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An Interview with Jake Lacy

An Interview with Jake Lacy

Released Wednesday, 5th June 2024
Good episode? Give it some love!
An Interview with Jake Lacy

An Interview with Jake Lacy

An Interview with Jake Lacy

An Interview with Jake Lacy

Wednesday, 5th June 2024
Good episode? Give it some love!
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Episode Transcript

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0:04

I'm Jenna Fisher. And I'm Angela Kinsey. We

0:06

were on The Office together. And we're best

0:08

friends. And now we're doing the Ultimate Office

0:10

Re-Watch Podcast just for you. Each week we

0:12

will break down an episode of The Office

0:14

and give exclusive behind the scene stories that

0:17

only two people who were there can tell

0:19

you. We're The Office Ladies. Hello.

0:25

Hi, how's it going? It's

0:28

going real, real well. I know. Should

0:31

we tell everyone why we're so excited today?

0:33

Yes, you tell everybody. I will tell you.

0:36

We are very excited for today's episode

0:38

because we have such an awesome guest.

0:41

It's the very talented Jake Lacy

0:43

who plays our new favorite character,

0:46

Pete, aka Plop. Yes! You

0:48

guys know how much we've been loving this

0:51

Pete and Erin storyline. We're rooting for

0:53

Pete and Erin, but really it is Jake's

0:55

performance that has made us fall

0:57

in love with this whole storyline. How can

0:59

you not root for Pete? I love Pete.

1:01

We love Pete. Many of you

1:03

know Jake from The Office, but he has gone on

1:05

to work on so many awesome shows. I

1:08

mean, Jenna and I, we both loved him

1:10

in White Lotus. Lady, when we were trading

1:12

emails with him, I waited

1:14

until like the fourth reply, but I

1:17

had to bring up White Lotus because

1:19

I told him, Lee and I have an

1:21

inside joke now from White Lotus, pineapple

1:24

room. Oh yeah, you want the pineapple room. You're

1:26

always like, I wonder where the pineapple room is

1:28

at this hotel. Who got the pineapple room? You

1:30

sit by the pool. You're like, I wonder who

1:32

has the pineapple room. And

1:36

you know, you guys, you can also see

1:38

him in High Fidelity, the series, Significant Other,

1:40

A Friend of the Family, and so many

1:42

more. And now you can catch

1:44

him in his new show, Apples Never Fall.

1:47

This guy is super busy and we were so

1:49

happy to finally catch up with him. He's such

1:51

a funny and lovely person. He is an absolute

1:53

delight. So we're going to take a quick break

1:56

and when we come back, please enjoy

1:58

our interview with Jake Lacy. Hello

2:11

Jake! Oh my gosh! Jake is here! Hi

2:13

Jake! Hey hey hey thanks for having me,

2:16

thank you. It's so good to see you.

2:19

We're so excited to be in touch with

2:21

you and I feel like we should say

2:23

upfront that we have fallen in love with

2:25

Pete. Yes, we love him. We love

2:27

him. Oh my god, this

2:34

is like exciting for me as

2:36

a fan of Pete to have

2:38

you here today. Well that feels nuts. Because

2:43

of my

2:45

insane relationship to

2:48

the office and that role and you

2:50

go and yeah that's a crazy thing

2:52

to hear so thank you very much.

2:54

I really appreciate that. That's nuts for

2:56

me. Well because you do such a

2:58

great job playing him we're all rooting for Pete. Like

3:00

Jenna and I are like get out of here Andy!

3:03

Let Pete and Aaron

3:05

be together already. Can he live?

3:07

He just wants her to be happy

3:09

guys. He just wants her to be

3:11

fulfilled you know. I know. All right

3:13

so before we might have to like

3:17

pause on our Pete adoration Jenna and

3:19

get to the actual interview part. Yeah

3:21

well let's start from the beginning. We

3:23

always ask people how did you

3:25

get your job on the office? Well

3:28

you know what I listened to

3:30

the episode you all did of

3:32

The New Guys which

3:35

was informative to me about what

3:37

the casting process was outside of my

3:39

little silo within it you know like

3:41

I didn't know they they

3:44

saw that many people for it or I

3:46

didn't know that there was the potential for

3:48

the show to continue on and

3:50

that Clark and I would

3:52

be I don't know a large part

3:54

of that or something you know but

3:57

you know what I've done a pilot for Fox that I desperately

3:59

wanted to do. They replaced

4:01

me with TJ Miller and I

4:03

was like, I'm done. I'm never

4:05

careers over. That's that. What

4:08

was the pilot, Jake? It was called the

4:10

Goodwin games. It ultimately ran

4:12

for like six episodes on Fox. And

4:15

the guys who did, I met your mother who are

4:17

really wonderful, wonderful, wonderful

4:19

people, wrote it and produced

4:21

it. And they were so generous

4:23

to call and say like, hey,

4:26

this is above our heads, but you're

4:29

not moving forward with the show. You know, like

4:31

they could have sent that through my reps or

4:33

something, but they personally called to go. This sucks.

4:36

We're really sorry. And I don't know,

4:38

really nice guys. So

4:40

it was totally, totally

4:43

putting some humanity into this

4:46

weird business. And

4:49

so then I, you know, that was in

4:51

the spring. And then

4:53

in the, you know, late summer, my manager called

4:55

and was like, they're going to add two guys

4:57

to the office and they've already, they've already added

4:59

one. And I, I don't know either

5:01

in my like confidence or naivete

5:04

or I don't know, something,

5:07

competence of youth. I was

5:09

like, I'm going to be the other one. Like that's

5:11

it. Like I've got it. This is it. I like, this

5:14

is, I'm going to do it. This is going to happen. Not

5:16

that that had any effect on the result, but

5:19

just, I don't know, that was this feeling where

5:21

I was, it was my favorite show. You

5:24

know, I was like, Oh my God, I would give

5:26

anything to be honest. And

5:28

so then I auditioned in New York and

5:31

then they blew me out to LA

5:33

to test and I didn't

5:35

know where you guys shot. I

5:37

didn't know anything. And, you know, so they drive you

5:40

out to the Valley and I'm like, I don't know.

5:42

I don't even know LA. Like I have no idea.

5:45

So we get out there and there's like me and 10

5:47

other guys who look like me, a handful

5:49

of dudes that I see pop up and stuff now all the

5:51

time and always like kind of cheer for them. And

5:56

then, you know, I guess

5:58

great came out. introduced

6:00

me to Dave Rogers said

6:02

there's a very important person on this show.

6:04

I was like okay great and

6:07

then they open the door and I'm

6:09

like in the bullpen like I

6:11

didn't understand that it was you

6:14

tested on the set yeah

6:16

yeah yeah yeah did you test with

6:18

like cameras rolling and everything oh

6:21

dude I opened the door Clark

6:23

is like at his desk and

6:25

you're in the annex Matt's there like

6:28

yeah both cam ops are up and

6:30

Greg is like you know Dave suggested we

6:32

shoot the test like the show and he

6:35

could edit it together so I could see what it

6:37

would look like it wouldn't be me

6:40

guessing from a tape in a room somewhere and

6:42

it wouldn't be you fumbling around in a folding

6:44

chair like you could just be in the space

6:47

wow yeah I mean we should tell

6:49

people that that was really unique for

6:51

the office that was my testing experience

6:54

as well but most test

6:56

auditions are like in

6:58

a conference room with a bunch

7:00

of executives watching you read it

7:03

or it's it's never

7:05

like they edit it together for you

7:07

and create like a mini version of

7:09

the real thing that was totally office

7:11

unique and I didn't know that they

7:13

did that for you as well that's

7:15

fascinating yeah you know what's blowing my

7:18

mind too Jake is that you're

7:20

a fan of the show like I'm just trying to imagine

7:22

you're a fan of the show you're

7:24

in a van going somewhere deep in

7:26

the valley you pass the crematorium a

7:28

junkyard you're like where am I then

7:30

you you're in a room and random

7:32

am I auditioning or are they going

7:34

to murder me at the end of

7:36

this van ride but then the mental

7:38

like mind bin that you did like

7:40

you're just kind of in a room

7:42

with other guys that look like you

7:44

and then you open a door and

7:46

you're on the set of one of

7:48

your favorite shows you're like what I

7:51

would and now you're supposed to

7:53

audition and be like just totally

7:55

cool well in the audition

7:57

was improv the audition was

8:00

No, it was not. Stop it. Yeah,

8:02

fully. Greg was like, great. We're

8:04

going to just set this up. You guys are working.

8:07

And Clark has found a,

8:10

somehow, it's hacked into your Facebook account or something

8:13

like that. And it's now looking at pictures of

8:15

your mom. Oh my god.

8:17

And Clark just kept making a

8:19

lot of innuendo-based jokes and talking

8:21

about asking if my mom

8:24

had had breast augmentation or if I'd

8:26

grown up seeing these boobs all the

8:28

time and things like that and

8:31

me trying to get work done and being sort of

8:33

laughing and also put out by that this is

8:35

my coworker. And then we, so

8:37

just back to what you've just said, yes, my

8:40

mind was like, it was a

8:42

lot to take in. That was a lot in that moment

8:44

to go like, oh, this is

8:47

the creator of the American version

8:49

of this show. And I'm on the set.

8:51

And it just was like a lot. And

8:54

then I tested with Ellie, then

8:57

did more improv with Ellie. And

8:59

then they said, OK, great. This is all

9:02

on the same day you went from Clark's.

9:04

It's all in 20 minutes, yeah. Then they just

9:06

walked me from the annex out to reception. To

9:08

the reception. And then going, yeah. And now

9:10

you're walking through the whole entire set. Yeah,

9:12

just trying to not lose

9:15

my mind. Also, I'm like 25, maybe 26. You

9:19

know, like maybe younger, maybe 25. Like

9:21

I just, I don't know, I'm 38 now.

9:24

I still would lose my mind. No, it's not.

9:26

I've gotten cooler about it. How

9:28

long after this audition day did you have

9:30

to wait to get the role? Oh,

9:33

I flew home that

9:36

afternoon probably. And then

9:38

that was on like Thursday.

9:41

And then they called on Saturday

9:43

night to say, you got it.

9:47

But also we shoot Tuesday. So

9:50

you'll need to fly out tomorrow afternoon.

9:53

So I drove into the city. My

9:56

girlfriend, now my wife, Lauren, was

9:59

working. And I drove in to be

10:01

like, I've got it. I'm gonna fly to LA

10:03

like this is I got I'm gonna go For

10:07

like for 10 months like yeah for

10:09

your bag Yeah, you leave

10:11

tomorrow. How do you pack for that? Unsuccessfully,

10:15

you know poorly just

10:17

like a duffel with like two t-shirts and

10:19

some running shoes great Like

10:22

a go bag but for a person who's like never

10:24

served in the military So

10:26

your first time walking on set

10:29

was actually during your audition But

10:31

do you remember what your

10:34

first scene was after you got the purse? Yeah,

10:37

yeah, it was the slacklining and

10:39

John kept no breaking and

10:43

I was standing next to him and was

10:45

so again This

10:47

is as if a person even though I'm like

10:50

I've gone to drama school. I've been on

10:52

one show previously. I've you know This

10:55

is still like winning something off

10:57

of a radio program for me, you know,

10:59

like just Some goof walking

11:01

on set being like I'm a

11:03

part of it for the day and and

11:06

I'm standing next to John who keeps laughing

11:09

Who keeps breaking while rain is on

11:12

the slackline. Yeah, and I remember both

11:16

Dwight is supposed to be getting more

11:18

intense But also rain

11:20

is slowly getting more frustrated

11:23

because John laughing Because

11:25

it's really difficult to do

11:27

the fake bad blacklining and

11:30

so it's both like the storyline

11:32

is escalating and also this like

11:34

friendship tension is escalating and I'm

11:37

new and dying laughing like

11:40

like Can't stop. I'm like,

11:42

I'm gonna get fired like day one You know what I

11:44

mean? Like we won't get through the first

11:46

scene and they're like this kid can't It's

11:50

to the day I mean like come on,

11:52

you know And then the thing I think the next was like

11:54

a conference room and it was like I don't know Oscar

11:56

had some line that kept getting me and I just kept

11:58

having to like look away a lot and I was

12:01

like, you know what I

12:03

mean? Like I'm just this is it for the next 20 episodes.

12:05

I'm not going to ruin it. In

12:08

rewatching this with my teenagers, there

12:11

was a line, I can't even remember what it

12:13

is, but Meredith comes for you so hard.

12:17

Meredith hits on you a lot. And there's

12:20

a few moments I'm like, I don't know how he

12:22

got through that. There's some

12:25

in the, you know, they're at

12:27

the table in the snack room. In the

12:29

break room? Yeah. Yeah.

12:31

And she's right up on me a couple

12:33

of times. Like full body on me, you

12:35

know? That's so funny. It's so funny. We

12:39

have to talk to you about a few

12:41

sort of big epic office episodes that are

12:43

legendary with the cast. And one of them

12:46

is the work bus. Work

12:48

bus. Yes. What do you

12:50

remember about work bus? Oh

12:52

boy. Well, the like

12:55

behind the scenes, well, BTST

12:58

or just like the episode.

13:01

Well, we all called it death bus. Yeah.

13:06

I remember Bryan Cranston directed that

13:08

episode and I

13:10

remember the fumes. I remember the

13:12

I remember there was almost no

13:15

air conditioning. But

13:17

even when it was on, it would be on for like 20 seconds

13:19

as we did a turnaround. You're like, that's not

13:21

long enough to cool off a bus full of

13:23

20 people. I remember the

13:26

fumes from, you know, because it's on

13:28

a trailer or whatnot, the fumes billowing

13:31

in and that being a

13:33

real issue. I remember being

13:36

on the road

13:39

and timing out when

13:41

things happened because you had to get the same, you

13:45

know, background on each

13:47

side as you kind of cross covered

13:49

people. That was a high bar too

13:51

clear. Jake, I'm pretty sure

13:53

too, when we did that big swerve, that's

13:56

when you slid into me. And

14:00

then I slammed into the wall,

14:02

that window. Yeah. Are

14:04

we sure that was me? I mean, that could have been any

14:06

man. Yeah, that sounds right. Anyone on the bus. Someone, was it

14:08

you? Somebody hit their head on that turn. Someone's

14:13

head hit the window.

14:16

There was a moment of... It

14:19

was me. I just also... I hit

14:22

my head. Look,

14:25

years later, my deepest apology.

14:28

This has gotcha, journalism. Have

14:30

I been brought on to be shamed for propulsion

14:33

of body sliding across

14:35

feet? You

14:37

have not, Jake. And we want you

14:40

to know that Bryan Cranston has gone

14:42

on the record discussing these calamities. They

14:45

are well known. Ellie has gone on the

14:47

record about peeing her pants in

14:49

the bus. It

14:52

was a day. I do remember,

14:54

I think maybe it was John, maybe

14:56

it was Rain. He stopped

14:58

at one point and they, one

15:01

or both, got off and were like, I'm

15:03

not getting back on this bus until you sort

15:05

this out. But there was a real

15:08

moment of like, hey, it's not just actors complaining

15:10

in here. This

15:12

should be addressed. And then the other was there

15:16

was silence on that bus for a little while.

15:20

And then Ed from the back

15:23

was like, 17 cast

15:25

members of the office died

15:27

today. Like just peppered

15:30

it out there and everybody started laughing. Did his

15:32

Tom Brokaw? That he did his

15:34

Brokaw announcing that like the entire

15:36

cast had been killed in a traffic accident

15:38

and I was like, that's hilarious. Like that

15:41

is so funny. In this moment

15:43

where everyone's like, I can't, I

15:45

can't, I will not stand that. You know, silently

15:47

stewing that he was like from

15:49

the deep, deep back of the bus. Awesome.

15:54

Well, we remember work bus the same.

15:56

That's really similar to our

15:58

memories. This is a crazy

16:00

question. I feel like I know the

16:03

answer. Did you really grow a mustache

16:05

for the episode Movember

16:07

or was that a unique mustache?

16:10

I have such a weak

16:12

mustache. I'll grow like an

16:14

Amish kind of

16:17

chin strap overnight, but the

16:20

one thing I pine for is like a proper...

16:22

I would just live with a cool, celic mustache

16:24

if I could. So no, I didn't do

16:27

it. They cut my hair, just

16:30

to maintain that men's

16:32

bob that I had and then

16:34

used the ends of those clippings

16:37

to make my own little rat

16:39

stash that they taped on. They

16:42

used your own hair clippings to

16:44

make that mustache? Yeah, yeah.

16:47

I mean, it's both overkill and also

16:49

real attention to detail. It's pretty cool.

16:53

Also better than being like, I don't know, this is

16:56

someone's hair and we'll just put it on. Oh,

16:58

God. I think we got the better

17:00

deal than what Paul Lieberstein got because that

17:02

was like a small woodland creature

17:04

on his upper lip. That's

17:10

got to be fake too, right? That's not good. Oh,

17:12

that was for sure fake. I

17:15

have to ask you about all

17:18

of those diehard scenes. I mean, I

17:20

watched all the deleted scenes and there

17:22

were so many, Jake. It was physical

17:25

too. You were rolling on the ground

17:27

and standing up and it was amazing.

17:30

Yeah, I had, my

17:33

girlfriend was in New York, so I

17:35

was in LA alone and had no

17:38

kids or pets or responsibilities. So that

17:40

is all just like memorized.

17:43

And I think as

17:45

an indication of like my obsession

17:49

sometimes with things, I think

17:51

it had been lightly suggested like here's some scenes

17:53

would be fun for you to, you know,

17:56

so we could pull clips from it. And

17:58

then I memorized the first like. 40

18:01

minutes of that movie or something you know like the

18:03

cadence of it the thing also personally

18:05

because I was like I don't want anyone who

18:08

loves die hard to watch this and be like

18:10

what is he doing that's not

18:13

what happens you know you had so much

18:15

detail like you would say a

18:17

line and you'd go ring-ning-ning-ning-ning-ning-ning-ning you're

18:20

not going to come here

18:22

ring-ning-ning-ning I'm like what

18:24

is it? Is it the

18:26

big fan? What is that? Yeah

18:29

I built out a whole world yeah I

18:31

thought it would be really fun to go

18:33

for it or whoever I think also again

18:35

like whoever wrote that episode had approached me

18:37

and then like you should go for it.

18:40

Robert Padnick he loves die hard yeah he's

18:42

brilliant oh yeah he's amazing when

18:44

I watched all those deleted scenes I was like this

18:46

was hours of memorization

18:48

you must have spent so many days

18:50

on that. I would just be

18:52

in my trailer you know in that

18:54

parking lot just watching die hard

18:57

like I don't even know if

18:59

it was on my phone I'm trying to maybe they gave me

19:01

a DVD of it and I could like play it on the

19:03

little thing in the trailer or whatever but like yeah

19:05

yeah genuinely hours and hours and hours.

19:08

Well it's fantastic for anyone out

19:10

there that has the DVDs I

19:12

highly recommend watching all of Jake's

19:15

performances outside of the episode

19:17

that live in the deleted scene. I'm

19:21

like it was my one chance deleted.

19:24

Jake I have this memory of

19:26

you joining the cast for

19:28

that final season and there

19:31

was a group of us who were

19:33

so delighted to have new people there.

19:36

It was like you and

19:38

Clark I'm afraid we were annoying I'm

19:40

afraid like because we had all talked

19:42

to each other for eight

19:45

full years and now finally there

19:47

were some new people and

19:50

it was the most

19:52

exciting thing I would actually try

19:55

to like not overwhelm you with

19:58

talking your ear off because we were just

20:01

I mean the crew included there was not

20:03

a new fate for so long I know

20:07

like yeah yeah for you I well

20:09

I've never thought of it in those terms like

20:12

I've never crossed my mind to go all

20:14

right you had almost 10 years of working with

20:16

the same people for months and months and like

20:19

the bond that that brings you also go

20:21

and it'd be nice to not know everyone's

20:23

life story exactly

20:26

exactly I have a

20:28

little mystery yeah I

20:31

you know at the time I just

20:33

thought I was

20:35

just so consumed with like you

20:39

know don't mess this up don't

20:42

be weird around these people don't

20:45

you know what I mean like don't fan

20:48

out and get weird and you

20:51

know like just show up and do your

20:53

thing and leave don't try

20:55

to make it social don't you know like

20:58

nobody's excited that you're here Jake just do

21:00

your thing so it's funny

21:02

years later to hear you go like

21:04

we were thrilled to have new

21:06

people here and it's like I'm gonna

21:08

play it cool because that's

21:11

what I was doing I was fully being like I'm playing

21:13

it cool I'm gonna play it cool like I'm hey it's

21:15

nice to meet you as if I've never

21:17

seen the show and didn't know it existed instead

21:19

of like I've seen every episode it's my favorite

21:21

program you know what I mean oh

21:23

my gosh yes okay so I just watched

21:26

the episode with my teens we

21:28

did a little bit of a office marathon last

21:30

night and we watched the beginning

21:32

of moving on and Andy

21:34

comes back and he's

21:37

forgotten that your name is Pete he

21:39

just tells you plop and he's like Aaron is

21:42

hooking up with some guy named Pete you

21:44

have a great moment where you're like I

21:46

think Andy has called me plop for so

21:48

long he's forgotten my name is Pete yeah

21:51

that runner was hilarious which is

21:54

my name Pete like I

21:56

think then I now just like I say

21:58

it again to the camera Yeah,

22:01

to be like that's me just in case you

22:03

guys are also not caught up. I'm I'm

22:05

Pete Yeah, that

22:08

was you know them I did that John

22:11

Favreau directed one

22:13

of those Yeah, I'd

22:15

be that that episode. Yes You

22:18

they made it to pay. Yes.

22:21

I loved working with him it was Like

22:25

maybe my favorite big-name guest

22:27

director that we had outside

22:29

of Harold Remus Yeah with

22:31

John Favreau and I know

22:34

I'm sorry that was before Yeah,

22:38

he's a hero Legend.

22:41

Yeah, John Favreau was amazing and they

22:43

so His episode

22:46

was so good that they didn't want

22:48

to cut a single minute from it.

22:50

And so they made it supersized Yeah

22:54

Yeah, but what I remember that he well,

22:57

I just have a couple thing one is like I

22:59

remember before every scene He would just go over the

23:01

moment before Yes, he

23:03

would just as a group go like hey just

23:05

to be clear This person's

23:08

back. You're feeling this way about

23:10

it. Maybe you guys feel something else about it. I

23:12

don't know. That's up to you and you're

23:15

worried about this and Earlier

23:18

we found out about that. So let's just keep

23:20

that in mind and Go

23:23

ahead You know like that

23:25

clarity just going back to the basics of like

23:28

where are you coming from? Where are you going? What are you trying

23:30

to get? Yeah, just good scene work.

23:32

He was so good with that Yeah,

23:34

and letting that add up to something, you know

23:36

that that if you had all the pieces then

23:38

in the edit he could go I'll build it

23:40

from here, you know And

23:43

also that he knew story wise There

23:46

was something where I come in Talking

23:49

to Aaron. I'm asking about mail

23:52

and he's back and

23:54

there was some kind of back and forth like Two

23:57

or four or five lines something like that and John

24:00

I was like, just, I know what they're

24:02

trying to do here. I

24:04

don't think this really accomplishes it. Just

24:06

come in and

24:10

look through the mail and

24:12

look down to Ellie and

24:14

she'll sort of look up to you and

24:17

you can smile and then

24:19

just take your mail and go to the desk. I

24:22

was like, amazing. Like, that

24:24

he understood to go like, maybe we don't

24:26

need this dialogue. Like, just, we get it.

24:29

We see two people who are into

24:31

each other. We see this little quiet,

24:34

private connection and like, that means more

24:36

to the story and to the audience

24:39

than being quippy with each other. Like,

24:41

that's not actually the thing that those

24:43

two characters have found in each

24:45

other. It's not a sparring partner. It's someone that

24:48

they like to be with. So just be

24:50

with them. You know, like, he could

24:52

see that stuff and go, oh man. And

24:54

I feel like I'm talking a lot, but

24:56

I just love the show and I don't

24:58

know, this is like a door to memory

25:00

lane that I didn't know existed. So it's very

25:02

exciting. No, I love it. Keep

25:05

it up. You know, he's like, he finds

25:07

out that it's me that

25:10

Aaron has been seeing. And

25:14

now is trying to drive this

25:16

wedge. And I think

25:18

there's outtakes of it where he's going

25:21

through Wikipedia or like,

25:23

you know, WebMD

25:25

or something. And it's going, yeah, you

25:28

know, you never know

25:30

who has what. I

25:32

just got my test back and

25:34

I've got, and looks

25:36

over at the screen and then calls

25:39

Chlamydia Chlamydia. Because

25:41

she doesn't know what it is. But

25:44

I didn't know he was going to do that. And I just like

25:46

lost it. Like just died laughing

25:49

at him, impropping Chlamydia.

25:53

That makes it in the episode too. Yes,

25:56

so we had to go back and John was like, do it

25:58

again. Yeah, do that, do that, do that. And had

26:00

been like, that was another one where he

26:02

was like, don't worry about the dialogue, like let's just do one

26:04

where you come in and you

26:06

know that he knows and he knows that you know

26:08

that he knows and let's see what happens. And

26:11

so then there's like my proudest performance moment

26:13

on that whole show is me going like,

26:17

you know, you were gone, like now admitting it

26:19

and trying to deal with him and that he's

26:21

like, I know it, you know, that it

26:23

explodes into this thing. And that was this

26:26

semi organic like improv from John

26:29

and Ed and that I was

26:31

like, Oh, this law,

26:34

you know, again, as a fan and a

26:36

love of the show and a participant and all this stuff

26:38

like coming together at once you're like, Oh my

26:40

God, I can't believe I'm gonna do this. Like, Oh,

26:43

that moment is so good. I

26:45

didn't know that story behind that

26:47

moment is brilliant. Oh,

26:49

just all that man. Yeah. God. So

26:52

cool, dude. It's so cool. Like this. Yeah, man.

26:54

Makes me so happy to be thinking about it.

27:07

I just wanted to know if there were because

27:09

you were just talking about opening that door to

27:11

memory lane. Are there any

27:13

other like scenes or moments

27:16

or it could be

27:18

an on camera and off camera moment that

27:21

come to mind that we haven't talked about anything

27:24

that like if you could go back and

27:26

and relive it that you'd be

27:28

like, Oh, I gotta do that again. I bet

27:32

there's 100 that I, you

27:34

know, I don't know, can't remember

27:36

or I don't know, but I, but but

27:38

ones I do are like, you

27:40

know, your final talking head. Like,

27:44

I think that I have a photo, I think that

27:47

I was even like, I should not be taking this. But

27:49

like, uh, we were all

27:52

in video village, Jake. Remember, we were

27:54

all on that couch together watching it.

27:56

Yes. Yeah. And I felt like I should

27:58

not be here. Like, Like this is, these

28:02

people have created this thing and I

28:04

got to like be a band-aid

28:07

on this, you know, like I'm a snail stuck

28:09

to the side of this ship. But

28:11

these folks built the ship, you know, and going

28:14

like, I should give them space. As

28:16

if like a loved one was passing

28:18

and I was, I don't

28:20

know, someone bringing in Jello that was like, whoops, my

28:23

bad. But I just remember being in that

28:25

room and thinking like, this

28:27

is nuts. And like, as

28:30

a participant, as a person on the

28:32

show and going like, oh

28:34

man, I've loved my time here. It's so sad

28:37

to think this is the end of it, you

28:39

know? And also as a

28:42

viewer, as a fan of the show for so many years

28:44

to go, oh man, I

28:46

can't believe I'm here. I'm

28:48

inside the thing. I'm inside the

28:50

mothership, like watching it happen. This is

28:52

insane. And I'm here with everybody

28:55

who's made this thing for almost a decade.

28:57

You know what I mean? Surreal. Surreal

28:59

then surreal now. It's never, I don't

29:02

know. But other

29:04

memories, writing to the, you know, being

29:07

in a van with everybody going to the last table

29:09

read and the way

29:11

they had that table read set up with the cameras

29:13

so that execs could see it back. Everybody wanted to

29:15

be a part of it, you know? And

29:19

the, after we wrapped and then

29:21

there was that kind of strange wrap party and

29:24

then the very cool wrap party

29:27

and Stephen Merchant being there and

29:29

me reintroducing myself to Stephen Merchant,

29:32

assuming he does not know who I am, you

29:34

know, even though he's an EP on the show,

29:36

he was like, yeah, no, I know, Jake. I've

29:39

seen every episode. Like I, I heard you, I've

29:41

seen the edits. Like I'm more. You

29:44

know, like still to the end being like, pleasure

29:46

to meet you. He was like, yeah, no, we

29:48

got it, guys. We got it. So

29:52

Jen and I both know moments

29:54

on the show where we completely lost

29:56

it and could barely regain our composure.

29:58

Like we lost it. lost it. And

30:02

I know you said that you broke at

30:04

the flack line, but was there any other

30:06

moment where you completely lost it? It's

30:10

a couple

30:12

times where,

30:14

it's a couple times in

30:16

the conference room where I really felt like,

30:18

oh God, I'm going to die here.

30:20

This will be the end. But

30:24

some of those were like, John,

30:28

John one time was like, hey, watch

30:31

this. Brian, make

30:33

it go on too long. And Brian was like,

30:36

got it. And then at

30:38

the end, when the scripted scene

30:40

has finished, you

30:42

know, Brian, as Kevin, would

30:44

just lob

30:46

in another line or two,

30:49

like, just calling back to

30:51

his own storyline to be like, but

30:54

are we going to, you know, and like, each

30:57

time it would

30:59

just ruin me to be both like,

31:01

this has been so funny as scripted,

31:03

and then someone just

31:06

freewheeling and going like, I'm going to take

31:08

over at the end here. I was like,

31:10

that is so unbelievably funny to me. I

31:13

think there's a lot like, I don't

31:15

know. I don't know if there's one where

31:17

I'm like, I don't know

31:20

what are ones? What are the top ones? Do you

31:22

have any from that season that you go this? I

31:25

couldn't function. Well, I

31:27

have one that's very fresh just because

31:29

I just watched it when aunt Shirley

31:31

slapped me. You can see me

31:33

sort of like I have to like

31:39

bend over because I'm kind of shocked

31:41

laughing like, oh, really hurt. Really,

31:44

really slapped

31:47

me. And a handful there. Yeah.

31:50

But so that was very fresh for me.

31:52

But just the conference room whenever we all

31:54

had a moment whenever we all had a

31:57

line, and it was just like zipping around

31:59

the conference. room, there was always

32:02

that great energy. And we

32:04

were confined in that tiny space and that

32:06

added to it all day long being stuck

32:08

in that space. That's usually

32:10

when I broke the hardest. I

32:13

just remember losing it a lot during

32:15

the life episode. Kate being

32:18

so like defensive

32:20

and then bald. And

32:24

the guilt that my character had over

32:27

the whole situation. It just

32:29

I just remember laughing a lot

32:31

during that episode. As you say

32:33

that, like I had forgotten. I guess now

32:36

it reminds me like that Woods came back.

32:39

Oh yeah. One episode maybe and I was

32:41

a fan of his from a distance and

32:43

then in the moment people have been like

32:46

they don't really write stuff for him because he's so

32:48

smart that he kind of has alts for himself,

32:50

you know, and that they'd offered for him to

32:53

be a writer on the show a handful of

32:55

times. And he was like, no, I want to

32:57

perform. Like I don't, I want to be able

32:59

to do both. And he came in and we're

33:01

in a conference room. It's just there's four of

33:03

us there. And he the

33:05

things he had brought with him in

33:08

his little like dialogue

33:10

bag of tricks. I was like, holy,

33:12

like it was both

33:15

what he was presented. And then also if

33:17

I could try to keep up with him

33:19

for a moment, like so fast back into

33:22

it, you know what I mean? To add

33:24

to it, not cutting me down, but just

33:26

to add into the joke of it.

33:28

You know, I was like, this is this

33:31

is another level. You know, like this is

33:33

something I wish I knew

33:35

what magic trick is happening here. You know,

33:37

like, yeah, God, I

33:39

just think, oh, and I, sorry.

33:43

I know it's, I'm a guest on the

33:45

show. So you're asking me questions. I still feel

33:47

like I'm talking a lot about me, but I

33:49

have food poisoning during that episode. So I would

33:51

go throw up in my trailer. I didn't

33:54

know you could call into work. And then come

33:57

shoot those scenes. So I look

33:59

like kind of. the palette, you know, in

34:01

some of those scenes and then like go back to

34:03

my trailer. For the life episode? And just be like,

34:06

no, uh, no, for whatever episode Zach

34:08

came back for. Oh, that

34:10

Zach was in. And he hires my

34:13

ex-girlfriend to then work

34:15

there. Yes, yes, right. And sets us

34:17

up as this love, hate

34:19

triangle thing. But that episode

34:21

I had food poisoning, so it was very

34:23

sick. And then also coming in and

34:26

like, no food in my system and

34:28

kind of like, ugh. And

34:30

Zach just like throwing heat for an

34:32

hour and me like giggling at a

34:34

conference table and then being like, if

34:36

you'll excuse me, go

34:38

back into my trailer and be

34:40

sick. But that's one where

34:42

I couldn't stop laughing and I thought like, I'm going to

34:45

ruin this for him. They won't be able to edit around

34:47

me laughing. I sound wildly unprofessional in that way. But

34:50

just thinking like, this is too funny. I

34:53

won't manage. Do

34:56

you think Pete and Aaron ended

34:58

up together? It's very vague in

35:01

the finale. What

35:03

were you playing? What was your

35:05

decision? Did I

35:07

think she moves on? Really?

35:12

You don't think they end up together? No,

35:14

but I think like, look, I haven't really

35:16

stayed. Maybe this

35:18

is different for you, for me when people go

35:20

like, I'm still close with all my exes. I'm

35:22

like, you're out of your mind. But

35:25

okay. To me,

35:27

I'm like, I

35:29

think Pete and Aaron genuinely like stay close.

35:32

You know, that they each like had

35:34

this time together and she

35:38

also finds such deeper, I

35:41

don't know, clarity and

35:43

closure in the

35:45

other storyline for her of like her birth mother.

35:49

And you know that I feel like Pete is like

35:51

a part of her life that informs

35:53

that a little, but isn't like

35:56

the guy. But in this

35:58

great way that they actually stay. close,

36:00

that they actually stay like really good friends

36:02

and it just isn't the

36:06

thing. Like that's kind of my hope for

36:08

them. But I don't know,

36:10

maybe, you know, maybe other people feel

36:14

differently. We'll get mail. We'll get mail.

36:18

He's wrong. Oh. We

36:23

also always ask people, do

36:25

you get recognized for being

36:27

Pete? And in your case,

36:29

what do people call you, Pete or Plop? Yeah,

36:32

it's Plop. Plop for sure. Plop,

36:34

definitely. Yeah,

36:37

to an extent. It

36:40

is, you know, you go, better than not being

36:43

recognized, if you know what I mean. That's very

36:45

nice. But also like, it's

36:48

the difference that someone goes like, were you Plop on

36:51

the office? And you go, yeah, man, that's me, totally.

36:53

Or when like at Home Depot, someone's like,

36:56

Plop. Hey,

36:58

man. Hey, bud. We not

37:01

yell that. You know, like, that's,

37:04

that's, you know, it's

37:07

just that variation of the interaction.

37:10

Because ultimately, like, it's not the name. It's

37:12

just like one feels like a human interaction.

37:14

Right. And one feels like, I don't

37:17

know, weird. It is.

37:19

Yes, it's sometimes Pete, sometimes Pete.

37:22

Everyone's like, I get green

37:24

as Horace. And I'm like,

37:27

can we dial that one down? We can

37:30

put that one to bed, gang. That's all right. My

37:32

kids are here. I don't have to

37:35

explain what Horace means. Thank you to

37:37

an entire middle school. Like, what

37:39

the? Come on, guy. Did

37:41

you take anything from set when it wrapped?

37:43

Because we all took a little something. I

37:47

was too afraid. Yeah. Too

37:49

afraid. Too afraid. I know

37:51

now that's like, I should just like, brought

37:54

a duffel bag and been like, it's

37:56

all mine. I'm taking it. No, one will know. Um, No,

38:00

I was sure that I'd get

38:03

a call and people would be like, did you take

38:05

the stapler from the other home? No,

38:09

I think I maybe have like a script,

38:11

maybe like the final script, something

38:13

like that. All right. I wanted

38:15

to share with you that we have all

38:18

the call sheets because everyone's been so amazing

38:20

since Jenna and I started this podcast. They

38:22

have just shared with us shooting

38:24

drafts and candy bag auls and coffee. Oh,

38:27

man. So we've really been able to dig

38:29

in, you know? And one

38:32

of the things I noticed on the back

38:34

of the call sheets for season eight, they've

38:36

actually stopped for season nine. I'm not

38:38

sure why, but on the back of the call

38:40

sheets for season eight, there was a

38:42

little section where it was like, get to know your

38:44

cast and crew. And they picked

38:47

a person and asked them five questions

38:49

and it was on the back of

38:51

every call sheet. And I am loving

38:54

them because the questions are fantastic. And

38:58

we asked these to Brian Cranston and I was like,

39:00

oh my gosh, Jenna, we have to ask these to

39:02

every guest moving forward because these

39:04

questions are so fun. So

39:06

here they are. The first question

39:08

is, what was your

39:10

first entertainment job? Oh,

39:15

well, the first like real professional, I was 16.

39:19

Yeah, 16 or 17. And I

39:22

grew up in Vermont. The Breadloaf campus of Middlebury

39:24

College in the summer would do a language

39:26

program. And they would

39:29

also have people from theater and Providence

39:31

come up and do shows. So I was in Tom

39:34

Stoppard's, Cadia, when

39:37

I was like 16, I think 17. And,

39:41

you know, it was just for the summer, but

39:43

was like working with professional actors. And do

39:46

I want to be an actor at that point? So that

39:48

was like my first ever. Oh,

39:51

Jake, that makes my theater nerd heart

39:54

swell so much. All

39:56

right. I have the next question. Do

39:59

you speak? any other languages? No,

40:03

language of the heart. No, I don't.

40:05

I don't. I'm working on Italian, but

40:07

it's not going quickly.

40:09

So no, the answer is

40:11

no. What was the goal in wanting

40:14

to learn Italian? Was it, I'm going to go

40:16

there and I'm going to be... Why Italian? I

40:18

spent a very small amount

40:22

of time there, maybe 10 years ago, and traveled

40:25

around in Italy and thought like, this

40:28

is it. This is where I

40:30

would move tomorrow, like any

40:33

part of it. Tuscany, Umbria,

40:35

down to the coast. I mean,

40:37

I just was totally

40:39

taken with it. And always

40:43

honestly have one foot in going like,

40:47

maybe I'll move to Italy. I have

40:49

kids now and married and whatever, but go like, let's

40:52

go. This business is

40:54

so remote. I

40:56

rarely shoot in New York or LA

40:58

anyways. There's no reason

41:00

for me to go like, I need to

41:02

be a train ride away from the city. It's like, yeah, if

41:04

I want to play, that's true. But

41:07

the reality of mostly

41:10

what my work is, is like sending in self

41:12

tapes, meeting people over Zoom. Yeah,

41:16

maybe an offer, but really that's kind of rare.

41:19

So like, I could live anywhere and

41:21

why not pick up and go

41:24

to Florence? Why not go to Siena? And

41:28

if we were to do that, I'd

41:30

like to be engaged in the culture

41:32

and not just like an expat floating

41:34

around the prototypical American to go like,

41:36

anyone here speak English? English

41:38

anybody? But we'll see. Well,

41:41

that folds into question number three on

41:43

the call sheet is, what's the place

41:45

you've been to that you've loved? So

41:47

I think that's for you,

41:49

Italy, Italy, to be sure. And also, I

41:51

mean, London, I don't know, I spent a little time in London

41:54

and thought this is, I would also,

41:56

you know, the most expensive city

41:58

maybe in the world. But

42:01

London, I just thought was wonderful.

42:03

Yeah. I don't know. I

42:05

think that all sounds pretty fantastic. I want

42:07

to go. You know,

42:09

I had friends, I had friends in my twenties. Of course,

42:12

they didn't have kids yet, you know, but they

42:14

decided to go live in Italy for a

42:16

year and they went and they lived in Italy

42:18

for a year and they loved it and I

42:20

think they think back to that time in their

42:22

life so fondly and I grew up overseas. So

42:25

Jake, I'm saying go for it. Yeah.

42:27

Where did you grow up? Where were you overseas? I

42:30

lived 12 years in Jakarta, Indonesia. Oh

42:33

my God. What was there for that? Your family

42:35

was there. My dad was a

42:37

drilling engineer and he was transferred there in

42:39

the seventies and I grew up there. I

42:43

loved that chapter of my life. So

42:45

I, and I think you just, it's

42:47

such an education. So I don't want to get in

42:49

trouble here. I don't want to step in your business

42:51

with your wife, but I'm just saying. She's

42:54

into it. She's like, let's go for it. For

42:56

real. Yeah. No, you're, you're tipping the scale.

42:59

Well, if, um, office ladies come to

43:01

Italy, we will find you. You've always

43:03

got a place that you'll always be welcome in

43:05

our house. Pasta and

43:08

pools. Next question

43:10

is what do you like to do

43:12

on the weekends? I

43:16

mean, I've got two

43:19

little boys. So it's, um, the

43:21

weekends are not my own. Do you know what I mean? It's

43:23

like when they're in school, um, on

43:26

the weekends, what do I really like

43:28

to do? If I get the chance,

43:30

I love running. I

43:32

love trail running. If I can get

43:35

away for just a little bit to do that or boy reading, but

43:40

I can get like a half hour in

43:42

of just reading for it's a pleasure. Oh,

43:44

obviously the parent of small children.

43:48

I remember these days. Yes.

43:52

Uninterrupted shower. Yeah. Okay.

43:54

Last question, Jake. What

43:58

is your favorite midnight? snack.

44:03

Cool pizza. Yeah.

44:05

Oh, yeah. I'll order pizza,

44:08

eat too much of it the first time, convince

44:11

myself I won't have any later, put the

44:13

kids to bed, put something on be like, you want

44:16

a snack? My wife's like, I'm

44:18

good, dude. I had too much for dinner. I'm like, yeah,

44:20

no, totally. And then go downstairs

44:22

and like make the coffee, let the dog out,

44:24

eat two pieces of pizza. Be like, what are

44:26

you doing? What is happening? So

44:29

it's that and also man of late,

44:31

um, frosted mini wheat has been like,

44:34

they're just in there. And I think, oh, that'll fill

44:36

me up a little, it's a little sweet, it's a

44:38

little whatever, you know, and like, we

44:41

have these poor tubs, it's not just the box,

44:43

you know, keeping it all real organized. And,

44:47

but I won't like put it in a bowl

44:49

because I'm convinced, you

44:51

know, I'm convinced I'm gonna have like two

44:53

little handfuls and that'll be that but instead,

44:55

I probably put away like half a bag

44:57

of cereal and then go like, what it

45:00

dude, it's midnight, like, come on, but also

45:02

why run? You know what I mean? Just

45:04

why run and go to the gym, then

45:08

from 11 to 12, you're gonna

45:10

do your own at home fourth meal. You

45:12

know, everyone Taco Bell made that a thing.

45:15

They were just legit like, go ahead, 25% more food

45:17

than anyone's ever

45:20

worked. Oh, all

45:23

right. Yeah, we'll do that.

45:26

We're gonna do it.

45:28

So that's pizza, pizza,

45:31

frosted mini wheat. Yeah. Nutritious.

45:38

Super high in fiber

45:40

and some extra nutrition. I

45:43

love not committing to a bowl though. That

45:45

is me. I'm like, if I only take a

45:47

few handfuls of M&Ms, is it really anything? I

45:49

didn't put in a container. It's just

45:51

a few. Right. And I don't know.

45:54

Like, yeah. Yeah. And then

45:56

by October 10, you're like, somehow we're out of

45:58

candy for Halloween. I don't know how. that

46:00

happened but... It

46:02

wasn't me, I didn't put it in a bowl. Yeah,

46:05

no, it's a problem. It

46:09

was so good to see you and get

46:11

to reconnect. You are just the same. Just

46:15

the same awesome guy and

46:17

this was really fun. Yeah,

46:19

thanks so much. This is really lovely. Thank you for

46:22

having me on here. And Jake, we just loved you

46:24

on set. You were just

46:28

so wonderful to be around and

46:31

so I just hope you know how much

46:33

we all just like... You just

46:35

fit in seamlessly and you were just part of

46:38

the family. That really

46:40

means a lot. Thank you. Thank

46:42

you. This is like me then saying

46:44

thank you and me now saying thank you.

46:47

You know, like it really... Thanks. Thank

46:50

you. Yeah, thank you.

46:55

Do

46:59

you see what we're saying? How great is Jake

47:01

Lacey? I know. Love him. I love

47:03

him even more now. I know. Well,

47:05

a big thanks to Jake for sharing with us

47:07

about his time in the office and please be

47:09

sure to check out his new show, Apples Never

47:12

Fall on Peacock. Thanks so much for

47:14

listening. We hope you have a good week and we'll see

47:16

you next time. See you then. Thank

47:21

you for listening to Apples Ladies. Apples

47:24

Ladies is produced by Irvold, Jenna

47:26

Fisher and Angela Kinsey. Our senior

47:28

producer is Kathy Jorkin. Our

47:30

audio engineer is Jordan Dussie and

47:32

our associate producer is Aimsley Bubbico.

47:34

Our same song is Rubber Tree

47:36

by Creed Zann.

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