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Hey, just a quick heads up. There are a couple
3:10
of bad words in this episode. Nothing that
3:12
you haven't heard before, but just be mindful
3:14
if you're listening to the show around kids
3:16
just so you know. And I
3:18
hope you enjoy it. I
3:29
went and I brought a business plan. I
3:31
wanted to be a lifestyle brand
3:34
and I write up this story
3:36
of educating, changing, healing, overcome. Educating
3:39
change to heal and overcome. That's what
3:41
ECHO stood for. I
3:43
mean, it's very earnest, right? Well, I'm,
3:46
I'm painfully earnest and there will be
3:48
people listening to this totally vomiting on
3:50
the earnestness. Well, fuck up. Because
3:52
that's real. That's what it was. Welcome
4:03
to How I Built This,
4:05
a show about innovators, entrepreneurs,
4:07
idealists, and the stories behind
4:09
the movement they built. I'm
4:13
Guy Roz and on the show today,
4:15
how Mark Echo's love of hip-hop and
4:17
graffiti gave him an iconic edge
4:20
as a streetwear designer and helped
4:22
turn his company, Echo Unlimited, into
4:24
a major force in fashion.
4:32
In the United States alone, there are
4:34
26,000 fashion labels. Incredible.
4:38
Most of us only know a handful
4:40
of them and usually just
4:42
the big ones. So it's
4:44
not a stretch to say that standing
4:47
out as a fashion brand is
4:49
hard. Really hard. And
4:51
for the most part, just a teeny
4:54
fraction of these brands will last more
4:56
than a decade. The
4:58
Unicorns are labels like Levi's and
5:00
LL Bean. They've been
5:02
around for more than a hundred years. But
5:05
even having an impact for a
5:07
few years is a significant feat.
5:10
And back in the 90s and
5:12
early 2000s, Echo Unlimited managed to
5:14
do just that. The brand
5:16
was started by a guy named Mark Echo,
5:19
along with his partner Seth and
5:21
his sister Marcy. At the
5:23
time, and this is the early 1990s,
5:25
streetwear was just starting to get
5:28
traction in the US. Brands
5:30
like StuCi, Fubu, and Supreme
5:32
were even showing up in
5:34
fashion magazines. Eventually, streetwear
5:37
would kind of take over
5:39
fashion. Even luxury brands
5:41
like Prada and Gucci and Balenciaga
5:43
are heavily influenced by streetwear designs.
5:47
As for Mark Echo, he grew up in the
5:49
1980s obsessed with the rise of
5:51
hip hop and also graffiti culture.
5:53
By the time he was in
5:55
college, he was airbrushing designs and
5:58
fastening rhinestones to denim jackets. and
6:00
then selling those jackets for hundreds of
6:02
dollars. Eventually he got his
6:05
jackets into the hands of rappers and
6:07
musicians, which led Mark to start the
6:09
brand. Echo Unlimited and
6:11
its iconic Rhino logo started
6:14
popping up everywhere, eventually
6:16
hitting over a hundred million dollars
6:18
in sales. Now
6:21
by the end of the early
6:23
2000s, the brand was in decline,
6:25
but Mark was really smart about
6:27
looking for opportunities that could capitalize
6:29
on youth culture. And
6:31
the most influential brand he eventually
6:33
built was Complex, a
6:36
media company that focused on things that
6:38
matter to a growing subset of young
6:40
consumers, sneakers, hip-hop,
6:42
fashion, sports, and pop
6:44
culture. Mark
6:47
Echo was actually born Mark Milakovsky.
6:49
He grew up in New Jersey in
6:52
a town called Lakewood, along with his
6:54
twin sister Marcy, who would eventually become
6:56
his business partner. And even
6:58
though Lakewood was a sleepy town near
7:00
the Jersey Shore, Mark says
7:02
it was a really interesting place to
7:05
grow up. What
7:07
I recall Lakewood for was just
7:09
its intense diversity.
7:11
Growing up there, you're
7:14
like your product and your environment, so you're
7:16
in it. It wasn't like
7:18
I was conscientious of it, it just was.
7:21
You know, I went to public school, my
7:23
neighbors, people lived next door to me, you
7:26
know, across the street from me.
7:28
It was a very mixed race,
7:30
very mixed multicultural experience. So
7:32
tell me about how you fell
7:35
in love with hip-hop. What do you remember
7:37
like listening to or hearing or resonating
7:40
with you? I remember being
7:42
in probably fifth grade art class
7:45
at Princeton Avenue School, and
7:48
there was this awareness of this emerging cultural
7:50
trend. I remember some kids that when the
7:52
buses were pulling up, there was like a
7:54
group of kids that would be doing literally
7:57
like backflips and breakdancing. spinning
8:00
on their back like in the middle of
8:02
the lunch room. And I just
8:05
was like that's the coolest thing I've ever seen.
8:07
But I also was seeing there was a big
8:10
BMX culture that was happening at that time. Kids
8:13
started to wear all of those
8:15
kind of like neon acidic
8:17
colored clothing that was starting to
8:20
come up through skate and skate
8:22
culture, dino brand, GT,
8:26
vans, air walk. So
8:28
suddenly I think that
8:30
it's about the age for most
8:32
kids growing up that sort of
8:34
pre middle school say from
8:37
fifth to eighth grade where they start
8:39
to badge like
8:41
a little chick like born
8:43
new to the world. They
8:45
see these signals of like who their
8:47
cultural mother is or father right and
8:49
it's a part of I think how
8:51
we're hardwired to sort of culturally fit
8:53
in. So I was drawn to that and
8:55
then instead of just drawing Spider-Man,
8:58
you know, I would draw what we saw
9:00
on album covers or when
9:02
I'd go into Queens and see
9:04
graffiti on the subway cars. I
9:07
knew that there was a movie called Wild Style
9:09
because people were talking about it and there was
9:11
Beat Street and there were the fat boys. So
9:14
you were just reacting to what was around you.
9:18
One of the things that you kind of
9:20
got into was learning graffiti art. I don't
9:22
think you were actually going out and vandalizing
9:24
buildings or maybe you were but I think
9:26
you got into like using airbrush tools
9:29
and like kind of
9:31
painting graffiti style but you were
9:33
trying to like hone
9:36
your skill as a as
9:38
a graffiti artist. I guess I think I
9:40
looked at it like, you know, there was
9:42
the four elements right and seeing you know
9:45
DJing, break dancing and graffiti. I
9:47
still think that that's a fundamental part
9:49
of the organizing system
9:52
of hip-hop and here
9:55
I was a very artistic kid. You
9:57
know, my dad got me subway art.
10:00
which I think is like one of the Bibles of This
10:03
is a book. This is a coffee table
10:05
book. Yeah, yeah, basically graffiti art. I remember
10:07
that book Yeah, very important book and I
10:09
think it should you know, everybody should own
10:12
it to appreciate because it was a very very catalytic
10:16
Culturally, so it was either tracing from that
10:18
or tracing from a comic book and
10:20
then It was in the
10:22
blackbeat magazines where I would see the airbrushing
10:24
and that started to come a little bit
10:26
later Okay, so that's fifth sixth grade. That
10:29
wasn't quite a thing yet and come middle
10:31
school a guy Who's one of my my
10:34
heroes and and a friend now? I'm happy
10:36
to say in life is a guy named
10:38
fade pH a de
10:40
King fade from the shirt
10:43
Kings and in the Jamaica Queens
10:45
Plaza Mall He had a
10:47
little stall there that he was airbrushing But
10:49
he was so Jason obviously to all those
10:51
rappers coming up in Queens and on the
10:54
boroughs You'd see those images
10:56
and it was like wow I think I found
10:58
that was the medium because it was like sort of an
11:00
existential Way to get
11:02
to graffiti through the sort of first cousin
11:05
of graffiti, which is airbrushing You
11:07
started to I mean make
11:10
your own shirts, right inspired by some of these
11:12
shirts that you saw Yes And
11:14
and I guess by the time you get to high
11:16
school you started to people start asking you if you
11:19
could make them For them and that
11:21
was like a bit turn into a business Yes
11:24
to the credit of my uncle who
11:26
was the product of vocational education It
11:29
was like a diesel engine, you know
11:31
mechanic. He encouraged my
11:33
parents that because my passion
11:36
was so You know sort
11:38
of manifest to Give
11:41
this kid a shot went to the Sears Outlet
11:44
bought the air compressor for whatever
11:46
80 bucks and started acquiring all
11:48
the materials Picked
11:51
up my first copy of airbrush magazine Which
11:54
serendipitously talk about like how the
11:57
universe and how God kind of
11:59
puts things in your path, but Airbrush
12:02
magazine was the
12:05
only trade magazine
12:07
for airbrushing. And where is
12:09
it published? Lakewood,
12:11
New Jersey. It's
12:13
like one of the odds of that, you
12:15
know? So I said,
12:17
Ma, can we go meet the publisher? So
12:20
she's like, oh, I'm going to take you to go.
12:22
We'll go to the art supply store. We'll pick up
12:25
some paint and we'll drive by the
12:27
publisher location, think it's going to be a building. And
12:29
if I pick up, it's a residential house.
12:32
And I literally go knock on the door. I
12:34
asked for the publisher and there was a garage
12:37
and he's in there unboxing new
12:39
magazines, just on rack, inventory in
12:41
the magazines. So I was like,
12:44
can I work for you? Can I sweep here? You
12:46
know? And? I
12:48
did. You did. And
12:50
then he gave me free issues. Wow. And you
12:52
start making t-shirts for people in
12:55
high school and selling them. And were you making pretty
12:58
good cash? Oh, yeah. I
13:00
mean, you know, better than bar mitzvah
13:02
money. You were selling t-shirts for like,
13:04
what, $50 bucks or something? Well,
13:06
it probably started at like, I
13:09
mean, I was damn near first you do like,
13:11
you just do some gratis and then you start
13:13
selling them at $10 or $15 or I would
13:15
do bulk. And then it's
13:17
$50 and then people would ask for more elaborate
13:19
things. And you know, come junior year, I was
13:22
getting really good at it. So this was from
13:24
eighth grade through the
13:27
time I started the business in 93, I was every year
13:31
building that business. And to the point where
13:34
I was making thousands of
13:36
dollars a week. Wow. When
13:39
I was really, when I would
13:41
allocate time. And these were like
13:43
custom t-shirts? Like custom t-shirts, custom
13:45
denim jackets. And people's names or
13:47
people like. Very elaborate. Very,
13:50
very elaborate. I
13:52
remember someone brought me
13:54
a cover of like Thanos. This
13:57
one is very elaborate cover. This is a
13:59
cover. A comic book, yeah. A comic book, like
14:01
an Avengers comic book. Yeah. And
14:03
it's like Thanos with the glove. You know, this
14:06
is before we think of like MCU. And I
14:08
think that's when I was like, oh
14:10
shit, like I'm good at this. I think I charged
14:12
like $500 for that jacket. Wow.
14:15
It was very elaborate though. It took at
14:18
least six days. And
14:20
then I would hand paint it, and then I would hand
14:23
embellish it. I'd go to the
14:26
Michaels or Joanne's Arts and Crafts, and
14:28
I'd even go into Manhattan occasionally. I'd
14:30
go to the, in the garment district,
14:32
go to the areas where
14:34
they sell rhinestones. I'd buy high
14:36
quality rhinestones. I'd hand laminate them
14:39
on, sew them
14:41
on, whatever, and just create these really
14:44
elaborate, custom bespoke things. Wow.
14:47
And then my father was
14:50
into photography. And so
14:52
I was, the great blessing and gift
14:54
he gave me in
14:57
some of the most valuable time in
14:59
my life was the time in the
15:02
six by eight foot
15:05
closet that had been converted to
15:07
a laundry room and a dark room, watching
15:10
him process film, printing
15:13
photos, and being
15:16
exposed to ideas like composition,
15:18
and burning, and masking,
15:21
and you know, all of these sort
15:23
of ideas that I
15:25
ended up eventually seeing when I got into Photoshop,
15:27
you know, years later. He had a hobby, a
15:29
side hobby. He did, yeah. I
15:32
know that your dad studied to be a
15:34
pharmacist and then eventually became a real estate agent, and I
15:36
think your mom was also a real estate agent. Same, that's
15:39
right. Yeah. You went to
15:41
college, you went to Rutgers, and you decided
15:43
to study pharmacy, to become a pharmacist. Was
15:46
that, like, were your parents encouraging you to
15:48
do that? Like, hey, this is a steady
15:50
job, and. My dad never once suggested
15:54
it. In fact, the opposite, he hated
15:56
it. All he did was talk shit
15:58
about standing on his feet. feet
16:01
and he was so happy to get out of
16:03
pharmacy. But if we rewind to
16:05
that period, you could
16:08
graduate from pharmacy school. And
16:11
at that period, at that time
16:13
in history, if you worked
16:15
for Big Pharma, let's say, and I
16:18
had a sense of marketing, I wanted to be
16:20
maybe on the marketing side of Big Pharma, you
16:23
could make like at that time and graduating in 1990, 65
16:25
to 85 thousand dollars, like right out
16:29
of school. Right out of school. Big
16:31
money. That's big money. Huge money. I
16:34
mean, I graduated in 97. My first job was 30 thousand bucks a year.
16:36
Yeah. I was like, wow! Right.
16:40
This is insane. Right. Right. So
16:42
I only applied to one school, Rutgers College of Pharmacy.
16:45
I applied early, got accepted and didn't
16:47
look back. Only applied to one school.
16:50
So you get there and you're starting to be a
16:53
pharmacist, but you keep this kind of
16:55
side hustle going. My whole identity. Yeah.
16:58
And then, somewhere and suddenly, I
17:00
started to realize and I could self
17:03
articulate that something
17:05
unusual happened for me in Lakewood
17:08
because suddenly here I was in a new
17:12
environment and suddenly
17:14
I was engaging in a social
17:16
milieu with kids that weren't all
17:18
from Lakewood. In fact,
17:20
Lakewood was the anomaly. And
17:23
suddenly it was like the white kids were like, why
17:25
are you trying to be black? And
17:27
then the black kids are like, why are you trying to be black? It
17:31
was not the same vibe that
17:33
I got in Lakewood. And
17:36
my identity was wrapped up
17:38
in building Echo airbrushing, ECHO
17:40
airbrushing at that time. And
17:43
I would do parties. I did a party called
17:45
the Hip Hop Bazaar. Called
17:48
up Ralph McDaniel's video music box, tried
17:50
to get them to come and record
17:52
live from the event. Yeah. That
17:55
was a TV show in New York, right? Yeah. Yeah.
17:58
It was like a public access hip hop TV show. Okay,
18:00
now you're starting to build the Media
18:03
infrastructure around this phenomenon. Okay
18:05
now BT is emerging now.
18:08
There's Yo MTV
18:10
raps now come come 9293
18:13
right so that's that was my
18:15
thing and and I
18:17
was doing gallery exhibitions of Your
18:20
shirts of my shirts and my art. I
18:22
also painted on like, you know murals and
18:24
stuff Tell me because you
18:26
were already calling it. It was called echo
18:28
airbrushing and it was Echo
18:31
like echo like an echo. Yeah, what where
18:33
did that name come from? Well,
18:35
that's the backstory to the twindom, right?
18:38
They being the fraternal twin. My mother
18:40
had no idea she was carrying twins
18:43
She went to the OBGYN months
18:46
before we were due and was
18:48
complaining of This sort
18:50
of kicking book the bottom of her abdomen and
18:52
then like under her breast and she didn't understand
18:54
She's like is my baby doing a split?
18:56
Is he punching? No, no,
18:58
no, no, no, it's just an echo in the
19:01
fluid. You're fine And she's like, but I'm so
19:03
big I'm retaining so much for my mother was
19:05
massive They did not know there were twins in
19:07
there They just said oh there's an echo in
19:09
the in the fluid in the fluid The doctor
19:11
did not know until I was born. They
19:13
delivered Marcy and And
19:15
they said there's another one and
19:18
my dad almost fainted That's
19:21
wild so it came from there
19:23
like that word echo that it
19:26
was just part of family lore.
19:28
Yeah That's it. And
19:30
my mom was a nickname. It was
19:32
a nickname. It was like me
19:34
and So here
19:36
you are rewind back to those
19:38
fifth sixth grade years. I'm reading
19:40
subway art People
19:42
named dandy right scene
19:45
T-kid is the whiz
19:48
Yeah, my favorite rapper krs1
19:51
knowledge reign supreme over nearly
19:53
everyone Bdp, i'm
19:55
like echo educating change
19:58
to heal and overcome can
20:00
change to heal and overcome echo. I love
20:02
that. And I was doing really well. So
20:04
when I did the thing at Rutgers and
20:07
I did my own solo exhibition and then
20:09
I did, I went
20:11
on a like a binge promoting the hip
20:13
hop bazaar and I just
20:15
started hitting everyone like Spike Lee is coming
20:17
to the school to promote Malcolm
20:20
X. He's still raising money for the Malcolm X
20:22
film and he's coming up short and he's going
20:24
around to colleges doing, you know, grassroots
20:27
marketing. And he went to Rutgers to talk about it.
20:29
He went to Rutgers to talk about it. I would
20:31
like hit him with a swag. Oh,
20:34
you just go, you go right up to him and just
20:36
hand him stuff. Yeah. And so I did
20:38
that to rest in peace Chris
20:40
Lighty to try to get to, you
20:43
know, Q-tip and Tribe. I did it for
20:45
Chuck Lee. I did it for Kerris. One.
20:48
You were hoping to do what? Just
20:50
to connect with them for what purpose?
20:53
I was looking for like, I was so
20:55
delusional. I was looking for an investor. It's
20:58
a little bit of this kind of trust
21:00
the universe approach to things and a little
21:02
bit of this
21:04
sort of my reality that
21:07
the most effective means of marketing
21:09
are these sort of nodes of
21:11
trust, you know, between people.
21:15
And I couldn't say that
21:17
then, but I understand that
21:19
now that establishing that distributed
21:21
network of heat and trust
21:24
and understanding of what you do is
21:26
the most powerful fundamental thing you need
21:28
to do in building a network of
21:30
communication. And none of these guys
21:33
were interested in investing in giving you cash. They
21:35
just didn't know what to do with me. Yeah.
21:37
And they themselves were trying to figure out how
21:39
to raise money for their own thing. And by
21:41
the way, how much cash did you think you
21:43
needed to raise? I had no idea. Yeah. But
21:45
You knew that, yeah, but you knew that you
21:48
couldn't do what you were doing as a one
21:50
man shop. You Had to find a way because
21:52
I'm assuming you would go to New York, you
21:54
would buy a bunch of just plain t-shirts, plain
21:56
jeans jackets, right? Is That right? Yeah. I Mean,
21:59
I Think my business. Was the client
22:01
brought me the blank so I had
22:03
no higher costs like all my costs
22:05
were material and labour. Oh set a
22:07
date client would say I want you
22:10
to take this shaggy reply armani jacket
22:12
or a Levi's jacket or be some
22:14
a champion sweatshirt and when they would
22:17
ask me. You. Know what? As
22:19
Adnan A you bring the blank to be don't
22:21
know to get order this one and on the
22:23
strength of that alone you are pulling and to
22:25
three thousand bucks a week. Yeah thereby are they
22:27
pay me for the arts. It. Was
22:29
for the application of the art. Since.
22:32
Wow! So I guess summer or around
22:34
this point you change the name of
22:36
your business from from Echo Airbrushing to
22:39
Echo Unlimited which is still have a
22:41
version of Blood with the name today.
22:43
It's an insult can you. Tell
22:46
me like it in your mind at that
22:48
time this is I guess run nineteen Ninety
22:50
Two. What did you think this business could
22:52
be? So.
22:54
We knew that there was a
22:57
visual aesthetic identity emerging within the
22:59
culture of of the sort of
23:01
a tribal communication amongst each other.
23:03
How we id with one and
23:05
one another we we start seeing
23:07
this this brand. Getting.
23:09
A lot of tension or costs to
23:12
see gets. this is brand getting a
23:14
lot of attention Call cross colors. This
23:17
brand getting a lot of attention. Call
23:19
Tommy Hilfiger. We started to see these
23:21
sort of people daring kind of stepping
23:23
out to build their version of consumer
23:26
product businesses. So here I am doing
23:28
one at a time and some like
23:30
well what if I could scream print
23:32
these things you know in So doing
23:34
them one at a time because you
23:37
are hand making each one the I
23:39
was impossible to scale. You know it's
23:41
impossible to scale the right right and
23:43
you still needed to have you felt
23:46
like. I guess he
23:48
felt like you need to find somebody
23:50
who had the he of the know
23:52
how right and and most importantly the
23:54
class dell bitterness into a real business.
23:57
And to tell me about how you
23:59
met your partner hackers Burke I think
24:01
I think you bet M and like
24:03
like nine. Next any to yes Ninety
24:06
two yeah I meet him first. like
24:08
a year before pulls up to my
24:10
house I'm painting, I'm doing one of
24:12
these like really a you know crazy
24:15
pieces and looking at this guy pulls
24:17
up in a. Shiny Candy
24:19
Apple Red Mustang rights were Chrome
24:21
Wheels. Am I What the hell
24:23
Is someone my age driving around
24:26
with this card? Like for an
24:28
old man? Number one. I appreciate
24:30
that carded X but at that
24:32
time I was like yo, who
24:34
is this dude swearing dirty as
24:36
denim shorts. Does the
24:38
timber the boots like with dirt don't
24:40
grime up his legs is coming from
24:43
a of landscaping get this is gonna
24:45
landscaping company and so he starts tell
24:47
me what he does is of i
24:49
have a landscaped other but I also
24:51
do I buy and sell architectural artifacts
24:53
I just got back from Vienna. Wait,
24:56
Sorry. like are you talking
24:58
about like antiques? Like like
25:00
ancient or antiques? No
25:02
no no no no Nanette not
25:04
age and I'm saying he would
25:06
go to parts of the world
25:08
where they were doing redevelopment or
25:10
or new construction sites and he
25:12
was in the pond business basically
25:14
since air but but expensive architectural.
25:17
Things. Like stone columns, marble statues,
25:19
giants slabs of limestone earns nothing
25:21
that were like not like from
25:24
ancient Rome. Agrees that engine I
25:26
now know know about like you
25:28
know that time through Europe and
25:30
there are some countries ever so
25:32
under development and he just hustled,
25:34
he paid acted to go to
25:37
school for him. To
25:39
take classes under him as an alias
25:41
he was even chance to score and
25:43
he be flying around the country. Go
25:45
in Athens were demolition sites buying things
25:47
are being demolished. Reselling
25:49
them, okay and he was and
25:52
he said to yeah it's go to business i'll give you
25:54
money is like this good if you want to do something
25:56
let me know okay them in out what any would you
25:58
do with your ask i didn't have enough But
26:00
you did not, I think, initially feel like this
26:02
was the right fit. It all sounded like a
26:04
lie to me, and I didn't believe it. But
26:07
you're like in your early 20s and you need
26:09
the cash. I was probably 19 when I met
26:11
him, and I blew him off. He
26:17
spooked me. He spooked me. And
26:20
what intimidated me was
26:22
how good he was. You
26:25
know, that he was very
26:27
sophisticated at understanding a business
26:29
at a very young age,
26:32
clearly had confident one year
26:34
older but felt like 15
26:36
years older. Culturally, we
26:39
were kind of disconnected. I was
26:41
like very much Mr.
26:43
Hip-Hop, and this guy comes pulling
26:45
up listening to like Bruce Springsteen. I'm like,
26:47
who is this guy? But
26:50
there I was relentlessly trying to
26:52
pitch all these hopeless leads of,
26:54
you know, and none of them
26:56
were to stick. It's going nowhere. It's going
26:58
nowhere. So I finally reached out to him,
27:00
and he's like, okay, look, let's
27:02
do this. You know, 50-50, we'll do it. What
27:06
do you need, five grand? He gave you $5,000 in cash.
27:09
Yes, no contract. And he knew that the business
27:11
you wanted to do was to mask. I
27:13
wanted to make more t-shirts. I needed inventory.
27:16
Yeah, right. So you said, all right, great.
27:18
We'll do this. Take a year in
27:20
business. That's it. When
27:24
we come back in just a
27:27
moment, Mark comes up with an
27:29
iconic new mascot, but discovers that
27:31
the very name of his brand,
27:33
Echo E-C-H-O, is going
27:36
to have to change. Stay with us. I'm
27:38
Guy Roz, and you're listening to How I Built This. Hey
27:45
there, it's Guy here. You know, so
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32:02
Name. A
32:11
welcome back to how I built this!
32:13
I'm garage So it's Ninety Ninety Three
32:15
and Mark is officially launched Echo Unlimited
32:18
with five thousand dollars in cash from
32:20
his new partner, Sectors Bird And there's
32:22
also a third partner in the mix
32:24
Marks twin sister Marcy. The
32:27
and to says credit. Which.
32:30
He deserves a lot of credit for. As
32:33
the business started to take off. I.
32:36
Renegotiated the deal on as like thirty
32:39
three Thirty three thirty three dumb see
32:41
your sister had a third he has
32:43
a third you hazard. Okay so he
32:45
was gonna bring in that the money
32:47
because he had some experience and he
32:49
was just a year to older than
32:51
you desk and so can now you
32:53
had some money to start making t
32:55
shirts. menu had some i'm you Are
32:57
or had already worked for the previous
32:59
couple years building relationships in the hip
33:02
hop community had at what was the
33:04
first. Step in Like starting a business
33:06
like did you guys get an office the three
33:08
of you were used to Just stay in Lakewood,
33:10
New Jersey. Did you move up to New York?
33:12
What it would tell me about The first things
33:14
you did once you are like are right, We
33:16
got a business. Or when
33:19
I wrote a business. Okay, what
33:21
was in there? I wanted to
33:23
be a lifestyle brand and I
33:25
break up the story of educating,
33:27
say Zealand overcome. Educating Change
33:29
to seal and overcome. That's what Echo
33:31
stood for. It's Very. I mean, I
33:33
mean, it's very earnest. I'm not criticizing
33:35
it and that mocking you. It's very
33:38
earnest, right? Well, I'm I'm painfully earnest
33:40
and there will be people listening to
33:42
this. Totally vomiting on the earnestness or
33:44
Falklands is as real. That's what it
33:47
was the idea. and I think it's
33:49
a part of my super power and
33:51
part of my weaknesses. That earnestness, You
33:53
know? So. I not worthy worried
33:56
what people thought of using care of people
33:58
were like I worried about it but. I
34:00
didn't know how to process it. It
34:03
was more of a portrayal of
34:05
my very dear and near friend
34:08
group wanted to
34:10
dissociate with me. They thought I was
34:13
corny or delusional or obsessed over the
34:15
work and you only wanna talk about
34:17
this thing and there's no oxygen to
34:20
talk about. And they weren't wrong in
34:23
terms of where my focus was. In
34:25
terms of my inner
34:27
socialization, I
34:29
would share, I wanted their advice. I would ask
34:31
for their advice. What do they think? If they
34:34
wanna help, they wanna come with me on the
34:36
road and always was a no. And
34:40
so I was making friends with people that
34:42
were more like me, that
34:44
were entrepreneurial. And then they started to
34:47
help me. I mean, you
34:49
had this plan for a lifestyle brand
34:51
but initially to bring in
34:53
money, you had to sell
34:55
products. You had to sell the things that
34:58
you made, which were shirts
35:00
and jackets. And so tell me what the
35:02
first thing you did, did you buy a
35:04
bunch of shirts and start to mass screen
35:06
print them? It was a little bit
35:09
more technical than that. I wanted
35:11
to bring the elaborate aesthetic, which
35:13
was if you look at those like old
35:15
concert t-shirts and rock concert t-shirts, some
35:20
of these t-shirts today, the ones that
35:22
are early references are worth thousands of
35:24
dollars. But that was
35:26
an aesthetic that was not
35:28
being captured by the
35:30
streetwear market. It was not being deployed
35:33
because of the technical constraints, because
35:35
the barrier to enter was to
35:37
make the color separations was very
35:40
expensive. So I did this, I
35:42
was doing these very elaborate pieces
35:44
of art that I was showing. And
35:48
at the time I had, the
35:50
art that I wanted to get produced looked
35:53
more like these multi-color eight
35:55
to 10 color screen prints
35:58
On Black. Most of what
36:01
you saw industry where market was printed
36:03
on whites and here as looking at
36:05
my work's getting creasing elaborate a crescent
36:07
moon you know a high resolution I
36:09
would need a you couldn't produce it
36:11
fair to be simple they to simpler
36:14
designs essentially data be more elaborate designs
36:16
and what the market was don't have
36:18
more eleven again so you you knew
36:20
that you had to. Basically.
36:24
Create these elaborate designs because that was
36:26
what. That. Would stand outs but
36:28
I think up until this point you are
36:30
really selling your stuff and shops. He was
36:32
like person to person right? You had to
36:35
get your. Shirts. Into stores
36:37
So how did you attend? How me how you
36:39
started to do that you would take he would
36:41
get them printed and then you would go walk
36:44
from store to store in New York City. The
36:46
I was. We bought the first six
36:49
styles on spec when say styles. The
36:51
cuts of the shirts I bought blanks
36:53
that were available to and I had
36:56
just six pieces of art that I'd
36:58
identified. and he's like Champion t shirts
37:00
are like Haines t shirts. Yeah, whatever.
37:03
they were Advil or whatever at the
37:05
time and there are you know, no
37:07
labels in the neck that said that
37:10
gone Limited. there were just read of
37:12
very mavericks. The. You would go
37:14
to these boutiques and presumably the buttocks are
37:16
selling this kind of stuff and you would
37:18
walk in and say hey, Can.
37:20
I talk to the owner, the manager
37:22
some like as it was a mix
37:24
of things we did exactly that where
37:26
we would go hustle door to door.
37:29
You know we'd go to Patricia Fields and
37:31
on Broadway go the extra large store. you
37:34
know go to Doctor Jay. They had no
37:36
idea that there was a buyer on I
37:38
speak to the Spire some of the smaller
37:40
mom and pop. so lucky I could talk
37:42
to you that that in the manager was
37:45
the buyer and we were just try to
37:47
put them on wheels. Who would sell on
37:49
consignment? What like consignment they wouldn't Agassi had
37:51
no choice. They wouldn't give you cash book
37:53
or some of the stores that we really
37:56
wanted to get into that were really hot
37:58
source at the time. Wasn't that
38:00
we wanted to sell on consignment is because
38:02
they'd say no and after a month as
38:04
back and forth them saying we've really liked
38:06
your stuff but only taken on consignment. way
38:09
to pick pass. And. A consignment
38:11
mean that you actually get pay any.
38:13
And of course of course you don't
38:15
That forbids he'll get his neighborhood where
38:17
they said they say didn't sell around
38:20
with i'm already you know some of
38:22
them would tape really slow, slower than
38:24
you could afford, and you would convert
38:27
them into a viable account, and some
38:29
were just basically lecherous and just word,
38:31
basically taking advantage of all the young
38:34
entrepreneurs hustling I was. I wasn't the
38:36
only one not getting paid, that's be
38:38
clear and I knew it. A and
38:40
the did start to sell especially in
38:42
Manhattan and we eventually then did a
38:44
trade shows right? So he started to
38:46
learn about oh you should go to
38:48
a trade show, he should go to
38:51
the The Javits Center. they have a
38:53
trade show and here's Action Sports Retailer
38:55
in San Diego. And so a
38:57
silky your do consignment and I'm I'm
38:59
imagining that is that in year one.
39:01
You know even if these things to
39:03
these. Teasers assembling you guys
39:05
aren't like rolling in cash now.
39:08
Now but it was real life. we
39:10
were we we were getting feedback like
39:12
cause like over the weekend you have
39:14
more stock. Like that seizures blowing
39:16
out for us. some of my the
39:18
some of the styles blue started blowing
39:21
out and people just discovered them in
39:23
the shops at Walk and be like
39:25
whoa, what's that Yeah and it was
39:27
also the emergency. the time and Place
39:29
as put ourselves in Jack into Space
39:31
and Time in the in that sector
39:34
of space and time this was this
39:36
emerged in saying and who were my
39:38
near peers. Now it's that farm. It's
39:40
Triple Five Soul. It's Echo Unlimited. It's
39:42
P N B Supremes just coming up.
39:44
Yep. but. West coast street were like.
39:47
Like. Like to see for example, think
39:49
more influenced by surf and state culture
39:51
Yes, and you guys more influenced by
39:53
a little you My hip hop culture.
39:56
I was like explicitly hip hop and
39:58
graffiti. And. My art New. like
40:00
my black book. But there was a
40:02
Venn diagram where those two met. Oh,
40:04
for sure. One of
40:06
the things that I think you did around this
40:08
time in the first year or so was to
40:10
introduce the Rhino, which became
40:12
kind of the symbol of the
40:15
Echo brand. How did that come
40:18
about? It's about three years in. All
40:20
of the brand was just trafficking under
40:23
my art and under
40:25
the Echo Unlimited word mark. And
40:28
I'm at a trade show in
40:30
Vegas and we're starting to really
40:32
kind of hit a stride with
40:34
international buyers. And I want to
40:37
expand beyond t-shirts. I
40:39
don't want to only do t-shirts. And if
40:42
I don't evolve a logo
40:44
mark, that's a non-verbal, non-written
40:46
logo mark, it's going to
40:48
be very hard to ID
40:50
the product. So I walked
40:52
the main hall and I walked by
40:54
like a big Timberland tree. And
40:57
I walked by a big Lacoste alligator and
40:59
I walked by Polo and I'm just like,
41:01
all these guys have a thing in common.
41:03
They have like a mascot and they're able
41:05
to brand their garment in a way where
41:07
they don't have to slap type on it.
41:10
Okay. And I knew that if
41:12
I was going to get into cut and sew, which
41:14
is my ambition and cut and sew is like just
41:17
for people don't know the industry,
41:20
it means imported, more
41:22
technical, constructed, out
41:24
of wear denim, woven shirts
41:26
beyond just printables, which the
41:28
business of printables, right? Where
41:31
you take a blank constructed
41:33
garment and you embellish it
41:35
with a print or a
41:37
transfer of some type. And you
41:39
had to go beyond that. If you want to go
41:41
beyond that, you had to have a non-verbal label.
41:43
It didn't, it's something that just people saw
41:46
it, like they see the crocodile and you're
41:48
like, that's Lacoste. Yeah. Because
41:50
I was like, I got it. It's the Rhino. You
41:52
call me Ernest. But
41:54
I do believe that God puts
41:56
things in your path That
41:59
you, you, if you're A, you're
42:01
A, You ignore them. You could
42:03
say that they are. I'm just trivial
42:05
things. but outside the garage of where
42:07
I airbrush for years my dad had
42:10
a collection of San Driftwood Rhinoceros sashes
42:12
like little would they're like Yankee Little
42:14
Five dollar yes. And as a kid
42:17
growing up I used to play with
42:19
them or with my Star Wars action
42:21
figures. Hours admired the the form and
42:24
the shape and just that. The sort
42:26
of. Ruggedness of
42:28
the the rhino so.
42:31
On ad a hunch like to be
42:33
needed to be of rugged animal as
42:36
like is gonna be a Great Dane
42:38
a beard saw a pit bull. it
42:40
was not a long calculated that never
42:42
big narrative like this is. if I
42:44
want to try this I need to
42:47
have an animal. Yeah right. And
42:49
so I show the buyers the line and
42:52
they're like, what the hell is this. The.
42:54
If we're to get that from Timberland
42:57
or we get that from the north
42:59
face with those as the that weird
43:01
mountain we don't need that from you.
43:04
Because. This looks like an outdoor brand. This looks
43:06
like a hunting brand. Make. Exactly.
43:09
You. Know that's what I'm trying to like. that's
43:11
the that's my a static you know, like I
43:13
was. You. Know tim
43:16
boots and cargo pants and this
43:18
was the a static the up
43:20
it took on a bunch of
43:22
meeting obviously like eat you know
43:24
the herbivore. See. Years
43:26
but gentle pack
43:28
animals survivor. Only.
43:31
Goes forward. like I learn these things
43:34
Anecdotally, they become a part of the
43:36
sale of wanted to produce cotton. so.
43:39
And then I tested one capsule that
43:41
was like all right Now and have
43:43
assists the Echo unlimited discreetly and Stansell
43:46
font very kind of military hunting look.
43:48
The buyers were very resistant and then
43:50
we placed it in a blue out
43:52
and sales and well once had penetrated
43:54
the market. The buyers that accepted that
43:57
stuff it's actually had good performance with
43:59
it. I think by,
44:02
let's say by year three, like when you
44:04
introduced the Rhino, do you, so this is
44:06
like 96, 95, right? Maybe
44:10
something like that. Was it just the three
44:12
of you or at this point, you know?
44:14
No, we started building a team. We graduated
44:16
from the office in my
44:19
apartment and we graduated
44:21
to South River, New Jersey. So
44:23
our first office that became a hub for
44:25
us. Yeah. I want to sort of dive
44:28
into the overall business because I know, I mean,
44:30
you're doing, by 1995, you're
44:33
doing like, let's say, $15, $20
44:36
million in revenue and sales,
44:38
which doesn't mean you're profitable necessarily.
44:40
But no, we were horribly unprofitable.
44:43
Yeah. So this is the thing, like
44:45
from what I gather, like from the
44:47
outside, you look, you're looking really hot,
44:49
like a hot brand. Everyone's talking about
44:51
you. You're making money hand over fist.
44:54
But actually, internally, you were in trouble.
44:56
The company was... It was a
44:58
shit show. You were like bleeding
45:00
cash, right? I mean, we were, the big
45:03
problem is that we were, we didn't
45:05
have the leverage on the manufacturing side.
45:08
So the manufacturing infrastructure was not refined yet.
45:11
You were making it all in China? We
45:13
were importing. I had really bad agency
45:15
production deals. We were making in Taiwan,
45:18
we were making in China, we were
45:20
making in a bunch of places. When
45:23
we started to do the cut and sew thing, it
45:25
was like, it's a different kind of game. So
45:28
we didn't fully understand
45:31
that. And
45:33
we tried it a couple of times and got burnt really
45:35
bad. We would build something and
45:38
I'd say to you, okay, it's going to come winter
45:41
delivery to top
45:44
of the new year. And we
45:46
would ship it in like spring, like heavy
45:48
garments, because we were late.
45:50
We had no leverage with the makers.
45:52
So the importing, getting enough even
45:55
to fit in a container, we didn't have
45:57
enough critical mass so that the efficiencies in
45:59
shipping. So those
46:01
things led us to a conclusion that
46:03
we need a partner in manufacturing. So
46:05
we find an agency partner, which is
46:08
a really bad deal, really
46:10
bad deal that almost went nuclear.
46:13
Okay, so you find an agency partner
46:15
and this actually makes things worse? Right.
46:19
Yes. So here's how I get to
46:21
the agency partner and it's all my
46:23
doing, my Frankensteining. I want
46:25
to make snowboard jackets, okay? Okay. And
46:27
I want to make outerwear. I want to go
46:29
after Pola. I want to go after Tommy. I
46:32
have the drawings. I could see it. I'm visualizing
46:34
it. But I'm going
46:36
to preserve this t-shirt business, preserve
46:38
that foundational essence, but I need
46:40
to get into the making. So
46:44
I walk up at one of those Javits
46:46
Center trade shows. I walk as a consumer.
46:48
I start walking it now, not as competitors,
46:50
but I start looking at who's making what.
46:53
And I just start asking them, do you do
46:55
private label? Can you make me? How did
46:57
you make this? Would you make it with my label? Right?
47:00
If I pay you. One guy I
47:02
just happened to meet will call him
47:05
Boris, okay? Okay.
47:08
For legal reasons because it ended up in
47:10
a real shit show. So
47:13
Boris says, yes, I can make them.
47:15
There's a brand called SMP and it
47:17
was a hot snowboarding brand. Like
47:20
I wanted to make that level of product. So
47:23
he says, all right, we
47:25
make a deal. You
47:28
do the fulfillment in the warehousing,
47:30
Boris, and the making. You
47:33
fund the making and we'll split
47:35
50-50 on the revenue. I'll
47:37
pick up the marketing costs and
47:40
we'll go season by season and we'll commit to
47:42
like a three-year deal. Right? But
47:44
you can't mark up the
47:47
freight on board pricing, the FOB
47:49
pricing, right? That's the price before
47:51
it leaves the country of origin. Then
47:54
there's your landed price. You can't mark
47:56
that up. Deal. Sign
47:58
the deal. Split at 50-50.
48:01
Yes. That's my recollection.
48:05
There's not a court of law. It might've been 51-49, I
48:07
don't know. He's financing
48:09
it, entirely financing it? Entirely financing it,
48:11
but I'm financing the operation of the
48:14
sales costs, the marketing costs,
48:16
the advertising. Okay, so the first season we
48:18
do it, everything works.
48:21
Okay, it all works. This is going good. Second season
48:23
we do it, there's a speed bump.
48:26
Oh my gosh, we get the facts. Edward
48:30
C. Hyman, Echo
48:32
Design Group, E-C-H-O, Season
48:35
Desist. Season
48:38
Desist, what does that mean? I'm Echo, my
48:40
mother gave me that name. Here comes the
48:42
earnestness, right? Here's the super power and the
48:44
weakness. I'm Echo, what do you mean
48:46
Edward C. Hyman? Who is he? Oh, he's dead, this
48:49
is a company, 75 years old. They
48:51
have the trademark on this brand. You
48:53
need to change the name of the brand. They were
48:56
called Echo Design Group, and this is
48:58
like three years into your business, and
49:00
they say you cannot use that name
49:03
anymore. Right, this is going like this. I
49:05
have this new production deal with this agency
49:07
partner. Yep. So I've
49:10
got goods with E-C-H-O embroidered on
49:12
them, advertising campaigns
49:14
that are getting
49:16
a ton of hype, E-C-H-O on
49:19
them, and funding that. If
49:21
I don't ship my goods to pay all
49:23
the debt of advertising, this is how I
49:25
got underwater. The name Echo
49:28
you could not use anymore. You had
49:30
already made clothing with
49:33
E-C-H-O in it. First of all, did you
49:35
have to recall that stuff? That's exactly what
49:37
was going on. When I say pump the
49:39
brakes, halt the
49:41
production, there was stuff in
49:43
pipeline en route about to
49:45
ship in the midst of
49:48
peak manufacturing. They're
49:51
about to punch an embroidery, and you can't
49:53
undo that embroidery. Once it's punched, you can't
49:55
undo it. But you had to
49:57
stop that before it happened. Yes, we had to stop it. By
50:00
the way, how much merchandise are you talking
50:02
about? Two, five, ten million dollars worth of
50:04
stuff? Oh, it was probably like, don't
50:07
quote me, but it was probably about
50:09
eight million dollars worth of stuff. Okay. Eight
50:11
million dollars just at our cost, not like the value
50:14
in the market. And so you knew that you were
50:16
not going to fight this? You were not going to
50:18
fight this Echo design group? Oh, I tried to fight
50:20
it. Okay. But?
50:22
I lost the fight. So just with
50:24
the name, you decided to change it
50:26
to ECKO, so it's still Echo. And
50:29
also you changed, you legally changed
50:32
your last name to ECKO. Yeah,
50:35
that took about a year after that, but
50:37
yes. And that was because by
50:39
having your name as the
50:42
name of the brand, you can't, nobody could
50:44
challenge the trademark because it's your last name.
50:47
It was legal advice. And
50:49
it was also kind of funny and confusing
50:51
because I was so stubborn that in my
50:54
agreement with Echo design group, I'm like, I
50:56
will change the trademark, but I am Mark
50:58
ECHO. And for like three
51:00
months I went around with, oh, Echo
51:02
unlimited, ECKO, but I'm ECHO. And
51:05
it was confusing. And my sister's like, why are you
51:08
doing that? I'm like, I don't know. It's so stupid.
51:10
People are spelling the name wrong and they're still
51:12
getting it wrong. Like why, what am I doing?
51:15
And then my lawyer says, you know, Mark, it
51:18
probably will, like, let me do an analysis and
51:20
the discovery on what this could mean for the
51:22
marks if you legally change your name. And
51:25
if you intend to start
51:27
marketing Mark, M-A-R-C-E-C-K-O as
51:29
a mark in itself, which we hadn't contemplated.
51:32
I hadn't labeled, I hadn't put my name
51:34
on things yet. So, and I'm
51:36
like, oh, that's interesting. And I'm like, oh, well,
51:38
Tommy Hilfiger does it and Ralph does it. And
51:40
Ralph was, you know, it's not Ralph, it's not
51:43
polo Ralph Lifshitz. It's polo Ralph
51:45
Lauren. Ralph Lauren, right. Right, right.
51:48
Exactly. That's his last name. I changed it to
51:50
Ralph Lauren. So, okay. So
51:52
you've got, you changed the name. In the meantime, you've got
51:54
this brewing challenge with, actually, I want to go back to
51:56
this challenge with the partner in just a moment, but I
51:58
want to ask you to go back you overall
52:01
from what I understand. I mean you're
52:03
still a, you know, a relatively small
52:06
company, but from what I understand you
52:08
guys were spending money like crazy. What
52:10
were you spending money on? Like advertising.
52:13
Advertising. Like crazy. Like
52:15
you were spending more than you had. Oh for
52:18
sure. Where was it? Okay,
52:20
advertising. You were buying splashy ads
52:22
and like in magazines. It was expensive. What
52:24
else were you spending on? That's
52:27
pretty much it. This was peak.
52:29
You remember like magazines were forces
52:31
of nature. I mean there was
52:34
no YouTube. No. There
52:36
was no, there was no other, I couldn't
52:38
get on TV, print magazines. If
52:40
you were in the pages of Thrasher
52:42
magazine or the pages of The Source
52:44
and PC Gamer, Spin. It should
52:49
cost money and they're selling full retail and yeah
52:51
maybe I can negotiate with them and get crazy
52:53
terms. I get a 180-day terms to pay and
52:55
they liked
52:58
us. They were rooting for us and
53:00
that's what we did. We got over our skis
53:02
and the calculus, we weren't spending too much. It
53:05
was the, we were spending to plan,
53:08
but the plan was to have shipped goods
53:10
and then to have cash flow. So suddenly
53:13
what would have been cash flow now was
53:15
suddenly stuck in this legal
53:17
quagmire. So you
53:19
basically, you basically decided to change the
53:21
name. Meantime there's this perfect storm happening
53:23
because you also have this issue
53:25
with your, this partner that you guys partnered
53:27
up with hoping that it
53:29
would create better efficiencies. You'd be
53:32
able to scale and have higher
53:34
margins, but turns out he
53:36
was kind of skimming off the
53:38
top. Turns out Boris
53:42
was marking up on the FOB
53:44
prices. Broke the deal. Breached
53:46
the deal. Milking both ends. So
53:50
when you discovered this, right, when you
53:52
found out about this, what
53:55
did you do? I mean because you had, you had
53:57
this partnership with this guy and you
54:00
felt like did you confront him and
54:02
say, hey, what are you doing? Of
54:04
course. And I got more evidence on
54:06
about six styles or
54:08
so that were price manipulated.
54:12
So then we very aggressively
54:14
sue for them breaching
54:16
using that those six
54:19
price points as evidence. They
54:22
then say, no, that's a
54:24
mistake. That's not true. That's
54:26
not enough evidence. So then
54:28
they counter sue because we're trying to get
54:30
our inventory out and break the deal. And
54:33
they're like, we're going to fight this out in
54:35
court. And they knew they had us because we
54:37
couldn't afford not to ship the goods. We needed
54:39
to reconcile this shit
54:41
show. I needed a completely new
54:45
manufacturing infrastructure. Okay,
54:47
I needed to learn everything that they were doing.
54:49
I need to cut those guys out and
54:53
they were willing to go full nuclear. So
54:57
you guys enter into this
54:59
battle with this guy. But from
55:02
what I understand, and you
55:04
wrote about this in your book, there's
55:06
all this merchandise that
55:08
was being stored at a
55:10
warehouse, I think in LA. Yes.
55:13
Right. Okay. And you and Marcy,
55:17
your sister and Seth decide
55:20
to basically
55:23
take it back. You decide to kind of raid
55:26
this place in the middle of the
55:28
night and just grab all your merchandise,
55:31
which probably not the best form. Not
55:33
the best idea. But tell me
55:36
what the circumstances that led you
55:38
to do this and what you did. Oh, it
55:40
was just it was, you
55:43
know, righteousness versus effectiveness. We probably didn't consult
55:45
our lawyers all the way we felt. I'm
55:47
sure you didn't consult them at all because
55:49
they wouldn't have been like, yeah, this isn't
55:51
a good idea to go to the warehouse
55:53
and take your stuff. Yeah, I mean, I
55:55
think we were just young and
55:57
stupid and thought We
56:00
were robbed and I was very
56:02
hostile. Why I just you know, I just got
56:04
my feelings hurt I got punched in the nose
56:06
with the ECH show to EC KO So
56:09
I was going full cowboy. So
56:11
there was this sort of posture that we
56:13
were taking It was not
56:16
by force. We went in and show up with like
56:18
goons and guns I mean I showed
56:20
up and we showed up just
56:22
saying like okay like here's the paperwork You
56:24
guys are stealing give us our shit and and
56:27
then obviously that they locked it up locked us
56:29
out I don't remember the
56:31
exact you know when they make the movie one day. It'll
56:33
be very dramatic So
56:35
you didn't you weren't you weren't able to get your
56:38
stuff Hell no When
56:41
we come back in just a moment
56:43
echo unlimited runs into so much debt
56:45
But it has to withdraw from a
56:48
big trade show But then
56:50
mark figures out and it turned that
56:52
absence into a major advantage
56:55
Stay with us. I'm Guy Raj and you're listening to how
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59:26
guys, my name is David and I'm an
59:28
entrepreneur from Albuquerque, New Mexico. My
59:30
favorite episode is the lip bar with Melissa
59:33
Butler. From the curiosity that got
59:35
her into lipstick to the way that she
59:37
had her prototypes and her products overtaking
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her home, I believe she really
59:41
represents the entrepreneur's journey. Thank
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you so much to you and your team for making
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this show. I listen to it while
59:48
working on my own products and it makes me feel
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like I'm in a chapter of my own story that's
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very inspiring and thanks again. If
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so much. We love you guys. You're the best. And
1:00:22
now, back to the show. Hey,
1:00:32
welcome back to How I Built This. I'm Guy Roz.
1:00:35
So it's around 1997, and Mark
1:00:37
has just attempted to raid the
1:00:39
L.A. warehouse where a shady business
1:00:41
partner has been keeping their merchandise.
1:00:44
The two of them then wind up
1:00:46
in court, and each claims the other
1:00:49
is in breach of contract. And
1:00:52
we knew that we could win a
1:00:54
case, but we didn't have
1:00:56
the funding option to go forward. You
1:00:59
know, our lawyer pulls us aside one
1:01:01
day in court, and he's
1:01:04
like, guys, we could fight this, but this is going
1:01:06
to be six months, and you might not be here
1:01:08
to tell the story because you guys are going to
1:01:10
go broke unless you settle this in some way. And
1:01:13
so that's what we did. And
1:01:15
so what did it take? How much money did
1:01:17
you have to pay him to buy him out?
1:01:20
It wasn't even like that. It was just like
1:01:22
a sell-off period, and we're going to play nice,
1:01:24
and we're going to slowly migrate the goods, and
1:01:27
we've renegotiated the royalty
1:01:29
terms or the rev-share split or something
1:01:32
like that, and then the period. And,
1:01:35
you know, it was more like we
1:01:38
played nice and we said, okay, let's
1:01:40
just settle. From
1:01:42
what I understand, around this time, you
1:01:44
thought maybe a way out of this
1:01:46
– because you almost went bankrupt. I
1:01:48
mean, this was going to – and
1:01:51
you got pretty close to this whole
1:01:53
thing imploding. But I think you
1:01:55
thought maybe a way out is just selling the
1:01:57
brand to, like, Levi's or not as a company.
1:02:00
or Perielsa, a couple of other brands. And
1:02:02
you went to some of these brands and
1:02:04
offered it to them, right, Echo? Well,
1:02:07
it wasn't just us wanting to sell it.
1:02:11
It was more the market signaling that there
1:02:13
might be an opportunity. When we
1:02:15
started talking to more grown adults and
1:02:17
listening to the attorneys and exploring the
1:02:19
options, we hired a banker to
1:02:22
learn, okay, well, what would it mean
1:02:25
to perhaps have
1:02:27
a partner to kind of come in and do the back
1:02:29
of the house ops, kind of
1:02:31
liberate me on the design and us as a
1:02:34
team on the sales and marketing. So
1:02:36
we put out a live wire and
1:02:38
there was people circling.
1:02:40
People started circling. We
1:02:43
did this sort of banker exploration to
1:02:45
see what the market could
1:02:47
offer us in the event of a sale. And
1:02:50
you couldn't find anything that looked good, basically,
1:02:52
at the time? We found things that looked
1:02:54
good. Just the terms were not fair. What
1:02:58
was the best offer you got, do you remember, in terms
1:03:01
of dollar amount? Oh,
1:03:03
goodness. Like more
1:03:05
than 30 million? Oh, yeah, yeah, yeah,
1:03:07
yeah. So why wouldn't you take it? Well,
1:03:10
Levi's tried to cut my sister
1:03:12
and my partner's staff out. After
1:03:14
we were like the two yard line doing a
1:03:17
deal, you have to understand,
1:03:19
they were basically gonna be purchasing it. It
1:03:21
probably wasn't that much. It was because you
1:03:23
have to remember, I had so much debt
1:03:25
at the time. So they were basically gonna
1:03:27
purchase the debt and you guys would walk
1:03:29
away with almost nothing. We would walk away
1:03:32
with something and earn out and to be
1:03:34
incented to stick around. But that wasn't enticing
1:03:36
to you? Not especially after the 11th hour
1:03:38
of the deal. They
1:03:40
called me in to see me one on one. And
1:03:42
I don't wanna disparage all the people
1:03:45
that were a part of that deal are no longer
1:03:47
there. But there
1:03:50
was one gentleman who worked in
1:03:52
their international business and one of
1:03:54
their finance people pulled me
1:03:56
in. I thought that he wanted to just talk about
1:03:58
whatever kind of little bit of debt. button
1:04:00
up details with me and I
1:04:03
knew that I was sort of the galvanizing
1:04:05
force, but I my
1:04:08
partners, my road dogs was my sister
1:04:10
and my partner Seth, that was my
1:04:12
brother. Yeah. And when they not
1:04:15
so subtly alluded to the fact that like
1:04:17
we really don't need them for that long,
1:04:20
maybe we'll just keep them on for like
1:04:22
a year and we said peace out. And
1:04:26
our friends at Nautica, we
1:04:28
got to know the CEO at the time. He
1:04:30
loved us. He thought we were great. And then
1:04:33
as we get to the one
1:04:35
yard line to do the deal, he's like, my
1:04:37
board won't approve it. It's mission creep for us.
1:04:40
We can't afford to do this right now. You
1:04:42
know, we just newly public. He
1:04:44
got scared and pulled the deal. Okay.
1:04:47
So now you are
1:04:50
this is around 97 98. You
1:04:52
are in pretty bad financial situation. You've
1:04:54
got a lot of debt, like tens
1:04:56
of millions of dollars in debt from
1:04:59
what I understand. And you needed a
1:05:01
creditor. You needed
1:05:03
somebody to help bail you out. And I guess
1:05:06
Seth had a connection to some
1:05:08
guy named Alan Finkelman. And Alan
1:05:10
was a guy who said, sure,
1:05:12
I will give
1:05:14
you a loan and
1:05:17
help you pay your debt. But I need to own
1:05:20
a portion of your business as
1:05:22
collateral, something like that. What was the offer? Yeah,
1:05:25
the exact terms were… If you
1:05:27
pay your debt, but I need
1:05:30
to own a portion of your business
1:05:32
as collateral, something like that. What was
1:05:34
the offer? Yeah, the exact terms
1:05:36
were – it was more like a debt
1:05:38
deal and it was a very much an
1:05:41
angel, good guy deal. There was nothing about
1:05:43
taking a piece of the marks. He
1:05:46
was that generous. He had
1:05:48
some protections in place. We
1:05:51
knew that we got our hands slapped. We
1:05:53
learned to be on better behavior in terms
1:05:55
of our marketing planning and be more fiscally
1:05:57
responsible and maybe not be as… a
1:06:00
cavalier with the advertising. And we said if we
1:06:02
just put our head down and focus, we
1:06:06
could do this. And if we
1:06:08
could use our weakness at the
1:06:10
time, which was the being underwater
1:06:12
financially as some sort of Tai
1:06:14
Chi strength, maybe there's a
1:06:16
way to sort of harness that reality of
1:06:19
not being able to afford to be at a trade show, having
1:06:22
to be low key, and
1:06:24
basically do this whole thing called
1:06:27
where's Echo. And magic
1:06:29
trade show, we could
1:06:32
spend hundreds of thousands of dollars
1:06:34
there creating the spectacle, couldn't afford
1:06:36
to do that. So we- This
1:06:38
is in 97 you're talking about. You could not
1:06:41
afford to go to this show,
1:06:43
which is a really major show. Yeah, at the
1:06:45
time it was like blowing up. So
1:06:47
we paid for the booth to
1:06:49
hold the space and we couldn't get the
1:06:52
money back, but we didn't have money to produce
1:06:54
the booth itself, to ship
1:06:56
people, to build the
1:06:58
booth construction, the union, all that
1:07:00
stuff. So we just put
1:07:03
a sign in the middle of an
1:07:05
empty booth, where's Echo? Where's Echo? That's
1:07:07
what it said. Yeah, where's Echo? That
1:07:09
was your campaign strategy to say, let's
1:07:11
just end that there was
1:07:13
that. And what about outside the convention
1:07:15
center? Oh, stickers everywhere, giant stickers. Stickers,
1:07:17
and the stickers said where's Echo with
1:07:20
the brand logo on it. Yeah, we
1:07:22
got fined till, took a couple
1:07:24
of years to settle with the city of Vegas, but
1:07:27
full proper like 11 by 17, full
1:07:30
page like paper, glossy
1:07:32
stickers that were like impossible to take
1:07:34
off. Did that actually gain
1:07:36
attention for you? Oh yeah, in
1:07:38
some good ways and some bad, yeah, yeah. Did
1:07:41
it result in sales at the trade show?
1:07:43
Huge sales, huge sales, not the trade
1:07:45
show in our office. Cause
1:07:47
people set people what? They were just
1:07:49
like, wow, these guys are clever. They
1:07:52
just were rooting for us. And we
1:07:55
started to build the muscle of properly
1:07:58
building production. and
1:08:01
manufacturing infrastructure. We
1:08:03
put our heads down, Marcy
1:08:05
became a world-class operator. I
1:08:08
became a much more focused merchant, right?
1:08:11
In understanding how to build in a
1:08:13
line that was not as ad hoc,
1:08:16
getting really good at color separations
1:08:19
on the t-shirts, like crushing it
1:08:21
on new innovations
1:08:24
in screen printing, pushing
1:08:26
my screen printers to the limits to do things that
1:08:28
no one was doing at the time, in
1:08:31
terms of colors, high density, ink,
1:08:33
gloss, all sorts of techniques that
1:08:35
were very novel at the
1:08:37
time, that have since become wildly mainstream. If you
1:08:39
looked at the market, your eye wouldn't see
1:08:41
it, but at the time, we're a
1:08:44
big differentiator. And who were
1:08:47
your customers? I mean, was it young men mainly?
1:08:49
At the consumer level, yes, it was young
1:08:51
men's. We managed to break into Macy's, and
1:08:55
the business started to really, it
1:08:57
started to become durable. They
1:08:59
got the bugs out of the system and we grew up.
1:09:03
And what was the biggest seller?
1:09:05
Was it t-shirts? No, the core
1:09:07
competency was fleece hoodies.
1:09:09
Fleece. And people started
1:09:12
to associate that Rhino logo
1:09:14
with all the coolest events
1:09:16
that we would sponsor, and
1:09:19
the advertising that we had took
1:09:21
and took forever to pay for.
1:09:23
It's still the composite brand awareness
1:09:25
was out punching, there was more
1:09:27
demand, there's just pent up demand
1:09:29
in the market. So in
1:09:31
some odd way, all of the unintended
1:09:33
consequences of shipping late or off
1:09:36
cycle, in some weird
1:09:38
ways, just
1:09:40
created more of a vacuum for
1:09:43
demand. I
1:09:45
wanna shift to this
1:09:47
completely, not completely, but this
1:09:49
other part of you, this other
1:09:52
side of you that many people
1:09:54
may know even better
1:09:56
than Echo, which is
1:09:58
complex, because while... Now you're running
1:10:01
Echo, you decide to pursue this
1:10:03
idea of creating a print
1:10:06
magazine, a streetwear, hip-hop print
1:10:08
magazine. The idea was
1:10:10
that this would extend the brand, the
1:10:14
Echo brand? Oh, there was no
1:10:16
doubt. Looking at what was,
1:10:18
I don't know, our business was probably
1:10:20
$150 million in business, right? Something
1:10:25
like that, north of $100 million. We
1:10:28
were looking at a $12 to $15 million marketing
1:10:30
budget, okay,
1:10:33
of paid media that I was using
1:10:35
for paid media. And
1:10:37
I found it very frustrating as
1:10:40
I started to become like a
1:10:42
darling amongst the publishers who all
1:10:44
were very gracious and GQ and
1:10:46
details. I
1:10:48
said, hey, it's not enough just for
1:10:51
the publishers to be nice, like why
1:10:53
aren't these peer, near peer editors
1:10:56
and chief, they're my same age or sometimes older
1:10:58
than me, or the stylists,
1:11:00
why weren't they taking the brand into
1:11:02
their shoots, especially at the men's
1:11:05
fashion magazines? And I found
1:11:07
that offensive, you know?
1:11:09
And I had this thing like from
1:11:11
the media side, they were like, you're
1:11:13
too black for GQ and
1:11:15
you're too black for the skateboard magazines,
1:11:18
but you're too white for the source
1:11:21
magazine. And it was all that
1:11:23
same narrative over and over. I
1:11:27
just was like, let's take three and a half
1:11:29
million for a year, for the next
1:11:31
couple of years and let's incubate a magazine, right?
1:11:35
Because the marketplace is
1:11:38
showing us that they're not
1:11:40
getting convergence culture. I
1:11:42
had this thesis around convergence and
1:11:45
that cool doesn't discriminate
1:11:47
or live within these silos
1:11:51
in the way that the media industry
1:11:53
sort of designed constraints of the past.
1:11:56
And I was looking at just
1:11:58
the multicultural reality. looking inwardly
1:12:00
at my company, looking at my staff,
1:12:03
looking at my own family, and saying,
1:12:06
this is not where the puck is headed. Someone
1:12:08
needs to answer that, let's go for
1:12:10
it. And to my partner's credit, Marcy
1:12:12
and Seth, they bought
1:12:15
into the vision. And how are
1:12:17
you going to... I mean, this is
1:12:20
a magazine with an editorial team and
1:12:22
writers and all this stuff like, what
1:12:24
did you know about running a magazine? Well, some
1:12:26
people are just that good, I guess. I'm
1:12:29
kidding. No. I mean, did
1:12:31
you hire an editorial team? Did you hire a...
1:12:33
Of course I did. I didn't know how to
1:12:35
run a magazine. I
1:12:38
start to hire consultants,
1:12:41
someone, a newsstand consultant, help
1:12:44
me structure the org. You need to hire a publisher,
1:12:46
an editor in chief. And we were
1:12:49
sunsetting a showroom that I still had.
1:12:51
I wanted to move to a bigger
1:12:53
showroom in Manhattan, but I had two.
1:12:56
So I was opening two showrooms, and we converted one
1:12:58
to Complex, and we just went for it. And
1:13:01
so the idea was you would have your, essentially, your
1:13:03
own publication. You wanted
1:13:05
this to be a culture lifestyle magazine
1:13:07
around it. I wanted to earnestly build
1:13:10
the most culturally relevant media platform for
1:13:12
my generation. And it
1:13:15
would focus on things like sneakers and
1:13:17
food and pop culture and music and
1:13:19
sports, like all these things. Convergence
1:13:21
culture. That's what I would label it
1:13:24
as. Okay. In the meantime, I
1:13:26
guess around the time you founded Complex,
1:13:29
you started to work on Complex, you
1:13:32
made a conscious decision that you wanted to
1:13:34
build up you as a brand
1:13:36
because I guess you felt, or the feeling
1:13:38
was, that not enough people
1:13:40
knew who Marc Echo was, and that
1:13:43
could be helpful for the Echo apparel
1:13:46
side. Is that about right? Well,
1:13:48
yeah. It was a bunch of
1:13:50
things that were happening. It was just
1:13:52
the sort of professionalization and maturation of
1:13:54
the business. We started to license Echo
1:13:58
Unlimited successfully. I
1:14:01
launched Echo Red, which was the women's wear
1:14:04
division. I
1:14:06
was having a lot of growth. The mouse
1:14:08
trap is, if you will, of our infrastructure
1:14:10
was becoming quite serious.
1:14:14
What was once a company underwater.
1:14:17
Now we had very sophisticated lines of
1:14:19
credit, you know, with big banks. So
1:14:22
I started acquiring businesses. I acquired
1:14:24
New York. It
1:14:27
was just a part of us looking forward. Okay,
1:14:29
what is the picture? What are we building for
1:14:31
here? I mean, as
1:14:33
part of, you see, had these,
1:14:36
they had complex, which is growing as a
1:14:38
magazine, but within
1:14:40
a few years, the print
1:14:42
version of complex was struggling. It was
1:14:44
really hard, because it's expensive to run
1:14:47
that. It was really hard, why?
1:14:50
Because they were all online. So
1:14:52
why would you pay for the print if you could just
1:14:54
get it for free online? Right. And
1:14:57
I guess there were also challenges,
1:14:59
or some issues with the Marc Echo
1:15:02
Enterprise. There were, you guys had some
1:15:04
racked up, some debt, and then you're
1:15:06
in the middle of a financial crisis.
1:15:08
You had a lot of real estate,
1:15:12
you know, because you had showrooms,
1:15:14
you had stores. Yeah, we've rolled out retail
1:15:16
quite aggressively. So you had like those 2006
1:15:18
leases in 2008. And
1:15:22
I think at your peak, you had like 110 stores. That's
1:15:25
right. It wasn't so
1:15:27
much that complex was in trouble, but we
1:15:30
were, and we were the only funder. So,
1:15:32
you know, they were just breaking even. So
1:15:34
even though the, and was the
1:15:36
Marc Echo brand, I mean, even if
1:15:38
it was the clothing we're selling, the
1:15:40
clothes of Neaparo was selling, you
1:15:43
guys were over leveraged, right? Basically, you had
1:15:45
too many stores, too much real estate. Is
1:15:47
that about right? Totally over
1:15:49
our skis. How did that happen again? You
1:15:52
were so experienced by that point. You were
1:15:54
such a smart operator. You'd brought
1:15:56
the business back to $100 million. How
1:15:58
did you get to this point again? 2008. Oh
1:16:01
my goodness. I
1:16:04
guess not
1:16:06
that smart of an
1:16:08
operator. The common
1:16:10
killer in our industry is inventory.
1:16:13
Yes. And it's why we have,
1:16:16
there were macro things going on
1:16:18
in the market. You were at
1:16:21
the peak of the real estate
1:16:23
industry. Real estate was cratering right
1:16:25
about, was about to. Amazon
1:16:28
was this incredibly powerful
1:16:30
but corrosive force in
1:16:33
affecting the way consumer behavior was
1:16:35
going to be direct to consumer online.
1:16:39
And so, you know, partially
1:16:42
macro, partially our own doing.
1:16:45
My partner, Seth
1:16:47
was a cowboy. And to his credit, that
1:16:51
kind of wild, aggressive
1:16:53
stretch planning, which
1:16:56
had proven so reliable for five years was
1:16:58
now going to be tested again in a
1:17:00
way that hadn't been. And banks were collapsing
1:17:04
all around us. This
1:17:07
also, I'm assuming, really starts to strain
1:17:09
your relationship with Seth. I know because
1:17:11
there was a falling out. Yeah. Your
1:17:13
sister Marcy had already left a couple
1:17:15
years earlier. She was bought out and
1:17:17
I think she left on good terms
1:17:19
with your sister. Yes. But you and
1:17:21
Seth, start to have
1:17:24
more disagreements about the future of
1:17:26
the business. Tell me about your,
1:17:28
what was going on with
1:17:30
your relationship as business partners. Oh,
1:17:33
my goodness. It was incredible.
1:17:36
I could only I've, you know, I've been
1:17:38
very lucky in life to have a beautiful
1:17:41
wife, my wife, Alison, and in a
1:17:43
long marriage and healthy family, thank God.
1:17:45
But I think
1:17:47
I experienced a divorce. It was
1:17:49
effectively what you see within any
1:17:52
sort of divorce, where
1:17:55
just two parties grow
1:17:57
apart and there's divergent sort of
1:18:00
point of view on the path forward and I
1:18:03
was becoming increasingly conservative
1:18:06
and wanting to lean
1:18:09
more into re-energizing
1:18:11
the brand and
1:18:13
sort of doubling down on
1:18:15
quality rather than quantity and
1:18:18
he was trying to feed the machine, the
1:18:21
beast that we had built and he would
1:18:24
say to me, Mark, we've been through this. We've
1:18:26
had ups and downs. This is not the first time.
1:18:28
I'm telling you, you could push through it and I
1:18:30
just felt like, no, this time is different, mate.
1:18:34
We can't push through this and I don't
1:18:36
want to because I feel like it could
1:18:38
be corrosive to the brand. We
1:18:41
were just doing too much. We're running
1:18:43
a full retail business. We're running an
1:18:45
outlet business. It was too
1:18:47
much. We needed to focus and
1:18:50
Seth was like, no, this is
1:18:52
cycles. We'll get through it. We could get through
1:18:54
and he was more gung-ho and
1:18:56
I said, I don't know.
1:18:58
I don't agree. Yeah,
1:19:01
I'm curious because this is happening
1:19:03
in the middle of a financial
1:19:05
crisis and you guys had to resolve
1:19:07
this in some way and
1:19:09
I'm going to kind of oversimplify what happened
1:19:12
but basically you decided that you would
1:19:14
sell your stake in Mark Echo Unlimited
1:19:16
to an outside partner called
1:19:19
Iconics and I guess they bought about 51%
1:19:21
for $109 million at those according to
1:19:24
reports at the time and then Seth would
1:19:26
still get to keep a 49% stake and you would essentially
1:19:31
kind of leave the day to day. You wouldn't
1:19:33
be involved in the day to day as much
1:19:35
with the clothing company. But
1:19:37
just to get back to this, I mean, $109 million for a 51% stake in the company in
1:19:45
the middle of a financial crisis, I mean,
1:19:47
that seems like a really great outcome. So
1:19:50
was it? I mean, it seems
1:19:52
like you guys did pretty, you know, you
1:19:54
did okay. You did pretty well. We did
1:19:56
do okay. I landed the plane with the wings
1:19:58
on fire. I sold my... equity
1:20:01
interests to make room for
1:20:04
Iconics to buy my position.
1:20:06
There was a payout for me
1:20:09
and I would keep complex
1:20:12
and I would get a royalty on
1:20:15
the gross sales of the business
1:20:17
for forever. So
1:20:20
from what I gather, initially this was great.
1:20:22
You walked away with you know a nice
1:20:25
chunk of cash. Oh it wasn't great. I
1:20:28
mean as a maker, as an
1:20:30
empathetic maybe saccharinely earnest kid who
1:20:32
loves design, it was like suddenly
1:20:36
having phantom pains
1:20:38
of the hand that was once attached to your
1:20:40
body gone. So that divorce
1:20:43
came with a lot of
1:20:45
trauma and I
1:20:48
was my job was
1:20:51
to now be that
1:20:53
puppet, like that caricature, that mascot.
1:20:55
I see. And it was not
1:20:58
my skills and
1:21:01
it wasn't also aligned to my real
1:21:04
authentic personality. So
1:21:06
okay so was this the first time in
1:21:08
your life, this is around 2009, where you
1:21:10
actually, I mean you had
1:21:12
a salary you were able to do, you
1:21:15
were making money, but was this the first time in your
1:21:17
life where you actually had significant money? Yes.
1:21:20
So wasn't that a win in the sense, I mean you
1:21:22
mentioned you had a young family. No, this is the wild
1:21:24
thing it was the point in
1:21:26
my life where I had
1:21:29
the worst, I
1:21:31
think I had my first proper breakdown.
1:21:35
I had so much PTSD
1:21:38
of the world collapsing, the weight of
1:21:40
landing that plane to get on the
1:21:42
other side of that iconic deal, which
1:21:44
was not a pretty picture. And
1:21:46
there was such hostility with those banks that
1:21:48
were, it was like a love affair with
1:21:50
those banks. I was in a CIT ad
1:21:53
for goodness sakes, you know back in the
1:21:55
heyday when I had a, I still have a plaque
1:21:57
around here for whatever, you know,
1:22:00
500 million dollar line of credit that I had, whatever absurd
1:22:03
line of credit, which was, you
1:22:05
don't do business that way anymore.
1:22:08
And those same banks were now like breathing dead in
1:22:10
your neck. Hostile, like
1:22:12
hostile. Like you
1:22:14
can't run Complex and Echo at the
1:22:16
same time. Shut Complex down. These
1:22:19
are creditors, these are bank, these are creditors. Yeah,
1:22:21
these are. They were coming after you because of
1:22:23
the financial crisis. And they were upside down and
1:22:26
they were doing their jobs. It
1:22:28
wasn't personal. So
1:22:30
you felt this PTSD from the process
1:22:32
of unwinding this, even though financially
1:22:35
you were successful. And people from the outside are
1:22:37
like, oh my God, high five, Mark, look, you
1:22:39
sold it. You're good, but internally
1:22:41
you're like. I felt like
1:22:43
a loser. Wow. I
1:22:46
felt like a total loser
1:22:48
and I was depressed. I
1:22:52
started getting psychotherapy
1:22:54
and try to
1:22:56
figure out my
1:22:58
new vocation. And
1:23:00
I went, I got addicted to
1:23:02
working out and I was the most fit I ever
1:23:04
was too. It was a wild thing really. It was
1:23:07
like, here it was like more fit, more
1:23:10
from an outside perception, more
1:23:13
affirmation, but internally hollow. So
1:23:16
those sort of, okay, you did good
1:23:19
kid. Here's your trophy was
1:23:21
never my measure. I'm that kid
1:23:23
that was airbrushing T-shirts
1:23:26
and sweatshirts. I wanna make stuff.
1:23:28
I'm a creator, I'm a maker.
1:23:30
Do you understand? I have to
1:23:32
use my hands to make something.
1:23:34
And suddenly the sort of mousetrap
1:23:36
of, okay, I IDA once every
1:23:38
week that cycle of I draw
1:23:40
something and then you get the
1:23:42
prototype in and then you're gluing
1:23:44
and taping the prototype and the
1:23:46
manipulatives of like that sort of
1:23:48
auto didactic learning the craft of
1:23:50
the trade, which I was becoming
1:23:52
good at was
1:23:54
gone. How
1:23:57
about your relationship with Seth? What happened to it?
1:24:00
Oh, it was very icy and we've
1:24:02
since totally reconciled our
1:24:04
relationship and I love them very dearly.
1:24:06
How long did it take before you
1:24:09
guys... Oh, years. Years. So
1:24:11
it was years of not speaking. Yeah. Yeah.
1:24:14
It took a solid, I'd say five, six
1:24:16
years. So he stays on with Marc
1:24:18
Echo. He was the 49%. Yes.
1:24:21
And you focus all of your attention now
1:24:23
to complex media, which was also having some
1:24:27
financial challenges. Well, I mean, well,
1:24:30
the business was break even, but
1:24:33
now we had a... And this, I
1:24:35
give all the credit to my good
1:24:37
partner, excellent operator, Rich Antonello, who became
1:24:39
the CEO of Complex, but I hired
1:24:41
him and he was
1:24:43
doing a great job. I mean, to his credit,
1:24:46
to land the plane with
1:24:49
investment, with venture investment
1:24:51
in the crisis years, which was
1:24:54
crazy if you think about it. You think it was
1:24:56
crazy to sell the company as
1:24:58
I did, which was also a blessing. You're right. I
1:25:00
should be grateful that it landed in the way that
1:25:03
it did. And in my heart, I'm grateful, right? But
1:25:05
it didn't come without some brokenness,
1:25:07
right? Okay. Let's
1:25:09
talk about complex because I know now
1:25:11
you're out of the Marc Echo enterprises
1:25:13
and complex is your main work.
1:25:18
Did you... I mean, you say that
1:25:20
you were sort of depressed at this time when you
1:25:22
left Marc Echo, but did it also... Did
1:25:25
you throw all of your energy into complex? I
1:25:28
started to, and then Rich knew
1:25:31
my professional woes. The
1:25:34
way I'm talking to you is I've talked to
1:25:36
him in earnest and I explained the things that
1:25:38
were bothering me creatively, professionally. And
1:25:41
he was like, let's get involved in the
1:25:43
operation, dude. Come
1:25:45
manifest the brand. So I started
1:25:48
operating back into complex. You
1:25:51
really kind of shift. You shift towards
1:25:53
video, digital video. And one
1:25:55
of the, I think, turning points was this first
1:25:57
wee feast, this like complex, really
1:25:59
It really becomes known for, it's sort of
1:26:01
like, at the time, I mean, Vice was
1:26:04
starting, you know, was really kind of coming
1:26:06
into its own and complex. They were the
1:26:08
darling. Right. Yeah. But
1:26:10
you guys were also making videos and content that
1:26:12
was really starting
1:26:14
to turn around. I mean, complex started to become
1:26:17
profitable or started to make money. Started
1:26:19
to make a lot
1:26:21
of money. And it started
1:26:23
to become a business that also had a
1:26:26
better multiple than a apparel
1:26:28
business. It was an
1:26:30
interesting thing. And then here, I have different
1:26:32
relationship with inventory, right? You
1:26:34
know, it's like inventory is vapor. You know,
1:26:36
it's what's on the hard drive. It's production
1:26:39
costs. It's a much
1:26:41
different business. And I was
1:26:43
thrown into the deep end and there
1:26:46
I was on the road with big
1:26:48
buyers and doing, you know, up
1:26:50
fronts and running production and being like
1:26:52
sort of the little, the
1:26:54
sort of more maverick version of Vice. Yeah.
1:26:57
And as ever committed to convergence culture as I
1:26:59
ever was, you know, doing the one thing I
1:27:02
knew I was good at. You
1:27:05
got acquired in 2016. You
1:27:07
got out of that business at
1:27:10
the right time because it's
1:27:12
a tough business. And as we've seen
1:27:14
with Vice and other and BuzzFeed and
1:27:16
complex and others, but in
1:27:19
the print industry as well Conde Nast and, you know.
1:27:22
Oh yeah. It's in another
1:27:24
phase of reinvention
1:27:26
right now. But when they acquired it,
1:27:29
you did stay on with complex, right?
1:27:31
You stand for some time. I
1:27:33
stayed on. It was just like
1:27:36
I stayed on at Echo just in a much
1:27:38
more sort of advisory
1:27:40
consulting. Yeah, well in
1:27:42
the nature of, in
1:27:45
the Echo business, I get a royalty. So
1:27:47
my sort of feedback, it just, I
1:27:49
don't have to be in it operationally
1:27:51
in a deep way. We're
1:27:54
gonna sort of jump
1:27:56
ahead to where we are now because
1:27:58
of course complex and. Mark
1:28:01
Echo, two brands that had
1:28:03
pretty significant impact on culture
1:28:06
in the United States. First
1:28:09
of all, when you see, I know
1:28:11
in the last year or so, you
1:28:13
have actually collaborated with the Echo
1:28:15
brand again on some
1:28:18
designs. When you go
1:28:20
to the website for that brand today and
1:28:22
you look at it, do you recognize it?
1:28:25
Do you feel like you're really the ethos and the spirit of
1:28:27
what you did create at the
1:28:30
beginning, or does it feel like, this is
1:28:32
not really totally my brand today? I
1:28:35
think that feeling of it's not
1:28:37
totally your brand came before
1:28:39
I sold the company. When
1:28:42
you start to develop, when
1:28:45
you develop IP at that
1:28:48
level of international
1:28:50
distribution, this
1:28:53
hyper-localization starts to happen
1:28:55
that starts to really
1:28:57
create some dissonance as the
1:29:01
chief creative officer or the creative
1:29:03
director. There
1:29:05
are certain functional things,
1:29:08
be it climate,
1:29:10
be it color palette,
1:29:12
fabrication, fit that start
1:29:14
to Frankenstein the business in a
1:29:16
way that it's very hard to
1:29:18
explain to a lay person. When
1:29:22
I would travel the world and
1:29:24
see my brand on people's backs,
1:29:26
it had this multiple
1:29:29
personality thing that was going
1:29:31
on anyways that was emerging.
1:29:34
Things were happening, pockets that weren't all
1:29:37
the way tuned to my Bluetooth.
1:29:40
It wasn't like my creative Bluetooth.
1:29:43
To answer the question, when I see
1:29:45
the brand today, is it
1:29:47
the portrait of what I would make it
1:29:50
if I was fully staring at? No, but
1:29:53
that is the nature of this business. I
1:29:55
think you could say, for me,
1:29:57
it was the 30-year anniversary. The
1:30:00
fact that some of my old peers
1:30:02
and colleagues that worked for me
1:30:05
were still there, call
1:30:07
me nostalgic, call me earnest,
1:30:11
I wanted to work with them again. It
1:30:13
just felt good and it was like no strings attached
1:30:15
and it was like do what you want. HOFFMAN
1:30:18
Yeah. Mark, when you think about where, you
1:30:20
know, what you've created and the ups
1:30:23
and downs of it, but also the amazing
1:30:25
success that you've had, you
1:30:28
know, as an entrepreneur and failures too
1:30:30
as we've outlined, which is part of
1:30:32
the journey. But how much of
1:30:34
where you got to now do you attribute to timing
1:30:37
and luck and how much do you think has to do
1:30:39
with the work and the grind that you put in and
1:30:41
just the sheer effort?
1:30:44
I think that luck
1:30:47
is an incredibly
1:30:50
real thing. The
1:30:53
first bout of luck was being
1:30:55
a twin and having a twin sister. So
1:30:57
if you took that out of the equation, I probably would
1:30:59
not be speaking to you right now. I've
1:31:02
been lucky in marriage. I've been lucky in
1:31:04
having my partner Seth, even though
1:31:06
we had a professional divorce and we
1:31:08
eventually totally reconciled and I love
1:31:10
him. I learned
1:31:12
things that was going to the university,
1:31:15
the super smart, you know,
1:31:17
I've been lucky to grow up in Lakewood
1:31:19
and have the diversity that
1:31:21
was around me. So yeah,
1:31:23
luck is a big part of it, but it
1:31:27
was also, I believe, talent
1:31:29
and skill and
1:31:33
a relentless belief
1:31:35
in yourself, which at times probably sounds
1:31:37
irritating to the listener because it's probably
1:31:39
moments that are somewhat cringe
1:31:42
worthy. Like this guy sounds like an
1:31:44
arrogant prick or he's not listening or
1:31:46
he sounds so earnest.
1:31:48
There is a little bit of
1:31:50
this sort of mania that
1:31:53
you need. And I
1:31:55
think the thing that I attribute most of
1:31:57
it to, and this is a...
1:32:00
It's not this podcast, but maybe a different one,
1:32:02
is God. There
1:32:05
have been moments where the
1:32:07
grace of God has given me the opportunity,
1:32:09
and I do not discount that.
1:32:12
And I know that, you know, it's a
1:32:14
different conversation, but I do think
1:32:16
that it's an important part of the calculus. That's
1:32:20
Mark Echo, co-founder of Echo
1:32:22
Unlimited and Complex Networks. This
1:32:25
year, to celebrate Echo Unlimited's
1:32:28
30th anniversary, Mark came
1:32:30
back briefly to design a limited
1:32:32
edition collection with some of his
1:32:34
most atomic designs. He said
1:32:37
he thought of it as a love letter to 1993.
1:32:42
Hey, thanks so much for listening to the show this
1:32:44
week. Please make sure to click the follow button on
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your podcast app so you never miss a new episode
1:32:48
of the show. And as
1:32:50
always, it's free, and don't forget
1:32:52
to sign up for my free
1:32:54
newsletter at guyraus.com. It's full of
1:32:56
insights and ideas from some of
1:32:58
the world's greatest entrepreneurs. This
1:33:01
episode was researched and produced by
1:33:03
Catherine Cipher with music composed by
1:33:05
Ramtin Arab-Louis. It was edited
1:33:07
by Niebha Grant with audio engineering
1:33:09
help from Gilly Moon and Quacy
1:33:11
Lee. Our production staff also includes
1:33:14
Casey Herman, Jacy Howard, Alex Chung,
1:33:16
John Isabella, Elaine Coates, Kerry Thompson,
1:33:18
Chris Messini, Carla Estes, and Sam
1:33:20
Paulson. I'm Guy Raus, and you've
1:33:22
been listening to How I Built
1:33:24
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