Episode Transcript
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0:03
Hello
0:09
and welcome to Oh No Ross and Carrie,
0:11
the show where we don't just report on
0:13
fringe science, spirituality, claims of the paranormal. No,
0:16
no, no, we take part ourselves. Yep, when
0:18
they make the claims, we show up so you don't have
0:20
to. I'm Carrie Poppy. And I'm Ross Blaucher. And
0:23
I know what you're expecting. It's the last episode of
0:25
2023. You're
0:27
ready for us to review the year and
0:29
all the previous predictions. But no.
0:33
No, no, we're, we're, we're upsetting
0:35
expectations. I was looking for some
0:37
good way to rationalize why we're
0:39
doing this. It's coming. It's
0:41
coming. Yeah, we'll review the year
0:43
and we'll look forward to the year ahead and
0:46
what the prognosticators have to say about it. I
0:48
had a migraine for two days. It screwed us
0:50
up. Sorry. But at a lot of
0:52
squirrely psychics. Yes. We're
0:54
trying to get our 2024 readings and we're
0:56
having a weird amount of trouble. Both
0:59
of us have been like rebuffed multiple times
1:01
and not because we're podcasters. Yeah, I
1:03
know. Well, that we know of. They
1:06
are psychic. But in the meantime,
1:08
we have this great interview that I've been
1:10
excited to share for a while. This
1:13
was recorded at SciCon 2023 with me
1:15
and Kenny Biddle. Yes,
1:19
Kenny Biddle. He's the chief investigator at the
1:21
committee for skeptical inquiry. And he's a fellow
1:24
at CSI. Yeah. And
1:26
as you'll see a top notch paranormal
1:28
investigator, really fun just to pick his
1:30
brain. Yeah, I'm stoked to hear this.
1:33
I love all the things that they do at CSI. It's
1:35
a great organization. They make
1:37
skeptical inquirer. Great magazine.
1:40
The magazine. Which you've written for.
1:42
Yes. Yes, yes. Yeah.
1:46
Yeah. Exciting stuff there. Hey, Steven,
1:48
what's up? What's up? I
1:50
can't believe I've never done that before. What's up? I
1:53
can't believe I've never done that before. That will be now
1:55
the official way to greet him. Yeah,
1:57
definitely. Here's the interview. Welcome
2:01
to the show Kenny Biddle. Oh
2:03
my goodness. I'm so excited. This
2:05
is like my bucket list. I'm
2:07
excited too. All right. So Kenny
2:10
Biddle, what is the official title?
2:12
You're a investigator. Chief Investigator. Chief
2:14
Investigator at Skeptical Enquirer at Center
2:16
for Inquiry. So the full official
2:19
title is Chief Investigator for CSI,
2:21
Committee for Skeptical Inquiry. Okay. And
2:24
that puts out Skeptical Enquirer magazine.
2:26
It used to be Psycop, which
2:28
was co-founded by Carl Sagan, Paul
2:31
Kurtz, and James Randi, Isaac
2:35
Asimov. So this goes back
2:37
a long time. This is later Ross,
2:39
just wanted to interrupt real quick to
2:42
put Kenny and myself out of our
2:44
misery because we were like trying to
2:46
come up with all of the names.
2:48
So I'm just going to summarize here.
2:51
So the initial group that Psycop
2:53
was based on was formed by
2:55
of course Paul Kurtz. Of course.
2:58
And Marcelo Truzzi. Okay.
3:00
Yeah, this is a new name to me,
3:02
I think. Yeah. He wasn't involved
3:04
with later iterations of the group.
3:06
Okay. But then you
3:09
had all these other folks that
3:11
we mentioned, James Randi, Isaac Asimov,
3:13
Carl Sagan, but also Martin Gardner.
3:15
I love Martin Gardner. Ray Hyman.
3:17
Great. B.F. Skinner. Your
3:19
old buddy. Long and
3:21
storied history. Philip Klass, noted UFO
3:24
skeptic. It was a really impressive
3:26
group. Nice. So there we go.
3:28
That'll save you and us a bit of work. Back
3:31
to the interview. Well, you tell
3:33
us a bit about the mission
3:35
of the Committee for Skeptical Inquiry.
3:37
So they started in 1976 and
3:39
basically they started out going against
3:41
claims of the paranormal. So
3:43
psychics, psychic readings, horoscopes, all
3:45
kinds of weird stuff out
3:47
there. Healing, faith healing, especially
3:50
faith healing. Yeah. And
3:52
they gave them there. It really grew over the years
3:54
and they had more people involved and they spread
3:56
out. Right. And they got into
3:58
different kinds of sciences and just... giving
4:00
the public a lot more
4:02
information about science, diving into
4:04
politics, diving into religious aspects,
4:07
and just covering a lot from a more
4:09
skeptical and scientific point of view. And anything
4:11
that has a testable claim attached to it
4:13
falls within the purview. Exactly.
4:15
Exactly. We can test it. We
4:18
look into it. Well, and I feel
4:21
like Kerry and I are very closely
4:23
tied to CSI and also CFI, which
4:25
is the Center for Inquiry. I know.
4:27
It gets confusing. I mean, I... I
4:31
thought I was so ready for this. I am
4:33
advocating for going back to PSYCOM. Yeah.
4:35
That was a great name. I like
4:37
that name. Committee for Scientific Investigation of
4:40
Claims of the Paranormal. Yeah. Well, anyways,
4:42
we've often told our origin story, how Kerry
4:44
and I met, and it was at the
4:46
CFI in Los Angeles, at
4:48
both the lectures and the book club there.
4:51
And then for many years, I've been
4:53
part of the IIG, as it was
4:56
called then, the Independent Investigations Group. But
4:58
now it's very dependent on CFI. So
5:00
now it's the Center for Inquiry Investigations
5:02
Group. Yes. And we'll have more
5:04
to say about that later. Anyways, just kind of drawing the connection there.
5:07
And of course, the fact that you and
5:09
I are right now meeting together at PSYCON.
5:11
Yes. Yes, we are. You
5:13
got all the acronyms straight, everybody? Yeah. I
5:16
hope you're paying attention at home. All right. Well, that
5:18
was all very clinical, but now we know who we are. You should
5:20
put a scorecard. Yeah. Bingo. Yeah.
5:25
Well, why I'm excited to talk
5:27
to you is because I think you
5:29
are, I got to say, the
5:32
best out there when it comes to paranormal investigation.
5:34
Wow. Like, I would say, you
5:36
know, if you have a claim that needs investigating,
5:38
be it a ghost that showed up on camera,
5:40
or an angel appearing at the hospital, what have you,
5:42
I would call in Kenny Biddle. I would want to
5:44
get your backup on, you know, how do we analyze
5:46
this photo or this video? Because
5:49
you have this great mind for
5:51
not only the technical aspects of
5:53
how photography and videography work, you
5:55
chase down those, the original equipment,
5:58
but also I think you have a really good understanding of this. and
6:00
where people are coming from and what it is
6:02
that might draw them to see these images. That's
6:05
why I'm really excited to be talking to you. Oh
6:07
man, okay. Well, let's get into it. You're
6:10
making me blush. I almost feel so humble
6:12
here. Like, this is awesome. Well, I know
6:14
you have like a really interesting backstory.
6:16
You weren't always a skeptic. Tell
6:19
us a bit about the earlier Kenny Biddle
6:21
of how many years ago are we talking
6:23
about? We're talking like
6:25
around 1997. That's
6:28
when I got married. Really, everything
6:30
started really falling into place then. I've always had
6:32
a belief. I grew up in the time of
6:35
In Search of, On Self
6:37
Mysteries, Sightings. Yep, watching all those
6:39
X-Files. X-Files, loved it. I
6:41
still own. I own all the seasons. I
6:43
love it. On DVD? Yes. Excellent.
6:47
Love it. It was so fun to walk my son
6:49
through that series. I have VHS. And he got
6:51
into it. And DVDs. So, nerd. Oh
6:54
yeah, and I think he like I had a
6:56
big thing for Gillian Anderson, of course. All of
6:58
us did. I really think. She
7:01
was the awesome nerd. I mean, they were both nerds. I
7:04
don't know where we're going to get with this,
7:06
but I like the kind of role reversal. Yes.
7:08
Because you usually had shows like that.
7:10
The Woman is the Sensitive Time. And
7:13
the one that believes in psychic stuff.
7:15
And the man is usually like, this
7:17
is all bull crap. The hard-nosed rationalist.
7:20
Having those roles switched, I think, was
7:22
genius. And the casting,
7:24
genius. Well, and it's been shown since
7:26
that there was a real Scully effect,
7:28
which I think was working on me
7:30
as well, even though I was a
7:32
believer at that time. Even though they
7:34
were clearly in a world that was
7:36
fictional and had paranormal elements, her
7:39
pushback on the things that Mulder was saying, I
7:41
had a Scully effect as well, even though usually
7:43
when you talk about that, that's women getting into
7:46
STEM fields. Yeah. Anyways, you were saying, the
7:48
kind of stuff you were watching. Sorry, this
7:50
whole conversation is going to be like this. We're both
7:52
way too excited. This is how
7:54
it's all going to go. So
7:56
yeah, those kind of shows are what I was watching,
7:59
and I loved them. And I thought like this
8:01
is amazing. That's what I want
8:03
to see. I want to see these stories. These
8:05
stories are happening around the world. And I
8:07
want to be a part of that. I want to
8:09
get out there and see the Loch Ness Monster. I
8:12
want to see aliens laying down. Not
8:14
the anal probe part. I
8:16
just want to see the aliens laying down. I'll
8:18
see it. I'll watch that part. Okay. Well, I'll
8:20
let them know. If I
8:23
ever see them. I wanted to see a
8:25
ghost. I wanted to experience that. I wanted
8:27
to see like stuff flying around the room
8:29
for a poltergeist. And
8:31
I love that kind of stuff. And so as
8:33
I got older in 1997, that was
8:35
like the pivotal time here when I
8:38
went into ghost hunting. Because I got
8:40
married that year and as a gift
8:42
for ourselves, we bought our first computer.
8:45
This is dating the computer, but
8:47
it came with four megabytes of
8:49
memory. Four megabytes. This is
8:51
old school. Yeah. What are we talking about
8:53
there? This like compact? Oh, okay. So it
8:55
was like, yeah, let's not get off on
8:57
that rabbit trail. Let's not got Leonard Trammell
8:59
in the whole room or something. Yeah. I
9:02
know somewhere inside Con, he is like
9:04
looking up going, I hear my name.
9:07
I hear my name. Yeah. We got
9:09
our computer got online after some upgrades
9:11
because there this new thing called the World Wide Web.
9:14
You know, I wanted to get on it, start
9:16
reaching out. And one of the first things I
9:18
looked up was ghost hunting groups. Who
9:21
did it in my area? Because you saw it on
9:23
TV. You saw on the shows, they would bring in
9:26
like Hans Holzer or somebody else like that.
9:28
And I was like, these are people that
9:30
are actually doing this. I want to try it. So I
9:32
found a local group and I joined them and
9:35
we went to cemeteries. We went to historic places
9:37
like the Betsy Ross House because I grew up
9:39
in Philly. She designed
9:41
the flag allegedly. Yeah. There's more to
9:43
that story. There's a lot more to
9:45
that story. Okay. Anyway,
9:48
so we went to those places
9:50
and we went after hours because everything
9:52
happened in the dark. Right. Why
9:55
question that logic? And it also has
9:57
a look of like contemplation on it.
10:00
Why wouldn't the same things happen during the
10:02
daytime? Well, that's the funny thing our ghost
10:04
killer the witness stories that we were getting
10:07
From business owners and the homeowners most of
10:09
the stuff happened during the day. Okay, but
10:11
we're showing up at night Yeah, it's easier
10:14
to scare yourself at night. Right right and
10:16
you know, you turn the lights out You
10:18
can't see it makes it all spooky So
10:20
I went around with them for a while and
10:22
I learned I guess the
10:24
tribal knowledge kind of way because I
10:26
was there I was with them. I didn't know any
10:28
better This was before I was
10:31
any kind of skeptical. I grew up Catholic.
10:33
Okay, I was gonna get there was a
10:35
religious component Yes, so my mother's Catholic. My
10:38
father is not but I was raised Catholic
10:40
Okay, so I had that belief that there
10:42
was an afterlife But it was more
10:44
like heaven and hell and purgatory stuff
10:46
like that. Mm-hmm So I already had that
10:48
belief. It was already there ghosts were not
10:50
a next step It was just a side
10:53
step because they existed because you have ghosts
10:55
in the Bible Yeah, you have people claiming
10:57
that they have ghosts even my mother thought
10:59
that she had felt like her father after
11:01
he passed away Yeah, as a real Bible
11:04
literalist myself at the time. I remember
11:06
reading stories like the witch of Endor
11:08
Yeah, I mean like okay. What do
11:10
I do with that? That tells us
11:12
that somehow Spirits can
11:14
come back and give truthful information,
11:17
right? So I just started
11:19
ghost hunting with this group going out
11:21
and thinking that the pictures of these
11:23
little balls of light were ghosts That
11:26
these misty forms were ghosts and
11:28
taking EVP recording on cassette recorders
11:31
Yeah, we didn't have digital yet.
11:33
They came like soon as
11:35
I started getting into the hobby That's
11:37
when the first Panasonic digital IC
11:39
recorder came out Are
11:42
you looking for EVP? No, I'm sure you know
11:44
what? I'll ask later. Okay. Is anyone in the
11:47
room with us? You
11:49
saying that reminded me I should be doing a backup
11:51
recording Okay, we're
11:54
talking about it and there comes a recorder from his
11:56
pocket. I'm like wow, he's all ready to go. That's
11:59
great. But yeah Yeah, I remember
12:01
excitedly pulling up audio files and learning
12:03
that media player would let me play
12:05
them backwards. Yes,
12:07
because that was standard. I remember being
12:10
in Catholic school and a nun coming
12:12
into the classroom with a record
12:14
player with
12:16
ACDC or
12:19
Led Zeppelin and
12:21
purposely playing it backwards. And
12:24
now that I think about it, I
12:26
actually haven't thought about this until right
12:28
now. The way she picked out the
12:31
phrases that she claimed it was saying
12:33
was exactly how I see ghost hunters
12:35
do it today because they hear what they want
12:38
to hear. And
12:40
I'm listening going, I don't hear anything. Okay, but
12:42
then she primes you and says, did you hear
12:44
what he said? Exactly. She would play it first.
12:54
And I just have to know what
12:56
it's like to hear you.
12:59
You can't believe
13:01
you did that. And all
13:03
of us wanted to hear you. Did
13:10
you hear that? Yeah, exactly.
13:13
Now that you say it, so you say it and then I
13:15
hear, oh my god, I guess that kind of, and then they
13:17
play it again and again. For
13:20
a younger generation, you might not know
13:22
what a big deal back masking was
13:24
at the time. This was a big
13:26
part of the satanic panic that you
13:28
and I grew up with. This idea
13:30
that secret messages were encoded in music
13:32
backwards. There's no underlying explanation for why
13:34
that would even work or why our
13:36
brains would pick up on that and
13:39
decode it. But that
13:41
was the belief. And you didn't even want to do it.
13:43
I mean, I went home. That's the first thing I did.
13:45
I went home, put all my records on the record player
13:47
and played them backwards. Like, wait in the year. And it
13:49
really depended on the speed because if
13:51
you slowed it down or you were
13:53
too fast, you didn't hear anything. It
13:55
was gone. But right speed, it was
13:57
there. So yeah, we had EVPs. We
14:00
had EMF meters and we had
14:02
the Dr. Gauss EMF meters. So
14:04
it had a one to 10 scale on
14:06
it for milligauss. I
14:10
think one to three was colored green,
14:12
because that was good. And then three
14:14
to seven was yellow. And
14:17
then seven to 10 was red. But
14:19
I was always told that if the meter
14:22
went into the yellow, that was a
14:24
ghost. Oh. And
14:26
green means? Green means it's probably
14:28
electrical. Red means probably
14:30
electrical. Okay. Yellow, which is in the middle.
14:32
Which is in the sweet spot. Okay. That's
14:35
it. Alright. As long
14:37
as you didn't walk any further to the
14:39
electrical source, you were fine. But that's one
14:41
of the first things that I picked up
14:43
on. And about how big was this group?
14:46
We're talking about six, seven people. And
14:48
how often were you getting together? Maybe
14:51
like every other week. Okay. And
14:53
just going out to different places. But
14:55
I picture the quintessential ghost hunter that
14:57
you see now on so many TV
14:59
shows, this proliferation of media of ghost
15:01
hunters. And I think that you kind
15:03
of match the mold at the time
15:05
of someone who has a day job,
15:08
but they have this big hobby that
15:10
involves a lot of fun equipment, cameras,
15:12
a lot of various sensors that beep
15:14
and make noises and flashlights. All of
15:17
which I had no idea how to
15:19
use. Sure. Yeah. You were learning
15:21
on the job, so to speak, from your
15:23
other friends. Yeah, I like how you say that,
15:25
so to speak. Because that's, I wasn't really learning.
15:28
I was learning a method, but
15:31
not the correct method. This is like
15:33
where people often say, practice doesn't make
15:35
perfect, practice makes permanent. You know, like,
15:37
you can enforce the wrong thing. Exactly.
15:40
And that's what it was. I mean,
15:42
that idea that if your EMF meter,
15:44
which can be set off by any
15:46
kind of electrical wiring, a light, a
15:49
two-way radio, whatever, if it went into
15:51
the yellow at any point, it
15:53
was a ghost. That's what I was
15:56
taught. That's what I believed, because I already had
15:58
that belief. So I was like, okay. Okay. Without
16:01
having to understand the underlying mechanism of
16:03
why that yellow range somehow is tied
16:05
to a ghostly presence. Right.
16:08
And the excuse or the explanation was
16:10
always, it always sounded made up. It's
16:12
because the ghosts have energy. And
16:15
their energy is what makes the meters go off.
16:17
All right. Yeah, those are words and
16:19
they can stand in the gap as long as you
16:21
need them to. That's it. That's
16:23
the gap. Because I never asked, at
16:26
the time, I didn't ask, what kind of
16:28
energy? I never asked that. I
16:30
was just like, oh, okay. It's some kind of energy. Yeah. You
16:33
sounded good to me. It's bioenergy. Oh, thanks. Okay.
16:37
I feel better now. Got it. Got it.
16:40
Okay. So after going with them for a while,
16:42
basically, I went for them for a long time and
16:44
then I formed my own group, my own ghost hunting
16:46
group. And we had fun. We did the same
16:48
thing. I was trying to be more methodical.
16:51
You know, I really had, I had
16:53
seven page form for interviews where I
16:55
asked all kinds of questions. And
16:57
then eventually we went to a conference
17:00
in Gettysburg, Pennsylvania. Okay. And
17:02
that's where my world changed. My world
17:04
literally changed. We were at a
17:07
conference, ghost hunting conference. How many score was that
17:09
ago? Oh, four score.
17:13
That was 2004? Oh,
17:15
so that was, oh, just one year
17:17
shy of a score. No. Okay.
17:20
All right. Well, it's Gettysburg. So
17:23
I'm at this conference and we're
17:26
having fun. We're with a bunch
17:28
of friends and it's one of those
17:30
feelings where you're with like-minded people. I
17:33
could speak freely about my beliefs and
17:35
everyone was like, oh cool. Everyone accepted
17:37
it. No one questioned at all, which
17:40
is kind of fun when you're ignorant
17:42
of anything else. But it's not going
17:44
to be an inciting incident. No.
17:47
So I listened to some of the stories. We talked to
17:49
some Rangers, found out that there was
17:51
a secret spot on the battlefield where
17:53
the Rangers didn't go. They didn't want
17:55
to go because it was so scary, so haunted. They
17:58
just avoided it. And I was like, all right. cool.
18:00
It's a little patch of woods. It's next
18:02
to an open field called the wheat field.
18:05
We can go in this little patch of woods. No
18:07
one would see us. It would be dark, quiet, awesome.
18:10
So one night after the conference, we went over
18:12
there. There's like six or seven of us and
18:16
we're chilling. Nothing's happening but
18:18
we're still waiting for something to happen and
18:21
I look out through the woods into the
18:23
open field and there's a road that
18:25
runs along it and here comes three cars.
18:28
Three cars pull over at the open field because
18:30
there was like a tourist spot there where
18:32
you could pull over and you play like an audio
18:34
tour. Because everyone's thinking about
18:36
the Confederate and Union soldiers that battled
18:39
here and their spirits that are
18:41
wondering about. Everyone's looking for the ghosts
18:43
of the soldiers. So I see
18:45
people get out of the cars and
18:48
they have flashlights, they have laser pointers
18:50
because that was when the thermal guns,
18:53
the temperature guns, infrared temperature guns came
18:55
out and they were very popular and
18:57
they all had the little laser with
18:59
it. So like any kid... Another
19:02
key tool in the belt of any paranormal
19:04
researcher, the little heat measuring gun. Yes, they
19:06
had those. I see lasers going all over.
19:09
I like these two rival paranormal gangs showing
19:11
up. I feel like there's gonna be a
19:13
rumble. The Jets and the Sharks. So I
19:15
see them get out. They go
19:18
up into the field
19:24
and I'm not really thinking much about it until
19:26
they turn, change direction, starts coming towards
19:28
us. And now I'm getting worried because
19:30
we're here, we're hidden, they don't know
19:32
we're here. So we need to break
19:34
this easy to them so we don't
19:36
startle them. Yeah, that
19:38
would probably have been better. That's
19:41
not the way I went. I
19:43
waited because I was hoping maybe they
19:45
would just stop, turn around, leave, whatever.
19:48
Never know you were there. They got
19:50
closer, they got louder and I got
19:52
angry because at the time ghost
19:55
hunters were very territorial. Some
19:58
still are. Okay. I was definitely,
20:00
this was my spot. I didn't want them coming
20:02
in here. So I didn't want
20:04
them finding us and saying, oh hey, we're ghost hunters
20:07
too, let's join you. No, I want
20:09
all the credit from ourselves if we find it. Yeah,
20:12
whatever happens. Publish, that's fine. We can
20:14
talk about that in a minute. So
20:17
I finally hit my breaking
20:20
point and I marched out of
20:22
the woods and started screaming at them. Like,
20:24
get out. And I don't remember what I
20:26
said. Basically, get the
20:28
fuck out. Get away,
20:30
you're spoiling it. This is our spot, go
20:32
away. They stopped, turned
20:34
around, ran back to the cars. Got
20:37
in the cars, drove away. OK, so hey, effective.
20:39
Yeah, mission accomplished. I'm done. Went back
20:42
in to my little patch of woods,
20:44
finished out the night, nothing happened. Went
20:46
home, went back to our hotel room.
20:48
Get up in the morning, go down to the hotel lobby,
20:51
and we start talking to everyone and
20:53
we find out somebody saw an apparition
20:56
last night. Oh, good tell. I know.
20:58
I was like, tell me about it.
21:01
Asking questions. Yeah. They were
21:03
like, hey, it was last night on the battlefield.
21:05
It was by the wheat field. Wait, that's where
21:07
I was. Exactly. Why did I miss this? It was
21:09
about 7 o'clock or so. That's
21:12
what time I was there. Then they
21:14
said this huge guy, this soldier, came
21:16
out of the woods, appeared out of
21:18
the woods. Sergeant Kenny Biddle. Yes. And
21:22
started yelling at them, but they could not
21:24
understand what was being said. Just go away.
21:27
That's when it clicked. I think this is me. So
21:30
I said that. Yeah, yeah. I am the
21:32
Scooby-Doo villain. You take off the. My
21:34
mask is coming off. I'm pulling it off myself.
21:37
And they said no. And
21:40
I said, well, you came up in three
21:42
cars. You got out. You had flashlight. Identifying
21:44
details. Yes. No. Wasn't
21:47
you. I said, I marched out of
21:49
the woods. And I described the
21:51
spot. There was a monument with
21:54
two cannons. We were right across from that.
21:56
Well, yeah, but that wasn't you. Wow.
21:59
OK. you could see
22:01
them wanting the story
22:03
to be preserved more than... I'm seeing...
22:05
I'm not even processing that yet. I'm
22:07
processing... I'm trying to process the idea
22:09
that I'm telling you the truth and
22:12
you're saying no and I
22:14
can't get past that. So I
22:16
kept pushing and I'm like, no, these are other
22:18
details. This is what you were holding. This is
22:21
what you were wearing. I remember you. You said
22:23
this. And finally one turns to
22:25
me and goes, stop trying to steal our
22:27
spotlight. Wow. And that was
22:29
it. I almost just...
22:32
it all dropped, staring
22:34
at them and they just wanted the attention
22:36
because people were all over them. Yeah, they
22:38
were already getting the accolades. They
22:40
were the center of... The spotlight was on them. They
22:43
didn't want any shade. So I
22:45
walked away from that experience thinking,
22:47
ironically, I wasn't mad at them.
22:50
My thought process was, I
22:52
told them the truth. It solved
22:55
that mystery. They
22:57
ignored it because they wanted attention. They wanted to
22:59
believe what they wanted to believe. How
23:01
many times have I done that? Okay.
23:03
You already realized, uh-oh, this might
23:05
be an indictment on me as
23:08
well. Right. Right. That big mirror
23:10
just popped in front of me and I'm
23:13
staring at myself going, how did I do
23:15
this? Yeah, and I miss... To your credit,
23:17
other lessons could have been taken from that
23:19
interaction, but that's great that you kind of
23:22
took that extra step back to sort of
23:24
see yourself in the frame. I don't know
23:26
how many people experience this, but when I
23:29
do something and screw up, it
23:31
really hits me hard. Like I get
23:34
down on myself and I'm just extremely
23:36
angry with myself for doing something wrong,
23:39
which I should have done better, which
23:41
I should have known better. And
23:43
that was the realization that I didn't
23:45
do better. I should have known
23:47
better, but I ignored it. I
23:50
had gone into people's houses, told
23:52
them that it was haunted. I told them
23:54
they had ghosts and then I packed up my equipment and I
23:56
went home. I slept in my own bed. I
23:58
left them with a fear of... Some weird
24:00
entity in their head. You're feeling the weight
24:03
of that. Yes. Mm-hmm. And it's yeah me
24:05
hard. Yeah, and That's
24:07
when I started getting into more of the
24:09
skeptical literature. I found skeptical inquirer
24:11
Okay magazines that's literally one of the
24:13
first ones I found which you're now
24:15
writing articles for I know right
24:18
I Found the
24:20
work of Ben Rafferty. Yeah, and Joe
24:22
nickel Yeah started reading their work because
24:24
they were doing this kind of investigation
24:26
and I realized how much I was doing
24:29
wrong I was not investigating anything. I was
24:31
fear mongering. Hmm. I was going in there
24:33
with a belief I was
24:35
looking only for things that supported that
24:38
belief nominally hunting with a yes foregone
24:40
conclusion Yes, and I had no idea
24:42
what I was doing So
24:44
all the equipment that we touched on and
24:47
more I was going in
24:49
doing exactly what I saw on TV Yeah,
24:51
if it beeped, it was a ghost if
24:54
it lit up. It was a ghost Yeah,
24:56
and that was it that was the extent
24:58
of my technical knowledge of ghost hunting gadgets
25:00
all of this existing in that low Information
25:03
zone right where if your brain can do
25:05
the interpretation and turn it into something Yes,
25:07
if you didn't have that metallic sound when
25:10
you over edit it your audio clips. Yeah.
25:12
Yeah ranked up the game Oh, yeah, played
25:15
it backwards and now I don't like tinty
25:17
now. It sounds like yeah, and you're like
25:19
that's get out exactly I
25:22
just Just mind fuck Basically,
25:24
and I don't want I'm trying not to drop
25:27
too many f-bombs. That's what it was. It really
25:29
hit me I was doing so
25:31
much wrong. I screwed up so many
25:33
people's lives How much anxiety did I
25:35
cause by telling people? Yeah, your house
25:37
is haunted and then I just left
25:39
them to deal with it themselves that
25:41
idea themselves Yeah, and now I see
25:43
what was happening because I came in
25:45
we had matching shirts ghost hunting teams
25:47
Love we have matching boys. Of course.
25:49
Yeah, of course We came in with
25:51
pelican cases full of equipment. We look
25:53
like we knew what we were doing dollars of
25:56
equipment We look like an authority. Yeah, and we
25:58
were not we were full to
26:00
be honest, and walked in as
26:02
an authority. They saw us as an authority.
26:04
We told them what we thought. They took
26:07
it as concrete. And I screwed up a
26:09
lot of people's lives, I think. And you're
26:11
realizing there's an emotional cost and impact to
26:13
what you were doing. Yeah. And
26:16
was the skeptical literature always kind of there
26:18
on the periphery, and you just finally decided
26:20
to take a closer look at it, or
26:22
had you had a different reaction to it
26:24
before? That's a good question. Because
26:27
being a ghost hunter at that time,
26:29
and this is my personal experience, the
26:32
people I knew in the ghost hunting community,
26:34
we all had that idea that skeptics were
26:36
evil. Skeptics were the bad
26:38
people only trying to keep us down.
26:41
We knew secret knowledge, and they were
26:43
trying to keep everyone else from finding
26:45
out about it. And it sounds so
26:47
conspiracy theory, doesn't it? Right. Chills with
26:50
an agenda. Yes, that was it. Scientists
26:52
couldn't figure it out. They were embarrassed because
26:54
they couldn't figure out what we were figuring
26:56
out, almost like that, not a snap of
26:58
a finger. It took several weeks, months for
27:01
me to realize what was going on. And Skeptical
27:03
Inquirer actually was recommended by a friend of
27:06
mine, two friends, Andy and
27:08
Tanya Kaiser, good friends of mine that
27:10
I've known for years. And
27:12
they told me about Ben Rafford and his work.
27:14
So I started reading it. I picked up a
27:16
copy. It was in the bookstore. I picked up
27:18
a copy, read it. And I was like, wow,
27:21
he solved it. Do you remember which book it was? I
27:24
don't. Okay, I know he has like a
27:26
manual on paranormal investigations, but he has many books. Well,
27:28
before the books. This was just in Skeptical Inquirer. Oh, right,
27:30
one of the articles. One of the articles. And I
27:32
don't remember which one it was, but it just hit me
27:34
like, wow, this is what I need to be doing.
27:36
The world makes a lot more sense now. Yes.
27:39
And then I started getting into photography
27:41
at the same time as
27:43
a side job. I started
27:45
doing like family portraits and
27:48
product photography and stuff like that. And
27:50
that was giving me more insight into
27:52
how light interacts with the camera. Yes.
27:54
And you're realizing, oh, these things that I'm
27:56
trying to get rid of or prevent in
27:59
my photos because... their errors or glitches
28:01
or reflections are things I
28:03
don't want. I know what I would have
28:05
thought of those before. So
28:07
your additional knowledge was
28:09
further reinforcing the assessment.
28:11
Yeah. And building
28:13
my knowledge base, and now I
28:16
was looking at photos going, oh
28:18
yeah, that's not a spirit orb.
28:20
That is a speck of dust.
28:22
And now I can tell why it's a speck of dust,
28:25
because I'm looking at certain characteristics, and I can see
28:27
it, and I can match it up with this one.
28:30
It's in multiple pictures in the same spot.
28:32
It's on the lens. Oh, it's moved. So
28:34
it was somewhere in the environment. Exactly. Exactly.
28:37
These kinds of analysis. And even something as
28:40
strange as frosty breath, you
28:42
think it would just look like regular
28:44
mist, but when your film missed, that's
28:46
at a distance. Out of focus. Yes,
28:48
that's exactly it. You get
28:50
that fuzziness that comes with the out
28:52
of focus, because it's right up at
28:54
the lens, instead of focused on something
28:56
like 10 feet away. Darn, it's not
28:58
ectoplasm. You know what,
29:01
that's something that actually came as
29:03
I started to learn more about
29:05
photography and realized about these ecto
29:07
myths that we were getting, and
29:09
that ectoplasm was actually something completely
29:11
different. And
29:13
when you had the Victorian seances, which
29:15
I actually have some of that ectoplasm
29:18
in the Center
29:20
for Inquiry. Like the cheesecloth variety. I
29:22
made some. Nice. And then
29:24
the stone, it looks great. Fantastic. I
29:26
love how from a certain era, you
29:29
had so many like ghost trails that
29:31
were camera straps, but now people
29:34
take photos without those little camera straps
29:36
that were on all the tiny point
29:38
and shoot cameras. So you just don't
29:40
get that kind of image anymore. You
29:42
don't get them anymore. The only time
29:44
you see them anymore is then when
29:47
like a television show says, oh, they
29:49
started getting pictures back in the eighties
29:51
and the nineties and they'll show the
29:53
portrait and the telltale sign is because
29:56
people usually turn the camera to the portrait
29:58
way. Not landscape. where
30:00
it's longer left or right. Now you've got this dangling
30:02
thing on the move. And they never put it around
30:04
their wrist. Or even when they did, depending
30:06
on how long it was, it fell
30:08
right in front of the lens. It's so dependent
30:11
on the technology, where there were
30:13
also a bunch of effects that were unique to
30:15
the Polaroid. Or the ability to
30:17
go in right after you'd snapped the picture,
30:19
or actually before, and maybe use a cotton
30:21
swab and write a message or something. I
30:23
remember having a personal friend who was really
30:26
swayed by these photos with words in English
30:28
that showed up imposed over the image. And
30:30
I was trying to tell him, like, you
30:32
can do that on a Polaroid. You want me to
30:34
show you? No. You could
30:36
even double expose on a Polaroid camera. Oh, really?
30:39
There was a way to do it where you
30:41
had the front door, the loading door. It
30:43
was open. You would keep it open. But
30:45
press it closed a little bit. And as soon as you
30:47
hit the shutter button, you'd open it. So
30:50
it wouldn't eject the slide. Oh my goodness.
30:52
And then you would take another picture with
30:54
it. And you'd have
30:56
a double exposure. And in fact,
30:58
oh, crazy. My CFI's outreach coordinator,
31:00
Eric Shaver, he works in the
31:03
office next to me. He purchased a
31:05
Polaroid camera and put
31:07
film in it and found out that it takes
31:10
double exposures by itself. Because it only
31:12
spits out a picture every other time
31:14
he hits the shutter. So it's
31:16
an internal mechanism. It's not
31:18
supposed to do that. It was broken. But
31:20
a perfect tool for the ghost. Yeah, he
31:22
sent me pictures. Hunters. Because we go back
31:24
and forth. We buy vintage cameras. Oh, yeah.
31:26
You've got such a collection. It's amazing. I
31:28
love it. I love it. Yeah. But he
31:30
sent me pictures from one weekend. He's like,
31:32
hey, I picked up this camera, this Polaroid.
31:34
Is this supposed to happen? And
31:37
he took pictures of the Polaroid images that
31:39
came in. Amazing. Because going farther back to
31:41
plate photography, you had this long tradition in
31:43
the late 1800s and early 1900s of
31:47
spirit photography, where people would sit for
31:49
a photo. And then the photographer would
31:51
later on then plunk down a doll
31:54
or another child or something and
31:56
add this ghostly figure that would show up in the
31:58
image. And a lot of them. The photographer,
32:01
especially if you had like William
32:03
Mumler, he was the first one
32:05
that really publicized it. And it's
32:07
speculated that he would visit people's
32:09
homes and then he would pre-shoot
32:12
the plate. So you
32:14
have the image of the family member already
32:16
on the plate, knowing where it was. So
32:19
he could load the plate. Then compose the
32:21
rest of the photograph accordingly. Right. I
32:23
mean he did a good job because he fooled
32:25
a lot of people. And then we're talking about
32:27
two different phenomena here, the knowing fraud and just
32:30
accidents that show up. Yeah.
32:33
Where were we? Well, you
32:36
were talking about gaining this photography
32:38
experience. And I think this is
32:40
key because it's so easy to say, oops, I
32:43
was wrong about that. Let's move on and do
32:45
something completely different. Yeah. I wanted
32:47
to know more about, I wanted to know how
32:49
these anomalies were captured. So
32:52
I would practice and over and over
32:54
again. What makes orbs? What makes mists?
32:56
What makes the camera stop thing? How
32:58
to make a good double exposure? By reproducing
33:01
it. Right. Yeah. By
33:03
reproducing it. And the reason I started
33:05
collecting all these vintage cameras that I have is
33:07
because people were using different cameras and saying, well,
33:10
you're using that camera. It's probably easier with that
33:12
one. But I have this one over here and
33:14
I would go buy that camera. Okay. And
33:17
do it. Yeah. Say here, I
33:19
just did it with your camera. And I make a habit of that with
33:21
anything. When I test a new ghost
33:23
gadget and they're using a certain EMF meter,
33:25
even though most of them do the same
33:28
exact thing, I will order that meter that
33:30
I see. Now, you have the coolest
33:33
office of anyone I've seen because it's
33:35
just covered, every shelf all around
33:38
you is covered in nerd memorabilia,
33:40
but also like all these cameras and equipment
33:42
and ghost meters and stuff. Do you have
33:45
a rough estimate of how many cameras are
33:47
in your possession? I have
33:49
probably about 300 some cameras
33:52
ranging from 1904. That's the
33:54
earliest one that I have all the way
33:56
up to modern cameras. Okay. I
33:59
have a large collection. of Polaroids and
34:01
not talking just the rainbow camera which is
34:03
one of my favorite that's the one I
34:05
grew up with. I have all the versions
34:08
of the rainbow camera which is like there's
34:10
a black face one there's a gray face
34:12
one one called the button all kinds of
34:14
different colors and then I have the older
34:16
cameras the older Polaroids which were the accordion
34:19
style. Oh wow. Yeah
34:21
I love them. I even have
34:23
two of the SX-70 original folding
34:25
cameras which were that was
34:28
a big deal that was your first time when
34:30
you actually used the cartridge to go in and
34:32
it spit it out. So Polaroid used to have
34:35
film where you loaded the cartridge in the
34:37
back and it was more of a process
34:39
you took the picture you had to rip
34:41
out this piece of film you
34:43
had to wait like a minute or so depending
34:45
on the temperature there was a graph on the
34:47
back that told you like the ambient temperature and
34:49
then how long you had to wait oh wow
34:52
you peeled it apart and then you got an
34:54
image and that was it no negative you just
34:56
got the image okay and then when the SX-70
34:58
was released don't
35:00
quote me on this but I think it's 1971 or so
35:02
I forget the date. Like any Betel
35:06
says it was 1971 oh wait
35:08
I was not supposed to question I'm sorry
35:10
oh that's great but
35:12
when the yeah the SX-70 was released it
35:14
was the first time you had the
35:17
front-loading cassette okay and that's your that's
35:20
the noise to shake it like a Polaroid picture
35:23
but yeah never never never shake it yes never
35:25
shake a baby never shake a Polaroid that's right
35:27
but you had it sorry I read 3000 it
35:29
was a funky looking
35:31
like triangular shape how fascinating but it
35:33
folded down into what looked like a
35:35
small pocketbook okay and it was it
35:37
was a pocket camera you actually put
35:39
it in your suit coat okay and
35:41
then you pulled the viewfinder you
35:43
pulled it up and it was like a transformer yeah
35:45
you had a camera and it was like really cool
35:47
but that's so great because like you were saying you
35:49
know from experience in your
35:51
collection and from trying all these
35:53
things which cameras produced which effects
35:55
yes and the SX-70 I got
35:58
that because that was used for
36:00
the Doris Beidher case, the
36:02
entity case. Oh, okay. So there was
36:04
a film called The Entity based on
36:06
a book called The Entity, and then
36:09
that was based on a real life,
36:11
quote unquote, poltergeist that happened. And
36:14
it's very involved, but... It's
36:16
always fascinating to learn details
36:18
about the original cases that
36:20
these extrapolated grandiose stories are
36:22
based on, the ones that
36:24
all of society knows about,
36:27
like the Amityville Horror and
36:29
the Annabelle doll being a raggedy
36:31
end. I remember learning that guy, what? That
36:33
is so less dramatic than what I had
36:35
in my mind. An interesting fact of the...
36:37
Yeah. So the Annabelle doll
36:40
is kept in a ridiculous enclosure. It's
36:42
a wooden and glass enclosure that's supposed to
36:44
house this doll that everyone thinks is possessed
36:47
by some kind of demon or something like
36:49
that. And it just boggles my mind first
36:51
that this tiny flimsy
36:53
case is holding this demonic
36:56
doll in place. That's
36:58
just silly. Sure. But when you
37:00
go back and read the book by Ed
37:02
and Lorraine Warren, and I really don't like
37:04
bringing them up because I don't like them,
37:06
but when you read the book... Why were
37:08
they troublemakers? That they published and they published
37:11
that story the first time. Ed
37:13
writes in there that the doll is not
37:15
possessed. It never was. Oh,
37:17
wow. That dolls don't get possessed. It was just
37:19
used as a prop to get attention. That's
37:22
it. Of nothing demonic or anything
37:25
about that from the guy's mouth.
37:28
Wild. From himself. But
37:30
yet it still has this... Until it landed
37:32
in the popular consciousness. Yeah. Then
37:34
it becomes all scary. Yep. Just
37:36
a frickin' doll. Amazing. So you
37:39
spent time just as an avid
37:41
photographer. Were you active in any
37:43
way in trying to either join
37:45
a skeptical group or be an
37:47
activist of some sort or did that come much later?
37:50
I think I was trying to do my own
37:52
way. I
37:54
knew about Skeptical Enquirer. I
37:56
didn't realize CFI was there or
37:58
Psycop was there. It was just like,
38:00
this is a magazine, it does that thing, that's
38:03
cool. But I didn't really
38:05
go beyond that. Well, I remember for
38:07
years I was involved with the Skeptic
38:09
Society in Pasadena, and that's where I
38:11
learned about skepticism and eventually left my
38:13
faith. But I remember listening to Point
38:15
of Inquiry four years before I noticed
38:17
they mentioned CFI Los Angeles at
38:19
the time, now CFI West. And I went, wait,
38:22
what? There's one in town? So that became my
38:24
new home because they had so much going on
38:26
there. They really came down and, I got
38:29
to give credit to Ben Rapford again, which I don't
38:31
want to. Yeah, yeah, I love you Ben.
38:33
I'm very hesitant there. But damn. A friend
38:35
of mine, I wrote a book, a self-happest
38:37
book. And it was called Orbs
38:39
of Dust. And it was about
38:41
photographic anomalies. And basically,
38:43
oh crap, I'm going to bring up the
38:45
Warrens again. I
38:47
watched a video from their
38:50
Connecticut case. And
38:52
it's a video that Ed shot. He went
38:54
back into the home, apparently by himself, because
38:56
he wanted to, quote unquote, confront
38:58
the demon. So he
39:01
has a video camera set up on the kitchen
39:03
table and chairs. And he's calling
39:05
out like, in the name of Jesus Christ, tell me
39:07
your name. Show me a sign that you're
39:09
here. And the chairs move. Oh,
39:11
God. The chairs move towards him. Okay. And
39:14
he's the only one. He's the only one there. Again, we're taking his word for
39:16
it, but okay. Yeah. He says
39:18
it again, table and chairs move, again, towards
39:21
him. And I'm watching this.
39:23
He does it a third time, comes towards him. And
39:26
the chairs and the table. Where are the
39:28
ropes? Any rotation is always as
39:30
if you pull something. Okay. And
39:33
I'm like, he's right there. It's coming
39:35
right towards him. But not
39:37
like, how do I say this?
39:40
Like the chairs aren't just going one
39:42
direction. They are converging. Yes. Where
39:44
he is. There's a focal point. Yes.
39:48
Okay. Yep. And
39:51
it infuriated me. So in one
39:53
weekend, I wrote out that- At this
39:55
point, we are well past just happenstance,
39:57
accident. This is pre-planned. Right. term
40:00
buck loosely because I just wrote everything that was
40:02
coming out of my head. And
40:04
I literally printed out pages. My wife, myself,
40:06
and two friends of ours, we printed out
40:08
all the pages, folded them, stapled them, cut
40:11
them so all the pages were even, and
40:13
we sold them in conferences. And
40:15
it was fun, but it
40:18
went into all these photographic anomalies and
40:20
explained them. And the friends I mentioned
40:22
earlier, Andy and Tanya Kaiser, they
40:24
sent one of those to Ben Raffert. And he
40:27
read it, contacted me and said,
40:29
hey, I can't write a review because it's
40:31
not an actually published book. Okay. It's just
40:33
something that I put together and put
40:36
out there. But he's like, I can ask you
40:38
to write something from the newsletter that we do,
40:41
which was skeptical briefs. Yeah, yeah. Okay,
40:43
you know, that's cool. That was a
40:45
learning process, because I
40:47
had never written for a skeptical
40:49
organization. This was new. This was
40:52
new, because as a ghost
40:54
hunter, and you write on your
40:56
own website, you can write whatever the hell you
40:58
want. Right. You don't have to support it. You've
41:01
got editors. Yeah, no editors. Fact checking. So my
41:03
grammar was horrible. No
41:05
fact checking, no citations, no
41:07
references, nothing. I
41:09
sent him something about a case I worked
41:11
on, and he sent it back saying, you
41:14
need a lot more. And it was a
41:16
good learning process. Yeah, yeah. I appreciate it
41:18
now. It was a struggle my first time.
41:21
But I appreciate it now the process because
41:23
I learned so much about how to write,
41:25
what to write, what I needed to
41:27
do in order to say some of the stuff that I
41:29
was saying. And it was just it took a
41:32
few months. But eventually, he published my
41:34
first article. And I was like, beyond
41:36
the moon. Yeah, like, Oh, my god,
41:38
there's my name. I got a newsletter
41:40
in the mail. And right there, that's
41:42
me. So cool. So I did a
41:44
few more for him. And then I
41:46
just started like, all right, this is
41:48
something I really want to do. So
41:50
so I started writing more articles for
41:53
not just skeptical inquirer, but just on
41:55
a blog, getting it out there, making
41:57
videos, and my early videos on YouTube.
41:59
Mm hmm. I mean as I think
42:01
anyone that made a podcast knows your first 10
42:03
20 whatever shows I'm
42:06
sure if I knew anybody who had made a
42:08
podcast they would probably agree with that. They're horrible.
42:10
They're horrible I think of somebody yeah, they're horrible
42:15
So eventually I did better I
42:17
realized you know like I don't have to
42:19
be so in your face more information be
42:21
professional I have met some smart people who
42:24
have made a few episodes and then just
42:26
like redone them or deleted them That is
42:28
a smart way to go. Yes, I didn't
42:30
I was not that smart. I've done that
42:32
Yeah, like I'd look at it and within
42:34
a minute like I can't believe I made
42:36
this forget No, I don't want anyone to
42:38
see this ever again. So burn with fire,
42:41
but then 2016
42:43
I was all into the skeptical movement.
42:45
I knew a lot of people I knew
42:48
about James Randy. I had followed his work
42:50
I knew several people that are associated with
42:52
it and one of my goals was to
42:54
meet Randy Yeah, he had just had a
42:56
stroke. He was scheduled to be at Cycon.
42:59
You know like 2016 how many chances all
43:01
I get? That's what I was worried about
43:03
like how much longer I gotta go So
43:06
my wife and I like we planned a
43:08
year in advance Soon as
43:10
the announcement came in saved up our money flew
43:12
out here here being Vegas here being Vegas. Yes
43:14
I'm sorry. We're sitting in Vegas right now and
43:17
in the glamour of staff
43:20
dining room that's empty and
43:23
I came up the escalators got into the lobby
43:25
The first thing I see Randy
43:28
and I starstruck. Yeah, I walked up
43:30
to him like the feeling fanboy I
43:32
was yep, I was like,
43:34
huh, mr. Randy amazing Randy
43:39
And he's looking at me and he's you know,
43:41
he was stooped over looking up like you're holding
43:43
the imaginary. Let's go Yeah But
43:46
yeah, he loved the interaction you loved it And I
43:48
said hey I saw that you made an announcement that
43:50
if somebody wanted to come up and give you a
43:52
hug you would hug them Can I can I give
43:54
you hugging? Would you hug me? Yeah, and I get
43:56
real nervous when I when I of course, you know
43:58
I'm like, oh my god. This is the guy I
44:00
like I've been looking up to him and he's like, oh, yeah,
44:02
come here gives me a hug and I was like Yeah,
44:06
it was so nice then I started meeting
44:08
everyone Yeah, I met Barry Carr. Mm-hmm, which
44:10
I learned was the second time because I
44:12
had met him a couple years earlier Oh
44:15
really? Okay didn't realize who he was who
44:17
you were talking to because I had met
44:19
Ben Rafferty did a talk in DC Mm-hmm,
44:21
and I attended it. So I actually met
44:24
Barry Carr Jim under down. Yep there We're
44:26
all talking about members of the CFI family.
44:28
Yes, Ben Rafferty, of course Jim under down.
44:31
I've known for many years He runs Center
44:33
for inquiry West and runs the CFI IG.
44:35
She'll talk more about in just a bit
44:37
Yeah, it's good folks to know it was
44:39
great. That's the first time I met Susan
44:41
Gerbick. Yes Oh, she was I was just
44:43
telling a friend today like really she outpaces
44:45
all of us in her does She does
44:47
the Wikipedia even then and we've had her
44:50
on the show, but she was great and
44:52
everyone was friendly Everyone was great. I met
44:54
Mark Edward. Um, he actually
44:56
taught me some things about
44:58
pre-show work Yeah, mentalism which
45:00
I was Wow These
45:02
people are really like it was a very knowledge.
45:04
Yes Yeah He was so amazing and basically taking
45:07
me under his wing because I was so interested
45:09
in what he was doing Yeah, so I learned
45:11
a lot. That's the cool thing about coming here
45:13
is, you know, I've seen all of those people
45:15
You just mentioned this year. Yeah, I came back
45:18
the next year as a guest because they wanted
45:20
me to do a workshop And I was like,
45:22
wow, I remember that that was like I think
45:24
I went to that one photographic anomaly Yeah, and
45:27
you were co-leading with Jim. Was it that one
45:29
that wasn't that one? Oh, okay So
45:31
I thought one earlier one about just
45:33
photography and at one point
45:35
I did the pepper's ghost effect Nice and
45:37
I had little pieces of plexiglass for everyone
45:40
to get the reflection so you can have
45:42
a superimposed image But one exposure I had
45:44
them because everyone was seated in rows So
45:46
I had them put it up right to
45:48
their face and put it on angle Kenny's
45:51
holding a plate of his hand So in
45:53
his eyes, you know, he's rotated it like
45:55
45 degrees. Mm-hmm so that you were looking
45:58
through the glass at the screen but
46:00
you were also seeing the reflection on the screen of the
46:02
person next to you. That was 90 degrees
46:05
to your side. So we did that
46:07
and everyone was like, wow, this is
46:09
awesome. And it was so good. I
46:11
was so happy that I was able
46:13
to teach these people that I thought
46:15
were much smarter than I was. And
46:18
it was just overwhelming. And I've been
46:20
back ever since. Yeah. Been working here,
46:22
did more stuff for them, writing articles
46:24
for Skeptical Inquiry magazine. And
46:26
meanwhile, you were also putting out YouTube videos
46:29
where you would take claims like
46:31
a baby cam catching a ghost in
46:33
the background. You did an excellent analysis
46:35
of that and figuring out exactly A,
46:38
which camera it was, B, its
46:40
capabilities and where it would like, you know,
46:43
crunch values in its processing, and
46:45
then C, exactly who and what it was in the
46:47
background that was being mistaken as the ghost. And it
46:49
was a member of the family, if I remember. Yeah,
46:52
it was the father. But yeah, that's kind of stuff.
46:54
I guess learning from everyone, and
46:56
this is where it becomes a team effort
46:58
because I appreciate what you
47:01
said in the beginning, like how much you love
47:03
my work. And I totally appreciate that. And it
47:05
was awesome. But it's not just me. Learning
47:08
from all these people, again, Ben Rafford,
47:10
Joe Nickel, they're the ones that really
47:13
inspired me. Then learning from Randy. Then
47:15
meeting everyone here and listening to you.
47:18
Listening to your investigations helped me all the
47:20
time because I listened to – because you
47:22
have a different perspective than I do. We
47:24
share a lot, but you still have a
47:26
slightly different one. And I learn from you
47:28
when you tell your stories and your experiences
47:30
and what you did. Same for Susan
47:32
Gerbick. I learn a lot from her, Mark
47:34
Edwards. Everyone that I meet here, it's just
47:37
amazing. So it's a total team effort whenever
47:39
I put out an article or a video
47:41
because the detail that I put into it,
47:43
I've learned from everyone. Sorry,
47:46
guys. Hate to interrupt. But Ross, with 2024
47:49
coming up, do you
47:51
have any resolutions related
47:53
to fitness, nutrition, exercise,
47:56
websites, self-improve – oh, websites.
48:00
I've got self improvement to do to
48:02
multiple website them and I you know
48:04
it in my resolutions. very sometimes it's
48:06
nineteen Twenty by Ten Eighty seven I
48:08
dislike us. Vertical format on my phone
48:11
is now I have so many resolutions
48:13
hands on their website I were you
48:15
I set up here yes obsess about
48:17
why? why did you have in mind.
48:20
I was just thinking that maybe
48:22
and twenty twenty four you wanted
48:24
to make a resolution meaning resolved
48:26
to do something over have ah
48:29
to like make a new website.
48:31
Yes oh man. Well if I was
48:33
gonna do that, it's so hard. Where
48:35
did you start your ad service? Square
48:37
space. Ah Ross, Yeah, What? Are you
48:40
do you Run month? Saw how smartest
48:42
Us or square space is so that
48:44
it is the all in one platform
48:46
for building your brand's growing your business
48:49
online. I mean that sounds great. I'd
48:51
love to stand out with beautiful website, engage
48:53
with my audience and sell anything. My products
48:55
content I create, even my time exactly. Every
48:58
square space, website and online store
49:00
comes with a sweet as integrated
49:03
features and useful guide and they
49:05
help maximize prominence among search. Results
49:07
of that sweet is so sweet.
49:09
It also includes square space extensions
49:12
so you can connect to vetted
49:14
third party tools to extend the
49:16
functionality of your website. It also
49:18
includes fluid ends and say the
49:20
next and website design system from
49:22
Square Space. It's. Never been easier
49:25
for anyone. And I mean.
49:27
Anyone to unlock Unbreakable and I
49:29
mean unbreakable creativity. Start with a
49:32
best in class and I mean
49:34
best single as website said plate
49:37
and customize every design details with
49:39
reimagine and I I mean we
49:41
imagined drag and drop technology for
49:44
desktop. or mobile i know you're excited
49:46
you've probably already pulled up square space.com
49:48
look at what it offers both you
49:50
know as let's go back to the
49:52
you are a bar you're gonna had
49:54
to square space.com/oh no to get your
49:56
free trial and when you think you're
49:58
ready to launch Then you use the
50:01
offer code, oh no, and what happens Carrie?
50:03
You will save 10% off
50:06
your first purchase of a website or domain.
50:09
Squarespace, make a website, it's gonna
50:11
be awesome. But also Ross, while
50:13
I have you here, we have a
50:15
Jumbotron. A Jumbotron, yay. It's where someone's
50:18
message goes up on the big
50:20
screen right behind us, everyone can see
50:22
us right now. This big podcast screen. But
50:25
we'll read it just in case you can't see it. Yes, exactly,
50:27
in case your eyes are turned away, this
50:30
message is for Paulina Czelek.
50:32
From Christian Aparta. And
50:34
it says, happy birthday cousin, may your
50:37
path be un-bumpy as you make it
50:39
through the next lidocaine variant trial.
50:41
And lots of crafts, D&D, and
50:43
fun times with Bombell. Bombell
50:46
is apparently an enormous
50:48
dog. Okay. Hello, Bombell.
50:50
A cute, enormous dog. But I guess
50:52
as far as Carrie is concerned, I
50:54
repeat myself. Too shy, meh,
50:57
it's categorical. Well, happy
50:59
birthday, Paulina, and most
51:01
importantly, Bombell, whenever you are birthday, maybe.
51:04
Oh, wait, but the screen is coughing
51:06
to life again. Yeah, new
51:08
message. It looks like this one is
51:10
for Lisa. Yes. From
51:12
Eric. Eric? Boy, these are
51:14
unusual names, but yes, I think that's
51:17
right. It says, happy 15th anniversary to
51:19
Lisa from Eric. I hope we have another 50 more
51:22
to share, our quirky interests with each
51:24
other, argue over trifles, and feel safe
51:26
in each other's company. That's really
51:28
sweet. And their anniversary will be
51:30
on January 2nd, 2024. So
51:33
everybody on January 2nd, think of Lisa
51:36
and Eric. Happy 15th. And
51:39
listen to this Maximum Fun Show. Hey, this
51:41
is Andrew Reich, the host of Dead Pilot
51:43
Society, the show that takes comedy pilots that
51:45
were sold and developed at networks and streamers
51:47
but never produced. It gives them the table
51:49
reads they never got a chance to have.
51:52
If you've never checked out Dead Pilot Society,
51:54
this month's episode might be the place to
51:56
start. The cast is incredible, headlined by the
51:58
one and only Zoe Deschanel. and also featuring
52:00
Padgett Brewster, Michaela Watkins, Cambridge Link
52:02
Ladder, Asif Ali, and Maximum Fun's
52:05
very own Hal Lublin. So go
52:07
to maximumfun.org or your favorite pod
52:09
catcher and check out this incredible
52:11
cast on the latest episode of
52:13
Dead Pilots Society. And
52:16
this is where I want to like get
52:18
into some of your actual like investigations, because
52:21
you've done so many. This is such a
52:23
big can of worms that we
52:25
could be doing that for, you know, four plus hours
52:27
and we're not going to obviously. We could
52:29
party tonight. Neither of us had dinner, right? And
52:32
I don't know, like maybe if you
52:34
could share just a couple highlights. So there was
52:36
a recent one that I did. It
52:39
was a psychic that came
52:41
across my social media feed. She claimed
52:43
to be psychic and also a Reiki
52:45
master and a doctor.
52:48
Okay. When I hear those things
52:50
together, that's a red flag. Yeah.
52:53
Like, okay, let me look into this. The claim that
52:55
she was making was that she helped find a
52:57
missing teenager in Oklahoma. Okay. So
53:00
missing person case. A teenager ran
53:02
away from home. Nobody could find her.
53:05
Somebody reached out to her, I guess, and she
53:07
drove to Oklahoma to help find this girl. And
53:10
by the time, this is her words, by
53:12
the time she left, she had the entire
53:14
police department believing that she was psychic. Oh
53:16
wow. Because she had helped them find the
53:18
girl. Or at least in her telling. Yes, that's
53:20
key. Now I have
53:23
to, okay, which police department was it? Okay, what's
53:25
their number? Okay, yeah, who are
53:27
you working with? Who's an officer I could talk
53:29
to? That's funny, because I asked questions. I saw
53:31
the post and I did that. I said, hey,
53:34
can you tell me what the police department if
53:36
this was? Because I'd like to call and verify.
53:39
And the response was, what business is
53:41
it of yours? Which,
53:43
because I was working here for
53:45
CSI, I was able to
53:47
respond, it is my job. Yeah. Literally,
53:50
to look into this. Yeah. So
53:53
I'd like to confirm this. So this is a
53:55
fun fact about you, is that you are part
53:57
of a very small group of full-time paid investigators.
54:00
of the paranormal. How many of those are there?
54:03
As far as I know right now, zero.
54:06
One. Me. Talking
54:08
to them. I keep forgetting
54:10
myself. But yeah, so
54:12
I do this full time. This is what I do for a
54:14
living. They didn't want to answer any of my questions. They
54:17
got very upset with me that I was questioning this.
54:20
So that only made me want to look
54:22
into it more. Because yeah, you're hiding something.
54:24
Let me look. So the first
54:27
thing I did was look up newspaper articles.
54:29
I was able to find the case through
54:31
little clues that they had given me. Found
54:34
the detective that was on the case. Called
54:36
the detective. Spoke the detective.
54:38
So you had to completely on your own
54:40
without her help narrow in on what we were talking about.
54:43
Okay, so now you're called. You're on the horn.
54:45
Left the message. He called me back the next
54:48
morning. I spoke to him and I quote it
54:50
right from her social media post. Yeah,
54:52
do you feel this is an accurate representation of
54:54
how things went down? He said no. Okay.
54:57
And I was like, okay, good. And one of the great
54:59
things, and I'm sure you're going to love this. One
55:02
of the things that she had said was
55:04
that the teenager was by water. Classic.
55:06
This is if you're going to make
55:09
the SNL version or that Michelin web
55:11
version, you're going to have the psychic say
55:13
they're near water. Yes. That's about
55:15
as cliche as you can get. So I brought
55:17
that quote up and he left. And
55:21
said, son, we're a Lake town. Everything's
55:24
by water. There's water all around.
55:27
There's swamp. There's water everywhere. So
55:29
you can't walk anywhere without water.
55:32
I told him some of the other things that were
55:34
said and he's like, no, that's not accurate. She did
55:36
not give us any information that we did not already
55:38
know. Okay. So I wrote an article
55:41
about it, put in all the information, the quotes, everything.
55:44
About two weeks later, I get an email from
55:46
not the psychic, but her business
55:49
partner in the form
55:51
of a cease and desist letter, which
55:54
was not an official one, demanding
55:56
that I take down the article. Just hoping you'll
55:58
be able to see it. be somehow
56:01
concerned about this and threatening which sometimes
56:03
works the sue me she was going
56:05
to she was going to file a
56:07
ball suit against me and that she
56:09
was going to inform my company and
56:11
they're gonna sue them too like I'm
56:14
sitting at home watching Star Wars because
56:16
that's what I do and I read
56:18
it and I laughed like ha
56:20
ha ha put the phone down and my
56:22
wife's like what's up like it's like he's trying to
56:24
sue me she's like oh all right
56:27
and goes back to watch the me like we
56:29
didn't think anything of it I called Nick Little
56:31
was our legal counsel yeah he's like yeah we've
56:33
had him on the show too yeah yeah don't
56:35
worry I'll take care of this came
56:37
in the work the next morning talk
56:39
to Barry he's like ha ha ha
56:41
okay whatever yeah yeah within one email
56:43
Nick had nixed it he wrote back
56:46
saying what specifically did he say that
56:48
wasn't true that you think you can
56:50
sue for this and that like really
56:52
good heart yeah I loved it lady
56:54
responded once with no information okay
56:56
that I made fun of them that
56:59
I mocked them which I didn't mm-hmm
57:01
just pointed out some facts yeah Nick
57:03
responded what specifically and
57:06
that was it we didn't hear from them again
57:08
yeah I added that story to my presentation that
57:10
I do here when I started
57:12
doing the presentation I went back to her
57:14
website to check up on you know let's
57:16
see if there's any changes and there were
57:19
every reference to her missing person case was
57:21
gone so you've already either screen grabbed it
57:23
or found it in the Internet of Archive
57:25
way back machine yo yeah it's all
57:27
there that's that's like something such
57:29
a great tool yes for people
57:31
wanting to catch psychics and others
57:34
changing their their phrasing their approach
57:36
their advertising absolutely and I mean
57:38
there was other information about her
57:40
like for for seven years
57:43
she used the doctor title because of
57:45
the Universal Life Church doctor of divinity
57:47
okay I had wow she eventually did
57:49
get a an actual doctorate oh I'm
57:51
a diploma 22 from
57:54
Capella University not so
57:56
it's an online University but it is an legit
57:58
okay legit I did Which is
58:00
fine sure but for seven years She
58:03
was using that title using that time only and
58:05
I think her main beef with me was that
58:07
I called it a fake title Oh
58:09
diploma mill side home then yeah I mean
58:11
you pay 20 bucks and I enter a
58:14
picture of me and Eric Shaver my co-worker
58:16
doctor it yeah Like
58:18
we got it too We're not doctors.
58:20
So that was one case that I worked on
58:23
What else what else there's so many there
58:26
are so many there was oh, there's interesting
58:28
one that I Did it was the
58:30
1900 photograph? So it
58:32
was a photograph taken in 1900 and it
58:35
was of a bunch of ladies that
58:37
were together They were mill workers. I
58:40
forget exactly what they were doing But they got
58:42
together and it's when you search for ghost photos.
58:44
It's one of the more famous that shows up
58:46
Okay, because you're looking at it and it's probably
58:48
about 15
58:51
17 women and in three levels you
58:53
look at the middle row and on the side There's
58:55
the woman on the end She's standing
58:58
there looks normal and then you notice that
59:00
on her right shoulder. There is a hand
59:03
Oh, but there is no body next to her Interesting.
59:05
Yeah, that's fun So I looked into it
59:07
a little bit and the closer I got
59:09
to it because I got a high resolution
59:12
Copy of it. Yeah, I could not
59:14
figure out who actually owned it Okay
59:16
I wasn't able to find a like
59:18
one of those photo like
59:21
a photo website where they keep high resolution images
59:23
They own the rights to it. Yeah, but it
59:25
wouldn't tell me who Photos. Yeah,
59:27
something like that one of those but it was a very high
59:29
resolution. I was able to get that and Look
59:32
closer at it and the more I looked at the
59:34
side of the woman with the hand on her shoulder
59:37
The more I realized there was a
59:39
different look to it. It was darker
59:41
in some areas. Some just didn't look
59:43
natural Okay, then it was reminded me
59:46
of something called a crayon drawing or
59:48
a crayon portrait Which is a
59:50
it looks like a real photograph Okay,
59:53
and it's a it's a larger portrait
59:55
But what it is is you take
59:57
a small like two by three image
59:59
that was taken and you put
1:00:01
it in something called a sun enlarger. It
1:00:03
uses the light of the sun to make
1:00:05
a larger image of that, and it projects
1:00:07
it onto a wall. But you put canvas
1:00:09
there, so it projects the
1:00:11
image onto a canvas, and an artist
1:00:13
comes in with charcoal or pencil and
1:00:15
traces it. So part of it,
1:00:17
I know it's probably difficult. I don't
1:00:20
know if I'm explaining it right, but part of it. Podcasts
1:00:22
are great for talking about images, but we're doing it. Okay,
1:00:24
we're doing it. So like the side of her dress, the
1:00:26
side of her head, of this woman
1:00:28
that had the hand on her shoulder. So
1:00:30
it's a real photograph, but that part, that
1:00:33
side of her, opposite the hand. So
1:00:35
when you're looking at the photo, it would be her
1:00:37
right side. When I looked at it, it looked drawn
1:00:39
in. And the closer
1:00:41
I got, because then I put it under
1:00:43
a microscope to look at it closer, and
1:00:46
it was drawn in. And that led me
1:00:48
to understand that there was not
1:00:50
only her side, but the dress of
1:00:52
the girl behind her, which could be
1:00:54
seen, was all drawn in. So
1:00:57
I'm pretty sure, I can't prove it 100% because
1:00:59
I don't have the original, but I think there was
1:01:02
another woman there, and they took her out.
1:01:04
Okay. Because there is something,
1:01:07
they would edit photos back then. You would
1:01:09
use something called a retouching desk. And this
1:01:11
is really getting the vinches done. I love
1:01:13
it. But it was a vintage desk. It
1:01:16
was a little desk, it unfolded, so you
1:01:18
had almost like a Z, if you're looking
1:01:20
at it from the side. The
1:01:22
bottom would be a metallic plate
1:01:24
that was reflective. And
1:01:27
the middle part, which you would work on, was opaque
1:01:29
glass. So the light from
1:01:31
the reflector would come through that. Kind
1:01:33
of analogous to the animation process for many
1:01:36
years. Yes, exactly. And then the top cover
1:01:38
was just a cover to block out the
1:01:40
sunlight that was coming through the window. And
1:01:43
you would literally go through with a pen
1:01:45
knife and scrape away the emulsion. And you
1:01:47
could retouch photos, you could remove, like
1:01:49
there's examples that I have in the article
1:01:52
that I wrote, of someone that had
1:01:54
a neck tumor, like huge. It looks like
1:01:56
a softball. And it was painted out? They
1:01:58
removed it completely. You can
1:02:01
barely tell. Interesting, because you hear about
1:02:03
airbrushing maybe a later process and artists
1:02:05
who would do like very exact knife
1:02:08
cutouts of images and stitching together. Before you
1:02:10
had Photoshop, there were a lot of different
1:02:12
ways, but I wasn't familiar with this crayon
1:02:14
process. That's really cool. This is
1:02:16
amazing. I mean, I didn't know about it either until I
1:02:19
started looking into it. That was another
1:02:21
time that Joe Nickel helped me. He's
1:02:23
well versed in this. So I had
1:02:25
him come into the office and like, hey, I have this
1:02:27
idea. I think this is what it is. And he's like,
1:02:30
yeah, that's it. You got it. Yeah,
1:02:32
I got approval. Amazing. You
1:02:35
helped me out with another article because I
1:02:37
remember when we were talking about the gentleman
1:02:39
psychic, he had been interviewed on a show
1:02:41
and shoot, it's one of the popular ones
1:02:44
and the name's escaping me at the moment,
1:02:46
but they were using this device and they
1:02:48
kept picking up these background elements that would
1:02:50
turn into like a little skeleton, like a
1:02:53
wire frame skeleton of a human being. The
1:02:55
Kinect. Yes. And
1:02:57
it was a article that helped me figure
1:02:59
out, oh, they were using this Kinect sensor,
1:03:02
Microsoft, Xbox Kinect, and then they were
1:03:04
using that and when it was just pointed
1:03:06
at an empty area, it would get some
1:03:08
false positives and think it saw a human
1:03:10
being and create this and they were interpreting
1:03:12
that as being spirits in the room. That's
1:03:14
a fun gadget to play with because at
1:03:16
first I didn't know what it was. Then
1:03:19
I started playing with it. I got one. You
1:03:21
can hook the Kinect to a laptop and
1:03:23
you can download directly from Microsoft all the
1:03:25
software for it. Most people didn't
1:03:27
realize. Yeah, yeah. I don't know if there was a
1:03:29
legal issue with that or not because certain ghost hunters,
1:03:32
they were selling the Kinect with a tablet
1:03:34
with the software on it, which was open
1:03:36
source. As a ghost tool. I'm charging like
1:03:38
three or four hundred dollars for it. And
1:03:40
I was like, you can download the software
1:03:42
for free. I don't know if they're supposed
1:03:44
to be doing that. I'm
1:03:47
not the legal guy, so I don't know. Send Nick
1:03:49
after them. So
1:03:51
yeah, people were using this and one
1:03:54
of the first rules from Microsoft is
1:03:56
put it on a stationary surface and
1:03:58
leave it. Don't touch it. because
1:04:00
when you turn it on, the Kinect actually
1:04:02
goes up and down it. It's motorized, it
1:04:04
goes up and down, looks at the environment,
1:04:07
and says, all right, I know what's here.
1:04:09
But it expects that you're leaving it in
1:04:11
a stationary position. Yes, so any stationary object
1:04:13
will be stationary. If an
1:04:15
object moves into the scene, it knows that's
1:04:17
a player and assigns
1:04:19
a skeleton to it. Yeah, that stick
1:04:22
figure. Very sophisticated computing going on. Yes,
1:04:24
however, if it's mounted to
1:04:26
a handle and you're walking around
1:04:28
an allegedly haunted place, everything
1:04:31
is now in motion. Nothing
1:04:33
is stable. And just like our
1:04:35
brains are programmed to recognize faces, it's
1:04:37
programmed to recognize bodies. Yes, all
1:04:40
types of bodies. So it has similar
1:04:42
kind of, I guess you might say,
1:04:44
hallucinations like AI does, or pareidolia that
1:04:46
it falls for because it sees random
1:04:49
patterns and says, okay, how can I
1:04:51
interpret this as a skeletal figure? Here
1:04:53
you go. And it's using a speckle
1:04:55
pattern. The first version uses a speckle
1:04:57
pattern. So if you watch the Paranormal
1:04:59
Activity movie where they use the Xbox,
1:05:02
that's what they see. It's on thousands and
1:05:04
thousands of dots and it's all in specific
1:05:06
pattern and it's repeated. I think
1:05:08
there's actually like six sections where
1:05:11
it repeats. So it knows
1:05:13
where every dot is. So when it
1:05:15
reads that, it can see either the
1:05:17
dot is closer to the camera, farther
1:05:19
away, or if the dot
1:05:21
is elongated, it's going around a curve.
1:05:24
So it knows that's how it maps it out. But
1:05:26
it's doing this so many times per second,
1:05:29
you know, 60, 120, something like that,
1:05:31
so that it can track people's movements
1:05:34
for games and give real-time feedback. So
1:05:36
it's good, it's good at this. Yeah.
1:05:39
It still makes mistakes though, yes. It still can
1:05:41
be fooled. Especially when it's not being used the
1:05:43
way it's supposed to be. But it also would
1:05:45
pick up like houseplants if
1:05:47
you had a chair in the way. It had
1:05:49
a problem with people sitting down and that was
1:05:52
right from Microsoft. They said like, if you're sitting
1:05:54
down and trying to play, It
1:05:56
has a problem because it doesn't see your thigh. Yeah, it doesn't
1:05:58
know how to deal with that foreshortening. Yeah and it's
1:06:00
like were what were the other segment and
1:06:03
up on your point right? and so it
1:06:05
was making mistakes and it was also seem
1:06:07
like a said plants and other things as
1:06:10
six figures motorcades we pop up but yet
1:06:12
again we're dealing in the low information zone.
1:06:14
How long we kind of break this and
1:06:16
create anomalies that we can then accentuate and
1:06:19
for example stories about and that's that's what
1:06:21
happened. Ghost hunters scooped up yeah they sit
1:06:23
all we can use his luck were getting
1:06:25
goes everywhere and we can interact with it
1:06:28
because they would get into the scene. And
1:06:30
you would see them go close to the
1:06:32
stick figure in which could it didn't have
1:06:34
to be like on a plate or something.
1:06:36
it could be on a wall fixed but
1:06:38
it right you don't get that deaths you
1:06:41
don't know that it's own the war ten
1:06:43
feet away from the the camera mint just
1:06:45
looks like it's in space so if you
1:06:47
got close to be stick figure know I
1:06:49
mean let me make that clear when you
1:06:51
came into seen. You. Gotta stick
1:06:53
figure. yep as you're a player right
1:06:55
if you're stick figure got near the
1:06:58
other stick figure they didn't wanna touch
1:07:00
and that's program from microsoft because you're
1:07:02
supposed to separate gamers and as his
1:07:05
so they would purposely six figures would
1:07:07
try to avoid touching each other. yeah
1:07:09
so you had goes on are going
1:07:11
into the scene and reaching out to
1:07:14
the hand quote unquote the now and
1:07:16
moving around him avoid them the hands
1:07:18
coming back. Or. It jumps
1:07:20
out the tries to connect the form one
1:07:22
big stick figure. A has lots of flaws,
1:07:25
lots of force with that and people exploited
1:07:27
that by. all of this is anomalies they
1:07:29
asked him build on. I've always thought it
1:07:31
would be fun to create a parody show
1:07:33
of these go shows and just call anomaly
1:07:36
Hunters. Sounds really way I look at what
1:07:38
are your forehead exactly ways to tell stories
1:07:40
that would be good. Show up to. Assess
1:07:43
assess our teacher collaborates his have more. Send
1:07:45
us a guy. Thanks for running through some
1:07:47
of those, but if someone say we're. to
1:07:50
want to find more of these
1:07:52
stories and you're very detailed breakdown
1:07:54
where my they go they can
1:07:56
go to skeptical inquirer.org most my
1:07:58
stuff as on their yeah there's
1:08:00
a lot of really good breakdowns, like the
1:08:02
ones we're talking about with the actual photos.
1:08:04
Yeah. So if you're having a hard time visualizing
1:08:06
some of this, and you're like, wait a second, I need to see it. That's
1:08:08
where it is. And yeah, the Xbox
1:08:10
Kinect, I actually had two videos on
1:08:12
that page because I did
1:08:15
one with the original version, and then
1:08:17
they released the second generation, which
1:08:19
I wasn't going to do, but
1:08:21
somebody gave me a challenge because I
1:08:23
had said something about how the stick
1:08:25
figures are anchored, the Phantom
1:08:27
ones, the Ghost ones. And then I know
1:08:30
with version two, they're like, ah, contraire. Yeah,
1:08:32
somebody was like, hey, actually two people, the
1:08:34
same day sent me emails saying, there's a
1:08:37
YouTube channel where a guy's using this, and
1:08:39
the stick figures are walking around like people.
1:08:42
So I was like, all right, that can't happen
1:08:44
with the first generation, so let me look. And
1:08:46
I looked, and I was like, oh shit, they
1:08:48
are. They're moving around. Let's update this. So
1:08:50
I did another video, started that video not
1:08:53
knowing how to do it. Okay. I
1:08:55
think I say it in the beginning, like, I don't know how this
1:08:57
is done, you're going to learn with me. We're going to figure this
1:08:59
out together. Nice. And I was
1:09:01
able to make a stick figure walk
1:09:03
into a scene and knock a doll
1:09:05
off the shelf. Okay. By
1:09:08
itself. So you had a non-physical stick
1:09:11
figure knocking off a physical
1:09:13
object on camera with the camera
1:09:15
never moving. And I was like,
1:09:17
wow, this is amazing. Once
1:09:19
I figured it out, which is in the video, I
1:09:21
tell you exactly how I do it. Okay. Once
1:09:24
you figure it out, it's easy to do
1:09:26
any of these things. You could have multiple
1:09:28
stick figures in the scene. Microsoft goes 2.0.
1:09:31
It was fun. Standard plus edition.
1:09:33
Yes. So you
1:09:36
have a couple other amazing projects. I
1:09:38
love that you will watch TikTok videos
1:09:40
and reply to them. So you'll find
1:09:42
people who have posted some kind of
1:09:45
clever jump cut or just their take
1:09:47
on something that they've seen. And you'll
1:09:49
just give a quick reply to it.
1:09:51
This is what I think about that.
1:09:54
I suspect this. You'll just kind of walk us
1:09:56
through your thought process, which I find super helpful.
1:09:58
It's fun. I mean, it's. It's a distraction
1:10:00
because TikTok is the fastest
1:10:03
growing platform, the social media
1:10:05
platform. Everyone that I
1:10:07
know uses it in some fashion and you
1:10:09
can do 30 second videos, you can do
1:10:11
10 minute videos and you can put a lot of
1:10:14
content out there all day long. Going
1:10:17
through it, it's an easy platform for paranormal
1:10:19
things to be put up. There's so many
1:10:21
channels where like, oh, my house is haunted.
1:10:23
Look at this poltergeist activity. So
1:10:25
I scroll through stuff like that. Like, you know what? I think
1:10:28
I can do that. I think I can
1:10:30
recreate that. I wonder if I can, let me try it.
1:10:32
And I have the whole CFI office
1:10:34
to try it, which is great.
1:10:36
I got stairways, I got hallways, I got
1:10:39
open areas, I got all kinds of things.
1:10:41
Yeah, whatever kind of environment. Well, yeah, we
1:10:43
can recreate that. And I have co-workers that
1:10:45
are more than willing to participate. Nice.
1:10:49
Sometimes I ask Eric all the time, hey, I need
1:10:51
a ghost. He's like, yep, what do
1:10:53
you need? What do I have to do? And he's been
1:10:55
a ghost in a lot of my videos. Fantastic. And
1:10:57
he's either like sticking his hand out to try to grab
1:10:59
me, and then all of a sudden he's gone. You go
1:11:02
around the corner, there's no one there, to
1:11:04
being like a transparent thing. I've had all
1:11:06
to reproduce these videos that people are
1:11:08
posting. One of our editors for Free
1:11:11
Inquiry, and sometimes skeptical inquire, Nicole Scott.
1:11:13
She's been like a, almost
1:11:15
like a, what's that, the ring. Oh, yeah.
1:11:18
The ring, the girl with the hair. She's been
1:11:20
that for me, where like I'm in the library
1:11:22
of CFI, and she's on a cart with
1:11:24
her hair down, and I'm looking at her, and
1:11:26
I'm filming it, and she's like slowly rising up,
1:11:29
and I'm like, oh my god, oh my god, and
1:11:31
I flick the light on, and she's gone. She disappears
1:11:34
completely. And that was such a fun video
1:11:36
to make. But everyone's so enthusiastic because
1:11:38
they're like, oh yeah, we can do this. They've
1:11:41
dropped stuff on me. Well, and this
1:11:43
is fun stuff, like when you get
1:11:45
to be participatory and make something. Yes.
1:11:48
Especially when there's this element of analysis
1:11:50
and reproduction. That's really fun. To be
1:11:53
like, oh, let's reverse engineer this. And
1:11:55
you're always going to get volunteers. That's
1:11:57
great. We try to do, when
1:11:59
we film. that kind of stuff, we always have
1:12:01
that second camera that's filming all of us.
1:12:04
Because yeah, you don't want that to go viral
1:12:06
for people to say like, uh oh, we have
1:12:08
proof of ghosts. You can then say, well, here's
1:12:10
the setup. Here's the setup. And you can see
1:12:13
exactly how he did it, where the jump cuts
1:12:15
were. And I mean, I love
1:12:17
that. I love when the jump cuts happen.
1:12:19
And the scene entirely changes, but you don't
1:12:21
see it because the camera's moving so fast.
1:12:24
And it's so much fun to do, to recreate.
1:12:26
But yeah, I love showing you. Like
1:12:28
I'll show the quick clip of someone
1:12:31
doing their experience, showing their poltergeist.
1:12:34
And then usually I'm like, yeah, we can do
1:12:36
that. Let's go. And we get
1:12:38
to work. And I'll show you the setup. And
1:12:40
then I'll show you the finished product. And
1:12:42
it's great. I've done anything
1:12:45
from disappearing people to portals
1:12:47
opening up over my head and dropping something
1:12:50
on me out of nowhere where you see
1:12:52
the whole scene. And all of a sudden,
1:12:54
boom, something's there. To a teleporting
1:12:56
teddy bear that got stuck halfway through the
1:12:58
portal. Oh, I got to see that one.
1:13:00
Okay. So much fun. So
1:13:03
much fun. Yeah. How do people find
1:13:05
you on TikTok? My name on TikTok is Kenny
1:13:07
Biddle CSI. Okay. So if you
1:13:09
look that up, you'll find me. And all the
1:13:11
videos are there. Yeah. It's great
1:13:13
responses. Another project you have is the skeptical help
1:13:16
bar that you open up every Friday and bring
1:13:19
on guests such as yours truly and Susan
1:13:21
Gerbick and Brian Dunning and others to just
1:13:23
talk openly. And if any of you have
1:13:25
any questions along these lines or you see
1:13:27
something online that you want to talk about,
1:13:29
that's how you can hit up Kenny Biddle
1:13:31
in real time. Yeah. It's
1:13:33
every Friday night. It started when the
1:13:35
lockdown pandemic hit. You've kept it going. Nothing
1:13:37
to do. You know, we were stuck
1:13:39
in and I was like, you know what? It
1:13:41
started, it actually started as a skeptic. That's
1:13:44
how I just put it up there. Just went live
1:13:46
and waited for people to show up and I did
1:13:48
other stuff. You know, I was working.
1:13:50
I look up, oh, someone commented. All right, here. We'll
1:13:52
talk about that for a little bit. And
1:13:55
then it really developed into we have
1:13:57
a core following and it's nice. It's
1:13:59
nice. one shows up on a Friday
1:14:01
night. I mean that's pretty cool after you're
1:14:03
allowed out your work week and
1:14:06
everything. So yeah we promote it as like
1:14:08
it's a bar so it's basically
1:14:10
you go to your local bar you
1:14:12
see your buddies you have a couple
1:14:14
beers you drink obviously you drink but
1:14:17
you talk about different topics and you're
1:14:19
honest about your opinion and we add
1:14:21
on that it's a learning show so
1:14:23
it's live we make mistakes we keep
1:14:25
going through them if we make a mistake or
1:14:27
screw up we make fun of it yeah but
1:14:29
it's a learning show so we look up things
1:14:31
if you ask me a question and I don't
1:14:33
know the answer I tell you and then we
1:14:35
pull up Google share the screen and we start
1:14:38
learning together yeah I figure it out because there's
1:14:40
been plenty of times somebody has asked me a
1:14:42
question and they're like I don't know I don't
1:14:44
know what that is I have no idea what
1:14:46
that is let me look it up and we
1:14:48
do that so it's real fun and
1:14:50
my wife helps me a lot she takes care
1:14:52
of the comment section yeah we keep referring to
1:14:55
your wife the wonderful Donna yes and
1:14:57
the unsung here well let's sing sing
1:14:59
the heroism of Donna she is my
1:15:02
problem was that I was doing a Q&A
1:15:04
show because this is before I started having
1:15:06
guests on I would get way behind with
1:15:08
the questions like 20 minutes behind oh wow
1:15:11
so I would see questions pop up and
1:15:13
I would try to answer them and I
1:15:15
tend to talk a lot I don't know
1:15:17
if you noticed but I talk alive so
1:15:19
by the time I got to the next
1:15:21
question it was 20 minutes after they posted
1:15:24
it okay so my wife was like
1:15:26
you're behind and she kept reminding me my
1:15:28
little helper I love that she would love
1:15:30
to tell me like you're 20
1:15:32
minutes behind hurry up so
1:15:34
finally she offered to help me out
1:15:37
that route that would be there live
1:15:39
and keep things so she sits right
1:15:41
off camera and she'll give me a question
1:15:43
now if I'm going over like she'll sit there
1:15:45
and you know cut off yeah
1:15:47
he's doing the universal symbol for yes
1:15:50
yes let's move on or like rolling
1:15:52
the fingers like let's move on let
1:15:54
go yeah and in real-time editing oh
1:15:56
my it's so much helpful and I
1:15:59
stay on track What I love about
1:16:01
both of those projects we just mentioned is that
1:16:03
they I think they come out of your restless
1:16:05
energy You're just so excited about all of this
1:16:07
that you want to be constantly engaging with it
1:16:09
because I don't think either of those were On
1:16:12
your job description when you signed
1:16:14
up at CFI It's just you know Like
1:16:16
you found a good way to get the
1:16:18
message out there and encourage people to take
1:16:20
that second look How might one do this
1:16:23
if one were trying to do this right
1:16:25
which usually seems to be kind of the
1:16:27
underlying? Motivation and we have guests on now.
1:16:30
Yeah, like you mentioned like Brian Dunning. We
1:16:32
have Susan Gerber and Ben Rafferd We had
1:16:34
you and carry on it's always
1:16:36
nice talking to you guys and and all these are
1:16:38
on YouTube, too So you can go back and find
1:16:40
we're all there and in various people We've had a
1:16:43
my friend a a Ron I call
1:16:45
Aaron who's a police officer in Maryland He
1:16:48
came on and we talked about evidence like
1:16:50
what evidence means to him versus
1:16:52
what it means to me And it was
1:16:54
a great conversation Daniel Reed who is
1:16:56
another SI author He came
1:16:59
on and talked about different topics about
1:17:01
like the Mothman Because he had
1:17:03
a different idea about what the Mothman might have
1:17:05
been yeah, we talked about that which is really
1:17:07
cool We just recently went to the Mothman festival
1:17:09
Yeah Is there a quick takeaway of like a
1:17:11
new theory about what the Mothman might have been
1:17:14
I think Joe nickel came down on the owls
1:17:16
Yeah, it's still bird. Okay, it's still bird
1:17:19
just a different way There was a special
1:17:21
type of bird right kind of like a
1:17:23
heron type birds. Yeah blue heron. Okay, not
1:17:25
blue heron Yeah, very cool. I mean, it's
1:17:28
so fun The stories are fun and we
1:17:30
still love the mythos of ghosts of cryptids
1:17:32
of all of these things But I think
1:17:34
debunking is totally the wrong word to the
1:17:37
the investigation process is fun Yeah, it's really
1:17:39
fun to figure out. How did we get
1:17:41
this story to the point where it is
1:17:43
now? I always try to just say that
1:17:45
debunking is a result of an investigation. It's
1:17:47
not what I set out to do Mm-hmm.
1:17:50
I don't try to debunk things. I try
1:17:52
to solve the mystery. Yeah, that's what it
1:17:54
is. It's a mystery We don't know what
1:17:56
caused something or someone whoever contacts me has
1:17:58
an experience They don't know
1:18:01
what happened. So they call me and that's what
1:18:03
I do I try to go in there and
1:18:05
see if there's enough information first That's important because
1:18:07
if it happened like 60 years
1:18:09
ago, and the only thing we have
1:18:11
is one person's memory That's
1:18:14
not enough Yeah at that point
1:18:16
you always say oh, well, that's a really cool
1:18:18
story. I wish I was there Yes, wish there
1:18:20
was some way we could reproduce that but but
1:18:22
if there's enough information then we get into it
1:18:24
Yeah And my goal is to solve it to
1:18:26
figure out what happened and then
1:18:29
honestly report that So if I
1:18:31
can do that no matter what the answer
1:18:33
is Yeah If one day it turns
1:18:35
out to be a ghost right and how
1:18:37
will we find that out by people? Asking
1:18:40
the questions and doing that kind of research
1:18:42
exactly eventually. Yeah, if there is the what
1:18:44
is it the white crow it like
1:18:47
that well If eventually
1:18:49
there is the real deal, that's how
1:18:51
they'll be discovered right and verified speaking
1:18:53
of which That's a good segue you
1:18:56
and I both participated in
1:18:58
a live demonstration today of
1:19:00
the CF IIG $500,000
1:19:03
paranormal challenge. Yes So
1:19:05
this is the largest active prize
1:19:08
you've all heard of the James
1:19:10
Randy Million-dollar prize right now CF
1:19:12
IIG is the largest one in
1:19:15
operation and we had an
1:19:17
applicant during this conference today Yeah As
1:19:19
we were talking who had the claim
1:19:21
that she could move clouds under her
1:19:24
will Yes And then also it seemed
1:19:26
like she could maybe make them disappear
1:19:28
But it seemed like the primary claim
1:19:30
was moving clouds on command in a
1:19:32
drastic way that would be noticeable Yes,
1:19:35
yeah And all credit to Stan West
1:19:37
from the group who was in communication
1:19:39
with her Jim Underdown Who is the
1:19:41
head of the CF IIG they got
1:19:43
this set up at the conference But
1:19:45
a bunch of us went out we
1:19:48
were supposed to be down at a
1:19:50
little meeting spot and there were no
1:19:52
clouds visible Right at all. So we
1:19:54
moved all together and got on top
1:19:56
of the parking garage by the flamingo
1:19:59
in Las Vegas Yes, where the conference
1:20:01
is being held the things that happen in
1:20:03
Vegas But
1:20:05
we found some clouds low-lying and yeah
1:20:07
off in the distance Yep, and and
1:20:10
could sort of identify them and point
1:20:12
to individual cloud clusters like okay It's
1:20:14
right above the Westin hotel or yeah,
1:20:16
you know, let's focus on all the
1:20:19
clouds to the left Whole
1:20:21
of the pole. Yeah, it was fun to kind of
1:20:23
watch that back and forth communication just to clarify Okay,
1:20:26
what clouds are we affecting? Okay, where are we gonna
1:20:28
make them move and I'd love
1:20:30
to get kind of your take on this and I
1:20:33
this is the first time I participated in One
1:20:36
of these tests. All right with you guys
1:20:38
Yeah so it was fun to watch and
1:20:41
see how everyone was so professional and I
1:20:43
don't want to stress that because It's
1:20:46
not like a bunch of skeptics got
1:20:48
together and was like ha ha we're
1:20:50
gonna prove you wrong No, everyone was
1:20:52
so polite so professional and it just
1:20:55
showed the Professionalism
1:20:57
I'm of the group. I'm glad to hear that and
1:20:59
you know often we do have the matching shirts We
1:21:01
didn't this time but yeah, you know, like that is
1:21:03
something we do think about a lot because we don't
1:21:05
want to Intimidate the person
1:21:07
and have too many hangers on or
1:21:10
people in their face You
1:21:12
and I were both taking video of the whole process
1:21:14
and you know, I think both of us I could
1:21:16
see it in your actions as well. We're trying not
1:21:18
to get between her and the clouds not to be
1:21:20
right in her face She was probably aware
1:21:22
of us But you know, we didn't want to be
1:21:24
distracting her and another thing that we
1:21:27
do before a test is we want to make
1:21:29
sure that The person feels confident like are these
1:21:31
the conditions and what were some of her conditions?
1:21:34
So from what I heard she had
1:21:36
started out by saying she couldn't move the
1:21:39
clouds. She could force them to move Independently
1:21:42
of any environmental conditions,
1:21:44
which okay, that would be awesome. I
1:21:47
mean that would actually be world-changing Oh,
1:21:50
no kidding. Yeah. Yeah talk about like weather control.
1:21:52
Yeah Oh, I didn't even think about at the
1:21:54
time but she'd be like storm from the X-Men.
1:21:56
Yes, that'd be cool. Yeah totally
1:21:59
I'm turning out now. Yeah. And
1:22:02
somebody, I feel the energy, we both want it to be
1:22:04
real. Yeah, like please, please do it. I want to see
1:22:06
that. Which is another weird conflict of
1:22:09
attitude is you do want them to
1:22:11
succeed on some level. And
1:22:14
then on the other level, you want it to
1:22:16
be real before you give away that half a
1:22:18
million dollars. So yeah, so she,
1:22:20
that was the first test. She
1:22:22
tried to move a specific
1:22:24
cloud and then it didn't go
1:22:27
well. So it was supposed
1:22:29
to, as we were looking at it floating
1:22:31
just above the Weston Hotel to the left,
1:22:33
it was supposed to go dramatically to the
1:22:35
left, originally to like the Ferris Wheel. It's
1:22:38
not a Ferris Wheel, but the link, it's this giant
1:22:40
spinning thing that looks like a Ferris Wheel on steroids.
1:22:44
And then we were a little more accommodating and
1:22:46
said, okay, just get it over to that new
1:22:48
giant dome that they built in Las Vegas. Right,
1:22:50
right. It was glowing, I was going to call
1:22:52
it monstrosity. It's an amazing thing to behold at
1:22:54
night. But still, yeah, the cloud
1:22:57
was actually kind of going the opposite direction.
1:22:59
Yeah, I noticed that the wind was blowing
1:23:01
in the opposite direction, which is good. That's,
1:23:03
as soon as I heard about the test, that's
1:23:05
the first thing that came to mind, like make
1:23:07
sure we know the wind direction and ask to
1:23:09
go to the opposite direction. Right. And
1:23:12
all of you at home or wherever you're
1:23:14
listening are thinking clouds do all kinds of
1:23:16
things on their own. They disappear, they show
1:23:18
up, it's fluids and
1:23:20
another fluid. And that's
1:23:22
all the kind of stuff we were trying to anticipate too. Let's
1:23:25
make sure it's not something that can
1:23:27
happen naturally. And kept repeating to her,
1:23:29
this needs to be noticeable. Yes, significant,
1:23:32
extraordinary, out of the ordinary. I want
1:23:34
to look up and go, holy shit,
1:23:37
but nothing happened. We would give
1:23:39
her five minutes to accomplish the agreed
1:23:41
upon task. Yes. And we
1:23:43
did this three times in a row and just
1:23:45
wasn't happening. There were two attempts at moving
1:23:47
things and then one attempt at like just
1:23:49
clearing out the clouds, like you said, on
1:23:51
the left hand side. Right. And
1:23:54
afterwards she was saying, well, okay, but I'd
1:23:56
kind of like to try. And she wasn't
1:23:58
really saying that it didn't work. Or
1:24:00
that her powers were somehow compromised, but now she
1:24:03
started talking more about how well You know I'd
1:24:05
prefer the clouds be on the side of the
1:24:07
Sun because whenever it's really successful They're
1:24:09
between me and the Sun like okay. Well.
1:24:11
That's a different claim Might
1:24:14
be helpful to know beforehand to me
1:24:16
it was changing she changed the
1:24:18
rules that she tried to go close Yeah, she
1:24:20
tried to change what she could do With
1:24:23
each test because it didn't work first She
1:24:25
wanted to move one of the
1:24:27
clouds that we picked and that wasn't good enough
1:24:30
She didn't like that her energy wasn't in
1:24:32
that cloud like that was her
1:24:34
words, right? It was only clouds in the back
1:24:37
So we changed it to that one and said
1:24:39
move it over and we gave it a shorter
1:24:41
distance Too and it's hard like when we're trying
1:24:43
to do distances or describe
1:24:45
the distance Yeah, it was gonna be
1:24:47
a significant distance especially close to clouds.
1:24:50
We're not moving. Yes like nothing nothing
1:24:52
was moving Yeah, yeah, and then by
1:24:54
the third attempt She had
1:24:56
changed it to where she said she could
1:24:58
take this whole Section of clouds
1:25:01
that we saw in the distance and make
1:25:03
them disappear It didn't happen
1:25:05
and one of the things she said that really
1:25:07
stood out to me was that when
1:25:09
she looked at it She's like oh, I knew
1:25:11
I saw these returning like dark gray So I
1:25:13
knew they were gonna fade and when
1:25:15
she said that I was like well, so you
1:25:18
were expecting them to fade Yeah
1:25:20
Naturally, but you seem to be
1:25:22
trying to take credit for that
1:25:24
like you were going to try to
1:25:26
take credit Yeah in the within that
1:25:29
five minutes if they dissolved Yeah, you
1:25:31
were gonna take credit right when you
1:25:33
already knew it was going to happen
1:25:35
Yeah, and I feel like that kind
1:25:37
of response is a predictable But yeah
1:25:39
indicative of how the storytelling normally happens
1:25:41
when they're doing this on their own
1:25:44
Where they can just kind of retell the
1:25:46
story a little bit more a little bit
1:25:48
more each time to give themselves more credit
1:25:50
for Things that just would have happened regardless
1:25:52
right in this case the clouds but in
1:25:54
other situations other phenomena Yeah, I mean it
1:25:56
was going to happen anyway, and I think
1:25:58
that's pretty much what we were hearing
1:26:00
anyway. As she described what she
1:26:02
could do and how she had
1:26:05
done it before, it just sounded like she
1:26:07
was looking up the sky, natural phenomenon, and
1:26:09
I don't know if she was
1:26:11
purposely taking credit for it. I think things
1:26:13
happened with the right timing, and
1:26:16
it maybe convinced her that maybe she had something
1:26:18
to do with it. Okay, yeah. So I don't
1:26:20
think she was outright lying to us. I
1:26:23
don't think she was trying to deceive us.
1:26:25
That's, I think, a really important point. She really
1:26:27
does believe that she has this ability, and
1:26:29
we did not disabuse her of that in
1:26:32
this test. And she had a whole process
1:26:34
that looked very interesting. She wasn't just staring
1:26:36
at the clouds. She was moving her hands.
1:26:38
She was looking through her phone camera, doing
1:26:40
these very dramatic kind of like waving of
1:26:42
the hand and twitching of the fingers. But
1:26:45
at the point where she had done these
1:26:47
three trials, five minutes each, and
1:26:49
nothing had happened, we told her, well, officially it was supposed
1:26:52
to be three out of five. That's
1:26:54
no longer possible. I think the hardest
1:26:56
part of all of these tests that
1:26:58
the CFIIG does is the after discussion,
1:27:00
where you have to, first of all,
1:27:02
communicate to them that they did not
1:27:05
pass. But then kind of
1:27:07
recommend that if they want to reapply
1:27:09
again in a year, that they need
1:27:11
to test this out on themselves, try
1:27:13
it again. And hopefully this
1:27:16
time, be aware of what we're looking for.
1:27:18
And so we're trying to teach them a
1:27:20
little bit of the scientific method. Call it
1:27:22
in advance. Write down what it is that
1:27:24
you intend to do. And then
1:27:26
after it happens, was it exactly what
1:27:28
you said or did you kind of
1:27:30
change your expectations as it happened? And
1:27:32
that was part of the professionalism that
1:27:34
I saw. You guys really
1:27:37
handled it nice. I mean, so
1:27:39
nice. It wasn't, again, it was
1:27:41
not a point your finger and go, aha.
1:27:44
Yeah, yeah. We don't want them to leave
1:27:46
with their head down feeling like
1:27:48
they've been defeated or lost or
1:27:50
something like that. Because there's probably already an
1:27:52
embarrassment. Of course. Because they did
1:27:54
this. And I mean, her hand
1:27:56
movements, I was like, this is like
1:27:59
Dr. Strange. This is the force.
1:28:01
We're doing all this stuff the way she
1:28:03
was doing it and nothing's happening. And
1:28:05
to be honest, I felt bad for her. I
1:28:08
really did because she really looks like she
1:28:10
was into it. Nothing was happening. And
1:28:13
here she is in front of all these people.
1:28:16
You got to know. Like if I was
1:28:18
her, I'd be like, they're talking about me. I
1:28:20
know they're talking about me. But when she left,
1:28:22
by the time she left, everyone
1:28:25
like Jim and Stan, they gave her
1:28:27
advice. They said, hey, if you really
1:28:30
believe this, if you know you can
1:28:32
do this, then we suggest you practice.
1:28:35
You do know what we expect now. We want
1:28:37
to see a dramatic movement. Break
1:28:39
those clouds away from everything else and fly
1:28:42
around. Because frankly, that is what she said
1:28:44
she could do, too. So practice. You know
1:28:46
where we're going to test you. We're going
1:28:48
to be here next year. Take a video.
1:28:50
Send us a video. It shows your progress.
1:28:52
Show us. Yeah, show us what's going on.
1:28:55
Next year, when you come back, if you come back,
1:28:58
you should have practiced. You should have mastered
1:29:00
it. And we can
1:29:02
view it again. We'll test it again. And
1:29:04
I'll gladly come out. I had a lot
1:29:06
of fun doing it. And yeah, I feel
1:29:09
like she was well-intentioned. And there was a
1:29:11
good conversation afterward. And hopefully she does start
1:29:13
to kind of catch on sort of like
1:29:15
you did in your story. Just
1:29:17
sort of being aware of the underlying factors and
1:29:19
kind of how she was telling the story to
1:29:22
herself. Or she
1:29:24
gets those clouds moving. And we see it and
1:29:26
give her half a million dollars. Awesome. That's even
1:29:28
better. Yeah. Somebody gets a
1:29:30
Nobel Prize. Yeah, just like you. I enjoyed
1:29:32
it. I enjoyed it not because she
1:29:35
failed. I want to make that clear.
1:29:37
I enjoyed it because it was a good test. It was a
1:29:39
very meticulous process. I got to
1:29:41
see the entire process, followed it
1:29:43
through to the end. And it
1:29:45
was nice to see all that
1:29:47
and the attitudes of everyone involved.
1:29:50
She did not leave angry. She did
1:29:53
not leave hurt or crying or just
1:29:55
hating us. Right. We
1:29:57
laughed peacefully, smiling. Everyone was...
1:30:00
It's usually the case. Though sometimes, you
1:30:02
know, the next day you hear a different level of, because
1:30:04
they've had time to think about it and reflect and then
1:30:06
they come back with a different, I'm trying
1:30:08
not to say excuses, but... They are. Rationalizations,
1:30:11
yeah. But we'll see tomorrow.
1:30:13
Well, related note, one
1:30:16
other thing I'd like to ask you about is you've
1:30:19
given a really great presentation
1:30:21
on just interacting with other
1:30:23
people in the paranormal community,
1:30:26
and some of these other belief communities that
1:30:28
you were once part of, and that I
1:30:30
think you have a certain sympathy with, because
1:30:32
you remember being in those shoes,
1:30:35
I remember being in those shoes, and
1:30:37
you talk about a Patrick Swayze rule, and I was
1:30:39
wondering if you could just share that, because I think
1:30:41
it's a really good encapsulation of what I hope Carrie
1:30:43
and I are doing with our show, but I think
1:30:46
that's really important for everyone to remember. So
1:30:48
the Patrick Swayze rule is basically be nice
1:30:50
until it's time not to be nice. And
1:30:52
it's from Roadhouse. One
1:30:54
of my favorite movies, even though acting
1:30:57
is... I love it. A
1:30:59
great message. Yes, it is, because
1:31:02
being nice is the best path
1:31:04
to getting along, working together, and
1:31:07
moving ahead. Skeptics, believers,
1:31:10
they're always like butting heads. We are on
1:31:12
two sides of the fence, and
1:31:15
we work against each other. We
1:31:17
try to inject critical thinking and logic
1:31:19
and reason, and sometimes we're
1:31:21
a-holes about it. Yeah. We
1:31:25
can all point to times when we ourselves
1:31:27
have done that, and when our friends and
1:31:29
fellow travelers have done that as well. Yes.
1:31:32
And then you have people on the
1:31:34
believers side, which I'm totally stereotyping the
1:31:37
two sides, but the believers side where
1:31:39
they have these beliefs since birth, and
1:31:41
it's very difficult to give up those
1:31:44
beliefs. Very difficult. And
1:31:46
when someone challenges them, and you
1:31:48
don't have the supporting data or
1:31:50
knowledge to back up your belief,
1:31:53
you get into defensive mode. You
1:31:55
get combative. And both sides
1:31:57
do it. But I see believers tend to do it more.
1:34:00
Dakota of the Patrick Swayze
1:34:02
line is important to remember because
1:34:04
you do want most of the interactions to
1:34:06
be nice, but there are parameters, there are
1:34:09
boundaries. Well, we could literally go on for
1:34:11
hours and I hope we get to talk
1:34:13
some more sometime because you have so many
1:34:15
really excellent investigations that you've done. And
1:34:17
that's why I do think of you in my mind
1:34:20
as like the preeminent person to go to if you've
1:34:22
got something that needs to be analyzed because
1:34:24
you have both the knowledge and just
1:34:26
the enthusiasm to go after
1:34:29
it. So it's inspiring to me and
1:34:31
it's always fun to see you here
1:34:33
at Psychon. Likewise, babe. Whoo,
1:34:35
what an interview. I
1:34:38
endorse everything that was said. Kerry hasn't listened
1:34:41
to all of it yet, but I assume you
1:34:43
will if not. I will. By
1:34:45
all means, come on the podcast later
1:34:47
and decry anything that we got horribly
1:34:49
wrong. No, I love the work that
1:34:51
they do out there and Kenny's great.
1:34:53
We've been on his show before. Yeah. Just
1:34:56
in the trenches always looking for fun
1:34:58
investigations. So we'll link in the show
1:35:00
notes and on the Facebooks, the links
1:35:02
to some of the articles that we
1:35:04
mentioned here. But yeah, check out his
1:35:06
stuff, his writing for Skeptical Inquirer. It's
1:35:08
awesome. Hooray. And speaking of
1:35:10
interviews and following up on a recent
1:35:13
one, Brian Dunning's documentary,
1:35:15
the UFO movie, They Don't
1:35:17
Want You to See. Oh
1:35:19
no. Is now on YouTube. You
1:35:21
say. Just popped up there. You
1:35:23
know, the Kevin Trudeau shadow government
1:35:26
people. They don't
1:35:28
want you to see it. Yeah, it's supposed
1:35:30
to be a bit of an enticement like,
1:35:32
uh-huh. Right, right, right. But in this case,
1:35:34
they is probably a lot of. Oh
1:35:37
right. It's about a, it's like the
1:35:39
UFO. Proponents of UFOs. Right, right.
1:35:41
The one Linda Moulton-Hell perhaps doesn't
1:35:43
want you to see it. Tom
1:35:45
Delong from Blink-182. They don't
1:35:47
want you to see it. Jimmy Church. He's one
1:35:50
of they that doesn't want you to see it.
1:35:52
George Norrie. They don't want you to
1:35:54
see it. They don't want you to see it. They don't want
1:35:56
you to see it. They. But you can see it on YouTube.
1:35:58
So somebody wants you to see it. And yeah,
1:36:00
I think that's it for 2023. Oh
1:36:03
my gosh. So we will come back to review 2023.
1:36:07
I mean, not the year, but like what Psychics said about
1:36:09
2023. How many stars would you give 2023? Oh
1:36:12
my God. No joke, this was the worst
1:36:14
year of my adult life. Wow. Yeah. And
1:36:16
that's including all these, the heat
1:36:18
of the pandemic years. Well, I
1:36:20
shouldn't say worst. Actually, that's not true.
1:36:22
It's been sort of a growing time. It's
1:36:25
been the most stressful. Yeah. Most stressful
1:36:27
year of my life. Yep. So here's looking
1:36:29
forward to a 2024 for you, for our
1:36:31
listeners. Hopefully
1:36:33
a lot of positive development. Yeah. Has
1:36:35
it been a good year for you? Yeah. Busy
1:36:38
year, but yeah. Kenny has a
1:36:40
bit of a good year for you. Overall thumbs up. Kenny.
1:36:42
Kenny. Uh, oh, gotta
1:36:44
go. We've
1:36:46
got an and remember from him. That will be him carrying on
1:36:48
the spirit of 2024. Oh,
1:36:51
and by the way, our theme music is
1:36:53
by Brian Keith Dalton. This episode was edited
1:36:55
by Ross Blaucher, our administrative managers in Cremer.
1:36:58
You can support this and
1:37:00
all our interviews and investigations
1:37:02
by going to maximumfun.org/join. Yes.
1:37:04
Thank you so much to everybody who supports
1:37:06
us and what we do. It makes it
1:37:08
possible. We do have social media. I'd
1:37:11
say right now, Facebook is the most active of
1:37:13
them. You can usually find like some pictures from
1:37:15
a recent episode or if you
1:37:17
ping me there and say like, Hey, where's
1:37:19
the picture that you mentioned? Yeah.
1:37:22
If you tweet at me and ask for like a
1:37:24
very specific photo, I'll find it on my phone for you. I
1:37:27
extended my social media. I'll do it.
1:37:29
I did post supermodel Jesus there asking
1:37:31
if people were team carry or team Ross.
1:37:33
Yeah. Yeah. Oh, it's been very spirited.
1:37:35
Okay. I would say most people are
1:37:37
team carry. Okay. Like more just like
1:37:39
the fine. Yeah. Even people are like,
1:37:41
Oh, he seems like the kind of
1:37:43
guy who would do, you know, insert
1:37:45
obnoxious behavior here. Okay. It was somehow,
1:37:48
uh, intrinsically unattractive.
1:37:50
So those people, right? Right. But others
1:37:52
are like, Oh, dreamy. Yeah. Yeah. Well,
1:37:54
you know, our mutual friend, Steven Bradford
1:37:56
long whose show we've both been on,
1:37:59
uh, he all. also find supermodel
1:38:01
pieces very attractive. Very apparently.
1:38:04
Yeah, I don't want to get too into it
1:38:06
because they'll have to upgrade the rating of this podcast
1:38:08
if I sell them out. He takes it to a level
1:38:10
I found, but that's cool. Everybody
1:38:13
has their own... Not that
1:38:15
there's anything wrong with
1:38:18
that. Indeed.
1:38:22
Anyways, yeah, you can find us on
1:38:24
some social media. Yeah, I don't know.
1:38:27
Want it bad enough? Go find us. Interact and
1:38:29
then we'll be like, oh, people are looking at this. You're
1:38:33
really so furious. We're
1:38:35
busy. But you
1:38:38
can also support us by
1:38:40
buying a Jumbotron, maximumfund.org/Jumbotron. Yes.
1:38:44
You can support us at bookshop.org.
1:38:47
Yes, bookshop.org/shop/oh no.
1:38:49
There we are.
1:38:52
I should add some new book recommendations because I've been
1:38:54
cramming in a lot of books right before the end
1:38:56
of the year. Yeah, okay. I'm gonna...
1:38:58
I'm here for reading. So you know what? That's
1:39:00
always a good barometer that it's not my best
1:39:02
year if I'm having a hard time finding time
1:39:04
to read. Yeah, yeah, yeah. I've read a lot, but not
1:39:06
a lot of finishing books because a lot
1:39:08
of research. Gotcha. Okay, I
1:39:11
am going to update my Carries recommendations
1:39:13
on bookshop.org today. That is my
1:39:15
commitment. Okay. He's a listener. I'll
1:39:18
do mine tomorrow. Okay, very good. Clap, clap, clap,
1:39:20
clap, clap. Put that on my to-do list as
1:39:22
I'm editing. And remember... The
1:39:24
quote that I always end my shows with
1:39:27
is, Never Stop Learning. If
1:39:42
you need a laugh and you're on the go,
1:39:45
try STOP. P-O-D-C-A-S-T-I-R. Hmmm.
1:39:48
Are you trying to put the name of the podcast
1:39:50
there? Yeah, I'm trying to spell it, but it's tricky.
1:39:52
Let me give it a try. Okay. If
1:39:55
you need a laugh and you're on the
1:39:57
go, call STOP. Ah,
1:40:00
it'll never fit. No, it will. Let me
1:40:02
try. If you
1:40:05
need a laugh and you're on
1:40:07
the go, try S-E-O-P-P-P-D-C-O-O. Ah,
1:40:10
we are so close. Stop
1:40:12
podcasting yourself. A podcast
1:40:14
from maximumfun.org. If
1:40:17
you need a laugh and you're on the go. Maximum
1:40:22
Fun, a worker-owned
1:40:24
network of artists-owned shows
1:40:26
supported directly by you.
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