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OperaVision
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OperaVision
OperaVision
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This month, we’re joined by young artists Chiara Boccabella and Francesco Leone in the run up to the Accademia Rossiniana Alberto Zedda this summer. They share thoughts on preparing for auditions (the key lies in character!), and how exactly t
This month, we are back with our emerging artists from Palau de les Arts in Valencia, where we discover how steady and slow is the key to vocal progression, how going beyond your comfort zone is necessary when hustling for work, and which key
This month, we’re back at Oper Frankfurt following up with our four young artists, where juggling roles and dealing with vocal fatigue are part of life at the height of a busy season. Our singers share stories of setting boundaries, juggling r
In an industry where self-doubt can be paralysing, Opera for Peace Ambassador and soprano Ailyn Perez shares her techniques for helping emerging artists to trust their voices, how to navigate away from the feeling of continually being judged, a
With its extensive international travel, sets and costumes created for individual productions, many of which are then disposed of, opera does not have a reputation for being particularly green. However, companies and individuals are now makin
For many artists there are barriers that go much deeper than the gender binary, but how can we ensure people of every gender have real access and are genuinely welcomed in the opera world? Trailblazing American baritone Lucia Lucas reveals t
‘Classical opera has a racism problem’ ran a headline in the New York Times in 2019, one of many articles in recent years to discuss the subject. Racism is high on the list of issues the opera world is looking to tack
‘Is opera the most misogynistic art form?’ asked Charlotte Higgins in The Guardian back in 2016, noting that the genre itself seems to devour women. In Classical Music Magazine in 2020, Becca Marriott argued that ‘Sexism is preventing women f
Opera has long been accused of elitism, racism and misogyny, and over the course of the next few episodes we are looking at how voices in opera are calling for change to make it better for all our young artists. We begin by looking at the rep
This month, OperaVision is back in Paris at Opera for Peace’s second academy, with our expert the soprano Sumi Jo sharing her warm yet strict approach to working with emerging artists, and giving us tips on sustaining a long and healthy care
OperaVision heads to the Palau de les Arts and their Centre de Perfeccionament in Valencia, where two of our young artists talk about the challenge of balancing outside opportunities with in-house commitments, the realisation that insecuritie
This month, OperaVision takes you along the Adriatic Coast to the Rossini Opera Festival’s Accademia Rossiniana’s ‘Alberto Zedda’ in Pesaro. Three young artists negotiate their way through the packed auditions, deve
This month, OperaVision takes you from the Studio at Oper Frankfurt to backstage at BBC Cardiff Singer of the World. Nombulelo Yende shares her hopes and fears about performing in front of experts and an international audience, while Clara Hy
One of the leading tenors of his generation, Brian Jagde joins us after his Opera for Peace Masterclass in Paris. He opens up about vocal technique and mental health. Through his work with tenors Raúl Gutiérrez and Matteo Ivan Rašić, we hear
This month, OperaVision is back with the Rossini Opera Festival’s Accademia Rossiniana ‘Alberto Zedda’ where we hear about alumnus Stefan Astakov’s opera journey and how he has learnt to let go of technique when performing in front of a judgin
This month we return to the Palau de les Arts and their Centre de Perfeccionament, where the young Soprano Iria Goti finds her feet in a brand new production of Cendrillon. We discover how she reacts when self-criticism and nerves take hold dur
What goes through the mind of the award-winning young soprano Nombulelo Yende as she steps onto the stage at Oper Frankfurt for a major role debut with just a few rehearsals? Nina Brazier chats to her before rehearsals begin, and in her dressi
On track to becoming a doctor in Mexico and finding opera as something ‘for old people’, Leonardo Sanchez made an unexpected career pivot and discovered that singing opera really could be a viable career choice. So how have the first steps in o
From one young singer who left her academy without permission to sing at her audition in Valencia, to another being interrupted in his dressing room by the artistic director of Teatro Real, we hear the unusual journeys of three young artists at
Four Young Artists from Oper Frankfurt’s Opera Studio share their stories – from their first auditions in front of the Intendant Bernd Loebe, and on to negotiating their way through the early months of the programme and taking on major roles in
We head to the Rossini Opera Festival to join the Accademia Rossiniana “Alberto Zedda” Young Artist Programme, where we follow the journeys of four singers as they dedicate themselves to the portrayal of Rossini’s works, and fully-stage a produ
We head to Rome for the inaugural academy of Opera for Peace, the emerging artist programme which aims to level the playing field for emerging opera singers from all countries, backgrounds and circumstances. We meet four of their emerging singe
From one young soprano making audition videos in a shelter in Kyiv while the war swept through Ukraine, to another using an international singing competition to showcase her talent, we meet emerging artists from four leading young artist prog
Charting the journeys of singers on four competitive young artist programmes across Europe. From masterclasses and performances, to rehearsal rooms and dressing rooms, we hear the motivations, desires and the challenges they face - along with i
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