0:00

Maxie Miles is a production of a typical artists,

0:02

and I heart radio. This.

0:09

I don't understand. It's pretty

0:11

clear, Max. I mean Riley

0:13

seemed sure, but that doesn't make any

0:16

sense. How could I mean, if

0:18

they knew, It's not like mining comes

0:20

without consequences. I know, trust

0:23

me. That's the whole reason I want an environmental

0:25

club so that people will get it right.

0:28

So is this really that surprising.

0:31

It's one thing for Hastings to have a new mining

0:33

project that will do god only knows what

0:35

to the ecosystem long term. It's another

0:37

thing entirely to know that they're poisoning the

0:39

groundwater, and yet here

0:41

it is. Is there any chance that Riley

0:44

could be wrong? I mean, I

0:46

guess, but I mean he wrote new

0:48

project proven to be poisoning groundwater,

0:50

County Environmental Surveyor has environmental

0:52

impact report. That's pretty cut

0:54

and dry. But I mean, there's

0:57

all kinds of stuff about the minds

0:59

both of them. In his notebook, it

1:01

looked like he was mapping all the

1:03

old mine entrances or something. Maybe

1:06

it was a theory. It doesn't sound like it was

1:08

just a theory. But how would he know? Oh

1:12

my god, Miss Honeywow, what about

1:14

her? When she went to city Hall

1:16

the first day she got here, Riley was there.

1:20

She said she saw him eavesdropping. He

1:22

was leaning against an office door. How's

1:25

office? No, No, that's

1:27

what's weird. She said. It wasn't the

1:29

mayor's office. Okay. Who

1:31

else has an office in city Hall? The

1:34

public Works foreman, she'd be

1:36

involved with all kinds of planning stuff like

1:38

the mine. There's also the deputy mayor. What

1:41

Ms Halleran, she's one hundred

1:43

and two. She's more of a town mascot

1:45

than anything else. The

1:48

sheriff, No, no way.

1:50

Maybe this county surveyor person

1:53

was talking to Mr Collins about the water, but

1:55

Mr Combs wouldn't hide that. Do

1:58

you think how would at No?

2:01

I don't think how would put anyone in Hastings

2:03

in danger. But he'd do whatever

2:06

he could to protect the town's reputation.

2:08

But just because Riley overheard

2:10

something about the new mind being dangerous doesn't

2:13

mean they're not actively trying to fix it. I

2:15

mean, the project hasn't even been officially

2:17

launched yet. Yeah, I

2:19

guess that's true. I'm sure

2:21

whatever is going on with it, if

2:24

there really is something wrong, that

2:26

everyone who needs to know knows, and

2:28

they're doing everything that they can to fix it. But

2:35

why is Riley missing? Now? This

2:38

seems like too much of a coincidence. Jenna

2:40

said he was working on some kind of political

2:42

scandal piece, and this

2:45

was clearly it. Maybe

2:47

he wasn't eavesdropping on How, but that doesn't mean

2:49

that How doesn't know. So

2:52

what do you think How kidnapped

2:54

Riley to keep him quiet with what

2:56

end game prevent him from writing an

2:59

article until the pro ject can open? But if

3:01

it's true, it would do just as much damage

3:03

regardless of when it comes out. Maybe the contracts

3:06

aren't signed. How has been talking about the kind

3:08

of money this is gonna bring Hastings. We need more

3:10

info. We need to give this to the sheriff. Wait,

3:15

not yet, Max, Look, I trust

3:18

Sheriff Colmes. I do. I

3:20

don't think he'd ever do anything to put Riley

3:22

or anyone else in danger. But if

3:25

he was who Riley was eavesdropping

3:27

on, I just

3:29

want to know more before we go. Making

3:32

accusations and turning over evidence

3:35

is the same thing as making accusations in

3:37

your head. We don't know, that's

3:39

the problem. Fine, I'll

3:42

hold onto it for now we can we can

3:44

keep it here, added

3:47

to the pile of things we're not telling the responsible

3:49

adults. Thank you? But

3:53

but what? Okay?

3:58

There was one of the weird

4:00

thing in the notebook. Jeez, what is

4:02

it now? This section here? I

4:05

didn't read too much because it seemed personal,

4:07

but Ross just spit it out? Did

4:10

Riley mention anything about his parents

4:13

to you? What? No?

4:16

Why? Wait?

4:19

Actually, the last

4:21

time we spoke he was going on about

4:23

family. Why

4:26

does it say something about his parents in here? He

4:28

talks about needing to go to city hall to talk

4:30

to the county clerk about his parents, And

4:33

then he just wrote they

4:35

lied? What on earth?

4:39

Jenna said he'd had some family drama.

4:41

But maybe this is what Riley

4:43

was eavesdropping on. But what would it be? What

4:46

were the Stevens lying about? And is it

4:48

bad enough that Riley would have run away?

4:51

All right? Tomorrow morning you

4:53

go to city hall and try to talk to the mayor? What?

4:56

What? Why? Me? I've already been sniffing

4:58

around his office too much. He knows how

5:00

to dodge my questions. But do you think he'll talk

5:03

to me? I think you're annoying

5:05

enough to get some information. From him. Yeah,

5:08

gee, thanks, what

5:10

are you going to do? Tomorrow's Sunday? So

5:13

no one other than Hall is going to be at city

5:15

Hall. But I bet I can find

5:17

the four minute the tavern and ask her

5:19

about what's going on with the new mine. They're

5:21

not going to let you into the tavern. Max. You

5:23

don't know that you four and very

5:26

strong willed. I've been told from

5:33

a typical artists and I heart radio. You're

5:36

listening to Maxi Miles. This

6:01

is chapter eight the Missing Files Max

6:10

Maxi Files. We'll

6:13

up a second of

6:16

high Ransom Lucky.

6:18

I ran into you you are Yeah,

6:21

I need your help? Yeah,

6:23

this is Look, do you mind

6:25

if we talk about this off the street? Are

6:28

you all right? Ransom? You look

6:32

really awful to be perfectly

6:34

honest. Yeah, thanks for that. You'll

6:36

understand when you're twenty one. Oh

6:39

hangover? Yeah? Can we just

6:42

go inside? Please? The general story

6:44

is closed today, Ransom

6:46

family owned. Remember, Plus,

6:49

I can really use a cigarette?

7:00

Do you mind if will you stop?

7:02

If I do? I'm not a total jerk, you

7:04

know. In that case? Second

7:06

hand smoking is horribly dangerous,

7:09

right, See,

7:12

I can be considerate of other people. What are

7:15

we doing here? Ransom. I actually

7:17

have places to be. I'm sure you do out

7:19

solving little crimes and saving cats.

7:22

My friend is missing, Mr Archer,

7:24

in case you hadn't noticed, Yeah, you're

7:27

right, I'm sorry. Well,

7:29

Mr Archer, I didn't want to be

7:31

rude while I yelled at you. Right listen,

7:35

I've got another mystery for you to solve. Look,

7:38

I'm happy to help you out

7:40

however I can on any other day. But I

7:42

really, I promise you this isn't frivolous.

7:45

I know you're worried about your friend, but if you help me

7:47

with this, I'll see what I can do to help you. What

7:50

what do you mean are you withholding something

7:52

that could help Riley? No, God, of

7:54

course not. I just meant I

7:56

heard that he may have run away to Berlin, and I

7:58

also know that you're currently under house arrest. Oh

8:01

my god, how does ever play cards

8:03

with your uncle and Walt? They called

8:05

to cancel this weekend's game because someone needs

8:08

to be looked after. Speaking of

8:10

which, where does Joe think you are right now? Um?

8:14

In ross Teller's tree house? Right,

8:17

of course? Please don't tell him that I'm downtown.

8:20

Your secrets are safe with me. I

8:22

broke plenty of rules when I was your age. I don't

8:24

think there's anything wrong with enjoying your time as a teenager.

8:27

Yeah, that's exactly what I'm doing,

8:30

which is why I'm offering to drive you

8:32

to Berlin this week. If you want, I can

8:34

tell Joe that I'm taking you on as an intern

8:36

or something. I actually do have some meetings in

8:38

Berlin on Tuesday, and you can see what you

8:40

can dig up about Riley. If he's there,

8:42

you'll find him. I have no doubt really

8:45

you do that. I don't know much help, but it really

8:47

be I know Walt is already coordinating

8:49

with Gorham in Berlin, but am I easier

8:51

mind Sheriff Combs is expanding

8:53

the search again. He's

8:56

gotten as many community watch groups involved as you

8:58

can. I haven't found Earlei in Hastings,

9:00

so he must be somewhere else. That's

9:02

the theory. Anyway, this

9:05

really is a lot more serious than I think you realized,

9:07

Max. I think it could become a county

9:09

wide missing person's case. I don't know why

9:11

everyone keeps assuming that I'm not taking

9:14

this seriously. I feel like I'm the

9:16

only one who's doing anything. I

9:18

know it feels like that, like you've

9:20

got some good folks in your corner. The grown

9:22

ups in this town are actually trying to look out for

9:25

you. You say that like you're not one of them.

9:27

Well, I'm not that. I

9:29

don't care, I do. I'm just not

9:32

a grown up. You're not according

9:34

to my father, my wife, no

9:36

kids, no new ideas for the Archer

9:39

Empire. Still just to

9:41

screw up. Not to be rude, but

9:43

oh no, please go ahead. You

9:46

are asking a fourteen year old for help.

9:49

That's a very

9:51

fair point, speaking

9:53

of I was robbed

9:55

last night. What someone

9:57

broke in? What is happening in this that's

10:00

the weird thing. There was no break

10:02

in? Not really. Then

10:06

I was out last night, right

10:08

the hangover Saturday

10:10

night at the tavern, get a little wild? Actually

10:12

I wasn't at the tavern, really, believe

10:15

it or not. I was on a

10:17

date really, yes,

10:21

oh oh god, you

10:23

were on a date with miss Honey. Well, weren't

10:26

you? How do you

10:28

know? Wild? Guess you

10:30

don't have to sound so disappointed. No,

10:32

it's not. I

10:34

really like miss Honey well, and I know,

10:37

and let me guess you think she could

10:39

do better. I didn't say that. You didn't

10:41

have to. Look. I know I haven't been

10:43

the warmest person in Hastings, but Alanna

10:45

is. She's wonderful,

10:49

smart and witty and beautiful.

10:51

Are you in love with her? What? No?

10:54

No, I've only known her for a few weeks, so

10:57

it wasn't love at first sight. I'm

10:59

not sure leaving that kind of stuff. No,

11:02

no, no, it's not that. It's

11:05

the instantaneous thing that I'm not sure

11:07

is real in my albeit

11:10

very limited experience. Falling

11:12

in love isn't about seeing someone in lightning striking

11:15

attraction can be like that. Sure, having

11:18

a crush a crush,

11:20

Well, don't those sometimes lead

11:22

to love? Sure? Maybe, But

11:25

I'm talking about the kind of first sight crush

11:27

where you fantasize about who

11:29

someone is and what could happen. But

11:32

it's still just a fantasy, and

11:35

that version is always far better than any reality

11:37

could ever be. And that's what you're

11:39

doing with miss Honeywell, no, that's what I'm trying

11:42

not to do. It's always

11:44

a disappointment if you stay in that fantasy in your head

11:46

for too long. It's better to live

11:48

in the real world, even if it's

11:50

imperfect. That's

11:53

surprisingly ground above you. Well,

11:56

I'll take that as a compliment. I

11:59

think I know what you mean about

12:01

having a fantasy in your head of what

12:03

could be really what You

12:06

don't think I'm the type of person to have a crush,

12:08

No, I think it's pretty unusual for a teenager

12:10

to realize that they're idealizing someone. Everything

12:13

feels so big when you're young, it can be hard to tell

12:15

the difference. Does it really matter?

12:18

Then? If it feels like

12:20

love, then it is right.

12:22

That's an interesting perspective,

12:25

but I think it does matter in the

12:27

action you take. What do you mean People

12:29

make a lot of big decisions based on big

12:32

feelings. Those big feelings

12:34

aren't rooted in something real. You

12:36

could be making a big mistake something

12:38

like that. Then how do you know when

12:40

it's love? Real love? Love

12:44

is quieter. It can

12:46

happen all at once or very slowly. Sometimes

12:50

it's both. It comes

12:52

from knowing someone, from trusting them.

12:55

Loving someone else isn't about you, it's

12:57

about them. You sound like someone

12:59

who knows how it feels firsthand. I

13:02

know it might be hard to picture, but yeah,

13:05

I do. What happened well,

13:08

I was doomed from the start in some ways. What

13:11

do you mean we were fifteen, and

13:13

I didn't do anything smart. When I was fifteen, I

13:16

would have screwed it up one way or another. Not

13:18

to mention my parents were well,

13:22

it doesn't matter. But it wasn't just

13:24

a teenage crush. May have started out

13:26

that way, but you trusted her with

13:28

my life. I'd only

13:30

known her for a year, but she understood

13:33

me more than anyone ever had made

13:35

me feel like she was actually talking to me when she

13:37

was talking to me, not just telling me what

13:39

to do. Everyone

13:42

was always telling me what to do. Oh

13:44

yeah, what's that like? Yeah,

13:46

I figured you'd get that. And

13:49

Cherry told me what to do all the time. She was bossy

13:51

as hell, but it felt

13:53

different, like she wasn't just saying

13:55

things to say them, but like we were

13:59

together, partners,

14:01

you know, even when

14:03

we didn't agree, I still

14:05

wanted to listen. Yeah,

14:08

Yeah, I think I know what you

14:10

mean. You okay,

14:12

Max? You look rattled? Yeah,

14:17

I'm fine. Of

14:20

what happened to her. Her

14:22

family moved away suddenly, and she she

14:26

stopped talking to me. She told

14:28

me she was leaving, and then I never

14:30

heard from her again. Ouch. Yeah,

14:36

Jesus. Anyway, Uh, that's enough

14:38

of that. Sorry, I don't know how we got on that.

14:41

You were talking about the woman you're

14:43

currently dating. Yeah, yeah,

14:45

of course, and Allan is great. Reminds

14:48

me of Sherry a bit. Actually, Well,

14:50

anyway, it's the first good thing that's happened to me in a

14:52

while. So of course I probably

14:54

royally screwed it up last night. So

14:57

we went to a nice dinner. Everything seemed

15:00

would be going great. I had

15:02

maybe two glasses of wine, we ordered

15:04

dessert, and then the

15:06

next thing I know, I'm waking up at four in the morning

15:08

in my office. What about

15:12

six hours or just completely

15:14

missing. And that's not all that's missing.

15:16

The safe in the office have been open. Someone stole

15:18

money from you. No no, no, no, not money.

15:21

Files. Why would someone steal your

15:23

files? Well, they're not even mine.

15:25

It's technically my father's office, not

15:28

that he deigns to come here very often, but it's

15:30

the office in the back of Archer's Archery, the first

15:33

Archer business from eighteen whatever,

15:35

and it's always been my dad's favorite. He's

15:37

sentimental about the family like that. So

15:40

it's his safe. And

15:43

you didn't have the code. As

15:45

far as I know, my dad's the only one with it. Where

15:48

is he right now? Oh, somewhere in

15:50

West Virginia buying another mining company

15:53

once he gets locked on something. Anyway,

15:56

he's not supposed to be in Hastings until the festival starts

15:58

later this week. He wants to be

16:00

here for the demo, push, the plunger and all that.

16:03

So if your dad isn't in town and

16:05

you don't know the code, then how would

16:07

someone get into your safe? It's pretty old,

16:10

might be original to the building for all I know, So

16:13

it's not like it to be the hardest thing to crack, but you

16:15

presumably still have to know what you were doing.

16:17

I knows. I've never gettn it a go. Do you have any

16:19

idea what was in there? Um? I

16:23

think just old historical family documents,

16:26

the original defunct land deeds,

16:28

maybe some family trees. Nothing of

16:30

real value unless someone was

16:32

looking to target the Archer family first.

16:35

The graffiti from the other week, Yeah, but

16:38

target us with what letters from

16:40

the nineteen teens Archer's

16:42

Archery and everything in it is more of a museum than it

16:44

is a business investment at this point. If

16:46

someone wanted to target us, steal from us

16:49

has to be a more efficient way. Is

16:51

there anything embarrassing

16:53

in those files any family skeletons?

16:56

Are you asking for the Archer family dirt

16:59

if there's any to be found that. I don't

17:01

need to know why someone stole these files. I just

17:03

need to get them back. If you know what's

17:05

in them, that will help me figure out who took them.

17:08

Look, all I know is that I'm missing a full six hours

17:10

of my life, and my father is going to be here in three

17:12

days, and I really don't need to give him more ammunition

17:14

to come at me for being a funk up. I think

17:16

you can work with that fine,

17:21

all right. First step

17:23

then figuring out when and how

17:25

they broke in. Could someone

17:27

have drugged you? I don't see when they would have had

17:29

a chance. Uh,

17:32

I don't know. Maybe I went to the tavern for a late drink.

17:35

Certainly would have been the first time, and someone

17:37

would have known to find you there exactly.

17:40

Well, lucky for you, I

17:42

need to head to the tavern today anyway, getting

17:45

some points and darts in looking

17:48

for someone. Actually, not that

17:50

it's any of your business, and

17:52

the end is on the way. We can stop either

17:55

and ask him as honeywell, if she remembers anything

17:57

that might be useful. She's very observant.

17:59

I've discovered it. Come on,

18:02

time to do some questioning. Oh, I

18:04

think i'll hang back. Is your

18:07

hangover really that bad? My

18:09

capacity to feel bones shaking? Embarrassment?

18:11

Is that bad? Sending a teenager

18:13

around town to ask after your whereabouts

18:15

isn't embarrassing at least I don't have to

18:17

witness it firsthand. Fine,

18:21

I'm off to the end. Then, Hey,

18:24

Max, thank

18:26

you. Don't thank me yet. I

18:28

haven't solved anything. Yeah, but you will.

18:31

I know you will if you really believe

18:33

that. You know that if I find the

18:35

files, I'll find out what's in them too.

18:38

Are you going to be okay with that? Deal's

18:41

a deal. You find my files, I'll drive

18:43

you up and down Route three O two as much as you want.

18:46

Whatever else happens happens, Miss

19:08

Honeywell, Miss

19:11

Honeywell, Mabel

19:22

Thorpe ghost. I'm

19:25

sorry to just barge in like this. The

19:27

door was open. Hello.

19:35

You know you really should get the locks changed,

19:37

especially considering what ross

19:44

s? What?

19:47

What's going on? What are you doing here? I

19:49

was on my way to meet you with the tavern when I remembered

19:51

what you said about seeing someone run away from the inn

19:54

yesterday. So you just thought you'd break

19:56

in, Like you said, the door was open. It's

19:58

an end. It's a public business. It's not

20:00

open. Just listen. I

20:03

went to the back door where you saw Riley. I'm

20:05

not sure who or what it

20:07

was. You were right, it was Riley.

20:10

What how do you know this?

20:14

I found this snagged on the back door.

20:16

Hinge? Is this a

20:18

shoelace? Part of one? It must

20:21

have gotten caught and snapped off when he was running away.

20:23

But what how? What?

20:26

That doesn't mean it was Riley. This

20:28

could be from anything except look the

20:31

baseballs. I know these

20:33

shoelaces. Oh my god. Wait,

20:36

you're right. I recognize they're from the Baseball

20:38

Hall of Fame, from when you and your family went to

20:40

Cooperstown that one summer and I brought back

20:43

souvenirs for everyone. You got me a

20:45

patch for my girl Scouts vest, and I got Riley

20:47

these shoelaces. I

20:51

I can't believe it. I can't believe

20:53

he's still wearing them. I gave

20:55

them him, and like the fourth grade good

20:58

thing he is. This is ross.

21:00

This is a big deal. I know he

21:06

was really here. I really did

21:08

see him. It sure seems like it. What

21:15

was he doing here hiding out?

21:17

I guess, I mean it's smart.

21:19

No one's here, but a bunch of the rooms are still

21:21

outfitted with beds and stuff. He could

21:23

have been sleeping right here all along for all we know.

21:27

But why why not come

21:29

home? Why hide? And

21:32

why run from me? I have so

21:34

many more questions now? Yeah,

21:36

speaking of which, I have some

21:39

new info. Oh yeah,

21:41

how was city hall? You were wrong? How

21:43

wasn't the only one there today? Really? Who

21:45

else was in? These two guys? They

21:48

don't work for the town, I don't think. Okay,

21:51

then who were they? I

21:53

didn't get a chance to find out, But I

21:56

bet it's something to do with new mind. They

21:58

looked familiar. I just can't

22:00

place my finger on it. Did you ask how

22:03

well? How was being all? How

22:06

smiling and upbeat and unhelpful?

22:08

Maxine Miles? Why that's the most unkind

22:10

thing you've ever said about anyone? You

22:13

must be rubbing off on me. Yeah,

22:15

well it's mutual. I think I'm

22:17

getting a hang of this slew thing thing. Oh,

22:20

come on, tell me what you found out. I think

22:23

he definitely knows about the groundwater

22:25

issue? Really did he admit

22:27

to it. No I I didn't come

22:29

right out and ask I just generally

22:32

asked about the mining project. And he was going

22:34

on and on and on and on about how it's going to

22:36

be so good for Hastings and the archers of

22:38

the backbone of the town, bringing new business, blah

22:40

blah blah blah blah. Which is

22:42

why he's moving up the start

22:45

date. What I thought it

22:47

was supposed to start the last day of the harvest festival,

22:49

which isn't for another ten days. They're

22:52

starting tonight. What yep,

22:54

they're detonating the old mine, collapsing

22:56

it. Oh my god, we

22:59

have to find what if he I

23:01

mean, what if he's digging for more evidence

23:03

in the minds all those maps of the mine entrances

23:06

in his notebook. Whoa, whoa, We still have no

23:08

idea. That's why Riley's hiding out. What do you mean

23:11

he overheard something about the mind being

23:13

dangerous. He was hiding out. Now they're

23:15

rushing up the detonation. Something

23:17

here isn't right, except I don't think that's what

23:19

Riley overheard. Hal said that

23:22

the day Riley came in to talk to him, Hal

23:24

found him snooping around the Public Works office

23:26

looking through papers and stuff. Okay,

23:29

so if he found out through some files

23:31

and not eavesdropping, then then

23:34

maybe whatever is going on with his family

23:36

is what made him run away, Except we don't know

23:38

that he did run away, not to begin

23:40

with, because there's still the whole thing

23:42

with Mr Beatie and that weird phone call

23:45

and the fact that his backpack was in the middle of the woods.

23:50

Ah,

23:53

come on, Max, we can figure this out. I

23:55

know we can. Russ

23:58

Teller is giving me a pep talk. Things

24:00

must be really dire, must

24:02

be. I really do appreciate what

24:06

what's wrong is that? What are

24:08

you looking at? Something's

24:13

Max? What are you doing? Look that

24:15

board in the ceiling. It's crooked?

24:17

But I can't h here?

24:21

Let me whoa,

24:26

what the hell? Reach around?

24:29

Yeah, there's more. What

24:35

are you okay? Yeah? I'm

24:38

fine? You Ross?

24:42

Yeah, do you

24:45

mind getting

24:48

off of me? Right? Yeah, of course,

24:51

sorry, I mean it's it's fine. What

24:54

the hell is miss Honey Well doing with these papers in your ceiling?

24:56

Well they could have been here for a while,

24:59

it sure looks like it. This is a lot of old,

25:01

boring crap deeds, some type

25:03

written letters. Wait a second,

25:07

this is ransom stuff. What these

25:10

papers were stolen last night. I

25:13

was just talking to him about it, which means, oh

25:17

my god, what what is it? Oh

25:19

my god? Max this

25:23

this? What is

25:25

Is this a birth certificate? Is

25:27

this Ransom Archer's birth certificate?

25:30

Look at the date? Wait

25:35

a second, Ransom

25:37

wasn't born in the eighties? What our

25:40

Archer was born in the same year we were. I

25:42

think I know what happened. Excuse

25:47

me? Is someone here? Shit?

25:50

Hello, come on, we

25:52

gotta get out of here now. Maxine

25:58

Miles was created by Lauren Hibbin and it's a production

26:00

of A Typical Artists and I Heart Radio. This

26:03

episode is written and directed by Lauren Schibbin, Diala,

26:06

editing and sound designed by morriscy Ewing of Hemma Creek

26:08

Productions, with editing exsistance from Laurian

26:10

Davis and Melissa Ponds. It

26:12

featured Jordan Cobb as Maxie Miles, mix

26:15

A Follow as Ross Teller, Andrew Nook

26:17

as Ransom Archer, and Jacqueline Landgraf

26:19

Asmas Honeywell. Original artwork

26:22

by Shane McMullan. For more information about

26:24

the show, Who's visit Maxie Miles dot

26:26

com and follow at A Typical Artists on Twitter

26:28

and Instagram. Maxie Miles is executive

26:30

produced by Laurence Shippen and I Heart Radio, and

26:32

for more podcasts from my heart Radio, visit the I

26:34

heart Radio app, Apple Podcasts, or wherever

26:37

you listen to your favorite shows. Thank you for listening

26:39

and keep curious.