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79. Rob Lowe

79. Rob Lowe

Released Thursday, 24th November 2016
 1 person rated this episode
79. Rob Lowe

79. Rob Lowe

79. Rob Lowe

79. Rob Lowe

Thursday, 24th November 2016
 1 person rated this episode
Rate Episode

If you've watched Rob Lowe in St. Elmo's Fire, About Last Night, The West Wing and Parks and Recreation, you know he's got some acting chops. As it turns out, he's also a skilled writer with an intimate voice and a gift for setting a scene. Maybe that shouldn't have surprised me, coming from a guy who cites David Niven as his model memoirist. A raconteur without good stories is just a guy who talks a lot, but Rob's whole life is made of tales that you'll inhale like Häagen-Dazs - some with disbelief, some with laughter, and all with sympathy that might surprise you. He figures anyone can write about being on a hit show, so you might find it more interesting to hear what it's like to be on one that's going down the toilet. There's the one about the casting director who begged him not to give up on his lifelong dream of acting until his 18th birthday - the very day he was cast in Francis Ford Coppola's The Outsiders. Or the one about bumping Tiananmen Square off the front pages before entering rehab. But for going viral, you can't beat the one about a sober, loving dad who tries to contain his emotions as he sends his first son to college. But we'll let him tell you, because he is, after all, a storyteller - by profession and by nature. Rob always knew he was more than a pretty face, but too many times, his looks blinded the business to just how much more. Luckily, Lowe knows how to take a punch (who else calls his celebrity roast "the greatest night of my life"?) and go on working, creating and risking. And The Grinder is perfect proof that he should; if you haven't seen it go to Netflix and watch all 22 episodes now - you can send us a thank you note later. You won't want to miss a minute of this episode, unless your head is especially susceptible to exploding. If so, you might just want to mute the part about the dead guy strapped to the chair.

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