Episode Transcript
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0:01
I think this is a moment for a
0:03
strong steady hand on Radiolab. I'm the Secretary
0:05
of Defense and former director of the CIA.
0:08
We talked to national security expert Leon Pena.
0:10
If we have to go after terrorists in
0:12
any country. About square
0:16
dancing. It came out of nowhere.
0:21
American tradition or a
0:23
whitewashed plot. Birdie in
0:25
the cage from Radiolab. Listen
0:27
wherever you get podcasts. When
0:30
in despair over your social
0:32
media platform, take comfort because
0:35
digital domination is built on
0:37
sand. It just takes one good
0:39
competitor like TikTok or one big
0:41
scandal like a live stream mass
0:44
shooting or one big privacy debacle
0:46
like Cambridge Analytica. And it can
0:48
tip. From WNYC in New
0:50
York, this is On the
0:52
Media. I'm Brooke Gladstone. This
0:54
week, the life cycle of
0:57
internet platforms from electrifying birth
0:59
to spiraling decrepitude. Or as
1:01
you'll hear bleeped in
1:03
poopification. I think the example
1:05
that everyone can relate to here is
1:08
Twitter. Twitter has gone from indispensable to
1:10
completely dispensable for larger and larger groups
1:12
of people very quickly. And so when
1:14
that happens, when the platform tips over
1:17
and becomes a useless pile of sh**,
1:19
which is the end of in sh**ification,
1:22
then it starts to thrash. And
1:24
in thrashing, there's people power.
1:27
It's all coming up after this. From
1:32
WNYC in New York, this
1:34
is On the Media. Micah
1:36
Lowincher's out this week. I'm
1:38
Brooke Gladstone. We've spent hours
1:40
dissecting the anatomy of the
1:43
internet, chronicling concerns about privacy,
1:45
the appeal of connection, our
1:48
willful, woeful walled gardens
1:50
and the fumbled attempts to regulate any of
1:53
it at all. And yet
1:55
we hadn't really been clued into
1:57
the systemic nature of the increasing...
2:00
crappiness of being on, let's
2:02
call it, big digital until now. The
2:04
competition watchdog has opened a formal probe
2:06
into Amazon and Google over concerns that
2:09
they have not been doing enough to
2:11
combat fake reviews on their sites. Two
2:13
San Diego women are suing Amazon in
2:15
a proposed class action lawsuit, claiming Amazon
2:17
prime members who pay $139 a year
2:19
for membership have been misled
2:23
for years regarding shipping times. The
2:25
tech industry changing the world as
2:27
it does in mysterious ways, is
2:29
bound to spark editorial tongue clucking
2:31
and laments about how it's just
2:33
not the way it used to
2:35
be. But this is different. Those
2:38
cluckers are right. Corey
2:40
Doctorow, journalist, activist, and the
2:42
author of many books, most
2:44
recently the internet con and
2:46
the bezel, a science fiction
2:48
crime thriller has tracked this
2:50
phenomenon for a long while.
2:53
Corey was our guide for this hour when
2:55
we first aired it last spring. In
2:58
it, he explained the process whereby
3:00
going online grows ever less rewarding
3:02
and ever more repellent.
3:05
To start things off, this trend
3:08
should have a name. Luckily, Dr.
3:10
O coined one. He calls it
3:12
in bleepification. It's absolutely
3:14
accurate and totally not allowed
3:17
on broadcast radio. And notification
3:19
is the death cycle of
3:21
platforms and platforms are the
3:23
native form of
3:25
the internet. It means you have
3:27
these companies that are really neither
3:29
disciplined by regulation nor by
3:31
competition and who can kind of change the
3:33
rules as they go. Now
3:36
get into the nitty gritty of the
3:38
process, which you managed to compress into
3:40
three distinct steps. Step one, first the
3:42
company is good to its users. So
3:44
think about Amazon. When Amazon started, it
3:46
had a lot of shareholder capital and
3:48
was able to operate at a loss.
3:50
It sold you goods for less than
3:52
they cost. It subsidized the price of
3:54
shipping. It subsidized the price of returns.
3:57
You know, Jeff Bezos, was it like a good natured
3:59
slob? just wanted you to have stuff below cost. Just
4:02
so you know, here's what's hot. Digital
4:04
camera rays are sooner than their end
4:07
tools. We even got the George Morgan
4:09
grill for you. But if
4:11
you need an item that is not hot,
4:15
click on blood pressure monitors and
4:17
tissue-box cozies. The Lord
4:19
take you zen scaffolding. Amazon...
4:21
And lots of people piled in. And
4:24
you know, there were lots of things that Amazon fixed
4:26
that were really broken for a lot of people. People
4:29
who have disabilities and couldn't leave the house. People
4:31
who needed to get large things. There
4:33
was a point early on where Amazon started
4:36
off with putting all kinds of things in
4:38
prime for free shipping. And there was this
4:40
point where people on the internet were trying
4:42
to find the heaviest item that you could
4:44
get free shipping on. And you could buy
4:46
like a two-ton safe. And
4:48
good natured old Uncle Jeff would
4:50
pick up the shipping tab to
4:52
deliver two tons of tempered steel
4:54
to your front porch. Those were
4:57
the good old days. So
4:59
you say lots of us piled in, lots
5:02
of brick and mortar retailers withered
5:04
and died making it harder to
5:06
go elsewhere. Step one is
5:08
figuring out how not just to give the users
5:10
a good deal, but to then spring the trap,
5:12
right? So that they don't go. Break
5:15
your local retail so that the only place
5:17
to shop is Amazon. Pre-pay for prime. Getting
5:20
you to pre-pay for a year's worth of shipping, right?
5:22
Who's going to shop anywhere else if you've already paid
5:24
for the shipping? It's also getting you
5:26
to pre-pay for a book every month. So
5:29
the audible subscription packages are extraordinarily generous because
5:31
that means that you would never buy an
5:33
audiobook anywhere else because you've already bought the
5:35
book. And then with
5:37
the digital stuff, they also use digital
5:39
rights management, which is this kind of
5:41
encryption that locks the file to
5:44
their authorized player. So you can
5:46
only read a Kindle book. You can only listen
5:48
to an audible book in a player that Amazon
5:50
has authorized. And the thing about
5:52
digital rights management is that since 1998, when
5:54
Bill Clinton signed the Digital Millennium Copyright Act,
5:57
it has been a felony to have a
6:00
to give someone a tool to remove digital
6:02
rights management, even if no copyright infringement ever
6:04
takes place. So if you buy one of
6:06
my books on Amazon, which you can't because
6:08
none of my books are sold on Amazon
6:10
with digital rights management, but if they were,
6:12
and I supplied you with the tool that
6:14
lets you take the DRM off, the digital
6:16
rights management off, and go to a rival
6:18
platform so you could break up with Amazon,
6:21
I would commit a felony punishable by a five-year
6:23
prison sentence and a $500,000 fine. Those
6:26
are penalties that are much stiffer than if you just
6:29
stole the book. So
6:31
then go to step two,
6:33
when the platform starts to
6:35
squeeze users for the betterment
6:37
of their business partners. So
6:40
the platform is now a thing that you're
6:42
locked to. It's got all of
6:44
your recurring subscriptions, all your music or movies
6:46
or books or everything are kind of stuck
6:48
in its walled garden. Now they can start
6:51
doing things like allocating other surpluses, as our
6:53
friend in the economics trade would say, to
6:55
these sellers. What does that mean,
6:58
allocating surpluses? Surpluses are just
7:00
goodies, right? It's what's left over after you're
7:02
running the business or what you have in
7:04
your bank account that you can spread around.
7:06
Amazon can run the business at a loss,
7:08
but it can get money from selling shares
7:10
or by borrowing money. Other surpluses
7:12
might be your privacy to pitch
7:14
ads to you. So Amazon takes some surplus
7:17
and it starts to allocate it to those
7:19
business users. Charges some low
7:21
fees for preferential treatment. Really
7:23
low platform fees. If you're a Kindle
7:25
author or an Audible author, the royalties
7:27
are crazily good. And this is at
7:30
a time when publishing is really in
7:32
the toilet. Some of that
7:34
is down to Amazon. So Amazon is
7:36
being good to its suppliers, but not
7:38
all of them. Amazon ran a project
7:40
called Project Gazelle. And in this project,
7:42
they went to their small and medium
7:44
publishers and they demanded discounts from them
7:46
that were so deep that the publishers
7:48
actually were losing money on their sales.
7:51
And the reason it was called Project Gazelle is
7:53
that the managers in charge of this were
7:56
exhorted to think of themselves as cheetahs bringing
7:58
down the sickly gazelles and the. advertisers
14:00
made this bad deal for publishers, but they
14:02
all feel like they can't leave. Even
14:04
if every time they log in, every time they
14:06
write a check, they're just like, Oh, this is
14:08
terrible. And the thing about
14:10
that equilibrium where you've got just enough surplus
14:13
in to keep people using it, but not
14:15
so much that there's any extra, it's brittle.
14:18
It just takes one good
14:20
competitor like TikTok or one big
14:22
scandal like a live stream mass
14:24
shooting or one big privacy debacle
14:27
like Cambridge Analytica and it
14:29
can tip. And you know, we're talking about Facebook,
14:31
but I think the example that everyone can relate
14:33
to here is Twitter, right?
14:35
Twitter has gone from indispensable
14:37
to completely dispensable for larger and
14:40
larger groups of people, businesses, movements,
14:42
and so on very quickly.
14:45
When that happens, when the platform
14:47
tips over and becomes a useless pile of
14:50
which is the end of an education, then
14:53
it starts to thrash. And so
14:55
Mark Zuckerberg has to pivot, which
14:58
is Silicon Valley for thrash. Pivoting
15:00
in his case is let's
15:02
all be legless, sexless, highly
15:04
surveilled, low polygon cartoon characters
15:06
in a virtual world named
15:08
after a satire from a
15:11
dystopian cyberpunk novel. You
15:13
know, there are consumers who argue that their
15:15
platforms are still working for them. People
15:18
aren't lying when they say they get value
15:20
out of these services. That's why we use
15:22
them. But the thing that the platforms want
15:24
us to think is that there is no
15:26
way to arrange their products
15:29
and services such that all the
15:31
things that we hate about them wouldn't come
15:33
with the things that we love about them,
15:35
that they are inseparable, that surveillance is a
15:37
part of search and could not ever be
15:39
anything but a part of search. But we
15:41
know that you can make a Facebook without
15:43
spying on people. How do we know that?
15:45
Because Facebook used to be the social media
15:47
service that didn't spy on you. What
15:50
these platforms would like you to believe is
15:52
what Margaret Thatcher wanted us to believe. There
15:54
is no alternative. There is no
15:56
alternative. To paraphrase whoever said it, maybe it
15:58
was Jizek, maybe it was They
22:01
called it antitrusts Vietnam. So
22:04
allowing a monopoly to form is
22:06
allowing a concentration of power to
22:08
occur that if in hindsight you
22:10
decide is dangerous is very, very
22:12
hard to diffuse again because the
22:14
monopolies become too big to fail
22:16
and too big to jail. We're
22:19
talking about monopolies, but
22:21
let's pivot to monopsonies
22:23
because if a single
22:25
dominant seller is a
22:27
monopoly, a single dominant
22:30
buyer is just as powerful
22:32
when it comes to screwing up
22:34
a genuinely free market. That's
22:37
right. So that brings another platform into
22:39
the discussion. Spotify.
22:41
You have this orgy
22:43
of mergers and acquisitions. You
22:45
have three big record labels,
22:48
Sony, Warner and Universal. So
22:51
in the late aughts when Spotify was trying
22:53
to get off the ground, especially in the
22:55
U.S., it made a deal with the big
22:58
three. Yeah. So Spotify goes
23:00
to Sony, Warner, Universal, 70 percent of
23:02
all the sound recordings in their portfolios,
23:04
which they didn't invest in. They bought
23:07
from other companies when they bought those companies and
23:09
mergers that would have been illegal before Ronald Reagan.
23:12
They say to these three companies, what's it going
23:14
to take to get your music on our service?
23:17
And the three companies say, we're going to be
23:19
your business partners. We're going to take a big
23:21
equity stake. And you're going to love that because
23:23
we want those royalty rates to be as low
23:25
as possible, a fraction of a penny per track
23:28
because these big three record labels, once
23:30
they are co-owners of Spotify, can take money
23:33
out of Spotify as licensors. Right. And that
23:35
money has to be shared with the labor
23:37
force who made the music or they can
23:39
take it out of shareholders. And that
23:42
money, they don't have to give it to the workforce
23:44
if they don't want to, the musicians who made the
23:46
works. And so the more
23:48
they charge for the music you listen
23:51
to on Spotify, the less their shares
23:53
are worth. So
23:55
you're describing record companies making money at the
23:57
expense of their own artists.
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