Episode Transcript
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0:00
When the world has
0:00
gotcha down, and Alzheimer's
0:04
sucks. It's an equal opportunity
0:04
disease that chips away at
0:08
everything we hold dear. And to
0:08
date, there's no cure. So until
0:12
there is we continue to fight
0:12
with the most powerful tool in
0:15
our arsenal. Love. This is love
0:15
conquers all is a real and
0:21
really positive podcast that
0:21
takes a deep dive into
0:24
everything. Alzheimer's, The
0:24
Good, the Bad, and everything in
0:29
between. And now, here are your
0:29
hosts Susie singer, Carter, and
0:33
me, Don Priess
0:39
Hello, everybody. I'm Susie singer Carter.
0:42
And I'm Don Priess.
0:42
And this is love conquers all
0:45
calls. Hello, Susan.
0:47
Hello, Donald. Summer.
0:51
Oh, yes. We've been show.
0:53
I've been
0:53
watching show Shogun after
0:55
everything. Yeah. On some kind
0:55
of dogs that now. Yeah, they
0:59
don't like that gives it some
0:59
Alfie summer. Alfie summer, I'm
1:05
gonna be the Shogun of my house.
1:10
It's, it's such a
1:10
neat, I don't know if anyone's
1:13
seen it out there. And I'm sure
1:13
a lot of people have but just,
1:15
you know, to have to read almost
1:15
the entire show. It's, it's a
1:18
challenge. Because you can't go
1:18
and you can't be on your phone
1:24
while you're watching. There's a lot of
1:27
there's a
1:27
lot of cutting. There's a lot of
1:29
me doing this. That there's a
1:29
lot of that. Yeah, you can't.
1:33
It's really It's it. I don't
1:33
know what's compelling. It
1:36
compelled me to finish it. But
1:36
yeah. It's a good story. It is a
1:41
good story. Yeah. So thank you
1:41
all for coming and listening to
1:48
us. Because we know you have
1:48
other lot of other podcasts to
1:52
listen to. But you know, we're
1:52
happy that you're here. And, you
1:56
know, we're happy that we
1:56
continue to get amazing guests
1:59
and people that are interesting,
1:59
and you know, have different
2:03
ways of looking at the subject
2:03
matter that we talked about
2:06
every week. And just a quick
2:06
update on no country, for old
2:11
people, we're we have just
2:11
pretty much locked our picture.
2:16
And we are very, very tired, and
2:16
very proud of ourselves. And,
2:24
you know, who knew that you have
2:24
to do all this legal stuff for
2:27
documentaries? You know? No, no,
2:27
it is brutal. We had to go
2:32
through every single frame of
2:32
this three hour project and get
2:37
clearance from what's called a
2:37
fair use lawyer. So so that we
2:42
don't get sued later on, and
2:42
that the distribution doesn't
2:46
get sued. And so we've done our
2:46
due diligence, and also it's
2:51
very expensive. So we're still
2:51
raising money, folks, if you
2:54
want to get a tax deduction.
2:54
Bring it on, bring it on.
2:58
Because various lawyers are very
2:58
pricey. Yeah, very pricey. Oh,
3:06
it too. Looks like
3:06
Oh, I get to write you an email
3:09
that will be $700 Yeah,
3:12
I'm not
3:12
even kidding you. But, you know,
3:15
but
3:15
they're really good.
3:15
We there are terrific, so worth
3:19
every penny I say
3:20
worth every penny if they're if they ever listened to this. We're hoping
3:22
for a thumbs up this time.
3:26
Because yeah, because it's just
3:26
getting too expensive. So anywho
3:29
that's, that's what we're doing
3:29
right now. And we're also
3:33
beginning to to create what's
3:33
called the Impact campaign. So
3:38
this is because as you know,
3:38
this is not just a movie, it's a
3:41
movement. And we want to create
3:41
a collective conscious shift in
3:46
the way we think about our third
3:46
act of life and and, you know,
3:51
the long term care industry
3:51
which is exactly what it is an
3:56
industry that needs to shift
3:56
very, you know, very quickly can
4:02
because many, many people are
4:02
suffering now as we speak as and
4:07
we are all in this it's it's not
4:07
just other people's problems,
4:11
it's really all have our so it's
4:11
super important and we still
4:16
appreciate everyone's support.
4:16
And if there's anybody out there
4:20
that is an expert in creating a
4:20
you know, a metoo movement kind
4:26
of situation. You know,
4:26
political activism, we're all in
4:31
please contact us because we
4:31
make movies, we don't know how
4:34
to make movements, but we're
4:34
gonna, we're there for you.
4:37
We've got this great tool to
4:37
educate the public and it will
4:41
so help us get it out there and
4:41
help us you know, make changes
4:45
that are dire. Okay, I'm off my
4:45
soapbox. Let's talk about Well
4:50
done. Well.
4:55
We'll move on to Yeah, we have a
4:57
great guest
4:57
who came to us like through via
5:00
You know, we weren't even
5:00
searching this and it just came
5:03
to us like a gift.
5:04
It's a miracle.
5:04
Yeah. Shall I tell you all about
5:08
her? Yes. Okay. Heather Finn
5:08
came to filmmaking from comedy.
5:15
She has been making funny videos
5:15
since she was a kid growing up
5:18
in small town, New Jersey. New
5:18
Jersey, yeah, Jersey. I know.
5:25
You're gonna like her even more
5:25
now. Girl, I love it. After
5:30
earning a philosophy degree from
5:30
Georgetown University, she has
5:34
gone on to direct over 35 comedy
5:34
shorts. Heather has been
5:37
featured on MTV, Dr. Phil TV
5:37
Guide magazine and the
5:41
Washington Post just to name a
5:41
few. And now her real life story
5:45
has led to a groundbreaking one
5:45
woman show quicksand that
5:49
chronicles her dad's paralyzing
5:49
stroke, and the struggles to
5:52
pull herself up from sinking. As
5:52
Heather says from caregiving to
5:56
death and the midlife crisis.
5:56
Quicksand is a storytelling and
6:00
cloud exploration of the realest
6:00
shit we face. And we are very
6:05
excited to hear more about this
6:05
heartfelt project and everything
6:09
in the world of the one, the
6:09
only Heather Fink Hello,
6:13
Heather.
6:14
Thank you so much
6:14
for having me. And PS, I went to
6:17
George Washington, not George
6:17
Town, although that would have
6:20
been nice. Oh, did
6:21
I say Georgetown?
6:22
Well, you know, there are two George's that are both in DC. Yeah, they're quite
6:24
competitive, although the one is
6:27
Ivy and the one is not. So you
6:31
went to was clearly better.
6:35
It's got 100% More
6:35
Washington than then Georgetown.
6:39
So you're
6:39
absolutely right way America,
6:43
Washington. Yes. It's such a
6:43
pleasure to be honest with you.
6:46
I clearly you're the film you're
6:46
making. Can you tell me the
6:49
title again,
6:50
No Country
6:50
for Old people, No Country
6:53
for Old people. I mean, it's beautiful. And the show that I'm making to dads
6:55
have a long term purpose, not
6:58
just, you know, making a lot of
6:58
different parties feel less
7:03
invisible for making caregiving
7:03
less invisible to make eldercare
7:06
less invisible, to having female
7:06
breadwinners be less invisible.
7:11
All these different things I
7:11
want to give visibility to. And
7:15
so I'm quite passionate about
7:15
what you're saying. And I love
7:18
for this to lead to the ability
7:18
to change caregiving in the
7:22
world.
7:23
Let's do
7:23
it. Yeah. I swear, you know, it
7:28
really comes from storytelling.
7:28
And it really comes, you know, I
7:31
feel like we the power that we
7:31
have as filmmakers and writers
7:34
and directors that we can, you
7:34
know, fashion a story to touch
7:38
hearts. And that will resonate.
7:38
Right. So it's, and I keep
7:42
telling people that, you know,
7:42
this problem in long term care
7:46
has been around for decades for
7:46
five decades to be exact. And,
7:51
you know, and it's not like,
7:51
it's not been talked about, you
7:54
know, it's been, you know, it's
7:54
frontline and CNN and you know,
8:00
and John Oliver, and now all
8:00
everybody's talking talked about
8:03
it, but it doesn't resonate when
8:03
it's just facts. So when you
8:07
tell a story, like what you're
8:07
doing with your with quicksand
8:11
is, that's what that's when you
8:11
reach people is when you touch
8:14
their hearts, when it resonates,
8:14
you know, it's it's and, you
8:18
know, comedy. But so? And can I
8:18
just preface before you get into
8:24
because I can't wait to hear all
8:24
about it. Is that this? You
8:27
know, just wanted to clarify
8:27
that, yes, your dad had a
8:30
stroke, and it wasn't
8:30
Alzheimer's. But in the long
8:33
term care world, you know, there
8:33
is so much ableism and ableism
8:39
is directed at people with
8:39
dementia, people with
8:42
Parkinson's and people who have
8:42
had strokes, because often, all
8:47
three of those lose their
8:47
ability to communicate. And when
8:50
you don't have a voice, that's
8:50
when you are so vulnerable. And
8:54
that's why we were having
8:54
Heather on because I want to
8:56
talk about that, and how that
8:56
she navigated that with her
9:00
father, because I had that issue
9:00
with my mom. And and I think it
9:05
is, you know, that is the
9:05
universal issues that the
9:08
ableism ageism, and then the the
9:08
vulnerability of not having a
9:12
voice so,
9:14
yeah, tell
9:14
us about
9:14
you. I mean, you're very great.
9:17
And obviously, you've done so
9:17
much. And that's a whole nother
9:20
podcast, I'd love to talk about
9:20
what you've done as a filmmaker
9:24
and a creator. But tell me about
9:24
how quick Sam came about.
9:29
Well, you know, I
9:29
am now 42 years old, and I have
9:33
been trying to make it and we've
9:33
gotten very, very close to a big
9:36
break, like so close where I had
9:36
investors in a film and then it
9:40
fell through or I was hired to
9:40
direct these two, you know,
9:44
major TV shows, and then there
9:44
was a merger and those shows got
9:48
canceled. So I'm getting very,
9:48
very close. And I've written
9:51
maybe six different feature
9:51
scripts. I've made one that
9:54
didn't really have it. That
9:54
wasn't my big break either. And
9:58
so I've been struggling to tell
9:58
my story for so long. And I
10:03
wrote a feature film based on
10:03
the things that my family went
10:06
through. I always even though I
10:06
specialize in comedy, because
10:09
that's my favorite instinct. and
10:09
I are, that's my strongest
10:13
thing, instinct, my comedy
10:13
instinct. But I always want to
10:18
make things that give like a
10:18
spoonful of sugar with the
10:21
medicine. So I always want to
10:21
deliver a message or something
10:26
that I care about in every
10:26
single story, I tell. So that's
10:28
there for everything. But I've
10:28
struggled for so long to try to
10:32
figure out how to tell the story
10:32
of what my family went through.
10:36
And my first feature script I
10:36
wrote about it, I think, is the
10:39
worst script ever wrote, because
10:39
it lacked objectivity. And so
10:43
I've been for that, I wrote that
10:43
in 2019. And I've been trying to
10:47
figure out how to tell it. So I
10:47
started developing it for
10:50
television. And then I know that
10:50
these things take forever to get
10:54
made, if at all, and I just
10:54
said, My dad passed in June. So
10:59
it'll be about a year. And I was
10:59
like, I just need to get this
11:03
out. And so that's why I started
11:03
doing a solo show. And one big
11:08
part of the show that speaks to
11:08
what you mentioned, about not
11:12
being able to speak. And it's
11:12
something that's depicted in the
11:16
show that I tried to figure out
11:16
through the television version
11:19
and the stage version, which is
11:19
that one of the deepest
11:25
struggles I've had in my dad's
11:25
life, after the stroke, and
11:31
during his death, was that he
11:31
couldn't talk and there would be
11:35
no last words, you know, and I,
11:35
I've been seeking those I can
11:40
connect to and identify with on
11:40
this. And I was like listening
11:43
to Anderson Cooper's grief
11:43
podcast, which is fantastic. And
11:46
I recommend, and I'd been
11:46
participating in death pathways,
11:50
which if you don't know about
11:50
them, I also really recommend
11:52
this, but I could connect, it
11:52
was very rare that anyone could
11:57
speak to that feeling, that
11:57
desire, that feeling of being
12:01
like robbed of last words, and
12:01
all of that, because it happened
12:05
in 2010. He was for 13 years
12:05
like that. And yeah, I'll stop
12:11
if I'll keep going. If you run
12:11
for I thought, you're gonna say
12:14
something?
12:15
Oh, no.
12:18
Okay, so it's
12:18
called quick sound. Because
12:20
organically I felt during this
12:20
time that I kept thinking, and I
12:25
kept trying to do something to
12:25
pull myself up from it. But life
12:29
and the situation and constant
12:29
emergencies kept sort of pulling
12:34
me down. And it's my desire to
12:34
try to climb back out of that.
12:38
And I thought for the television
12:38
version, that there could be the
12:41
surrealist space where, for
12:41
example, my character could
12:45
communicate with some version of
12:45
her dad and have conversations
12:48
with her dad, maybe it's like a
12:48
puppet or a claymation version
12:51
or something like that. So that
12:51
is actually part of the show, I
12:55
have made a puppet version of my
12:55
father. And I do kind of play
12:59
with that. There's some surreal
12:59
stuff, like there's a
13:02
storytelling sandwich in the
13:02
show. And in the middle, I do
13:05
some interesting theatrical
13:05
themes with caregiving and, and
13:10
weight, and my puppet. So that
13:10
happens, but for the TV version,
13:15
I just want there to be some
13:15
sort of surrealist space to work
13:19
through the emotional part of
13:19
the story and make it something
13:23
like the thing with film in our
13:23
heart rate is you want to create
13:27
an emotional response. You want
13:27
to get to people who maybe maybe
13:31
have gone through this or even
13:31
have it to try to help them
13:34
understand what it feels like.
13:34
So that's kind of how I'm using
13:37
like this quick sound surrealist
13:37
space. And for the TV version, I
13:42
liken it a bit to Ally McBeal,
13:42
how she would like visualize all
13:46
these, like dancing baby and
13:46
things. So it's not exactly your
13:48
dream states, but it's more the
13:48
character can interact with
13:52
things about how they're feeling
13:52
inside. So yeah, that's what I
13:56
like to do.
13:58
It's great.
13:58
It's like it's a great device to
14:00
to work through a really hard
14:00
situation. Right. So I think,
14:06
yeah, I think that's really
14:06
powerful. Because it is hard,
14:12
because when you're thrown into
14:12
a situation like that, like my
14:15
mom was communicating and then
14:15
due to what happened in 2022,
14:20
you know, she ran to hospital
14:20
got intubated, and then you know
14:24
anybody even if you don't have
14:24
Alzheimer's, you know, your
14:27
ability to speak after being
14:27
intubated is is impaired you
14:30
need you know, therapy to get
14:30
back get back to to my mom began
14:35
to lose her ability to speak and
14:35
I wasn't prepared for that
14:39
either. And but we were so close
14:39
that I, I had such a nonverbal
14:44
communication with her, you
14:44
know, I you know, I spent every
14:48
time I was there I was I would
14:48
do the dog and pony show the
14:51
Suzy. I'm your daughter, dog and
14:51
pony show, to keep, you know, to
14:55
get in to open the doors. And we
14:55
communicated as I'm sure you and
14:59
your Dad, have you figured out a
14:59
way? Right? Yeah. And I
15:05
literally could make her laugh.
15:05
I could make her swoon, I could
15:10
make her throw kisses to me.
15:10
Because she and I would see her
15:14
look for words like she'd look
15:14
up and I go, I know you're
15:17
looking for the word. You're
15:17
trying to get it. And I go, I'm
15:20
here. I got time. Wait, wait,
15:20
wait, you know. And, you know,
15:26
there was one moment, and I'll
15:26
say this, because I gave I had
15:29
patience. And halfway through
15:29
before, you know, it was like,
15:32
six months at this chapter, when
15:32
she went into the hospital and
15:37
then died. About three months
15:37
into it, she just looked at me
15:42
with clarity and just went I
15:42
love you like that, like fully
15:46
articulated, like she was she
15:46
ran a marathon to get those
15:50
words out. And never again, they
15:50
didn't come out again. But it
15:53
was again, but you know, and I
15:53
feel your pain, because I had to
15:57
go through walking her out the
15:57
door without hearing how she
16:03
felt about it.
16:06
Right. Yeah, I
16:06
mean, it really is a deeply hard
16:09
thing. And I know that there's
16:09
other people out there going
16:11
through, which I think is why
16:11
you make a podcast, like I'm
16:14
making the show, you're making
16:14
the movie, we do these things to
16:17
try to connect. So that I mean,
16:17
the feeling is that you want to
16:21
make something because for all
16:21
the suffering or tragedy, you
16:25
want it to have been worth
16:25
something, you know, you want to
16:27
do something with it. So and you
16:27
know, like I said, there isn't
16:31
there wasn't Alzheimer's in my
16:31
family. But aside from my dad's
16:34
stroke, also my grandmother, and
16:34
my dad's older brother was
16:37
schizophrenic. And so and they
16:37
have well, my grandmother lived
16:41
with us when I was a teenager.
16:41
And so I've had a lot of people
16:45
who aren't all that they're
16:45
present in their mind. And you
16:49
talk about those moments of
16:49
clarity. And I can remember,
16:51
like, very rare few moments
16:51
where you could actually connect
16:55
and how intense and how you'll
16:55
always remember those moments
16:59
for the rest of your life. And
16:59
so my dad, I think, you know, he
17:03
had a decent amount of
17:03
comprehension, although he had a
17:06
hyper emotive state where he
17:06
would either laugh or cry more
17:09
easily. Like, for example, you
17:09
know, we tried so hard to still
17:13
bring him stuff. So you could
17:13
have, we could all have a good
17:15
life. And we took him to the
17:15
ballet at Lincoln Center. And he
17:19
was, he laughed, you laughed at
17:19
her ballet dancers. And then he
17:22
laughed at how inappropriate it
17:22
was to laugh. So he laughed so
17:26
hard, we had to like pull him
17:26
out of the valley. Which is, I
17:31
think, to me, like any like real
17:31
good ballet, very ridiculous. So
17:37
we had to pull him out those,
17:37
but those kinds of kinds of
17:41
things happen. And then more
17:41
recently, you know, something
17:46
happened with my mom or my mom
17:46
has always been like, sharpest
17:49
line, she was nicknamed the
17:49
Bulldog at work. And she was
17:53
recently, really in a really bad
17:53
way, a victim of romance
17:56
scammers who came, like they
17:56
target widows, it's really bad.
18:00
And even then I felt for the
18:00
first time in my life, like my
18:03
mom wasn't with it mentally,
18:03
like just trying to get through
18:07
to her. And this is something
18:07
I've been dealing with this past
18:10
few months. And it's been fairly
18:10
devastating. But that thing
18:13
where your loved one, there's
18:13
like something where you're not
18:16
connecting, it hurts, it's
18:16
really
18:18
hard. Very
18:18
hard. It's a big loss. It's it's
18:23
it is little, they're little
18:23
deaths along the way, you know,
18:28
we have to come to come to terms
18:28
with you know, and so you grieve
18:34
them as quickly as possible. And
18:34
then you go to the next new
18:37
normal, the next new normal.
18:40
Yes, yes, it's
18:40
that next new normal? What's
18:42
that accepting with? For
18:42
example, you know, you almost I
18:45
know some people, of course,
18:45
have both parents will be sick
18:48
at the same time. And I don't
18:48
know, I guess I was naive to
18:51
think I could really
18:51
compartmentalize it, okay, when
18:53
dad passes, we can focus on mom,
18:53
and she can be free from being
18:56
intense caregiver again, and do
18:56
all these nice things. And then
19:00
I realized, Oh, my God, she's so
19:00
vulnerable and needs help. And I
19:03
need to think about, you know,
19:03
maybe I need to move back. My
19:07
mom's in New Jersey, and maybe I
19:07
need to move back. Maybe we'll
19:10
live in New York City area
19:10
together, somebody like making a
19:13
plan in that way, you know, all
19:13
that stuff that I'm
19:17
recalibrating, once again, you
19:17
know, it's that recalibration,
19:20
it's that feeling of that
19:20
sinking in quicksand, but if I
19:23
can be prepared for it, although
19:23
usually can't really prepare for
19:27
these things. No,
19:28
you can just prepare for being unprepared. Is that right? So
19:30
you just know that things are
19:34
going to happen that you're not
19:34
going to expect and like how can
19:37
you you know, be resilient to it
19:37
and you know, and also
19:44
acknowledge your own your own
19:44
journey, which is difficult. So
19:49
you you know, that's I think for
19:49
me like being always wanting to
19:53
be strong for my mom, and and
19:53
coming in with the best face my
19:58
dog and pony show and not
19:58
wanting to make her feel like
20:01
she's making me feel sad,
20:01
because I know she wouldn't like
20:04
that. So I would try to always
20:04
be stoic, but you have to honor
20:07
your own, you know, journey
20:07
through it. Which, you know, in
20:13
part of, I think what you're
20:13
doing, you know, like, like,
20:16
even like, I wouldn't say that
20:16
this film, I wouldn't do my film
20:22
as a way to, to come to, to
20:22
grips with my mother's, you
20:26
know, this, the last chapter of
20:26
her life, that it's too much
20:32
work and too hard. But on the
20:32
other hand, you know, it's
20:36
really for a bigger purpose. But
20:36
it does help you put it into
20:40
perspective, and to look at it
20:40
with, you know, a more objective
20:45
eye, if you can't, you know, it
20:45
as objective as we can be with
20:49
it. Right. But I think that it
20:49
does it. It certainly doesn't, I
20:54
don't think make it worse. I
20:54
think if anything, it helps you,
20:57
you know, process.
21:02
Absolutely, in
21:02
every step of writing, this show
21:04
has been harder than anything
21:04
I've ever done before. Because
21:07
even if I've written things that
21:07
were inspired by my life or
21:10
reality, it was never about my
21:10
life. And so you have this, like
21:14
pressure to honor that you you
21:14
have the same thing like to
21:18
honor this huge subject you care
21:18
so much about and your your
21:22
actual family member, you know,
21:22
that's a lot of pressure, you're
21:25
like, Oh, my God, how do I how
21:25
do I even put something like
21:28
this into words? How do I take
21:28
the stories I've told over and
21:32
over again about my life to
21:32
other people in conversation,
21:35
and actually serve it up? How do
21:35
I summarize? You know, it, to
21:41
maintain
21:42
their their dignity?
21:42
You know, because you're talking
21:45
about things that maybe, you
21:45
know, hard when you're talking
21:48
about, you know, your loved one
21:48
and how they would feel if they,
21:51
you know, I mean, obviously, he
21:51
still had his mental capacity.
21:56
So, you waited till it was all
21:56
you wouldn't started writing
22:00
during this did how'd you or
22:00
maybe you did, I don't, I
22:02
did, because I
22:02
always had this desire to, like
22:08
they were so there's such a deep
22:08
loneliness in suffering through
22:12
anything by yourself that you
22:12
feel people can't relate to. So
22:15
I always had a desire to depict,
22:15
I wanted people to understand
22:19
better, I wanted them to
22:19
understand better what it's
22:22
like, to really live with a
22:22
wheelchair, like wouldn't be
22:26
getting the caregiving like,
22:26
look what the dressing was,
22:28
like, what a stroke actually is,
22:28
because we didn't know how to
22:31
spot one. And if I can tell your
22:31
audience real quick how to spot
22:34
a stroke FASD T, fast Face
22:34
drooping arm weakness, speech,
22:40
difficulty time to call 911
22:40
Immediately, the only thing you
22:43
can do is get to the hospital to
22:43
snap a stroke immediately. My
22:47
mom didn't know he was having a
22:47
stroke, because she thought it
22:49
was a heart attack. She tried to
22:49
give him an aspirin, that kind
22:52
of thing. So we didn't even know
22:52
that that was a direct. I know
22:57
that maybe other people know
22:57
this, but high blood pressure
23:00
stroke. So watch out for that.
23:00
And also for me that he was
23:04
healthy, very healthy. And other
23:04
Aside from this, and it was his
23:08
sleep apnea that caused his high
23:08
blood pressure. So snoring can
23:12
lead to a stroke and people
23:12
should know, they should know
23:15
because this is devastating.
23:15
What happened. Yeah,
23:18
I it's something I
23:18
have. And yeah, it's I've heard
23:25
you know, you hear it, you hear
23:25
it, but yeah, you'd never think
23:27
oh, yeah, but that's not well
23:27
just monitor your blood
23:30
pressure. Just monitor and I do and I do. Yeah. And it's under
23:32
control right now. So that's
23:36
your information. It's not like if
23:37
you snore, you're gonna have a
23:41
stroke. It's more watch out for
23:41
your blood pressure. If
23:44
I think if
23:44
you snore, other people are
23:47
gonna have a stroke, because you're
23:49
exactly keeping them
23:49
from because they won't sleep.
23:53
Yeah, and that was
23:53
it. I mean, my dad is so crazy,
23:56
but so that had been I mean, you
23:56
know, it is one of those things
24:01
where it's like, he knew right
24:01
he drank in moderation, smoke he
24:04
was he did exercise and stuff
24:04
and it's still you know, he got
24:07
it got really bad so that and
24:07
then we're stressing the fact
24:12
that he was all this other stuff
24:12
going on, but either way that
24:15
was to me and you talked about
24:15
little duck like that happened
24:19
when I was 29 years old 2010 And
24:19
that was actually for me harder
24:24
to deal with his stroke than his
24:24
passing because I guess it was
24:31
like the introduction to intense
24:31
loss you know, the loss of his
24:37
physical identity the way that
24:37
he's role as father with his
24:42
physical mobility but more than
24:42
that physical mobility it really
24:45
was him not being able to talk
24:45
anymore. I you know, it's funny
24:50
the things you think about like
24:50
I realized there's this like two
24:53
levels of missing like
24:53
yesterday, I just saw this image
24:56
of really gorgeous chocolate
24:56
chip cookies, and I missed To my
25:00
dad's chocolate chip cookies,
25:00
but those are from before, like,
25:04
that's from when they're, you
25:04
know, 14 years ago that he could
25:08
last make his chocolate chip
25:08
cookies. So this is an old
25:11
nothing, it's not the data had
25:11
later it was making these and
25:16
it's strange how the death has
25:16
made me reconcile with the old
25:19
version of the way dad and with
25:19
the other, like, there's these
25:23
two versions and I get it.
25:26
I talk
25:26
about because I became mommy
25:29
towards the end. And and I
25:29
really, like I vote my mom was
25:35
always my, my best friend and I
25:35
loved her and admired her and
25:39
just had a ball with her. And,
25:39
but in that last stages, like,
25:46
it was like she was my daughter
25:46
and I fell in love with her like
25:49
a mother would to a child
25:49
because I am a mother. And and I
25:54
miss, like I missed fiercely
25:54
what you're talking about in the
25:57
beginning because it was a 16
25:57
year you know, journey with
26:02
Alzheimer's. I did have those
26:02
deaths and missed all those
26:05
things. But once I you know,
26:05
transitioned into mommy with my
26:09
mom, I miss that mommy, I missed
26:09
that one that I took care of the
26:16
most. And and because it was
26:16
such a pure, she was so pure and
26:20
so vulnerable. And like doing
26:20
the documentary and looking at
26:25
her face that that we have to
26:25
edit all the time. And I always
26:28
tell dawn I missed that face.
26:28
You know, and and that's not her
26:35
face. It's not the face that I
26:35
grew up with. It's the face that
26:39
I helped shepherd and yeah,
26:45
you just made me
26:45
think of this feeling I had you
26:47
know, I'm sure you've had many
26:47
times you had to go to the
26:50
hospital over and over again.
26:50
And you just remind me this
26:53
feeling was of going to the
26:53
hospital and like looking for my
26:56
dad's room because it was like a
26:56
new thing so I didn't know where
26:59
his room was and like you know
26:59
when you like scan through all
27:02
the rooms and all the beds and
27:02
all the faces that you don't
27:04
know and then you like land on
27:04
when it's your first than those
27:08
eyes like that that moment in
27:08
the hospital where you're like
27:10
looking at all this seems
27:10
strange faces and you like
27:14
random more person? They're not
27:14
strange and there's like
27:17
something about that. That
27:17
feeling? I don't know. Yeah, but
27:21
face and what they are like, I
27:21
mean, my dad, that's all they
27:24
had. You can do. Yes. No. Okay.
27:24
Mostly everything was was said
27:29
with the word. Okay. And we did
27:29
the guessing game the dog and
27:33
pony show you mentioned like,
27:33
the guessing game was just such
27:36
a big part of our life. But he
27:36
made jokes. I mean, my favorite
27:39
joke used to make because he
27:39
would like hide behind an object
27:42
that was obviously too small
27:42
like hide behind the coffee mug
27:45
like it was so cute. He was
27:45
using what he had you know, he
27:50
was using right could do and he
27:50
would make jokes and sometimes
27:55
you know, I remember the first
27:55
father's day after the stroke
27:59
like how much I resented it like
27:59
I was so like upset because I it
28:07
was too much like the instant
28:07
movement from my big strong dad
28:12
to this like someone who was
28:12
cute. Or in Bihar, like this
28:16
idea of like old person is cute.
28:16
It was something that was so
28:21
like, I wasn't ready for it. I
28:21
didn't like it. I didn't like
28:25
people talking to my dad or
28:25
looking at my dad or, or
28:28
thinking about our parents like
28:28
cute people. It's like a
28:31
dismissive kind of thing that. I
28:31
mean, it bugs me about old
28:35
people and older people in
28:35
general how, you know, people
28:40
act like they're just these
28:40
adorable or fragile or feeble
28:44
things. It's like, you don't
28:44
know how badass this person
28:46
might have been? Like, you don't
28:46
know what, like Miss Harrison
28:50
could have been an actual
28:50
gangster like you have no idea.
28:54
I think
28:54
about that all the time. I used
28:57
to I used to my mom was an
28:57
amazing singer. And I had all of
29:01
her tracks and she had a she had
29:01
a deal at Capitol Records side
29:05
all these songs from the 60s
29:05
that she did and when she
29:08
recorded there and I would play
29:08
them because people would just
29:11
do that like to humanize her and
29:11
she became just a great lump,
29:14
right? And so I would play the
29:14
music every time I was there and
29:18
people would walk by and go, who
29:18
is that? Singing? I go that's
29:22
her the lady in bed. That one
29:22
that amazing woman because
29:27
people forget and and just just
29:27
to backtrack on how I felt about
29:33
my mom towards the end. As my
29:33
child it's not infantilizing her
29:38
it was more about knowing the
29:38
stage that she was at and giving
29:44
her grace to be at that stage
29:44
and it's okay, and that I was
29:48
there for her. And then I wanted
29:48
to give her dignity, but I had
29:51
to respect the stage that she
29:51
was at physically, cognitively
29:57
and spiritually. Right. So And
29:57
then and, and that is a hard
30:02
thing to do, because we don't
30:02
want to, you know, my mom was
30:05
fierce, and was independent and,
30:05
you know, just a force of
30:09
nature. And so to see her I
30:09
still saw that in her no one
30:15
else would have, but I saw it.
30:15
But you know, but I also had to
30:19
allow her the respect to to let
30:19
her be where she was. And even
30:25
though I missed that other mom
30:25
fiercely Yeah, absolutely, very,
30:30
it's very, it's very
30:30
complicated.
30:33
I completely
30:33
understand that feeling. Like,
30:36
interestingly, I guess, maybe
30:36
because it was my dad that had
30:39
stroke, I felt this immediate
30:39
thing, and my family tried to
30:43
buck up and be the dad, but I
30:43
had to just take, I just tried
30:45
to take care of stuff and show
30:45
up in that way. I mean, it
30:50
really like very literal ways,
30:50
like my dad loved garden
30:54
gardening. And when my dad was
30:54
in the acute rehab center after
30:58
the stroke, I went home, and I
30:58
went, like out of this huge
31:01
garden in New Jersey, and I like
31:01
went up sort of like, Alright,
31:05
I'm gonna do this thing. No
31:05
idea, like, looked at it. And I
31:08
was like, Okay, I have no idea.
31:08
I don't know what any of those
31:11
things were popping about a gun,
31:11
like, I'm just gonna try to fake
31:14
something else. But I do think
31:14
that my mom and my sister have
31:20
sort of said as much that about
31:20
the role that I've taken. We
31:25
that, you know, we're you
31:25
parental fi, I guess is another
31:28
term I've heard, where I'm kind
31:28
of like, okay, how can I step
31:33
in? Now? How can I take care of
31:33
business and sort things out?
31:36
And that part of it I could
31:36
handle where I'm like, okay,
31:39
what can I do to help the
31:39
situation, I can handle that the
31:42
harder part is more recently,
31:42
with my mom being ruined
31:45
scammed, and us not being able
31:45
to get through to her. Which we
31:50
have finally gotten through to
31:50
her, which is great, but just
31:54
the thought of, I didn't like
31:54
signing Power of Attorney for my
31:57
dad, but we needed to I didn't
31:57
like that we had to do that,
31:59
that mentally thinking like,
31:59
they acknowledge that, you know,
32:03
paper acknowledgement of
32:03
diminished capacity. But then we
32:07
explored that for a minimum. And
32:07
that was to me, like, that's a
32:09
bridge too far. Like, yeah, I
32:09
do. Like, she's definitely like
32:13
with it on so many levels. she's
32:13
not, she's not a little old
32:17
lady. Like, I just hate that.
32:17
She's vulnerable. She's not her
32:22
full self that she was. But she
32:22
is with it in so many ways. And
32:28
she just needs to grieve not
32:28
just the loss of laid out. But
32:34
she really, you know, this
32:34
happened when she was 60 years
32:36
old. And she was working in New
32:36
York City as this, like very
32:40
active business woman and and
32:40
loved her life. She loved
32:44
working and being a part of New
32:44
York City and all that goes with
32:47
it, and to grieve that sudden
32:47
loss becoming a full time
32:52
caregiver. And so she needs to
32:52
reconcile and work through all
32:56
that stuff. And I really think
32:56
she has hoped to get herself
32:59
back because she doesn't have an
32:59
actual condition other than
33:02
being like a truck read over her
33:02
heart.
33:08
You know, real
33:08
thing. I mean, it is.
33:11
I mean,
33:11
it's, there's nothing more
33:13
devastating. I mean, this is a
33:13
whole life is like, shifted in,
33:18
in a in a flat one second, you
33:18
know, it's like, I lost my dad
33:22
when I was 16. And he died in a
33:22
plane crash. And it was, like I
33:25
say, you know, like, I've had
33:25
experiences of both. So I had my
33:28
mom who was took 16 years to
33:28
exit. And my father who was
33:33
ripped out of life, I that's how
33:33
it feels like he was at the top
33:37
of his career in the music
33:37
industry, and flying a plane
33:41
back from Mexico City, and he
33:41
crashed, and he died. Just like
33:45
that. And, and, you know, so
33:45
there's, there's all different
33:50
kinds of losses. And, you know,
33:50
for your mom, like the lifestyle
33:55
is, so it's, it's huge. I mean,
33:55
that is a death. So all those
34:02
deaths that happen, right, so
34:02
your lifestyle, your, your, your
34:08
perspective, your perception of
34:08
yourself, and how you fit into
34:11
this world, as as a wife, so now
34:11
she's not a wife anymore. All of
34:17
those things, and then now she's
34:17
13 years old or older. Right?
34:21
And, you know, I know like, I'm
34:21
hitting a stage where I'm going,
34:26
wow. So I have I, you know,
34:26
Flink in your 90 And it's like,
34:31
whoa, so, you know, 13 years is
34:31
a long time. And now your mom
34:36
needs to reconcile that and how
34:36
does she you know, she's not
34:40
going to get those 13 years
34:40
back. So how does she make the
34:44
best of what is coming? Right
34:44
knowing that that is not either,
34:50
you know, we all are by the
34:50
grace of God. So I get it where
34:54
your mom is going through. It's
34:54
a tremendous amount of, you
34:58
know, loss and and
34:58
responsibility to herself to to
35:04
get to figure out how to get
35:04
back on track if it's possible,
35:08
if possible. I
35:09
think it is
35:09
possible. We just got her knees
35:12
replaced because her knees were
35:12
worn out by caregiving. And then
35:14
I messed up my knee, I mean,
35:14
then helping her. I mean, it was
35:18
a combination of that. And my
35:18
knees were already worn from
35:21
working on set, because it's
35:21
physically brutal. But there's
35:24
like this cycle of, you know,
35:24
there was I just so thankful
35:29
though, that my mom survived
35:29
this because my mom's mother
35:32
died caregiving for my oha. So
35:32
we were all set, we had an
35:37
intervention with her months
35:37
before my dad passed, like all
35:40
of my mom's from Holland. And it
35:40
was like all her brothers and
35:42
sisters, and we sat down with
35:42
her, like, you can't keep going
35:45
like this, like, you're gonna
35:45
burn out. We don't want you to
35:47
go like you're like, oh, Lon.
35:47
And, you know, it was a kind of
35:52
thing, right? I wanted my dad to
35:52
pass and I wanted him to pass
35:56
peacefully, because this was
35:56
just, to me what my mom was
36:00
trapped in. And what my dad was
36:00
trapped in, was devastating.
36:06
However, it was interesting that
36:06
despite how difficult life was,
36:11
my dad was really fighting to
36:11
not go like he was really, in
36:15
his death, the time of his
36:15
death, you could see him really
36:19
trying to stay with us, which
36:19
was a beautiful thing. So I was
36:23
very, like, been off the death
36:23
process. But yeah, it was
36:27
amazing.
36:27
Well, then that's
36:27
you should feel be you know,
36:29
then that's because of you and
36:29
your mom, you know, he had
36:32
something to live for Still,
36:32
despite everything, he still had
36:35
something to live for. Because
36:35
you were giving him that life.
36:38
You were you know, you were you
36:38
were providing him that love and
36:42
something to hold on to. So I do
36:42
have a question when because
36:46
Susie will tell you that when
36:46
her mom was first diagnosed, she
36:50
she thought she was going to fix
36:50
it. She thought she was going to
36:53
you know, just by sheer Well,
36:53
she was going to fix this. We're
36:57
going to conquer this. Was there
36:57
ever that feeling because I mean
37:00
with yours? It's a fit, you
37:00
know, with Alzheimer's. It's a
37:02
progressive thing. This was like
37:02
bam, now, and the doctors, I'm
37:05
sure gave you what the prognosis
37:05
was. Did you ever feel that? No,
37:09
we're gonna, I'm gonna fix this
37:09
thing. Oh,
37:12
yes, we did. For
37:12
years, we fought so hard because
37:16
with strokes, physical speech
37:16
and occupational therapy are
37:19
three therapies you can go
37:19
through to get certain things
37:21
back. And there's a certain time
37:21
window where people can get
37:23
things back, they can get their
37:23
speech back, they can get their
37:26
mobility back, they can get
37:26
their motor skills back. But
37:30
with my dad's case, God did we
37:30
fight for it, the things that we
37:33
did. We took every kind of
37:33
therapy, everyone's had just all
37:37
these things, and you're Vikings
37:37
and every it's extensor then you
37:40
try so hard. We haven't even
37:40
tried to let my dad drive again.
37:46
She put him in the cars and
37:46
empty parking. We'd like and she
37:50
had random emergency. I mean,
37:50
she we did all of it. Like my
37:54
mom, especially pork did not
37:54
give up fighting like we tried
37:59
to take them places where it was
37:59
obviously insane. To have a
38:03
very, like partially very like a
38:03
lot of him paralyzed man on an
38:08
airplane airplanes are not very
38:08
accessible. They just really
38:11
aren't and we guarded but we
38:11
took him to France to Holland
38:15
cruise. We tried all this stuff
38:15
and all I got all of it. Every
38:19
time was devastating because
38:19
they everything that says it's
38:22
handicap accessible. Most of the
38:22
time, 75% of the time, it really
38:26
isn't like, Oh, you didn't think
38:26
this these steps here like we're
38:30
gonna be a problem for the
38:30
wheelchair. Like, how is it like
38:35
there's not bars in this bad or
38:35
like stuff that seems really
38:39
basic are often just oh yeah,
38:39
let's try a beach wheelchair.
38:42
Well, my dad, you know, his
38:42
digestive system was also
38:44
partially paralyzed. So he was
38:44
huge. He was already six foot
38:47
one. So if you've ever tried
38:47
like pushing a frickin beach
38:51
wheelchair over the dudes, the
38:51
Jersey Shore Oh. Always think
38:57
that it seems so nice. But I
38:57
knew it was just such a struggle
39:03
to enjoy things still. But we
39:03
bought we tried. And yes, we
39:08
tried very hard to get things
39:08
back. Well, this is one other
39:12
little thing that I always think
39:12
about was in the parking lot at
39:17
there. It was the Kessler rehab
39:17
center in Chester, New Jersey. I
39:22
was like fresh off his stroke.
39:22
And I said to the nurse in
39:24
theory, you know, my dad and I
39:24
we always like, I move a lot in
39:29
New York City and rebuild
39:29
furniture, like build a key
39:33
together. Do you think you'll
39:33
ever be able to do that again?
39:36
And she gave me this look in my
39:36
life like oh, no, never but she
39:39
was? Yeah, sure. Sure. You never
39:39
know. It was the know in her
39:47
eyes. And it was I probably knew
39:47
the answer, but I had something
39:51
about letting go of that.
39:51
Because we burned in so much
39:56
doing that I had to let go of
39:56
it. I had until I just asked
40:00
her. Yeah,
40:03
yeah, no, I
40:03
get it. I get it. It happens
40:06
with every like, you know, I
40:06
remember the first person that
40:10
really laid out the truth to me
40:10
about Alzheimer's was Leeza
40:14
Gibbons. And Lisa was like, she
40:14
was a friend of a friend. So
40:18
this was like, 16 years ago, we
40:18
went to lunch. And she said, I
40:21
know it doesn't seem like it's
40:21
going to progress, but it's
40:24
going to progress. And I know
40:24
that, you know, you're not going
40:28
to know it, and you're going to
40:28
turn around and you're, you've
40:31
lost a whole nother part of her.
40:31
So and she was the one that
40:36
encouraged me to take photos and
40:36
videos, so I don't forget. And,
40:39
you know, and, and I remember
40:39
sitting at lunch thinking, yeah,
40:42
that's your mom, that's not
40:42
gonna be my mom. My mom said,
40:45
it's not gonna happen to my mom.
40:45
I just thought it was everyone
40:48
else's mom, or dad, you know, it
40:48
wasn't gonna happen to my mom,
40:51
because it's different. But you
40:51
know, then we quickly realized
40:55
that we are not, you know,
40:55
Superman and Superwoman. And we
41:01
are gonna, we're gonna have to
41:01
put on our cape in a different
41:05
way. And, you know, and deal
41:05
with what we've got. So wow,
41:13
you're, you're very raw right
41:13
now. I feel it.
41:17
Yeah. And there's a couple of things you said? Well, the superhero thing I
41:20
always think of, say that I
41:23
think caregivers are the real
41:23
superheroes of the world. You
41:26
know, they bring on their pet on
41:26
their backs and their shoulders.
41:29
And there was something else you said about the recording, there's an actual line in my
41:30
show about, you know, how, what
41:34
I went through with my dad made
41:34
me realize I have to record
41:37
things, I don't lose them,
41:37
because I really didn't have. I
41:40
mean, it was 2010. So like,
41:40
smartphones didn't come until a
41:43
couple years after that. So I
41:43
don't, it really didn't have a
41:45
recording of his voice or
41:45
talking of the soul.
41:51
I know, I
41:51
know, when my dad too, because,
41:54
you know, my dad Oh, so long
41:54
ago, and I was like, you know, I
41:58
mean, he was such a technophile,
41:58
we had, you know, eight
42:01
millimeters and stuff like that,
42:01
and, you know, Super Eight or
42:04
whatever it was at the time,
42:04
but, you know, I haven't heard
42:08
my dad's voice since I'm 16. So
42:08
I, I've missed that so much.
42:13
And, and he had one of those,
42:13
like, you walk into a room and
42:16
you know, he's there kind of
42:16
guy, you know, and he's like,
42:18
this big booming masculine guy
42:18
with, you know, tons of charisma
42:23
and you're just like, I wish I
42:23
could just hear that voice
42:26
because it's been so long. You
42:26
had I feel like especially
42:30
like your mom
42:30
being a recording artists and
42:32
your dad having you have those,
42:32
but you're filming the wrong
42:34
thing, like you're filming this
42:34
beach film Uribe? June.
42:37
I know. It
42:37
there's a quick anecdote, I went
42:42
to take all my mom's vinyl and
42:42
had it digitized. And I went to
42:46
you know, a there's the this
42:46
legendary master who masters
42:51
from records and are mastered
42:51
onto records called Bernie
42:54
Grundmann. And it turns out that
42:54
my father was his mentor, I
42:58
didn't know that my father was
42:58
was very big in that industry.
43:01
And when I was there, they were
43:01
still using my father's
43:04
equipment. And so Bernie
43:04
Grundmann will happen to be
43:07
there. And he came to tell me
43:07
all about my dad, like all these
43:09
anecdotes, and how all this how
43:09
bigger than life he was. And he
43:13
was saying, he was explained to
43:13
me because I said, I said, it's
43:16
so odd, because I don't
43:16
understand. Here's my father who
43:19
invented the conversion from
43:19
mono to stereo was one of the
43:21
top engineers of his day, and I
43:21
do not understand how the sound
43:25
gets into the vinyl like, go I
43:25
do not understand it. So Bernie
43:29
was trying to tell me it's just
43:29
like your eardrum, it's all you
43:32
know, pulses. And the pulse goes
43:32
into the to the cutter and the
43:36
cutter puts those pulses into
43:36
the vinyl. Right? And he said,
43:39
and at the time when your dad
43:39
was doing it and he was teaching
43:43
me said You know, it's very,
43:43
it's very sensitive, it picks up
43:45
all sounds so at that time, you
43:45
have to be very quiet. Well, my
43:49
he goes, have you ever do you
43:49
ever remember your father being
43:51
quiet? No. So and he said,
43:51
there's so many times where he
43:54
would be talking and it would
43:54
get into the recording that they
43:57
were like mastering onto the
43:57
value. And I said you have to
44:00
find those for me because I
44:00
haven't heard his voice in so
44:02
long. But I so I haven't been
44:02
able to follow up with him and
44:06
get it but I know His voice is
44:06
out there on some vinyl. That
44:13
would be such a it would be like
44:13
strange, and I don't know, it
44:21
just would be incredible, but I
44:21
understand what you're saying.
44:26
So tell us about your show.
44:26
Where is it? It's opening in
44:29
June?
44:31
Yes, it's in June
44:31
at the Hollywood Fringe
44:33
Festival. So there's five shows
44:33
this June at the Hudson
44:36
theatres, um, which is there.
44:36
It's on Santa Monica Boulevard.
44:40
And it's also I booked an
44:40
accessible theater that was
44:43
important to me. And and the
44:43
first show well, the preview is
44:50
June 8, and then I believe it's
44:50
the fifth to the 23rd, the 27th
44:54
and the 29th. It's mostly
44:54
weekends, but there is one
44:56
Thursday the 27th and Yeah, so
44:56
part of Hollywood fringe, you
45:02
can look up quick sound
45:02
Hollywood. If you I think if you
45:05
just Google quicksand Hollywood
45:05
Fringe Festival, or quicksand,
45:09
and my name Heather Fink, you'll
45:09
find a link to buy ticket.
45:12
That's
45:13
great. No,
45:13
I'm definitely, we're definitely
45:15
gonna go and see you are you
45:15
going to record it, you're gonna
45:18
have somebody record it,
45:21
I am going to
45:21
record it. I thought about
45:24
having a live stream, but I
45:24
decided against it because the
45:26
show is first of all, so
45:26
intimate. And I really look at
45:29
this show as a first run, like,
45:29
I want to do it more, I want to
45:33
bring it to New York, I want to
45:33
make it even longer because I
45:36
have a couple of musical numbers
45:36
that we're spending time. And
45:39
this is an hour, so I love it.
45:39
So I just want to keep
45:43
developing and doing it more.
45:43
And this to me feels like a
45:45
first run beginning of
45:45
something. And because it's five
45:49
shows that I really liked, I
45:49
hope to fill those seeds. But I
45:52
know for friends, it's normal to
45:52
do that many shows. I hoped to
45:55
maybe go to the Edinburgh
45:55
Fringe, which is like the big
45:57
center of the Fringe Festival
45:57
next year. Yeah, so I just want
46:01
to keep developing and doing
46:01
more and more and hearing from
46:05
audience hearing from people
46:05
who've been through this, like
46:08
doing you feel seen in this.
46:08
What do you want to know more
46:11
about? I want to hear from
46:11
people as well. And I hope to
46:15
make this a television show. And
46:15
I want to incorporate so as much
46:18
of this world through this. What
46:18
would be a family instead of
46:22
drama idiom calling it a trauma?
46:25
Comedy,
46:25
that's so great. To comedy.
46:29
That's great.
46:31
Is there is there
46:31
anything as we as we've been
46:34
working on the documentary, you
46:34
know, we there's so much you
46:37
know, it's obviously about
46:37
Susie's mom. And there's some
46:39
moments and you know that Suzy
46:39
just like can you please fast
46:43
forward through that. And we've had, she's had to compartmentalize and I have to
46:45
because I was very close with
46:48
her mom, just so we can get
46:48
through it and really treat it
46:51
like it's like this? Or is there
46:51
certain parts, either as you
46:54
were writing or as you're
46:54
rehearsing, performing, that
46:57
consistently hit you? And how do
46:57
you deal with that? You just use
47:01
it? Or you just say, No, I gotta
47:01
put that aside, and, and what
47:04
are you gonna be enough to tell me all of them?
47:07
Well, yes,
47:07
absolutely writing it. And the
47:10
crazy part too, is that there's
47:10
so much because I can't have the
47:14
show be too long. That's not
47:14
pleasant for the listener, or
47:18
for the audience. So I do have
47:18
to pick and choose. And I'm
47:21
caught a lot of stories and
47:21
stories that I feel are
47:23
essential. And I've really
47:23
focused it down to what I think
47:27
are the most important focuses
47:27
for the show. But as I was
47:30
writing it, getting it out. It's
47:30
such a normal thing as a
47:36
creative or a writer that when
47:36
you write anything, you'll beat
47:40
yourself up, you'll get this
47:40
self doubt thing that goes, Oh,
47:42
this isn't good. Or this is
47:42
hard, or it's not coming out,
47:45
right? Or what business do I
47:45
have the data, you go through
47:48
all that stuff. So I knew that
47:48
that was familiar when I started
47:51
facing that. But in this it was
47:51
even more like I was
47:55
procrastinating big time. And it
47:55
was like either you have now
47:59
write the scene, write the
47:59
scene, because so much. If I
48:03
were to tell you specifics, I'll
48:03
tell you what I actually tell
48:05
him the show is stuff that's
48:05
gonna be hard every time I tell
48:08
the actual story of his death, I
48:08
tell it very specifically,
48:12
because I don't think natural
48:12
death is depicted, I just don't
48:17
think it's depicted much at all
48:17
in a real way. You know, murders
48:21
and bang, bang, you get shot
48:21
kind of deaths are depicted. So
48:24
I do tell the story of his death. And I tell the story of his stroke. And I also give a
48:26
lot of backstory of myself and
48:30
my family, because part of the
48:30
concept of quicksand is how we
48:36
lose ourselves in these things.
48:36
So I want to sort of set up,
48:39
okay, here's who we were, here's
48:39
who I was on. And I want to ask
48:44
the question of like, Am I still
48:44
that person? Have I lost we
48:48
always talk about, you know, as
48:48
we get older, or I'm not that
48:51
person anymore, but like what
48:51
parts of us still really are
48:54
always are, what parts are lost
48:54
or what parts? What is actually
48:57
game like that we've grown. So I
48:57
asked a lot of those kinds of
49:00
questions. But I cut out some of
49:00
my really favorite super fun
49:05
stories from my own life too,
49:05
because I was like, the point of
49:08
anything I'm going to share
49:08
about myself has to be the story
49:12
of my own life's personal goal.
49:12
So I'm going to tell you about
49:15
that stuff. I'm going to cut
49:15
this other stuff out. And then
49:19
with my parents and my dad, I
49:19
sort of did want to set up what
49:22
was going on in our lives before
49:22
that. And I want to tell you the
49:26
story of the stroke, but part of
49:26
the roof. Okay, so one thing
49:28
I'll say is I sort of do this
49:28
clown like, demonstration of
49:35
caregiving, which I think you
49:35
can imagine could easily lend
49:38
itself to common care caregiving
49:38
for someone's eye. That's
49:42
something that I do, because I
49:42
think rather than tell you all
49:46
of these specific stories, I
49:46
will rather take you into the
49:51
emotional healing we're doing.
49:51
So I've sort of summarized some
49:57
of the stories because I'm
49:57
mindful of audience I'm mindful
49:59
of they're getting something out
49:59
of it instead of just like
50:02
exhausting them with like this
50:02
happened this happened this
50:04
happened. But so because the
50:04
answer your question about
50:09
what's been hard to get through,
50:09
it's so hard talking about
50:13
yourself and trying to summarize
50:13
yourself, period, whether it's
50:16
the happy moments or the sad
50:16
Romans and owning up to your
50:21
own, like midlife crisis career
50:21
failures in the entertainment
50:24
industry. I mean, that's doesn't
50:24
feel great. But I think it's
50:28
worthwhile because I know other
50:28
people connect, I think even
50:31
super successful people feel
50:31
like failures in this business,
50:35
because it's designed to make
50:35
you feel inadequate. It's
50:37
design, though.
50:39
Yeah, yeah,
50:39
I relate to it. Even in the
50:42
documentary, I knew that we had
50:42
to establish my relationship
50:46
with my mom and who I was at
50:46
before and who and what my life,
50:51
like, being one of the, one of
50:51
the people in the the was there
51:00
was the chaplain from hospice
51:00
came in, wrote wrote about me,
51:06
in the notes in the medical
51:06
records, saying, you know, this
51:09
poor girl has dedicated her
51:09
entire life to her mother, and,
51:12
you know, I'm so worried about
51:12
what will happen after her what
51:15
her life will be, like, after
51:15
her mother dies. And I was so
51:19
offended by that because of her,
51:19
you know, shallowness to even
51:24
write something like that. I
51:24
didn't, that my fear was that is
51:28
there anybody out there that
51:28
would think that I was this
51:30
helicopter daughter, I wasn't a
51:30
helicopter daughter, I had a
51:34
life, I have children, I have a
51:34
career I, I dance I, I do that,
51:39
you know, and I wanted to show
51:39
that I'm a full person. And then
51:43
I was watching it, you know, in
51:43
our first cut, and I'm like, Oh,
51:45
my God cut me out. There's too
51:45
much of me. It's like too much.
51:49
Right? And, and, you know, there
51:49
is the, the coming to Jesus kind
51:53
of like, you know, looking at
51:53
yourself and going, you know, is
51:56
that important? Where, what, how
51:56
does it support the message
52:01
we're trying to make, and that
52:01
is very difficult, from, you
52:05
know, our perspective as writers
52:05
and creators, and then the
52:08
people who are, are, you know,
52:08
deeply enmeshed in this
52:13
narrative, you know, so it is,
52:13
it is quite a challenge. And I
52:17
understand that what you're
52:17
saying completely 100% and it's
52:22
very delicate. It's a delicate
52:22
dance. Absolutely, yeah. Yeah.
52:27
There isn't gonna
52:27
moment like of jokes I cut out,
52:30
I had sort of like a joking
52:30
moment about my, I mentioned the
52:34
scamming of my moment, too raw
52:34
for me to hate it. I don't want
52:38
to make fun of it. So sorry,
52:38
audience, you're not getting
52:42
that laugh. Like I'm, I'm not
52:42
giving recall, as personal as it
52:46
can be what we're doing. Very
52:48
personal.
52:48
And, you know, and I do think
52:51
that, you know, I'll credit Phil
52:51
Rosenthal, I got to saw I saw
52:56
him talk, my friend, moderated a
52:56
talk with him, who was the
53:00
showrunner many things. But you
53:00
know, everyone loves Raymond.
53:03
And he talks about how, you
53:03
know, universality is in the
53:07
details. And so, you know, I
53:07
always remembered that, because
53:10
when I was doing my mom and the
53:10
girl, which was my, my film
53:12
about my mom for Alzheimer's, I
53:12
kept that in mind was very much
53:17
in my forefront, thinking that,
53:17
you know, oh, is this is anyone
53:22
going to relate to this? This is
53:22
our story. It's so it's so
53:25
nuanced to our relationship to
53:25
our life. And then I remember
53:30
him saying that, that that, you
53:30
know, that the universality is
53:34
in the details. And that's how
53:34
you reach people. So you have to
53:38
have, and he's right. So you
53:38
have to have faith in that. And,
53:43
you know, and we saw that
53:43
firsthand, like, Don, and I did
53:46
the festival circuit with that
53:46
film. And, you know, it was
53:49
tremendously successful. And we,
53:49
we, and besides
53:53
being in the edit
53:53
bay, we're like, is anyone care
53:56
gonna care about this? Does this
53:56
relate to anybody? And we were
53:59
like, we weren't, we did not know.
54:02
I didn't know I just had to be truthful and tell the story. And I wanted
54:03
to make sure that I showed, you
54:07
know, that trauma 80 of it, like
54:07
you said, I was totally stealing
54:10
that now, Heather, I love it so
54:10
much. I will credit you,
54:14
you can license it from her.
54:15
I love it.
54:15
I had to show the tragedy of it
54:18
because there was so much comedy
54:18
mom and I related with comedy,
54:22
you know, and that's what I
54:22
loved about Valerie Harper was
54:25
that she had that lovely balance
54:25
of heart empathy and, and the
54:29
funny bone you know, and and it
54:29
was like the perfect she was the
54:35
perfect person to play this
54:35
role. But you know, I had to
54:41
lean into that and say that
54:41
those those moments are what
54:45
will touch people even if it's
54:45
not what happened to them. It's
54:49
the authenticity of it.
54:51
I was I can't wait
54:51
to see your film. I have to see
54:54
that. It sounds like you're
54:54
both. I love that. I have to
54:58
tell you this my family
54:58
Interview I've done because it's
55:01
so rare that you get to connect
55:01
both on like the caregiving and
55:05
elder care elements, but also
55:05
that we're creatives and we are,
55:09
we're trying to take what has
55:09
happened to us and our hearts
55:12
and not just make something of
55:12
it that's useful, but it's maybe
55:16
something that's useful to
55:16
others, you know, so that we
55:19
learn, we can connect. And that
55:19
is such a beautiful quote about,
55:23
you know, the the universality,
55:23
the universality being in the
55:27
details. That's always true for
55:27
comedy, you know, the more
55:30
specific, like a joke or detail
55:30
is, the more someone can laugh,
55:34
because even if it's not their
55:34
detail, it can be next to their
55:38
personal details. I wrapped up
55:38
my real, yeah, authentic, it's
55:42
real, like, the more specific
55:42
the more real. Yeah, so I would
55:45
love love to see your film. And
55:45
there is that thing that like
55:49
when you say something, or it's
55:49
just you buy or there's
55:52
something that's very isolating
55:52
about a solo show, that's like
55:56
in my head for so long, like the
55:56
first time i There is one other,
56:00
there's a quicksand fairy that
56:00
is coming into the middle of the
56:04
show. But that's there's one or
56:04
there person. And when I ran
56:07
lines with her for the first
56:07
time, I had was that satisfying,
56:11
like, Oh, thank God. We're
56:11
having probably the more fun
56:14
part of the show. But yeah, it
56:14
really does feel like a lot. And
56:18
there's been moments where I,
56:18
it's weird to retell the story
56:22
of your dad stuff out in great
56:22
detail over and over again. And
56:25
that's a weird thing to do. Yes,
56:25
and it's probably weird, like
56:29
showing these clips from your
56:29
life, you know, over and over. I
56:33
don't think we detached from it,
56:33
though.
56:35
I can't attach but we can compartmentalize. That's what I
56:37
do. Yeah. You know, because I,
56:41
my biggest fear was my whole
56:41
life is my mom dying my whole
56:44
life. Like, we used to laugh
56:44
about it, she'd go, Well, don't
56:47
worry about it. Because we don't
56:47
die. We're not dying. You and I
56:49
are not dying this week goes,
56:49
We're not going to do it. We
56:52
joke around about it, you know,
56:52
and like, but if anything
56:55
happens to Susie, I'll be
56:55
jumping in right after you. So
56:57
don't worry, you know, we there
56:57
was that kind of thing. And when
57:01
I when it was coming, and I kept
57:01
telling the doctors, she's not
57:03
ready to die. And but I said
57:03
I'll know because we
57:07
communicate, I will know when
57:07
she's done. I know that 100% And
57:12
I had to, you know, woman up,
57:12
you know, for lack of a better
57:16
term, to be there for my mom and
57:16
let her know that I was I was
57:21
you know, I was okay with it.
57:21
Because she knew what a big baby
57:23
I was about it. And I wanted to
57:23
not be the big baby. I wanted to
57:27
be strong for her and me. And
57:27
you know, the last thing I say
57:32
in the final narrate the
57:32
voiceover in the film is that
57:36
you taught me how to live and
57:36
now you're taught me how to die.
57:40
And I watched her die so
57:40
beautifully. And, and I'm glad I
57:49
didn't. I'm glad that I was the
57:49
one. And I'm glad that I got you
57:54
know, I got in I'd like took all
57:54
the tubes out and laid down next
57:58
to her and cuddled on her and
57:58
loved on her. And it was one of
58:02
my favorite moments. It's one of
58:02
my best memories. And I'm glad I
58:05
had that time to do that. And so
58:05
important, and I just felt proud
58:11
of myself. I'm proud of my mom.
58:11
We are like well lived in for
58:16
her being such a badass, strong
58:16
girl for the last six months.
58:20
And I told her You did such a
58:20
good job. I'm so proud of you.
58:25
It's really wild.
58:25
Like how, like, I love you. I
58:30
mean, not hearing you say how
58:30
much the death was beautiful and
58:35
meaningful and powerful to you
58:35
for you. Like that's what I
58:38
experienced too. And I do wish
58:38
people would talk more about
58:41
that because it was miraculous
58:41
when I felt I witnessed so
58:46
agreed and
58:46
I loved my mom more than
58:48
anything and I it was my biggest
58:48
fear. Like I used to just go I
58:52
can't I can't I can't and I had
58:52
a guest on about two years
58:55
before on our show who's still
58:55
my friend now and and Trish love
59:01
and I adore her and she went
59:01
she's very strong empathetic
59:06
woman who is you know close to
59:06
like a death doula and wrote
59:10
books about it and and she told
59:10
me on my podcast before my mom
59:14
died, you know, I wasn't even
59:14
thinking of her dying yet. But I
59:17
just said I don't even like to think about it is going to be my hardest thing in the life. She
59:19
said it's going to be beautiful.
59:22
You're going to be strong and
59:22
you were going to get through it
59:24
because I see you and I had that
59:24
in the back of my mind the whole
59:29
time. And if it wasn't for her
59:29
framing it that way for me. I
59:35
don't know if I would have been
59:35
able to view it like that but I
59:38
went into it because she I
59:38
really trusted this woman and no
59:42
thought it's going to be what it
59:42
is it's going to be as beautiful
59:48
as a birth. Is this death
59:52
that's amazing. I
59:52
mean, I don't know people who
59:55
are death doula is that is such
59:55
a beautiful thing for anyone
59:57
listening to know that your
59:57
death a death can be beautiful.
1:00:01
Or nonviolent, that should
1:00:03
be it.
1:00:03
Yeah. It's a it is an art. It's
1:00:06
honor. It's it's, it's
1:00:06
spiritual, it's a transition.
1:00:10
And in if anything, it should be
1:00:10
the most dignified thing that
1:00:15
you can go through if you do if
1:00:15
at all possible because it is
1:00:19
your it is your moment your exit
1:00:19
should be spectacular. You know,
1:00:26
I made the room as beautiful as
1:00:26
I could in the hospital, I put,
1:00:29
you know, everything I could I
1:00:29
didn't know how to do anything I
1:00:33
just did from my gut, you know,
1:00:33
and I just tried to make it as
1:00:37
peaceful and loving and warm and
1:00:37
safe. So now let's go cry
1:00:45
because now I feel like I did a
1:00:45
little I got a little teary
1:00:51
eyed. Very emotional now. I love
1:00:51
to having you on. This was so
1:00:57
great. I can't wait to see your
1:00:57
show. And I'm wishing you so
1:01:00
much success with it. I know
1:01:00
you're gonna have great success
1:01:03
because it's coming from a
1:01:03
really good place. It's coming
1:01:06
from love. That's what our
1:01:06
shows. This really is.
1:01:10
Yes, it is. Do you
1:01:10
know why Susan? Why I do but
1:01:13
tell. And that's well that's
1:01:13
because love is powerful. Love
1:01:17
is contagious, and love conquers
1:01:17
all we do. Thank everyone for
1:01:22
watching and listening today.
1:01:22
Please if you're in the LA area
1:01:25
in June go check out quicksand
1:01:25
with Heather Fink Ben and as
1:01:30
Suzy said we can't wait to see
1:01:30
it cannot land and and like
1:01:35
share or all those good things.
1:01:35
Subscribe to our podcast so more
1:01:39
people can hear it. And we will
1:01:39
absolutely see you next time.
1:01:45
Take care.
1:01:45
Thank you both so much.
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