Episode Transcript
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subject to change. Audio.
1:04
Friends said she'd meet us there. Yeah.
1:06
I tried to get her to wait, but you know how
1:08
she is. I wouldn't be surprised if she
1:10
already busted in the door. Her
1:12
car is parked out front. First one here.
1:15
The rest of the squad is here now too. don't
1:17
we need a warrant or concrete evidence
1:20
before we arrest someone? If
1:21
she told you she was certain, then I trust her.
1:24
You ready? Ready? Will it
1:26
manifest on? Not
1:29
yet? Then you're not ready. Come
1:31
on. Pop it on just in case.
1:35
Mendez, before you go in, I
1:37
just wanted to say. This is your last morning.
1:40
Before we come in, exit with
1:42
your hands up now. Hard.
1:45
Any sign of friend? Not yet.
1:47
You don't think she could be inside already. Do
1:49
you? Has anyone responded to the Bullhorn?
1:52
Nothing. We've got all exits covered.
1:54
There's no sign of activity inside. If
1:56
anyone is in there or hunkered down,
1:59
Alright. Let's
1:59
round up. I'm leading us in. Shouldn't
2:02
we wait for Crowley? She might be
2:04
in there. We're going. I'm coming.
2:06
No. You're staying out here. I know the layout.
2:08
I've been here. It doesn't matter. I'm not letting
2:10
you get Mendez. Deputy,
2:15
John. you're a fucking doctor. Okay,
2:17
you're not a cop. You are sitting your ass
2:19
in my squad car until I give the
2:21
all clear and then and only
2:24
then can you come in and help me
2:26
find the goddamn evidence I need?
2:28
But Crown Farrah isn't out here. And
2:30
if she's in there, then I'm still in charge until
2:32
she says otherwise. Hard.
2:34
Watch him out of here. Got it.
2:37
Adams. Park. Let's go. And
2:40
I can lock you in the back if I need to,
2:42
but your choice. I
2:44
get it. Not going anywhere.
2:47
Hard pass me the bullhorn. Do
2:49
not take the best off, John. You hear me?
2:52
In case shit goes down, I am not having Crowley
2:54
yell at me if you get shot again. You think
2:56
she'll put up a fight in there? You
2:59
tell me. Get
3:01
that battering ram ready. We go in on
3:03
my mark. Hard
3:06
to believe a killer lives here. just
3:08
looks like a normal house. I
3:11
know.
3:13
The SPD is entering your home. Amalia
3:16
Gats, you were under arrest
3:17
for the kidnapping and killing of five victims.
3:20
Amelia.
3:29
Audio media presents.
3:34
how I die.
4:09
Dr.
4:15
Spacer, good to see you again. I
4:17
wish it were under better circumstances. Thanks
4:20
for showing up. Just in
4:22
case this goes south, did
4:24
you get a chance to grab the Yes,
4:27
I did. Here you go.
4:29
What's that? It's a patient
4:31
file from the hospital. Nicholas
4:33
Gantz. Emilia's brother. Why
4:35
does that matter? After Crowley told
4:37
me who the killer was, she also explained
4:39
how she figured it out. I
4:41
asked Amelia to pull me all the records of patients
4:43
who died or were affected by storm shock,
4:46
and she did, and I gave them to Mendez to
4:48
give to Crowley. but Crowley
4:50
realized while looking through them that there was one
4:52
that she remembered that was missing.
4:55
Nick Gats. That's how she pieced
4:57
it all together. who would
4:59
not include that file. So
5:01
she went to ask Amelia. Seems
5:04
like something you should have caught.
5:07
Not a
5:09
cop. Did she ever give you
5:11
serial killer vibes? I mean,
5:13
while you two were we weren't
5:16
really together. I stayed with
5:18
her when I got shot and then
5:20
you missed a serial killer under
5:22
your nose. Nate,
5:24
you and Amelia worked closer together than
5:26
Aaron and I did. you ever notice anything?
5:28
If what he's accused of is true, she
5:30
is very good at hiding it. While
5:33
you're living here, you never I
5:35
don't know. smelled anything weird around
5:37
the house or looked in a drawer
5:39
and found a severed head. I
5:41
didn't poke around. I
5:42
find that hard to believe. I'm not on
5:44
trial here. Just trying to understand
5:47
what happened.
5:47
Who cares? She's fucking
5:50
nuts? That's all it is. You
5:52
should have some sympathy.
5:53
Why? you had storm
5:56
shock. Right? You
5:57
pulled my patient file too.
6:00
Amelia wanted you dead. You
6:02
were her next victim.
6:04
That's how
6:05
do you know that? Look.
6:08
Her brother was born in nineteen eighty nine
6:10
during the storms. He was sick for
6:12
a while and died in nineteen ninety four.
6:14
Amelia would have been nine years
6:16
old. Jeez. That's
6:19
terrible for a little kid. Again,
6:22
so what? So Amelia
6:24
must have watched him suffer and die.
6:27
but that led to this.
6:29
Sounds like you might be too sympathetic.
6:32
Crowley and I thought this killer was reenacting
6:34
the effects of storm shock on other people
6:36
to continue some sort of sick
6:38
experiment. But when you
6:40
think about it like this,
6:42
Amelia was killing all those people
6:44
who lived through the storm in nineteen eighty
6:46
nine because her brother didn't. That's
6:50
why you were on the list. Yeah.
6:53
like that girl kill a cop. I'm
6:55
training victims maybe. A cop?
6:58
No way.
6:59
Was that a gun? Shot fired from inside.
7:02
Everyone okay? Zooey. Jekiri
7:04
Mendez. Adam's park.
7:07
Someone respond. We got AMTs
7:10
outside. heart
7:11
relax. I'm trying to put on handcuffs
7:13
here. Is
7:13
everyone okay? Anyone shot? Yes.
7:16
She shot it on.
7:16
But I got her back just in the leg
7:18
when she'll live.
7:19
Alright. EMTs, head in.
7:21
I'll accompany you. Keep your eyes peeled
7:23
in case there's a second shooter. All
7:25
set. I'm coming too. Nuh-uh.
7:29
You're staying here. I'm a
7:31
doctor too. If they're going in so
7:33
am I? Oh,
7:35
clear to meet you inside. Hundred percent
7:37
clear, headed, meet you in the hall. Fine.
7:41
Come in.
7:44
Let's
7:47
go. I've been fucking shocked.
7:49
It might take me a minute. Caren,
7:51
well, you should have shot at me first. Dr.
7:53
Gats. If I can get you up on here to take a look at
7:55
your legs. Fuck
7:56
you, Clark.
7:57
Any sign of the sheriff? John.
8:00
Funny seeing you here. Have you told
8:02
them yet? I
8:03
can't believe it's you. I can't
8:04
believe it's you.
8:06
hi
8:07
That's rich. Go ahead
8:09
and pretend you didn't know
8:11
didn't know you were behind this. God.
8:13
Give me some morphing for fuck's
8:15
sake. As long as it shuts her
8:17
up. I'm not surprised Johnny didn't
8:19
tell you.
8:20
She's sufficiently restrained. Afraid
8:22
I might attack you. In case I
8:24
already didn't say you have the right to remain
8:26
silent. So do yourself a favor. Shut
8:28
the fuck up. have to get her out to the ambulance.
8:30
Did
8:30
you tell them about all the correspondence we
8:32
had over tape or how you dropped off
8:34
bodies for me in the what?
8:35
What the fuck is she talking about?
8:37
how he was supposed to knock
8:39
you the fuck out and bring me you,
8:41
Scott Hart. What the fuck?
8:44
She's lying. Actually,
8:47
you did tell me I was on the victim
8:49
list. John,
8:50
what's
8:51
going on? Don't ask me.
8:53
Seriously, she's losing a lot of blood we have
8:55
to go. Amelia, we found your
8:57
locked door in the basement. Is that where you're
8:59
keeping everything? There was a code to
9:01
unlock the door. What is it? We can have a
9:03
tech guy in here, but it'll look better for you if
9:05
you help us find what we need.
9:06
Oh, you'll find everything you
9:09
need down there.
9:10
the code then. John knows the code.
9:12
JP Mendez, if you want her a live
9:14
question later, I need you to get her to the hospital.
9:17
Fine. Go seriously. I
9:19
love you. John. I enjoyed our time together.
9:22
Deputy, we'll deal with whatever that
9:24
was later. John, you're coming with
9:26
us. What? Down to the basement.
9:28
Need to get in here. Come on. Are
9:30
you sure about this, Eric? I'm
9:32
still in charge of this scene. If he can get us
9:34
in all the better. I don't know
9:36
the code Mendez. I've
9:38
never been down here.
9:40
There's this.
9:41
It's looks like a normal unfinished
9:44
basement. It's like some kind of a
9:46
panic room door, locked without
9:48
a code. Six digits. I
9:50
don't understand why I'm supposed to know
9:52
the code. Did she ever say
9:54
anything to you that could have been a code?
9:56
Anything? She hasn't spoken to me in like
9:58
two months, and that's
9:59
not what she said. Anything
10:02
an important date, an
10:04
important fuck.
10:06
You know
10:07
what?
10:08
Eleven. fifteen,
10:10
eight,
10:11
nine,
10:12
your brother's birthday. Right?
10:14
From the chart?
10:16
No. It's
10:18
mine.
10:19
deputy John, it's a
10:21
trick Mendez. She's
10:24
psyching us out. She knew I was on
10:26
to her. I thought you said
10:28
you had no idea. Stay in front
10:30
of me, John. At all times when you're in here
10:32
with me, you understand no sudden movements.
10:34
Okay? I don't need anything jumping up. Yeah.
10:36
But I'm going.
10:38
Oh, Jesus. That
10:41
smell. And
10:41
it's bleach. Oh. Bleach
10:44
asshole.
10:45
Bleach. and hydrogen
10:48
sulfide after the
10:50
meatpacking plant was, you know,
10:52
decommissioned she must have
10:54
moved her stuff here. Amelia was
10:56
injecting people with some combination of
10:58
chemo radiation and other toxins to melt
11:00
their blood vessels from the inside out. I wouldn't
11:02
be surprised that even with bleach,
11:04
there's no way this place could be completely cleaned
11:06
up. Blah on the floor here. Watch your
11:08
step. Do you want me to take pictures? I'll
11:10
do it. Seriously. Give
11:12
them the
11:13
camera.
11:15
Fine. Walker one down
11:17
here. Jesus
11:19
Christ. It's like a mad
11:21
scientist's laboratory. This is
11:23
equipment from the hospital. Gurney's,
11:26
chemo bags, ID polls.
11:28
kneels, rows, and
11:31
rows. Stay
11:33
here. And this
11:34
looks like a surveillance wall.
11:37
An entire cork board
11:39
filled with photos, rich
11:42
drink. Fuck. I'm
11:45
on here. Look at those lights
11:47
in the
11:48
middle officer art. Take
11:50
a picture of those. Oh,
11:52
clear. Eric,
11:53
I got a table full
11:55
of tapes and recording equipment.
11:58
It's next to a computer.
12:00
marker number three.
12:05
This one says for the
12:07
police. Mark, you really don't need to
12:09
play a spacer.
12:12
Jesus, Crowley. Thank
12:14
god. Where have you been?
12:16
Down here. ARREST
12:19
officers Welcome to my humble
12:21
abode. Yes. I
12:23
know you were coming. I don't know what
12:24
Currently, you gotta tell them what we were working
12:27
on. and the tapes and how I'm
12:29
not involved in this. You know
12:31
I'm not involved with this. Right?
12:32
I know, John, but
12:34
I can't help you. missed
12:37
on some of these other assortments of tapes.
12:39
Progressive shirt. It's me,
12:41
often joined by Dr.
12:43
Jonathan's face her down
12:45
here in my office and say
12:47
hi, John. Amelia, I don't wanna be
12:49
recorded. Eric, we
12:51
got a problem. Duck.
12:54
And
12:54
you put your hands where I can see him.
12:56
Heart, that's not me.
12:58
It's falsified or manipulated or
13:00
something. I wouldn't I've count up conclusion that
13:02
the only way forward is to kill as
13:04
many people as we can and
13:06
make the world right. That's
13:08
right. My love. Saint Johnny is a
13:10
little crazy too. Oh, god.
13:12
I don't seem to talk to them.
13:16
I got plenty of those tapes too.
13:18
Take a listen. You're a
13:21
ghost. Welcome
13:22
to the afterlife. Crowley, you have
13:24
to tell them an important right now.
13:26
Space there. I'm sorry.
13:28
Sorry for why. Matt Des. What the
13:30
fuck are you doing? I could
13:32
really use some backup here.
13:34
He lied to me.
13:36
So
13:37
many times about all of this.
13:41
Now
13:41
I finally get it. I'm not crazy.
13:43
I can see ghosts. It's
13:45
my gift it's why I'm good at
13:47
closing cases, but I would never.
13:50
I know
13:50
you're not crazy, John. I know you
13:53
didn't have anything to
13:55
do with this. Quick.
13:57
Get over here. It's Fred. Why crowsing.
14:00
What are you saying? I I
14:02
can't Friend. Friend, please wait. wake
14:04
up. Come on, please. Jesus. Friend, Bryce.
14:06
Friend, wake up. She's
14:09
purple rally. Wasn't until I got
14:11
back here. and I realize.
14:13
Friend. Fuck. Call
14:15
doctor clock. John fucking
14:17
do something. You're a doctor
14:19
for sake. I didn't escape
14:21
from here. Friend. You're
14:24
dead first. You've
14:27
been dead first. She's
14:29
I
14:30
feel you. Sure if
14:32
Crowley is on to me. We have to kill
14:34
her. Sure, John. I'm
14:36
happy to help.
14:40
Turnaround doctor
14:42
spacer. Heart. This
14:44
isn't real. Those are turn
14:47
the fuck around fucking
14:49
Mendez. Did you fucking do
14:51
this? Were you
14:53
involved in this? No
14:55
Mendez. Crowley's ghost is
14:58
here. I can see her right now.
15:00
What I told you in the cemetery was
15:02
true. Such Shut
15:04
the fuck up. Shut up.
15:06
Just I was serious. She's
15:08
right next to you. She's
15:11
Jonathan Spacer. You were under
15:13
arrest for the murder and kidnapping.
15:16
No. Six
15:18
victims. I didn't
15:20
do anything. I'm not
15:22
crazy. Ask her something. Ask her
15:24
anything, and I'll tell you what she says, and then
15:26
you'll believe me.
15:28
Calm down.
15:30
It was the first ghost I've seen if that's
15:32
what you're wondering. And I've done a lot
15:34
of times, you said the ghost is around before
15:37
just ever on my
15:39
own.
16:29
And that's
16:29
a wrap on season three of how I
16:32
died. It's been an unbelievable
16:34
three seasons, and I'm blown away by
16:36
the love and the support for the series.
16:38
From everyone at audio, thank you
16:40
so much for listening. This doesn't need
16:42
to be the end for Crowley. And thanks to
16:44
John's gift, it definitely isn't. But I
16:46
know some of you are dying to know what happened from
16:48
her perspective. So right now, you
16:50
can go listen to the entire
16:52
series from season one all the way to
16:54
now from her perspective in the Crowley
16:56
mini series. Six episodes are
16:58
available now on Patreon with the last
17:00
three coming this all, which follow the
17:02
last few moments in Amelia's home, as
17:04
Crowley says goodbye to Mendez. We're
17:06
not gonna kill Crowley off screen. You
17:08
just have to hear her story
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