Episode Transcript
Transcripts are displayed as originally observed. Some content, including advertisements may have changed.
Use Ctrl + F to search
0:00
This is the BBC. This
0:03
podcast is supported by advertising
0:05
outside the UK.
0:07
BBC Sounds.
0:10
Music, radio, podcasts.
0:15
OK, so what are our choices? Just
0:19
get the hell out of here. Get on a plane and fly home.
0:22
They'd stop us at the airport. As soon as we showed our
0:24
passports, we'd be held in custody
0:27
while they investigate. OK. We
0:31
go to the British Embassy and ask
0:33
to be repatriated. They have to take us
0:35
back to the UK.
0:35
They're not just going to do it because
0:37
we asked them to. We're suspects in a
0:39
murder. Two murders in Dubai.
0:42
You think they're just going to let us go back
0:44
to flat-hunting in London? Yeah, but we're innocent.
0:47
Well, that's good. Yeah, let's go back and tell them that
0:50
and everything will be all right.
0:53
We could just vanish
0:55
into the city, cross the border
0:57
and... Go where? With what?
1:01
We haven't got any money, Jake. Basically,
1:07
we don't have a choice. There
1:10
are no choices. We
1:12
go on or we go down.
1:15
What does that mean? Well,
1:18
we have this. An invitation
1:20
to... What?
1:23
To that? Are you crazy? They
1:25
know your name. How do they know your
1:27
name? I don't know. That's what I'm saying. There's
1:30
something going on here. We don't know anything about
1:32
these people or what they want.
1:35
Oh, please come, Kayla. I may have
1:37
a solution to your problem. What the hell does that mean? It
1:41
means it's better than sitting in a Thai jail, which,
1:44
as far as I'm aware, is our only alternative.
1:46
So
1:48
what now? Well,
1:53
we'd better take a shower,
1:56
smarten ourselves up and... You
2:00
got the invitation? Yes, I've got
2:02
it. I don't lose envelopes,
2:04
Jake. You think they'll come?
2:07
I don't know, do I? Look,
2:10
it could be some sort of trap. Could be. We'll
2:12
find out, I guess. What
2:20
time is it? You asked me that five
2:22
minutes ago. Five minutes
2:25
later, that's all. Miss
2:28
Tomperson? Yes.
2:30
And companion? Yeah.
2:33
Yes. This way, please.
2:37
Wait, wait, wait. Where's our car?
2:39
You come with me now, please. No, no, look,
2:41
we're waiting for a car. Yes, yes. This way.
2:43
You're the driver? I'm the captain. What?
2:47
Where's the bloody car? Jake, let's just.
2:49
No, no. Leave this to me. We're
2:51
not wandering off in the night with this guy. We don't know
2:53
him from Adam. Do you have any ID?
2:56
Who sent you? Senator sent
2:59
me. He's waiting
3:00
for you. He's looking
3:02
forward to seeing you again, Miss Tomperson. Wait,
3:06
you know. For
3:06
God's sake, just follow the man, Jake. The
3:16
boat. I don't understand. The
3:19
senator thought you appreciated it. The
3:22
river is beautiful in the night. Let
3:25
me help you.
3:31
What's this about, Kayla? Hammer
3:35
it and know. He's looking forward to seeing you
3:37
again.
3:38
He's going to solve your problem. I
3:40
may have met him once, maybe in Zurich.
3:43
What? I meet hundreds of people, Jacob. I
3:47
think it was some telecom franchise. Can't
3:50
really remember. It was a couple of years ago. Well,
3:52
I mean, is there anything else you haven't told
3:55
me?
3:55
How can I tell you everything that happens
3:57
in my working life? Stuff happens
3:59
every day. Do you expect me to remember
4:01
every meeting? Hey, you
4:04
see the presidential palace over there? Mmm. Yeah. Very
4:09
beautiful at night. Lovely. Lovely.
4:11
How
4:14
far is it to the senator's house? Soon. Be there soon. Excuse
4:26
me. Is this it? You
4:28
wait a moment, sir. Stay
4:31
seated, please. Why
4:33
are we stopping here? Relax, Jake.
4:36
Look, it's a derelict warehouse.
4:40
Shitty's gonna kill us. He's
4:42
gonna dump our bodies in the river. Shh. Listen. Oh,
4:48
my God, it's the police.
4:49
Calm down, Jake. It's not helping
4:51
you being... Maybe... Maybe what? Just
4:54
relax. Panicky. Now.
5:04
Good evening. Allow me to
5:06
introduce myself. I am Anuman,
5:09
the senator's head of security. I
5:11
hope you are enjoying our beautiful city.
5:15
Um, yes. Thank you. May
5:18
I join you? Yes,
5:22
please. Thank
5:24
you. Okay.
5:27
Bye. We'll
5:31
be arriving at the senator's house in a few minutes, but
5:33
before we get there, I need to ask
5:35
you some questions. For security.
5:37
I'm sure you understand.
5:39
Of course. May
5:41
I see your passports? Passports?
5:46
If you don't mind. Standard security
5:48
procedure. We'll get all of that out of
5:50
the way here, so it doesn't hold you up when we
5:52
arrive. Do you have your passports
5:54
with you? Oh,
5:57
no, I don't think... Yes. Here.
5:58
Problem,
6:01
come.
6:08
So, you flew
6:10
in yesterday from Dubai? Yes.
6:13
Where you were involved in certain
6:16
events, I understand. Yeah, look, what's this
6:18
about? Security.
6:21
Anyone who meets with the senator has to go through the
6:23
same procedure because of
6:25
the accident. It's unfortunate,
6:28
but necessary.
6:30
Yes, we flew in from Dubai.
6:33
What accident? And you are a corporate
6:36
lawyer, and you, sir,
6:39
are unemployed. No,
6:41
no, actually, I'm
6:43
in between jobs. How
6:46
did she know? And who is Mr.
6:49
Marty Salmon? I'm
6:52
sorry? Marty Salmon?
6:54
What's
6:57
he got to do with... You owe
6:59
him money, I believe. Well,
7:02
I, um... I'm
7:04
afraid that's none of your business. No, no, no,
7:07
of course. I simply wanted to be sure.
7:09
Marty Salmon, you
7:12
owe him money? No, I mean, a little,
7:15
yeah, it's... Excuse me, what's
7:17
this got to do with... Jake! Look,
7:20
Marty's an old friend from uni, hey? We
7:22
went into business together some time back. You know, when
7:24
I was trying to do the exhibitions thing on my own, we got
7:27
a bit overextended. It's how companies
7:29
work. Some companies succeed and some don't. And, yeah,
7:32
Marty, let me sell some money, which
7:34
I have every intention of paying back. End of
7:36
story. Yes, indeed.
7:40
So, madam, you are visiting
7:42
Bell &
7:42
Company before this trip? Uh, yeah,
7:44
that's correct. Who
7:47
have a number of offshore companies registered
7:49
on their books? Yes,
7:52
that's common knowledge. Indeed. And
7:55
you are making inquiries on their behalf about
7:57
a particular company, Theraint Capital.
7:59
partners? Obviously
8:02
I can't answer to that. Client
8:04
confidentiality. Of course Miss Thompson,
8:07
but you can confirm you were in the Cayman
8:09
Islands. Yes I can. And
8:12
then you flew into Dubai via Miami?
8:14
That's correct. We
8:19
are here already. Oh
8:30
careful getting out. So
8:35
that's it you have everything you need? Yes
8:38
you are free to enjoy the concert. Come.
8:43
Just follow the lights along the path to
8:46
the house. Yeah sure.
8:51
Can we have our passports back now? Of
8:54
course sir. Right. We will
8:56
return them to you after the party when you leave.
8:58
Standard procedure. I mean I
9:00
prefer to keep them with us.
9:04
I'm
9:04
afraid that's not possible sir. Come
9:08
on Jay. It'll be fine.
9:10
Look
9:10
this
9:15
is getting... they've got our bloody
9:18
passports now. Smile Jake. Smile.
9:21
Howdy cat. Good evening.
9:24
Hello. My
9:26
dad sir champagne. Yeah.
9:29
Thank you. Thank you.
9:37
Jake slow down. This
9:42
is crazy. We shouldn't be here.
9:44
Well we are. So
9:47
come
9:47
on. So,
10:00
what are we supposed
10:04
to do? I
10:07
guess we mingle. I
10:10
don't think we guess. I think we're here for a reason.
10:12
You two look a little
10:15
lost. I'm
10:18
Hansa, Prateep's wife. Prateep?
10:22
The senator? This
10:25
is our home. You
10:27
are,
10:28
please? Jake and
10:30
Kayla. Ah, the English
10:32
friends. And how are you finding
10:34
Bangkok? Is your hotel okay?
10:37
Yes, yes, it's fine. Thank you very much.
10:39
Are
10:42
you interested in Thai classical music?
10:46
Well, we don't really know very much.
10:49
We got an invite and we...
10:52
It's lovely to be here. You
10:54
have a beautiful house. Thank you. Let
10:58
me introduce you to some very dear friends
11:00
of ours. Sumi, Arpa,
11:03
this is Kayla and Jack.
11:06
Yeah, that's it, Jake. Our friends
11:08
from England. I
11:11
love England. We were in Edinburgh last
11:13
year. It was very
11:15
pleasant but a little cold. Are
11:18
you here on business, Mr Jake? Well,
11:21
not exactly. We're travelling around.
11:23
Oh, excuse me. I must just...
11:26
Dr Bar. Do you enjoy the concert? Yeah.
11:33
What the hell are we doing here? I
11:35
think someone's looking for us. Why? The
11:38
guy in the white suit. Don't look. Okay,
11:41
he's coming over. Hello,
11:44
good evening.
11:45
Miss Kayla. Yes? The
11:48
senator would like to see you now. Right,
11:51
okay. Follow me, please.
11:59
This way, please. I'm not going to get it.
12:03
Wait. Here. You
12:12
okay? Mm-hmm. Yeah. Please.
12:18
You can go in now. Okay.
12:30
Okay. Keira.
12:35
So I'm pleased to see you.
12:38
You had to be worried for a while. But
12:42
I'm glad you got here. I've
12:45
been sending messages. We,
12:47
um, lost our phones. I
12:50
see. I'm
12:53
so sorry I can't get up to greet
12:55
you.
12:56
Oh, no, please. It's fine. I,
12:58
uh... The bullet struck
13:00
me just... here. I
13:05
no longer have the use of my legs, right?
13:07
I'm so sorry. Well,
13:09
it's the price of serving my country.
13:13
What happened exactly? Let
13:16
me just say this. There
13:18
are many crazy people in this world,
13:21
people disturbed in the head.
13:25
I see. Sit
13:27
down. Please.
13:34
You... you... You mentioned
13:36
in your invitation, you said, at least
13:39
to Keira, that you could help her with her
13:41
problem. Of us? We
13:44
are concerned. Um...
13:48
Sorry? About what might happen. Why
13:51
did you have to come here? Well,
13:54
you invited us. To Bangkok. To
13:56
Thailand. What
13:58
was your plan?
13:59
Well, I had to put tickets in a hurry. They
14:02
were the only ones I could get out of Dubai. We
14:05
had to get out fast. We
14:11
were being accused of murder. I
14:14
see. That could be very
14:16
inconvenient for you. I'd
14:19
say. But then you're both
14:21
experienced operators. I'm
14:26
sorry? Very good, Miss
14:28
Kayla. But now
14:29
you are here. It's not
14:32
good for me. It puts me in
14:34
a compromised position. But
14:37
I understand sometimes things
14:39
happen. You have to change
14:41
the plan, and we have to take
14:44
the best of it.
14:45
So
14:49
please, the envelope. What?
14:53
The envelope. Look,
14:55
this is all a huge misunderstanding.
14:57
We were just on holiday. Miss
15:01
Kayla, Miss Thompson,
15:04
when we met in Zurich, you impressed
15:07
me with your argument.
15:08
Yeah, that may be so. But
15:11
we don't know anything.
15:13
You knew enough to take the envelope
15:15
from Mr. Lee Park's son. Well, yeah, no.
15:18
That was just because he offered
15:20
to pay me to look after
15:22
him.
15:22
Yeah, it's the kind of thing that Jake does. He's
15:25
impulsive. Yeah. Yeah.
15:30
I see. So
15:33
how long have you been together, the
15:35
two of you? Well,
15:39
we're not exactly together. No?
15:42
But not? You met through
15:44
a mutual acquaintance, Mr.
15:47
Marty Simon.
15:48
Yes, he's
15:50
a colleague of mine. It was a drinks
15:53
after work thing. And Jake
15:56
was there.
15:57
What were you doing there? Well, Marty's
15:59
an old university. He has property
16:01
in London. I was looking after one of
16:03
his flats at the time, and he invited me along.
16:06
And I looked across the room and I saw this woman, and
16:09
she was the most beautiful woman I've
16:11
ever seen, so... And I said to myself, Jake,
16:13
you've got to talk to her, and if you don't,
16:15
you are the biggest idiot in the world.
16:18
You did? Yeah. You never told me that. Yeah,
16:20
well, no, if I did, you'd think I was really
16:22
sentimental. Well, sentimental
16:24
is a lot better than impulsive. Yeah. But if I hadn't been impulsive,
16:27
I wouldn't have walked across the room and
16:29
introduced myself to the most beautiful woman there. Yeah.
16:31
So... And we wouldn't be here. Now,
16:34
tell me, Miss Thompson, when did
16:36
I first approach you? What?
16:39
When did I first turn you?
16:42
I... I don't...
16:45
I don't know what you're... Oh.
16:53
The room number you booked at Mirage. Actually,
16:55
I... Dubai. I... I did the booking.
16:58
It was... It was on bookings.com, and
17:00
there was no option to choose what room. The room my
17:02
friend Mr Park-San fell from. You
17:04
stayed in that room immediately before,
17:07
and then you asked to move. No, no, no. We
17:09
were... We were told we had
17:11
to move.
17:12
Go ahead.
17:16
Open it. These
17:23
two men, the tennis players, the
17:25
blonde woman, and there you
17:28
are, Mr Jack. Mr
17:32
Jack. Mr
17:33
Jack. Mr Jack. Mr
17:37
Jack. Mr
17:39
Jack. Mr
17:41
Jack.
17:43
Jake, it's...
17:45
You were waiting at the airport? Yeah,
17:47
I was waiting for Kayla. She was flying
17:49
in from Miami. Of
17:51
course. And the rest of the team too?
17:55
No, there is no team.
17:59
So, how
18:02
are we to resolve this matter? I
18:05
don't know. I promise we don't have the envelope.
18:08
One
18:12
moment, please. Sir.
18:28
Go with this gentleman, if you please.
18:30
No, no, no. Hang on. What's
18:32
this about? He will take you back to
18:34
the party, I need to think. And
18:37
are you going to help us? If
18:40
you are my friends, I will help
18:42
you. Go with him. This
18:45
way, please.
18:54
You can wait in here. Not
19:00
you. Just him. You
19:02
come with me. Look, I don't feel
19:04
comfortable with us separating.
19:06
Do what he says, Jake. We
19:08
don't have a choice. Okay, but...
19:11
How... Your
19:13
name?
19:15
Look, I really... I really didn't
19:17
need to be. Your
19:21
name? Look,
19:23
you have... You have my passport.
19:25
You know what my name is. What's the tape?
19:28
Stay to your name.
19:32
Jake O'Brien.
19:35
And your age, please. I
19:39
really need to... Yes, your age,
19:42
please. Twenty-eight.
19:48
I want to take 10 pictures with him in
19:50
front of you. One.
19:54
Describe them to me.
19:59
Well, it's me
20:02
and... Omar,
20:05
that is Mr Lee Pack's
20:08
son. He called himself Omar
20:10
when we met.
20:11
We're at the bar in the Mirage in Dubai. And
20:14
what are you holding in your hand?
20:17
My phone. You've
20:19
just made a call, I think. No, I
20:22
got a call. A phone? A friend.
20:25
A name, please.
20:28
Marty. Marty Salmon. Oh.
20:32
Are you aware that Marty Salmon is
20:34
involved in international modern laundry?
20:40
No. We...
20:44
We were school friends, we went to university
20:46
together, I was flat-sitting, he
20:49
has properties and I was living in one of
20:51
his flats as a favour, keeping an eye
20:53
on things for him.
20:54
Thanks to photograph.
20:57
Tell me what is happening here, please.
20:59
Erm... Here. Just
21:05
describe what
21:06
you see. Mr Pack's son is handing
21:09
me an envelope. What
21:11
did the envelope contain? No,
21:13
that's the whole point, I didn't see inside it, I
21:15
was just supposed to keep it. Why was that? I
21:17
don't know. So what
21:19
did you do with it? Well,
21:21
I hid it. Where? By
21:23
the fridge in our hotel room. The
21:26
mini bar.
21:27
It was in a cupboard, I hid it behind
21:30
the fridge.
21:31
How do you
21:33
know about your wife's work? What's
21:36
that got to do with... Yeah, look, well, firstly,
21:38
she's not my wife. Never
21:42
mind. She's a lawyer. What
21:45
was that shoe off for?
21:46
RGG. It's a firm,
21:49
a legal, corporate... She travels
21:52
a lot for her work. Yeah.
21:56
Who are her clients? I
21:58
don't know, we don't talk about him.
22:01
Next photo? What do
22:03
you see? Kayla.
22:07
And what's she doing? She's... she's
22:10
opening the fridge cupboard. Next
22:12
photo?
22:13
She's reaching behind the fridge.
22:16
What? No, no, that
22:18
was when we were searching for the envelope. Are
22:21
you sure? Yes, no. That
22:26
can't be.
22:28
Your wife has admitted everything. A minute
22:31
what? What?
22:34
She's taking footage from
22:35
the front desk of the hotel. Who
22:38
is your wife sitting next to? That's
22:40
the woman who threatened us. She said her name
22:42
was
22:44
Miriam. Threatened you?
22:46
Yes, she wanted the envelope. She thought I'd
22:48
gone up to our room to get it, but... Actually,
22:51
I was planning our escape. We just
22:53
needed to get out of
22:53
there.
22:57
Watch the video. Your
23:01
wife seems comfortable, though. What's she doing?
23:04
She's just taking
23:06
something out of her bag and handing it
23:08
to... And... What is she
23:12
handing her to? She's... she's...
23:17
She's... she's... Speak
23:20
clearly, please. What is
23:21
Kayla handing this woman? I've
23:25
burned her envelope. Look,
23:27
I... I
23:30
need... I need the toilet. I've got...
23:32
I've got to pee. She
23:34
used to... Does
23:39
Caroline... No, go! Ah,
23:50
Miss Kayla. How long are you going to keep
23:52
me here?
23:56
I
24:00
want to introduce you to a friend
24:02
of mine. Hello,
24:08
Kayla. You're at the
24:10
hotel in Dubai, with your nieces,
24:13
daughters? That's right, Kayla. You're
24:16
very observant, but then you would be. Yuri
24:19
and I are all friends.
24:21
We trust each other. We
24:25
have a problem here. We
24:27
thought you were a friend, Kayla. We
24:30
really did. But now it turns
24:32
out you may be not. Well,
24:36
we'll see. We'll see. But
24:38
for now, I'd like to invite you
24:40
as a guest on my superyoot.
24:45
Do I have a choice? Maybe
24:47
not. Go. It's
24:52
a beautiful city, no? Especially
24:55
in the dark. Yeah, it
24:57
is. So,
25:03
where did you grow up, Kayla? What is
25:05
your family? I'm
25:07
sorry? Your parents. You're upbringing.
25:11
Well, my parents
25:13
were teachers. Teachers? Very
25:16
good professions. What
25:19
did they teach? My...
25:23
my father was a maths
25:25
and physics teacher, and my
25:27
mother was... my
25:29
mother was history.
25:31
So it was a rich,
25:34
intellectual household. Where
25:38
are we going? Turkey.
25:44
Turkey? My boat is moored there, in the
25:46
Bosphorus. As
25:49
for me, my family wasn't all that intellectual.
25:52
One room apartment, communal washrooms.
25:55
Us boys would hunt for rats on the stairs.
25:58
Everything I had...
25:59
I have now, I made myself. I
26:02
thank my parents for that. They
26:04
may not have had things to give me, but... They
26:07
taught me good lessons. How
26:10
to survive. How
26:13
to catch rats.
26:20
Are you a rat, Keller?
26:26
No. I hope
26:28
not. But
26:31
we'll see. We'll
26:34
see.
26:40
This way, Mr. Jig. No. No,
26:44
where are you taking me? We
26:47
are taking you home. Up the
26:49
stairs. Relax,
26:52
Mr. Jig. Keep going. Nothing
26:56
is going to happen to you.
26:59
What's going on? What's
27:01
going on? What? What's
27:04
going on, sir? Are you going to
27:06
go?
27:07
Yes,
27:10
thank you. I'm going to go. Mr.
27:15
Jig! Stop!
27:18
Stop! Stop! Stop!
27:21
Stop! Stop! Stop!
27:24
Stop! Stop! Stop!
27:27
Stop! Stop!
27:44
Jake? Jake,
27:49
can you hear me?
27:53
Jake? Jake?
28:02
How are you feeling? I
28:07
was so worried. You
28:12
hit your head. Jake?
28:24
You lied to me. There's
28:29
Something I Need to Tell You. Episode 4,
28:32
The Party,
28:33
was written by John Scott Dryden and
28:35
Misha Kornall.
28:37
Jake was played by Chris Leuchum Hoy, Kayla
28:40
Sofia Delpizzo, the Senator
28:43
by Song-Hung Chang and Yuri by
28:45
Nick Nevin. Original
28:47
music is by Sasha Putnam. The producer
28:50
is Emma Hearn and the director and
28:52
executive producer John Scott Dryden.
28:55
There's Something I Need to Tell You is a Gold Hawk
28:57
production for BBC Radio 4. For
28:59
a full list of credits, go to BBC
29:02
Sounds.
Podchaser is the ultimate destination for podcast data, search, and discovery. Learn More