0:00

The following podcast contains strong language

0:02

and adult themes and is intended for a mature

0:04

audience. Listener discretion is

0:06

advised. Previously on

0:09

Wastelanders.

0:10

Oh, I'm gonna use the cup for good.

0:12

You'll see. Perhaps. But

0:15

it's that very notion that has put

0:17

your friends in danger. Has it

0:19

not? What's

0:20

this supposed to mean? I don't I don't know what that means.

0:22

I don't know. There's head now.

0:25

Earnings who can save him. You

0:28

can't leave. It's too late. You

0:30

ain't a stop. What what are you doing?

0:32

It's not me, then who's

0:34

doing this. Answer me,

0:36

damn it. It's you. It's

0:39

all been you. Yeah. They're

0:41

proud of it. Listen to

0:43

my boy. No. No.

0:46

We are going to stop this. I'm

0:48

going to stop this. Nat.

0:53

Nat. She's not responding.

0:55

Something's wrong. How does she look?

0:57

She's fading. It's like the

0:59

cube's draining her. Sucking the

1:01

life. And Quail said They

1:05

must have given him. They're

1:08

lost for the cosmic cube.

1:11

Not if we do something about it.

1:22

Come on. Come on. Get out

1:24

of this damn cube. Oh,

1:27

which toys did I come through? The

1:31

street is just appearing. So

1:33

you need that to escape. What

2:03

is this place? You let it

2:05

up. Answering

2:07

down it. Logan,

2:12

you hear that? What

2:14

to spark. I sounded like a voice

2:16

coming from inside the cosmic

2:19

cube. I started to act up.

2:22

Sparkling along the fracture hunt. How

2:24

does Natasha look? Completely

2:26

nonresponsive. As

2:28

if nobody's home, and

2:30

pale, Clint, Really

2:32

pale. Like, the life's

2:34

been sucked out of her. She's

2:36

starting to look like all these prisoners. We

2:38

have to do something But

2:40

give me a hand. See if we can

2:42

pull her off. Yeah.

2:45

Like physically pull her away

2:47

from the cube. Come on. Worth a shot.

2:54

It's got a good. Let's quill

2:56

like this too. Quick. Help

2:59

me try him. Come on. Wait.

3:05

Wait. Let me beat. Think

3:07

it's working. Pull harder. Pull harder. Come

3:09

on. Come on. Quip. Quip.

3:11

Quip. Man, fight it. Yeah.

3:14

It up, me. Quail, you

3:16

gotta work with us. You have to

3:18

work with me. I

3:20

see so clearly in here. Whatever

3:23

you're talking to in there. Whatever

3:26

their promise and it's not real.

3:28

They're using you. I mean, you're just jealous.

3:31

That I might actually be the hero

3:33

for once. Oh, please. Listen

3:36

to me buddy. I'm not your buddy. You

3:38

made that perfectly clear. Clear.

3:41

The cube's getting all dark and cloudy over

3:43

here. Hey. Hey. What happened to

3:45

the guy I came here with full

3:48

of life and cracking joke. This

3:50

world, it's all

3:52

wrong. There's there's nothing

3:54

to live for. Let's That's

3:57

not true. I lost everything.

4:00

Everyone. All I had

4:02

left was that group scene. And

4:04

now that's gone too. Okay.

4:08

What's going on? Enough

4:10

time. The cubes looking

4:13

for a new master and it shows

4:15

me. I'm doing what you

4:17

all couldn't. I'm going back

4:19

to do it all over again. To

4:22

fix our mistakes. What

4:24

mistakes? Oh, of

4:27

them.

4:29

Man, that she was right. What?

4:32

Oh, you know.

4:35

He tried to get me to see

4:37

it. Back

4:38

when I was blind with her aged start

4:40

tower, I

4:42

was too thick going to see. Get

4:45

you to see what? The collateral

4:47

damage. As long as

4:49

emissions complete, we come out alive.

4:51

We don't care. It gets hurt. Krill

4:54

does what he's about to. It could

4:56

affect a lot of lives, make

4:59

it so people never

5:00

existed. Yeah. It's not in Come

5:04

on. Give it everything

5:06

you got. Okay. Let's

5:08

go. Going.

5:13

Go get there. I

5:18

don't save the world.

5:32

Marvel Entertainment and series x

5:34

entry ZIP, Marvel's chapter

5:40

eight, shattered.

5:54

Can anybody hear me? What

5:58

do you think? What

6:00

is this? My conscience says greatest

6:02

hits Let

6:13

me know if not. Enough.

6:18

Whatever you're trying to prove, I guess, I

6:20

guess, I lived it. We

6:23

need to be

6:23

prepared. Get away with the

6:26

small home. I said they're not.

6:29

What do we have here? Quail.

6:32

We don't. You

6:33

chose to stay. I didn't choose

6:35

this. We have to work together,

6:37

find a way out.

6:39

Shame. So

6:41

these are your memories. Wait. What do you

6:43

mean shame? You lived a pretty

6:45

uneventful life all things considered.

6:48

How do we change the channel? Lincoln.

6:53

I'm gonna make your face so

6:55

unrecognized for your mother won't even

7:01

This is what happened to you. How

7:03

awful? No one achievements.

7:05

If you don't know what's

7:10

wrong, captain. Not

7:13

going to dare not, but fine.

7:15

You'll never get away with this. The confused.

7:18

Don't get

7:21

upset. Even

7:23

who will be over soon?

7:29

Why the hell are you watching this?

7:31

I needed concentrate.

7:37

Are you an actual empty? What

7:39

is it one of those online degrees for

7:41

show? Silence in the

7:43

south end. Of

7:45

course, he was there. Hi, nearly. It's

7:48

really been mister doom this whole time.

7:50

It doesn't have the same ring to

7:52

me. Your days are frequently abusing

7:55

your power are over. Started. You

7:58

lost. You all

8:00

lost. I don't lose. I

8:05

I'm a Dead.

8:16

This can't be happening. Where is

8:18

everyone planned? Just don't

8:20

touch this to me either. It doesn't seem to go

8:22

back. We have to warn the other. Bay stop.

8:26

Bay stop is not too high to say them.

8:29

It is too late.

8:31

My eyes. I'm

8:32

gonna go back and fix something. None

8:35

of this should have happened. So I'm

8:37

gonna make sure it never did. Don't you

8:39

realize what you're doing.

8:41

Our lives aren't the only ones

8:43

at stake. Won't

8:49

even

8:49

know. The kids chose me

8:52

when I'm the

8:54

one. Who can make this right?

8:58

I

9:02

think he's doing my fault. Well,

9:05

there's gotta be something here that can

9:07

help us. Anything

9:12

useful over there, Logan? No.

9:14

It's It's a bunch of

9:16

domes gushing over superheroes. That's

9:18

how the accident was. The room was

9:20

way shorter than I thought. Some jerks

9:23

too.

9:23

We'll keep working. I'll let you

9:25

know if the queue backs up.

9:28

I wouldn't be close

9:30

if they didn't show me. That

9:32

day changed my

9:33

life. Out of all the Avengers,

9:36

Polka is my favorite. Clint

9:39

Barton, bitch. What struck

9:41

me about Clint was how normal it

9:43

was. He was just a normal

9:45

guy with no powers, just

9:48

killer. That gave me

9:49

hope, made

9:50

me realize I could be a hero

9:53

too. Could

9:53

Is this one

9:55

of yours? Who? Woman

9:58

in a purple

9:58

outfit? Bow and arrow.

10:01

Is this who you came here

10:02

looking for? Hey. Is it

10:05

you? Don't tell him when Clint

10:07

was my role

10:07

model. Made

10:09

me who I am today. Kate. It's

10:12

me. Wake up. Wake

10:14

up. She's like the rest, just like what do I

10:16

want quell? Well, what do you see?

10:18

Can

10:18

we break her out? Did you find

10:20

anybody?

10:22

A cube.

10:25

Could you hear that?

10:27

that voice again coming from the queue.

10:30

That's Natasha. She must

10:32

be fighting back. If she

10:34

can beat it, maybe kick him

10:37

too. Voice.

10:39

It's escaping to the cracks. Keep

10:41

talking. Natasha, it's Clint,

10:44

focus on the sound of my voice

10:47

tasha, focus. I

10:50

love.

10:54

You August are

10:56

all critical. Is that

10:58

you?

11:02

Sort of keep talking. Well, this

11:04

is gonna sound good

11:06

because you're out

11:09

here. I mean, your body every without

11:11

who here, but I'm talking to

11:13

your voice in

11:15

there, your voice that

11:18

you're you're after. I don't

11:20

know. I'm talking to you through

11:22

a busted up cube from out of

11:24

space. Yeah. It sounds as insane as

11:26

it feels. Okay. So

11:28

what are your excuse me? How

11:30

can I get out of this? It's

11:32

not me. You've got to worry about it. It's quill.

11:35

All those prisoners who knows what will

11:37

happen to them if he goes through with this.

11:43

That's it. I'm destroying

11:46

the q. What destroy it? No.

11:48

No. We we don't know what that'll

11:50

do, who who that would hurt.

11:52

All these people. K. What

11:55

if destroying the cube takes them out with

11:57

it? You got any better ideas?

12:00

Then take some Look, wait.

12:02

Wait. Just give me five

12:04

minutes. I have history

12:06

with quill. Recent

12:08

history. Maybe I can get through

12:10

the water. Five

12:13

nights or I'm taking matters into

12:15

my own hands. Understood.

12:21

Guys running out of time here.

12:29

Well, listen to

12:31

the show. Up Okay? You're

12:33

blowing my concentration.

12:35

There's something you need to eat.

12:37

It's too late. Once said

12:39

there's no place for heroes in this world

12:41

anymore, you were right, which is why I'm going

12:43

back to a time when there

12:44

was. No. No. No. Quail,

12:47

I was wrong. About

12:49

coming to you, about you than me.

12:52

I owe you. No.

12:55

No. No. No. There's a time for

12:56

that. What comes so or

13:00

underestimate you. You

13:02

just want the world to be a better place

13:04

like it was

13:05

before four.

13:05

Why do you think I'm here? You

13:08

don't need

13:08

to do all this to be a hero.

13:11

People already are. You

13:13

are freaking star. Man.

13:17

Trust me. I get

13:19

the grief of still being alive,

13:21

of being alone, and world.

13:24

But then

13:25

you showed up, stuff.

13:27

You went practically no one else

13:29

would.

13:30

You said you needed help. That's what heroes

13:33

do. You're out of the year.

13:35

Well, but you're also

13:37

my

13:37

friend. What

13:38

can a hero, am I if I can't even protect a

13:41

group scene? Wait. Wait. Wait.

13:43

Wait. If everything here

13:46

is an illusion. Right?

13:48

Then what happen with your

13:50

rootsheet was too? What? You

13:52

think? Uh-huh. Which

13:54

means? Oh, no

13:58

way your group's hit here.

14:02

Was he from the law? I

14:06

do that. You have

14:08

room? I'm sorry.

14:12

I wasn't a friend of you when it

14:14

mattered. I promise to do better

14:16

going forward. Oh, a fix, okay.

14:18

Oh, that means so much.

14:22

He's wolverine there. Can you get

14:25

him to say all that too?

14:26

Oh, bless you, bro.

14:27

Come on, big guy you could say

14:30

it. We're all friends here. Yeah.

14:32

Whatever.

14:33

We're all

14:33

friends. One big happy

14:36

family. Just quit

14:38

trying to ruin the world already.

14:41

Oh, wow. We're here. We

14:44

know. Go in

14:45

there.

14:45

Yeah. She's up. Here, Logan.

14:48

Hey. How may you say? You don't have

14:50

to say anything. I saw

14:52

that day. What happened to

14:54

you was horrible looking?

14:56

What happened to them was

14:58

horrible. I lost control.

15:01

Officer, I worked for her to keep

15:04

inside all of her. She finally came out and

15:06

killed the people. I loved the close

15:08

I'm sorry, though, then that

15:11

wasn't you? No. I was

15:13

afraid

15:13

to be me for a long time after that.

15:16

Until you drag me a little

15:18

reminding

15:19

me how to be me again.

15:21

So I owe you. Let's

15:24

get you out and get back to what

15:26

we all do best.

15:28

You go? I go.

15:31

That's what you said back at Starke Tower.

15:33

You wouldn't let me come here alone.

15:35

It's me that owes you.

15:37

You see Quill? You

15:40

are not alone. None of

15:42

us are. We could

15:44

be alone together. I

15:47

think it's working. Your energy.

15:51

Breathing the cue. You guys are so

15:53

right. Us four

15:55

heroes coming together after

15:57

all these years. Saving the

16:00

day share at this right here,

16:02

all this raw emotion sharing

16:04

feelings, self discovery,

16:07

family,

16:09

Okay. Spoke to

16:10

Whoa. We're going to ferry

16:12

season. This

16:13

guy's closing in on us.

16:15

And I'm out here too.

16:16

I think our stay is about to

16:19

go temp to

16:20

firm, which could mean the same fate

16:23

for all of cute presence.

16:24

There's got to be way out.

16:27

How did you get here, Quail?

16:28

Yeah. You know, if I'm being honest,

16:30

I don't remember getting the queue if

16:32

I had that we feel for a bit. Do

16:33

we still have this connection? Focus

16:36

on it. Maybe that's the way.

16:38

God. Here goes the connection. Clint,

16:41

log in. And

16:44

if we lost them, sounds like our

16:46

windows closing, I don't

16:48

know what to do. I

16:51

do. Stand back. What

16:53

are you doing? No. No.

16:55

You could get yourself killed. I'm gonna do

16:57

what I should have done when we got here.

16:59

There's joy this thing once and for

17:01

all. This isn't on you,

17:03

Logan. Yeah, it is. It's gotta be

17:05

me. Trading one life

17:07

for another can't be the answer. You heard her. It's

17:09

not just one. It's all these

17:11

people. It's Kate's life too.

17:14

Step

17:15

aside. I don't wanna hurt

17:18

you.

17:18

Just let me do

17:21

this. You'll die man. Let me

17:23

die. Then what's risking their life? It should

17:25

be me. But what happened

17:27

to you go, I go. I'm

17:29

an old man, Clint, I've lived

17:32

dozens of

17:32

lives. There's

17:33

nothing more I need to see, but when

17:36

you take it from a guy who

17:38

can't see. There's always

17:40

always more than you think.

17:42

We're all proof of that.

17:45

Look, The

17:47

Adam and DM in my body has been

17:49

poisoning me for a while.

17:51

Who knows how long I have left what?

17:54

What didn't you

17:56

say? Look at me buddy. I've

17:58

had a hell of

18:01

a riot. Done some good.

18:03

Done some bad. Let

18:07

this be some of the good. Okay?

18:13

Okay. Do some

18:16

good moment. I see

18:18

you when the dust settles.

18:46

Anyone

18:51

with me? Please.

18:57

Please. Somebody answer. Over

19:01

here. Nah. Nah.

19:07

You're alive. Thanks

19:09

to you. Thanks

19:12

to Logan. Natasha,

19:15

I'm not sure he made it.

19:21

Guys, check out old

19:24

man login.

19:25

Is he alive? Logan, wake

19:27

up. Logan? Logan, can

19:29

you hear us? Oh, he's he's probably

19:31

just healing or something. Right?

19:33

Yeah. I gotta say,

19:36

gonna spring up any second. Alright, big

19:38

guy. Come on. Yo. Yo. Come

19:40

on. Come on.

19:41

Wavy. Let's go.

19:43

He's not

19:44

breathing. We have to do

19:47

something. Don't

19:48

you stand there? Help me get

19:51

him up.

19:51

Where would we bring him?

19:53

No. I'm the reason he's here. I can't be the

19:56

reason he dies. I'll

19:58

use the cube. I'll use whatever's

20:00

left

20:00

to bring him back. That, you know, we can't do

20:02

that. No. This can't happen.

20:04

He's functionally immortal as any.

20:06

There must be a way. I'm

20:09

sorry. Is

20:10

God. It should

20:13

have been me.

20:32

Not. I know you don't wanna hear

20:34

it. Then don't say

20:35

it. Look for area

20:38

will come for us. The

20:40

cube is shattered, but she'll come for

20:42

what's

20:42

left. We gotta go. Then go.

20:45

But I'm not leaving him. Not until I

20:47

figured this out, not until he heals Uh-huh.

20:49

Logan knew the risk. He did it

20:52

anyway. He did it for us

20:54

and for all these

20:55

people. If we don't move,

20:57

his sacrifice will be for nothing. He

20:59

could easily have given up on me back in

21:01

New York. He followed me into

21:04

that portal despite every voice in his

21:06

head screaming

21:06

no. It's not your fault.

21:08

He's dead man. And I can't let you

21:10

stay back and die along with them. I

21:13

can't do

21:13

that. We need to get out of here. We

21:15

need to get all these people out

21:17

of here. And worked.

21:22

They're all free. You

21:24

see?

21:24

This is why Logan did what

21:26

he did. He saved all

21:28

these people. Kate, included. We

21:31

honor him by saving them. Yeah.

21:33

We may wanna

21:34

hold off on the celebration just -- Yeah.

21:36

-- can you

21:37

be a little less spag. I

21:39

think we may have bigger fish

21:41

to fry. Quell.

21:44

Come on. Look outside.

21:46

What

21:46

the hell was that? That

21:49

is the

21:49

cosmic force field going down,

21:52

which you're used for free

21:54

to lead, but also they're free to enter.

21:58

Stark aircrafts. Aim ones

22:00

too. They're coming from all directions.

22:02

There here for the

22:03

cube and right about now,

22:06

there's enough of it to go

22:08

around. Yeah. Look, if the cube can

22:10

trans someone as unflappable as

22:12

me Imagine what it'll do

22:14

to these jokesters. How

22:19

how to is

22:22

Tony's niece Judy Stark

22:25

when I keep trying to avoid a

22:27

confrontation with him. Too

22:30

bad

22:30

for her. She chose the wrong day to

22:32

pick a bite with me.

22:36

Which of these buildings has the cube math

22:39

thinker? Complex equation.

22:41

Everything here seems fluid. The

22:43

buildings change in real time and

22:45

keep an eye

22:45

out. Now

22:47

you told me, where the hell did

22:49

that building come from? The structures

22:51

of this whole city seem to

22:53

appear and disappear with no clear pattern.

22:55

The cube's

22:56

doing? Odds are yes. The cube is

22:58

in disarray and or the current

23:01

wielder has erratic untrained tendencies.

23:04

Great. Lomalous cannon.

23:06

Where do we attempt and see? Based

23:08

on heat signatures on a triangulate architecture

23:11

detail, I'd say sixty four percent in the

23:13

Baxter building

23:13

overhead, thirty two percent of renters

23:16

mentioned on your rent.

23:17

Cute. What's the other four percent?

23:19

There is a four percent chance the cube

23:22

is no longer present. No longer

23:24

present? Are you kidding me? Where

23:26

would it be? Well,

23:28

Judith's dark.

23:30

Judith's dark. You

23:33

have been a persistent thorn

23:35

in my side, a disgrace to

23:37

your country, a stain on

23:39

the entire human race, prepared

23:42

to be justly

23:43

annihilated. Well performed super

23:46

adaptoid, almost human even. Did

23:48

you rehearse that in front of your

23:49

LMDs, I imagine? Tell me once

23:52

I destroy you, are you recyclable

23:54

or do you go right in the trash? I find it

23:56

hard

23:56

to take you seriously while you

23:59

are playing dress up in uncle's old work clothes.

24:01

And you're mimicking them because your

24:03

whole race on Detra is pretending to be

24:05

other people. People who are

24:07

better than you in every conceivable

24:09

way. It has

24:13

feelings. You know, being so

24:15

emotional isn't a good treat for the

24:17

president. Luckily, I have an

24:19

ironclad temperament. The presidency

24:21

will never be yours.

24:25

No will you ever be

24:26

Ironman? The truth is,

24:29

I'm not Ironman, but I am

24:31

going to get that cube. Then I'll

24:33

have more power than you or

24:35

my uncle could ever dream of. Now, prepare

24:37

to be justly annihilated

24:39

you overpriced microwave. K.

24:47

Kate, where are you?

24:51

Clint, k You

24:54

okay? I'm okay, I

24:57

think. Oh. Kate

24:58

Bishop. Has this and lady we came

25:00

here looking

25:01

for. Nice. I

25:04

am so happy to hear you.

25:07

Me too. Your voice. I

25:09

mean, it's not like I love the sound of

25:11

my own voice or anything.

25:13

Where's Ash?

25:15

Is

25:15

she okay?

25:16

Yeah. She's okay. Well, okay,

25:18

as long as the world doesn't end.

25:21

Good. Wait, what? The world might

25:23

end? What are we doing here?

25:25

Looking for you, at least at

25:27

four I

25:29

think I actually might have been for a

25:32

minute. Things got

25:34

real weird. Natasha,

25:37

you're alive?

25:38

Yeah. Things got real weird for me too.

25:40

It's a long story. Best

25:42

heard swear out of this mess.

25:44

I'm Star Lord. By the way, heard a lot about

25:46

you. I was a lot guy's quest

25:48

to find

25:49

you. God And there I saying we even learned

25:51

a thing or two. Oh, alright.

25:54

Boom.

25:54

Okay. Starring time is over.

25:57

Okay. Can you move? I'm a

25:58

little weak, but yeah. Great. Look, we're

26:00

gonna need to help getting these people out of here as

26:02

far away as you can. Can

26:04

you do that? It's literally what I

26:06

do best. Remember Canada? Okay.

26:09

And I forget. Are you not

26:12

coming? Things could get ugly

26:14

here. We need to hold the line,

26:16

defend the cube at all

26:17

costs.

26:17

Copy that. I'll come back once I get all out. No. No.

26:20

No. You stay with these

26:22

people. Keep them safe. I

26:26

just got you

26:26

back, Keith. Promise me. Promise you won't

26:29

return to this place. Oh, fine. I get

26:30

it. Do you? Yeah.

26:32

Yeah. I

26:33

better jump up here

26:36

and talk to these

26:38

people. They seem really confused.

26:41

Listen up. Everybody sit up,

26:44

Brian. Yeah. Yeah. Hey.

26:46

Listen up. We don't have much time

26:48

here. So you've all all

26:50

you've been taking prisoner in somewhere

26:53

another by pissed off immortal

26:55

lady child using the same cosmic

26:57

cube. Right? So Kate

26:59

here, Kate's gonna get you all the safety

27:01

before this whole place

27:03

grows. Right?

27:03

That's right. Let's move

27:06

people.

27:06

Let's go.

27:07

Come on. You too. Let's go.

27:10

Look after him sir.

27:11

Star gun. It's Star

27:13

Lord. Yeah. Man.

27:19

Well, Now what?

27:28

June.

27:28

Hey, where are you

27:29

bad? And what's with the bomb

27:32

like? There's

27:33

no time to explain.

27:35

You're all in in game changer. Alright,

27:37

pal. Take a look at the cube. While

27:39

you were playing a cookie, we handled

27:41

it. Valeria is far more

27:43

calculated than you could ever imagine.

27:45

If you were able to get to the

27:47

cube, it's because she permitted

27:49

it. Now the cube, it called out

27:51

to me, seeking a new master

27:54

cube, Valeria must have had a

27:56

breakout. What the hell is that? Come on, man.

27:58

I'm getting some good licks on Dumi

28:00

here. The

28:03

cube. It's reforming me. It's

28:05

exactly as I predicted. Valeria

28:08

is summoning back the cube, and

28:10

now it's more volatile than

28:13

ever Wait a minute. Wait.

28:15

What? What? So it's hers again?

28:17

It was always hers boy.

28:19

That's what I've been trying to tell you.

28:22

So This was all for nothing?

28:24

I did not necessarily. If

28:26

you listen to me, I may

28:28

have one last play and why would

28:30

we listen to a hurt or

28:32

I like

28:33

you. It's the only way I see you getting out

28:35

of here alive. Yeah. If

28:37

you care so much about our well-being,

28:40

where you when Logan

28:42

died.

28:42

The energy still

28:46

radiating from his claws. The cube

28:49

did this? Yes. He saved

28:52

us. Save them all.

28:54

Interesting. If this

28:57

unstable cube was able to bring

28:59

death to the immortal. Perhaps

29:02

Valeria isn't as

29:04

invincible as she believes herself to

29:05

me. Oh, I can't listen to this.

29:08

Somebody get

29:08

him out of here. My condolences

29:10

on your friend, but it precisely

29:13

illustrates my point. I assured you

29:15

whatever Valera has been storm

29:18

next will be far worse.

29:20

Will you get to the point already

29:23

doom exactly are you asking for?

29:25

I need your

29:26

help. Ugh. One

29:28

final collaboration. Let me

29:30

guess. Based off you coming

29:33

here, I'll wobbly. You wanna use this as life bait

29:35

again. Uh-huh. This guy

29:37

is unreal. We'll take our

29:39

chances without you. Not

29:42

me. I simply need you to handle what's

29:44

happening out there while

29:46

I focus on Valera.

29:48

I'm too injured to

29:51

perform physical combat with fools

29:53

clad in iron, but

29:56

valeria. That will be

29:58

a dance of magic and

29:59

intellect, which I have

30:02

in a bun dance. I'm not leaving

30:04

Logan. So take your magical

30:06

dance and shove it up that wobbly

30:08

metal aspew.

30:11

A callback. You burn.

30:14

Doctor

30:14

doom does not expect your

30:17

trust. But Consider

30:21

this. In exchange

30:24

for your cooperation, I will

30:27

attempt to resurrect your

30:29

friend.

30:29

If you leave it once to accomplish

30:31

your task, are

30:35

we in agreement? Yeah.

30:39

Is your call to make. Deal.

30:43

But if you're up to something, I'm

30:46

killing you. Myself.

30:47

Yeah. What she said.

30:51

Well, here

30:54

we are. Back to where we started. The

30:56

streets of this bizarre, newest,

31:00

old New York City. You

31:02

Goodnet. Yep. You said

31:05

Judy meant something to you. We'll try

31:07

our best to take her in if we

31:09

can. There is

31:09

no in anymore. We're

31:12

I saw that sooner. She made her bed come

31:14

in here. It's on us to make

31:16

sure nobody else gets hurt even if

31:18

that means taking her

31:20

out. I'm

31:22

with you. Let's hope nobody

31:24

gets hurt.

31:27

Alright then. Let me try to do

31:30

some rock solid hero stuff.

31:32

The franchise, I

31:35

know, but I've kinda watched

31:38

go. Look

31:48

at you. Wolverine.

31:52

So I've hundreds

31:54

of you ears only to fall moment you

31:56

punched above your

31:56

weight. I'm

31:58

not going

31:59

to save you old

32:01

but these claws.

32:06

Supercharged with cosmic energy

32:10

come in handy.

32:37

Laws. They will

32:41

make a worthy addition

32:43

to my honor, especially

32:46

for what comes what

33:14

fools believe when their

33:16

eyes deceive

33:18

them. Shattered.

33:23

I've never broken. Reason.

33:30

Our paths congruent

33:34

at last

33:36

doom is real un

33:39

knighted with the cosmic team.

33:45

On the

33:52

next episode of Marvel's,

33:55

Wastelanders your hostilities

33:57

to this storm. The

33:59

cosmic cube will be the superadaptoids alone.

34:03

Over my dead body, you

34:05

saw as robot, android,

34:07

whatever the hell you are. I

34:09

am your downfall. Earth.

34:13

Whittles, quail, which one of you

34:15

had get sandwiched between Judy Stark

34:17

and the super

34:20

adaptoid in a fight on

34:22

their to do list today because

34:24

I know I should.

34:25

Fuck I quell look out.

34:29

We see you, doom, coat.

34:32

Flailing his

34:34

arms like Webb's rebridges, or

34:39

rather his likeness. Take another look, Victor.

34:41

Am I re enriches? Oh, the

34:43

ever loved blue

34:46

eyed thing. Marvel

34:58

Entertainment and series XM present

35:00

Marvel's Wastelanders starring

35:02

Dylan Baker as Doctor Do.

35:05

Kimothy Field is Starboard, Steven laying

35:07

as Hawkeye, Robert Patrick as Mulvareen,

35:09

and Susan Sarandon as

35:12

Black Widow. Directed by Kimberly Senior, original sound

35:14

design by one thousand birds,

35:16

original music by Lindsey Jones,

35:18

story by

35:20

Mark Wade. Written by

35:22

Nick Bernadome. Featuring

35:24

performances by Eva Amory

35:26

as Elena Palova, Craig

35:29

Bierco, as captain America, Charice Booth

35:31

as Jean Grey, Amber

35:33

Grey as Judy's Dark,

35:35

Daniel Jenkins as super

35:37

adaptable late. Rebecca Naomi Jones is

35:39

Valerier Richards, Nadine Malouf,

35:42

Escora, Danny McCarthy, as

35:44

Iron Man, James Meredith,

35:46

as read Richards,

35:48

Jade Michael as Franklin Richards,

35:50

Jeff Perry as narrator,

35:52

Clark Peters as Professor X.

35:55

Jane Zayito as Baron

35:57

Simone, Tracy Tom's as

35:59

Kate Bishop, Laredo, as

36:02

Matt Thicker. With additional voices performed by Ryan

36:04

Bartley, Daphne Gaines, Shane

36:06

Sweet, Bruce Linett, produced

36:08

by Ginnie Redlet

36:10

Nas, Brad Barton, MR

36:12

Daniel, Larissa Rosen, and Lydia Smith,

36:14

our production manager is Libby Feltch,

36:16

associate production manager is Fred Carlos,

36:19

Our script supervisor is Julia

36:21

Island, casting by Alain Ralfour

36:23

and Lisa Donario, audio host production

36:25

by one thousand birds our lead

36:28

sound designer is Jackie Sowell,

36:30

recording, sound design, and mixing by

36:32

Torengeller, Haley Livingston, Mira,

36:34

and Rahim. KT People, and

36:37

Jackie So, dialogue editing by

36:39

Tom Barrett. Our audio post producers,

36:41

Alex Burner Cole, and our executive

36:43

producers Ogwen Freeland and

36:45

Kira McKnight. Original score composed

36:47

by Lindsay Jones, music clearance by

36:49

Christine Bergren and Allison Parra,

36:52

the production of Eagle by Chad Russo and

36:54

Cooper Ward with Raimo Law, PC,

36:56

payroll services by Violet Romero and

36:58

ABS payroll Executive produced by

37:01

Dan Buckley, Joe Casada, Sarah

37:03

Amos, Dan Fink, Steven

37:05

Wacker, Elipayo, and Jill

37:07

Dubeau. My name is Tim

37:09

Rose. Marvel's Waste Landers is a production

37:11

of Marvel Entertainment and series XM

37:13

in association with Wade

37:16

Runner Studios. For more information, visit marble dot com

37:18

slash wastelanders. This

37:20

podcast was recorded under a sag

37:22

after a collective bargaining agreement.

37:25

No animals were harmed in the

37:27

making of his podcast.