Episode Transcript
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0:00
Do you have the Jaden Smith tattoos still? I have
0:02
two. Can you show them
0:04
or is it a place that you can't show? I can
0:06
show, I mean, it's on my thighs, yeah. It's a little
0:08
odd of a thing to do. It's odd. Because
0:11
he's a person who exists. Who exists. And when
0:13
you got it, he was like 20 years old.
0:15
Fifteen. That
0:24
is the voice of the great
0:26
Sal Vulcanos. Sal Vulcanos from Impractical
0:28
Jokers. Possibly the most
0:30
popular comedy television show in the
0:32
history of the world. Just a
0:34
massive, massive show. And
0:36
my experience with it was
0:39
I didn't think it was something, I always was
0:41
kind of like, yeah, that's not my thing. And
0:43
I watched it. I
0:45
get really drawn in. Because it's just a bunch
0:47
of friends on the show. They're all friends
0:50
in real life. They've been friends for a long time. And
0:53
it's just a super fun show. And
0:55
we talk about that today. He
0:57
is a brilliant improviser. I think he's a riot.
1:00
I think he's got a big heart. He's
1:02
a very honest person. Sal has
1:04
a new stand-up special called Terrified,
1:06
which you can watch on YouTube.
1:08
Thank you to everyone who's been coming out to
1:10
my Please Stop the Ride tour earlier
1:13
this month. I was at the Beacon in New
1:15
York City this week. I'm in Atlanta at the
1:17
Tabernacle. We added a second show. Charlotte,
1:19
we added a second show. Richmond,
1:22
as well as a fourth and final
1:24
show in Washington, DC, on Sunday. The
1:28
tour continues to Niagara Falls, Sag Harbor,
1:30
New York. Only a few
1:32
tickets left. Red Bank, New Jersey, Seattle,
1:34
Portland. We added a third and final show. San
1:38
Francisco, Oakland, Philadelphia, Minneapolis,
1:40
Madison, Milwaukee, Champaign, Illinois,
1:44
Indianapolis, Ann Arbor, Detroit,
1:46
Dayton, Pittsburgh, Louisville, come
1:48
on, Nashville, Knoxville, Asheville,
1:50
Charleston. We're trying to
1:52
go everywhere. Thanks for all
1:54
of the suggestions in the comments of other
1:56
cities I should add. Today on the
1:58
show, Sal Vulcano, I've
2:01
known him for a whole
2:03
bunch of years. I
2:05
love talking with him, enjoying my chat
2:07
with the great Sal Vulcano. If
2:22
I'm being completely honest, I was snobby about
2:24
when the show first came out. I could
2:26
imagine. I was like, oh, hidden camera. There's
2:28
a lot of hidden camera stuff over the
2:31
years. And I
2:33
remember my turning point was I saw
2:35
Doug Stanhope post about it. Oh yeah.
2:37
He was an early supporter. Yeah. And
2:40
Doug Stanhope is one of my favorite comics on the
2:42
planet. He has more
2:44
artistic integrity than
2:46
almost any artist I've ever seen. In
2:50
the sense that he has full
2:52
commitment to his ideas, which are
2:54
insane. And I don't agree with
2:57
any of them. Sure. Disclaimer.
2:59
But I love him. He's a
3:02
very, very dear friend. He's an extraordinary comedian. So
3:04
he posted about it years ago.
3:06
And I was like, what is this all about? And
3:09
then I watched it and I go, Oh,
3:12
what's, I think what's special
3:14
about it is. It's
3:16
a hidden camera show, but ultimately
3:19
it's about the love between friends.
3:22
Yeah. I think. Do
3:24
you think that that's part of it? I think it's
3:26
a real friendship. It's a hundred percent real.
3:29
You're forcing each other to do things you
3:31
don't want to do. Pretty much. Yeah. It's
3:33
a social football. I mean, it's like, it's
3:35
basically friends competing. Yeah. And
3:37
at this point, you know, like this many
3:40
episodes in, we're always trying to like evolve
3:42
the show. Yeah. And so we've come so
3:44
far and just even the sensibility of the
3:46
show, we gain more creative control.
3:48
And so we were able to like now
3:50
in the later seasons, way more put our
3:53
sensibility on there's like, we let things
3:55
breathe and there's much more of like
3:58
scenes. And like, like. It's way
4:00
more of a journey through stuff. Where in the
4:02
beginning we were under the network thumb, basically, and
4:04
they were just like, we want this many things,
4:07
we want quick cuts, you want you get out,
4:09
you want this many jokes. And
4:11
the guy that was there at that time
4:13
was insane. Oh, really? Dude, he got fired
4:15
because agents from all the talent got
4:21
together and went to his
4:23
boss and was like, he doesn't know how to treat people. So
4:27
he would always just be like, just get like some
4:29
set. So one time he goes,
4:32
here's what I'm gonna do. Cause we wanted to
4:34
raise. Cause the show was a big hit.
4:36
Like it was a big hit. Yeah, yeah. And
4:38
yeah, I mean, we wanted to raise. I think it was in between
4:40
the first and second season. And they
4:43
gave us what amounted to like, it was like
4:45
a 5% raise or whatever, but
4:48
the show was really big and we were making
4:50
nothing in the beginning. Yeah, of course. I could
4:52
have worked at any normal, like regular non-entertainment job.
4:54
People think you're on television, you're rich. I
4:57
was just making money just like I would have been
4:59
at my job before that. And
5:01
he said, here's what I'll do. He goes,
5:03
I will do a focus group and
5:06
then we'll poll you guys. And
5:08
whoever is the least favorite in the focus
5:10
group will fire that person. And the other
5:12
three can absorb their salary for your raise.
5:15
That's what heavily said to us. Yeah, it
5:17
was wild. I've never heard of
5:19
anything like that in my life. I'll keep going. Then
5:23
he told us he wants all the jokes in advance.
5:26
And we said, what do you mean? And
5:29
it's like an improvised show basically. Yeah, yeah, yeah. We
5:31
have buckets and stuff, but
5:34
also one of the things I love about our show
5:36
so much is just being in the moment, it's exhilarating
5:38
because it keeps it fresh. For people who haven't seen
5:40
the show, like a lot of times it'll be, you'll
5:43
be in James Murray's ear and
5:45
you'll tell him he has
5:48
to say something at
5:50
a convenience store or a laundromat or something
5:52
like that. And he really has to do
5:54
it. Yeah, he really has to do it.
5:56
And so you're either saying lines that you
5:58
wrote in advance and
44:00
it's not working the way I need it to. Now,
44:04
that took me, I got really upset with that
44:06
because I do have integrity, right? So I just
44:09
was like, I got, I wrote back to the
44:11
guy, I said, why
44:13
didn't you just come to me and tell me you had
44:15
a problem before going to eBay? Because it's like a three
44:17
strike rule. I was like, I was like, now you're gonna,
44:19
I sell stuff on here and now you gave me a
44:21
strike. I was like, I would have worked with you to
44:25
figure it out. But now since you went to them and
44:27
reported me, now you're coming to me saying that you want
44:29
help. I'm not inclined. And I said,
44:32
I know I forget this, I said, and I'm sure that it's
44:34
just the fact that you don't know how to operate it. That's
44:37
funny. Not that it's inoperable because it was NIB.
44:39
This is what I told him, which was lingo
44:42
for new in box. So it was
44:44
sealed, this thing was sealed. So this wasn't on me. So I threw
44:46
that right back in his face. And I wrote
44:48
him, I wrote him, so
44:50
this ends the story of you and
44:53
I. Oh, that's wow. Right? So.
44:56
It's like medieval language. It was great, right? Yeah, yeah.
44:58
It's just fun. It's fun for the man. It's fun for
45:00
me. Yeah, yeah, fun for you. Two
45:03
years later, I
45:05
came home from being out one night and I used to
45:07
live in this little studio apartment. My desk was a desktop
45:09
and the desk for the desktop was in my kitchen. And
45:11
I sit down, it was like three
45:14
in the morning and the new
45:16
emails come up and I look and I
45:20
had an email from
45:22
that guy. Like I
45:24
opened it up and it was an email from that
45:26
guy from two years earlier from the external dinner. And
45:31
all it said was, you're
45:33
an ass. That's all
45:35
it said. You're an ass, three words.
45:38
And I was like, this can't be, I
45:40
had to look back. I was like, this
45:42
is the guy from Arizona. From the DVD
45:44
burner, yeah. Two years ago. It
45:47
was February 4th, 2004. Because
45:49
I called my friend up, because we, I mean, this
45:51
blew my mind. I'm like, what was
45:53
the turn of events that made this
45:55
guy log in two years later? And
45:57
you're an ass, which also really. He
46:00
annoyed me. Yeah. It's kind
46:02
of like your niece being like, you're boring. Yeah,
46:04
it is. And then you're like, am I an
46:06
ass? Right. Maybe I'm the ass. No,
46:08
I was pissed at this guy, right? I was like,
46:10
this guy is such a dick. So my friend like
46:12
looked him up. Like we found him through Facebook. And
46:14
I got, to this day, I have a little picture
46:16
of him. It's this big. It was from his like
46:19
LinkedIn profile. So I know what he looks like. Wow.
46:22
Right? And cause, so I
46:24
was like, how do I respond to this? Right?
46:26
How do I respond to this? And I was like, I
46:29
want to say something to this guy, but he's insulting,
46:31
but it's like genius kind of. Yeah. Cause
46:33
he got under my skin. But what did he come home
46:36
drunk and remember? Yeah. Like how, why did
46:38
he two years later do this at this late? Yeah.
46:41
And dude, I
46:44
wrote February 4th, 2006 on a piece of paper and
46:47
I put it on my fridge and
46:50
I waited two years. Oh my God. To the day that
46:52
he wrote me that. This is impressive. This
46:54
is a commitment, a true life commitment. Two
46:58
years and on February 4th,
47:00
2006, it was
47:02
four years from the original purchase. I
47:05
opened up my email and I wrote him back, no, you're
47:08
the S. You're the S. That's beautiful. Two
47:10
years later. That's a beautiful story. And so that's
47:12
something I'm like, oh, that's a, I'm definitely going
47:15
to try to work that out. That's a great
47:17
bit. Yeah. I mean, I want to
47:19
try to find him. Oh yeah, that
47:21
would be good. Yeah. That would be a good
47:23
way to take it. Yeah. Nate was, uh, Bargazzi
47:25
was like, you should, there
47:28
might be a thing where you name the special like
47:31
February 4th, 2006. And
47:33
then like the whole point is
47:36
like get, finding him through
47:38
the bit or whatever, like, like whatever.
47:40
So something like that. I
47:42
was like, yeah. Or like something where
47:44
you show up where he
47:46
lives. Well,
47:49
that would be aggressive. That
47:52
would be aggressive. I'm there. But then you like show
47:54
him how the DVD burner works. That
47:58
would be fantastic. wrong
50:00
way, that could be a potential
50:02
financial windfall for me. Oh my
50:04
god. This is crazy. Why
50:06
on earth would you say this? I
50:09
thought, because it's so ridiculous. This
50:12
could be a huge financial windfall for
50:14
me. It's the exact words I used,
50:16
which I thought were so ridiculous that
50:18
she was going to start laughing. Right.
50:22
Am I really going to sue you for
50:24
something? No way. No way. Not to mention
50:26
a person you have one degree of separation
50:29
from knowing. Right. A huge
50:31
financial windfall. I told her to watch her mouth because
50:35
he's listening and he's ready to strike. And it
50:37
could be a huge, I will sue you. Right.
50:40
Like that's basically what I was saying. And I thought she would
50:42
laugh. And she, she, she, she went and
50:45
she smiled and like crooked her head, like
50:47
in a way, like I, and then I
50:49
saw her reach her
50:51
hand back and hit her, her whatever
50:53
her husband, a boyfriend, whatever, hit him,
50:55
like save me. Like
50:58
she hit him. And then he turned around and I
51:00
guess he knew the thing and he goes, Oh, we should get
51:02
going. She goes, yeah, we really, we,
51:04
we got to go. He was talking to her for
51:06
40 minutes and she left after like 30 seconds
51:09
of the first thing I said to her. So
51:11
that's something I remembered recently that I was going to like
51:13
try to like, you know, again, it's a story. So it's
51:16
like, but I was going to bring that to the stage
51:18
and figure out like where that kind of goes. I
51:21
think that's good. Yeah. I think
51:23
that's, I think it, it's short. It's got a lot
51:25
of laughs along the way. It's short,
51:27
a bit of an ending. It's
51:29
short, like a punch line to put a button on it. But
51:32
I feel like it's like, there's so many
51:34
ways you could go, right? There's like a
51:36
million ways you can go. So
51:39
you know, so I send her an email two
51:41
years later to the day and I said, Hey,
51:43
I have this idea. I think it
51:45
could be a huge financial windfall. You know what I
51:47
mean? And then you could call it back to the
51:49
other one. Yeah. Yeah.
51:52
Cause is that in the same hour or what's going to be the same hour? Yeah.
51:55
eBay thing probably and the Rachel Mcgaughan story. I mean,
51:57
that's so new. I don't know if I'm going to
51:59
put it in, but yeah, that's. It would be in
52:01
the same, it's the same group of like stuff I'm
52:03
working on. I think that's very funny. I think it
52:05
could be a huge financial windfall. I
52:08
mean, it's so funny. I'm trying to think of anything
52:10
else that would be like
52:13
a capper to it. Yeah,
52:15
I mean, so I, you know, so
52:18
I had my lawyer draw up a lawsuit and
52:22
I wrote up the story that I
52:25
just told to you just now and
52:27
I added in like a few things she didn't
52:29
actually say. And then I said at
52:32
the end of it, what I'm looking to
52:34
obtain as the end game here is a
52:36
huge financial windfall and I sent it to
52:38
her. You
52:41
could do it. I mean, you could do it.
52:43
You could have your lawyer send that. Yeah, that's
52:45
true. I could do that. Yeah, I
52:47
like that a lot actually. That seems good. Yeah, another thing
52:49
I do and every time I'm on a late night talk
52:51
show, I cross the amount that I get out on the
52:53
contract I get to sign and I write 10,000 dollars. I've
52:59
done it for 40 appearances.
53:01
Oh my gosh. And I'm always like, this will pay
53:04
dividends. Like someone's gonna call me up, like, like, Seth,
53:06
Harry, I've done it to so many people, Jimmy, and
53:08
no one's ever said a word. I cry and I
53:10
take a picture of it. So I have all. You're
53:12
a lunatic. You're a genuine
53:15
bonafide lunatic. I can't even believe
53:17
we're talking right now. We're
53:25
gonna do a thing called working out for a
53:28
cause we give. We donate to a
53:30
nonprofit that you think does a good
53:32
job. Oh, all right,
53:34
excellent. How
53:37
about Doctors Without Borders? Oh yeah, the great organization.
53:39
Yeah, I have a few that I go to,
53:41
but it's been a while since I've donated to
53:43
that one. We're gonna donate to Doctors Without Borders.
53:46
We will link to them in the show notes. We
53:48
will contribute and encourage you to
53:51
contribute to listeners as well. Sal
53:54
Valcano, it's an honor. You're
53:57
a hilarious person. I'm so glad to sit down with you.
53:59
It's been a minute. All right.
54:02
I'll see you then. That's going
54:04
to do it for another episode
54:07
of Working It Out. You
54:13
can follow Sal on Instagram at
54:15
Sal Vulcano. You can find
54:17
his tour dates at salvolcanocomedy.com.
54:19
He's on tour with Impractical Jokers
54:21
this summer. And then the
54:23
fall, he's doing solo stand up. See
54:26
him live. He is a hilarious
54:29
performer, hilarious human being. Check out verbigs.com
54:31
to sign up for the mailing list
54:33
to be the first to know about
54:35
my upcoming shows. The full
54:37
video of this is on the YouTube channel. Our
54:40
producers of this podcast are myself, along
54:42
with Peter Salomo and Joseph Verbigali and
54:44
Mabel Lewis, associate producer Gary Simons, sound
54:46
mix by Ben Cruz, supervising engineer Kate
54:48
Balinski, special thanks to Jack Andenov and
54:50
Bleachers for the music, special thanks to
54:52
my wife, the poet J. Hope Stein.
54:55
Also thanks as always to my daughter, Una, who built
54:57
the original radio fort made of pillows.
54:59
Thanks most of all to you who are listening. If you enjoy the show,
55:02
rate it and review it on Apple
55:04
podcasts. Tell your friends, tell your
55:06
enemies. Let's say you're making
55:08
a show with a bunch of your friends
55:11
for television network and you get a bunch of notes
55:13
that don't really make any sense about
55:15
how you should change your show into
55:18
more of what they want it to be. Here's
55:22
what you do. You say, you know what
55:24
you should do? You should listen to this
55:26
show called Mike Verbigali is working it out
55:28
and it's all about process and how to
55:30
give notes that are more
55:32
effective to the vision
55:34
of the creator of
55:37
what the actual show is. Thanks
55:39
everybody. We're working it out. We'll see you next
55:41
time.
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