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all

1:13

back to hit parade a

1:15

podcast pop charts history from

1:17

sleep magazine about the hits

1:19

from coast to coast i'm chris

1:21

mullin see chart analyst pop critics

1:24

and writer of slaves wise the song number

1:26

one series on our last

1:28

episode we ran down more than

1:30

three decades of his spawned

1:33

by television from theme

1:35

songs to montage soundtracks

1:37

to reinvented oldies we

1:40

are now up to the nineteen eighties

1:42

when in the wake of miami

1:44

vice his success to be

1:46

music supervisors were fury

1:48

eating songs for maximum exposure

1:51

and turning underappreciated germs

1:53

in two hits certain

1:56

mid eighties mid eighties shoes did

1:59

try to run the t v miami

2:01

vice martin the a b c

2:03

screwball comedy moonlighting

2:05

for example starring civil shepherd

2:08

and bruce willis capitalized

2:10

with a full soundtrack and a radio

2:12

push for his theme song by

2:14

jazzy r and b singer out

2:17

zero moonlighting the

2:19

song reached number twenty three

2:21

in nineteen eighty seven

2:26

more prolific t v seem composer

2:29

mike post seed scored

2:31

some actual hits in the prior decade

2:33

with his themes for the rockford

2:36

files and hill street blues

2:38

both of which cracked the top

2:50

tried putting together a nineteen

2:52

eighty eight albums containing several

2:54

of his tv themes and

2:56

she centered it around his theme for

2:58

the late eighties and b c hit

3:01

l a law

3:10

the album fail to trust

3:12

these bossy t v soundtracks

3:15

were hit and miss but

3:17

one single fluky song

3:20

used on n b c smash

3:22

sitcom family ties

3:24

was very much a ship

3:28

he

3:38

only a soulful

3:40

saloon valid hand by veteran

3:42

l a singer believes era

3:45

in the seventies and first

3:47

issued as a single in nineteen

3:50

eighty one when it actually

3:52

charted briefly peaking

3:54

at number seventy nine on the hot

3:56

one hundred five years

3:59

later nbc producers

4:01

happened to catch vera and his

4:03

band the beaters in in

4:05

l a nightclub at a moment

4:08

when the producer was looking for

4:10

a love theme for the character

4:12

alex p t on family

4:14

ties played by michael

4:16

j fox the producer

4:18

offered to license vera song

4:21

at this moment and vera

4:23

eagerly said yes but had

4:25

to figure out how to get his

4:28

out of print recording re

4:30

released

4:34

you don't love me

4:45

vera months

4:48

to convince a label in this

4:50

case rhino records to

4:52

reissue at this moment

4:55

he had already appeared on family

4:57

ties twice before rhino

4:59

agreed to put it out

5:02

always always something to do

5:04

n

5:11

b c and vera himself

5:14

had been flooded with requests for

5:16

the saw but it was only

5:18

after at this moment appeared

5:21

on family ties are third time

5:23

in the fall of nineteen eighty six

5:26

that veras rereleased single

5:28

finally read entered the hot one

5:30

hundred and began climbing

5:33

after a dozen weeks in january

5:36

nineteen eighty seven at

5:38

this moment by believe vera and

5:40

the beaters reached number

5:42

one nbc says

5:44

they have never received so many letters

5:47

and phone calls about one song they

5:49

left the recording artist know about it said

5:51

he heard opportunity knocking so he sees

5:53

the moment and the rest is

5:56

history

6:02

at this moment i

6:04

believe era amber beaters

6:08

decades later in an article

6:10

for billboard about songs resurrected

6:13

by t v it's like keep bushes

6:15

running up that hill radio

6:17

consultant song ross said quote

6:20

i think at this moment had

6:22

a lot to do with starting

6:25

the trend because it established

6:27

a route to radio for

6:29

songs that weren't of the peace

6:32

with what else was on the radio

6:34

unclear chibi

6:37

itself was not be immediate

6:39

beneficiary of this trend

6:42

sean ross noted that be would

6:44

have been should have been fad of the

6:46

late eighties which we talked

6:48

about in our hit parade pilot episode

6:51

about the chart return of you be

6:53

forties red red wine was

6:55

the most obvious successor

6:57

to at this moment also

7:00

at first movies more

7:03

than t v took advantage

7:05

of the trend bringing back such

7:07

hits as the beatles twist and shout

7:10

from ferris bueller's day off

7:12

ben e kings stand by me

7:14

from the nineteen eighty six movie of

7:16

the same name and of course

7:19

queen's bohemian rhapsody

7:21

which was resurrected in nineteen

7:23

ninety two by a t v

7:25

sketch comedy routine turned hit

7:27

movie wayne's world

7:38

man in the decade after

7:40

at this moment t v

7:42

was no slouch in the bring

7:44

back movements the wonder

7:47

years of late eighties show

7:49

about sixties nostalgia used

7:51

joe cocker a cover of the beatles

7:54

with a little help from my friends

7:56

and got that song back on adult

7:58

contemporary lists the

8:01

song had only been on number sixty

8:03

eight hit back in nineteen

8:05

sixty eight

8:22

in addition to giving the rembrandt's

8:24

a huge theme song his friends

8:27

also gave hoodie and the blowfish

8:29

and unlikely hit with a former

8:31

beside called i go

8:34

blind at the peak of

8:36

friends mania i go blind

8:38

reached number thirteen on the radio

8:41

songs chart and number two

8:43

as adults have for does and

8:57

the mid nineties fox t v his

9:00

party of five shows and

9:02

obscure song by roots rock

9:04

band the bow dean's closer

9:06

to free as it's theme

9:08

song and turned it belatedly

9:11

into a top forty hit

9:14

closer to free reached number

9:16

sixteen on the hot one hundred

9:18

and nineteen ninety six

9:20

three years after it was

9:22

first released

9:32

the even cartoon

9:35

level has beavis and butthead

9:38

more resurrecting songs and artists

9:40

in the nineties the animated

9:43

duo arguably sparked the

9:45

entire career of hard

9:47

rocker rob zombie when

9:49

they endorse his band white

9:52

zombie and their nineteen ninety

9:54

two sunk level singles thunder

9:56

kiss sixty sauce

10:06

as with the moody's white

10:09

zombie sound themselves with

10:11

a bully did shit thunder to

10:13

sixty five broke on billboards

10:16

rock charts in late nineteen

10:18

ninety three more than a year

10:20

after it was released

10:30

at number twenty six on the mainstream

10:32

rock short giving rob zombie

10:35

his big break it

10:37

was still possible for tv

10:39

in the nineties to break artists

10:41

as well as songs for

10:44

example back in nineteen ninety

10:46

two the short lived fox

10:48

tv show the heights spawned

10:51

heights spawned band of the same name

10:53

and like the monkeys or

10:56

the partridge family before them the

10:58

heights scored a real world

11:00

number one hit with how do

11:02

you talk to an angel

11:13

singer of that faith vans singer

11:16

after jamie waltzer spun

11:18

off that success into a

11:21

brief career as a pop hitmaker

11:23

akin to the ricky nelson

11:25

model walters hold

11:28

on building offered his

11:30

seen from the sites as well

11:32

as on beverly hills nine oh

11:34

two one know reached number

11:36

sixteen in nineteen

11:48

but perhaps

11:51

no performer was given a

11:53

bigger break by t v in the

11:55

nineties then singer songwriter

11:58

vonda shepherd back

12:00

in the eighties in a bit

12:02

of a fluke she appeared

12:04

on a top ten hit do wedding

12:07

with balladeer down the hill

12:09

on his single can't we

12:11

cross

12:22

can't we try reached number six

12:24

and nineteen eighty seven so it

12:26

didn't do much for shepherds

12:28

career she spent the early

12:30

nineties were hoarding and scoring

12:33

only minor hits it

12:35

was fox's aforementioned

12:37

legal satire alley

12:39

myth beal that turned vonda

12:42

into vonda star in

12:44

nineteen ninety seven the show

12:46

cast her cast her as singer

12:48

and gave her multiple televised

12:51

performance slots as well

12:53

as picking her five year old

12:55

single search and my soul

12:58

as the shows seems my

13:10

soul made the charts and a half

13:12

dozen countries and in

13:15

america it reached number twenty

13:17

two on the adult contemporary

13:19

charge more than half a decade

13:21

after it was first recorded even

13:24

when a t v show pits a proven

13:27

contemporary hit for a sink the

13:29

tv association could we

13:32

brands assets brands extended

13:34

slice consider paula

13:36

coals single coals single

13:38

want to wait

13:43

he

13:49

in

13:51

nineteen the eight the teen

13:53

drama dawson's creek shows

13:56

calls single as it's theme song

13:59

by the time

13:59

show premiered on the w b

14:02

networks on january twentieth

14:04

nineteen ninety eight i don't

14:06

want to wait have already that

14:08

very weak reached it's peak

14:10

of number eleven on the hot one

14:12

hundred independently

14:14

of the tv show to that

14:17

point is have had have twelve

14:19

week hard for us but that

14:21

wasn't the end of the story for

14:23

calls him

14:29

extended the life of i don't

14:31

want to wait hold single

14:33

remained launched in the top twenty

14:36

four months all souls

14:38

i don't want to wait road the hot

14:40

one hundred more than a year

14:42

sixty six weeks thanks

14:45

largely to dawson's creek

14:47

whose success encouraged

14:49

radio stations to keep rotating

14:52

it long after his had peaked

15:03

by the

15:05

time the whole song finally dropped

15:07

off the chart dawson's with

15:09

a deep into his second season

15:16

from lemon

15:19

other media the creators

15:21

of in the bubble last day

15:23

and add to cart comes

15:26

the interesting sometimes

15:29

internet sensation v spear

15:31

needs more than a minute to bring

15:33

you the news the popular

15:36

under the desk news anchor

15:38

is spinning off their to talk show

15:41

into a full length news deep

15:43

dive and making it a can't

15:45

miss part of your weekly routine

15:48

every tuesday the highlights

15:50

the fascinating details of

15:52

timely stories we often

15:54

overlooked in our chaotic

15:57

news cycle then on fridays

15:59

v the takes a longer plunge into

16:02

less reported issues that

16:04

have nonetheless had an

16:06

impact on society v

16:08

might even bring in some unexpected

16:11

guests like their mom and

16:13

will answer the questions on the minds

16:16

of their listeners to part

16:18

explainer part thought starter

16:20

show with a heavy dose of

16:22

quirky personality and witty

16:24

charm these goal is

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to make you the most well informed

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and v interesting person

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in any crowd listen to

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the interesting from lemme not

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a media out now on apple

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18:17

entering the new millennium t

18:19

v show runners and music supervisors

18:22

were looking further afield for

18:25

sinks as the term is now

18:27

known songs there t v shows

18:29

could in a sense one

18:32

if a song was previously

18:34

undiscovered or under heralded

18:36

and the show made it bigger so

18:39

much the better in two

18:41

thousand two thousand a new fox teen

18:43

drama the o c became

18:45

renowned for curating a selection

18:48

of fairly hip indie rock

18:50

for its soundtrack phantom

18:52

planets and l a power

18:55

pop band that developed a larger

18:57

following after drummer jason

18:59

schwartzman became a famous hollywood

19:01

actor provided the oh

19:04

sees theme song

19:17

california had already been

19:19

a minor hit on the modern rock

19:22

shirts in two thousand and two but

19:24

the premiere of the m c

19:27

happens to coincide with the

19:29

launch of apple's itunes music

19:32

california quickly became quickly

19:34

became selling ninety nine cent

19:36

download by two thousand and

19:38

five when the o c was

19:40

in it's third season california

19:43

became phantom planets only gold

19:45

certified single thanks

19:47

largely to digital downloads

19:50

b o sea also helped break

19:52

the career of british electro

19:54

pop artist imogen heap

20:09

the

20:11

the electronics are capella

20:13

single hide and seek soundtrack

20:16

the shows season two finale

20:18

like california hide

20:21

and seek became seek became selling

20:23

digital download and it eventually

20:26

spawned a hot one hundred number

20:28

one hit when leader

20:30

in the decade jason derulo

20:32

prominently sampled it for his

20:35

two thousand nine smash watches

20:48

we would probably do not have

20:50

existed had videos

20:52

c not popularized

20:54

imaging seeps original among

20:58

millennials c v shows the

21:00

scene of sinks you might say

21:02

was shonda rhimes as long

21:04

running as b c medical drama

21:07

grey's anatomy

21:09

two major pop hits of

21:11

the osce were essentially made

21:13

by grace the ballad

21:16

chasing cars by the scottish

21:18

irish band snow patrol

21:40

and the pop rock songs how

21:43

to save a life by denver

21:45

colorado band the fray

21:58

soundtrack major

22:01

plot points in gray's anatomy

22:03

his second season by

22:05

the fall of two thousand and six both

22:07

tracks were in the hot one hundred stopped

22:10

physx simultaneously

22:12

chasing cars reached number five

22:15

how to save allies number three

22:17

each track sold millions of

22:19

downloads and still ranked

22:22

among the best selling rock songs

22:24

in digital music history all

22:26

because of their association

22:29

with the doctors of seattle

22:31

grace hospital that's

22:34

probably the most celebrated

22:36

and debated t v

22:38

sync of the decade was this

22:41

dd

22:41

a

22:51

point of clarification

22:54

journeys don't stop believing

22:56

originally a number nine hit

22:58

on the hot one hundred and nineteen

23:00

eighty one was not single

23:03

handedly revived in the off

23:05

spikes easy journey

23:07

songwriter and keyboardist jonathan

23:10

king says he noticed the

23:12

songs digital sales first

23:14

shot up in the fall of two thousand

23:16

and five when baseball's chicago

23:19

white sox adopted don't

23:21

stop believing as the theme

23:23

of they are celebrated two thousand

23:25

and five world series wrong

23:28

however in two thousand two

23:30

thousand don't stop believing

23:32

that became better known for this

23:35

televised is that

23:51

the legendary and infamous

23:54

finale of h b o as the sopranos

23:57

which cut to black as tony

23:59

soprano listened to the journey

24:01

song on a whole skins diner jukebox

24:04

with his family the

24:06

in congress snus of the soaring

24:08

rock anthem with this domestically

24:11

wholesome possibly murderous

24:13

final shot captured

24:15

the public's imagination as

24:18

twelve million viewers watched the

24:20

finale after the exposure

24:23

on the sopranos digital sales

24:25

of don't stop believing shot up

24:27

nearly four hundred percent

24:29

in a week forty one thousand

24:32

downloads sold in that week

24:34

alone billboards rules

24:36

at this time precluded old

24:38

songs without current pop radio

24:41

airplay it's for murray entering

24:43

the hot one hundred for an

24:45

explanation of these rules please

24:47

listen to our previous hit parade

24:49

episode about mariah carey's

24:52

all i want for christmas is you

24:55

nonetheless the journey anthem

24:57

did reach number twenty one on

24:59

billboard's digital song sales

25:01

chart a sign it could very

25:04

well have read entered the hot one hundred

25:06

much the way keep bush's anthem

25:08

did leader in twenty twenty

25:11

two and don't stop

25:13

believing just kept selling

25:15

it went on to become the all time

25:18

best selling catalogues songs

25:20

in i tunes history with

25:22

more than seven million downloads

25:24

sold thanks you might

25:27

say to the jukebox tastes

25:29

of

25:38

the last decade and the house

25:41

television show runners and music

25:43

supervisors have mixed and

25:45

matched elements of all of these

25:47

approaches in their efforts to brand

25:50

and define their shirts for

25:52

example the fox tv hit

25:54

gliese built entirely

25:56

around music and are capella

25:58

singing

26:02

like that journey song prominently

26:04

featured emissions pilot

26:18

and more contemporary shifts

26:20

like the bully casts acclaimed

26:22

teeth on tv perry's teenage

26:25

dream

26:30

the

26:33

height of gliese see the popularity

26:36

and the height of the dollar download

26:38

the show sold so many digital

26:40

tracks that's it briefly set

26:43

a record for the most chart entries

26:45

in hot one hundred history by a single

26:48

artist with an asterisk

26:50

of course that this so called single

26:53

artist was actually a multi

26:55

serious array of singer actors

27:05

any case the bullied casts two

27:08

hundred and seven hot one hundred

27:10

entries was later eclipsed

27:12

by rapper drake more

27:14

important the show was evidence

27:17

that tv viewers who loved the song

27:19

now has sastre ways than

27:21

ever to express that love

27:23

through digital consumption and

27:25

see the results directly on

27:28

the charts he the aimed

27:30

at children and tweens also

27:32

experienced a digital song

27:34

explosions whether it was the

27:36

show that launched miley cyrus his

27:39

career hannah montana

27:50

on the disney channel movie series

27:53

high school musical which spawned

27:55

its own universe of hits including

27:58

the number for zack ron

28:00

and a nasa hudgens his breaking

28:02

free

28:13

he by shows continued to mine

28:15

and reconceptualize classic

28:18

oldies such as bad fingers

28:20

nineteen seventy two number fourteen

28:22

hit baby blue use

28:25

memorably in the twenty thirteen

28:27

series finale of am sees

28:29

breaking fast

28:37

as

28:40

with journey on the sopranos

28:43

the reaction on digital services

28:45

to the breaking bad finale was

28:48

immediate billboard reported

28:50

that in the handful of hours

28:52

after the finale aired db

28:55

blue so five thousand copies

28:57

up from under two hundred the

28:59

previous week and by

29:01

twenty thirteen with spot of fi

29:04

taking off in america streaming

29:06

services also tracked the baby

29:08

blue renaissance streams

29:10

on the song blew up by more than

29:13

nine thousand four sets the

29:15

bad singer songs broke onto

29:17

billboards digital songs chart that

29:19

number thirty two

29:27

even

29:29

with all that digital activities

29:31

the bad finger song did not return

29:34

to the hot one hundred in fact

29:36

even today deep into the

29:38

streaming era on the charts it's

29:40

still pretty hard for an old

29:42

songs these so called television

29:45

bring back hits to make

29:47

an actual come back on the big

29:49

chart a sudden burst

29:51

of digital sales and streams

29:54

does help but against

29:56

the competition of current hits

29:58

which have not only do the or consumption

30:00

but also current radio

30:03

airplay in their favor and

30:05

billboards rules which state

30:07

that an old songs can only

30:09

come back is this combined points

30:11

would put it within the toxicity

30:14

the bar is very high

30:17

which is what makes the current

30:19

status of keep bushes running

30:21

up that hill so remarkable

30:32

as we noted at the top of our

30:34

show in his first run in

30:36

nineteen eighty five running up

30:39

that hill topped out at number

30:41

thirty on the hot one hundred

30:43

keep bushes only american top

30:45

forty hit ever and

30:48

ironically as i noted it

30:50

was cheating on the big chart at

30:52

the same moment as the hits

30:54

from miami vice

31:05

oh how the chart have evolved

31:07

since that vice moment

31:10

those cheesy sink had to

31:12

make their mark on the charts through

31:14

physical record stores and a

31:16

different generation of top forty

31:18

radio stations long homers

31:21

and glenn fries his were set

31:23

up with the public and radio programmers

31:26

four months before they reached

31:28

their short peak

31:40

whereas now the public

31:42

react to a song on a tv

31:44

show instantaneously

31:46

like the did with journey song

31:49

in the sopranos

31:52

yeah

31:55

but even

31:58

that digital phenomenon is

32:00

on steroids now that

32:02

spot a sigh apple music's

32:04

and other streaming services reach

32:06

about a third of us households

32:09

it's one thing to buy a single

32:12

digital copy of don't stop

32:14

believing is quite another

32:16

to play it on streaming service

32:18

over and over again there's

32:22

also another kind of streaming

32:24

that didn't exist when the sopranos

32:27

was first broadcast streaming

32:30

broadcast v

32:34

these services netflix

32:37

hulu disney plus amazon

32:39

apple tv plus h b o

32:41

max collectively reach

32:43

millions more people than premium

32:46

cable did in its heyday and

32:48

few streaming hits are as

32:51

big as netflix's stranger

32:53

things want me to our both agumbe

32:56

who did , you

32:58

you can you gotta leave

33:07

dr brothers seen i saw

33:09

fi horror series set

33:12

in the early to mid nineteen eighties

33:14

makes ample use of period

33:16

specific eighty songs and

33:20

the stranger things music supervisors

33:22

give special showcases to songs

33:25

that weren't necessarily big hits

33:28

the first

33:36

the

33:38

clashes should i stay or should

33:40

i go now one of the

33:42

most recognizable songs of

33:45

the post punk era was only

33:47

a number forty five hit in

33:49

nineteen eighty two the class

33:51

song played song played role

33:54

in stranger things first season

33:56

it's streams grew as a result

33:59

of the show

33:59

but it didn't return to

34:02

the hot one hundred neither

34:04

did eighty synth pop veteran

34:06

small

34:19

the malls since hop classic

34:21

the never ending story a

34:23

number seven same shit in nineteen

34:25

eighty four was prominently featured

34:28

in the finale of the third season

34:30

of strings or fitness

34:42

in july twenty nineteen lamar's

34:45

thirty five euros his blew

34:47

up on downloads and streaming services

34:50

but again not quite

34:53

enough to make snowboards shirts

34:56

but keep bush's running up that

34:58

hill in the just issued

35:00

fourth season of the show the

35:02

song is practically is

35:05

practically in

35:34

the world of the show running

35:36

up that hill has the power to

35:38

break the character max out

35:41

of her prison in the dark realm

35:43

known as the upside down

35:46

the placement of the song is

35:48

as heartfelt as at this

35:50

moment was in family ties

35:53

as aching as aching don't want

35:55

to wait was in dawson's creek

35:57

and as soaring as don't

36:00

believe and was in the sopranos

36:03

but unlike those prior to

36:05

the song sinks running up

36:07

that hill is benefiting from

36:09

it's newfound exposure instantaneous

36:25

when i'm recording this billboard

36:28

reports that running up that hill

36:30

is the number one download in america

36:33

remember even after the sopranos

36:36

journey song got no higher than

36:38

number twenty one in downloads

36:41

it's , now the most stream

36:43

song in the country streamed

36:46

more than twenty nine million times

36:48

that's something that neither bad

36:50

fingers baby blue nor

36:53

the stranger songs by the clash

36:55

and lamar's pulled off running

36:57

is even generating airplane generating

37:00

current top forty stations

37:02

last week it's radio audience

37:04

totals two point four million

37:07

nearly as big as current he has

37:09

by post malone and justin

37:11

bieber sales streams

37:14

radio these are these components

37:16

of the hot one hundred and keep

37:19

bushes song is blowing up

37:21

in all of them yes

37:30

he pushes nineteen eighty five

37:32

his is a twenty twenty two

37:34

mega hit thanks largely

37:36

to t v and the way the charts

37:39

have evolved in the last half century

37:42

we're a long pass the days of

37:44

davy crockett hawaii fi

37:46

though and even miami vice

37:49

but at the end of the day

37:51

running of that hill is just

37:54

a brilliant song one that's

37:56

been waiting for discovery by

37:58

a new generation

37:59

in an a

38:00

when gens the listeners

38:02

compiled slay lists were

38:04

all songs have an equal shot at

38:07

immortality regardless of

38:09

their ear us cheat bush's song

38:11

just sounds like it sits

38:14

picture it playing on a twenty twenty

38:16

two teenagers spot of fi playlist

38:18

next to the latest sad boys

38:20

synth pop by glass animals

38:33

your self assured sigh of

38:35

a single by billy idol

38:44

the

38:46

transition to running up that

38:48

hill even thirty seven

38:50

years after keep bush recorded

38:52

his his seems

38:59

it's already match

39:02

the top five success of those hits

39:04

from grey's anatomy but

39:06

we'll keep bushes song reached number

39:08

one the way billie zero for

39:11

your hummer did in the mid eighties

39:14

who , say say this moment

39:16

only one thing is certain kate

39:19

bush finally has an american

39:22

top five hit not just

39:24

because her song was song t v

39:26

or because it reminds us of the

39:28

past but because it's still

39:31

sounds like the future

39:40

i hope you enjoy this episode

39:42

of sit forest or show was written

39:45

evidence and narrated by for small

39:47

empty that's me my producer

39:49

is kevin bend us kevin also

39:52

produce the latest installment of our monthly

39:54

hit parade the bridge shows

39:57

which are available exclusively

39:59

to sleep plus members in

40:01

our latest bridge episode i

40:03

talk to music publishing executive

40:06

marrow kooky whose please

40:08

music and shows like shameless and

40:10

succession and tells us about

40:12

the mysterious art of tv

40:14

and movies thinks to sign

40:16

up for sleep plus and here not

40:18

only the bridge but all are

40:20

shows the day they drop visit

40:23

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40:25

parade plus alicia montgomery

40:27

is the executive producer and derek

40:30

john the supervising narrative producer

40:32

of slate podcasts check out

40:34

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40:36

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40:39

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40:41

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40:43

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40:51

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40:53

thanks for listening and listening look forward to

40:55

leading the hit parade back your way

40:58

until then keep on marching on the one

41:00

i'm christmas

41:28

from lemon

41:31

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41:33

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42:28

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