Jim Noy
In GAD We TrustEpisodes
Episodes of In GAD We Trust
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Five and a half years ago I tracked down and read an obscure novelette by long-forgotten British pulp writer James Ronald, which set me on the trail of his far-from-readily-available other works. This week, Moonstone Press published the first t
Another year, another Bodies from the Library collection — incredibly, the sixth — and another opportunity to sit down with Tony Medawar and talk about the wonderful work he’s doing on all our behalfs. As well as discussing the contents of the
The return of my In GAD We Trust podcast, and a welcome return for Alasdair Beckett-King, comedian and now children’s author. Since last appearing on the podcast, Alasdair has written two books for younger readers — Montgomery Bonbon: Murder at
One final dive into the crystal-clear waters of talking about a mystery novel without having to carefully avoid the details — here are Brad, Moira, and myself discussing Mrs. McGinty’s Dead (1952) by Agatha Christie. There’s much to discuss her
Hopefully your summer heatwave — or winter freeze-wave — has passed and you’re calm, relaxed, and ready to listen to Brad, Moira, and me discuss some Agatha Christie in spoiler-filled detail. This time we’re talking about Towards Zero (1944), t
A long weekend (probably) awaits, so how better to pass some time than listening to Brad, Moira, and me discuss Five Little Pigs, a.k.a. Murder in Retrospect (1942) by Agatha Christie? Okay, sure, there are countless better ways to pass the tim
All good things come to an end, and so does my podcast; started in the first UK lockdown and hard to justify now that lockdowns are well and truly over, In GAD We Trust’s 30th episode (number 29, but don’t forget that bonus run through the Jona
There is a Golden Age of detective fiction going on at the very moment, but because most of what’s being written is aimed at 8-to-12 year-olds, it gets overlooked by, like, grown-ups. I’m trying to raise awareness of this with my frequent Minor
Slightly later than planned — er, sorry about that — let’s see what Brad, Moira, and I made of Dame Agatha’s After the Funeral, a.k.a. Funerals Are Fatal (1953), shall we? You hopefully know the drill by now, but let’s have a recap for anyone n
Last week, Nick Cardillo and I discussed the impossible crime on screen, at the end of which he casually asked about Jonathan Creek like I’d be able to condense my thoughts into a pithy bon mot and not obsess about what I’d missed out for the n
Does In GAD We Trust have a hype train? If so, stoke the conductor, point the rails, wake up the boiler, and do other train things, because episode 27 is here and Nick Cardillo wants to talk about the impossible crime on screen. Written down, t
I’m as surprised as you to see a new episode of my In GAD We Trust podcast, especially as I said on Thursday that there was unlikely to be one this weekend — well, okay, perhaps a I’m little less surprised than you, since I (sort of) planned, r
Gutsy of me to suggest, on my site dedicated to the discussion of Golden Age detective fiction, that a lot of the terminology used to talk about these stories is incorrect, eh? Well, thankfully I’m not the one trying to convince you; that job f
Prepare yourself for what might just be the most jam-packed episode of In GAD We Trust to date — when you sit down with Tony Medawar, there’s always going to be a lot to talk about. With the podcast coming to an end after episode 30, I was hard
Here we go: another Agatha Christie-centred, spoiler-filled discussion betwixt Moira, Brad, and myself, this time looking at her highly-regarded Jane Marple mystery A Murder is Announced (1950). You know the drill — we’ve read it, talked about
The companion of the fictional detective — the “stupid friend” as Ronald Knox styled them — is something I have spent far too long thinking about, mainly because the protoype is always taken to be Sherlock Holmes’ chronicler Dr. John H. Watson.
After the interruption to the schedule of two weeks ago, here’s another In GAD We Trust podcast — and given the topic of ‘Making a Good First Impression’ it’s only fitting to welcome returning guests Sergio and Brad. We had orignally intended t
The detective fiction genre is built around the essential structure of a crime, an investigation of that crime, and the revelation of the guilty party who committed the crime, and good heavens didn’t the Golden Age map out a lot of different wa
Slightly later than promised — or not, depending on your time zone — here’s the long-anticipated spoiler-heavy discussion betwixt Brad, Moira, and myself about Agatha Christie’s bridge-centric mystery Cards on the Table (1936). And, just for ad
In January of last year, I read my first R. Austin Freeman novel, little suspecting that it was to be the first step along a road of sheer delight. And so, to mark the end of Series 2 of In GAD We Trust, today I’m discussing Freeman and the Tho
On the back of the Reprint of the Year Award run by Kate at CrossExaminingCrime, I thought it might be interesting to see what those of us who submit titles for that undertaking would choose to bring back from the exile of being OOP. To that en
For a blog set up with the implicit aim to explore the impossible crime in fiction, it has to be said that impossibilities have been rather thin on the ground at The Invisible Event of late. Here, then, is a podcast episode committed to the imp
You voted for it, here it is: a spoiler-filled discussion betwixt Brad, Moira, and myself about Agatha Christie’s none-more-audacious The Murder of Roger Ackroyd (1926). You have hopefully figured out that there will be much in the way of spoil
After watching detective fiction play out in the drawing rooms of ivory towers for too long, I’m heading into the mean streets to get some grease under my nails, a shiv waved in my face, and probably a cosh to the back of my head. Thankfully, S
Let’s get the new year off to a happy start by showing some appreciation for contemporary authors who make life difficult for themselves by upholding the traditions of Golden Age detective fiction in their own works. And, if you want to discuss
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