“Your assumptions are your windows on the world. Scrub them off every once in a while, or the light won’t come in.”― Isaac Asimov
The word for this post is “open.”
Be open to unexpected guests.
Be open to new ideas.
Be open to being uncomfortable.
Publishing a podcast regularly can be a slog sometimes. Being open to new things can keep things fresh — in a good way.
I’ve talked previously about striving to get 100 nos in a year. This can push you to invite more guests and to reach higher.
Since May is Asian American and Pacific Islander Heritage Month, I decided to try something I’ve never done — attempt to book 4-5 AAPI guests.
I proudly report the following:
No: Margaret Cho, Ali Wong, Ronny Chieng, Nims Purja
Maybe: Michael Paul Chan
Yes: Etta Lau Farrell, Steven He
If you don’t know Etta (I didn’t), she is the wife of Jane’s Addiction frontman Perry Farrell, a long-time dancer for the band, and backup singer. She just released her debut single.
It’s unexpected so I’m going with it!
I’m excited to interview Steven He. Emotional damage!
About 20 of my invites remain unanswered so I still have work to do. Wish me luck.
Meanwhile, I put together a list of 31 Asian American Podcasts for AAPI Heritage Month. Please add a few to your playlist.
Monetization is always a hot topic for independent podcasters. It’s doable but can be hard.
If you’re monetizing your show, how are you doing it? Hit reply, I’d love to hear from you.
IMHO, here are three ways:
Should you ask guests to pay to be on your show? This one can be controversial.
John Lee Dumas of Entrepreneurs on Fire charges some guests a $3,500 appearance fee. You can place a PayPal link on your booking page requiring a guest to pay. I do not know about you; but if I were a potential guest, a surprise “marketing fee” would turn me off.
I’ve heard of podcasters charging PR companies $100-200 to book their clients. On the higher end, I know of a podcaster who successfully offers a VIP red rope package to PR firms. For $500, PR firms get their client’s episode moved up in the production schedule, social media...
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