Episode Transcript
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2:00
and we'll tell you why. Should we get
2:02
into it? We better. We have a lot
2:04
to cover. It is Season
2:06
9, Episode 16, written by
2:08
Graham Wagner and directed by
2:10
John Favreau! Yeah! Here's
2:12
your summary. An already grieving
2:15
Andy flips out when he learns
2:17
about Aaron and Pete's new relationship.
2:20
Pam has a job interview in Philly, and
2:22
the boss's personality is eerily familiar.
2:26
Meanwhile, Dwight enlists Angela for
2:28
help bathing his elderly ailing
2:30
aunt. You know, I
2:33
know Dwight says that aunt Shirley
2:35
is ailing, but she looked pretty
2:37
sturdy. Very hearty. Very hearty to
2:39
me. Certainly her personality. Yes.
2:43
All right. Fast fact number one, John
2:46
Favreau, as our director. You guys
2:49
know John Favreau. He is a prolific actor,
2:51
writer, and director. He wrote and starred in
2:53
the movie Swingers, which is where I was
2:55
introduced to him. Same. Oh my gosh. Our
2:57
whole generation was that you just wanted to
3:00
be in that movie. You were like, oh,
3:02
I've been there and I've done that, but
3:04
it didn't look half as cool. I know.
3:06
They go to this swing club called The
3:08
Derby, which was a real place in Los
3:10
Angeles. Yep. And you know, I
3:13
started going to The Derby after I saw that
3:15
movie. I'd never been. So many people did. I
3:17
know. And I would swing dance and it was
3:19
so fun. Oh my gosh. I
3:21
think it closed down. The Derby.
3:24
Yeah. I know. Anyway,
3:27
John Favreau has also directed Iron
3:29
Man, Iron Man 2, The Jungle
3:31
Book, and he directed and
3:33
starred in one of my personal favorite
3:35
movies that I've watched multiple times, Chef.
3:38
Have you seen this movie, Chef? No. Oh
3:41
my God. He plays a chef and
3:44
he's at a fancy restaurant and he has
3:46
a big meltdown. And so his
3:48
only option is to then buy
3:50
a food truck and sell
3:52
food out of the food truck. This kind
3:54
of sounds like that show The Bear. Chef
3:56
at a fancy place. Oh
3:58
no. Like... It has to go
4:01
to a smaller place to
4:03
cook. I'm doing a horrible summary of it. Yeah.
4:06
I don't watch The Bear. So I don't know,
4:09
but I watch Chef multiple
4:11
times. Okay. I did
4:13
not know this fact. Did you know
4:15
that he directed the Will Ferrell Christmas
4:17
movie, Elf? Really? John
4:19
Favreau directed Elf. God, I
4:22
love Elf. Yeah. I've
4:24
seen that movie many times. Well, I
4:26
know another thing you've seen that he
4:28
is like the executive producer creator of,
4:30
which is The Mandalorian. You betcha. Oh
4:33
my gosh. The Mandalorian, you know, one of the
4:35
coolest things for y'all that watch it, don't you
4:37
just love, like, the drawings
4:39
of the scenes are
4:42
so beautiful, how they do that in the
4:44
credits? I wouldn't know. Jenna.
4:46
Okay. And we've got
4:49
a couple of really fun crossover connections. He
4:52
was in the movie The Replacements
4:54
with David Denman and Keanu Reeves.
4:57
Yeah. He's an office lady's favorite and he
4:59
has appeared on Monk. I
5:02
have a crossover with John Favreau. You do.
5:04
You have an acting crossover. You
5:06
know, we talked a lot about what it was
5:08
like to work with John during our interview with
5:10
Jake Lacy because this was very memorable for all
5:12
of us. It really was. You know, we were
5:15
all so excited to work with him because we
5:17
were all fans of his work and
5:19
he's a real, like, actor's actor. He's
5:21
a director that, like, he gets in
5:24
the scene with you and helps you
5:26
figure it out and we love that,
5:29
but he's also just really easy to talk
5:31
to. I have such fond memories
5:33
of hanging out with him when we were
5:35
filming at Aunt Shirley's house. We
5:38
had to wait for it to get dark. We had
5:40
a little bit of downtime between scenes because we did
5:42
all of those scenes on one day and it
5:45
has to end with that scene on the
5:47
front porch with Dwight and Angela, right? Yeah.
5:49
So we're sitting on the back porch of
5:51
this house and
5:54
he and I just ended up talking about
5:56
improv and our love of it
5:58
and of being in the mall. and then different
6:00
improv shows we did. We did that geeky thing
6:03
that improv actors do where they talk about bits
6:05
they did, but no one else can really get
6:07
them because it happened in the moment. You
6:10
know, Angela, I loved hearing you talk about him
6:12
because that was exactly my same experience of him.
6:15
And I find that a lot of times
6:17
you have a director that's either like really
6:19
good with actors or maybe that's really good
6:21
on the technical side. And John is one
6:23
of those people who shines in both spaces.
6:26
I asked Steve Burgess, how did we get
6:28
him? How did we get
6:30
John Favreau? Yeah. And Steve said,
6:32
you know, we went out to a lot of
6:35
what he called journeyman directors, who
6:37
we also knew to be fans of The
6:39
Office. And John Favreau was
6:41
a fan and the dates worked out. Steve
6:44
said he's pretty much the busiest guy in
6:46
showbiz and still is, but Steve Burgess had
6:49
worked with him before and just
6:51
knew that he is always great to work with
6:53
and that this was no exception. I
6:55
know that our crew love John because I
6:58
was trading emails with Dave Rogers who said
7:00
that while Claire edited this episode, everyone
7:03
in post-production loved John.
7:05
They were so thrilled that he came
7:07
to work on the show. Dave said
7:10
he got John Favreau to sign his
7:12
swingers script. Did any hat? I love
7:14
that. Dave is such a fan of
7:16
movie and film and that
7:18
is so cute, I love that. I
7:20
know, Dave said that all
7:22
of post-production had gone to
7:25
see the first Avengers together in the theater.
7:28
So this was very exciting to have
7:31
John in their area. I bet they
7:33
were also tickled. We were also tickled.
7:35
Also tickled. And you know, Angela, we've
7:38
shared this before, but this episode of
7:40
Moving On was originally supposed to be
7:42
just one episode. It was
7:44
not gonna be a two-parter, but Greg loved
7:47
everything that John turned in so much that
7:49
he went back to the network and asked
7:51
them to make it two episodes so he
7:53
could use all the footage. All
7:55
right, are you ready for Fast Fact number two? Yes,
7:58
I am. Well, we have two. He
10:00
will just file that away in his
10:02
brain and years later bring it back.
10:04
That's right. Well, you know,
10:06
we were pretty excited because Bob came
10:08
in the studio to talk with us
10:11
about his time on The Office. Yes,
10:13
he did. It was such a
10:15
fun interview. We're gonna wait to air it
10:17
until after we break down moving on part
10:19
one and part two, but everybody just know
10:21
that is coming up. Yes, Bob in the
10:23
studio. Okay, moving on to
10:25
Fast Fact 3, another
10:28
big guest star, Mary Gillis
10:30
as Aunt Shirley. This woman
10:32
is such a brilliant character actress. She
10:35
was just fantastic. Fantastic.
10:39
Talk about someone who could command a room. Oh
10:42
yeah, yeah. I mean, I remember
10:44
her from her role in Midnight
10:46
Run because even in like
10:48
just small roles, she's one of those
10:50
people who pop. You guys might
10:52
remember her. She had a recurring role on
10:55
Glee as Mrs. Hagberg. She's
10:57
done a ton of television. Another
10:59
one of my favorites is that she is on
11:02
the Everybody Loves Raymond episode called
11:04
Marie's Sculpture. Do you
11:06
know that one? No, but now I'm
11:08
curious. Marie takes a sculpture
11:10
class and at the
11:12
end of this big class, Oh, I do,
11:14
can't even remember it now. they like unveil
11:16
her sculpture and it is just, it very
11:19
much looks like a giant vagina and
11:21
nobody knows how to compliment it. This
11:25
is very funny. We got
11:27
a fan question from Alison Jay in West
11:29
Haven, Connecticut who asked, Mary Gillis
11:31
has always been one of my favorite guest stars
11:34
on the office. How did she get her role?
11:36
Well, I've got some hot trivia on this. Did
11:39
you know that Mary Gillis was not the
11:41
first Aunt Shirley? No, she
11:43
wasn't. Who was the
11:45
first Aunt Shirley? Okay. The
11:48
story has a lot of twists and turns. Oh.
11:51
So here we go. Okay. During
11:53
this season nine, NBC was exploring
11:55
the idea of an office spinoff
11:57
starring Rainn Wilson. The signup.
12:00
called The Farm. Yeah. Paul Lieberstein
12:03
was the showrunner and they shot
12:05
an episode and the
12:07
plot of that episode is that Dwight's
12:09
Aunt Shirley has passed away and has
12:12
left him, I guess,
12:14
The Farm? Yeah. Yeah. Well,
12:16
they shot it long
12:18
before we shot this episode. They shot
12:20
it earlier in the year and they
12:22
cast a woman as Aunt Shirley. After
12:25
it was finished and they
12:27
found out that the show wasn't going to
12:29
go forward, they decided to make The Farm
12:32
an office episode. So they
12:34
wrote, moving on, after they wrote The
12:36
Farm as a way to precede The
12:38
Farm. To explain who Aunt
12:40
Shirley is. Exactly. This character of Aunt
12:43
Shirley was now like a big character.
12:46
So they went out and they cast Mary
12:48
Ellis and then they had to go back
12:50
and reshoot the scenes in The Farm with
12:52
Mary Gillis as Aunt Shirley.
12:55
Did I explain that okay? You really did
12:57
and I think it also explained something if
12:59
you rewatch the show in
13:02
order like we're doing now and we
13:04
have watched The Farm. Yeah. I remember
13:06
watching it and thinking, why wasn't Angela
13:08
invited to the funeral? I know! She
13:10
bathed this woman and made her dinner
13:12
and spent a whole day with her.
13:15
Surely she would want to
13:17
attend the funeral. Of Aunt Shirley. Of
13:19
Aunt Shirley. But we had filmed The
13:22
Farm months before this. Yes. Aha. Yeah.
13:24
I think when they were doing their
13:26
reshoots of the new Aunt Shirley, they
13:28
should have added Angela there. To the
13:31
funeral. Yes! Well, Angela,
13:33
we have so many fan questions for you
13:35
about your scenes with Aunt Shirley. I will
13:37
save them until we get to them. That's
13:40
all I got for Fast Facts. Well,
13:42
I thought those were just fantastic.
13:45
I have just two call sheet tidbits for
13:47
you. Oh. And more that I'll sprinkle in
13:50
later. I love a sprinkle. You love a
13:52
sprinkle. Here's some Top of Show call sheet
13:54
tidbits for you. Day one of filming this
13:56
episode was on January 14th, 2013. I
14:00
know you guys love a weather report. It
14:03
was sunny with a high of 58 degrees and the
14:05
low was 37. Ooh, that's kind
14:07
of chilly, especially out at
14:09
Aunt Shirley's. Yeah.
14:11
And it was a busy week for us as
14:13
a cast. We had multiple visitors, including
14:16
on Wednesday of this week, the Television
14:18
Critics Association. Yes, and I have a
14:20
big story about that for later. Ooh.
14:23
We also had a table read, and
14:26
on the Friday of this week,
14:28
an NBC EPK crew was on
14:30
set doing B-roll and cast and
14:32
director interviews. And I looked
14:34
everywhere for their interviews with Jon Favreau, and
14:36
I couldn't find them. Anywhere.
14:39
I really wanted to be able to play some of those
14:41
audio clips today. Well, someone at
14:43
NBC listening to this that has archive
14:46
footage, hit us up. We have a
14:48
lot that we want. We do.
14:51
All right, why don't we take a break? And
14:53
when we come back, we will start breaking down
14:55
this episode with a cold open that I really
14:57
enjoyed. It tickled me. I
14:59
watched it several times. I just love Ed
15:01
in this episode. I really did, too. He
15:04
really goes for it. All
15:06
right, we'll be back in just a second. There
15:15
are a whole lot of beaches out there, but there
15:17
is only one, the beach. Myrtle
15:20
Beach, South Carolina. Jenna, did
15:22
you know Myrtle Beach is
15:24
60 miles long? It
15:27
is 60 miles of uninterrupted coastline
15:29
and endless things to do. For
15:32
example, do you love to eat? I
15:35
do. There's over 2000
15:37
restaurants serving up fresh seafood,
15:39
Southern classics and low country
15:41
cuisine. I have a question for you.
15:43
Do you like music? Yes, I do. Well,
15:46
live music is the soundtrack to the
15:48
beach. There's live music every night
15:50
of the week, all year round. Plan
15:53
your trip to the beach at
15:56
visitmyrtlebeach.com. Angela,
15:58
I saw pictures from your... I
56:00
got Leah Pear for Father's Day. Oh, so you
56:02
haven't given it to him yet? I haven't. Not
56:04
at the time when we recorded this. I'm not
56:06
sure when this episode comes out. You'll have to
56:08
let us know. Will I? I don't
56:10
know. Actually, I don't know if I
56:13
want to know that information. But I
56:15
got so, listen, I'll buy
56:17
anything. I'm so bad. I bought
56:19
that dumb thing that's supposed to
56:22
clean earwax out of your ear
56:24
that didn't work. I've got so
56:26
many dumb things. I'm so suggestible.
56:29
Now I've bought my husband a pair of underwear so
56:31
he can put his balls in a pocket. What
56:34
am I doing? But listen, this isn't even what
56:36
I wanted to talk about. I
56:38
wanted to talk about socks. I
56:40
wanted to talk about. OK. It's OK.
56:43
That there are all these videos now where
56:46
they can tell if you are
56:48
a millennial or a Gen Z or
56:50
a Gen X by the socks you
56:52
wear. Are you on TikTok? No. No.
56:55
It sounds like a TikTok video. I know. But
56:57
this is OK. So you see the socks I'm
56:59
wearing right now, right? I'm wearing the no shows.
57:01
No one wears those anymore. No. The kids don't
57:03
wear them. They don't wear them. You have to.
57:05
It's ankle again. I know. I have
57:08
teenagers. I know the socks that are hip.
57:10
I can't wrap my head around it. By the
57:12
way, it took me so long to accept these
57:14
dumb no show socks that always slip down my
57:17
heel. I refuse to wear them. Look at me.
57:20
Oh, you have no socks. Lady,
57:22
what does no socks mean? I
57:25
don't know any of it anymore. Times are changing.
57:27
We can't keep up. Well,
57:29
my last Instagram suggested ad was
57:32
special underwear for thigh chafing. You
57:35
know what? All of this is making
57:37
me realize. What? We clearly need
57:41
a fashion blogger podcast together. Oh,
57:43
yeah. Where we break
57:45
it down for you guys.
57:47
But just practical undergarments. And
57:51
jackets. All right,
57:53
Andy has a talking head. He
57:55
wants to know why isn't Erin sad? Has
57:58
she found someone new? why
58:00
she's not that upset about this breakup? Oh,
58:04
he says, you know, during a breakup, your
58:06
mind goes to some dark places. Boy
58:09
does it for Andy because he becomes a
58:11
snoop. He does. Erin
58:13
leaves front reception and leaves her phone. Andy
58:16
grabs it and starts scrolling on it. Phyllis
58:19
says, Andy, no good can come from snooping.
58:21
Andy says, I'm not snooping. Oscar's
58:24
like, you're clearly snooping. Everyone
58:26
is very upset by this, except for Meredith.
58:30
Creed's like, that's uncool. Meredith is like, tell
58:32
us what's on there. Like, Meredith
58:34
wants to know all the dish. Well, guess
58:36
what? He sees something. He sees that she
58:39
has been texting with someone named Pete. He
58:42
charges into the annex where Daryl,
58:44
Clark, Kevin, and Toby are for
58:46
some reason that we don't know,
58:48
all gathered around Pete's desk and
58:50
computer. Pete is the only one who's
58:52
seated. Andy announces, my fears
58:54
have been confirmed. Erin is texting someone
58:56
named Pete. Any of you know someone
58:58
by that name? Go to
59:01
10 minutes and 47 seconds, because
59:03
the way Clark looks to camera
59:05
when Andy says, Pete is perfection.
59:09
So good. And then Brian as
59:11
Kevin says, Pete, what? I
59:14
know. That was improvised. It was.
59:16
Yes. That was so good. Pete
59:19
has a talking head where he says, oh
59:21
my gosh. Andy's been calling me Plop for
59:23
so long. He forgot my real name is
59:25
Pete. This talking head was a
59:27
bit extended in the shooting draft. Pete
59:30
would have had another line where he said,
59:32
I have probably about six minutes before he
59:34
figures it out. Well, he's
59:36
right. Andy goes to the fridge
59:38
and has his aha moment. He
59:41
sees that lunch bag labeled Pete,
59:44
and he puts it all together. Pam
59:47
is now going to arrive at Jim's office
59:50
in Philly. She looks so cute. She's all
59:52
dressed for her interview. Jim
59:54
is wearing his Bluetooth device, and they sort
59:56
of have this little joke about it. He's
59:59
like, I know. I'm a douche, but look, I
1:00:01
can do this with my hands." He
1:00:03
tells her she's going to crush it. It's
1:00:05
a sweet little moment. It really is. He's very
1:00:07
excited for her. At 11 minutes
1:00:09
and 30 seconds, I have a water bottle
1:00:11
catch on Jim's desk. Someone left their water
1:00:14
bottle. For real? Oh,
1:00:16
that's so good. Yeah. It's like
1:00:18
the Starbucks coffee on Game of Thrones. Exactly.
1:00:21
We had a fan question from Jen H
1:00:23
in New York. Jen says,
1:00:26
I have a Justice
1:00:28
for Pam comment. Justice for
1:00:30
Pam? Jen says,
1:00:32
I've been waiting so long to
1:00:34
ask this. Jim offers Daryl
1:00:37
a job at his new company. Why
1:00:39
on earth did he not ask Pam to join?
1:00:42
Why couldn't she be the graphic designer
1:00:44
at Athlete? It's
1:00:46
wild because both Ryan and Michael believed
1:00:48
in her art talents more than her
1:00:50
own husband. Ryan asked her to
1:00:53
make a logo in Season 4, Episode 2, and
1:00:56
then in Season 4, Episode 5, Michael asked her
1:00:58
to make a logo for the local ad. I
1:01:01
bet Pam would have been much more receptive
1:01:03
to moving to Philly if her dream job
1:01:05
was also waiting for her. Well,
1:01:07
Jen, I hear you, but I do
1:01:10
have some thoughts. I have some thoughts
1:01:12
as well. First of all, Jim's
1:01:14
business is not really making any money
1:01:16
for this family. I
1:01:18
had read another fan comment that
1:01:20
said they were really ticked off
1:01:23
at Pam because she's not supporting
1:01:25
Jim's dream job. Why didn't she
1:01:28
just get a job in Philly?
1:01:30
Her husband's making so much money at this great
1:01:33
job, but Jim is not making any money. Remember,
1:01:36
it's like this company has not had
1:01:38
a profit. So if they're both working
1:01:40
there, then no one's really
1:01:42
bringing home a significant paycheck. Also,
1:01:44
I don't think graphic design is Pam's
1:01:46
dream job. I don't think she... She didn't love it.
1:01:48
She dropped out because she didn't love it. Yeah, she
1:01:51
dropped out because it wasn't what she thought it was
1:01:53
going to be. I would also
1:01:55
say this. If Jim and Pam
1:01:57
are really hoping this business takes off... they
1:02:01
can't move to a whole
1:02:03
new city with their children and
1:02:05
invest in property or a big enough
1:02:07
rental for all of them without
1:02:10
knowing it's going to be a success. Right
1:02:12
now, you would assume they don't really have a
1:02:14
house payment and their
1:02:16
kids are in school there, they
1:02:18
have Pam's family, Jim's family nearby
1:02:21
to help. So moving
1:02:23
the whole family there, you're not gonna do
1:02:25
that till you know that this is really
1:02:27
going to take off. Yeah, and
1:02:30
I think there needs to
1:02:32
be someone in this family who has like
1:02:34
a stable income. But
1:02:36
Jen, I appreciate you sticking up
1:02:38
for Pam. Yes, Jen, I appreciate
1:02:41
justice for Pam. I
1:02:43
do see like down the road, there
1:02:45
might be a job opportunity there for
1:02:47
sure. Aunt
1:02:49
Shirley has had plenty of schnapps and
1:02:52
has fallen asleep on the couch. Yeah, she
1:02:54
hit the homemade schnapps really hard. Dwight
1:02:57
says, okay, let's get her out in the
1:02:59
yard and spray her down in a very
1:03:02
tasteful, rustic, private shower. This
1:03:04
is setting us up for the beginning of moving
1:03:06
on part two for which we got a lot
1:03:08
of fan questions. We'll get
1:03:10
to it next week. Meanwhile,
1:03:12
Andy is called Pete into his office
1:03:15
and he tells Pete that he
1:03:17
has contracted schlamydia. Yeah.
1:03:19
From Aaron. He's
1:03:21
trying to get Pete's reaction and
1:03:24
we talked about this with Jake Lacy. We
1:03:27
did. He said that schlamydia was
1:03:29
an improv by Ed. It
1:03:31
was because in the script it said,
1:03:34
Aaron gave me incurable syphilis. Pretty lame,
1:03:36
huh? But then Ed
1:03:38
improvised schlamydia. He
1:03:41
did and it made Jake laugh.
1:03:44
I found the blooper. Let's hear it. I
1:03:47
just got off the phone with my doctor and
1:03:49
it turns out that
1:03:52
I contracted schlamydia Schlamydia.
1:03:55
Bro. Come
1:03:59
on. Oh, come on. Swamania.
1:04:05
Oh, man. Well, I guess they loved it
1:04:07
so much. They kept it in and then they had to
1:04:09
do it again and again so that Jake didn't laugh. Yes,
1:04:12
and Jake told us that his proudest
1:04:14
performance moment on the whole show was
1:04:16
in this scene because
1:04:19
there's that long pause and Pete says, you
1:04:22
were gone. Mm-hmm.
1:04:25
And Jake improvised that. Yeah. And
1:04:28
then in the moment, Ed is Andy reacted and
1:04:30
improvised, I knew it. And
1:04:33
Jake just said it was the coolest thing.
1:04:35
Yeah, and then what's really cool is after
1:04:37
that little moment of improv from both of
1:04:39
them, they get back on script. Yes.
1:04:43
And finish the scene, which is, oh, just delicious. The
1:04:45
line that got them back on script
1:04:47
was Pete saying, and just so you
1:04:49
know, there was no overlap. Mm-hmm. And
1:04:52
then they were back as scripted. And
1:04:54
this does end with another
1:04:56
improv when Andy starts to
1:04:58
sing the song Bad Day with
1:05:00
different lyrics. You had a bad day.
1:05:02
Different lyrics. What did it do? Yes.
1:05:05
From Steve Burgess, he said we had to get
1:05:07
permission to change the lyrics. They were okay with
1:05:10
using different lyrics and it cost $20,000. And
1:05:13
he said, by the way, this wasn't
1:05:15
scripted. So after Ed did it
1:05:17
in the scene, they had to make sure they could get
1:05:19
it cleared. Oh, my gosh. After the
1:05:22
scene, we see Andy and Toby, and Toby's
1:05:24
like, hey, you cannot fire Pete. You
1:05:26
can't fire someone just because you have a grudge.
1:05:29
The same thing happened with Nellie. And Andy's
1:05:31
like, no, no, no. That was a professional
1:05:33
grudge. This is a personal grudge. Yes. And
1:05:36
then Toby shows Andy that Aaron and Pete
1:05:38
have disclosed their relationship. You
1:05:40
know, they fill out that form in human resources.
1:05:44
Andy is furious and crumples it up. Toby's
1:05:47
like, that's not the original. So, you
1:05:49
know, it's not a big deal. I just
1:05:51
love that one detail. And then as Andy walks
1:05:53
away, Toby uncrumples it and is like, it is
1:05:55
the original. Well, I looked this
1:05:57
up in the script as scripted.
1:06:00
Andy was supposed to fold up the document
1:06:02
and put it in his pocket and then
1:06:04
kick Toby's chair and walk out. And
1:06:07
Toby's last line was, it's not
1:06:09
the original, but instead Ed
1:06:11
crumpled it up and threw it at him. And
1:06:14
he was like, it's not the original and kicked
1:06:16
the trash can. And
1:06:18
so Paul improvised. Uncrumpling
1:06:21
it? Uncrumpling it and saying, it
1:06:23
was the original. That is great.
1:06:25
I love that. So fun.
1:06:29
All right. Are you ready for Pam to get
1:06:31
to her interview? I am
1:06:33
per the call sheets. This was
1:06:35
the very first scene of this entire episode
1:06:37
that was filmed. Yep. Monday morning. Monday morning,
1:06:39
scene 24. First
1:06:41
up on Monday, it was described like this.
1:06:44
Interior real estate company. Pam
1:06:47
meets the Michael Scott of real
1:06:49
estate, Mark. And I saw on the
1:06:51
call sheet that you and Bob had 6 a.m. call times, but the
1:06:53
rest of us got to come in at 1. Yeah. This
1:06:57
was a location. We did not
1:06:59
build these offices. And I remembered
1:07:01
that very clearly. We got ready
1:07:03
on set. And
1:07:05
then we drove to this location in a
1:07:07
series of vans. So Bob and I got
1:07:09
to share a van ride over to the
1:07:11
set. Listen, any time I got to share
1:07:14
with Bob, I was just so tickled. Yeah.
1:07:17
So I remember that car ride. We
1:07:19
got a lot of fan questions about what it
1:07:21
was like for me to get to work with
1:07:23
Bob. One from Natalie L. in Baltimore, Maryland, who
1:07:25
just said, what was it like working with Bob
1:07:28
Odenkirk? I laughed all
1:07:30
morning. I only had him
1:07:32
from 6 a.m. to 1 p.m. But
1:07:34
oh, my goodness. And one of
1:07:36
my favorite moments that I couldn't get over
1:07:38
and that I still can't get over when I watch it,
1:07:40
it made me break every time. I don't know how we
1:07:42
got a usable take was that dance
1:07:44
that he does when he
1:07:47
goes the funky bunch. And
1:07:49
he like this like awkwardly
1:07:51
is raising the roof. I
1:07:54
loved that moment so much. The
1:07:56
minute he's on camera, I just started laughing. It started to be
1:07:58
like, oh, I'm going to get a with
1:08:00
him in his office and he's
1:08:02
playing the guitar and he's saying,
1:08:05
talking Chester Avenue, talking Triplex, talking
1:08:07
Converting. Hey, is that her? Yes.
1:08:10
You just have to imagine this guy is
1:08:12
making up these ridiculous songs all day. He
1:08:15
must drive everyone crazy. Oh
1:08:17
yeah. Pam has a talking head where she
1:08:19
says, oh my God, he's Michael Scott. Then
1:08:22
he gives her a tour of the office.
1:08:24
He walks her through the bullpen, making
1:08:28
all of the inappropriate jokes that
1:08:30
Michael Scott would. And
1:08:32
he says ridiculous things like Michael
1:08:35
Scott would like this. This
1:08:37
is not an office so much as it's a
1:08:39
rec room with a bunch of computers in it.
1:08:41
Frankly, if I had my way, I tossed the
1:08:43
computers in the garbage. But unfortunately,
1:08:45
we use them for practically everything we
1:08:47
do. So that ain't going to happen.
1:08:50
You might have noticed that only one
1:08:52
person speaks back to him. Everybody
1:08:54
in this bullpen were
1:08:57
background performers, but
1:08:59
they were very specifically chosen to
1:09:01
try to paint the picture of
1:09:03
an alternate Dunder Mifflin universe. For
1:09:06
example, please note the snarling woman
1:09:08
dressed in a turtleneck and pearls
1:09:10
at 17 minutes and eight seconds.
1:09:13
That is your doppelganger, Angela. There
1:09:16
are people playing solitaire on their computers. I
1:09:19
like Meredith. I noticed that. At 17 minutes and
1:09:21
24 seconds, Aunt
1:09:24
Joan was their Phyllis. She's
1:09:27
wearing a purple shirt under her blazer.
1:09:29
And then as Mark comes around the corner, he's
1:09:31
going to speak to someone and he's going to
1:09:34
say he didn't hear me. And
1:09:36
that person says, I heard you. That
1:09:39
was guest star Michael Weston. He
1:09:42
was a very big shot actor at
1:09:44
this time when he did this very
1:09:46
short little cameo. He
1:09:48
had been on house for two years and people
1:09:50
noticed. We got a lot of fan mail asking,
1:09:53
how did you get Michael Weston to do like
1:09:55
this one little pop on your
1:09:58
show, this little cameo?
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