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Philip Simondet and Matthew McCloud
Next At BatEpisodes
Philip Simondet and Matthew McCloud
Next At Bat
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Episodes of Next At Bat
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Alexis Camille, Maggie Sotos, and Sean Dillon of Off Book (unfortunately Molly Chase couldn’t join us) talk about prod-recting(?) a show that pairs an actor performing their half of a scripted piece with an improvisor who has no idea what play
Juliet & Juliet (Meghan Wolff and Sami Haeli) join us to discuss presenting Shakespearean-themed improvisation in an accessible way. They talk about focusing on relationships instead of just imitating tropes, submitting the their subconscious b
Will Frazier joined us to discuss his podcast, History Made Up. On the podcast he travels the nation listening to local history stories, then uses them as inspiration for improvised scenes along with improvisers local to that area. He talks abo
Chris Fair of The Laser Comedy Show joins us to talk about his unique, visual form. He also discusses building tension, the difference between an audience of adults versus and audience of kids, how studying sketch will improve your improv, prom
Valerie Vasilas, Christina Lopez, Marianne Smith, and Allison Reese of Melissa?! joined us while they were in town for the Twin Cities Improv Festival. They talked about the importance of letting your form evolve, pushing yourself to gather new
Grant Ertl and Justin Bettencourt (unfortunately Kenneth Pierce couldn’t join us) of 2017 Troika winners, We Have Faces, join us to talk about how three strangers who have never met can quickly develop chemistry and evolve a form to become cham
Kevin Albertson, Phillip Schramm, Sami Haeli, Nathan Kelly Rouse, Erin Kennedy and John Hilsen of Rated G (unfortunately Becky Hauser, Sinez Lennes, Amanda Underwood, Jo Nachtigal, Aaron Cook, Gregory Parks, Denzel Belin, Justin Betancourt, Jer
Shea Roberts, Jeff Gyllen, and Breanna Cecile (unfortunately Adam Braun, Ashawnti Sakina Ford, Denzel Belin, Grag Parks, Jen Scott, JoJo Ju, Liv Augusta, Matt Alex, Michael Renner, and Phillip Schramm couldn’t join us) of Love Letters join us t
The producers of the Fargo Improv Festival, Davis Steen, Sarah Arnold, and John Streifel, join Philip (unfortunately Matt couldn’t make it) to talk about the first annual Fargo Improv Festival. The goals are to celebrate the Fargo improv commun
James Rone joined us to discuss his solo show, Troubadour, in which he performs an entire concert by a different singer/songwriter character based on song titled suggested by the audience. He also talks about playing what you know, keeping a so
Greg Parks, Liv August, Phillip Schramm, and Anrea Ravich (unfortunately pianist Joe Ye couldn’t be there) of Impropera join us to talk about performing an improvised opera,a form in which everything, from the dialog to the scene painting, is s
Mookie Harrington, Shea Roberts, Breanna Cecile, Phil Peterson, Alec Johnson, and Erik Ostrom (unfortunatley Mary Kane, Wells Farnham, and Lindsay St. Clair couldn’t join us) of Colossal Park join us to discuss cramming an entire theme park dis
Liv Augusta and Phillip Schramm of Goof Goof join us to figure out the hierarchy of host and co-host and the Next At Bat cabinet. They also discuss abandoning narrative for an energy-driven experience with organic, musical transitions and lots
Jill Bernard, Amy Burge, and Breanna Cecile of the Tiny Funny Women Fest committee, join Philip (Matt unfortunately couldn’t join us) to discuss how TFWF is different than most improv festivals because it’s goals are empowerment and inclusivene
Writer/director/creator Katherine Curtis, lights and sound designer Kurt Radtke, Director of Photography Abbie Elrod, and actor Will Roberts of FunWitFunny join us to talk about producing a video sketch show on a budget. They discuss collaborat
Nathan Rouse, Justin Bettincourt, and Phillip Schramm of This Just In: The Improvised News Show join us to talk about doing an absurdist show in the guise of a newscast. They claim it’s about pure entertainment, but Matt posits that it’s actual
Bowl of Chili (Sarah Arnold, Davis Steen, Leah Isaacson, and Denzel Belin) join us to discuss their current form, The Writer’s Room. They talk about using a duel narrative to reveal characters’ inner emotions, working within genres, know when/i
Drew Kersten and Jordan Bainer (unfortunately Bette Bentley couldn’t join us) the producers of Melee a Trois brought along a couple of participants, Sophie Brossard of Danger Zone and Emily Lindholm of Jorts (and Philip Simondet, also of Danger
Bennett Christensen, winner of the 2016 HUGE Hangout Auction, brings along Denzel Belin and John Gebretatose (of Sultans of Silly) for his episode. He poses the question, “what have you gotten out of improv?” which leads us to a discussion abou
On our 100th episode, Casey Haeg and Eric Heiberg join to interview us. We discuss the importance of doing things outwide of your comfort zone, what makes a good interview, improv philosophy, not watching improv, discovery versus invention, the
Phil Schramm and Joe McGowen of Side Pickle join us to talk about performing a “long form show about a long form show.” They discuss the desire to start a group immediately after starting taking improv classes, performing from the moment you st
Mark Sutton and Joe Bill of BASSPROV join Matt to talk about doing a one-act play right at the intersection where bass fishing and improv meet. They talk about doing a conversational Harold, taking deep and shallow suggestions, starting in the
Tane Danger and Brandon Boat of Danger Boat Productions (the creators of The Theater of Public Policy) join us to talk about their upcoming event, All St. Paul’s A Stage. On August 19th, over 50 improvisers in small groups will perform more tha
Butch Roy, Jen Van Kaam, and James Moore join us to discuss the Neutrino Video Project produced by HUGE Theater. They talk about the benefits and challenges of filming improvised scenes: no immediate feedback from the audience, cinematic tools
Doug Neithercott and Doug Ocar of ComedySportz Twin Cities (unfortunately Mary Strutzel couldn’t join us) to talk about running the local branch of a worldwide, all-ages, short-form show. They discuss the benefits of the brand, and how much fre
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