way some artists break

6:47

wide open a well

6:49

placed song on a hit show

6:51

could make a career

7:01

or hearn an oldie into

7:04

a new class then

7:14

on hit parade we will travel

7:16

through the to for a brief

7:18

history of not just cool

7:20

songs but hit songs

7:23

fueled by t v exposure

7:26

from ventures

7:36

too long the chuffed these

7:47

films with examples of songs

7:50

made bigger through t v exposure

7:53

but the song we lead off this episode

7:55

with was part of a particularly

7:58

pivotal moment in nineteen

8:00

eighty five it wasn't

8:02

a t v seem then but

8:04

funnily enough the very

8:06

weak kate bush cracked the american

8:09

top forty for the first time the

8:11

song and the album at number

8:13

one where the backdrop to

8:15

a hit tv show one

8:18

where the music defined

8:20

the act

8:30

and that's where your sit parade

8:32

marches today the week ending

8:34

november ninth nineteen eighty

8:36

five when miami

8:38

vice the my yarn

8:41

hummer kit number one

8:43

on the hot one hundred while the

8:45

miami vice soundtracks was

8:47

number one on the album chart

8:50

and that same week cracking

8:52

the top forty at number thirty

8:54

nine

9:05

the future hit from t these

9:07

strange things running up

9:09

that hill how did we get

9:11

from yarn hummers eighties defining

9:14

t v seem to time

9:16

when t v show runners became

9:18

musical cool hunters little

9:21

said kate bush know it in the fall

9:23

of eighty five but she

9:25

would one day strike a bargain

9:28

with the moved to a compact

9:30

in cathode raise let's

9:33

just call it deal with the

9:35

t v

9:55

hit parade is brought to you by

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now yesterday and today are theaters and jam with

12:14

newspaper the hundreds of dog moreover nathan

12:16

these lessons agree with me the city's never

12:18

witnessed the exciting spurred by these youngsters

12:20

liverpool who call themselves the

12:22

beatles not or night you're gonna twice

12:25

be entertained by them right now

12:27

and again in second half are so ladies and gentlemen

12:29

the be go

12:32

sure you're familiar this

12:35

, the most famous musical

12:37

moments in team history

12:40

history question the beatles

12:42

february nine nineteen sixty

12:44

four appearance on the ed

12:46

sullivan show watched by

12:48

a then record seventy three

12:50

million americans more

12:52

than a third of the of fields

12:55

beatlemania in the us

12:58

and sealed the fab four's

13:00

popularity easier for us

13:03

however

13:11

as noted in our sabbath

13:13

for sweep edition of hit parade

13:16

the beatles arrived in new york

13:19

for the sullivan show already

13:21

in possession of a u s number

13:23

one song i , to

13:25

hold your hand was in his

13:28

third week atop the hot one

13:30

hundred when they performed it

13:32

live on the telly telly

13:34

the data lag on billboards charts

13:37

it had really been number one for about

13:39

a about surely

13:41

the sullivan appearance helped

13:43

accelerate the songs popularity

13:46

maybe popularity want to hold your hand

13:49

wouldn't have spent seven weeks

13:51

on top without seven weeks

13:53

that is debatable the beatles

13:56

went on to dominate the charts for

13:58

the next three months not

14:11

flashy ahead a little over three

14:13

years when the beatles recorded

14:16

this

14:28

all new need

14:30

is love only existed

14:33

because of television it

14:35

was written by john lennon

14:37

and performed by the beatles live

14:39

in studio backed by small

14:41

orchestra for the first ever

14:44

global live televised satellite

14:46

broadcast our world

14:49

watched by some six hundred

14:51

million people worldwide by

14:53

, sixty seven the beatles

14:56

were savvy enough about television

14:59

as a catalyst for hit making

15:01

that these used tv to create

15:04

and market a hit song all

15:06

you need is love top the hot

15:08

one hundred about eight weeks

15:11

after that live satellite

15:13

that live performing

15:26

between i want to hold your

15:28

hand and all you need

15:30

is love how each kids

15:32

used television is

15:34

, the heart of this separate

15:36

episode episode focusing

15:38

on songs that are in some

15:41

way intrinsic to television

15:43

or who's his status can be

15:45

largely attributed to the to

15:48

the , musical impact comes

15:50

in many forms there's

15:52

the t v seen a staple

15:55

of the medium virtually since

15:57

inception and many of

15:59

these songs are so culturally

16:01

omnipresence seeds feel

16:04

like here

16:13

and for example is same

16:16

song to the late sixties early

16:18

seventies a b c sitcom

16:20

the brady bunch is your

16:22

of a certain age or

16:25

you've died just of the show through his

16:27

decades of syndicated reruns

16:29

you can probably saying every

16:32

word as

16:44

and culturally omnipresence as

16:46

is was the brady bunch

16:48

seem was never a hit song

16:51

you would hear on the radio

16:53

by the way in his first

16:55

season this theme song was

16:57

credited to an actual studio

17:00

band the peppermint trolley

17:02

company but they never

17:04

issued it as a recording and

17:06

by season to the theme

17:08

have been recorded by the brady

17:10

bunch kid actors that

17:13

cd version is the one i just

17:15

played the brady bunch

17:17

theme is a widely renowned

17:19

saw how could it not be

17:21

given it's exposure to tens

17:23

of millions of tv viewers

17:26

week after week but it wasn't

17:28

it wasn't hit song now

17:31

here's another popular theme song

17:34

from a couple of decades later

17:47

rembrandt seen

17:49

as you see these friends

17:52

i'll be there for you was

17:54

fueled by the smash and b c

17:56

show but also have a

17:58

life beyond it as

18:00

we've discussed on prior hit parade

18:02

episodes the rembrandt's recorded

18:05

a version that was long enough

18:07

to stand on it's own as

18:09

a radio signal

18:16

and that version of the

18:18

billboards radio songs chart

18:20

for eight weeks in the summer

18:22

of nineteen ninety saw it

18:24

, a real world shit outside

18:27

the confines of the boob tube

18:30

this , distinction i'm looking

18:32

to make even beyond

18:35

their theme music tv

18:37

shows have turned songs into cultural

18:40

touchstones or put them

18:42

back into circulation like

18:44

say this did he moved

18:47

out , wow wow

18:50

, you're you're a baby

18:52

boomer who remembers a pop hits

18:54

of the from seventies you

18:56

know that as the nineteen seventy

18:58

four hot one hundred number one

19:00

smash hooked on ceiling

19:03

by a sweet this

19:05

however your agenda exar

19:07

or perhaps and older millennials

19:10

who recalls older nineties television

19:13

in your head right now you're

19:15

thinking that's the dancing

19:17

baby song from ally mcbeal

19:20

indeed during indeed nineteen

19:22

ninety eight episode of that fox

19:24

that v show the alley mid

19:26

beal character here's the blue

19:28

swede song playing every time

19:30

she imagines swede song generated

19:33

baby a hit meme from

19:35

worldwide web version one point

19:37

oh doing a little shimmy

19:39

to invoke alleys ticking biological

19:42

clock but neither

19:44

ally mcbeal nor the late

19:46

nineties web meme put blue

19:48

swedes hooked on feeling

19:51

back on the charts hooked

19:53

on feeling on ally mcbeal

19:55

was a cultural moment certainly

19:57

but it didn't lead to a river

20:00

it hit song so

20:02

as i'm walking through this episode

20:04

i'm sure many of you will be thinking

20:07

of your own favorite t v musical

20:09

moments whether that something

20:11

is kids she as the doobie brothers

20:14

in nineteen seventy eight on the

20:16

a b c sitcom what's happening

20:18

as raj would say with

20:29

something or his and seen as

20:32

the two thousand and five finale of

20:34

each views six feet under

20:36

which made brilliant use of australian

20:39

singer see his song breathe

20:53

synchronization like the us

20:55

or sinks in the parlance

20:58

of hollywood certainly help

21:00

these musicians careers placing

21:02

song in a hit tv show

21:05

makes are rising artist that

21:07

much more culturally relevant

21:09

but when a song

21:11

breaks free of the few million

21:13

people who catch it on t v

21:16

and spreads to the millions more

21:18

who see or hit songs on the radio

21:21

by them and record stores or

21:23

nowadays consume them on

21:25

digital services that's

21:27

a whole different level of impact

21:30

the song may have been catalyzed

21:32

by it's tv placement but

21:35

it becomes a stand alone hit

21:37

in it's own right that's

21:39

after all is what just happened

21:42

with keep bush's running

21:49

which again was single

21:51

handedly made a soft five

21:53

his by see these stranger

21:55

things this instantly

21:57

ranks as one of the biggest

22:00

the responses of all times

22:02

you could argue that bushes

22:04

seemingly improbable now

22:07

inevitable twenty twenty two

22:09

hits is the byproduct

22:11

of decades of evolution in

22:13

house he makes his

22:21

i'll be focusing in this episode

22:23

on the times when t v directly

22:26

affected a songs chart trajectory

22:29

and there are plenty of

22:31

those the date back almost

22:34

to the beginning of tv as

22:36

popular medium and

22:38

the early days of the build

22:40

new driver free to [unk] dem

22:42

of our any with only three

22:48

runs call

22:50

nineteen fifty five the start

22:53

of so called rock era

22:55

but months before bill haley's

22:58

rock around the clock went to number

23:00

one billboard pop charts

23:02

found more like this

23:05

bill he's this being from

23:07

the five part disneyland

23:09

five v mini series davy

23:11

crockett the song

23:14

was written for the written v series

23:16

and wild bill hayes is version was

23:18

not the one heard on the tude

23:21

the televised version was by vocal

23:23

group the wellington's he's

23:25

is quickly recorded cover

23:28

capitalized wellington's the davy crockett

23:30

crate and late nineteen fifty

23:32

four and fifty five

23:35

monopoly congress and serve the spell

23:37

fixing up the government malls as

23:39

whoa whoa whoa valid of

23:42

davy crockett was release of near

23:44

the dawn of the solution is says

23:46

she's were just two thirds

23:49

of american friends i fifty five

23:52

and it is the earliest chart

23:54

topping example of example shows

23:56

to chiller theme song made

23:58

into an actual shit but

24:00

here's another archetypes also

24:03

some nice know so far no

24:06

asylum are so to the

24:08

company's so

24:12

fantasy early was

24:16

, five days early tv

24:18

personal with of and be season

24:20

dating schedule as well

24:22

as a recording part s he

24:24

first performed performed

24:27

gunn a nineteen forty

24:29

seven chris long by world through

24:31

this all hits tv show

24:33

and early through to recording is

24:36

latest called or recording in

24:38

six to six to single

24:41

things to it six bush or all the

24:43

tube six the in gunn

24:45

so a miami and copies industry

24:48

walks the fantasy sell in

24:50

single of the recording industry

24:52

to days in the world of

24:54

nineteen fifty five hawaii

24:57

another days older deeper

24:59

that days became

25:02

a boob

25:09

davy crockett and into

25:12

production into the music is in

25:15

the early days of tv that

25:17

the media was great way to

25:19

sell pop so walks it

25:21

was also was god way to long

25:23

a pop

25:29

ricky

25:31

now might , represented

25:34

a third tv music archetype

25:37

after the theme song and the

25:39

tv exposed single ricky

25:42

entire music career

25:44

probably wouldnt have happened not

25:47

for his exposure on the a

25:49

be c tv series the

25:51

adventures of off harriet

25:53

ricky launch as launch teen idol

25:56

kicked off on show complete

25:59

with swoon my friend's

26:01

house and have no record book of

26:03

number one hits quote after

26:05

release first hit a cover

26:07

of starts dominoes i'm walking

26:10

no one would ever underestimate

26:12

the power of television again

26:15

unquote nelson's

26:17

, cover of the domino

26:19

classic reached number four

26:21

on billboards bestsellers charts

26:24

matching the domino original speak

26:26

on the magazines radio show

26:29

after i'm walking nelson

26:32

became one of the top artists

26:34

on charts for the rest of the

26:36

statistics so

26:42

t v could sell singles by

26:44

truckload could it's so

26:46

albums oh my yes

26:49

consider henry man sienese

26:51

soundtrack to the t v detective

26:53

show peter gone

27:04

how underestimated

27:06

, or see a records which

27:09

only princess eat thousand copies

27:11

of force wondering who would want

27:13

buy an opiate instrumental

27:15

t v music went

27:17

on to top billboards best

27:19

selling lps for ten weeks

27:22

in nineteen fifty

27:34

this movie yet another t

27:36

v to pop charts mom the

27:38

his instrumentals the distinct

27:41

from the ballad of davy crockett

27:43

which was more of an explanatory

27:46

signature song

27:48

by the sixties t v

27:50

was well established and

27:52

so were the models for spawning

27:54

hit songs via the to be

27:56

there was the t v idol all

27:59

love ricky know

28:00

for example gene actress

28:02

shelby sub ray turned

28:05

her stardom on the donna reed

28:07

show into a showcase for

28:09

first single johnny angel

28:11

which hit number one in nineteen

28:13

sixty two

28:25

on the other and b age

28:27

spectrum bonanza star

28:29

loren green took his

28:31

spoken word western outlaw

28:33

story song ringo to

28:36

number one in nineteen sixty

28:38

for while that n b c

28:40

tv series he fronted was

28:42

still number one ratings

28:45

still use my late

28:47

that night i saved the life ringo

28:55

yeah i know he leaves of new intern

28:57

this forty nine you are as into

28:59

a chart topping from though in six

29:02

and for one imagines anything

29:04

title wingo would do well

29:06

on the hot one hundred ringo

29:09

, bonanza adjacent

29:11

content but it wasn't

29:13

a theme song those were

29:15

a harder sell on the charts

29:17

tv was going through his period

29:20

of the plot explainer see

29:22

years before the brady bunch

29:24

seems like save gilligan

29:27

the island were trying summarize

29:29

everything you needed to know about

29:32

a show in about a new new

29:34

cousins are some that are

29:37

of our our

29:42

all these explanatory

29:44

theme songs gilligan cylons

29:47

all beverly hillbillies green

29:49

acres were not shark

29:51

hits neither by the way

29:53

decades later was the fresh

29:56

prince of bel air sea

29:58

the trick with a theme song if

30:00

you wanted it to succeed on the radio

30:03

was giving it a personality not

30:05

reliance on the show so

30:08

for example johnny rivers

30:10

theme for cbs is american

30:13

broadcast of the british import

30:15

danger man was titled

30:17

secret agent man that

30:20

song functioned as functioned as

30:22

pops it apart from the

30:24

show and it reached number three

30:27

on the hot one hundred in mention

30:29

six

30:44

or my lucia friends classics

30:47

the for the cvs espionage

30:49

show mission impossible

30:52

which sounded cool even away

30:54

from the

31:04

he he from peter gun

31:06

which saw a truck was his albums but

31:09

didn't show as a symbol shuffling

31:11

banger have seen actually

31:13

class the hot one hundred just

31:16

missing the top forty as number

31:26

part of the issue this chart

31:28

for formants was that the tv

31:31

and music industry's had different

31:33

priorities a theme as

31:35

catchy as c b s's hawaii

31:37

five oh performed my composure

31:40

near and speak

31:49

wasn't designed to burst out

31:51

of the confines of a t v speaker

31:54

over shows credits but

31:57

when established surf rock group

31:59

the vince

32:10

in the sonics extended

32:13

the moment and turned it into

32:15

a legitimate pop hit the

32:17

ventures hawaii five own

32:19

reached number four in nineteen

32:22

sixty nine did ,

32:24

like late sixties rock smash

32:26

but benefited from the tv shows

32:28

top twenty ratings ratings

32:31

see these megaphone was so

32:33

big it could make song a shit

32:36

accidentally in nineteen

32:38

sixty eight he'll want eight

32:40

band leader herb alpert recorded

32:43

a love song for a t v special

32:46

featured during a short romantic

32:48

vignettes of alpert with his wife

32:51

on a malibu beach the recording

32:54

this guy's in love with you

32:56

written by legendary song writers

32:58

burt bacharach and how david

33:01

was meant as a one off

33:03

some albert a trumpet

33:07

he

33:14

love moon you

33:19

they're not the day after

33:21

the special air cbs

33:24

was flooded with calls from

33:26

viewers clamoring for alphons

33:28

love song to his wife with

33:30

this guy's in love with you

33:32

went on to top the hot one hundred

33:35

in june nineteen sixty eight

33:38

ironically the vocal track

33:40

was instrumentalist outbursts

33:43

first ever a number one hits

33:46

it , be his last

33:48

hold onto herb alpert because

33:51

t v would give him another hit

33:53

and decades later

33:56

albert's hit reinforce key

33:58

element of tv musical

34:00

success context

34:02

, this guy's in love

34:04

with you wasn't just the hit because

34:06

the great bacharach and david rohde

34:09

it it was a hit because viewers

34:11

associated it with something

34:13

they loved on their tv screens

34:16

know act would benefit more

34:18

from t v in the sixties and

34:20

doe eyed viewers sense of televised

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the

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, musical cs

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manufactured by susie zest

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micky dolenz davy jones

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mike nesmith and peter torque

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them on like the beatles

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on the billboard charts the

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monkeys introduced from the

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jump introduced millions of american living

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rooms score the an instant

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nineteen sixty six number one

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here with last trained to

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clarkson

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an image and sixty

37:12

seven the year of sergeant pepper

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and in the summer of love the group

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with the most weeks at number one on

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the album shirt was not the

37:21

beatles it was the monkeys

37:25

the years top seller was the album

37:27

more of the monkeys the group's

37:29

second l p featuring

37:32

real world chart conquering hits

37:34

like i'm a believer and

37:36

their cover of paul revere and

37:38

the raiders i'm not supposed

37:40

to be sad

37:47

fans and critics are still

37:49

debating today the legacy

37:51

of the month since who became a legitimate

37:53

group in their own right and wrested

37:56

control of their recordings away

37:58

from their cheesy korea die

38:01

hard monkeys fans are still protesting

38:03

the rock and roll hall of fame for

38:05

not and justice in

38:08

any case the template for

38:10

t v spawn band proved

38:12

durable and was replicated

38:14

in nineteen sixty nine

38:16

with a number one hit for the animated

38:19

or cheese and

38:29

seven with a chart topper for

38:31

another live action tv

38:33

though the perjury

38:44

the

38:44

seventies were of the decade of the variety

38:46

chef giving performers yet

38:49

another platform to promote hits

38:51

the husband and wife team of sonny

38:54

bono and share hitmakers

38:56

of the sixties launched their

38:59

sonny and cher comedy hour

39:01

in the summer of seventy one

39:03

just as share was pivoting

39:05

to her solo career she'd

39:08

never had a solo number

39:10

one hit before the t v

39:12

show but after performing

39:14

gypsies cramps and thieves

39:17

live on the show the song

39:19

sword to number one in

39:21

november ninth

39:33

what really too fast in the seventies

39:36

with the t v season which

39:38

finally got really polished

39:41

popularized by the tubes put

39:43

able to stand on it's own as

39:45

a radio hit there were

39:47

instrumentals that picked up where

39:49

hawaii ceiva lust asked adding

39:52

muscles to ditties that were already

39:54

so catchy to begin with you

39:56

wanted them some last beyond

40:05

you have in nice in

40:07

seventy for m f s

40:09

be the studio group associated

40:12

with philadelphia international records

40:14

and the philly soul sound of

40:16

producers kenny gamble and

40:18

leon huff recorded the

40:20

theme to the premier black music

40:22

show soul train they

40:25

, it t s o p

40:27

for the sound of philadelphia

40:30

and it topped the hot one hundred

40:33

in april of seventy for

40:35

it was the first tv theme

40:37

to hit number one hit number hot one

40:39

hundred and depending on

40:41

how you regard the limited series

40:44

story song from davy crockett

40:47

davy the first such number one

40:49

hit

41:00

two years later the seem from the

41:02

short lived crime drama swat

41:05

was issued as single by the studio

41:07

group rhythm heritage the

41:09

funk groups while was asked if version

41:12

of seen some swat his

41:14

number one in february

41:16

nineteen seventies

41:31

the composer of theme from swat

41:33

bari de was all scored another

41:36

tv affiliated hit when

41:38

his composition cottons

41:40

dream the long running theme

41:42

to the c be s soap opera the

41:45

young and the restless was adopted

41:47

by star nineteen seventy six

41:49

summer olympics gymnast nadia

41:52

comanche she renamed

41:54

nadia theme the instrumental

41:56

cracked the top ten in the fall

41:59

of seventy peaking

42:01

at number eight it is still

42:03

the theme to the young and restless

42:06

today

42:19

as for t v themes with locals

42:22

those were doing better on the charts

42:24

as well tv producers

42:26

got the hint that themes

42:28

with words could prolong the

42:30

life of the show is still lyrics

42:32

weren't too sloppy and the

42:34

song could stand apart big

42:36

hits included the theme to welcome

42:39

back carter john sebastian's

42:42

welcome back a number one

42:44

hit in nineteen seventy six

42:49

threes

42:55

the most pay for

42:59

the fifties kids seem too

43:01

happy days performed by pop

43:03

duo pratt and mclean and

43:05

nineteen seventy six number five

43:19

they'll know seem too happy days

43:21

spin off laverne and shirley

43:24

performed by sending greco and

43:26

taken to number twenty five in

43:28

seventy six both the theme

43:30

songs happy days and laverne

43:33

and shirley is rude the top sorta

43:35

a person

43:46

in the seventies and early

43:48

eighties a show didn't even have

43:51

to be a readings his for

43:53

its theme song to connect actor

43:56

and one hit wonder david naughton

43:59

the nineteenth

44:00

the nine theme to a b c's

44:02

disco five show making

44:04

it the number five even

44:07

as the show lasted only

44:09

two months nakedness the

44:11

song seats song the charts months

44:13

after nakedness the show was

44:16

officer

44:27

the of the scope saturday

44:30

night fever costar donna pascal's

44:32

got her own tv show in

44:34

seventy nine angie and

44:37

it's theme by maureen mcgovern

44:39

different worlds reached number

44:41

eighteen on pop charts and

44:44

number one on the adult contemporary

44:46

chart angie lasted

44:48

two seasons

44:58

and in nineteen eighty one the

45:00

reluctance superhero comedies

45:03

the greatest american hero lasted

45:06

for three abbreviated and

45:08

readings challenge seasons

45:10

on a b c but it's

45:12

theme song by joe scarborough

45:14

believe it or not a number

45:16

to sit in august of eighty one

45:19

lives on in the annals

45:21

of loved yacht rock your

45:23

us if

45:38

the show was a his so

45:40

much the better on the countryside

45:43

the waylon jennings been to the

45:45

dukes of hazzard a t

45:47

v ratings monster at the

45:49

turn of the eighties top the country

45:51

charts in nineteen eighty and

45:53

even crossed over to the hot one

45:55

hundred

46:10

the most interesting category

46:12

of t v spawned hit one

46:14

that eventually leads to keep

46:16

bush's unlikely twenty twenty two

46:19

combat is the song that

46:21

is unaffiliated with t

46:23

v that is then resurrected

46:25

by hit tv show these

46:28

only started to emerge as the

46:30

dawn of the eighties when hollywood

46:32

music supervisors gained

46:34

the clout to search farther

46:36

afield for songs that could motivate

46:39

a plot and one

46:41

show another daytime

46:43

soap opera that was once even

46:45

more popular than the young and the restless

46:48

deserves a softball all

47:03

the emerald he ,

47:05

top rated so nineteen seventy

47:07

nine said nathan edu is

47:10

song revising jukebox

47:13

driving the show was a long

47:15

running romantic slots between

47:17

characters luke spencer played

47:19

by anthony juri and laura

47:22

spencer genie francis

47:24

and the monumentally popular

47:26

luke and laura spawned to

47:29

count on too hot one hundred

47:31

topping cysts topping seventy

47:33

nine a controversial rape

47:35

plot between luke and laura

47:38

brought life to a smooth disco

47:40

instrumental by herb

47:42

alpert remember home

47:57

rise losing hundreds the

47:59

authors back single after

48:01

a mostly shitless seventy

48:04

but it was performing poorly

48:06

on the hot one hundred before

48:08

general hospitals music supervisor

48:11

jewels celts shows the

48:13

song soundtrack though luke

48:15

and laura rape cloth rise

48:18

took off rising to

48:20

number one in october

48:22

nineteen seventy nine three

48:25

years later music supervisor

48:27

stops struck again when

48:29

she needed song for another

48:31

luke related plot after

48:34

morrow was written out of the show

48:36

and luke was paired with a new

48:38

mother this

48:49

time phelps chose a failed

48:51

nineteen eighty one single by patty

48:54

austin a duet she did

48:56

with james ingram called baby

48:58

come to me general hospital

49:01

single handedly brought that song

49:03

back to the hot one hundred more

49:05

than more than after it keeps

49:08

and is eventually reached number

49:10

one in february ninth st

49:12

louis

49:20

out america

49:22

just f why i general

49:24

hospital was so popular at this

49:26

time that actors from the

49:28

show also became pop

49:30

stars after their exposure

49:32

on the soap there's that ricky

49:34

nelson archetype again however

49:37

neither rick springfield

49:40

played doctor know and truth

49:55

nor has wagner who played

49:58

for schools young

50:11

queen their big his inheritor

50:13

on the soap at the peak of their

50:15

careers nonetheless their

50:18

careers were significantly boosted

50:20

by general hospital

50:22

the general hospital model of

50:25

read contextualize his would

50:27

be supercharged in prime time

50:30

by n b c's miami vice

50:32

a nineteen eighty four show who's

50:35

apocryphal origin story

50:37

involves nbc president brandon

50:39

tartikoff scribbling in the notepad

50:42

just the phrase m t

50:44

v

50:55

on m c

50:57

the miami vice his music

50:59

sequences were highly stylized

51:02

and impressionist as

51:04

, for example gone

51:06

johnson's sonny crockett and

51:08

still at michael thomas' rico tubs

51:11

drove menacingly through the

51:13

night time to still collins

51:15

nineteen eighty one his in the

51:17

air tonight tonight miami

51:20

vice exposure would bring

51:22

columns hit back to rock station

51:24

playlists three years after

51:27

it has peaked on the charts

51:29

miami vice also rebooted

51:31

the career of former eagles glenn

51:33

fry who's eighty four beside

51:36

smugglers blues became

51:38

the plot for whole vice

51:41

episode turning the song

51:43

into and a side and

51:45

sending it back on the charts all

51:47

the way to number twelve fry

51:50

even act in the episode

52:08

the one fry then recorded

52:10

a brand new songs you belong

52:13

to the city for the premier of

52:15

vices second season in

52:17

the fall of eighty some

52:30

not since peter gone had

52:33

a tv show made such an impression

52:35

on the billboard shots the soundtrack

52:38

to miami vice kit number one

52:40

on the album charts the same month

52:42

glenn fry reached number two

52:44

on the hot one hundred and the

52:46

aforementioned miami vice

52:49

seen by yawn hama reached

52:51

number one

53:05

yeah me vice soundtrack spent a

53:07

whopping lesson weeks at number

53:09

one on the album shot still

53:11

the longest any t v soundtrack

53:13

has spent on top of that shot

53:16

he affirmed the primacy of

53:18

the music supervisor in helping

53:20

to make or break a tv

53:22

series as

53:24

impressive as all this was

53:27

miami vice proved hard to

53:29

replicate and you might

53:31

say he didn't represent the future

53:34

of tv news of placement arguably

53:37

or resurrected hit one year

53:39

later one even unlikely

53:41

or than the hits spawned by general

53:44

hospital would create the

53:46

template for what we might now

53:48

call the stranger things approach

53:51

this song wasn't sleek it

53:53

wasn't sex charged or cutting

53:55

edge but cutting the it's quiet

53:58

way this number one

54:11

well

54:19

when

54:21

come back family ties

54:23

yes the michael j fox

54:25

family sitcom please kingmaker

54:28

on the sharks non

54:30

, plus listeners will hear the rest

54:33

of this episode in to weeks for

54:35

now i hope youve been enjoying

54:37

this episode hipper our

54:39

show was written edited and narrated

54:42

by chris milan thats made

54:44

my producer is kevin than

54:47

alicia montgomery the executive

54:49

producer and derek join the supervising

54:52

narrative producer of sleep podcasts

54:55

check out there roster of shows as

54:57

sleep dot com slash podcasts

55:00

you can subscribe to hipper a wherever

55:02

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55:04

addition to finding addition to sleep called

55:06

show featured if youre subscribing

55:08

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55:10

and review us while your there it helps

55:13

other listeners find the show thanks

55:15

for listening and i look forward to leading

55:18

the hipper a back your way will

55:20

see you for part to in

55:22

a couple weeks until then

55:24

keep on marching on the one on

55:26

chris milan

55:51

from lemon other

55:53

media the creators of

55:56

in the bubble last day and

55:58

add to cart we

56:01

interesting sometimes

56:03

internet sensation v spear

56:06

needs more than minute to bring

56:08

you the news the popular

56:10

under the desk news anchor

56:13

is spinning off their tips talk show

56:15

into full length news

56:17

deep dive and making it

56:19

a can't miss part of your weekly

56:21

routine every tuesday

56:24

the highlights the fascinating

56:26

details of timely stories

56:28

we often overlooked in

56:30

our chaotic news cycle then

56:33

on fridays v takes a longer

56:35

plunge into less reported issues

56:38

that have nonetheless had

56:40

an impact on society v

56:43

might even bring in some unexpected

56:45

guests like their mom and

56:48

will answer the questions on the minds

56:50

of their listeners to part

56:52

explainer part thought starter

56:55

show with a heavy dose of

56:57

quirky personality and witty

56:59

charm these goal is

57:01

to make you the most well informed

57:03

and v interesting person

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in any crowd listen to

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v interesting from lemme

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not media out now on

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apple spot a fine tune in

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or wherever you get your podcasts

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the list is exhausted but

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