Episode Transcript
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1:37
Previously
1:39
on Mockery Manor, Parker asks
1:41
JJ about a mysterious letter she recently
1:44
received. Local reporter and DJ
1:46
Paul confronts Betty about her sister's
1:48
promotion to manager. And finally, country
1:51
star Clayton Woodrow performs a new
1:53
song at the big opening concert and
1:55
disaster strikes. That's you
1:58
all caught up. Y'all enjoy the episode. Now?
2:06
Longcat Media presents...
2:12
Mockery Manor Season 3
2:19
Episode 3 Witch
2:21
of the Woods March
2:25
20th Mountain Chch,
2:28
Chemuggets of the Woods Chch-chchche,
2:48
Chch-ch Grump kombour, L25 Chch-chche,
2:52
L25 My
2:59
name is Paul Baker and you're listening to GSPW
3:02
News at Nine. The internationally
3:04
renowned country star Clayton Bryan,
3:06
Bryan Woodrow the third, plunged
3:08
to his death last night in front of an audience
3:10
of thousands, including his wife, country
3:12
star Kirsteen Macfarlane and his manager
3:15
of 40 years, Bobby D McDaniel's.
3:17
At around 9 30 yesterday evening, the 82
3:20
year old singer-songwriter climbed to the summit
3:22
of the four Spurs Mine Train attraction
3:25
in the Claytonville Park area of Mockery
3:27
Manor. Witnesses describe Mr. Woodrow
3:29
stumbling over the mine train tracks and
3:32
into an animatronic goat before falling 45
3:34
feet onto the artificial rocks
3:36
below. An investigation is ongoing
3:39
and police are asking anyone with any information to
3:41
please.
3:43
JJ, you in there? I just
3:46
brewed a pot of coffee. Do you want some? I
3:48
made it for the Americans actually. Felt a bit
3:50
sorry for them. None of them went to bed last night. But
3:53
then that angry little man in the cowboy hat called it brown
3:55
piss and said he'd stick to whiskey. So do you
3:58
fancy a cup of freshly brewed brown? Piss JJ
4:04
JJ not
4:06
knock sleepyhead
4:09
doors open JJ oh
4:11
my god
4:13
what the hell happened here
4:16
no no no no is that
4:18
you what's the matter Parker
4:21
get in here JJ's room has been
4:23
ransacked oh my god what the
4:25
hell hang on it's
4:28
just a bit messy in it it's more than messy
4:30
the drawers are all pulled out and there's clothes
4:33
everywhere yeah windows are wide
4:35
open this ain't much different to normal
4:37
it always looks like this don't be silly does
4:40
it are you sure yeah bloody
4:43
hell she never lets me in here and I can see why
4:45
now what a mess how come
4:47
you know what her bedroom looks like she's been late for
4:50
work a few times the last couple of weeks had to come
4:52
and get her doesn't sound like JJ she's
4:54
a lot of things but she's not tardy she told me she
4:56
hasn't been sleeping very well so she's taking these pills
4:58
that knock her out makes her sleep through the alarm
5:01
she's on medication I didn't know that I
5:03
should go find her police are asking where she
5:05
is certainly give a statement oh do they want
5:07
a statement from me too I shouldn't think
5:09
so come on let's get out of here
5:12
after you all right if you
5:14
see JJ before I do tell her to go to the drawing
5:16
room yeah that's where the police are doing interviews
5:18
well if anyone needs me I'll be in my office
5:21
all the dark room I do need to develop that feeling all
5:23
right on a job at the moment then of course very
5:26
big case actually very big gonna put
5:28
you on the map is it well I'm pretty established
5:30
on the map already so oh yeah I
5:32
bet forging quite a reputation actually
5:35
well done thanks maybe
5:37
you should offer your services to the coppers you
5:39
could open with the Clayton investigation oh
5:42
yes do you think they'd let me yeah
5:44
yeah yeah I'm sure Scotland y'all will be banging on
5:46
your door any second it's
5:48
not that unlikely I could provide
5:50
valuable insight all right cute Poirot
5:53
you'll have to grow your moustache out
9:41
If
10:00
you'd been there, I might have lost more than the barn.
10:05
Come here, you big galar. Kiss me. How could you fall?
10:08
Look at the time. The Bogan
10:10
Beach Bar fundraiser's starting soon. We need to pick up the donkeys. I'm
10:14
not going, Logan. I'm
10:16
sorry. There's something important
10:18
I need to do. What are you up to, you naughty
10:20
girl? What's more important than the fundraiser?
10:23
Logan, please. Just go without
10:24
me. Just
10:28
go. Hurries. I
10:31
don't know why Logan puts up with it. Hello? Huh?
10:35
Betty Armstrong? Shit!
10:37
One moment, please.
10:38
I'm not decent. Oh,
10:40
God, I'm covered in crisps. So messy
10:43
in here. Jesus. Come
10:46
in. Do you have a moment?
10:49
Oh, Mrs Woodrow. I mean, Macfarlane? That's
10:52
your stage name, isn't it? Or is it Ms Macfarlane?
10:55
Or is it Ms Woodrow when you're off stage? Just call
10:57
me Kirsteen. Have
10:59
I interrupted anything? Oh,
11:02
no. No, no, no, nothing at all. You are
11:04
open for business? You mean private
11:06
investigation business? Yes.
11:08
Yes, yes, please. Take a seat. Thank
11:10
you. Have
11:12
a salted peanut. Or a pretzel. I
11:15
put them out for clients. Like at a bar? No.
11:18
No, thank you. What can I do for you?
11:20
I figured there's a PI
11:22
in the building. I should probably take advantage.
11:25
Unless you're fully booked.
11:27
I think I might be able to squeeze you in. Do
11:30
you mind if I smoke? Oh, please.
11:32
Go ahead. You've
11:37
probably guessed why I'm here. Clayton?
11:41
Clayton. Yes. I
11:44
was so sorry to hear about that. I
11:46
mean, I didn't hear about it, of course. I actually saw it happen.
11:49
Although I did hear the sound he made when he...
11:52
Anyway, yes, sorry. It's all very
11:55
tragic. You must be very upset. Oh, God. You are
11:57
really bad at this. Sorry. Maybe
11:59
you...
11:59
you should try the silent, brooding
12:02
detective thing. Ha! Good idea.
12:04
Not sure that's who I am, sadly. Less of a brooder,
12:07
more of a thinker out louder. And
12:09
I think what happened to your husband last night, it sort of
12:11
unnerved me. You
12:14
think I'd be accustomed to it by now, considering how much violent
12:16
death I've been involved in, but here
12:18
I am babbling like an idiot. Violent death,
12:21
huh?
12:22
So you've handled big cases before.
12:24
Oh, um, yes.
12:27
Good. For a second I thought you might
12:29
be small fry. You know, finding
12:31
lost pets, taking photos of cheating
12:33
husbands, that kind of thing. No,
12:35
not at all. Ha ha ha. Great.
12:39
Although, just so I know I'm
12:41
not misunderstanding the situation, aren't
12:43
the police investigating what happened to your husband? Of
12:45
course they are. So why do you
12:47
need a private investigator? Because the cops
12:49
are idiots. Have you seen them? The
12:51
guy who took my statement, what an asshole.
12:54
And so young? He looked about 24, tops.
12:58
How old are you? Oh, much older than that.
13:02
26, next birthday. Jesus.
13:05
Girls mature faster than boys. I'm basically 40.
13:08
Sure. Well, anyway, this
13:10
cop,
13:11
he'd made up his mind about Clay before
13:13
I even got in the room. First thing he
13:15
said to me, has your husband seemed distracted
13:18
recently, Mrs. Woodrow? Has he had any
13:20
memory lapses?
13:22
Well, I was so taken aback, I said, sure,
13:24
sometimes. But who doesn't
13:27
forget where they put their glasses every now and then? And
13:30
then,
13:31
why did I do this?
13:33
I told them Clay's heart medication
13:36
affects his memory.
13:38
Well, that little asshole, he grabbed ahold
13:40
of that like a puppy on a shitty rag, making
13:42
out Clayton was old and confused.
13:45
Yes, he's old, but you saw him last
13:48
night. You were in the audience and he
13:50
was,
13:51
wasn't it just? How
13:55
did he seem to you? Fine,
13:58
relaxed, chatty. Maybe
14:01
a little melancholy at times, but certainly
14:03
not like he was about to,
14:05
you know, climb a goddamn roller coaster
14:07
in the dark and pitch over the side. That's what
14:09
I said. I told them it didn't
14:11
make sense. That something must
14:13
have happened in that ten minutes when the lights went
14:15
out. Maybe someone was chasing
14:17
him, or I don't know. If
14:20
he was confused, then someone
14:22
struck him on the head. But the cops
14:24
told me there was no way to check if that was true
14:26
or not because of the way...
14:29
The way Clay hit the ground... Goddamn
14:33
it! Tissue? I
14:36
mean Kleenex? Thank you. They're
14:40
gonna declare him senile, and that'll
14:43
be the end of that. And
14:45
I can't bear it. And you
14:47
want me to find out what really happened? Honey,
14:50
you don't have to solve the whole damn case. You
14:53
just need to find something. Anything
14:55
that says Clay didn't go up that roller
14:57
coaster willingly. And then Scotland
15:00
Yard or whoever can take it from there.
15:03
So you really think this might be murder?
15:07
Just find me something that means I can get
15:09
a real detective involved.
15:12
No offense. Before
15:29
we continue the episode, a quick diversion.
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Greetings, fans of the Esotenic. It
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is Magenta and Bernard from the other Long
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Cat podcast, Madame Magenta's Sonus Mystica. Welcome
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to the most thrilling promotional activity
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I have ever been involved in. We can't
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have favourites, my dear. Oh, come on. This one sent us
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a cocktail box for free directly to our door. I
15:49
mean, that was very special, yes, yes. So
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thank you to Shaker and Spoon for sponsoring this
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episode. And for the best day of my
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life. Twenty dollars off for the listeners at
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home with the code Mockery Manor. So go to Shaker and Spoon. ShakerandSpoon.com
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forward slash mockery manner. I must say Bernard,
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when that parcel arrived and I slowly peeled
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back the layers to reveal oh ho ho ho,
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syrups, bitters, mixers,
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garnishes. I've never been more
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shaken. My emotions never more stirred.
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Oh, that's very good. I see what you did there. Don't
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ruin the mood with talk of puns Bernard. Let
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us talk of Shaker and Spoon and their magnificent
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cocktail box. Oh yes! Shaker and
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Spoon is a monthly cocktail subscription
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ingredients for 12 cocktails.
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We had the Fall for Ms. Cal box,
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didn't we Bernard? Yes. Based around
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the national spirit of Mexico. Honestly, it was like being
16:45
on holiday, but better because I wasn't digging
16:47
sand out of my crack. Or mine. They
16:50
don't send the booze, but you could upcycle your own
16:52
homemade hooch with these boxes, couldn't you Bernard? I
16:54
could, yes, it's a good idea. Although it
16:56
is probably best to stick to the suggestion in the recipes.
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Do you think they'll sponsor us again Bernard? I do hope
17:00
so. Well, if not, we could just subscribe.
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And get one every month? Yes! Actually,
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I'll pretend you haven't said that and you're giving it to me as a
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gift. Oh, marvellous idea.
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Thanks for listening. A message from
19:17
the Fable and Folly Network. Well,
19:20
I have important information you need to
19:22
know. My lover is dead.
19:25
You understand your upset, my brother? God damn it, why does no one listen to me? Is
19:27
it because of these? Is it because of these? Whoa! All
19:30
right, that's enough. You're not coming in the manner
19:32
and that's that. Why aren't you listening
19:35
to me? I need to tell them what
19:37
I know. Look, love, we've had a lot of Clayton
19:39
fans trying to help the police.
19:40
We don't need any more brilliant tip-offs about
19:42
how his manager's ripping him off or his wife is
19:45
cheating on him, all right? But his wife was
19:47
cheating on him. And I'm not just
19:49
a
19:49
fan, we're in love. Oh, yeah,
19:52
having a torrid affair with him, were you? Yes,
19:54
I was. Oh, clear off, love. Stop wasting
19:56
valuable police. Aye. You're just going
19:58
to ignore me.
21:59
Yeah, I see, yeah. Erm, like
22:02
you are. Go on then, don't just stand there dithering!
22:04
Yes sir, yes sir. Erm,
22:06
bites madam, you need to come with me. Finally,
22:08
thank you. And thank you, detective.
22:11
You're welcome, Abilene. Like, sure you tell
22:13
them everything? Oh, I will. Alright,
22:16
come on then, you. And no funny business. Absolute
22:21
embarrassment. Bloody useless. Moron.
22:26
Didn't even ask them, I idea. I
22:28
could be anyone. Yes,
22:31
embarrassing. What's
22:33
this bloody country coming to, eh?
22:37
Now then, which way, which way?
22:41
Not the corridor with the ram's head. Or
22:44
the one with the clock. Have
22:51
they found that woman yet? I don't know, Mr. D. But
22:54
I'm going to have to ask you to calm down. We are
22:56
even thinking about telling me to calm down.
22:59
Now this friend is dead. And
23:01
a little gift of gift. Ah ha,
23:04
here we are. Clayton's
23:06
Boudoir.
23:08
Oh yeah,
23:11
a few bits of tape across the door. That'll stop
23:13
me, Andrew. Oh, tape. Whatever
23:16
am I to do? Call
23:18
this a lock. Embarrassing.
23:27
Couldn't keep a one-legged kitten
23:29
out. Now then, where,
23:32
where, where? Let me
23:34
see. Chest of drawl.
23:38
Bedside table.
23:41
The curtains. Well
23:43
now, what do we have here? A
23:46
pair of pink trainers, size five,
23:49
with a couple of ankles attached. Ah ha!
23:52
It's not what it looks like. I'm housekeeping.
23:55
Housekeeping in a dead man's room. What does that involve?
23:58
Polishing fingerprints off surfaces?
25:56
But
26:00
I haven't even touched anything! Not much,
26:02
anyway. Please don't arrest me! Shh! What's
26:05
that? Someone's coming! Hide!
26:08
Hide! Back on the curtain! Hold on! Get
26:10
out! Okay, okay! Move
26:13
over!
26:30
There you go. Wow! Ha ha! Woo!
26:32
They didn't know we were here, did they? What
26:34
did they want? What were they doing? Who was
26:36
it? I don't know. I couldn't see! Oh
26:39
bugger, I didn't see either! I had a face full of
26:41
curtain! Damn it! Oh, you're so annoying! Damn
26:43
it! What do you think they wanted? They were really
26:45
quick. They must have come in here to fetch something very specific.
26:48
Hmm, I heard a ping. Did
26:49
you hear a ping? Metal? Glass? Portalant?
26:52
Ms Armstrong? And did you hear they had
26:55
a key? But when they tried to find
26:56
it, they were not. I'm sorry. And did
26:58
you hear they had a key? But when they tried to use it,
27:00
it sounded funny. Why? Oh
27:03
my god, look! The door handle's hanging
27:05
off! It wasn't like that when I came in. Did you
27:08
break it? Oh, you did! That's what
27:10
that thump was!
27:11
It's an old handle! Old things break!
27:14
You forced your way in! Now look here, I
27:16
do not have to explain myself, certainly,
27:18
not to you. Hang on.
27:19
Why did you want to hide from them? Well...
27:22
You hid? Why? L'Avio, your mind jumps
27:24
around like a flea on a trampoline. Tell me why you
27:26
hid. Why do you think? To see
27:28
who it was and what they were planning to do?
27:31
Hmm. Was it pose? Oh,
27:33
you suppose, do you? Well, it didn't
27:35
work, did it? You didn't see who it was or what
27:37
they were doing? I am aware of that. Maybe
27:39
if you'd budged up, I could have looked through the crack
27:42
in the curtains. So you should have sprung out and arrested
27:44
them! Or at least sprung out and asked them what they were doing.
27:46
As it is, neither of us know anything. Thank
27:48
you for the helpful pointers, Ms Armstrong.
27:51
I shall pass your wisdom onto the training academy
27:53
and make sure the next generation of coppers are properly
27:56
educated.
27:56
Wait! Wait! Where are you
27:58
going? Wait! Are you... are
28:01
you going to get me into trouble? What a good
28:03
question. All right, how
28:06
about this? I won't tell anyone
28:08
you were here...
28:09
Oh, thank you. ...if you
28:11
stop investigating Clayton's murder.
28:15
I can't do that. I've been hired to do a job.
28:18
So quit. But I... I don't want
28:20
to. This might
28:22
come as a surprise to you, Ms Armstrong, but
28:25
this isn't about what you want. This
28:27
is about justice. So stop
28:29
playing at coppers and go back to whatever
28:32
it is you usually do. Picking your nose,
28:34
watching Australian soaps before
28:37
you get hurt.
28:47
Silly man. Right
28:50
then. What in this room
28:52
goes Ping?
29:02
Shh, Dennis. It's all right.
29:05
The fire's not going to spread. I
29:10
was in the brownies, you know. When
29:13
I first joined, we learned how to make scones
29:15
and hoover the carpet. But then we got
29:17
brown now. We was really into wilderness survival.
29:21
Taught us how to navigate by the stars. How
29:23
to gut an animal. How to build a fire
29:26
pit. Bet
29:28
you and me, we were really good at it. It was great,
29:30
actually. Till one of the parents found
29:32
out from the bloodstains on their daughter's tunic that we'd
29:34
been skinning squirrels. And that was the end of that.
29:40
Maybe I should live in the woods with you, Dennis. What
29:43
do you think? You've
29:45
eaten all the melon. I haven't got any more. And
29:48
Margo said too much is bad for you
29:50
anyway. Greedy guts.
29:52
Stop
29:55
it. Stop eating my hair. Go
29:57
on. Go back to the others, you big goo. Flippin'
30:01
it! Ah! Walter! It's
30:04
a flippin' elephant! Oh my god! Go away!
30:06
Go away! There's a wild elephant in the mockery woods!
30:08
The rumors are true! Haha!
30:10
I knew it! I'm
30:13
scared of you idiots! Why
30:15
do you have to shout? Where's it going? We should
30:17
follow it! No! Leave Dennis alone! Dennis?
30:20
The elephant's called Denny. Walter, if you
30:22
tell anyone about this, I swear I'll kill
30:24
you. Do you hear me? They're very happy here.
30:27
Don't ruin it. They're very happy. Is
30:29
there more than one? No! There is!
30:31
I knew it! I hear them sometimes when
30:33
we're camping in the woods. You're wrong. There's
30:35
just one. I'm not. I've seen the signs.
30:37
Massive piles of poo, bark stripped from the trees.
30:40
I told the group they were the marks of the woodland witch.
30:43
They loved that. Would they prefer
30:45
to know it's elephants? Or maybe they'd like
30:46
to- Ow! The group! You brought people here!
30:50
Get out of my arm! You're not alone! Is
30:52
that what you're saying? Maniac? There's five
30:55
of us. We've been camping since Wednesday.
30:58
Where are they? Are they close? No, they're back at the
31:00
cottage. Camping by the pond. So
31:02
what are you doing here? Well,
31:04
we all heard this noise, see? A
31:06
kind of trumpeting sound. I
31:08
was the only one brave enough to come look.
31:12
Oh
31:12
dear. What am I going to tell them? Oh,
31:14
just tell them it was a car horn. Or a truck.
31:17
One of the mockery trucks. You're quick with
31:19
the lies. Had plenty of practice. Are
31:21
you taking them all high ground, Walter? The
31:23
boy who brings people into the woods to stare at an old crime scene.
31:26
Take the front of his neck to a blood stain. It's
31:28
ghoulish. Disgusting. It's not
31:30
disgusting. It's just
31:33
natural human curiosity. It's titillation. Oh
31:35
yeah, definitely. Who
31:38
doesn't feel more alive in the shadow of death? Oh,
31:40
you have no idea what you're talking about. Oh,
31:42
I've had an idea. You should come and give a
31:44
talk to the group about Graham. And that
31:47
poor country singer who just
31:49
died. Do you know anything about that? Okay,
31:51
you know what? This is private property, Walter.
31:54
I can get you arrested for trespassing.
31:55
And I could get you arrested for keeping
31:57
a herd of elephants in the mockery woods. Can't
32:00
imagine that's legal. Oh
32:04
dear! Looks like we're at
32:06
an impasse. A what?
32:09
An impasse. An
32:12
impasse. Whatever! Looks
32:14
like we both need to keep our mouths shut.
32:15
Well, I won't
32:18
say anything if you don't. Fine.
32:24
Trouble is, if one of my group spots
32:26
an elephant while we're camping, there's not
32:29
much I can do about it. The herd doesn't go near the
32:31
cottage. Just don't take anyone deep into the
32:33
woods, alright? And if you do, I'll
32:35
know. Oh yeah? The
32:37
woods have eyes.
32:38
Maybe you're the woodland
32:41
witch. Maybe I am. Don't
32:44
cross me, Walter. Wouldn't
32:46
dream of it. Full of secrets,
32:49
aren't you, JJ? Maybe
32:51
that's why everybody prefers your
32:52
sister. She doesn't have
32:54
your darkness. No.
32:57
I don't think she does. Oh!
33:01
Oh! That vise
33:03
a bit smoky. What are you burning? Toasting marshmallows.
33:06
Ah. That marshmallow looks
33:08
a lot like a hooded sweatshirt to me. Go away,
33:10
Walter. Gladly.
33:13
You're giving me the creeps. Bye-bye,
33:18
witch of the woods.
33:28
Mockery Manor is written by Lindsay Sharman
33:31
and directed by Lindsay Sharman and Lawrence Owen. Music,
33:34
sound design and editing by Lawrence Owen. Hayley
33:37
Evanett was Betty and JJ. Lawrence Owen
33:39
was Parker, Paul, The Constable and
33:41
Bogan Bay Logan. Christina Bianco
33:43
was Kirsteen. John Henry Fall was Detective
33:45
Fenwick and Bobby Dee. Christy Bolton was Abilene Doketty.
33:48
Lindsay Sharman was Henriksen
33:50
and Bogan Bay Jen. Mark Ristucher was
33:52
Detective Steve. And James Dukker was
33:54
Walter. Mockery Manor is supported by Arts
33:56
Council England, National Lottery Project Grants
33:58
and our wonderful...
33:59
patrons on Ko-fi. If you'd like to become
34:02
one of them and help me and Lindsay keep making podcasts,
34:05
tap the link in the show notes of this episode or
34:07
go to longcatmedia.com.
34:24
The Fable and Falling Network,
34:26
where fiction producers flourish.
34:30
The first thing you need to know about the Vegas
34:32
Sci-Fi Adventure podcast is that
34:34
you're not just listening to someone tell
34:36
you a story. You are
34:38
stepping into a world. And
34:41
Vega Rex, the woman at the
34:43
center of this saga, is currently
34:45
sitting at the top of it. This
34:48
is not by accident. For millennia,
34:50
the country Vega calls home has been carefully
34:52
honing the skills of its state consciousness.
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