Conversations about Wiley’s work often revolve around this one specific aspect: the idea of injecting brown bodies into an all-white canon. As the artist’s straightforward and affectingstatement reads: “Painting is about the world that we live in. Black men live in the world. My choice is to include them. This is my way of saying yes to us.” However, Wiley’s paintings are not simply exercises in corrective representation ― making the invisible visible.