Episode Transcript
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0:05
Space. What
0:11
endless mystery. Look
0:16
at it. Wow.
0:22
Who do dare uncover its
0:24
secrets? The
0:26
brave crew of the Starship
0:28
Cavalier do dare to
0:30
scout the heavens, to see some moons,
0:33
to take a dangerous galaxy
0:35
trip. This is
0:37
the true story of them
0:39
that voyage among, oh these,
0:41
those stars of space. Tonight's
0:48
episode is... Scandal
0:52
and Charity's High School Reunion. Starring
0:57
Tim Platt as Gail Mere
0:59
Lysander, Carly
1:01
Monardo as Scandal, Allie
1:04
Fisher as Charity and
1:08
Joe Lepore as everything and
1:10
everyone else. And
1:53
since log, space date 740-773-28.j. Log
1:59
sometimes when things get routine on the
2:01
Cavalier, I'll volunteer to pilot a shuttlecraft for
2:03
someone just to get off the ship and
2:05
stretch my legs. I don't actually
2:07
stretch my legs, that's what the ship's yugas
2:09
say you was for, but I mean like,
2:16
I mean it metaphorically log. Anyways,
2:19
this one is particularly interesting because
2:21
Scanul and Charity are attending their high
2:24
school reunion. I'm 23, so I've
2:26
got only 5 years left prepared for mine and
2:28
it is never too early to start log. This
2:31
is a prime chance to observe a reunion, so when
2:33
it's my turn, my legs are a hell of a
2:35
stretch. Also, this reunion will
2:37
help me solve my own problem of being
2:39
eager to ask my bettors about hacks that
2:41
they use to speed up their professional development
2:43
while also being scared of video podcasts. As
2:46
a reunion, everyone's down to brag. I thought
2:48
I'd log this because, let's be honest, this
2:51
episode's gonna have a lot of Charity's
2:53
scandal backstory and I thought this would be
2:55
a nice moment to let Galmeir shine, for
2:57
once. Oh, I should get back the
2:59
controls, we're about to hit an asteroid! My
3:03
log! We watch as the shuttlecraft
3:06
Johnson lands on an alien world
3:08
with a big dent in its
3:10
starboard wing, on a landing pad
3:12
outside a mysterious, futuristic function hall.
3:15
A giant hollow sign in electric
3:17
green letters reads, Tratichall, class of
3:19
04 reunion. You
3:21
see in front of you a number of humanoids
3:23
and horses walking in, everyone dressed
3:25
to the nines. The doors
3:28
of the shuttlecraft Johnson open. What do we
3:30
see? First, you
3:32
see Charideth Masterfield of the
3:34
Valgrath Masterfills. Mouse brown
3:36
hair tied in a high pony. Sick
3:39
bangs, classic red lipstick. Tan
3:42
riding pants, crisp white shirt riding
3:44
boots, 5'4". The
3:47
white is whiter than ever, and the
3:49
tan is tanner than ever, and
3:51
the red lipstick is brighter than ever. She
3:54
looks fantastic for how she
3:56
always looks. And
3:59
behind her... And also under her
4:01
is Scandal, Space Horse of the
4:03
Bar Car, Jet Black Coat, Shiny,
4:06
Bedazzled with Stars, Saturn-like
4:08
rings orbit her ears, ankles, and
4:10
tail, Iridescent hooves,
4:12
long pretty eyelashes, bleached
4:14
asshole! She's
4:17
wearing a smart suit in
4:19
gray wool. And you also
4:21
got Gilmul Lysander, tall, lean
4:24
with a scar across his face.
4:26
He's 23 and he's wearing a
4:28
tuxedo. We're here. Just all
4:30
we need to do is step off of
4:34
Space Shuttle Johnson and we'll be ready
4:36
to go. I'm ready. I've never been
4:38
scared of anyone in my life. I'm
4:40
ready too. I simply could never be
4:43
scared of class of 04. But
4:45
if I was a nervous charity, it
4:47
would be because I'm sure I'm going
4:50
to run into excellent Colette, my rival.
4:52
And if I was nervous, I might
4:54
be worried I was going to run
4:56
into Jeff, Juliet, and Chip-Chad, my exes,
4:59
all of whom I only got to first base with.
5:02
And if I was nervous, it'd be because when I
5:04
ask all of your peers what professional advice
5:06
they use to get to where they
5:08
are professionally, they'll think I'm just a
5:10
kid and not a peer. I've always
5:12
wanted to be a peer with many.
5:15
I think you are a peer of many, but I don't
5:17
think that's a good thing. No, no,
5:19
no. Here I go. Try to make this about
5:21
myself. This is about both of you having an
5:23
amazing reunion. And if you're both scared, that just
5:25
means you care. And that's a good thing. It's
5:28
always good to care. Thanks, Kelmar.
5:30
I don't need your permission to care. How
5:32
do I look? Oh, you look fabulous. I
5:34
appreciate your permission, but no, we don't need
5:36
it. Charity, would you prefer I'm
5:39
with you when you confront your former flames
5:41
or should I let you fly? No.
5:43
I must do this alone.
5:45
I must seek an answer to why
5:47
I was not allowed to the second base alone.
5:51
This is a road I must walk on
5:53
my own feet. What about you? Do
5:56
you want me there when you confront
5:58
excellent Colette? I would like to... What's the
6:00
option? Maybe we need a
6:02
signal. Mmm. Mmm.
6:04
Ah. Mmm. Oh.
6:07
Mmm. Mmm. So
6:09
I just wanted to be involved. So I think you two should
6:12
maybe stay apart as much as
6:14
you possibly can. When you're at any kind
6:16
of function and you are tied to one
6:18
other person, people view that as a sign
6:20
of weakness and you want to make sure
6:22
that you both stand on your own. It
6:24
will only make the moment when you two
6:26
come back together that much more exciting, that
6:28
people realize those two amazing people that they've
6:30
been admiring the entire time are actually friends
6:32
and stayed in touch. Taking notes for
6:34
your wedding I see. Ooh! How
6:37
about this for a signal? Gelmere's dying!
6:39
Okay. I like that one. But
6:43
also, ugh, feels
6:45
strange to say I think Gelmere might be
6:47
right. I think we should split up. Mmm.
6:51
Mingle a bit. Chat. Mingle.
6:55
Have a talk. Chat talk. Small
6:57
talk. Big talk. Single drink.
7:00
Have a drink. Not too much to drink.
7:02
Too much to drink. Too much to eat. Okay.
7:05
And then we come back together. Yes. Whoa.
7:08
You two really are nervous. I
7:11
mean, what was high school like for
7:13
you? Were you cool? We were cool!
7:15
We were cool! Bah! In
7:18
our own way. In our own way. I had
7:20
no time for friends. I was
7:22
busy being the best. Same.
7:25
With sheer force of will, I bent
7:28
my back to be the exact
7:30
divot needed for charities behind. That
7:33
was day one! You
7:35
should have seen day five. I
7:37
almost didn't make it. Wait. So
7:40
you two formed a body defying friendship
7:42
on day one of school and then
7:44
remained best friends the whole time and
7:46
didn't make any other friends? We were
7:49
cool! We didn't need anyone
7:51
else, technically, to graduate.
7:53
I didn't go to school to make
7:55
friends. It wasn't learn how to make
7:57
friends academy. It was try to tell. Training
8:00
Academy of the Bar of Car! Not
8:02
Friend Island! Not Friend Island!
8:05
You know what? I hate to do
8:07
this too, but while you two are apart,
8:10
I encourage you both to try to make
8:12
friends that aren't each other. Sometimes
8:14
I think your friendship is... don't
8:17
think that's the wrong way. It kind of isolates
8:19
you from the rest of the people around you.
8:21
I took it the wrong way! Let's go! The
8:23
right way! The right way
8:25
is that you're both amazing people. Yeah.
8:28
That's the offer. That's the offer of the world.
8:30
And you can make friends that aren't each other
8:32
at this reunion today. And
8:35
it will show you that there's more
8:37
social life to be had than just someone
8:39
who rides you or someone you ride. Friends!
8:45
The camera is close on Scandal's face
8:47
and you can still see the peanut
8:49
butter that the... That
8:52
was wiped out of her teeth? Yeah, that's the PA put
8:54
on her teeth. Friends!
8:58
Yeah, that's the
9:00
word! That's the word!
9:02
That's the word, Scandal!
9:05
Look, I'm down to
9:07
pretend to die to bring us back together, but I
9:09
really do encourage you to find your own way for
9:12
once. Charity... dismounts.
9:16
Scandal's back is horrible
9:18
to look at. So is... Charity's
9:21
undercarriage situation. It's
9:25
sort of the first day in the... Case
9:30
is not closed. We're gonna find out more. Yeah,
9:34
Scandal looks at Charity's... nods.
9:39
And then like kind of pinches her nose with
9:42
her hoof and like blows
9:45
and her back pops into place, like
9:47
popping the divot out of a metal
9:49
bowl. She
9:53
bends down and blows into her belly button and
9:55
her legs just straighten. out
10:00
on something so he blows into his
10:02
thumb. And his scar feels in? His
10:05
scar like slips out. Okay,
10:09
that's a very scary scar. I already have
10:11
a phrase. Let's
10:15
go get a nametag. And
10:18
they walk inside. We cut to the
10:20
nametag table. There you see
10:22
so many familiar names. Names
10:25
like, Coupon Accepted,
10:28
Tom, Subprimeridian,
10:34
Laura B, Azalea
10:40
Skyscraper, Jason,
10:44
Oh look! Charity Mesterfield.
10:48
It was mine. Charity gingerly accepts
10:50
her nametag. Is there somebody
10:52
behind the table? Charity
10:54
points at her nametag to the person behind the
10:56
table. And awaits
10:59
it being handed to her. Charity, you
11:01
can just take it. Um,
11:04
okay, I can just grab it off the table. It's
11:06
Mary. Mary! Mary
11:09
Anderson. Mary! Yeah, hi.
11:12
Hi, it's so nice to see you. It's
11:14
so good to see you. Can you believe
11:16
it's been 10 years? No. It's
11:18
2014. It's
11:22
2414. Yes. Charity,
11:26
just obviously not remembering. Mary scrambles with the
11:28
nametag. Make
11:30
a feelings roll. Yeah. I
11:33
got a failure. Yeah,
11:37
Mary can tell that your face
11:39
is like, I totally forgot.
11:43
We had French together. Yes!
11:46
I had a Palomino named Clambake.
11:49
Oh, the Palomino! Yeah. She
11:52
doesn't remember now. Now you remember Clambake. Oh,
11:56
how's Clambake? Well, so
11:58
a few years ago, actually. ClanBake
12:00
decided to upload her consciousness to
12:02
the Metaverse. She wanted
12:05
to explore the digital field. And
12:08
I was actually seeing someone at the
12:10
time, so I didn't go
12:14
with her. I'm actually
12:16
horseless. Okay.
12:22
You do me single. What's going on? There's
12:26
no horses. Yeah.
12:34
This is the show. It's
12:37
been a while since I recorded
12:39
it. Listeners,
12:42
this is the show. It's
12:46
some solo. And
12:49
so I was happy to volunteer to
12:51
do some of
12:53
the table manning.
13:00
She already grabs her nametag, please. I'm
13:04
sure we'll catch up later. She is gone. She has no
13:06
idea how to deal with it. Hey,
13:09
Mary. I
13:12
don't have a nametag. I am not an alumnus. I
13:15
am a guest with some
13:17
alumnus who came here. Is
13:19
there a guest tag I could have?
13:23
Yeah, actually, so anyone bringing a
13:25
plus one, they filled out
13:27
a form online. Great. So you
13:29
should actually have your name. Oh, okay. So
13:32
Gellmir looks to see if his name is there on
13:34
the table. Make a laser's roll. Then
13:37
that is a failure. Gellmir, you look, you do not see
13:39
your name, but then you notice out of the corner of
13:41
your eye a name that does sound
13:44
familiar to you. You actually see there's a
13:46
nametag for Marvin Blonde. Oh,
13:50
this one is mine. That's
13:53
me, Marvin. You can call
13:55
me Marvin though. Oh, okay. Mary
13:59
and Marvin. ask you in terms of professional development
14:01
what are the biggest tricks you made in your early
14:03
20s that helped you get to where you were today?
14:05
Well I, Marv, I don't
14:07
know, sometimes I feel like I was focused a little
14:09
too much on my career and
14:11
maybe I left some relationships in my
14:14
life grow weaker and maybe
14:16
some of those who were closest to me aren't
14:19
anymore. Maybe, maybe,
14:22
maybe someone close to me decided to upload their consciousness
14:24
to the universe and if
14:27
I had been a little more thoughtful,
14:29
a little more giving, rather than
14:31
trying to get ahead in social
14:34
media management, maybe I would be happier. Okay
14:38
so you make excuses for yourself, that's what you
14:40
did, that's what you did ahead, that's what it
14:42
seems like, you make excuses for yourself about things
14:44
that you could have done differently. Marvin
14:47
coming in hot, not invited. Hi
14:49
I'm Scandal, is there a horse table? Yes
14:52
they're already here. Hi Scandal. Hi
14:55
Mary, how's Clambake? Digital.
14:57
Oh! Yeah, so
14:59
we're not really partners
15:01
anymore. Well
15:03
I'm told sometimes that's a good thing
15:05
and she like, oh wink, wink said
15:08
uh, Galmyer. Nah, that
15:10
horse got out of a bad situation, this person doesn't
15:12
know how to succeed. Oh! Excuse
15:15
me? Hahaha! Speaking
15:17
of succeeding, I was
15:19
wondering if a dear friend of
15:21
mine, excellent Collette, had
15:23
checked in. Oh no,
15:25
Collette hasn't come by yet. No? No
15:28
I don't know, I don't know if she's gonna come. Uploaded?
15:32
No, I don't think so. Well
15:35
I'm parched. I don't
15:37
remember you two being that close. Me? That's
15:40
Collette. Yeah, excellent Collette. Uh,
15:42
you must be
15:44
wrong. Oh, Collette? Well
15:48
you know who is here, Whistlerfax is here.
15:50
Oh! Um,
15:52
Scandal Wanda's on. Yeah
15:55
so like I was saying, I feel like what
15:57
you have done, I have a lot to
15:59
do. you here okay I have to yeah you
16:01
know I have to sit here and check people in
16:04
so I'm sorry I can't really like
16:07
sure but now you see that you're using your go have
16:09
a drink I'm sure you I'm sure you'd like to have
16:11
a drink a drink yeah they're not gonna card me the
16:13
23 year old walks
16:16
to the bar eager
16:23
at the prospect of not being carted yeah
16:25
you get to the bar what does he
16:27
see before him the bar yeah
16:29
but like you know
16:31
just punch is it you know beers
16:33
there's a whole the other there's you
16:36
know there's a row of liquor
16:38
you know there's all the classic liquors
16:40
there's vodka there's rum there's tequila
16:43
there's others go
16:45
up go mirror leans up
16:47
there's a there's a there's an alluring
16:49
green bottle of absence go
16:52
go mirror leans against the bar looks on look at
16:54
that green chart truth um
16:56
very interesting it's absent yeah
16:59
I've been reading about green chart truth I'll
17:01
be taking a your finest screwdriver
17:06
all right can I that's all juice
17:09
and vodka if you didn't know if you make a feelings
17:11
roll these
17:13
are feeling yeah do you have
17:16
anything lower than Tito's little too
17:21
spicy for me lower
17:23
shelf like lower shelf yeah well I have this I have
17:25
this Kirkland
17:32
signature I'll be taking that in my
17:34
house I wish I was at my
17:36
own chip please actually a highly test
17:38
how rates very highly from wire
17:41
cutter now I'll get that Tito's is too
17:43
spicy for me I'll take that and I want
17:45
I want to ask you as
17:47
Gilmere looks around the room to see all
17:50
these alumnuses all these alumni are
17:53
there people that you think he should
17:55
are gonna hurt his feelings I
17:58
know there are people that are gonna hurt his And what
18:00
are their names? What
18:02
are their names, sir? Well,
18:05
there's class president Horna Greskar.
18:08
You can pick her out real easy, because she's
18:11
a cleepee. You know, she's a human with green
18:13
hair. You know the cleepees?
18:15
Like Trevian. Yes.
18:17
Oh, the characters I
18:19
made. Cleepee.
18:26
There's also a beautiful silver horse. With
18:32
a long, long,
18:35
long white mane wearing
18:38
glasses. Okay, cool. Yeah.
18:42
And you feel like maybe you recognize that horse. Gomir
18:48
grabs his screwdriver and looks around
18:50
the room where he sees a
18:53
beautiful silver horse. Holy
18:55
shit. A horse
18:58
Christmas style? I gotta check that out. What?
19:01
Silver and gold decorations on every Christmas
19:03
tree. Silver's Christmas style to me. Gomir's
19:06
in the house. Gomir
19:09
walks over to that silver horse. Silver
19:14
horse. But
19:17
briefly, the camera pans back to the bartender
19:20
who chuckles to himself and says, Should
19:23
have carded that kid, but it was like some
19:25
roll of fate prevented me from doing so. Wings
19:28
of the camera. Reunions. Gotta love
19:30
him. He cleans the
19:32
glass. We pan back to Gomir. Excuse
19:35
me. I couldn't help but know it's your
19:38
beautiful silver mane. The horse
19:40
turns to you. Wait a minute. Sorry. You asked
19:42
who was going to hurt your feelings and then walked right to
19:44
him? That's what I was asking as Tim, but
19:46
I want to put Gomir in the line of
19:48
fire. Aww. I love
19:50
drama. I rescind my question. Yeah.
19:53
Make a feelings roll. Excess.
19:56
Okay. This horse looks directly at you, but even
19:58
though you can feel... the radiating
20:01
confidence you aren't intimidated. Well,
20:04
you're kind of a big deal, aren't you?
20:06
So, I'm here to sort
20:08
of ask professionals about their professional
20:10
development. What did you get where you are today? I'm
20:13
sorry, I don't... Were
20:15
we classmates Marvin?
20:17
I don't remember you. Marvin,
20:20
Marvin Blond. And, uh... yeah.
20:22
Yeah, we were classmates. Oh, I'm sorry.
20:24
I guess we didn't have any classes
20:26
together. No, no, no. I was much
20:28
more in the intermediary classes. You know,
20:31
I think... Oh, yes. I was in
20:33
all the advanced classes. That makes more
20:35
sense. Of course I remember. I always admired
20:37
you, but I didn't think I was worth it. I
20:39
didn't have the stuff to seem to achieve the heights
20:41
that I now believe I'm capable of. That's why
20:43
I'm asking my old classmates. But remind me, who
20:45
was your horse? My horse?
20:48
Yeah. Gomir.
20:50
Gomir Lysander. Yeah, that's it.
20:52
Gomir Lysander. I don't
20:55
remember your horse either. Really slow, but really
20:57
tall and gorgeous. And actually also fast. Wait,
21:01
he's slow and fast? Yeah, I never
21:03
understood how, but some days he was
21:05
slow and some days he was fast.
21:08
Anyways, yes, I don't really need any introduction, but
21:10
yes, I am Whisperfax. Ah, right, of course Whisperfax.
21:13
It's great to see you again. Well, I guess
21:15
it's great to see you two again. So
21:20
what have you been doing since graduation? Well,
21:23
I... do you read? Do
21:25
I read? Yes. I read C.S.
21:27
Lewis, canonically. And
21:32
I do write an article for
21:34
my ship's paper, and I don't
21:36
read much beyond that. And
21:39
in New Yorker sometimes, these are the comics. I hate
21:41
them. I
21:43
read those New Yorker comics. I
21:46
swear, I read those New Yorker comics and it's like,
21:48
this is banal. This
21:52
is banal. But what about those
21:54
shouts and murmurs? Those shouts and murmurs, they suck.
21:56
It's like, oh, what if we did the most
21:58
regimented form of a... an arch-ness
22:00
possible with no actual jokes. Well,
22:04
I would love to share your opinion, but they
22:06
actually gave me a very good review recently. I
22:09
recently became the first horse to publish a
22:11
novel. Oh my god. That's
22:14
incredible. A novel? Such focused
22:16
work. You have to be insolvented a lot. That can
22:19
be pretty hard. Well, sometimes when the story is in
22:21
you, you just have to let it out. That's what
22:23
I like to say. Okay, I have to ask. What's
22:25
it about? It's called an apple for bluebell. And
22:29
it's a huge bestseller and it's pretty
22:31
erotic. Yes? Yeah,
22:36
I sort of brought in
22:38
a fresh new perspective to... Horse
22:40
sex! Hi! It's
22:42
been a minute. Scandal! Hi!
22:45
Hi with the fact. It's so nice to see you. Very
22:47
good to see you! You nuzzle. Yes, we nuzzle.
22:50
But like European style
22:53
on each cheek. How have you been?
22:55
I've been fantastic! How
22:57
have you been? How's life
22:59
in the literary elite?
23:02
Well, it's been very lovely to
23:04
connect with so many fans and find such
23:06
an audience that loves my work. Yes,
23:08
of course! I know you spent a long
23:11
time looking. Well, they found
23:13
me. So it's all paid off, I suppose.
23:16
Yes! Cha-ching! Yes,
23:18
and have you... Make money? No, I
23:20
would... No, did you... Have you had
23:22
a good ten years? What
23:25
have you been up to? What
23:27
have you been keeping busy? It's flown by!
23:29
I'm a member of the vanguard, you
23:31
see. So in many ways, it's quite
23:33
literally flown by. Oh, beak! Oh,
23:37
you... I didn't know you
23:40
went into the army. Well, it's
23:42
more navy. Right,
23:45
right, yes. Base navy! Sorry,
23:47
yes. You went into the armed forces.
23:50
Yes. And what's your
23:52
rank? How far have you ascended the chain
23:54
of command? Whoo!
23:57
You're probably a general now, if I remember. remember
24:00
the high achieving scandal of high school. That's
24:03
true. Or I'm sorry, an
24:05
admiral. Right. Well,
24:08
scandal. Remember, a
24:10
friend. What do you want me
24:12
to be? Excuse
24:18
me. What rank do you think you'd
24:20
like best? I
24:23
don't know how to answer that question. He
24:25
turns to some of the other people at the party.
24:28
I guess I'm not I guess I'm not going to
24:30
write enough about the Navy any time soon. Yeah,
24:38
and don't make a feelings roll. You
24:43
fight off feeling you fight off a
24:46
growing fear of embarrassment. Okay, yeah,
24:48
no, she thinks she's watching this.
24:51
Well, so how's your human?
24:55
Oh, Derek, he's great. Derek?
24:57
Yes. Yes. He
25:00
just bought a yacht. Oh,
25:03
yes. Okay, where's he? Where
25:05
does he put that? What water?
25:08
On Earth. Oh, on Earth?
25:10
Yes. Bold choice. Well,
25:13
yeah, well, you know, you
25:15
know, you know what real estate on Earth is like. But
25:21
we I actually I actually got a pretty
25:24
nice advance for my next novel. So you're
25:26
writing a second one. Am I in it?
25:29
No, it's fiction. Well, but I could
25:31
be in it. I could be in it doing
25:33
something I wouldn't normally do. Maybe I'm
25:35
on vacation. Yeah, I mean, that's
25:37
a pretty good point. You know, sometimes when we're
25:40
doing all this military stuff, we see
25:42
how amazing real life is and how
25:44
making up fictional events sometimes
25:46
can't even compare to the amazing adventures
25:48
that we've had on the Vanguard. And
25:51
that you hear from across the room
25:53
as charity is shouting at someone who's walking
25:55
away from her. When
25:57
I opened the dip everything in
25:59
peace. in a butter store and
26:01
she turns, just absolutely panic
26:04
in her eyes and
26:06
like makes eye contact with this group and then
26:08
scurries off to find someone new to talk to.
26:11
Mmm. I don't
26:14
know if that would really fit. My next
26:16
novel is sort of about a rakish young
26:18
horse having sexual escapades in New York City.
26:20
I have sex. Uh-huh. What?
26:22
What? I do. Is that what you
26:24
want to talk about right now?
26:26
Well, he brought
26:30
it up. I didn't bring up sex, but
26:32
if he's talking about a horse having sexual intercourse,
26:34
I'm not going to pretend I'm not one of
26:37
those. He brought it up as something fictional, as
26:39
something real. I have real sex. Oh,
26:41
God. Real
26:43
sex. And need I remind you, I'm
26:45
a gold star lesbian horse. What's
26:48
his gold star? What's a gold star lesbian?
26:50
Means she's never had sex with a male
26:53
horse. Exactly, Marvin.
26:55
Thank you. Means she's only
26:57
had sex with other female horses. I've
27:00
kissed human men though. I
27:05
actually remember that. Oh. I
27:08
remember at the homecoming dance junior year.
27:10
Yes. You and Trevor. Trevor,
27:13
yes. Yeah. I actually never got
27:15
his name. Really? Really.
27:18
Well, you were in the play together. Well, that doesn't
27:20
mean I asked his name. Is that what
27:22
you do in plays? You were both in the
27:24
music man. That's right. I
27:27
played the judge. And
27:30
he played Harold Hill. Well,
27:32
I knew him as Harold. And
27:35
then in the script, it said we had to kiss. Well,
27:38
no. But of course, we
27:40
all remember the famous scene in the musical, the
27:42
music man, where the music man Harold Hill kisses
27:44
a judge. But no, this is what I'm
27:46
talking about at the homecoming dance. Oh,
27:48
the dance. And Gomir slowly backs
27:50
away, sipping his screwdriver through his
27:53
straw in the way that can
27:55
only be described as
27:58
reacting to awkward. around
28:00
him and he goes to
28:02
fine charity. Before you
28:04
do, you bump into yes, Phoebe.
28:09
Oh my goodness, I am so sorry. Watch
28:12
it. Watch it. I'm
28:14
sorry, I didn't see you.
28:16
I'm sorry. I'm
28:18
sorry if I'm a little stressed. I've just
28:20
been planning this event for a long time
28:22
and I just I'm sort of
28:24
all over the place. Oh my, you planned this
28:27
amazing event? Yes, I'm class president Hornet
28:29
Gresgar. Oh, a
28:31
class president? That's high achieved. I gotta
28:33
ask you, if you were
28:35
class president then and now you're planning the event now,
28:37
you must have some of huge professional success. What are
28:39
some tricks and hacks you did to get there from
28:42
your early 20s? Well, I've always
28:44
been good at seeking out quality mentors. Oh
28:46
wow. Yeah, me too. Yeah. And that's you
28:49
know that's been so important you know where
28:51
I am now as a nano surgeon. A
28:53
nano surgeon? Yeah. And you had time to
28:55
plan this event too? Well, you know,
28:57
I mean, it's sort of a lifelong
29:00
responsibility when you're an electric class president.
29:02
Let me guess, you're a type A
29:04
personality. Oh, let me take that back.
29:06
Type A plus. Are
29:10
you someone's spouse? No, I'm
29:13
someone's plus one
29:16
who also went to the
29:18
school because it had a
29:20
horse named Gelma, but
29:23
I actually transferred to Canada.
29:25
Yeah, I transferred to Canada my sophomore
29:28
year, but now I'm back with
29:31
my wife Charmaine
29:36
the horse. On the
29:38
other side of the space,
29:40
you hear Gelma dying.
29:44
Oh, no, my horse. Gelma
29:46
is dying. I gotta follow but
29:49
I need to meet you. I open
29:51
and talk later. I'm so sorry about your
29:53
horse. He's okay. It's a shame. It's
29:55
a shame to be without your horse. I
29:58
totally agree. But that's why I go to talk to
30:00
my horse right now. I'll talk to you soon. Please
30:02
keep him alive. Oh, of course. I get, and even
30:04
if he dies, he's ready for it. Dash. She
30:06
grabs you on the shoulder and pulls you close and says, I
30:09
do not want anyone dying at this
30:12
reunion. Of course.
30:14
I want this reunion to be perfect, Marvin. No
30:17
problem. No one's dying here. Not on
30:20
my watch. Good. Oh, wait the
30:23
grip you have with those surging fans.
30:25
Well, they're very good at very small
30:27
things. You call my
30:29
next mall? And that you hear Charity
30:32
yelling at nobody. She like
30:34
starts walking towards scandal is
30:36
when I invented the fly
30:38
swatter. Oh my God,
30:40
I'm dying out there. What's
30:43
wrong? I'm just lying. Why?
30:45
I don't know. I told, I
30:48
told whisper facts that I am
30:51
part of the vanguard. And I
30:53
think he thought it rather droll. That's,
30:56
but that's the truth. He asked me about
30:58
my rank charity and I realized we don't
31:00
have one. Cause we're spies. I know. Should
31:03
we just tell people? No,
31:05
no, no, no, no. There
31:07
you are. This is a problem. You two did
31:09
different techniques. Scandal. You told the truth.
31:12
You should be the one lying. Your
31:14
voice is so big and loud. Lying
31:17
behooves you. And
31:19
you, Charity, you should be the one telling
31:21
the truth. I mean, come on. You're
31:23
like elegant and shit, right? Like your whole
31:25
family's got like a whole thing. People are impressed
31:27
by that. Tell the truth about it. That's the
31:30
problem. You're wearing the
31:32
wrong name tag. Apparently
31:34
you all put that Marvin was your plus
31:36
one rather than me. Well, he
31:38
was our first choice. He
31:41
was your first choice. Yes. He's
31:43
so subdued. Aha. The scandal scandal.
31:45
Uh, kind of like take one
31:47
step away from Gelmeyer with Charity.
31:51
Maybe we should switch. Maybe Gelmeyer's right.
31:53
Maybe I should be lying, but tell
31:55
me the lies you've been telling. So
31:57
I don't tell them we opened up
31:59
a piece. Dippet and Peanutbutter store.
32:02
I invented the flyswatter. The
32:05
space machine known as the crew tube.
32:10
I'm about to lie to you now. I don't even
32:12
know why. I want
32:14
to sound more impressive at every turn.
32:16
Okay, listen. What? I'm pretty sure 90%
32:18
that I'm going to be in a
32:20
novel. So I better start putting some
32:23
good lies out there. My god.
32:26
This is so consequential this night. Oh my
32:29
god. Who do you see?
32:31
Is it Chip-Chip? Chip-Chip? No,
32:35
for real. No. It's
32:37
Jeff. Good luck.
32:39
How do I look? Fantastic.
32:41
Is my lipstick red? Yes.
32:46
She walks forward and puts Jeff. Describe Jeff
32:48
for me. Okay. So
32:54
Jeff's one of the humans in the room. He
32:57
has like a whole lot of hair.
33:00
He's making a big deal out of how much
33:02
hair he has going on. And
33:04
he has sunglasses up in them
33:07
even though it's been night for hours. And
33:10
he has a riding jacket
33:12
on but it's clearly un-scuffed,
33:16
unused. Jeff! Oh,
33:20
hey, chair! He hugs
33:22
you. He's
33:24
going to have a meltdown. Okay,
33:28
so she freezes. Sorry,
33:31
are you okay? I'm great.
33:33
Are you okay? No,
33:35
actually I'm not that well. I'm
33:40
sorry. I'm experiencing a high level of
33:42
social anxiety. Do you want to step
33:44
outside? Yes. Yes,
33:47
I do. Let's go. Okay. You step
33:49
outside into the cool night of this
33:51
alien world. I haven't described it but
33:53
there's actually... The planet
33:55
is near an asteroid belt. So
33:58
there's sort of like an arc of... of
34:01
slowly floating asteroids over the night
34:03
sky. Mm-hmm. It's
34:05
quiet out here. You can only hear the
34:07
muffled sounds of the reunions. It's
34:09
romantic. Yeah, there's a bench. Let's
34:12
sit on it. Sure. Hey, do you have
34:14
something to drink? She
34:17
looks down at the drink in her hand. Oh, good.
34:19
Oh, I did notice. Great. Do
34:21
you have... I can see that you
34:23
have something to drink. He's got a corona. Cheers. Those
34:26
are good if you put a little bit of lime in
34:28
them. Hey, Ann, I got one. Yes, you
34:30
do. Good job. So how have
34:33
you been? It's been so long. I've
34:35
been wondering. That one time,
34:37
we made out. Whoa, whoa, whoa,
34:39
whoa, Charity. Charity slowed down.
34:42
Jess, what's the point of small talk? I want
34:44
large talk. Let's get to it. Okay. Okay. Why
34:49
did we only make out once and
34:51
then not go any further that one time? What
34:55
a fucking nightmare. Charity,
34:58
I mean, honestly, if you had
35:00
paid me $1,000... Yes,
35:05
which I can. Charity,
35:07
Charity, Charity, Charity. She's counting money. No,
35:09
no, no, no. Put away, put away, put
35:11
away. Okay. Just like take a breath. How
35:15
does that feel? Nice. Good. If
35:20
you had paid me $1,000, I don't think I would
35:22
have expected you to come at me with that question.
35:26
Fuck. I'm alone. Okay.
35:28
Bye. I'll answer
35:30
it. Good. Do
35:32
you remember? It was junior year. Yes,
35:35
we were juniors. And they're... Let me see,
35:37
it was a cow. It was after the
35:39
volleyball game. It was after a volleyball game.
35:42
In the study lounge? Yes.
35:45
Because there was a catch. Yeah. And
35:47
then we kissed. Yes. We
35:50
made out a little. Which was great. Thank
35:52
you. I thought so too. Thank you.
35:55
And then there was a very loud whinny. Yes.
35:59
From the closet. Of course. And
36:01
then you said, I have
36:03
to go, I think there's a fire
36:05
and you and you left. Oh
36:08
yeah. And then
36:10
for like a month, when I
36:12
would like see you in the hallway, you
36:15
would gallop away. You would hop on scandal
36:17
and you would gallop away. Oh
36:19
yeah. Why did you not
36:21
chase me? Charity, I was, I felt like
36:23
I was getting a message and I was, I
36:26
felt like I was respecting that message by not chasing it.
36:29
I see. Was that, were you playing hard to
36:31
get? No, I think I simply was hard
36:33
to get. Yeah. Well,
36:36
this is confusing. I forgot.
36:39
Jeff. Yeah. Thank
36:41
you. Yeah. It's
36:43
really good to see you. Do you have
36:45
kids, a wife, a spouse? I get. I'm
36:48
not asking to be any of them. And
36:51
I didn't think you were, Charity. You're just,
36:53
you were coming on so hard. You're
36:56
like, you're coming at me so hard. Jeff,
36:58
this, why does this feel like an interrogation?
37:00
Do you remember me? I
37:03
do, but I also think in high school you
37:06
were, I don't know, in high school you were
37:08
a little, you were a little more relaxed. I
37:10
don't know if all of this was like, this
37:12
whole vibe was set in stone. That's
37:15
that. Well, I became me. Wow.
37:19
Goodbye, Jeff. I'm engaged.
37:21
Enjoy your Corona. Oh, congratulations. Thank
37:23
you. Thank you. That's so nice.
37:25
Yeah, she's in there. When will you
37:27
wed? In
37:30
the spring. That's such a
37:32
nice time. Allow
37:36
me to recommend the honeymoon cruise. The
37:38
honeymoon cruise? Yes, it's a brand. We're
37:40
going, we're going to Titan for,
37:43
for the honeymoon. Gorgeous. Yeah. Yeah.
37:46
We're excited. We're excited. You must
37:48
rock climb. We're, we're
37:50
hoping to, we're hoping to. Can I,
37:52
can I ask you something directly? Yes.
37:55
Why did you, why did you want to ask
37:57
about us? Have
38:00
you thought about us? A lot? Well,
38:02
it just actually got hot, by the way. Like, I just
38:05
actually think it was like, oh my god. Why
38:09
did she ask him? No.
38:13
Wait. Yes, I have thought. I've
38:15
thought about you, Jeff. My primary
38:18
relationship these days and for many days has
38:20
been my horse. I know. And
38:23
I believe that is the right move
38:26
for me right now. But I cannot help but wonder,
38:28
what is out there for me romantically? And in
38:30
looking into the future, I can't help but
38:32
look into the past. And your
38:34
face arises. Mushed
38:37
up against mine. He brushes
38:39
the hair out of his face. It just
38:41
goes right back. Yeah. Yeah. I
38:44
thought you were really cool. I still think
38:46
you're cool. She wasn't. Stop
38:49
flirting with me. You have a wife. Yeah, I
38:51
have a fiancé, but I'm not flirting with you.
38:54
We're just reconnecting, I think. Yes, I
38:56
can tell. I
38:59
should get back in there. I should get back in
39:01
there first. It's
39:03
not... Charity. If I
39:05
can leave you with like one piece of advice, can I?
39:09
You can try. I
39:11
think something that I... Something that
39:13
I feel... This
39:15
is just me sharing, really. It's not even advice. Mm-hmm. But
39:18
not everything is a race. Jeff, you
39:21
are an idiot. Okay, one, two, three,
39:24
go! She runs. She
39:27
runs. She's inside before... Jeff doesn't
39:29
get up. Yeah, Jeff knew
39:31
what would happen, and Jeff doesn't get up. She
39:33
gets inside and she tuckles a little bit. Charity,
39:36
you run back into the hall just in time for the lights
39:38
to go out. People
39:42
gasp. People are shocked. And
39:45
then you hear the sound
39:47
of a phaser blast. You
39:50
hear the sound of a phaser
39:52
blast. Hear? And a
39:54
scream. Now? Yeah,
39:57
the lights come back up and... Mary
40:00
Anderson has been vaporized Hi
40:22
there space Jehovah here seems
40:24
you've died and gone to heaven Congrats,
40:27
I just have to check a few things make sure everything's
40:30
in order Yeah, we're actually
40:32
the first fictional heaven with paperwork. Can
40:34
you believe it? Oh wait? What's
40:37
this it seems in life you
40:40
never joined the O. These those stars of
40:42
space patreon? What happened?
40:45
Did you know that it only cost five
40:47
dollars a month and that five dollars gets
40:49
you access to a patreon exclusive episode each
40:51
and every month? original
40:53
exclusive adventures with Ali Fisher
40:55
and others Not to
40:58
mention access to the these those discord and
41:00
oh these those chats of show where the
41:02
cast answers fan questions Plus
41:04
the pure joy of supporting independent
41:06
artists Even today before
41:08
you died you could have gone to patreon.com/of these
41:11
those stars of space link of the show notes
41:13
and signed Up in minutes you
41:15
knew all this and you still didn't Sorry
41:17
friend, but that's got me feeling a little wrathful.
41:20
I'm afraid you're gonna have to go to hell
41:22
And no, this isn't rude tales. My hell
41:25
is not fun If
41:27
for some reason living mortals can
41:29
hear this conversation, please don't be
41:31
like this sinner join the these
41:33
those patreon today Thanks,
41:36
and We return
41:38
not just to a high school reunion, but
41:40
to something worse a crime scene Name-tag
41:46
booth volunteer Mary Anderson slain will
41:48
be the headline if an alumni
41:50
Organization published a newspaper about this
41:53
reunion. They probably don't though cuz
41:55
who would read it my
41:58
god Oh,
42:01
I saw it and I was in here! An attack
42:03
on the bar car! There's chaos.
42:05
People are screaming. People are upset.
42:08
There's calamity. You don't see any
42:10
sign, though, of a perpetrator. scandal
42:12
is running, running in a
42:14
frantic circle and she's dragging a cowboy
42:17
Is she running or galloping? She's
42:21
running. Okay. So we hear running.
42:23
We're gonna put running down. Do
42:26
we do that? Gummler stands upon
42:29
the chair. Everyone calm down! Calm
42:31
down! Calm down! What
42:33
is it, Marvin? Wink!
42:36
Wink! Everyone, a tragedy
42:38
has occurred that does not mean we
42:40
should all freak out. Come on. You
42:42
are a room of accomplished adults. Together,
42:44
we can all put our heads together
42:46
and figure out who did this and
42:48
stop them from ever doing it again.
42:50
Yeah, let's listen to Charmaine's husband. Right.
42:54
You know my wife, Charmaine.
42:56
This is the first time Gummler realizes that there might be
42:59
someone named Charmaine here that he might have to pretend to
43:01
be her husband. To
43:03
her! To her. I've
43:06
got a husband! All
43:08
right. Is anyone
43:10
sort of taking charge of this situation
43:12
right now? Is anyone coming to the
43:14
fort besides Gummler? Yes. And
43:16
Android steps forward who wears
43:19
a stern woman's suit. And
43:24
sort of a plum color. You
43:27
recognize this even though she is a little
43:30
bit of an older model. This is of
43:32
course Headmistress Abigex. Everyone! Everyone!
43:34
It's okay! It's okay! Tardish
43:38
Hall! We love horses in
43:40
space! I don't think this is the time.
43:42
There's been a murder. Oh, sorry,
43:45
headmistress Abigex. We just, you know,
43:47
old habits. It's okay, girls. It's
43:49
okay, but let's stay
43:51
calm. All right? All
43:54
right. Now, we
43:57
want to get control of the situation so
43:59
naturally... I've locked the doors. There's
44:06
no escaping for the perpetrator. Surely,
44:09
surely one of our alumni went
44:11
into, um, Detective...we?
44:16
Hello? And had Mistress Abigail sort of
44:18
like swivels her body back and forth?
44:21
Someone must be an investigator? No?
44:23
Anyone? A scandal bolts
44:25
over to Walt, over to Terri-D.
44:28
I think we should say. I think we should
44:30
reveal. Is this our time? This is our time!
44:33
Our time to shine? Our time to shine! We
44:35
could say we're detectives and lie, and
44:37
still be spies and do the job.
44:39
But I said I wouldn't lie. I'll
44:42
lie! I'm a detective! Gah!
44:46
Yes! You could call
44:48
me... Dick Scandal! I'll
44:53
say
44:56
Barak-A-R. Dick means detective.
44:59
Yes, I'm just processing
45:01
Dick Scandal. My
45:04
circuits aren't what they used to be. Mustn't
45:06
be. Who's that? Who's A-R? Anyways,
45:13
I thought you were in the Navy. Well,
45:17
that's not mutually exclusive. Oh,
45:20
are you in like the NCIS? Yes. Yup.
45:24
Well, it seems... it
45:26
seems we have our investigators. And for
45:28
lawyers, it would be Jag. But
45:31
you're not lawyers? No. Alright.
45:34
Well, it seems like Dick Scandal and
45:36
Dick Charity are on the case. Oh,
45:38
I'm not the detective. Alright,
45:40
then just Scandal, I suppose. Charity,
45:43
you will remain on the sidelines for this
45:45
one. Thank you. Dick Charity. Donate
45:50
to me. Okay,
45:58
I'm sorry. Go ahead. I
46:02
didn't even think about it! Here's
46:04
the... Is this
46:07
you realizing GoFundMe? Yes! Here's
46:10
the GoFundMe for my lengthening surgery. For
46:14
my penile implants. Yes! I'm
46:17
sorry, go ahead. Yes,
46:20
I'll solve the crime. I'm
46:23
a detective after all. Well,
46:26
everyone's here. The room is locked, so
46:28
please. Go
46:30
ahead. You're a mystery, my
46:33
speciality! I
46:35
would like to question excellent Colette. First
46:38
question, is she here? Yes. She
46:44
trots forward. Beautiful,
46:47
beautiful red mane. Big
46:50
green eyes. She's
46:53
got pierced horse ears. So
46:57
cool. A
47:00
grade A rack. Just
47:04
an incredible rack. Yeah. In
47:07
that area, the chest muscles in the
47:09
front where the legs come out. They are sort
47:12
of like in front of her legs. Yeah.
47:17
She's wearing a dress with a... She's wearing
47:19
a horse dress with a low neckline. A
47:22
plunging neckline. A
47:25
backless dress. A
47:27
horse and a backless dress. Showing
47:30
a lot of cleavage. She's just stepping on
47:32
it. Constantly
47:34
dragging on her. It goes all the
47:36
way back to her hind legs. Yeah,
47:39
it loops around her back. It's
47:43
a little short though, so her horse legs. We'll
47:46
see the fan art. The
47:48
internet is full of this kind of thing. Check
47:52
out this slut. It's
47:54
so good to see you, scandal.
47:58
Oh, I wish I could say that. the
48:00
same excellent colette but
48:03
I don't see me because my eyes are in my
48:05
face good to see you though
48:08
is it good to see me I'm a little torn up by
48:10
the murder yes a
48:13
weird time to be saying it's good to see
48:15
someone don't you think when did you want
48:17
me to say it to you tomorrow I
48:19
won't see you then you didn't
48:22
need to say it at all dear Oh scandal
48:25
Lake is really trying to appear
48:27
like she's winning this but she's
48:30
losing it so
48:32
I actually couldn't stay very long I'm supposed
48:35
to fly to Vega soon so
48:38
could we wrap this up quickly are
48:40
you in a rush to get away
48:42
with murder oh no I just have
48:45
a photo shoot oh no I'm leaving remember
48:50
oh not if I you're leaving in
48:53
cuffs oh I didn't
48:55
do it I'm not what I'll be
48:57
the judge of that well I when
49:00
when it happened I was I was over
49:03
in the corner talking with Azalea skyscraper and
49:06
lemon Tennessee well obviously you couldn't
49:09
use a vaser from the other side of
49:11
the room oh wait it's a ranged weapon
49:15
what have I done why are you accusing me you've
49:18
been a bitch to me Oh
49:24
scandal Collette I'd
49:27
like to make a Collette call what
49:29
does that even mean it's the future
49:31
hmm it's the future that's the charges
49:33
of murder we don't have collect
49:36
calls so that reference makes no
49:38
sense to me the charge is
49:40
scandal scandal you're so adorably old-fashioned
49:42
what it's so quaint I have
49:44
gills that breathe space really
49:47
that's so interesting yes maybe
49:49
I could make one of my posts about that I'm kind
49:51
of an influencer oh on your blog no
49:54
well I have some questions for you
49:57
you've yet to ask one but go ahead where were
49:59
you when Mary was murdered. I
50:01
was over in the corner with
50:03
Azalea Skyscraper in Lemon, Tennessee. And
50:06
where is your favor? I don't have one.
50:08
Ditched it, did you? I don't
50:11
have one. Because you ditched it? I
50:13
don't have one. Scandal turns
50:15
to Charity and she is... You
50:18
see her sweating bucket that looks like she's
50:20
in a rainstorm. Perhaps
50:22
call for next? Next! I'm
50:25
done with you now! Great, so
50:27
it seems I'm innocent. Innocent of
50:30
being cool. I really hope you
50:32
find the culprit soon. Next! Okay,
50:34
who's next? Juliet! Juliet!
50:38
Hi. Hi, why did you
50:40
only make out with Charity? Yes!
50:45
Sorry, sorry, what is this ha- I'm sorry,
50:47
everyone is here. Hi! Just getting a
50:50
baseline. Juliet, you remember me. Just trying
50:52
to see, you know, this is how
50:54
lie detector tests work. You start with
50:56
yes or no questions and... So,
51:00
you didn't make out with Charity because
51:03
you knew she was too good for you? You-
51:05
you were- you're a real detective? Yes.
51:08
Because this doesn't feel like what a
51:10
detective would do. Oh, are
51:12
you a detective? No. Mm-hmm. So how
51:14
do you know? Well, I've
51:16
seen like shows and things. Oh, that's
51:18
the same as the real thing. I
51:21
o- I oughta slap you. But
51:24
first I'll ask you a question. Did you
51:26
want to
51:28
do more than just first base
51:30
with Charity? Answer
51:33
the question. Charity, really? You're
51:35
gonna make this- you're gonna make- you're gonna make in front
51:37
of everyone? I'm thinking, why
51:39
not? Juliet, it's
51:41
been a long time. Yes. You
51:43
did? Oh! What do you
51:46
mean, of course? I mean, look at you. Well, she
51:49
was good. I mean, you
51:51
know- you know what a- what a crush I
51:53
had. Then
51:57
what happened? What happened? Yes.
52:00
or no you know that we were
52:02
when we kissed yes we were we were
52:04
riding we were on a ride together we
52:06
leaned over fire under fireworks yes and you
52:09
were riding scandal and i was riding my
52:11
horse yes donkey kong fun tree of
52:15
course and so donkey kong yeah
52:17
she's over there uh we
52:22
kissed and then you scandal just took off
52:24
scandal pins her ears back well
52:27
you you you no you just kept driving no
52:29
you just kept you just kept going and i
52:32
shouted after you i said i said what
52:35
happened what's what's wrong and then that that was
52:37
the you remember that was the time we
52:39
didn't hear from you for like three days and it turned
52:42
out that you two had just galloped
52:45
well for like three days you were like you
52:47
were like 100 miles away i suddenly remembered uh
52:49
there was a record to break i
52:51
forgot about all this well
52:53
you're innocent so uh next
52:56
sorry juliet uh no
52:58
it's okay next i'm it's
53:01
really nice to see you again it's nice to
53:03
see you too yeah you look wonderful
53:05
how are you doing i'm doing all
53:07
right oh that's so good to hear next
53:09
and you oh i'm good
53:11
i'm good yeah good i'm on uh
53:13
i'm i'm i live on mars no
53:16
yeah that's a dream yeah like
53:19
a favorite show takes place on
53:21
mars yes yes lovely
53:24
next well it's
53:26
but i mean maybe we could
53:28
um listen i'm conducting an interrogation
53:30
in the middle of this room
53:33
by a microphone so if you could just move
53:35
along so that the next person could come up
53:37
so some things some things stay the same
53:40
i guess i'll i'll talk maybe i'll
53:42
talk to you later oh okay goodbye
53:44
juliet have a good life oh
53:47
okay goodbye turdie's
53:49
kind of confused but refocuses on
53:52
scandal hi hello next for the
53:55
for the murder i'll talk oh
53:58
wonderful hi i'm one Lushpale. Oh,
54:04
it's my old sidekick Lushpale!
54:06
Well, hi! Sidekick? Yes,
54:08
you were my sidekick! I thought
54:10
we were besties. No,
54:13
I've no, Charity's my best friend.
54:16
You were my sidekick. You
54:18
were my friend who was lesser than.
54:21
Oh. And funny. Hey,
54:23
I've been meaning to ask, is
54:25
something wrong with your email? What
54:28
happens when you try to email me? I
54:30
don't get a response. Nope, it's... I send
54:33
you those emails just like letting you know
54:35
what's happening with me. No, I get them.
54:37
It works. Well, I'd love for
54:39
you to meet the twins sometime. Oh,
54:41
ya boys. Girls? Yeah.
54:45
I'm so, I'm so
54:47
glad you were able to conceive. I know
54:49
you had that problem with your testicles being
54:52
much longer than your... You
54:56
have to continue. Much
54:58
longer than your horse penis. Uh,
55:02
that wasn't me. You're
55:05
on the road. That was humility. Oh,
55:10
so you probably got along just fine. Yeah.
55:14
Yup. Pretty normal. Pretty normal,
55:16
my horse dick. I
55:19
mean, everyone can see. Listen, this is a room full
55:21
of horses. You... Everyone's
55:23
looking. Well, that's wonderful
55:25
news. I spent
55:27
the last ten years thinking something horrible about
55:29
you. What? Oh,
55:32
that you're bald. Oh, no. Again,
55:35
that was humility. Right. Hi.
55:39
I prefer you not talk about it. Well,
55:41
we can all see it. I've got a harness. There
55:44
are cosmetic procedures. Well, that's
55:46
what the harness is for. Well, maybe make
55:48
it permanent, commit. How old are
55:50
your boys now? Lunch pail. Four.
55:54
Four years old. And again, they're not boys. And
55:57
so that means you had them six years ago. Because
56:00
I haven't seen you in 10. Nope,
56:02
that's the more childless for
56:05
six years. Yeah.
56:08
So this whole time, this whole time,
56:10
Gelmir has been in the audience with
56:12
a magnifying glass, looking at the body
56:15
and sort of like looking around and
56:17
observing everyone's behavior in the room. Yeah.
56:20
Has he found any legitimate clues? So you're
56:22
using a magnifying glass? I
56:24
am using a detective grade,
56:27
mail-in, you know, six
56:31
cereal box repair
56:34
things for a... Yeah.
56:37
This goes against my better judgment because this barely counts as
56:39
like equipment, but I'm gonna let you
56:41
make a prepared laser's roll. Wow. Fail.
56:46
I'm prepared. Fail
56:48
again. And
56:50
success. For those last
56:52
two babies, hey, don't count. No. Yeah,
56:55
you don't see anything, but you do feel as you're
56:58
doing it, like most of the
57:00
attention is directed towards the
57:02
large amount of focus that Scandal is pulling
57:05
right now. But you
57:07
do, as you're sort of like leaning over
57:09
and examining it, you do feel sort of,
57:12
you know, the energy of, you know, you feel like you're
57:14
being watched. You feel like someone is sort of like leering
57:16
over you. I look around to see who's looking at me.
57:18
Yeah, right behind you is class president, Horna Gresgar. Horna,
57:21
hi. What's going on over here?
57:24
Just looking at the body and trying to see if there's any clues
57:26
we can find to see who killed Mary. Okay,
57:29
well, I think we should leave this one to the professionals, don't
57:31
you think? Look at the professional. Can
57:34
you, you trust her?
57:37
Listen, Trotich Hall is one of the
57:39
most prestigious training academies
57:41
on all of Barakar. Are you saying you
57:44
have something to lose about a murder being
57:46
sold? We all have something to lose.
57:48
You have to lose. Well, I'm trapped in a room
57:50
with a murderer for one thing. All the more reason
57:52
to find that person as soon as possible. I'm
57:55
eager for your help whenever you are willing to give it.
57:57
Well, I just feel like what you were doing suddenly seemed
57:59
a little suspicious. You think looking to find out
58:01
who did it is suspicious you usually
58:03
smell the Delta is it you say you're saying he was
58:05
smelt It dealt it the murderer always returns to the scene
58:08
of the crime though Don't we're all stuck at the scene
58:10
of the crime as you know yeah, but you're like right
58:12
here You're in the suit not touch me. Do you not
58:14
touch me put your hands away from me? You do not
58:16
know me. I do know you you're
58:18
Charmaine's husband We don't really know me do
58:20
you remember when we spoke and I said specifically I didn't
58:23
want a murder to happen tonight Yeah,
58:25
you did it's strange that you are the
58:27
first first person to mention murder in this
58:29
building itself They've been when I was stuck
58:31
in because I'm from what happened. I just
58:33
like when things go perfectly Well
58:36
things didn't go perfectly so we
58:38
got to learn why that happened and stop it from ever
58:40
happened again The reason I'm
58:42
so interested in professional development is because I want to
58:44
be a captain one day when you're in your early
58:46
20s I pay it's hard to make that work, so
58:48
if you don't mind I'm actually try to solve this
58:51
murder and do something for once you're in your early
58:53
20s Did I
58:55
say early 20s you did that's
58:57
so weird it must because I've been so used to pretending to
58:59
be my early 20s When Charmaine introduces
59:01
me to people because it's not part of our
59:03
fetish She enjoys she enjoys feeling like
59:06
I'm a bit younger than her and so when she
59:08
introduces me you're a French or sometimes Say I'm in
59:10
I'm in my early 20s because everyone sort of
59:12
goes. Oh really well. She likes that conversation
59:14
for me It's it's it's give or take
59:16
but yeah, I guess I sort of I'd
59:19
say that sometimes just try not to mess anything
59:22
up. Okay next Hello,
59:24
it's me whisper facts. Oh
59:26
hi whisper facts innocent. Thank
59:29
you. He trots away Who
59:32
else who else? Hey
59:36
Chip Chad oh yeah,
59:38
I have a question for you. Oh my god,
59:40
okay Actually, I have a
59:42
confession to make charities looking at
59:44
chip Chad Who's such a who's such
59:46
a textbook golden boy? He's literally golden.
59:49
Yeah, like his hair is golden. It's
59:51
gonna fold in He's just glowing as
59:53
a golden mustache now, which has
59:55
changed since high school. He didn't have a mustache. It's
59:57
older It looks good on him and she's
59:59
sort of like drawing her eyes
1:00:01
away and there's still the silhouette of
1:00:03
him in her vision she's so
1:00:06
bright. She's blinking as she
1:00:08
turns to scandal. Yes?
1:00:12
I have a confession to make. Maybe... What?
1:00:16
Scan, maybe I should make a confession. Charity.
1:00:19
Charity? Yes.
1:00:21
You remember that time we... well
1:00:24
we went to first base? I
1:00:27
wasn't going to ask. Yeah
1:00:30
well the thing is the
1:00:32
reason why I didn't really
1:00:35
like pursue you after that. I'm desperate to know please
1:00:37
tell me. I later
1:00:39
that night made out with scandal. And
1:00:43
then we made out a while. We
1:00:45
like met up and made out. We had
1:00:47
it. We were kind of weird. We were...
1:00:50
I... well I in my defense was
1:00:52
trying to kill him. We were
1:00:54
in an it's complicated situation for for
1:00:57
like a lot of second semester senior
1:00:59
year. I knew he had I knew
1:01:01
he had it bad for you, Charity. And
1:01:03
I thought if I ruined his mouth he
1:01:06
couldn't kiss you ever again. And she
1:01:08
tried. I did. I tried but
1:01:10
he's made of gold. We got
1:01:12
pretty crazy without going farther than
1:01:14
first base. It was only first
1:01:16
base. She would always say at the
1:01:18
end of it I'm gonna stay I'm gonna be a gold star.
1:01:20
She had her eyes on that prize. Scandal.
1:01:23
I... Charity. Did
1:01:26
you sabotage all of my kisses? I
1:01:28
did. Why? I didn't want
1:01:30
you to kiss them. But why? You
1:01:32
were my best friend and I thought
1:01:34
if you fell in love and got married and
1:01:37
had babies I wouldn't remember
1:01:40
their gender and I also wouldn't ever
1:01:42
get to see you again. But that's
1:01:44
ridiculous. You'd be my med
1:01:46
wife and like the godparents of my
1:01:48
child and I
1:01:51
don't understand. You're going to need to train little
1:01:53
horses of your own for them.
1:01:55
They would just be part of
1:01:57
your family. And
1:02:00
just checking you're both on mic in an
1:02:02
auditorium right now. Yeah, yeah, yeah. Yeah.
1:02:05
One mic. Yeah. You're
1:02:07
passing it back and forth. Yeah! And
1:02:11
you can hear a pin drop. Everyone is
1:02:13
fascinated by what's happening. I'm
1:02:15
sorry Charity. I've spent the last ten years
1:02:17
trying to make it up to you by
1:02:19
being your devoted companion, which is also what
1:02:21
I wanted the whole time. You
1:02:23
didn't have to run these other people off. They never held a
1:02:26
candle to you. But how glowing
1:02:28
this one is. Maybe
1:02:30
I was also confused with this one.
1:02:33
Yeah. Yeah. While
1:02:35
they continue going back and forth, coming
1:02:37
together in a way that they never could
1:02:39
before, Gelmir is in the corner and he's
1:02:41
got tiny binoculars that he is focused on
1:02:43
Horna. Horna is
1:02:46
sort of pressed against the back
1:02:49
wall, observing the whole room, taking the
1:02:51
whole room in. You can see
1:02:53
that she's fiddling with something in her
1:02:55
pocket. Gelmir's binoculars move from
1:02:58
her head to the pocket
1:03:00
and try to zoom in. What
1:03:02
kind of binoculars are these? These are also like
1:03:04
kid binoculars that you get from the back of
1:03:06
a magazine. Okay, make a prepared laser roll. Dude!
1:03:10
What is Gelmir's number? Two. Oh,
1:03:14
that's hard. Get that for lasers. Okay. But
1:03:16
still a one in three chance. The
1:03:19
odds are never that bad. Damn, I
1:03:21
can't see it. I haven't gotten
1:03:23
glue with the binoculars. I haven't gotten glue with
1:03:25
my magnifying glass. I'll never be a
1:03:27
detective. Wait a minute. I'm
1:03:30
relying on technologies and relationships
1:03:33
with those technologies that
1:03:36
kept me away from myself. I
1:03:38
should just use the one thing that God gave me. My
1:03:41
eyes, unadorned by glass. Gelmir
1:03:44
looks now at the pockets
1:03:46
and his eyes start
1:03:48
moving out of his head focusing
1:03:51
on what's happening in the
1:03:53
pocket. This is what you meant, Joe, right? Yeah. Is
1:03:56
that a telescope? Yeah. His eyes
1:03:58
are moving out of his head. Yeah, yeah. popping
1:04:00
out and they are able to focus somehow
1:04:02
because of his amazing skill and belief in
1:04:04
himself and using and also
1:04:06
this is because that's That's
1:04:08
also what some people have said about the professional
1:04:11
development is that they use what the God gave
1:04:13
them This skill slick I give them when gum
1:04:15
here It's his eyes and they're popping out of
1:04:17
his head focusing on those pockets. Yeah,
1:04:20
dude make a feeling girl. Okay It
1:04:23
works You
1:04:26
you can see the outline of a vaser in
1:04:29
her pocket Gelmere runs
1:04:31
across the room leaps and then
1:04:33
having grabbed corner knocking her to
1:04:35
the ground Vaser
1:04:39
she's got a vaser in her pocket Didn't
1:04:42
know what what Oh
1:04:44
next and scandal points hit a
1:04:46
horna No, what? Gelmere
1:04:48
with his arms around her a stanter
1:04:50
up and walks her right in front
1:04:52
of the tribunal The
1:04:56
tribunal yeah, it's us. Oh Yeah,
1:04:59
the two of you is a tribunal. Yeah. Yeah, I
1:05:01
don't know what that word means. Okay, usually three We're
1:05:05
doing the head moon. Oh, no there
1:05:09
That's really interesting I didn't know that a
1:05:11
lot of times things with words that begin with
1:05:13
try well trial Tripod
1:05:17
but trial I thought it was related to trial
1:05:19
Gelmere walks her up in front of the
1:05:22
detectives I Sorry,
1:05:27
dude Tim
1:05:33
Tim doesn't like when someone sort of like
1:05:35
goes on a tangent. He's a focused player
1:05:37
about wordplay Dick
1:05:43
scandal, yes dick charity. Yes.
1:05:45
I believe we have our
1:05:47
guilty party. Do you care
1:05:50
to examine her? Yes
1:05:52
scandal walks over to Horna
1:05:55
and she kind of like rolls up
1:05:57
the sleeves of her suit Is
1:06:00
he wearing? Horna,
1:06:03
I remember you from high school. Always
1:06:05
had to have everything be
1:06:07
particular, didn't you? And
1:06:09
I noticed that Mary was
1:06:12
bad at her job. Her
1:06:14
volunteer job. Am I
1:06:16
right? I have high standards
1:06:18
and I'll never apologize for them. I'm not
1:06:21
asking for an apology. But I don't know
1:06:23
why I'm being held
1:06:25
like this. I don't know what your
1:06:27
friend thinks. Scandal is going
1:06:29
to put her hoof towards the very
1:06:31
clear outline of the vaser in her
1:06:33
pocket and set it off so
1:06:36
that it fires down in
1:06:38
the pocket. Nothing happens, you're just poking a
1:06:40
woman. A
1:06:42
horse's hoof can't like hit
1:06:44
a trigger. Mmm, empty. Looks
1:06:47
like you said- What are you doing? Take
1:06:50
it out. Marvin's holding me. By
1:06:53
the way, the name's Gelmir. Yeah, after
1:06:55
my horse. And Gelmir reaches into her
1:06:57
pocket and pulls out a flask. Oh.
1:07:03
Oh. I-
1:07:05
Horna. I just- I just- I- I
1:07:08
was gonna be here for a long time before the bar
1:07:10
opened. So you needed somewhere to pee. No,
1:07:12
it's- it's whiskey. There's an
1:07:15
open bar, Horna. Yeah, but I was
1:07:17
here for- I've been here since noon. Getting
1:07:19
ready. The bar- Getting ready. Oh
1:07:22
my god. What? Yeah,
1:07:24
I was here alone and my horse,
1:07:26
Frieza, didn't get here until-
1:07:29
until six. Frieza.
1:07:31
Frieza. Gelmir lets her go.
1:07:34
I would like to be the first to apologize. You
1:07:38
should be. You actually should
1:07:40
be. Are you telling me you didn't kill Mary?
1:07:43
No, I said to Marvin or is it- what
1:07:45
is it? It's Gelmir, after my horse. I
1:07:48
didn't say- I said specifically to this guy, I
1:07:50
didn't want anyone to die. I would hate it
1:07:53
if someone was murdered tonight. And how are things
1:07:55
going with Frieza? Yes.
1:07:58
Where did you leave off with Frieza? Oh, I don't- Don't
1:08:00
you ask me! Next! Scandal
1:08:05
walks over to see the
1:08:07
cool- coolie. Long
1:08:09
time no see's! Yes the
1:08:11
last time I saw you, you were still in braces.
1:08:15
Okay. Low blow. But
1:08:18
a true blow. Mm-hmm. That's
1:08:21
what's hard about seeing people from your past.
1:08:23
They know all of the secrets
1:08:25
that you would like to leave in the
1:08:27
past. That's what
1:08:29
Mary Anderson knew. Mary didn't have
1:08:31
any secrets. Mary was nobody. Mary
1:08:34
didn't even have a horse. What
1:08:36
the hell was she doing here? Exactly.
1:08:39
She wasn't good enough to be here. She couldn't cut
1:08:41
it in high school and she can't cut it now.
1:08:44
Well she can't do anything now. You killed
1:08:46
her, correct? Is it
1:08:49
so wrong if she's gone? Her
1:08:51
horse! Her horse was in the Metaverse
1:08:54
already. Wow. Huh.
1:08:57
Don't you think when you see one
1:08:59
of those two-legged creatures without
1:09:01
a horse that they're worthless? Don't
1:09:05
you think that they're the worst excuse
1:09:07
of life? I don't
1:09:09
think they're worthless. Don't
1:09:11
you though, don't you though? She turns to
1:09:14
charity. I think they're unlucky. Unlucky.
1:09:17
Because they don't have a best friend the way I have
1:09:19
a best friend. That's not the kinds
1:09:21
of things we used to say in horse class. Well
1:09:24
we said lots of things in horse
1:09:26
class. We said hooohooohooohooohoooh. And
1:09:28
we said hooohooohooohoooh. Yes, we said pfft. And
1:09:31
we also said nay. Nay
1:09:33
to you. Gilmaiya, this
1:09:37
is borderline inappropriate what you're
1:09:39
doing. No, yes. I
1:09:42
happen to be Facebook friends with
1:09:44
Charmaine and she's not married. That's
1:09:47
right. So
1:09:50
I'll ask you, if you're not Charmaine's husband,
1:09:52
then who are you Marvin Blonde or Gilmaiya
1:09:55
Lysander? And do you even have a horse
1:09:57
named Gilmaiya Lysander? I do not. Ahhhhhh!
1:10:01
Friends! Then maybe you don't belong
1:10:03
here either. And Frieza
1:10:05
taps his front right hoof
1:10:09
and a vaser pops out. Ahhhhhh! He
1:10:11
points it at Gelmar. Scandal rears up
1:10:13
on her hind legs and
1:10:16
reveals her hidden pistol. Her
1:10:18
revolver that she keeps tucked
1:10:21
in her back right hoof. Not
1:10:24
so fast, Frieza! Even if
1:10:26
you try to shoot me, I'll still have a
1:10:28
time. Dang! As- okay.
1:10:32
Okay. You fire and Frieza
1:10:34
wasn't able to finish that sentence, but
1:10:37
he would have said, I'd
1:10:39
still have time to shoot your
1:10:41
friend. Which she
1:10:43
does. Okay. Scandal
1:10:46
get him. Make
1:10:48
a laser drill. Okay. The
1:10:52
failure. Oh no! No! Big,
1:10:59
big failure. Great. Gelmar, I
1:11:01
need you to make a laser drill to see if he
1:11:03
can dodge Frieza's blast. Oh!
1:11:05
A success. Yeah! It's
1:11:08
exciting. As the vaser fires,
1:11:11
Gelmar spins his magnifying glass
1:11:13
out and blocks the vaser,
1:11:15
which is able to redirect
1:11:17
it up into the
1:11:19
scaffolding. Yes, the
1:11:21
vaser blast is redirected, ricocheting up
1:11:24
into the scaffolding, hitting a light
1:11:26
which then falls on
1:11:28
excellent Polette. And
1:11:32
the bullet from Scandal's revolver embeds itself
1:11:34
in the harness as humility falls. Humility
1:11:38
rears back in pain. No!
1:11:45
But breathes the sigh of relief,
1:11:47
knowing that by being embedded in
1:11:49
the harness, it didn't pierce the
1:11:51
kevlar coating of humility's
1:11:53
testicle. Amidst
1:12:01
the confusion, Gelmir rushes towards
1:12:04
Frieza and then leaps over
1:12:07
his head and then twists and lands on
1:12:09
his back. Ooh!
1:12:12
Frieza's going to buck and try and lose you.
1:12:14
I need you to make three laser
1:12:17
rolls. Success.
1:12:19
Oh! Failure. Oh.
1:12:23
Success. Laser field! Laser field! That's
1:12:25
one of the laser field, exactly. Do you want to ask me a question? Yeah!
1:12:30
What is Frieza's fatal flaw in the
1:12:32
mistaken belief in the superiority of horses?
1:12:34
Okay. He bucks once. He
1:12:38
falls off. You
1:12:41
leap back on. He bucks
1:12:43
again. You hold on.
1:12:46
He bucks a third time. You
1:12:49
ride him with panache. He's
1:12:53
never ridden a horse before. He's
1:12:55
never been given a chance. And
1:12:57
in that third moment, when you
1:12:59
truly take control, it feels amazing.
1:13:01
Wow. It
1:13:04
feels like you always desire to
1:13:06
connect with another living being. Oh
1:13:09
my god. Are
1:13:12
you my best man? No! Can't
1:13:15
you feel this? The connection that we have together?
1:13:17
I hate it. I'm
1:13:20
hornas. Oh my gosh.
1:13:22
As a horse, you can't make
1:13:24
connections with other people. You can
1:13:26
only connect to one person. And you
1:13:29
think horses are better than humans or
1:13:31
any other alien species that can make
1:13:33
connections all over endlessly?
1:13:36
You're stuck. And you think
1:13:38
that's superior? I feel sorry
1:13:40
for you. You're painting with a really broad
1:13:42
brush. I'm painting with
1:13:44
a fond tip brush. And
1:13:47
I learned it all from you. Gomirr
1:13:50
guides the horse to the bar. Where
1:13:53
are we going? I'm going to
1:13:55
show you what it means to have a good time with someone
1:13:57
who isn't your one rider. Two
1:14:01
screwdrivers on the house. Make
1:14:04
sure it's below well. You
1:14:11
don't get to announce something is on
1:14:14
the house, sir. But this is an
1:14:16
open bar. You're like doubly wrong. It's
1:14:20
just an open bar. TikTok. And
1:14:23
you want a cocktail for the murderer? For
1:14:25
the horse. I want to show him that
1:14:28
he didn't have to be scared of us. Marvin
1:14:33
get off my horse. He's
1:14:35
been a very bad horse. Alright.
1:14:38
Gummy gets off the horse and looks at Fusa in the
1:14:40
face and says, that's your
1:14:42
biggest tragedy. You'll never know
1:14:45
how far you really are from happiness. He
1:14:47
turns around and walks towards his friends. And
1:14:50
you'll never be willing to kill to make a point.
1:14:53
Summer turns back. That's how you get
1:14:55
ahead. This world. If that's
1:14:57
how you get ahead, I
1:15:00
don't want any part of it. In
1:15:02
fact, I am through asking my
1:15:04
superiors for professional advice. If it
1:15:06
ends up like you, then as
1:15:09
I said, I do not want it. My
1:15:12
arc is complete. We
1:15:21
fade now to the parking lot
1:15:23
outside the function hall. There's a
1:15:26
police van and Friesa
1:15:28
is being loaded into it and
1:15:30
Horna is accompanying him. She's
1:15:32
bereft. The last thing she wanted
1:15:35
was a murder to happen at this reunion. And it
1:15:37
was her own horse that did the deed. Oh
1:15:40
Horna. I'm sorry. Yes,
1:15:43
it's going to be quite some time
1:15:45
before I give Friesa any apples. Oh.
1:15:49
Oh sorry. I thought that was a joke. Horna, I
1:15:52
hope if tonight proved anything, it's that we
1:15:55
don't need the horse-rider
1:15:57
relationship. It's only...
1:16:00
serving us if we
1:16:02
are both interested in each other's
1:16:04
growth as individuals not as murderers
1:16:07
i guess i guess that's the one thing we
1:16:09
can take away from this high school reunion you're
1:16:11
right also i'm a
1:16:13
spy the three of
1:16:16
you head back into the johnson and
1:16:18
take off bound for the
1:16:20
cataneer what
1:16:23
a reunion i
1:16:26
i'm so sorry that i
1:16:29
interfered with your romantic
1:16:31
explorations in high school and that
1:16:33
i wasn't secure enough in
1:16:36
our friendship to let you
1:16:38
fly i understand
1:16:40
now there's an
1:16:42
element of our relationship that
1:16:44
makes it hard to see how other
1:16:47
relationships can fit into it but
1:16:49
they can with hard work
1:16:52
and thoughtful communication
1:16:56
yes we can also
1:16:59
have relationships with other people do
1:17:01
you think you'll be seeing jip jann
1:17:03
or juliet or jeff anytime soon i
1:17:06
don't know all i
1:17:08
want to do right now is
1:17:10
relax and decompress and
1:17:12
spend a little time with myself and
1:17:15
as everybody settles into the ship
1:17:18
on the long ride home we
1:17:21
cut back to charity reading
1:17:23
an apple for bluebell
1:17:27
masturbating furiously what
1:17:35
adventure lies next amongst oh
1:17:37
these those stars of space
1:17:40
oh these those stars of space stars
1:17:42
alie fisher branson reese carly
1:17:45
minardo christopher hastings
1:17:47
tim plat and joe
1:17:50
lapore as everything and everyone else
1:17:53
oh these those stars of space is
1:17:55
edited by sam grepp designed by joe
1:17:57
lapore and produced by joe lapore at
1:17:59
bucket of Use my Provisioning
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