Episode Transcript
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0:00
Maxie Miles is a production of a typical artists
0:02
and I heart radio. Hey
0:08
THEO. Wait up? Okay,
0:10
Max, you have a free
0:13
period now too. Well.
0:15
I'm headed to the library to study if you want
0:17
to join. Actually, I was hoping
0:20
to talk to you. Look,
0:23
Max, I don't know anything
0:25
about the investigation. I promise my
0:28
dad won't tell me anything. No,
0:31
no, it's not that. I
0:33
mean so if you had even overheard
0:35
something or know what the main theory is right
0:37
now? Nope, no, never
0:40
mind, just focus, Max,
0:44
Um, Are you okay?
0:46
I so
0:50
this is kind of weird. Okay.
0:55
Jenna has been getting these notes in her locker, like
0:58
poems and stuff, and she
1:00
wanted me to figure out who it was. And yeah,
1:05
have you told her yet? No? No, I
1:08
didn't. I thought that maybe
1:11
you'd want to tell her. What
1:13
Why would I want to do that because
1:15
you have a crush on her? Max?
1:19
What you don't know? I?
1:22
Oh god, this is humiliating.
1:25
Yeah, thanks, No,
1:28
sorry, I didn't mean. I just
1:31
look. I think it's
1:34
really sweet what you were doing. I
1:36
read the notes and they
1:38
were really good, THEO really
1:41
romantic. Really
1:45
Yeah, Jenna's
1:47
a lucky girl. You really think
1:49
so? I do? Often this is perfect.
1:52
You can tell her for me, what I
1:54
mean. She wanted you to
1:56
find out who it was, and you
1:59
did, so now you can tell her.
2:01
But THEO, if you know she's
2:04
going to know it's you, wouldn't it be
2:06
better to just tell her yourself
2:09
ask her out? But she
2:12
might say no, okay, but
2:15
that's true. Even if I tell her, don't
2:17
you want her to hear how you feel from you? I
2:20
don't know. I guess I
2:22
never really thought about what I would do
2:24
if she found out, So you
2:26
were never planning on telling her. I
2:29
was kind of just focused on writing the poems,
2:31
if I'm honest, I
2:33
never really thought about what she might
2:35
think of them. But you were writing
2:37
those poems for her, right,
2:40
Yeah? You really think
2:42
they're good, the poems. Yeah,
2:46
I mean it's it's clear
2:48
you really care about her. Well,
2:51
you know what they say, poetry
2:53
is the food of love. I guess
2:55
the opposite is true too, love
2:57
makes for good poetry. I
3:00
guess THEO
3:03
if you're not going to do anything
3:05
about it, I did promise
3:08
Jenna i'd figure it out for her. Yeah.
3:11
Yeah, it's totally fine. I
3:14
get it. So you're
3:16
okay with me telling her that you
3:18
like her sure, and
3:21
if she doesn't like me back, well I
3:23
hear heartbreak is good for poetry too, Right,
3:28
Anyway, I should get to study hall.
3:30
Are you coming? Um? Actually,
3:33
I've got other stuff I need
3:35
to do. Are
3:37
you going to tell Jenna now? No?
3:40
No, I'm meeting her after work. I just I
3:43
don't much feel like sitting in a dark
3:45
and quiet library right now. See
3:48
you later, Max. Yeah. By
3:51
THEO from
3:58
a Typical Artists and I heart radio. You're
4:00
listening to Maximles. This
4:26
is chapter five The Truth. Good
4:35
afternoon, Max, Hey liss honey.
4:37
Well, I'm
4:40
so sorry about the other day
4:42
with Oh, no need to apologize.
4:45
I understand where your father is coming from.
4:48
Joe. Isn't my dad, he's
4:50
my uncle. How nice to have
4:52
family in town. No, it's my
4:56
parents. They they
5:00
passed away a few years ago. So
5:03
Joe takes care of me. Oh I
5:06
see, I'm
5:08
so sorry Max, Yeah,
5:11
me too. He seems like he's a fantastic
5:13
guardian. He is, even
5:16
if he's being stupidly overprotective.
5:19
You don't think you should be worried that
5:22
that boy Riley is still
5:24
missing, isn't he? Yeah? He is, which
5:27
is whyatt I
5:30
just I think I can
5:32
help. Max. I understand being worried
5:34
about your friend, really I do, but
5:36
you need to take care of yourself. The
5:38
last thing this town needs is another missing
5:40
child. Yeah, yeah,
5:43
I know. Chin up, Max, It's
5:45
going to be okay. Why, just
5:47
on my way here, I heard some people
5:50
discussing the search party this afternoon. They're
5:52
doing another one. I guess they want to look
5:54
deeper into the woods. This time they'll
5:56
find Riley. Max. Yeah,
6:00
yeah, they will, right, Yes.
6:03
Now the reason I'm here,
6:06
Oh right, what
6:08
are you shopping for today? You? In
6:10
fact, I was hoping
6:12
to solicit your aid in
6:16
a peculiar problem I'm having.
6:19
Really you want my
6:21
help? Well, as you know, this
6:23
town really is quite small, and people
6:25
do talk. Guessing you've
6:27
heard some stories about me. Apparently
6:31
you're very good at solving town issues.
6:33
See, I can help with Riley. Missing
6:36
pets and stolen bikes are a bit
6:38
different. I think. I
6:40
don't say that to diminish the things you do, Max,
6:43
but it might be best to work your way
6:45
up to the serious stuff. So what
6:48
kind of problem are you having? It's the
6:51
end. There's been some strange
6:54
noises this past day or so. I
6:57
fear that someone may have broken in. Oh
7:00
wow. Now, I don't
7:02
want to distract the community watch group with this
7:04
when they've got much more urgent things to focus
7:06
on. So I
7:09
was hoping you could lend a hand. You're
7:11
sure my uncle didn't put you up to this to
7:14
keep me busy. I assure
7:16
you he did not. Why would someone want to break
7:18
into the maple floorpe. It's not even open
7:20
yet, right exactly, It's practically empty,
7:23
so I have absolutely no idea why anyone would
7:25
be lurking about unless
7:29
unless what, Well, it's
7:32
foolish, but some of
7:34
the noises, it almost feels as if the
7:36
place is haunted. What. I'm
7:39
not inclined to believe in such things, but
7:42
the building really does have quite
7:44
the history. Oh, I am in,
7:47
I am all the way in, excellent.
7:52
I know you have school and work and all of that. So
7:54
I was thinking maybe Saturday.
7:57
Whatever is going on, I don't think it's a danger.
7:59
Said today is perfect, lovely.
8:02
I will see you then, have a good day,
8:04
Detective Miles, thanks
8:07
you too. Hey,
8:33
Mr Monty, is my uncle
8:35
there? Hey?
8:38
Joe? Yeah, Yeah,
8:41
everything's fine, No,
8:45
not yet. Well,
8:47
that's actually why I'm calling. We
8:49
just got a new shipment of stuff in
8:51
and I offered to stay late
8:53
to do inventory. Is that
8:56
okay? No?
9:00
I think we're planning on ordering a pizza,
9:05
maybe like nine or
9:07
so. No, you don't need to What
9:10
was that? Oh?
9:13
Wow, great? Thanks? No,
9:16
she just said she'd give me a ride home.
9:19
Yep, of
9:22
course, I love you too. Where
9:28
are you calling for me? Uh?
9:31
Nope, it was out on the phone,
9:33
wrong number anyway, tills
9:36
all locked up? Wait wait,
9:38
wait, it's only four thirty. Right,
9:41
you've got that extra curriculo thing today I forgot
9:43
yep, exactly. Me
9:45
and a friend are doing an environmental survey
9:48
in the park. All
9:50
right, thanks
9:53
bye?
10:08
What not the answer you were expecting?
10:11
THEO? THEO has been sending
10:13
me these notes. No,
10:16
no, THEO and I are friends. This
10:19
there's no way I thought we understood
10:21
each other. This is a disaster understood
10:24
each other? What do you mean? I
10:26
thought THEO was like me, like,
10:29
too busy for dating? You mean, yeah,
10:33
too busy for dating? Well, I
10:35
mean after talking to him,
10:37
I'm not sure that. I mean, is he totally
10:40
cracked? Never in my life
10:42
have I thought about THEO combs in that
10:44
way. If it makes you feel better,
10:47
I actually think because like, even
10:49
if dating was on the table, he
10:51
shouldn't want to date me, and I
10:53
would never want to date him. We'd want
10:55
to date people like ourselves,
10:58
or at least that's what I thought. I'm
11:01
sorry, Jenna, I'm totally lost like
11:06
another girl. Okay, that's
11:09
what I'm saying. I don't want
11:11
to date THEO, not because he's not
11:13
great and all, but because I don't see
11:15
him in that way. In fact, I'll
11:17
never be able to see him in that way, because
11:20
because you want to date another girl? Yeah,
11:24
anyone in particular, that's
11:27
your first question. Well, I don't
11:29
know. I'm kind of like invested
11:32
in your love life after all this. I'm
11:35
curious Max.
11:40
You always zig when I
11:42
think you're gonna zag. No,
11:46
No, there's no one in particular. What
11:51
what are you thinking right now? No,
11:58
it's nothing. I just
12:00
got I got swept
12:02
up in the romance of these notes. I
12:04
guess I was kind of hoping
12:07
this would all lead to you sailing
12:09
off in the sunset with someone. And
12:15
you thought THEO was the same way
12:18
that he wouldn't want to date you because
12:20
he would want to date a boy instead.
12:25
Yeah, And I
12:28
don't know. We never talked about it or anything
12:31
clearly. Maybe he does want to date
12:33
boys too, but I just thought it
12:35
doesn't matter now our friendship is screwed
12:38
up forever. Why
12:40
because he likes me and I can't like him
12:42
back. I don't see why that has to ruin
12:44
everything? And for
12:47
what it's worth. Well,
12:50
I wasn't planning on saying anything, but I
12:52
don't think you'll be offended by it now, So what
12:55
is it? Max? I
12:58
don't think THEO was really all
13:01
that invested. What well?
13:07
I told him that I knew
13:09
it was him who wrote the notes so
13:11
that he could tell you himself instead of me, and
13:14
he didn't want to see I
13:17
knew whoever was writing these was a coward.
13:20
Come on, that's not fair, Jenna. Theo's
13:23
your best friend. He probably didn't
13:25
want to mess anything up either, then why
13:27
write them at all? I
13:30
think I
13:32
think you're his news? What?
13:36
Yeah, that must be it.
13:39
He seemed way more focused on his poems
13:41
being good than anything else and
13:44
was going on about heartbreak is food
13:46
for poetry or something. I
13:48
don't know. I wasn't really following. That
13:51
sounds like THEO, so maybe
13:55
he was just playing a part
13:58
the poet in love with the beauty a full news.
14:01
Maybe I think
14:03
you should talk to him. You won't tell
14:05
him, right, tell him
14:07
what that I'm
14:10
that I'm gay? Oh No,
14:14
I don't think it's mine to tell. I
14:18
am surprised that he doesn't know already. Aren't
14:20
you guys like really close? Yeah?
14:23
We are, but I
14:25
don't know. We don't always talk about real
14:27
stuff, you know. Yeah,
14:33
why didn't you tell me what?
14:35
In all the heart to hearts we've had in the
14:37
past few years? Okay?
14:40
Fair? So you
14:43
didn't know in middle school what
14:46
I mean. We were friends then, so
14:49
I assume you hadn't figured it out, or
14:51
otherwise you would have told me. Oh
14:53
my god, Max, How
14:55
are you making this about you right now? Sorry?
14:59
Sorry, I'm not I I
15:01
just want you to know that you
15:04
could have told me. You could
15:07
have told me anything. I was still figuring
15:09
it out, okay, and
15:11
it wasn't something I wanted to talk about until
15:13
I had completely figured it out. Did
15:17
you think that I'd care? Because
15:19
I don't. I don't think anyone would.
15:22
It's just it's
15:24
hard being different in Hastings. You
15:26
know, it's easier to just
15:29
go along with what everyone else is doing
15:33
and there are no gay people here. My
15:36
uncle is gay. Okay, great,
15:39
one person. Actually,
15:42
I'm pretty sure he's dating someone, so
15:44
that would make two people who aren't totally straight.
15:46
Really, who is he dating? I
15:49
have no idea, but he's been spending
15:52
large parts of the weekend out and then he comes
15:54
back all happy. Gross.
15:57
I know you
16:00
don't think I understand what it's
16:02
like to be different. I
16:04
mean, every family in Hastings is
16:06
like the perfect white
16:09
bread all American, two
16:11
parents and two point five children,
16:14
and I'm
16:16
me. Yeah,
16:18
you're you president of
16:20
the Hastings is the Best Place to Live
16:22
Committee. Just
16:24
because I love Hastings doesn't mean I
16:26
always feel like it loves me. You're not alone
16:28
and being raised by a single guardian
16:32
person. THEO lost
16:34
his mom too. I
16:36
know that's part
16:38
of why I'm
16:41
sorry Max, for
16:44
whatever that's worth. I
16:46
actually am sorry
16:49
for what that THEO likes
16:51
me and that I don't
16:53
like him. But you do,
16:56
No, I don't. Oh, come
16:59
on, Mac, everyone
17:01
knows ironically
17:03
THEO is the one exception to that. Yeah,
17:07
well I guess I know
17:10
why he wouldn't. He's been
17:12
a bit distracted. I'm sorry.
17:16
It's not your fault. Besides
17:20
what, I
17:22
don't know what talking
17:24
to THEO this morning about you, I
17:28
wasn't nervous for the first
17:30
time ever, ever,
17:32
since Ross told me that THEO wrote
17:34
the notes. I
17:36
don't know what THEO
17:40
liking me made him repulsive to you.
17:44
No, it's it's not that. It's
17:48
the poems were so beautiful, you
17:50
know, so passionate,
17:53
and then talking
17:55
to him about them was he didn't
17:57
mean any of it. I didn't
17:59
say that THEO thinks
18:01
the world if you. I don't know what
18:04
it is exactly. THEO
18:06
is more passionate about the idea of
18:09
love than he is about me. Yeah,
18:13
yeah, that's what it is.
18:16
Classic prioritizing
18:19
having a crush over who the crush
18:21
is, and that's a pretty cynical
18:23
way to look at things. Yeah. Well,
18:26
understanding people has never
18:29
been your strong suit. Max. You're
18:34
right. I don't understand
18:37
how you could feel strongly
18:39
enough to write poems for someone and not
18:41
do everything you possibly could to
18:43
tell them. I get being
18:45
scared. I mean, I never told
18:48
THEO how I feel. But if
18:50
I were really in love with someone, I
18:53
like to think I'd do anything for them.
18:57
Isn't that the way it's supposed to be. I
18:59
have no idea, Max, find
19:02
me another girl in New Hampshire who also likes
19:04
girls, and maybe I'll tell you.
19:08
Well, I've already solved
19:10
one. Jenna Ambrose love life mystery.
19:13
I'm on a roll. I
19:20
wish Riley was here. I
19:22
feel like he'd have the answers. You know, Riley
19:25
has never dated anyone either. Yeah,
19:28
but he has that thing,
19:31
you know, the fitting in thing
19:34
that we don't the perfect family.
19:38
He feels like he has things figured
19:40
out. Yeah,
19:44
I just hope he's okay me
19:46
too. Any
19:49
new leads. I'm
19:52
exploring a few avenues, so
19:55
no, yeah, basically
19:57
not. But speaking
20:00
of I gotta go. They're
20:02
doing another search party. Are you sure
20:04
that's a good idea after
20:07
what happened last time? I promise
20:10
I won't go running around this time. Hey,
20:13
Max, thanks
20:16
for
20:19
for listening and for being
20:21
cool with everything. Of course,
20:23
Jenna, I know we're not
20:27
that we're not as close
20:29
as we used to be, but I'm
20:33
here. I'm always
20:35
here. Yeah,
20:38
all right, go be reckless
20:41
and stupid. I'm not being
20:43
reckless or stupid. You
20:46
say that now, Hiley,
21:10
Riley, Riley,
21:16
Riley, Righty,
21:20
Riley Right,
21:23
Riley Riley
21:26
Okay, right,
21:29
Riley? Where are you right?
21:35
Is that? Riley? We're right? Why
21:40
is Mr Beatie breaking off from the crew?
21:47
Where is he going? It's
21:54
just an animal, Max? Is
22:03
that cabins?
22:06
What are you doing? Ross?
22:10
What? Why? Why?
22:13
Sorry? I didn't mean to scare you. Were
22:15
you following me? Were you joining the
22:17
search party without a buddy?
22:20
I was late?
22:23
So you walking around alone has nothing to do
22:25
with the fact that Sheriff Combs would definitely call
22:28
your uncle if he saw you trying to join the search again?
22:31
Look at me, I'm fine, aren't
22:33
I? Now? Come on? What
22:36
where are you going? Mr
22:39
Beaty is up to something great? Here
22:41
we go? Look
22:43
Ross, there's a cabin up there. Okay,
22:46
so what we're in the woods?
22:48
Woods have cabins. But why
22:50
is Mr Beady heading toward it in the middle
22:53
of a search? Is it his cabin?
22:55
Is this where he's been coming in the middle of the night.
22:57
I don't see him anywhere? Why,
23:00
your beauty, you said you saw him?
23:03
Yeah?
23:05
Where did he go? Maybe
23:07
he's searching like we're supposed to
23:09
be doing. Why are you even here?
23:12
Ross? Remember what happened last
23:14
time? But how would you know
23:16
I would be here? Come? On. Whatever,
23:22
what's your plan here? Just barge into
23:24
someone's house. I know I saw
23:27
Mr Beaty walking to the cabin seconds
23:29
ago. There's no likes
23:31
on, so so maybe
23:33
he's not there at all. Right,
23:36
there's one way to find out. Oh,
23:39
you can't be serious, Come
23:42
on, Ross, what's the worst that could happen?
23:45
You want me to go down the list? If
23:47
Betty isn't in there, we can poke around
23:50
the in and out before he gets back. And
23:52
if he is in there, we'll
23:55
play dumb. Say we got lost
23:57
on the search and are looking for help. Ship,
24:02
What what's wrong? That's
24:05
a solid plan. I knew you'd
24:07
come around tell her. Now let's go ship.
24:22
It's locked? Is that surprising?
24:26
Maybe there's a black door or
24:36
you can't be serious, it's
24:38
unlocked. I think crawling
24:40
through a window still counts as breaking an entering, even
24:42
if it's unlocked. Okay,
24:48
I don't see anyone. I think we're
24:50
clear. Are we really doing
24:52
this? We have no idea if this has anything
24:54
at all to do with Riley? Well,
24:57
only one way to find out. Yeah.
25:08
Maxie Miles was created by Lauren Shippen and its
25:10
production of Eighth boocal artists and I Heart Radio.
25:13
This episode was written and directed by Lauren Shippen. Dialog
25:16
getting and sound as I'm by Marrissy Younging of Hemma Creek
25:18
Productions, with editing systems from Lauren
25:20
Davis and Melissa Ponds. It
25:23
featured Jordan Cobbs Maxie Miles, Mike's
25:25
a Follow as Ross Teller, Morgan Elgerton
25:27
as the OCMBS, Jacquelin Landgraph
25:29
as Miss Honeywell, SHAWNA. Cannakar as Jennet
25:32
Ambrose, and Lauren Shippen as manager. Original
25:35
artwork by Shane McMullan. For more information
25:37
about the show, please visit Maxie Miles
25:39
dot com and follow at a Typical Artists
25:41
on Twitter and Instagram. Maxie Miles is
25:43
executive produced by Lauren Shippen and I Heart Radio
25:46
and for more podcasts for my heart Radio, visit the
25:48
iHeart Radio app, Apple Podcasts, or
25:50
wherever you listen to your favorite shows. Thank you
25:52
for listening and keep curious.
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