0:00

We improvise musical podcasts

0:02

with Zach and Jess.

0:32

Thank you, ow-ow-ow-ow. Everyone's wolves.

0:34

Hello, Portland!

0:39

Late night show, give it up for Scott Passarella,

0:41

king of Canada's Fantastic Games! Scott,

0:45

you were playing some, we had to

0:46

let you live in that majesty for a second. You

0:48

were playing some deceptive chords. Not like actual deceptive chords,

0:50

but like deceptive chords. We were like

0:52

we can't come in yet. He's like still feeling

0:54

it. He's going through a musical movement. We've got to let our

0:57

guy feel it out. Hello,

0:59

this is Off Book the Improvised Musical Show. That

1:02

one's Zachary. That

1:02

one's Jessica McKenna.

1:04

Thank you so much for being here, Portland, Mississippi

1:06

Studios. Round of applause for who's here

1:09

for the second time tonight. No

1:14

callbacks to that show because it would alienate the rest

1:16

of the crowd. But maybe like

1:19

one. I don't know. Yeah,

1:21

we've already called it like wolves. Although

1:23

we do wolves in roughly 80% of Off

1:26

Book shows that we do. Okay, sorry. By

1:28

a round of applause, is anyone here who has never

1:31

ingested our, ingested is such a weird way

1:33

of saying it. Ingested our

1:35

content, wolves! Round of applause. Who's here for the

1:37

first time?

1:38

Great, thank you for coming with your friend

1:40

and thank you friend for being brave. Yeah.

1:43

You really put your like cred on the line by being like

1:45

come see this improvised musical with me. Like I love

1:47

saying like, hey, you got

1:49

any plans for Tuesday? How

1:53

about, you interested in a 9.30 musical

1:56

improv show of a now ended

1:58

podcast?

1:59

Yeah. Tough sailing,

2:02

you did it. So, yeah. So,

2:04

people that brought the friends, thank you. Also,

2:06

the friend that you brought, that's a solid friend, y'all.

2:09

Good friend. Yeah, kind of a good friend.

2:11

So, here's what this is. We are

2:13

going to make up a musical that we've never done before and we'll

2:15

never do again. Everything that we sing is made up,

2:17

as well as everything played by the incredible Scott Passareau.

2:22

That's basically the only rule. The

2:25

only rule.

2:27

The only rule. So,

2:29

a round of applause if you're seeing us for the first

2:32

time. Yeah, one more time. Great.

2:35

Amazing. Great. And

2:37

now, from one of those new friends, could you shout out a word, anything

2:39

at all? Poltergeist.

2:42

Poltergeist. Thank you. No, thank you. You're

2:45

too scared. Yeah. Okay.

2:50

And a ghost? I know it's a ghost. Thank

2:53

you. Poltergeist and a... Yeah,

2:56

I guess a ghost. Okay. Yeah, I think

2:58

that's basically... We were talking about some form of the undead,

3:00

yes?

3:01

Yes, yes. I have to assume that we just

3:03

think of them as taking many forms, right? They're

3:05

like water.

3:05

Yes. Or the Holy Trinity.

3:07

Right. Vapor, water, ice. Poultry.

3:10

Yeah. Poltergeist, ghost, zombie, mummy, vampire. They're

3:13

all dead in all our beds. mischievous, but

3:15

then poltergeist specifically in the movie Poltergeist,

3:17

I think of as a... Okay. ...living in a TV. Sure.

3:20

Because I've never seen it. Well, as far as I know...

3:22

No, I think that's right. I could see the little girl touching the TV. Laves

3:25

in a TV, that's for how? Okay.

3:28

So, I'm not going to say that. I'm not going to say that. I'm

3:31

just going to say that. Okay.

3:32

Okay. So, that's why I'm going

3:34

to say that. Okay. So, I'm going to say

3:36

that. Okay. Okay. Okay.

3:40

Okay. Okay.

3:42

I'm just going to say that. Okay. Okay.

3:45

Okay. Okay. Okay. Okay.

3:49

Okay. So, we're going to say that. Okay. All

3:52

right. Okay. Okay.

3:55

Okay. Okay. Okay.

3:58

Okay. Okay. and

4:00

being like, whoa! But

4:03

yes, sorry for anyone who's already full

4:06

force into spoopy season. Zach and

4:08

I don't really go hard on horror. Not

4:11

in September. And not really,

4:13

ever. Not ever, no

4:15

thank you too scary. But

4:17

I love, I feel like there's

4:19

such a fervor behind horror.

4:23

When people love them. People love to be

4:25

scared. Yeah. And I'm

4:27

like, I'm already. Yeah,

4:29

this is famously a emotion I don't

4:32

see. Yeah, I really try to avoid this at

4:34

sort of all costs. Yeah, this is a literal,

4:36

this is like my lizard brain saying,

4:38

you're about to die. This is what

4:40

I need to run away from wolves, damn it.

4:42

I knew it was gonna be wolves. I

4:45

have a

4:47

friend of mine, they were talking about, oh, their

4:50

kid was like, well, why would anyone choose,

4:53

why would you go see a scary movie? That's

4:55

so scary. And the parrot

4:57

came up with a pretty good answer, which was, people

5:00

sometimes like to practice being

5:02

brave.

5:04

I know, isn't that really sweet? When

5:07

really, most of the time I went to a horror film, it was to

5:09

make out.

5:13

I'd be like, hold my hand. But girl,

5:15

you went on, you didn't go to horror films and make out, you went to a haunted

5:18

mansion that Disneyland wrote. That's true.

5:21

That is true, there's no better place to kiss

5:23

in the house of mouse than a doom buggy. If

5:26

you're making out in Pirates of the Caribbean, what are you

5:28

doing? There's too many people in the boat. There's a bunch

5:30

of rose on that boat. There's actually a place.

5:33

You nasty little friend. In the park

5:34

that is just like a tiny

5:37

cove

5:38

for you. Yeah.

5:59

I think I'm in. I'm sorry, but I'm

6:01

sorry. The moment it's

6:06

the game

6:08

and this is so cool that if

6:11

you start a little while and get tired

6:13

you can't see that I'm blushing, that I'm

6:15

sweating, that I'm blushing my gut

6:18

thing is so cute, so I can't

6:20

see that I'm blushing, maybe sweating, even flirting

6:23

I'm not even flirting, maybe

6:27

maybe maybe maybe

6:35

No, why is it

6:37

so scary? Why is it

6:39

so scary? Why

6:42

is it so scary? Why

6:46

is it so scary? Why

6:48

is it so scary? Why

6:51

am I holding up

6:54

everything that's in my head?

6:57

You're talking about

6:59

things I can't hear

7:01

about them. Well, I'm having

7:03

a jump time dream. Oh

7:06

my God, would I be scared of this small

7:08

room and think it's just projected

7:10

from a screen? We have

7:12

the greatest projection. It's

7:15

just to interrupt me, baby.

7:18

I would think about that moment every night

7:20

for the next five years as I'm trying

7:23

to sleep. Oh, why is it

7:25

so scary? Why is

7:27

it so scary? Why

7:35

is it so scary?

7:39

Why is it so

7:42

good? Oh,

7:45

how did you have

7:48

a good time? Yeah, I really

7:50

love this ride, especially on a hot day. That's

7:54

why I'm sweating, because it's still really

7:56

hot. I

8:00

like this part. We lean back. I'm

8:12

sorry. I'm sorry. I

8:18

think I was the mama. I'm

8:21

sorry. I

8:26

know, I know, I

8:28

know,

8:32

I know. I'm sorry. I'm

8:38

sorry. I have

8:42

no idea. I'm sorry. It's

8:48

like a dog eating a baby. I

8:52

have a double fever baby, I have a double fever

8:54

baby. I'm only gonna be holding his money.

8:57

I haven't been scared since I was a little

8:59

kid. I'm gonna be a little tall, I'm gonna

9:01

be a tall baby, I'm gonna be

9:03

a tall person, I'm gonna be a little fat,

9:06

and now it's perfect for the camera.

9:09

I'm gonna be a little person who wants to know, I'm

9:12

gonna be a little tall, I'm gonna

9:14

be a little baby, and now

9:16

it's perfect for the camera. I'm

9:19

gonna be a little tall, I'm gonna be a little

9:21

fat, and now it's perfect for the camera.

9:24

What's the baby doing

9:26

all year? How am I supposed to

9:28

feel just right now? It's just

9:30

all I'm gonna say. It's so scary.

9:33

Oh, let's see which hitchhiking ghost we got.

9:36

Why is it

9:40

so scary? Where

9:45

I saw him, I saw

9:49

him, I saw him, he's

9:53

the most bright

9:55

there.

9:58

We have to catch those. I'm losing a lot of time

10:01

to go. Oh, yeah. Time to go.

10:08

You think it happened? I don't know.

10:10

I mean, they're like, they're like, they're

10:12

the most, everyone else can see it. I had to

10:14

work so hard to come up with an excuse for why

10:16

I wasn't going to go on. Yeah, me too. I was

10:18

like, oh, I hate the hat box

10:20

ghost. Right. I'm not scared

10:22

of the hat box ghost. They bought it.

10:25

I was like, oh, I hate the little bride

10:27

at the end. Yeah. I

10:29

do hate the little bride. Yeah. I

10:31

like something I'll ever get married. No. Same.

10:35

Yeah. Yeah. I'm

10:37

just like, who needs it?

10:38

Yeah, you can just cohabitate if that's your thing.

10:41

Yeah. And if it's not, then get married.

10:43

You can always get married. Did you get a churro?

10:45

What? Did you get a churro? No.

10:49

Was that my cover story? Yeah. Oh, right. Yeah.

10:51

Okay. You're

10:52

like, I don't like the hat box ghost plus I need to get

10:54

a churro. Yeah, that's true. They

10:57

were both lies. You didn't want a churro? No,

10:59

the churro is like fine. Really?

11:04

This is the thing that makes you go? I'm just surprised. Like,

11:07

for me, it's number

11:09

one. Yeah. Never, never not.

11:12

I'm a popcorn guy. Yeah.

11:16

Yeah. Is this our first

11:18

fight? I don't know. I

11:21

don't want to fight with you. I want to fight with you too. Here

11:23

we are trying to get the energy to cuffle up and yet we

11:25

disagree on such an important issue. Not

11:28

really. This isn't a fault, right? No.

11:31

No?

11:32

I mean.

12:00

He went on and responsibilities week

12:07

Hello Okay

12:25

Hi Dude

12:28

cries two

13:08

e bebe

13:12

be the case

13:20

the headache

13:29

weekend was

13:44

Pod

13:50

new Wh'ta

14:00

never told my

14:03

name Hmm

14:09

I'm sipping the T

14:20

paradox Pippa

14:22

R oppy Pippa

14:24

R thing

14:31

Umm Like

14:38

can

14:38

I say something Carla? When you said that's

14:40

what adults do I was like holy shit

14:44

We are adults now Thank

14:46

you Carla that is

14:50

That is what adults do I

14:52

guess that's how I'm feeling at grad night

14:55

I love that first

14:57

of all Disneyland always good but Disneyland

15:00

grad night when the park is open after

15:02

it's actually supposed to be open Just for a collection

15:04

of local high schools celebrating their graduation

15:07

It's a great time for a bunch of local high school kids

15:09

to do a bunch of drugs and

15:12

be the only people in the park Yeah

15:14

but hearing you say that, that's

15:17

the first time I've ever felt it to be true I

15:20

know earlier today when I moved that tassel

15:22

I thought I'm still a little kid I'm

15:24

just the kid with the tassel on the other side Or

15:27

like when my mom dropped me off at the gym and

15:29

we all had to get checked for drugs And

15:32

they even checked our digital cameras to see if we snuck

15:35

in drugs And the camera And

15:37

the way that they checked it was not by opening it but by

15:39

taking a picture of me Yeah it's like okay

15:41

I guess you know there's batteries in the camera where the

15:43

batteries should be and not drugs Right The

15:46

year is 2005 Sometimes

15:51

you gotta feel, you say what you feel you know Yeah Right

15:54

now you're like oh this year is so 2005 It's 2005

15:56

and we're adults Yeah first

16:00

time forever.

16:05

I just hope that they, you know like

16:07

you and me, we go to school with

16:09

Jenny and we've always heard her talk about well

16:11

I have this family friend that I've had a crush on my

16:14

whole life but he goes to another high school and

16:16

then when Jenny found out that his high school, Alisa

16:18

Viejo was gonna be here at grad

16:20

night with us Oak Park. When Jenny found out

16:22

that Jimmy was gonna be here she lost

16:25

her freaking mind. And it's her two best

16:27

friends. It was our job to sort of be like hey

16:29

girl now like now for a time you miss

16:31

a hundred percent of the shots you never take. That's right.

16:33

You know. And I got a good vibe

16:35

from Jenny like straight up I was like she seems

16:38

like a good dude. I don't know him well but like Jenny's

16:40

also a very good judge of character. She's a great judge of character.

16:42

She's gonna be fine. She told me the cutest thing. She

16:44

told me like every year when they get their holiday

16:46

card she takes it up to her room and kisses

16:49

it.

17:19

And I'm like oh she's a great judge. Alisa.

17:24

Alisa. She's a fine wife.

17:27

Alisa. Alisa.

17:31

Alisa. I

17:33

think you may have missed her. Okay.

17:37

How do you keep her

17:40

from singing to me the whole time? The whole

17:42

time. The

17:45

whole phone came in family.

17:49

That makes a lot more sense. And

17:51

every year the card comes to her house and hits her. It'll make you

17:54

feel the reason for the whole problem. Every

17:58

year she can't help you now. was

19:54

the

19:56

engulfing

20:00

Come on, Jeremy.

20:01

Come on. They usually have a recording that does this.

20:03

How often is the man who I'm going to break down? I'm going to

20:05

have to do this by myself. Come on, Jeremy.

20:08

Please keep all of your hands and

20:10

feet. Remain

20:16

seated. Please keep all of your hands and

20:18

arms inside your toboggan. Keep all of your

20:20

hands and arms? Your legs

20:22

are down. Your legs are down. You don't have to worry about

20:25

them. You don't have to worry about legs. Do what you want

20:27

with your legs. No.

20:27

Remain

20:31

seated,

20:31

please. Keep all of your hands

20:33

and arms inside your toboggan. And

20:35

remember. And don't touch the Yeti. And

20:38

what your children. It feels fun to touch. You're

20:41

going to see that Yeti and think, what a furry

20:44

friend. I want to touch him. What

20:46

a furry guy. I love him so much.

20:48

But you can't. You can't do that.

20:51

You won't be able to reach him. And if you try, you could

20:53

get hurt. Don't let us catch you. Well,

20:56

that implies that if you get away with it, it's not. We

20:58

don't know. If we don't

21:00

know, if we didn't see it, it didn't happen.

21:04

Fair enough. It's grad night. OK. I

21:09

always like getting to work during

21:11

graduate. Yeah, it's cool. There's so much

21:14

just ooh energy. Yeah,

21:16

it's a lot. I mean, gosh. Remember

21:18

being that age? Yeah. Seven years ago. Two years ago?

21:21

Yeah. Yeah,

21:25

we're the same age. I

21:28

panicked into seven, but it's two. We're both 20.

21:31

We're both 20. Is

21:33

this your first job? Yeah. Well,

21:36

no. First job in the park? First job ever? First

21:39

job? First

21:41

job ever, not first job in the park. I

21:46

worked somewhere else in the

21:48

park, but I still kind of consider

21:50

that the same job that I have now.

21:53

Well, what was it? Just

21:55

not at the Matterhorn. I know,

21:57

but what was it?

22:01

Big Thunder Mountain.

22:04

Oh. Big Thunder Mountain. Sorry.

22:06

I was the person that held off the

22:09

sign that says it's 120

22:11

minutes until you get to ride

22:13

Big Thunder

22:13

Mountain. I

22:16

really like Big Thunder Mountain. Oh, me too. I

22:18

prefer that uniform. I don't really like

22:21

the later

22:21

hosings. Oh, I love the later hosings. Oh, really?

22:24

Yeah, I guess they suit you. Yeah, thanks.

22:27

Hey,

22:27

you ever touch the yeti? Yeah,

22:31

I always touch the end. It's

22:41

true that there's a basketball court halfway.

22:43

It's a half court, just one hoop.

22:46

It's a half court. Just a half court.

22:48

They built a half court halfway up

22:50

the metal horse. And there's an apocryphal

22:52

truth that they did it to have

22:55

a ghost. But

23:05

that's not cool. You

23:21

see the ones that love the beauty

23:23

of the land that it leads.

23:26

You see there's something true or

23:28

something people say.

23:31

You see these things are true. Okay. They

23:34

say that there's a bunch of cats that

23:36

you would normally never see.

23:39

Thank you. But they live in the park

23:41

just to eat the rats and come

23:43

out at night and that's their whole

23:46

thing. Yep. And also,

23:48

while this is frozen, head

23:50

is inside. So why? No. He's

23:54

eating the meat on

23:57

me. If

24:01

the big bad people say

24:03

I don't know They're

24:22

fine They will make it

24:27

Please keep all of your arms and

24:29

hands inside the toboggan Please

24:32

remain seated and don't touch the yeti Or

24:34

if you do touch the yeti Don't

24:36

let us catch you Are

24:47

you cool with hanging out with my friends a little

24:49

bit more? Or we could meet some of your Elisa

24:51

Viejo friends I

24:53

don't want you to feel like you're with the Oak Park pack

24:56

all night No, no, no, no, I

24:58

really like Carl and Carla They love you Carlisle

25:01

and Carla They love you Oh, cool, yeah,

25:03

no, they're really nice We can hang out with my friends

25:06

a little bit They're sort of doing a very

25:09

specific thing that you may or may not be

25:13

Um, I've tried it I'm

25:17

not certain we're talking about the same thing You

25:21

say what you're talking about Okay, if

25:23

they're trying to

25:25

do some drugs, I've tried

25:27

it Oh, no, that's not what they're doing

25:30

Oh They are trying to

25:32

make sure that they occupy the entirety

25:34

of a boat on, um, prior

25:37

to the Caribbean And then they are acting,

25:39

they're basically larping through that ride

25:43

As if they're a pirate crew I'm

25:47

asking me, please You'll

25:51

think you could get away with this, you scallywag

25:54

We're in for a precipitous drop here

25:56

at the beginning I need Ollie to

25:58

brace yourselves Man the... We're

26:00

both the enemies of Fat Captain

26:02

and Johnny Depp over there. We're

26:08

the third pirate crew going through

26:10

a similar

26:10

adventure. Alright,

26:13

first, to get back the cursed

26:15

pirates of ore, of Lord.

26:17

Ore, ore

26:20

lore, which of course is gold. Is this good?

26:23

Yeah, this is really good. Okay, can

26:25

I tell you something? Yeah. I

26:27

got a little bit stoned.

26:30

Just a little itty bitty

26:32

phone. My friend,

26:35

you are not alone. I'm

26:38

also, let's be honest, more than a little

26:41

bit stoned. Ore! Ore!

26:44

No! No! No! Oh,

26:48

it's like throw! Just

26:52

a little bit stoned.

26:57

You little kid! You're

27:00

such a big, amazing treasure. But we're still a

27:02

pirate that you can't lock. Now your world

27:04

appears to swear the past is where the root

27:07

is in the sea. And that's just

27:09

him you

27:10

should hear about me. He's

27:13

also the meanest, the darshan-out,

27:16

like the guy on the cannon. The joy

27:18

in the pin down, he's not quite

27:20

in his red

27:21

line. I'm

27:23

also the blue and orange and

27:26

feminine pencil. Oh,

27:31

I'm a massive boy! I'm

27:33

a massive boy! Oh,

27:35

good. I'm

27:38

a massive boy! I'm

27:40

a massive boy! I'm a massive boy! Oh, stranger,

27:43

feel the little pear side is

27:46

on cannon, Tony. Oh, keep down if you

27:48

don't mind your means. Stop taking off. Keep

27:52

your head low. Oh, oh,

27:54

oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,

27:56

oh, oh. Don't you ever think

27:58

about it.

27:59

And

28:02

how from the bottom of the boom, the

28:05

stars are like the

28:07

compass we use. The

28:13

stars are like the compass, they're

28:15

a map in the inky blue. And

28:23

if we don't come back,

28:26

like what if the ride shuts

28:28

down, and we're just

28:30

a bunch of people. And

28:33

we live on a boat now,

28:35

the boat is

28:37

our home. Oh no. Oh

28:39

no, oh no. We're

28:42

kicking rules, why

28:44

is this

28:45

boat going so slow?

28:46

We need to paddle the boat

28:49

slow, the boat needs to paddle

28:51

the boat slow, let those babies sleep

28:53

in the air. Bridgette's

28:58

getting to the east side, gotta keep your hands

29:00

out, I've stopped out. Sorry,

29:03

sorry, sorry,

29:05

hey! Hey, are we okay?

29:08

Does anyone ever get stuck in here?

29:10

Like forever? Wait, what? What

29:12

are you talking about? Does

29:14

anyone ever get stuck in here in the

29:16

boat, they're home now, no home, no

29:18

home, no home.

29:20

Does anyone ever get stuck in the Pirates of the Caribbean

29:22

ride and the boat's their home now, no home,

29:24

no home, no home? Make sure I understand

29:27

the question. Yeah, that's the question sir,

29:29

please. To date, and

29:31

it's more than 50 years of operation,

29:33

Disneyland

29:35

Park has never had anyone get stuck permanently

29:38

in the Pirates of the Caribbean, you know it is true. The

29:40

bones here used to be real cadavers that

29:42

they took from the UC Irvine Medical School,

29:45

and then because of the only return to them after

29:47

a lawsuit. Is that true?

29:49

There's so many people saying. No, that

29:51

one's true.

29:55

So these bones are real? Not

29:57

anymore, he said. There's a loss.

29:59

Listen, I'm starting to feel better.

30:03

We're almost out. We're getting

30:05

close to that part, the little pigs.

30:07

The little pigs? Once you get the little

30:10

pigs and the little cats, everything's going to be okay.

30:12

Well,

30:16

let me just go up with the burning

30:19

rafters. Yeah. Why

30:21

am I so scared? Why

30:25

am I

30:25

so scared? Why am

30:28

I so scared? Why am I

30:30

so scared? Why

30:34

am I so scared? What specifically

30:37

is this game? Just

30:41

the feeling of the

30:43

great

30:44

unknown. Hey. Yeah.

30:48

What about my dude? What? We

30:50

can write it again and next time it won't be unknown.

30:51

Hey,

30:58

Brent. Thanks

31:01

for practicing. Hey,

31:04

Brent. Hey,

31:06

Kyle. First

31:09

of all, imagine this. Makes me

31:11

feel this way. So

31:14

thanks for practicing.

31:17

See you, Brent. Thanks

31:21

for practicing. I'm

31:24

going to cry.

31:25

No problem.

31:28

It's nice to practice first.

31:31

I'm going to cry.

31:33

I'm going to cry. I'm

31:37

going to cry. I'm going

31:39

to cry. I'm going

31:42

to cry. I'm

31:45

going to cry. It's

31:48

nice to practice first, just

31:51

in case. But maybe

31:53

we'll never have

31:56

to actually be brave. Your

31:59

lips are gone.

31:59

Oh dear.

32:07

Does that mean I'm kissing

32:09

God? I'm

32:13

too strong to say this. Hey! Oh,

32:25

do you think they're having fun? I think they

32:27

are having fun. Two of them are definitely

32:29

in love and four of them are probably asleep. If

32:32

I had to guess, that's how it's going down. They're

32:35

great. I think you really like them. Yeah, I mean

32:37

when we met at the bus I thought they seemed cool, but I

32:39

felt bad that my friend group kind of took over, but

32:41

now I actually can't find them and they're not in the troll line

32:44

or the popcorn

32:44

line. Um,

32:46

do you have, do you want to text them?

32:49

I'm out of data. Yeah, me too.

32:53

I'm also out of data. Data's

32:55

so expensive. All of them, but like, their

32:58

phone might be dead by now.

32:58

The phone's probably dead by now. It's been on for like two

33:01

hours. Yeah.

33:03

Do you remember, do you

33:06

remember when we were like, um, I think it

33:08

was like spring break, I think maybe it was spring

33:10

break when we were in second grade. Um,

33:13

and we came with our families together because

33:15

the Indiana Jones ride opened for the first time.

33:18

Yeah, and the line was so long, but it

33:20

was so worth it. And it

33:22

was so fun because they gave us those decoder

33:24

cards. Oh yeah. And I couldn't

33:26

figure mine out and you told me that the

33:28

thing that it said over the drinking fountain

33:30

was just thirsty.

33:33

Can I admit something? Yeah. A

33:36

kid like three years old or solved it right before

33:38

I got sick at the time. Really? I

33:40

had no idea what it was. But you're

33:42

so nice because you let me sit in the

33:44

first or second seat so I didn't have to be under the

33:46

big snake. Yeah. Because

33:48

the big snake is so scary. Yeah, the big snake's

33:50

the worst part. I would never

33:53

want to be under a big... What? What?

33:56

I would think I would never want to be under a big

33:59

snake.

33:59

What are you doing?

34:01

You

34:08

know what's cool? Oh there my friend. Oh

34:10

great Hey Stop

34:13

you two. Hey How's it

34:15

going? Good? Good. Good

34:19

Weird tone, but okay. Jenny do you want to talk? What's

34:22

going on? I don't know. I'm like getting

34:24

to in my feelings. Are you okay? Yeah,

34:26

are you okay? I mean, did

34:29

you kiss on on the Honda Mansion?

34:31

No, and then he had his arm around me, but then

34:33

he immediately took it away. I think cuz I was so sweaty No

34:36

way. You're not sweaty Pit-check

34:38

No,

34:42

you're totally fine Seriously,

34:44

you know that or it's dried by now. I don't

34:46

think it's dried by now stop

34:50

stop

34:50

like

34:54

How you doing

34:59

Hey

35:02

Hey

35:21

oh

35:54

you I

36:01

think I may be I should

36:11

make the next move good talk

36:14

and that way I will be intrigued and

36:20

I will be thinking everything is

36:22

right for me to think just how can we remember

36:28

the little

36:30

little girl that we were in and how can we be in the same situation and how

36:32

can we remember what we were

36:34

talking about and still think we had to figure

36:36

out and then you'll see a lot

36:38

of the things that we were thinking about that's

36:41

how we would remember that

36:44

little girl

37:21

I think I've got it ready, how

37:23

are you feeling now? Hold on man

37:26

Oh okay, hey maybe we should stretch

37:28

and give them a little bit of a spider

37:31

First, we're gonna try Hey

37:33

Jenny, here's what I have

37:35

to say to you You're

37:39

above the party Hey

37:43

we've been there my dear My

37:45

dear, my dear My

37:48

dear, my dear

37:53

My dear, my dear You

37:55

do my thing, you do my thing My hands

37:57

are going through I

38:00

don't know. So

38:02

does Mom.

38:04

Who's that fella saying? Jimmy, this is

38:07

a total disaster. It's

38:09

on the brink of a total fail. She's

38:12

so slow.

38:13

How many have been holding

38:16

to man? Well, how was the

38:18

day that one people fell over again? But

38:20

baby, I can't really lie to her. I

38:24

think I gave it to me. I'm sorry. How

38:29

did you get

38:32

here?

38:37

What

38:43

did we

38:44

do? I'm not sure. I'm

38:47

fine. How did

38:49

you and I?

38:51

Yeah. Well, you're not

38:53

my dude. I

38:56

said that to you, but she

39:00

is my dude. Does

39:08

it make it be a disaster? No.

39:13

Wait.

39:16

What did you say to

39:18

him?

39:19

Carlisle, what did you say to

39:21

Jimmy? I said my

39:24

dude. And I also

39:26

said my girl. What did you

39:28

say to Jimmy? I

39:35

said like a thousand more

39:37

things than that. No. I

39:50

didn't see you again.

40:00

It

40:03

has so much pressure, I feel like it's so

40:05

obvious. I

40:10

have

40:14

to go to the bathroom so bad. Way

40:17

over there. I'll see you at

40:22

your favorite ride. What

40:25

does she think that ride is? It's

40:28

my favorite ride. My

40:33

dude. Nailed

40:40

it.

40:41

Um,

40:45

you two can get on the Matterhorn.

40:47

It's okay. Do you two want to get

40:50

on the Matterhorn?

40:51

Um,

40:53

yes. Does the Matterhorn

40:55

have a... stars? Does

40:58

the Matterhorn have stars?

41:02

Hold on. If the Matterhorn gets stuck,

41:04

do we live in the Yeti Pro? Sorry.

41:08

Okay. All right. What's

41:13

happening? We're

41:15

getting on the ride. We're

41:17

getting on the ride. We're getting

41:20

on the ride. Are you two sure that you want to do this?

41:23

Yeah, it's a high-intensity

41:25

roller coaster through the Swiss Alps. Is

41:27

it going to make us think about thoughts? I

41:30

don't know. I don't know what's going to make you think about thoughts.

41:32

Okay. Can we sit next to each other, or

41:34

is it one behind the other? It's one behind the other.

41:37

Okay. You want to be front or

41:40

you want to be back? It's by height. It's

41:45

by height? It's by height. They

41:47

take... it's by height? Stop

41:50

in the middle and make sure that everyone is organized

41:52

by height?

41:53

It's... I

41:56

don't know about the time. I don't know about the time.

41:59

I've been with the doctor.

43:59

He's a doctor! And like my

44:02

dad's a doctor of me. Hey,

44:03

what if some guy says your dad's not a doctor?

44:06

I don't care? Yeah,

44:09

just get him in the... Just get him in the wagon.

44:12

But who is in front and

44:14

who is in back? You just go in front.

44:17

You go in front.

44:19

Okay. You

44:34

know what I like about this ride? No

44:36

stars. No stars. Wait a minute. It's

44:40

mostly inside, right? Yeah, but it's

44:42

really fast. But after

44:44

it comes outside, are there real stars? Yeah,

44:47

because it's the night. Well, actually, pretty

44:49

soon, dawn will be breaking. What

44:51

a beautiful way to say that. You

44:54

know, you say things in really beautiful ways sometimes.

44:57

Thanks.

45:00

Hey, even though we're speeding

45:02

through the Alps right now... So fast-speeding through the Alps.

45:05

You sort of feel like for you and I, time

45:07

has slowed down. Yeah. This feels

45:09

like the slowest small world ride

45:11

there is. Because we're in the smallest

45:13

world there. Our world. A world made for two. Our

45:16

world. I

45:20

don't know where you are, exactly. I'm

45:23

right here. Always been

45:25

right here.

45:28

Wow. I've been

45:30

here too. At

45:33

least I've been here ever since

45:37

I got on the ride with you.

45:40

And it seems like a thousand

45:43

years ago that we

45:46

argued about my dad

45:48

and his doctorate. He

45:51

can do doctor shit. We

45:54

must be a doctor,

45:57

but I hear everything

45:59

goes slow.

46:03

It gives me time to think of

46:05

the things I do not

46:07

know I

46:11

hear everything

46:14

really slow It

46:18

gives me time to think of

46:20

all the things I don't

46:22

know

46:24

And my legs are falling asleep

46:28

I wouldn't change a thing See

46:31

my legs were falling asleep I

46:36

might slightly adjust

46:41

That's better, sometimes

46:43

wow You just have to say

46:45

what you need

46:48

Oh wow, I think I just

46:50

learned a lesson

46:53

from me Hey

46:56

my dude, my god, my

46:59

god, my dude

47:03

I think I would like, would

47:05

like to do something more

47:08

with you

47:09

And if you are not

47:12

into that, my guy,

47:14

my dude, that's cool But

47:18

I had to tell you, my dude

47:25

Oh do you think it

47:27

does not sound

47:30

good? Do

47:39

you think it does not

47:42

sound good? Cause

47:45

we already know

47:55

I believe you're ready I

47:57

believe you're ready It's

48:01

like they

48:04

say, the Nidal Horn really is the

48:30

most romantic attitude.

48:31

Is that true

48:33

or just something people say? Either

48:37

way?

48:51

Oh,

49:00

hello. Hi,

49:02

sorry, just waiting for someone.

49:05

Oh, um,

49:07

I decide this ride, huh? Yeah.

49:11

Splash

49:15

Mountain.

49:18

Trying to think about doing the math of whether it's

49:20

too late and you'll get too cold if you get wet if you

49:23

go on

49:23

it. Um, something

49:25

like that. Um, no, I'm actually,

49:27

I'm not, I'm not actually waiting for this ride. I'm

49:30

waiting for this. The

49:32

Country Bear Jamboree. The Country Bear

49:34

Jamboree. I know it's

49:36

not a ride, but it's an attraction. It's an

49:38

attraction and it'll be there forever.

49:44

I just don't know if, I

49:46

don't know if someone has the same memory that I do

49:48

and I don't know if I made it too

49:50

complicated. Hey, listen, I

49:52

mean, I don't know that you

49:54

need advice from a random Disneyland

49:56

janitor, but I have been married for, get

49:58

this, ninety-two.

49:59

Two years.

50:00

How

50:03

is that possible?

50:05

Well, I had a stroke

50:07

thirty years ago and I'm not sure how

50:09

old I am. Oh. But

50:12

I've been married for a long time. Great. Congratulations.

50:16

Thank you. And if I could give you one piece

50:18

of advice, it's that

50:20

sometimes...

50:27

One piece of advice that

50:29

you'll think is fun. It's

50:32

a

50:33

metaphor

50:35

for removing them. It's

50:40

a metaphor for removing

50:42

them.

50:46

It's

50:50

a metaphor.

50:51

Oh my gosh, he's gone. Who's gone? Jimmy.

50:55

Hey. Hey, Jimmy. You

50:57

remembered. Oh yeah. Country

50:59

Bear Jamboree. Yeah, your favorite. And

51:02

we don't get to move amongst the bears. And you're so disappointed. Oh,

51:04

my gosh. Oh, my gosh. Oh, my gosh.

51:07

Oh, my

51:07

gosh. Oh, my gosh. Oh, my gosh.

51:10

Oh, my gosh. Oh, my gosh. Oh,

51:12

my gosh. Oh, my gosh. Oh, my

51:14

gosh. Oh, my gosh. Whoops. Um,

51:19

who? Oh, my gosh. Who? Oh

51:22

my gosh. Oh. Oh.

51:25

Um, I'm so sorry, Jimmy. I'm so sorry. I'm

51:27

so sorry. Oh, my gosh. Uh, okay. Okay,

51:30

great. Oh, my gosh. Oh my gosh. Oh,

51:33

my gosh. Oh, my gosh. Okay, guys.

51:36

Nice. Okay.

51:37

Okay. All

51:39

right, guys.

51:40

Who can say? Who can say? Well,

51:42

I don't know.

51:43

Um, no, it was, uh, no, it

51:45

just, you know, I feel

51:47

like if I could, I'm

51:50

running out of time. We only have, like, 40 minutes

51:52

left

51:53

before dawn breaks, and we have to be back at the buses.

51:55

What a beautiful way of saying

51:56

that. Thanks. And

51:58

I kind

51:59

of feel like, if If I could do anything right now, I

52:01

would just stop the stickiness

52:03

between us.

52:05

I would index it away.

52:08

What could that possibly mean?

52:10

I'll

52:14

tell you. It means

52:16

like I would get away from the

52:18

part that's holding me back. Oh, yeah,

52:21

sure. Like, taking action is the best

52:23

way to remove a problem. Right. Sure.

52:25

But you're not a problem. No, no, no. But

52:28

if there is, you know, something and you

52:30

want to change it, if there's gum and you want to remove

52:32

it, you gotta do something about it.

52:35

I like gum.

52:37

Let me start from there. Oh, yeah.

52:39

Let's be clear. Gum. Great.

52:42

You're gonna say slap. Nobody

52:45

says slap. 2005. I

52:49

like gum. I like gum too. I'm

52:51

glad you like gum too. Just

52:54

wanted to get that through. Sure.

52:57

But, one bone

52:59

shows up in multiple holes in my

53:01

room. What's

53:05

that? It has the tendency to

53:07

make something go down fast. I mean, I

53:09

don't like getting on my shoes

53:11

for once or in my hair. Oh,

53:13

yeah. I mean, that one's

53:15

really rough. But when it gets

53:17

rough, see?

53:20

Then there's something you can use.

53:25

Wind

53:30

back.

53:33

Oh. It melts the gum away. Yeah.

53:35

I don't know if that's true, but it sounds

53:37

true. I think it makes sense. Probably

53:40

dissolves part of the adhesive.

53:42

I mean, it's not the solution you'd

53:44

think of, but it's something

53:46

that we all have. Right.

53:49

It's like, oh, I have the tools to

53:50

deal with this problem. It's actually

53:53

not that bad. You may

53:55

see gum as an instrumentable

53:57

task. I'm not saying

53:59

that. Everybody

54:02

has Windex somewhere.

54:07

And let's be clear, I love

54:09

Windex. Windex is...

54:20

We got in common,

54:23

Windex and Gal, And

54:26

many, many years of

54:28

shared history for

54:31

some. Um,

54:34

I um, Every time I

54:35

overthink

54:38

what I'm saying to you,

54:43

The dumbest one I overthink

54:45

what I'm saying,

54:46

My dude, my dude, my dude, my

54:48

guy! They just put me

54:50

at ease when you said it like that. Now

54:53

my turn to try the gum

54:55

in the Windex, Which I both like

54:58

a lot, but I'm not like

55:00

upset. I'm just liking

55:02

something else, and about

55:05

them it's easier. You can

55:07

say, The

55:09

text, you're

55:12

not the gum. No, you're not the gum. This

55:15

is the gum. Okay, what is this

55:18

though? This

55:20

thing where you're reaching in

55:22

and pulling away, This is like

55:25

a good time, This is like a

55:27

good time, I love Windex,

55:30

This is like a good time, I

55:32

love Windex. Oh,

55:54

Oh, Oh, Oh,

55:59

Oh,

56:00

When did we move to outside

56:03

of small world? And

56:05

when did the clock stop

56:08

spinning?

56:11

I think that all time

56:14

we

56:14

were walking and

56:16

talking And the whole

56:18

world was a blur After

56:21

every

56:22

step and word and you were...

56:27

So... Wait!

56:33

Wait! Wait!

56:42

Wait! This

56:49

night will end someday

56:51

no matter how we wish But

56:55

it doesn't matter how much

56:58

gum we have to squish I

57:02

don't know if all we need will be

57:04

next week If

57:07

the heart will be true or

57:09

just something we will say

57:12

We will have a good time Wait!

57:22

Wait!

57:28

Wait! Wait!

57:37

Wait! Wait!

57:47

Wait! Wait!

57:58

Wait!

57:59

Shooting! No!

58:04

Buh buh buh buh buh buh buh buh

58:07

buh buh buh buh buh buh buh buh! A

58:09

shooting star!

58:13

You know, I hear that that's actually an actor playing

58:15

Tinkerbell. Is

58:17

that true or just something you hear? I don't

58:19

know, either way.

58:26

I think

58:28

this is the best night of my adult life

58:30

so far.

58:31

Yeah, me too.

58:52

I have a friend who has learned a littlesoft. I

58:56

don't see him, and I know me! Yeah.

59:06

Yeah. Ooh!

59:13

Kevin's

59:17

wrong! Oh,

59:23

thank you so much. How? Did you know

59:25

we're both from Southern California? Did

59:29

that high-first music thing... Did that show?

59:32

Did our SoCal

59:33

upbringing show? I

59:35

was like, Zach, for someone who's not at the success of Disneyland,

59:38

sure do know a lot about Disneyland, my guy. Yeah.

59:40

Well, I will admit I am a professor at Disneyland.

59:43

I like Disneyland. Probably more than the

59:45

next guy, I'd say. My guy, my guy, my dude. My

59:47

dude, my dude. My god. My

59:49

god. Thank you for

59:51

those of you who knew some of those specifics, and for those

59:53

of you who liked it anyhow. All right,

59:56

we're going to do one

59:58

last second of the show. happen in

1:00:00

a second is we're going to have our own bit of magic.

1:00:03

And we're going to transport. So when musicals

1:00:05

are being written or plays are being written, sometimes they have

1:00:07

out of town workshops or tryouts.

1:00:10

And a common thing in that instance is that

1:00:12

they will have a talk back after performance

1:00:14

to sort of learn like, OK, were there any questions

1:00:16

the audience had? Were there anything that wasn't clear? And

1:00:19

it was particularly good. So in a moment,

1:00:22

we're all going to transport ourselves to one of these

1:00:24

theaters. And you're all going to imagine that

1:00:26

you have just watched a fully realized

1:00:29

production of this musical called

1:00:32

Musical Tinfon. That's

1:00:35

the name of the musical. So you've

1:00:37

just watched the full production of 2005,

1:00:39

prompts, costing, sets,

1:00:42

fully realized cast, crew. We're going to invite

1:00:44

them all on stage. And you'll have a chance

1:00:46

to ask them a question about the

1:00:48

production. We have a microphone here. Just

1:00:51

chew him out of the way. Chew the poltergeist.

1:00:53

There's a whole line of people that

1:00:55

can be you. And if you have any questions, please remember, let's

1:00:58

give a round of applause for the casting crew. Welcome

1:01:00

them out. Wow. Here they come.

1:01:02

Wow. The prompts,

1:01:05

the sets, the cost, the designer.

1:01:07

They're all here.

1:01:07

They're all here. And

1:01:09

we will in fact need at least a few people

1:01:11

to ask a question. Great. We don't have

1:01:13

time for a lot. We've got one coming up. Thank you so

1:01:15

much. Yes. Here we go. Here we go. A

1:01:18

couple. This is great. This is a wonderful number of

1:01:20

people. That's perfect. Perfect. Everyone who is standing up,

1:01:22

you've done well. Everyone else, thank you. Your

1:01:24

services are not required

1:01:26

in this room. Hello. Thank you. What's your name? And who's your

1:01:28

question for? Hi. I'm Sophia. Hi,

1:01:30

Sophia. My question is for all the

1:01:32

teenage actors here. How

1:01:35

was it to learn

1:01:37

about 2005 when it did you like seven

1:01:39

or eight? How was it getting

1:01:41

in that mindset?

1:01:43

And 2005 is mid.

1:01:45

But learning

1:01:47

about it was cool. Honestly,

1:01:50

it's crazy how I feel like so

1:01:52

much of it is the same, but just like

1:01:54

the technology is bigger. The

1:01:57

biggest thing for me was the phone thing. That

1:01:59

was like. When we were doing table

1:02:01

work, which is like this rad thing where you sit

1:02:04

down with scripts and

1:02:06

you're like, let's go. That

1:02:09

part for me, I was like, this is like,

1:02:11

let's go. And

1:02:13

when they said, oh, my data's up

1:02:15

and also their phone is dead, we had to

1:02:17

fully work through that. And

1:02:20

they were talking about their camera

1:02:22

as if it wasn't the phone. Right,

1:02:24

the phone and the camera. They're

1:02:27

different things. So like, that's

1:02:29

a, you all have to carry bags. But

1:02:32

like, no one has that in a pocket. That's

1:02:34

right. And also you can

1:02:36

put drugs in an old camera and

1:02:38

that's like, okay, let's go. Let's

1:02:41

go. Thank you for your question. Thank you for your question.

1:02:43

Thank you. Hi,

1:02:47

what's your name and who's your question for? Hi, I'm

1:02:49

Adam and my question is for the Disney rep.

1:02:53

I was kind of wondering about the whole if we

1:02:56

didn't catch you, you didn't

1:02:58

do it thing. And I was wondering if there

1:03:00

were any specific instances or just

1:03:03

accumulation

1:03:03

of instances that made that a rule.

1:03:05

Hi, magical day to be here

1:03:08

representing the Disney family.

1:03:11

And I just want to say that officially we

1:03:13

do expect you to obey all laws and guidelines

1:03:16

while in the park, any of

1:03:17

our resorts, kingdoms, parks here or

1:03:19

abroad.

1:03:20

Now we do have our own jail on the

1:03:22

premises and we will

1:03:25

take you down to them and you will have no

1:03:27

right to attorney. So for

1:03:29

me, it's important to impress that and it is in the playbill.

1:03:31

I don't know if you saw, I did, we did compromise

1:03:33

and they had to put in the playbill. But

1:03:36

no, that part, we really argued over that. But

1:03:39

I was led to believe it was a different time and that

1:03:42

maybe things were looser in I

1:03:44

don't know.

1:03:45

I was 10.

1:03:47

And now I'm running this part of this

1:03:49

corporation. Thank you for

1:03:51

your question. Thank you

1:03:52

so much.

1:03:55

Hi, I'm Gina and my question

1:03:57

would be for the set designer. What was it like

1:03:59

knowing you had your

1:03:59

recreate multiple functioning

1:04:02

Disney rides for this

1:04:03

musical. So easy, I'm

1:04:05

so good at my job.

1:04:08

I don't view it as difficult to create something

1:04:10

that an Imagineer has done. Because

1:04:13

what I Imagineer is theatrical

1:04:15

experiencing.

1:04:16

My work isn't so

1:04:18

much tangible as much as it is emotional,

1:04:21

as much as it is visceral, as much as it

1:04:23

is art. I am not making an attraction,

1:04:25

I am making a way of life. Thank

1:04:27

you. But also it helps

1:04:30

that the theater did lay missed last season,

1:04:32

so we had a real good season. We had a big rotating thing and

1:04:34

that made it a lot easier.

1:04:37

And it was expensive, yes, thank you.

1:04:42

Hi, I'm Daddy. And

1:04:45

my question is for Brett and his LARPing

1:04:47

buddy. How did

1:04:49

it feel to bring queer joy to the stage in 2005?

1:04:56

Yeah, it was sort

1:04:58

of, I am led to believe, things were

1:05:01

not necessarily that way in 2005. That was another

1:05:03

time that we were like, wait, why? Because

1:05:06

people were like, and this would have been a big thing

1:05:08

for these dudes and that took a long time for us

1:05:10

to understand. And we were like, why? And they

1:05:12

were like, because we were like, why though? Why though?

1:05:15

So it felt good. We've been healing

1:05:17

for a lot of the adults to see how much we're

1:05:20

like, why though? And they're also like, but also

1:05:22

though, we're like, okay though. So

1:05:25

you can tell sort of amenable to

1:05:27

being in the show. It didn't

1:05:29

not like it. It hasn't hurt anyone.

1:05:32

It does seem to have a sort of like coy,

1:05:35

afraid, but deeply interested relationship

1:05:37

with crowds. It's

1:05:40

not not afraid, but

1:05:43

it's a lot of, yeah. I'm

1:05:48

going to be honest. Yeah, popsicle. Yeah,

1:05:52

it loves popsicles, which I know

1:05:55

feels crazy for a thing that like lives in the snow. There's

1:05:57

no nutritional value, right? Like it can't.

1:06:00

live on hospitals, right? They don't naturally occur.

1:06:02

Can someone please tell me what the fuck this

1:06:05

is? It just showed up and it

1:06:07

won't leave. I love it so much. Okay,

1:06:09

bye! That's

1:06:13

been thrilling for us. It's been thrilling and

1:06:15

scary for everyone on the stage. Watching their bond.

1:06:18

Hi, my name's Chad, first time, long time. So

1:06:22

it came out during the initial press briefing that the entire

1:06:24

cast fell in love with Country Bear, Jamboree. Can

1:06:27

you guys speak to how that influenced the show?

1:06:30

Such a good question. For me,

1:06:32

I grew

1:06:35

up on that movie, like, that's my

1:06:37

Haley Joel Osment performance. Yes,

1:06:40

my top movie for me, a team

1:06:43

playing a team in this movie,

1:06:46

in this play, is the film Country

1:06:48

Bear, Jamboree. Where famously,

1:06:50

Haley Joel Osment voices a lost

1:06:52

bear who's raised by humans who has to realize

1:06:55

he needs to go back to his Jamboree.

1:06:57

That's right. That's what that movie is definitely

1:06:59

about. So I would say, like,

1:07:02

I got really into, honestly, like, the deep,

1:07:05

deep history of bluegrass. I'm

1:07:08

talking like, I'm talking like Kentucky

1:07:10

influenced Appalachia. I'm talking the Louvin

1:07:12

Brothers. I'm talking Blood Harmonies. I'm talking

1:07:15

Mandolin, Banjo.

1:07:15

And the sort of, like,

1:07:18

interplay between music and comedy

1:07:20

and how the two are never really separated from each

1:07:22

other, that was sort of, like, eye opening to

1:07:24

me in a way that I don't feel we necessarily

1:07:26

always see blended together as seamlessly and

1:07:29

present day media.

1:07:33

But it all hides its roots in, like, old set,

1:07:35

you know? But also, like, bears playing instruments.

1:07:38

Let's go. Let's go.

1:07:39

Thank you.

1:07:45

Hi, my name is Fai, and you guys conveniently

1:07:47

did not give a name for the sound designer, and I

1:07:49

was wondering what their

1:07:52

process was between combining and sound

1:07:54

of 2005 with a modern-day audience

1:07:57

who may be apprehensive to that kind of style

1:07:59

of...

1:07:59

music quote unquote. Great

1:08:02

question. We work as a team. That's right. Here's

1:08:05

my thing. All the music right now is 2005 music

1:08:07

on 1.25. The music don't change.

1:08:08

It just gets a

1:08:13

little bit

1:08:16

faster. But the line,

1:08:19

it's not there. It's just a little

1:08:21

bit

1:08:22

faster. Your attention span is this. So we

1:08:24

took the same song and we made it this.

1:08:27

We made it smaller. 1.15

1:08:29

you'd feel it. 1.25 you

1:08:31

go, uh-huh. Go watch old Star Trek.

1:08:33

Those shots are endless. A

1:08:37

man standing in a corridor. The camera

1:08:39

stands on him for so long. Star

1:08:42

Trek now the same shorter.

1:08:44

That

1:08:47

was also fun. Also fun.

1:08:49

Thank you for your question.

1:08:50

Hi,

1:08:53

I'm Naomi. I wanted to ask a question

1:08:55

of the costume designer.

1:08:57

How was it, what was it like sourcing

1:09:00

clothing from 2005 as we know, which was so

1:09:02

long ago. I'm not sure. So

1:09:04

long ago. Okay. I'll take this.

1:09:07

We work as a team. So, um,

1:09:10

the clothes now

1:09:10

are 2005 but shorter. Pants, shirt, shoes,

1:09:20

and shorts.

1:09:23

So it was like, it was a lot of clothes that like

1:09:26

I still had that my, my

1:09:28

like aunt had. Um,

1:09:30

your uncle had some great pieces we pulled. Yeah.

1:09:33

It's easier definitely on the men's side because

1:09:35

when you're dressing male teens of any age,

1:09:37

you just sort of like throw them in a sack

1:09:40

and see where they put their arms out in that fashion

1:09:42

now. Sometimes

1:09:44

the sack is big, sometimes the sack is small. Sometimes

1:09:47

this sack big, this sack small. Sometimes

1:09:49

this sack big, this sack small. Yeah, it's just

1:09:51

a series of sacks. Sacks on sacks

1:09:53

on sacks. Sacks on sacks. Um,

1:09:57

but you know, honestly, the key was

1:09:59

finding maybe someone who had, who

1:10:01

existed in 2005, but

1:10:03

they like held on to some of their clothes

1:10:06

from 1996. Those are

1:10:08

the clothes now, find that same person,

1:10:10

go back to the beginning. And then just a little

1:10:12

bit, snip snip snip. Snip snip. But

1:10:14

thank you for your question. Thank you so much for your question.

1:10:17

Whoo! You all have been

1:10:19

such an amazing and informative audience.

1:10:21

We're gonna take all of this feedback back with

1:10:23

us before our off-Broadway

1:10:26

run. And the show will change, and the next time you

1:10:28

see it, it will be so influenced by these

1:10:30

things, and so different

1:10:32

the next time you see it. But

1:10:36

we have time to show you one

1:10:39

piece from the musical that had

1:10:41

been cut.

1:10:41

That was removed. It was cut for time. Yeah.

1:10:44

He's a little shy. We'll see if we can get

1:10:47

him to stay.

1:10:47

Oh! Here's

1:10:51

the thing. Let me get the handle. Okay,

1:10:53

so here's what you have to know. It's

1:10:56

gonna, I know that you see his face and you're thinking,

1:10:58

like, surely this Yeti makes sort of like rr-r-r-r sound?

1:11:01

It doesn't. He has a beautiful singing voice.

1:11:05

The thing is that, so

1:11:08

there is normally a scene on the Matterhorn

1:11:10

where we just sort of let him do his thing.

1:11:13

I sort of helped wrangle, but, so

1:11:15

yeah. This is

1:11:18

like, everyone's coming on the Matterhorn

1:11:20

and people are, they're trying to, are not trying to put their

1:11:22

hands on the Yeti, and this

1:11:23

is sort of the Yeti's response.

1:11:28

Blah, blah, blah. Blah,

1:11:34

blah, blah.

1:11:40

Oh! Oh,

1:11:43

Brow Good allowed.

1:11:51

Oh! Wooo! Ooh,

1:11:59

I know.

1:14:32

Okay guys, we are going to have lunch. look

1:14:46

over there Oh,

1:14:56

turn around We

1:15:00

are going to have a big

1:15:02

event for kids

1:15:05

and the thousandth day in the city of New

1:15:07

York has been awesome Thank you for all the support

1:15:09

and support we have for you

1:15:12

and for all the people on this evening night and

1:15:14

bringing friends and seeing us It's really

1:15:16

a silly thing we get to do that we are so

1:15:18

fortunate to get to do So thank

1:15:20

you so much Really, really, really, thank you so much and,

1:15:23

oh, thank you And

1:15:26

as

1:15:26

you say at the end of every live

1:15:28

show at Mississippi studios that starts

1:15:31

at 9.30

1:15:33

If it feels like this year is the best time

1:15:35

of your life

1:15:36

You better double check It's the 2005

1:16:00

you