0:00

Hey leth the listeners take torres

0:03

here. Stay tuned for the next episode

0:05

of Lethal Lit. But first, here's

0:07

a quick word from our sponsor. A

0:13

got sacred hopes

0:15

and not has to

0:18

them? Why is that so?

0:22

This is Jane Ferranti recording

0:24

for Something in the Water. I'm

0:28

in Hollow Falls at the take Back the Falls

0:30

party as the young residents of

0:32

this cursed town try to reclaim

0:34

some control, no matter how symbolic,

0:37

over their own community.

0:40

The event was conceived in hope, but in

0:43

reality is rank with despair, thick

0:46

with the unavoidable, pervasive truth.

0:49

Death stalks them all. The

0:53

murderers have one and Hollow

0:55

Falls, and these young people's lives

0:57

will forever be tied to the evil at

1:00

rules here, and that will continue

1:02

to rule here. But

1:04

there's nothing I can do. I

1:06

stand to the side and let them have their

1:08

moment of hope, and

1:10

don't dare tell them that it's already

1:13

too late. And

1:16

right on, cue, come

1:18

on, let's get them out front. Lift

1:23

higher, Max, I'm

1:26

trying. What's

1:28

happening, none of your business, Jane, Get out

1:30

of the way. Poisoned? Was there a music

1:32

box accidentally ate

1:35

some oysters? Shell

1:38

fish allergy. How do you accidentally

1:40

eat an oyster? They were slippery?

1:56

Max, you stay with Walter. I

1:58

gotta go help take Why is it tig with

2:00

you? I thought you all made up. She's

2:04

she's downstairs. She got locked in. Huh

2:07

there was a music box, wasn't there? Yes,

2:10

Okay, there's no time for this. I'm

2:12

coming with you. When wait, the

2:15

killer is probably using the back entrance and let's hope

2:17

by the falls follow the trail this way.

2:24

Audio courtesy of Jane Ferranti,

2:26

host of the forthcoming Something in the Water

2:28

podcast. Are we working

2:31

together? Well? After she

2:33

hears this episode, maybe

2:35

not. I'm tig

2:38

Torres and this is

2:40

lethal lit. While

3:03

Max and Wyn we're scrambling to get Walter help.

3:06

I was in a predicament of my own. After

3:09

weeks of phone calls and with some

3:11

dubiously motivated encouragement from

3:13

Jane, I was standing face

3:16

to face with the guy who, last time

3:18

we saw each other promised me that

3:20

quote, We're going to be in this for the

3:22

long haul, Ali

3:25

Price. And

3:28

I didn't even know if you were going to answer the

3:31

phone when I gave it to you, and and I knew it would

3:33

seem crazy that it was just waiting for you

3:35

on your doorstep. But it's not like I can walk into

3:37

a ups store, you know. And

3:39

and it was just like, is she gonna

3:41

hate me? And of course you're

3:44

gonna hate me? You have every right to

3:46

hate me after what I did. But I just had

3:48

to try and take

3:51

I need to say this. You don't

3:53

have to worry. You don't have to be afraid of

3:55

me that person I was. I'm

3:58

not that that what Levinson

4:00

tried to turn me into. But it's not me. I

4:04

I shut up,

4:07

I get it. Just stop talking for a

4:09

second. Okay,

4:12

where did you come from? I was trying

4:14

to find a place we could talk, and then I heard

4:17

voices coming, so I ducked back in

4:19

here the bootleggers tunnel.

4:22

How did you know? So?

4:24

Confession time? Uh, I

4:27

kind of already knew the floor plan when Levinson

4:29

left you tied up in the basement. Here you

4:31

were with him. Damn it, Ali,

4:35

I was the one who saved you instead

4:37

of you know, he

4:40

hadn't settled on a book for you yet.

4:42

I convinced him it would be a better story

4:44

to keep playing cat and mouse. That's

4:48

I have very mixed feelings about that confession,

4:50

Ali, But can we dig

4:52

into that later? What voices? Who

4:54

did you hear? Two people?

4:57

One man sounded very agitated, one

4:59

woman oddly calm. I could

5:01

hear them talking for a couple of minutes. Then he started getting

5:03

short of breath, coughing, choking, and and

5:06

then I think I heard Max's

5:08

voice over his walkie talkie, and

5:10

then the music box the

5:13

killer. Why didn't you do

5:16

anything? By the time I put all the

5:18

pieces together, the killer was gone, And

5:20

I know how strict nine works.

5:22

His only hope is that Max and Win

5:25

can get him to the hospital in time. Well,

5:27

we're not doing any good in here, and the doors locked.

5:29

Where does this tunnel go? Tig I thought

5:31

we could talk after the killer's caught Ali.

5:34

Until then, either help me or get out of

5:36

my way. In

5:38

that case, right this way us,

5:49

I'm following. When one of the correspondents

5:52

from Lethal it as we tried to say,

5:54

the show's host, tig torres from

5:56

the hands of the music box killer. This

5:59

is pure excitement, folks. Will you please

6:02

shut your stupid jerk face manners?

6:04

When I said, please, when

6:07

slow down, I'm here to stop

6:09

a killer. What are you even doing here?

6:13

What is it? Do you see over there? That's

6:16

the path that leads to the back entrance. So

6:20

so shut up. The

6:22

killer could be anywhere. Do

6:27

you see anything? Yeah?

6:30

I think they're supposed to be a room back here, somewhere

6:34

a room. What is

6:36

all this stuff? Hang on? See

6:38

something on the

6:42

Sisters of Monogue Academy.

6:45

It was the stashed all the leftover junk from the

6:47

school back here when they were renovating. Brock

6:49

really named the school the Sisters of Monogue.

6:52

That just really, really conceited. I'm not

6:54

surprised, though. Wait. What's

6:57

that glow? Someone's

6:59

been down here? M hm

7:02

hm. It's an old TV hooked

7:05

up to a cam quarter. Someone must

7:07

have just been down here. It's still playing.

7:09

Everyone's in uniforms. Looks

7:11

like a school assembly, graduation

7:15

or something. Hang on, they

7:17

just connected the video. We hook up

7:19

the sound there. Oh,

7:23

come on, don't need to be so rashful.

7:26

You look wonderful. Oh

7:29

I don't ah that boys

7:33

Levinson. Levinson's

7:35

filming. He must have taught at

7:37

the school. You are

7:40

a fisher, my dear, No,

7:43

not for like a blim

7:47

nonsense. Wait, is

7:49

that Walter in the background too? Brock

7:53

Stephanie, you are the

7:56

only ray of light in this bleak

7:58

house. Ali,

8:00

I have something very important to tell

8:03

you. I know you're not the music

8:05

box Killer. Oh thank god, I

8:08

knew you. Believe me. I knew

8:11

that. I know you're not the killer because

8:14

the killer is really here for

8:16

you. I'm

8:22

following when Abbot, the resident

8:25

muscle of Tig Torres's crew, as

8:27

we creep down a dimly lit path

8:30

behind the Montague Shane with

8:33

the music box Killer potentially hidden

8:35

behind every corner, stop

8:38

talking? Oh

8:44

what who was that?

8:47

What the

8:55

anything to say to the listeners out there?

8:58

Denise Walter was

9:00

a sadist. He deserved

9:02

it the most out of any of them.

9:05

Direct from the mouth of the music Box Killer

9:07

herself, folks, But what drives

9:10

someone to such lengths?

9:12

What makes them take that final step

9:14

when so many others think about it but never

9:16

do? What makes a killer become

9:19

a killer? Is

9:22

this? Are you

9:24

going to use all this? This

9:27

is golden ni'se Trust me, everyone

9:30

is going to know your name. Hay

9:34

Lee. The listeners stay tuned more

9:37

Ley the Lid is up next, But first

9:39

a quick word from our sponsor, hey

9:56

Ley, the listeners take Torres here There's

9:59

always more to the mystery, and I could

10:01

use your help getting to the bottom of it. Join

10:03

us on Instagram and TikTok at

10:05

I am tig torres for more clues

10:07

and inside info. Take

10:11

take, that's crazy? Who want to

10:14

kill me? Besides when? Maybe

10:16

Max? I hope not

10:18

you, and I guess all of Levinson's

10:21

victims of family that might blame me.

10:24

Tell Ella, I didn't kill Tony.

10:26

I was with you, remember Ali,

10:29

I didn't say kill you. That

10:32

sounded like when it's coming from

10:35

the wall. Of course,

10:38

it's the boot laggers tunnel. They must

10:40

have brought their haul down the river and through here.

10:42

Follow the sound of the falls. This

10:47

is it this way?

10:53

Are you gonna do? Kill

10:57

the news? Trust me? Everyone

10:59

is going to learning Take

11:04

when stay

11:08

back, Shane, Denise,

11:11

what did you do to win? Don't look at

11:13

me. I'm just here recording. Everyone

11:16

chill out. No one else needs to get

11:18

hurt tonight. Well,

11:20

well, well, listeners,

11:23

a new piece has just been added to the

11:25

board. We have answered the burning question.

11:27

Where is Ali Price? And

11:30

guess what He's right here? Are

11:34

you going to tell him, Denise? Or should

11:36

I tell me? What? Holi?

11:40

I? I wait?

11:43

You look familiar. Older,

11:46

yes, but you were that girl

11:49

on the video with

11:51

Levinson filming. He was so

11:53

charming a first after

11:58

if you knew the way I grew up, and

12:00

then to have it feel like someone could

12:02

have actually see me. Don't

12:05

this is too good. We

12:08

also saw who was in the background of the

12:10

video. Let me guess, Walter

12:13

Stephanie Brock. That's

12:16

right. The victims of the music box

12:19

Killer. Anything

12:22

to say, Denise, they

12:24

all deserved it. You

12:27

have no idea what it was like. They

12:30

were all horrible, horrible

12:33

people. Oh,

12:38

when I heard her voice on her podcast,

12:42

I came back as soon as I could. But I knew,

12:45

I know you wouldn't come out of hiding for nothing,

12:47

man. And then Jane

12:50

told me she could find you. And Jane

12:53

was right, look at you.

12:55

You're right here, Jane, what

12:59

you've been. Don't focus on me. I'm not the

13:01

story here. What who

13:04

are you? She said that she

13:06

could get Tack to work with her, and that if

13:09

you come back, if if she could get

13:11

Tick to work with her, what

13:14

do you want with me? Who are you? The

13:16

name she's been going by is Denise, and

13:19

she looked just different enough, older,

13:22

different hair, big glasses, to cover

13:24

up her features, and it had been

13:26

years and memories get hazy,

13:28

so no one recognized her. Even

13:31

if something about her seemed familiar, they

13:33

just dismissed it. It worked.

13:37

Now I'm here with you, Ali,

13:42

No, where

13:44

is this going? Ali?

13:47

Meet Denise Pembroke a k

13:50

A Anna killed Dean. No,

13:54

yes, it's true.

13:57

Ali. They

13:59

made me give you up, all

14:02

of them.

14:04

I didn't want to give you away, but they made

14:06

me. They They

14:08

said it was embarrassing to me and

14:10

the school. But was

14:12

was he punished? No,

14:15

of course not. Instead they gave

14:17

you to him to left the

14:22

monster, and

14:24

that's what they had to pay. And I knew

14:26

Brock was only going to be in town for a couple of days

14:29

for the opening, so it was gonna be my only chance.

14:31

And then Stephanie had Then

14:33

Jane told me you were gonna be here, and Walter

14:35

was the last name on my list, but

14:39

not Levinson himself. I

14:44

I I couldn't

14:47

he You're

14:50

still afraid of him.

14:53

I don't know what it is, but

14:56

every time I hear his voice good,

15:00

even his name. I

15:03

got out of this place after a while, but he

15:05

still had control of you, and

15:09

I had to do whatever he wanted in order to

15:11

see you, Ali, and

15:13

he made me do a horrible thing, horrible,

15:20

horrible thing. I can't.

15:24

Oh, but he's locked up,

15:27

he's behind bars, he can't get to us.

15:29

Now. He was standing the way of us

15:31

ever being together again. Ali. But but

15:34

that's over now. OHI

15:39

please please

15:41

say something. Take

15:45

I'm sorry, Ali, I'm

15:47

so sorry. Hand me

15:50

the recorder. Take what please

15:55

from me? And

16:02

that's when I gave my recorder to Ali.

16:06

I had put myself ahead of the people who mattered

16:08

to me for long enough, and

16:10

though I couldn't fathom everything that

16:12

was going through Ali's head in that moment, he

16:16

was able to see clearly enough to give me

16:18

a choice. Would

16:21

I be Mr Hyde, be like

16:23

Jane, putting the story first above

16:25

the actual people involved, exploiting

16:28

their moments of deepest sadness

16:30

just to score a few more cliques. Or

16:33

would my humanity win out? Could

16:36

my better impulses triumph?

16:40

After all Ali had been through in his

16:42

life, and how many times he had fought

16:45

that same battle and lost. I

16:47

knew this wasn't about the recording. Ali

16:51

was giving me a chance to save myself.

16:55

So I handed it over. But

17:00

as we already knew I wasn't

17:02

the only one. They're recording. This

17:09

is better than I helped. I'm

17:11

going straight to number one. How

17:15

could you? I didn't want to. He

17:18

made me. Did you know what

17:20

he was, what he was gonna do

17:22

to me, what he had planned. I

17:24

couldn't stop him.

17:27

He's do, he's do. You

17:30

were supposed to protect me, find

17:32

me, steal me back, get me out

17:34

of his grasp and said you left. You

17:36

ran after we faked my death.

17:39

The police they game I had no

17:41

other two. I was a child.

17:46

I want to talk about not having a choice. Huh

17:50

left me to be dood by that monster.

17:53

Look at me? What would he turn me

17:56

into? You

17:58

have any idea what he did to me would have

18:00

like inside my head after everything

18:03

I lived through. There is no stop

18:06

otherwise he wins. Levinson wins,

18:10

all right, don't

18:13

become the thing he tried to turn you into.

18:16

It's okay, Ali, it's

18:19

over. We can still

18:22

be together again. There

18:25

is no us, Sanna, the

18:28

child you gave up his day.

18:32

This is all that's left. Oh

18:38

yes, what an incredible

18:40

last line, Ali, But

18:43

the wrong choice. What America

18:45

really adores is a killer.

18:51

And that was when Jane stopped her recording.

18:54

After what she does next, you'll understand

18:56

why she didn't want this next bit on tape.

18:59

Too bad for her. Ah.

19:04

Yes, what an incredible

19:07

last line, Allie, but

19:10

the wrong choice. What America

19:12

really adores is a killer

19:16

and turning that off.

19:19

Don't really want a recording of this next party,

19:23

Denise, Let me help you off. Are

19:26

you okay? I think so? Oh?

19:30

Those are some nice marks around your neck there,

19:32

those are gonna bruise perfectly. She bye,

19:35

Denise, what so?

19:39

No? Stop? Stop? Stop?

19:47

H What did you do? I

19:50

wrote a better ending to the

19:53

story?

19:56

How could you? When

19:59

they find her buddie, whose handprints

20:01

will be on her neck? Those

20:03

scratches on your arms look pretty

20:06

red. They're ali Whose

20:08

skin do you think they'll find under her fingernails?

20:11

They'll never believe you. Both of us are

20:13

witnesses. You think they're going

20:15

to believe him? They'll

20:17

believe me, the teenage girl who's

20:19

been secretly chatting with her wanted boyfriend.

20:22

I have the tapes, Tig you

20:25

can't do that, of

20:28

course I can't. How

20:30

I have to admit it was a stroke of luck. My

20:33

ratings have been tanking ever since the death

20:35

in Taos podcast, and so I

20:37

come here and find out twenty other

20:40

people are already chasing the same story.

20:42

But then I see Denise at the

20:44

Monty and she's nervous

20:46

and sweating, and I decide

20:48

to tail her and catch her in the act of

20:51

poisoning Brock. So

20:54

I corner her the next day at the store and

20:57

she breaks down, tells me everything

20:59

of out Ali about only

21:02

coming back now because Levinson's locked

21:04

up, gets literally paralyzed

21:06

with fear just talking about him. He planned

21:10

all of this. She was going to off

21:12

Stephanie and Walter with her without me. So

21:14

I waited at the hospital for Stephanie to come in,

21:17

and when you showed up, I knew you were back

21:19

in it, and I knew I could use you to draw

21:21

all the out. No, the

21:24

music boxes were just a happy coincidence.

21:26

The first one was actually just someone leaving a nice

21:28

gift for Brock. After that, I had Harris

21:31

Rush ordered me some replicas. Pat

21:33

I'm a pretty penny too. I

21:35

wonder he thought he could make a fortune off

21:37

of them, but that's

21:40

what it takes. Tig without

21:42

a catchy name, you got nothing. Instead,

21:44

I'm going to have the whole country on the edge

21:46

of their seat to find out who is the dreaded music

21:49

box killer. And with this

21:51

ending, oh boy, I'm

21:54

actually smelling TV on this,

21:57

but I know the truth. I'll go and

21:59

leave a lit all the real story. Oh please.

22:02

That would be the only thing that could make this an

22:04

even bigger story for me. Then,

22:06

instead of deranged teenage fugitive murdering

22:09

his own mother, I have the new Bonnie

22:11

and Clyde, famous teenage

22:13

podcaster joins and murder packed with

22:15

her killer boyfriend. She's

22:18

right, Take Ali,

22:21

you have to get out of here. You're

22:24

what the world wants. Ali. They

22:26

want you to be the monster they're afraid of

22:28

and afraid to be. They

22:30

want to listen on the edge of their seats because

22:33

they're afraid to become what you and I are capable

22:35

of being. They want you to be that

22:37

killer, Ali, and that's all you'll

22:39

ever be to them, whether you like it or not, and

22:42

whether you actually did it or not.

22:45

You have to go, Ali, Take

22:48

what about I'll be fine, Ali,

22:50

Go help

22:55

Help. Right

23:06

after that, the police came storming

23:08

down the path, finding me, Jane

23:11

and a knocked out Win, who was just beginning

23:13

to come to Denise or

23:16

Anna, I should say, wasn't

23:19

found for six more days. When

23:21

her body washed up down river. The

23:24

coroner was all too eager to

23:26

call it asphyxiation due to the bruises

23:28

around her neck. I

23:31

told the police everything exactly as

23:33

it happened. Jane told them a

23:35

different story. Guess

23:37

who they believed. A

23:41

man hunt for Ali ensued, they

23:43

found nothing. The burner phone

23:46

disconnected. Now

23:49

you're probably wondering, if

23:51

I stopped recording and Jane

23:53

stopped recording, how did you just

23:55

hear everything you heard? Well,

23:59

after I out off my recorder, the

24:01

next tape you heard was Jane's. When

24:04

we were working together. Our audio

24:06

files were all on a share drive that I discreetly

24:08

sent to auto back up to a computer at

24:10

the talent smart

24:13

paranoid both. I

24:16

know one thing, She's going to

24:19

be so pissed when she hears

24:21

this h and

24:24

the rest. Well,

24:27

a couple of weeks after the night in question,

24:30

I found a box on my doorstep,

24:33

no return address, simply

24:35

marked four TIG and

24:37

containing a tape with this message,

24:41

Hey, it's

24:45

me. I thought

24:47

I had control, but after that night,

24:51

after what I almost did, I

24:54

realized I haven't even begun to get a grip

24:56

on whatever's inside me, so

25:00

you won't be hearing from me for a while. I

25:03

cared too much about you to let you near that. I

25:06

guess I just remembered how I felt

25:10

during those moments we had together. The

25:13

God went and

25:17

I don't know, I

25:22

just wanted to run towards that feeling because

25:26

it was so much better than anything I've ever had.

25:29

And then I felt nothing. When Jane

25:32

did what she did, I

25:35

felt relieved.

25:38

Really, the

25:41

name Anna

25:46

has no power over me anymore,

25:50

another piece of my past that can no longer

25:52

hurt me anyway.

25:58

Keep listening to this tape.

26:01

I think there's something that you and

26:04

yes, your listeners are

26:07

gonna want to hear. None

26:15

of this makes me hate him any less, I

26:18

mean a little right.

26:22

The rest of the recording after that is Jane

26:24

throwing Denise over the falls. When

26:28

Jane stopped recording, Ali turned

26:31

my recorder back on and

26:33

caught everything and then left

26:35

it on your doorstep in the middle of the night, like a

26:37

mega creepo stalker who maybe hasn't really

26:39

gotten over his murder. Urges geez

26:42

uh, don't hold back or anything. I

26:45

guess Ali brings out Spicy Ella.

26:50

Regardless, this does clear his

26:53

name, so we have to take

26:55

it to the police, right dig

26:57

Yeah, of course, but

27:00

podcast first, he deserves

27:03

his name cleared in public. I

27:05

have the power to make sure the people know the

27:07

truth. The

27:10

absolute most satisfying part

27:13

of this whole ordeal. Jane's

27:15

been so busy shopping her story

27:17

around she hasn't published yet.

27:20

She's got half a dozen networks caught in a bidding

27:22

war, and they'll all be racing

27:25

to get out once the real story,

27:27

this story hits the air. Oh

27:30

and don't forget the whole go into prison for murder

27:32

thing. Jane, if

27:35

you're listening, and I say

27:38

this with all due respect, you

27:41

deserve everything you

27:43

get. And

27:46

Ali, if you're listening, I

27:49

have a little bit of a different message for

27:51

you than I had at the end of last season, and

27:54

it's this, you

27:56

may not control all the events that

27:58

happened to you, but you can decide

28:01

not to be reduced by them.

28:04

That's from Maya Angelou. I

28:07

know you're stronger than you give yourself credit

28:09

for. And

28:14

what about the person you really ought to be talking

28:16

to. I screwed

28:19

everything up so bad.

28:21

She still has me blocked everywhere. Oh,

28:23

we know, we're still in the old group

28:25

chat, you know, the one without

28:27

you on it. I swear I wasn't

28:30

trying to rekindle anything with Ali. I

28:32

was just trying to help him.

28:34

We just start the tape. Clearly

28:36

he had a different impression. I

28:38

don't know what to do. The

28:43

strange case of Dr Jekyl and Mr Hyde

28:45

is on the surface about the

28:47

good in us, all represented

28:49

by Jekyl, and the evil we repress

28:52

or let free, represented by Hide.

28:55

Even after I was horrible to her when

28:58

still ran full speed toward danger

29:01

to try to stop a killer and got

29:03

bashed over the head for it, she

29:05

was willing to do that for me, and

29:07

what did I do for her? I'm

29:12

Jekyl and I'm Hide,

29:15

and guess what they both suck because

29:18

your good side isn't supposed to let you be that

29:20

bad to the people who matter the most when

29:24

I'm sorry. Right

29:27

before I moved back to Hollow Falls, I decided

29:29

that the only important thing in my life

29:32

was solving the lit killer case. But

29:35

through all of it, looking back, I

29:38

found something more important, someone

29:41

more important, who made me

29:44

want to live my life in the present instead

29:46

of being consumed by my past.

29:49

I realized now that this podcast has

29:52

become an excuse for me to be all

29:55

about me, so

29:58

I'm giving it up. I'm

30:00

letting the past stay in the past,

30:03

and when I hope you can too. This

30:06

will be my last broadcast for now,

30:10

maybe forever, I don't know, in

30:12

the hopes that whatever comes

30:15

next can be about us

30:18

instead. I'm

30:22

tig Torus and

30:24

this is Lethal litt. Ironhorn's

30:34

Epic Productions and I Heart Radio present

30:36

Lethal Lit, a tig Torres Mystery

30:38

Season two, created

30:41

and executive produced by Heather Einhorn

30:43

and Adam STAFFARONI created

30:46

by Alex Agora and Monica Gallagher.

30:48

Executive produced by I Heart Radio

30:51

head writer Melanie Hoops, writer's

30:54

Louis Cornfeld, Jasmine Alshammy

30:56

and Adam Stafferoni. Directed

30:58

by Critzia Bajos, with performances

31:00

by Rebecca Solair as tick Torus,

31:03

Shelley Schnoy as Win, Matt Gumley

31:05

as Max, Luke Slattery as Ali,

31:08

Rachel orem Land as Ella, with Critzia

31:10

Bajos and J. B. Blanc. Special

31:13

guest Chuck Bryant as Brock Montague.

31:16

Additional voices Paul Giatt

31:18

Caleb En Stacy Moseley,

31:20

Alba Ponza de Leone, Stephanie

31:22

Shea, Christian Ochoa, Louis

31:25

Cornfeld, and Megan Gray. Post

31:27

sound and music by Chapter Four. Sound

31:29

supervision and sound design by Sarah

31:31

Gibelaska. Music by Kareem

31:34

Dueti. Produced by a Rupe,

31:36

Santa Kayla and Bo Young. Blood Development

31:39

Executive Greg Lock, Art production

31:42

coordinator and script supervisor Laura

31:44

Martin, Operations Laura

31:46

Kaufman, Marketing and Publicity

31:48

Jesse Post Digital Marketing Jennifer

31:51

Gennaro. Creative direction and

31:53

design by Ryan McCann. Key

31:55

art illustrated by Rebecca Mock. Promotional

31:58

art illustrated by Bree Newman. Special

32:00

thank you to the Shadow Unicorn. Head

32:03

to lethal Lit podcast dot com to share

32:05

theories, discover new evidence, and

32:08

follow case updates. Ironhorn's

32:12

Epic Productions and I Heart Radio present

32:15

Lethal Lit, a tag Torre's mystery