Adam Sartain
Inside AnimationEpisodes
Episodes of Inside Animation
Mark All
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I interview Producer Michael Hirsh, who led several animation companies including Nelvana, which was responsible for developing Babar, The Magic School Bus, The Berenstain Bears, Beetlejuice, and many more animated series. We talk about how his
I talk with Post Production Supervisor Chris Keith about how his job was to be the last person to see an animated episode before it went out to the audience, ensuring the proper mix of dialogue, sound effects, and music. He talks about his work
I meet the podcast's youngest guest ever, Josh Young. At just 13 years old, he is already set up to become an incredible cinematographer and stop-motion animator. While his current productions are short and with a very low fps (frames per secon
I chat with Doug Engalla, a Researcher at the Walt Disney Animation Research Library (ARL) about his work preserving the art of Disney Animation. We talk about how Disney has accumulated approximately 65 million artworks in the 100 years of the
I chat with Taylor Aseere, Layout Lead at Dreamworks Pictures about what is layout, how it's different from storyboards and how pre-vis is the counterpart in live-action films to layout in animation. Plus we talk bout Taylor's own company Shat
I chat with Taylor Aseere, Layout Lead at Dreamworks Pictures about what is layout, how it's different from storyboards and how pre-vis is the counterpart in live-action films to layout in animation. Plus we talk bout Taylor's own company Shatt
This is Inside Animation's first interview with an Oscar Nominee. Adam interviews Pablo Berger, director and writer of Robot Dreams, Nominated this year for the Best Animated Feature Oscar. They talk about the process of taking an animated feat
We start off the 4th season on a positive note with the self described biggest pessimist in the world of animation, Mike Smolev. We talk about how he got into creating an animated show because he wanted good sound design and his harrowing journ
In the Season Finale for Season 3, I chat with composer and songwriter Kevin Smithers, who has worked for many projects from HBO to Disney Channel, even video games, and most recently worked on Frankelda's Book of Spooks on MAX. We briefly talk
In another Inside Animation first, I talk with Howard Benjamin, Interviewer for the ABC Radio network and The Interview Factory LLC. We dive indepth into how interviews happen and why it's best for the interviewer to bring their own equipment (
I talk with fan of the show and Stop Motion producer Harrison Killian, who is currently working on a 5 minute preview of a stop motion feature film called Rider on the Storm, in which the stop motion is augmented by CGI. We get into the nitty g
Adam talks with Composer Mark Evitts about his process for composing an animated series, how he went from "On the Road" to "Frog and Toad", and just how much of a Simpsons fan he really is. Plus, great advice for musicians that want to get into
I talk with Lance Falk, an Animation Artist who specializes in prop design and has worked on such shows as Johnny Quest, Animaniacs, Rick and Morty, Solar Opposites, and more. We talk about how props are different from character design and back
I talk with Artist in Animation Shana Dixon, who is currently working on Minnie's Bow Toons (available on Disney+ and Disney Junior's YouTube Channel). We talk about the importance of color in animation and especially for kids shows how color,
Adam chats with Lance Daniel, creator of the animated series "Carbuncle" about a wise cracking (but caring) attorney who guides oddball clients through crazy cases inspired by current headlines. You'll find out exactly what a Logline is, how "C
I talk with Digital Cinematographer Gary H Lee, who has worked on Over the Hedge, The Life of Pi, Star Wars Episode 3, and many other films, all about Pre-Vis. You'll find out what pre-vis is and what it does for both live action and animated f
I chat with Anik Rosenblum, the director and founder of Dancing Line Productions, an animation studio that focuses on short form animation with an emphasis on commercials. We talk about the process of creating an animated commercial, how there'
We talk with VO Agent Portia Scott with Coast to Coast Talent about the role an agent plays in the career of a voice actor. We cover the entire scope of an agent's job, from taking on new clients, to what auditions look like, and what happens w
In our 2nd episode of Season 3, we go to the Gotham of Latin America, Bogota Colombia (virtually of course), to chat with animation director and owner/founder of Lucy Animation Studios, Silvia Prietov. We chat about the state of animation in La
For our season opener, I talk with Animator, Supervising Director, and Executive Producer Mike Hollingsworth, who's worked on Bojack Horseman, Tuca and Bertie, Inside Job, and other animated series. We talk about how Aaron Paul earned his EP cr
This episode I talk with long time Voice Actor, Judith Smiley, who got her start doing commercial VO in New York where she and her husband started their own recording studio which became one of the most popular studios in the city. We talk abou
Some times it takes a bit longer to reel in a bigger fish, and a bigger fish we have. Tom Bancroft, who has done animation for Disney and several other companies, is the CEO of Pencilish, a new animation studio being crowdfunded through StartEn
Are you Cornholio? Do you need TP for your bunghole? If you recognized those last two questions, you'll love our next guest, who was a producer on Beavis and Butthead, as well as Daria and other shows. We talk about how he went from "Schoolhous
This episode I chat with high school orchestra member Noah Bruening about his recent experience with a longstanding Disney tradition where high school bands and orchestras are invited to Disneyland to perform. In his case, his orchestra was abl
This episode, I talk with Animation Professor Walter Santucci about the process of teaching Animation in a modern world and how things changed during the COVID pandemic. We also talk about some of his successful students and how he feels their
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