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There’s Something I Need to Tell You - 5: Friends

There’s Something I Need to Tell You - 5: Friends

Released Friday, 11th August 2023
 2 people rated this episode
There’s Something I Need to Tell You - 5: Friends

There’s Something I Need to Tell You - 5: Friends

There’s Something I Need to Tell You - 5: Friends

There’s Something I Need to Tell You - 5: Friends

Friday, 11th August 2023
 2 people rated this episode
Rate Episode

Episode Transcript

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0:00

This is the BBC. This

0:03

podcast is supported by advertising

0:05

outside the UK.

0:11

Aw, jeez, Dad, not the car again. Oh,

0:13

happens all the time with old Betsy. Have you checked

0:15

out Carvana yet? They have thousands

0:17

of cars for under $20,000. But

0:20

do those thousands of cars have personality

0:22

like old Betsy? Betsy is held together by

0:24

tape. And there are raccoons living in the engine.

0:27

Psh, it's a family car. Uh, there are flames

0:29

on the hood. Ah, custom paint job. No,

0:31

Dad, the car's on fire.

0:32

How many cars did you say Carvana had? Visit

0:35

carvana.com to shop thousands of cars

0:37

for under $20,000. We'll drive you

0:39

happy at Carvana.

0:54

Jake. Can

0:56

you hear me?

0:59

How are you feeling? I

1:03

was so worried. You

1:05

hit your head. Jake?

1:13

You lied to me.

1:16

Yes. And

1:19

no. Yes. And

1:22

no.

1:24

O-okay, yes. I

1:27

took the envelope from behind the fridge. Why? Jake,

1:31

I'm sorry. You made such

1:33

a mess of things. I needed to take the situation

1:36

into my own hands.

1:37

To protect you. To

1:40

protect us. You've

1:44

done a good job of that.

1:46

Yeah, that's true. So

1:50

what did you do with it? You gave it to that woman? Yes,

1:53

that's right. Jake. Who was she? Not

1:56

was. Is. She's

1:59

dead.

1:59

We saw the news reports fake

2:02

news at least that wasn't her

2:05

Come what listen to me Jake listen very

2:08

carefully that man Omar mr.

2:10

Lee packs on the one you met in the hotel bar

2:13

Yes, I know you're talking about

2:15

it wasn't a coincidence What

2:18

you mean he wanted me to have

2:20

the envelope wait What

2:23

why because Jake I work

2:25

for our GG. I Was

2:28

supposed to get the envelope Don't

2:41

know Kayla

2:46

you some sort of spook no, of course

2:48

not. I didn't want anything to do

2:50

with this So

2:54

what about the envelope what they're

2:56

gonna get a killer they don't get it. It's all

2:58

right. I Can get it?

3:01

I'm going to give it to them. Maybe you just

3:03

said that you gave it And

3:06

listen to me I Handed

3:10

the envelope to my contact it

3:12

was deposited in the RGG office

3:14

in Dubai It could

3:16

be in the Cayman Islands by now The

3:19

only way to retrieve it the only way Is

3:23

for me for us present

3:25

ourselves at an RGG office It

3:28

doesn't matter where any city in the world

3:30

is fine and

3:31

say we need it back You

3:36

can do that of course I'm

3:40

a partner There's

3:43

a lot

3:43

you don't know Jake anyway,

3:46

no one knows it has any importance

3:48

It's just an envelope, right?

3:51

I Don't think that Yuri

3:53

and his friends want any publicity. They

3:55

certainly don't want the contents of the envelope to come

3:58

out Where

4:05

exactly are we?

4:11

Istanbul

4:14

I think. That's where he said

4:16

his yacht was. Ahh! My

4:18

friends! How's your head

4:20

Mr. Cheikh? That was quite a bruise let me

4:23

see. Yeah no, I'm fine

4:25

thanks. Well I hope you were comfortable

4:27

back there.

4:28

Yes very. I just

4:30

slept. Did you? I'm

4:33

sure. Come, the limousine

4:36

is waiting.

4:49

We're going to your super yacht? In

4:52

a while. But first

4:54

there's something we need to do. What?

4:58

Some business in the city. I believe there is an

5:00

RGG office there. RGG? Why?

5:05

Miss Thompson, did

5:08

you not think that we would be listening

5:10

to everything you said to each other on the plane?

5:14

Yes of course. That's

5:17

why I said it. Kayla? When I saw

5:19

Jake and what had happened to him I just wanted all

5:21

of this to be over.

5:23

I'm a commercial lawyer. I didn't

5:25

sign on for any of this. If

5:28

you like we can go into the RGG offices

5:31

together and I'll arrange for the envelope to be

5:33

curried here. And you'll let us go.

5:36

Yes?

5:36

Okay. We

5:41

go in together. Mmhmm.

5:48

Not you Mr.

5:50

Jake. You

5:57

stay here with my driver.

5:59

Come, Kayla.

6:11

I haven't been here before, so I don't really know how

6:13

to... Seventh floor. It's on

6:16

the seventh floor. Like your hotel

6:18

room, right? I'll

6:21

need my passport back to get through security. I

6:24

don't think so, Kayla. Yes, they

6:27

won't let us up on this. Kayla, you want

6:29

me to trust you? Yes. You

6:32

want me to believe you are my friend? Very

6:35

much. So stop this

6:38

now. I don't

6:40

want to... I know RGG uses facial

6:42

recognition security.

6:44

Passports can be faked, but face

6:47

recognition. Yeah, of course, but that doesn't

6:49

give me clearance to every office in the world.

6:52

You are a senior partner, no? I

6:55

mean... Yes,

6:57

but... So try it. Hi.

7:04

It's done just here, madam. Kayla

7:14

Thompson? That's me. You

7:18

can go through. No,

7:20

no, no, no, no. We go

7:22

together. You have

7:24

the authority.

7:26

Hi. Can I validate my

7:28

guest to...he's a client? You

7:35

see, what did I tell you? Service.

7:44

Door closing.

7:45

Door

7:48

closing. Miss Thompson, welcome

7:51

to Istanbul.

7:51

We didn't know you were coming.

7:55

Yeah, I'm on holiday with...but there's something

7:57

I need.

7:59

Of course. How can I help?

8:02

There's an envelope in the Dubai office addressed

8:04

to me. I need a courier here.

8:06

I can pick it up tomorrow. It's

8:08

urgent and very confidential.

8:11

Of course. We'll call Dubai now.

8:14

Would you like to take a seat? Thank you. Thank

8:17

you. Wow.

8:21

Look at this. Very

8:23

luxurious. So this is where

8:25

our money goes. I don't

8:27

know where your money goes. Anyway, I'm

8:29

sure it's all tax deductible. You

8:33

know, Miss Kelda, I'm...

8:36

I'm relieved. Yeah? Why is that? I

8:39

didn't want to harm you. I have

8:42

children of my own. Your

8:45

daughters, they were with you in Dubai. I

8:48

don't want to harm anyone. I'm

8:50

a nice guy. Miss

8:53

Thompson? Yes? Excuse

8:57

me, Yuri. We've

9:01

contacted the Dubai office and they

9:03

don't know anything about the letters. Are

9:05

you sure? Listen to me. I don't have long. I'm a

9:07

hostage. That man sitting over there, please

9:10

don't look. He's armed and he's dangerous.

9:13

Call the security. Miss Thompson? No,

9:15

please press the emergency button. No.

9:21

What's going on? It's nothing. It's

9:23

all fine. It's... I think

9:25

it's just a...

9:29

That's the man. Security. Hold

9:31

him. Hold him! Miss

9:49

Thompson, is everything all right? Yes, yes.

9:52

I need an envelope. A what? An

9:54

envelope. Any envelope. Will

9:57

this... Yes, yes. Give it to me. Thank

9:59

you. Where

10:17

is Yuri? He's coming. I've got the

10:19

envelope. Open the door. Give it

10:22

to me. Sure. Now open the door. What?

10:25

Where is Yuri? He said you can let Jake go, so... Are

10:27

you sure? Where is he? I

10:29

told you. He's coming. I

10:31

don't believe you. Something is wrong. We go see. We

10:34

go find Yuri. Jake, get out. Get out! Climb

10:37

over the bloody driver and get out! I'm sorry. I'm sorry.

10:40

I'm sorry. I'm sorry. I'm

10:42

sorry. I'm sorry. I'm

10:44

sorry. I'm sorry. I'm sorry. I'm

10:47

sorry. I'm sorry. I'm sorry.

10:50

I'm sorry. I'm sorry. I'm sorry.

10:53

I'm sorry. I'm sorry. I'm

10:55

sorry. I'm sorry. I'm sorry.

10:58

I'm sorry. I'm sorry. Get out!

11:01

What's happening? Run! Jake!

11:04

Jake! We lost them. Now.

11:09

It's okay. I'm sorry. Jake!

11:12

Jake! Do you need me to help you?

11:14

You're going to say, get

11:16

it out. What's happening?

11:18

You are getting out! Go in! Jake!

11:21

Jake! We

11:23

lost them.

11:28

We can walk now. We're

11:31

tourists, right? You...

11:39

You slammed the door on his head. Yeah. You

11:44

slammed the door on his head. Yes.

11:47

Jake, what's your point? I... I...

11:51

We need to find a hotel. It's on my cheap. Yeah.

11:54

You still got those dollars? Yeah.

11:57

Yeah. Okay.

12:11

This is even worse than Bangkok. It'll

12:15

do. At

12:18

least there's a TV. What

12:21

the hell is happening, Gala?

12:31

It was obvious that if Yuri got his honours yacht,

12:33

that would be it. So I had

12:35

to create a distraction. What about

12:37

the envelope? That woman, Miriam? That

12:41

was just a story. I

12:43

knew Yuri would be listening to us on the plane,

12:45

so I gave him a story. Right.

12:49

I wanted him to trust me, to think that he was

12:52

one step ahead of us, to think

12:54

that he could get the envelope back.

12:57

So,

13:00

where is the envelope? I

13:03

don't know.

13:04

What, you mean you didn't have it? You didn't

13:06

hand it to Miriam? Of course I

13:08

didn't. And

13:11

Miriam? Well, she

13:13

was a trained killer, and I think she's dead. Look,

13:17

they showed me CCTV of you and Miriam sitting

13:19

together. I saw you hand something to her. Did

13:23

you? Did you really,

13:25

Jake? Well, I mean, it

13:29

looked like that, but I was... Jake, would

13:32

you rather be on Yuri's yacht right now? Would

13:34

you prefer that? He was never

13:36

going to believe that we knew nothing.

13:37

But we do. I mean, we don't know.

13:39

We do know nothing. We don't know anything.

13:44

Maybe we do know something. What

13:46

do you mean? That bit I said about

13:48

all of this not being a coincidence, that, you

13:51

know, perhaps the envelope was supposed

13:52

to come to me. What?

13:56

Well, there might be some truth in that. Why?

13:59

Because... We were staying in the same hotel

14:01

as Mr Lee Pak Sun, and the firm I work for

14:03

represents him.

14:06

Oh my God. Yeah, what?

14:09

Look, no, look, look, look on the TV, that's

14:11

the guy, the senator. Turn

14:13

it up.

14:15

I

14:20

think they're saying he drove his wheelchair

14:22

off the top of his house.

14:25

And his wife. Yeah,

14:28

some sort of suicide pact. I

14:30

don't know. But I'm not saying that they were financially

14:33

compromised. Wait,

14:40

you speak Turkish? No,

14:43

well, just a bit.

14:47

I've had enough. Turn it over.

14:53

So what now?

14:58

We

15:01

need passports.

15:06

We

15:08

can't do anything without passports. We

15:12

could always call Marty. You

15:15

really want to call Marty? No, I don't want to call

15:17

him, but he's a guy who knows people. He

15:19

might be able to. Yeah, but how do we contact him? We

15:21

don't have a phone. We'll

15:24

get a pay as you go from the market. Easy. Hey,

15:39

Marty, how's it going? Jake,

15:42

what's happening? Oh, nothing. Well,

15:44

actually, we're in Istanbul, and we've got a bit of a problem.

15:47

And I'm really sorry to bother you with this, but. It's

15:50

no bother. I heard something happened

15:53

in Dubai, and you disappeared. Are

15:56

you guys OK? Kayla, is

15:58

she OK? Yeah, yeah.

15:59

Yes, she's

16:00

fine. We're both fine.

16:03

Istanbul, did you say? And,

16:05

uh, Kayla's still with you? It's

16:09

a long story, Marty. Where in Istanbul?

16:12

Oh, just in cheap backpackers I tell,

16:14

doesn't matter. But listen, Marty,

16:16

we've lost our passports. Right.

16:20

Yeah, and we're stuck here

16:20

and... Yeah.

16:25

What we need more than anything is to

16:28

get back to the UK so we can sort

16:30

all this out because, you know, Marty...

16:33

Hey, hey, hey.

16:36

Hey, Jake, are you okay?

16:39

No.

16:42

Look, it's okay, it's okay.

16:44

Let me think, let me think. Have

16:47

you considered going to the British High Commission? No,

16:49

I'm not doing that. No,

16:51

no, you're right. You're right. Murder charges. They'd

16:54

have to hand you over to the Turkish police.

16:57

Well, I

17:00

mean, there might be something I can... This

17:03

won't be easy and it won't be cheap. Yeah,

17:06

yeah, I know. It doesn't matter what it costs. Okay,

17:09

let me make a few calls. Do

17:12

you mind what nationality? No,

17:16

as long as we can get back to London, that's all.

17:19

Yeah, Jake, I can get you on this

17:21

number, yeah? Yeah. Look, I'll keep it with

17:23

me all the time. Anything, anything

17:26

you can do, man, I can't

17:27

tell you how much. It's

17:30

okay, it's okay. Mate, look,

17:34

let me see what I can do, let me talk to a few

17:36

people and I'll get back to you. Thank you, thank you, thank

17:38

you, Marty, thank you. You've always

17:40

been there for me. I can't tell you how

17:43

much. Just be cool, Jake.

17:46

Say

17:48

hi to Kayla.

17:51

Here you go. Well,

18:00

he says to say hi. Did

18:02

he say it would help? He'll

18:05

do boy cat. He'll

18:07

call us back. It's

18:13

a long way down. Yeah.

18:18

Could you do it?

18:21

Could you kill yourself like that? God

18:23

no. I

18:29

could sleep for a week. Me

18:32

too. Well,

18:34

there's nothing else to do. We

18:37

just have to wait. Hold

18:55

me, Jake. If

18:59

we hold on to each other we can get... We

19:02

can get through this.

19:06

We can get... Hey,

19:23

wake up. It's Marty.

19:26

Oh, what's he say? Hello.

19:38

I believe there's a package

19:41

waiting for us. Name please.

19:45

Harris. Mr and Mrs Harris. One

19:48

moment please. Come

19:50

on. Come on, come on, come on.

19:56

Harris, did you say? Yeah.

19:58

Yep, that's us. No, we

20:00

have nothing, Dadname. What?

20:04

Hey, hey, hey! Oh, look at you! Marty!

20:10

Kayla, good to see you again. Hey, Marty.

20:13

What the hell are you doing here? Well, what

20:15

are mates for if not to help out, right? Besides, any excuse

20:18

for a holiday. Yeah.

20:22

Right, but, erm... Well, you didn't

20:24

think I'd leave you to find your own way back, did you?

20:26

I've got a car waiting. I've arranged a way

20:28

out. Come on. Where

20:34

are we going? We need to get you out of here, don't

20:36

we?

20:44

Get in, guys. This

20:53

is going to be such a great story for you guys when

20:55

you get back. You

20:59

can relax, guys. You're safe

21:01

now. I don't know how to thank you, Marty.

21:04

Yeah, but I'm your pint sometime. Let's

21:07

get you home first, eh? That's what we want, mate.

21:13

So, what happened with the envelope? What?

21:18

We never mentioned an envelope. It's

21:20

been in every news bulletin for the past week. Ah,

21:24

mate, that was the problem. We didn't have it. They

21:26

thought we were... We were someone we're not. That

21:29

must have been tricky. Yeah, they

21:31

were basically accusing us of murder. We

21:34

didn't even know who the guy was. Or the guy

21:36

who gave you the envelope. Yeah. I

21:38

only met him the night before in the bar. We

21:41

didn't know each other, and the next morning he was dead.

21:47

Only you, Jake. The

21:49

police thought we were involved, and there

21:51

was this woman who wanted the envelope back.

21:54

We had to run. We

21:56

just needed to escape. Of course you did.

21:59

And what did

22:02

you do with the envelope? No,

22:04

we didn't have it. I said someone

22:07

stole it from our room. Come

22:09

on, Jake. You're safe now. What

22:12

did you do with it? It was stolen. That is the

22:14

truth.

22:17

Kayla, you're keeping quiet back there. What

22:20

happened? Where

22:22

are we going? What's the plan, Marty?

22:27

You know what, Marty? It's so good to see you, really. I just

22:29

don't know what we would have done without... Shut

22:31

up, Jake. It's a trap. Kayla,

22:36

where the fuck are you? Oh, no, there's no point

22:38

in trying to get out, Kayla. The child

22:40

locks. Where

22:43

are you taking us? Kayla

22:48

and I go back away. Isn't

22:50

that right, Kayla? You see, I've

22:53

been having this problem, and

22:56

it's been going on for, what, a couple of years

22:58

now? Every time we met with our

23:01

high-value clients, you

23:03

know, the ones who come to us because we can keep their

23:05

business absolutely private, little bits of information. At

23:10

first, it was nothing, really. I'd

23:12

see a name here, a number there. But

23:16

as time passed, I started to think about what we were

23:19

going to do. As time passed, I started to notice

23:21

a pattern.

23:22

The Cayman

23:24

Islands. Every

23:27

time we had a meeting there, how was

23:29

it that details discussed in private were

23:32

coming back to me through my contacts in the

23:34

security services? How

23:37

was that possible? And

23:40

it got me thinking, there must be a leak. Someone

23:43

close enough who had access,

23:45

but whose interests were not ours.

23:49

And it took me a while to find the common thread,

23:52

and that thread led to a name.

23:56

I suspected it was you, Kayla, for some time,

23:59

but I wasn't sure. I

24:01

didn't like you. In fact, Jake, didn't

24:04

I try to warn you about her? You

24:07

did my year. Yeah, I did, mate. But

24:10

I was only sure when I was cleaning up after

24:12

you at the Mirage Hotel in Dubai.

24:14

And we

24:16

found this in your

24:18

wash bag, Kayla. You

24:22

had another phone. So what? It's

24:25

my work phone. We've extracted

24:27

the data, Kayla. When

24:30

did they recruit you? Was it once you were

24:32

a partner? Or were you with them all

24:35

the time? Kayla,

24:36

what's going on? It's a lie. I'm

24:39

a corporate lawyer. You've made a mistake.

24:42

Yeah, well, we'll see about that.

24:47

Ah! Here we are. What

24:50

do you think? It costs 300 million,

24:52

apparently. And

24:54

the really cool thing about it is... you can

24:58

actually drive straight onto it.

25:10

Welcome. Welcome aboard the Angelina.

25:14

Get out, guys. Kayla,

25:18

I've been looking forward to seeing you again. That

25:20

was quite the push you gave me. Through

25:23

the glass. Look. 14

25:27

stitches. Not bad, eh?

25:31

You let me off lightly. My

25:33

driver, on the other hand, he's

25:35

still in the coma.

25:36

So,

25:40

who trained you? No

25:42

one. I don't know what is. Sounds

25:45

good. Nikolai! Bye-bye,

25:48

Pashly. Let

25:51

me show you around.

25:52

I

25:56

like to think of the Angelina as my home from

25:58

home. She is 162 meters, 8 decks, 26

26:00

crew, 12 guest suites. And

26:05

you know, she is equipped with anti-Paparazzi

26:08

technology. I

26:10

see you don't believe me. It's true, I swear. 256 laser

26:14

beams all around the deck. Come.

26:19

This will be your suite for the voyage.

26:24

Well, this is... This

26:27

is quite something. I hope you will be comfortable.

26:31

Because you see, we are not.

26:34

You've made things very uncomfortable for us. We'll

26:37

be leaving shortly. Well,

26:39

international waters. We're

26:42

expecting guests on board who would very much like

26:44

to talk to you. My advice,

26:48

tell us everything before they get here. They're

26:51

not good people. It would

26:53

be much better for you if you tell us first.

26:55

I don't know what you're talking about. This is all a

26:57

terrible mistake. We don't want them

27:00

to shut your mouth. You are irrelevant

27:02

to me. What

27:04

is irrelevant is the list of account numbers.

27:07

And the problem is that if we don't

27:09

find them,

27:10

everyone is gonna be embarrassed. You

27:13

know, I am so disappointed

27:15

in you, Kayla.

27:17

I thought we were friends. I

27:21

thought we had an understanding, but clearly

27:24

not. You're

27:26

making us look weak and incompetent

27:29

and the boss. Well,

27:32

he hates that. You've made a mistake. I'm

27:34

just a cop... No, you have made the mistake.

27:37

Hey, you're a guru. We need that envelope. We

27:39

need those account numbers now. Calm, calm

27:41

down, mate. Because

27:44

Kayla is going to be sensible and

27:47

tell us where they are. Because

27:49

she knows it's the only way to get out of this,

27:52

for all of us.

27:54

For all of us. You're

27:57

frightened, aren't you? You,

28:00

Yuri. Anyone

28:02

else who's still out there? Because

28:05

you know the boss is cleaning

28:07

up loose ends. Sweeping

28:09

up the dust, and you think you're next on

28:11

the list.

28:12

You are next

28:15

on the list. You think the account numbers are gonna protect

28:17

you? If you know where his assets are hidden, you

28:19

think you can negotiate with him. You will tell us,

28:22

or I will cut it out of you. Hey,

28:24

hey, hey, relax, mate. Oh, come

28:26

on. It will be an hour or so till we get into international

28:29

waters. Let's leave these two

28:31

lovebirds to get comfortable. And

28:33

chill out. Yes. And then we'll come to get you.

28:35

And then I will come back and tear your

28:37

eyes out. You will feel so much

28:39

pain that you will... Okay, okay,

28:42

enough. Guys, you

28:45

can get out of this if you are sensible.

28:48

Talk to a Jake. Make us see sense.

28:50

Come, Yuri. So

29:00

is it true, Kayla? Everything Marty will

29:02

say? It's

29:06

locked. Yeah, of course. It's

29:09

locked. What

29:14

are you, Kayla? I can't talk about it. Yeah,

29:16

right, right. Of course, because if you did... Jake,

29:18

shut up! Shh! They'll

29:21

be recording us. Okay. Oh

29:31

my God, Kayla. Oh

29:32

my God, Kayla, you need to tell them. Tell them what?

29:35

I don't know. Tell them what you

29:37

know. What they want and they're

29:39

going to tell them. Tell them. Jake.

29:46

I'm sorry, Jake.

30:07

It's landed on the deck. What

30:09

are they saying? It's

30:13

Russian, I think. Do

30:19

you think they're going to kill us? I don't know, Jake.

30:21

I don't know. Oh, God.

30:24

Shit!

30:26

There's someone coming. Shit!

30:31

Shit, Caleb! Caleb, we're not coming out of this, are we? This

30:34

is bad! This is bad! No one knows we're

30:36

here! It's okay.

30:40

Shit! Come

30:43

here. Come here.

30:47

Come. Wait!

30:51

It's going. The helicopter's

30:53

going. Try the door. Okay,

31:02

come on. Are you

31:05

sure? You want

31:07

to stay here? Come on.

31:22

You hear anything? Nothing.

31:36

I don't think there's anyone here. They're

31:43

gone.

31:44

Not all

31:47

of them. Not all of them. Look.

31:56

Two shots to the head. Very

31:59

neat. Well,

32:02

Marty, I never liked you either. I guess

32:06

that doesn't matter now. Okay,

32:12

look, over here. I

32:18

guess Jure won't be seeing his daughters anymore either.

32:23

We need to get out of here, okay? There'll

32:25

be a boat somewhere. Come on. Mmm...

32:45

So why didn't they kill us? Who?

32:49

On the boat, why didn't they kill us?

32:52

I guess we weren't important.

32:57

And Kayla, I can't go on like this. Like

33:00

what? I don't know what to believe anymore. Who

33:03

are you, really?

33:07

Really? Yes, really.

33:12

Look, what sort of future do we have together, Kayla, if

33:14

we can't be honest about who we really are? I'm

33:17

just a lawyer. What kind of lawyer goes

33:19

around- Look, Jake! Sometimes

33:21

things get complicated. What

33:24

about the envelope? The

33:27

envelope is safe.

33:31

In Washington. In Washington?

33:34

Oh

33:37

my God. Oh my God, what about

33:39

me? I might just pop your cover. No,

33:42

it's not like that. Yeah, well, how can I be sure? How

33:45

can I trust you?

33:47

Jake, you haven't always

33:49

been honest with me, you know? You're a fucking spy. I

33:54

never lied to you about my feelings, Jake.

33:58

Do you still feel the same about me? about me?

34:05

Yeah. So...

34:11

what do we do now? Well...

34:15

back to the plan. What plan? Looking

34:18

for a place together in London. Really?

34:23

Yes, Jake. It's what

34:25

we decided back in... Sorry, gotta take this.

34:30

Work. Hi, Trish.

34:34

No. Yeah,

34:37

yeah. What,

34:40

now? Uh...

34:44

Okay.

34:48

Yeah, I can do that. Understood.

34:54

Okay. Sure.

34:57

Right. Well...

35:06

Something's come up. What?

35:10

Have you ever been to Marrakech?

35:23

There's something I need to tell you. Episode 5,

35:26

Friends, was written by John Scott

35:28

Dryden and Misha Korna. Jake

35:31

was played by Chris Leuchum Hoy, Kayla

35:34

Safia Del Pizzo, Yuri

35:36

Nick Nevin, and Marty by Chris

35:38

Anderson. Original music is by

35:40

Sasha Putnam, with editing and sound design

35:44

by Joseph Harris and John Scott Dryden. The

35:47

producer is Emma Hearn, and the director

35:49

and executive producer, John Scott Dryden.

35:52

There's something I need to tell you is a Goldhope

35:54

production for BBC Radio 4. For

35:57

a full list of credits, go to BBC Sounds.

36:06

Video games can be fun. Restart

36:09

from BBC Sounds. They can also

36:11

be a danger to your child. We

36:13

sent him to a rehab facility for

36:16

teenagers addicted to video games.

36:18

What's going on? Help me! Stop!

36:20

A new thriller from the makers of Passenger

36:23

List and Mumbai Crime. Everything

36:25

and everyone you need in life is right here. You

36:27

want to hear a secret?

36:28

I understand there's another part of the camp. What

36:30

exactly happens there? Wait, wait, what are the rules? I

36:32

don't know what game we are playing. What are you going to do?

36:35

Restart. Play the game. To

36:38

the end. Available now on BBC

36:40

Sounds or wherever you get your podcasts.

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